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Instrumental Invasion, 2/10/21 February 11, 2021

Posted by Mike C. in Airchecks, Audio, Comedy, Country, Film, Jazz, Media, Military, Music, Personal, Radio, Travel.
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The February 10, 2021, Instrumental Invasion on WCWP was recorded on January 14 (first hour, first talk break of hour 2) and 15 (the rest of the show).

The playlist was created on January 12 with annotations starting that day and completing on the 13th, after which the script was drafted.

In the early months of Instrumental Invasion, I avoided dated references, but now, I’m mindful of when shows air. Valentine’s Day is on Sunday, so I worked that in and played relevant songs. Drummer Eric Valentine’s presence in “Sunday Strut” by Blake Aaron was coincidental.

As long as I’ve had Boney James and Rick Braun‘s Shake It Up, I’ve thought of the main theme for The Magnificent Seven while listening to “Love’s Like That,” their collaboration with Fourplay. So, I had to mention that after I played it. Unfortunately, the explanation and side-by-side comparison led me to pick a shorter Lee Ritenour song from his Dreamcatcher album. “Starlight” was out, “Storyteller” was in. That also meant I needed to share more information about “Song for Barry” after the Airmen of Note‘s cover of the Brecker Brothers song on Return of the Brecker Brothers.

The recurring theme in this show was travel: by airplane, car, and train.

I finally got to use the Game Dave liner coming out of a David Benoit song, and from the same album, so I could say “that was Gamer David Benoit.”

Now, the bad news: I was unable to aircheck the show. It’s the third time that’s happened. On August 5, it was because my cable went out two hours before air (and stayed out until the 8th). On November 4, the FM stream was down for maintenance. I was asleep at the time, but I can only assume this third blunder was due to an automatic Windows update that made the computer restart. Microsoft Edge was still open on restart and Easy MP3 Recorder apparently still conducted its timed recording even though the stream wasn’t active. Ergo, two hours of silence.

So, click here to download the “aircheck” MP3, culled from the original segment files (plus the underwriting and Legal ID from last week’s aircheck), or listen below:

January 31-February 2 snowstorm February 3, 2021

Posted by Mike C. in Comedy, Film, News, Personal, Photography, Radio, Weather.
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I said in the last winter storm post that “there will be storms this winter.” It took until the last hours of January for the next storm to come, lasting nearly two days and dropping 17 inches of snow.

The first snowflakes fell at around 8PM on Sunday, January 31. I took this photo at 8:05 before going to bed:

After a broken eight hours of sleep, I was up for the day, taking this photo at 6:28 AM on Monday, February 1:

8:25 AM:

Following my morning workout, and a botched attempt at treadmill running, I returned to my room, taking these photos at 9:13:

Snowflakes were thicker at 9:53:

In the next few hours, I began watching The Goonies on Blu-ray, along with special features, and worked on the March 10 Instrumental Invasion playlist. I took a break at 12:43 PM for the next photographic update:

Any photo of the backyard was risky, as the wind gusted out of the northeast (it was a nor’easter, after all):

The snow seemed to be tapering off by 1:53, so I attempted to shovel part of the driveway after taking another batch of photos:

Before photo:

I measured 15 inches of snow on the lawn with a wooden 18-inch ruler.

After photos, 58 minutes later (2:54 PM):

For the second storm in a row, I initially felt I had wasted my time shoveling. Snow re-intensified as I shoveled and it re-accumulated. My goal was to shovel a path from my dad Bill’s car on the side of the driveway to the front door. But when he came home around 4:00, he had to park in the road. The snow I had left for the snow blower to get was too high. I wasn’t sure if he’d use the blower right away, but work began at 4:25:

At one point, Dad let me try out the snow blower. I asked my mom Lisa to capture the moment:

Working around the visible license plate, here is my edit of Mom’s video:

Having gotten the hang of it, I let Dad finish up:

It took 30 minutes to clear all that snow. Now, Dad was able to move his car into the driveway:

I took photos these at 5:13, after ten minutes of touch-up shoveling:

Unfortunately, the snow was still not over. Another two inches would fall by the early morning hours of Tuesday, February 2. I took this last photo of the 1st at 6:46, shortly before an early bedtime:

I got a broken 8 1/2 hours of sleep this time and woke up at 4:59 AM. Two minutes later…:

After watching more of The Goonies, I decided it was time for one last touch-up at 6AM. I used a 12-inch ruler to measure the additional snowfall in the driveway: 2 inches, making for 17 in all. It must have taken half an hour to shovel the driveway and then another half-hour to shovel the sidewalk up to the property line.

Starting at 7:04, I captured the after photos:

Unfortunately, a plow came through within the hour, which undid my edge work.

I took indoor photos at 7:10:

My Tuesday proceeded from there. Wet snow showers came in the afternoon, but didn’t accumulate. I did a little more shoveling around 4:00, taking this indoor photo at 4:37:

Snow showers persisted after sunset when temperatures were back below freezing. That meant the snow stuck to the ground, as seen at 7:18:

I initially tried to shovel the new accumulation on the morning of Wednesday, February 3, but it was merely a coating, so I left it.

Tuesday was also Groundhog Day, and if you’re wondering, Punxsutawney Phil saw his shadow. That means six more weeks of winter and more storms to photograph. The next one is expected on Super Bowl Sunday. Until then.

Instrumental Invasion, 1/20/21 January 21, 2021

Posted by Mike C. in Airchecks, Animation, Audio, Comedy, Film, Jazz, Media, Music, Personal, Radio, Weather.
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The January 20, 2021, Instrumental Invasion on WCWP was recorded one hour per day on December 19 and 20, 2020, with a pickup line recorded on the 21st.

The playlist was created on December 18 with annotations that day and the next day. The script was drafted immediately after that, followed by work on the blog recap of the winter storm that occurred on the 16th and 17th.

The 1984 and earlier segment returned to lead off the show.

I had to pad the last segments of each hour with extra liners because my talk breaks ran short.

I had fun with the “Oi Gata” etymology and British exclamation when back-selling Joe McBride‘s song.

Back on December 3, Audrey Varnas, WCWP’s FM music director, informed me of a music submission by the U.S. Air Force Band Airmen of Note. She asked if I wanted their 2020 Jazz Heritage Series album shipped to me, and I accepted. After listening, I told her the Airmen of Note are great, as they sound like all the other big bands I’ve heard. “Up and Running” won’t be the last you hear of them on Instrumental Invasion. Last Monday, I was informed that Audrey tested positive for COVID-19. Thankfully, her symptoms were mild, and she was resting and recovering at home. Thanks again for the recommendation, Audrey. I hope you’re feeling better.

As noted while back-selling Lee Ritenour‘s cover “Red Baron” by Vince Guaraldi, I spent six days watching various Peanuts specials – and The Charlie Brown and Snoopy Show – on Blu-ray and DVD. I’ve been watching more specials since Sunday and should finish by Saturday. The inclusion of “Red Baron” allowed me to correct an error I made talking up the David Benoit version on June 3. I said it was “about a certain World War I Flying Ace” when it was really about that ace’s nemesis.

I also made reference to Galaxy Quest while talking up “Never Giving Up” by the David Wells and Chris Geith Project. I watched the film back in August, and it features the catchphrase, “never give up, never surrender!”

Click here to download the aircheck MP3 or listen below:

Instrumental Invasion, 1/13/21 January 14, 2021

Posted by Mike C. in Airchecks, Audio, Comedy, Film, Jazz, Media, Music, Personal, Radio, Technology.
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The January 13, 2021, Instrumental Invasion on WCWP was recorded one hour per day on December 11 and 12, 2020.

The playlist was created and annotated on December 10 and was the first playlist with 18:40 segments in mind. Hours earlier, after only a few hours of sleep, I edited all but three segments for the previous four shows from 18:45 to 18:40. I hoped that would prevent automation from cutting off the end of the last segment, which happened the night before. And so far, it has. December 9 was the last show to date with that problem.

This was also the first show where I scripted out my talk breaks in Microsoft Word prior to recording, and therefore the first time I saved a script. I tweaked each portion as recording progressed.

For the second week in a row, I swapped out the 1984 and earlier segment for a third 2017 to present segment.

Recording the Lisa Hilton liner (after I annotated the playlist) required a Rube Goldberg machine. There was no way for her to record on her own in a home studio or on an iPhone app, so we had to do it over the phone. I connected a Lightning-to-3.5mm adapter to my iPhone 11, attached a male-to-male 3.5mm cable to the adapter, connected the cable to my TASCAM DR-03, plugged in headphones so I could hear Lisa, and hit record. Only Lisa’s side was audible, but that was all I needed. We spoke for nearly ten minutes with a minute or two dedicated to the liner. Afterward, I extracted the raw WAV file from the DR-03 and edited it in Adobe Audition. Once I compiled the best of each take, I hard limited, denoised, and normalized the audio.

With that long explanation out of the way, here’s the final cut:

Recording from my phone is presumably much easier on the Zoom LiveTrak L-8 mixer that I got for Christmas. I presume because I haven’t tried yet.

I like all the show’s running gags: musicians from Illinois, synth instruments on the same song as actual instruments, and the parent-child element. I’m sure Game Dave would appreciate the Ghostbusters reference in the last talk break.

Click here to download the aircheck MP3 or listen below:

Instrumental Invasion, 11/18/20 November 19, 2020

Posted by Mike C. in Airchecks, Audio, Comedy, Internet, Jazz, Media, Music, Personal, Radio, Video Games.
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The November 18, 2020, Instrumental Invasion on WCWP was recorded one hour per day on October 22 and 23 with a pickup recording on November 11.

The playlist was created and annotated on October 19 with additional annotations during the recording sessions.

This is the first show where I scripted out every talk break, though I give myself freedom to ad-lib. (The remark about “a lot of classic rock in this show” was an ad-lib, for example.)

The show was originally recorded with 19-minute segments, but they all had to be trimmed down to 18:45 through editing out portions of talk breaks, and even speed compression. I had to do the same to the November 25 and December 2 shows. This is another danger of recording shows well in advance.

My reading of “Lucky,” while talking up the Fourplay song, was an homage to Mario‘s exclamation in his eponymous Nintendo video games when he snags a 1-Up Mushroom.

I originally recited the joke that inspires Jeff Lorber‘s “He Had a Hat” while talking up the song, but it was ten seconds over. I’m proud of the talk-up that made the show as I still shouted the punchline. Here is the joke (which Jeff told differently in a promotional interview):

“The Jewish Grandmother”

A Jewish lady’s grandson is playing in the water, she is standing on the beach not wanting to get her feet wet, when all of a sudden, a huge wave appears from nowhere and crashes directly over the spot where the boy is wading. The water recedes and the boy is no longer there. He simply vanished.

She holds her hands to the sky, screams and cries, “Lord, how could you?

Have I not been a wonderful grandmother?

Have I not been a wonderful mother?

Have I not given to B’nai Brith?

Have I not given to Hadassah?

Have I not lit candles every Friday night at dusk?

Have I not tried my very best to live a life that you would be proud of?”

A loud voice booms from the sky, “Okay, okay!”

A few minutes later another huge wave appears out of nowhere and crashes on the beach. As the water recedes, the boy is standing there, smiling, splashing around as if nothing had ever happened.

The loud voice booms again “I have returned your grandson. Are you satisfied?”

She responds, “He had a hat.”

Incidentally, I recorded the segment, and the entire second hour, on a Friday afternoon.

Click here to download the aircheck MP3 or listen below:

As a bonus, I made a scope of the original 19-minute segment cut of the show. No broadcast compression filter was applied:

As still another bonus, here is how Jeff and Pat Kroll signed off my lead-in, a live edition of The Rock Show:

11/21 UPDATE: I forgot to note in this post that I swapped out an extra 2017-present segment for another 2007-2016. When I made the playlist, I didn’t have much material from the last four years to fill a second segment. Since then, I’ve received five more albums, which you’ll hear in the coming weeks, except for the last two weeks of December.

Instrumental Invasion, 11/11/20 November 12, 2020

Posted by Mike C. in Airchecks, Audio, Comedy, Internet, Jazz, Media, Music, Personal, Radio, TV.
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The November 11, 2020, Instrumental Invasion on WCWP was recorded over two days: the first hour on October 15 and the second hour on the 16th.

The playlist was created on October 12. The first hour was annotated that same day and the second hour the next day.

For this show only, segments are 19 minutes long, expanding from 18 minutes in the first 31 shows. Next week and beyond, segments will be 18:45 a piece.

Most talk breaks were scripted as I had no faith in my ability to ad-lib.

Four songs were included to make up for unaired segments. “Off Broadway” (not to be confused with “On Broadway”) by George Benson and “Snake Eyes” by Grover Washington, Jr. were part of two segments that didn’t air in the second show on April 8. “Mr. Rodriguez’s Opus” by David Benoit and “Something About You” by Jeff Kashiwa were part of the unaired July 8 segment.

My reading of “percussion…by Henry Gibson” while back-selling “Michelle” by Ramsey Lewis was an homage to the actor of the same name. Henry Gibson was a player on Rowan & Martin’s Laugh-In, a show that I watched from start to finish on Amazon Prime Video over 58 days in 2018. One of Henry’s characters was The Poet, a southern man who recited poetry while holding a giant flower. Here’s an example (along with a Dick Martin elevator sketch):

Sadly, both Henry Gibsons passed away in the 2000s.

I had to redo the line later because I forgot to write flugelhorn player Arthur Hoyle’s name while annotating. Art passed back in June.

I was glad to debut Nelson Rangell‘s new liner after playing “Nana’s Song,” and I’m equally proud of the grandma synonyms riff I went on afterward.

Click here to download the aircheck MP3 or listen below:

Instrumental Invasion, 10/7/20 October 8, 2020

Posted by Mike C. in Airchecks, Audio, Comedy, Country, Film, Internet, Jazz, Media, Music, Personal, Radio, Technology, Video.
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The October 7, 2020, Instrumental Invasion on WCWP was recorded over three days. The first segment was recorded on September 3, the next three on the 4th, and the last two on the 5th. One talk break each in the first and last segments of the show were re-recorded on the 24th. The show intro was redone on the 26th. I originally said Herb Alpert was “the subject of a forthcoming documentary,” which was to premiere October 1, the day after the intended air date. Due to the September 23 programming error, the air date was moved back a week, so I redid the intro with the words “new documentary.” (And that documentary is fantastic!)

The playlist was created on September 3 and annotated on the 4th, hours before recording that first segment.

This show had the most scripted talk breaks to date.

The re-records were to acknowledge that I played songs by (or featuring) three different Browns, none of whom are related. There was Alison on banjo, Paul on acoustic and electric guitar, and Norman only on electric guitar.

I did mention in the initial recording sessions that The Champs’ song “Tequila” – covered by Larry Carlton – always makes me think of the Pee-wee Dance, which originated in Pee-wee’s Big Adventure:

I also mentioned that Anders Enger Jensen‘s cover of “Floaters” by Jimmy Fontanez and Media Right Productions was an homage to the Technology Connections YouTube channel, which he supports on Patreon. I, too, proudly support the channel, which puts out great content like this:

I like how, in the captions, creator Alec Watson identifies the song as a different adverb of “smooth jazz” in each episode. For the above episode, the caption read “glaringly smooth jazz.”

Thank you, Ryan Grabow, for getting me into the channel, which he recommended to me during his visit last October.

Click here to download this week’s aircheck MP3 or listen below:

12:45 PM UPDATE: I don’t know how I missed it, but I misspelled “ones” while referring to Paul Brown’s Ones Upon a Time album. I erroneously spelled it O-E-N-S, not O-N-E-S. The later line about “French Cafe” by David Benoit and Marc Antoine acting as the “second serving” of David is technically correct if you go by lead musicians. I forgot while recording the last two segments that David was also on “Samba del Luna” by Craig Chaquico and Russ Freeman in the show’s first segment that I recorded two days earlier.

Attending the 2020 U.S. Open in spirit; how I got through the COVID-19 lockdown September 22, 2020

Posted by Mike C. in Comedy, Dogs, Golf, Health, Internet, Media, Music, New Age, News, Personal, Photography, Sports, Tennis, Travel, TV, Video, Video Games.
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2020 would have been the third year in a row I attended a PGA Tour major championship held in the New York metropolitan area and fourth year in the last five. In 2016, I traveled to Baltusrol Golf Club for the second round of the PGA Championship. In 2018, I was briefly at Shinnecock Hills for the third round of the U.S. Open. And last year, I witnessed the final round of the PGA at Bethpage Black Golf Course, the third time a major had been held there.

This year, the U.S. Open was to return to New York in June, as usual, to be held at Winged Foot Golf Club in Mamaroneck. As my dad and I had done in 2002 and 2018, we opted to attend the third round so that he could watch at home on Father’s Day. We attended the final round the last time the championship was at Winged Foot in 2006. We were on the periphery of Phil Mickelson‘s collapse on the final hole. So many people stood by the 18th green that we could only hear the undoing. It was a depressing walk to the bus terminal and ride back to general parking at Orchard Beach in the Bronx.

Shortly after Dad bought the 2020 third round tickets in December, I bought a polo shirt that I would proudly don as I walked Winged Foot’s West Course. I had visions of aerial shots of the course along and ground level views of flags flying in the breeze while Brian Tyler‘s epic theme for Fox SportsUSGA coverage – “Triumph of the Spirit” – danced through my head.

Meanwhile, an insidious disease was spreading its way around the world. By March, Coronavirus Disease 2019 – also known as COVID-19 and the coronavirus – had reached the United States. State and local governments put residents on lockdown. Events were canceled or postponed left and right. Sports were put on hold indefinitely.

It was a sudden, sharp, and scary change that was very hard for me to bear. I was so scared and paranoid that I avoided watching or reading the news. It was torture passing by the den as my parents watched New York Governor Andrew Cuomo’s daily briefings. His voice was the last thing I wanted to hear as it served as a harsh reality check. Social media wasn’t any better. Every day, another public figure became a casualty. Some of my friends lost their friends. My dad lost two of his friends.

From March to June, I kept busy at home. I retouched photo scans, removing dust and scratches, and adjusting contrast and color. While I worked, I listened to music or to interview podcasts that didn’t reference the news. Once I landed a weekly radio show at WCWP, recording and producing the shows became another preoccupation. In my downtime, I watched videos on the various YouTube channels I subscribe to, learning about technology and video games. I also watched traditional TV programming: sitcoms like Last Man Standing and Man with a Plan, and the documentary miniseries The Last Dance, about the Chicago Bulls championship dynasty in the 1990s. I worked out religiously and watched what I ate. I bought groceries and other necessities online.

On social media, I limited my Facebook posts to treadmill running milestones, post-radio show blog posts, and photos from the past on Throwback Thursday (#TBT), Flashback Friday (#FBF) or #MemoryMonday. Instagram had some of those photos from the past, but I also began the Cocoa Photo Series, with new entries posted every two to three days. It’s photos of my late Chocolate Labrador from his puppy days in 1998 through Christmas 2006. Here’s an example:

As states and localities were phased back to somewhat normal, I left my house more often, disposable mask in hand when walking through the neighborhood and covering my face when necessary, especially when shopping. I still buy some things online, though.

For a few months now, I’ve begun to follow various dog accounts on Instagram, mostly for Labrador Retrievers. Watching dogs grow up is just what I need in these difficult times.

This concludes the COVID-19 portion of the post.

In April, I learned that three of the four PGA Tour majors were rescheduled for later in the year, with the [British] Open Championship being canceled outright. The U.S. Open was rescheduled for September 17 to 20, the first time the event was in September since 1913. (This meant it would occur a week after the conclusion of the tennis US Open, sans periods, held south of Winged Foot within the USTA Billie Jean King National Tennis Center. For the record, Naomi Osaka won the women’s singles title for the second time in three years while Dominic Thiem won for the men, his first grand slam title.)

Assuming spectators would be allowed, I would be attending the third round of the U.S. Open on September 19. I put the date in my iPhone calendar and hoped that fans got the okay to attend. On July 29, access was denied. I felt like I had wasted my money on a shirt for an event I couldn’t even see in person. At least Dad got refunded for the tickets.

Indeed, to date, I’ve only worn it once after the above Instagram post. That one time was on September 10, a week before the first round. It was for a photo project that would put myself at Winged Foot in spirit.

I connected my Nikon D5500 to a tripod, attached a remote, and photographed myself in front of a blank spot on my bedroom wall, clad in what I would have worn to the third round:

The hat is from 2006 and the ticket holder is from 2018.

Then, I applied an effect to make it seem like I was outside in the sun:

The third step was to combine the image with a shot of Winged Foot I found on Google:

I used the magic wand tool to highlight the wall so I could delete it, leaving only myself. Then, I copied and pasted what was left over the Winged Foot image. After initially placing myself in the center of the image, I cropped it down and re-centered myself. This is the end result:

For publicity’s sake, I made sure to note it was a “fake photo.” I posted to Facebook upon completion on the 10th and to Instagram on the morning of the 19th:

Fall conditions were in effect in the area, which meant I’d have a jacket on if I was truly in person, as I did last year at the PGA:

I watched all four rounds of the U.S. Open on TV like everyone else, but not on FS1 and Fox. The rescheduling put Fox in a bind as they were committed to college football on Saturday and the NFL on Sunday. The only solution was to relinquish their USGA rights back to NBC Sports, which they did on June 29. Starting this year, Thursdays and Fridays would be seen on Golf Channel with weekend coverage on NBC. This also meant the previous U.S. Open theme, “In Celebration of Man” by Yanni (pardon the audio quality), made its return. (A bagpipe-infused version was made for Open Championship coverage, as heard in 2016.)

At the end of 72 holes, Bryson DeChambeau was the 120th United States Open champion. He was the only player to shoot under par in the final round and the only player under par for the championship. Bryson joined Jack Nicklaus and Tiger Woods among players to win an NCAA individual title, the U.S. Amateur, and the U.S. Open. It was his first career major victory and I was very glad for him.

The end result motivated me to include the polo shirt in my regular rotation, just as I do with shirts for most of the other tournaments I’ve attended.

The next major to be held in the New York metropolitan area comes in May 2022 when the PGA Championship is held at Trump National Golf Club Bedminster in New Jersey. I hope the world is post-pandemic by then so I can be there in person. (Other future sites can be found here.)

1/11/21 UPDATE: The 2022 PGA has been pulled from Trump National Bedminster due to the storming of the U.S. Capitol last Wednesday by some of the outgoing president’s supporters. An alternate venue has not been chosen yet. I hope it’s one in the New York metro area as Bedminster would have been.

2/4/21 UPDATE: The PGA announced their replacement last week, which I didn’t find out until this morning. It’s far removed from the New York metro area: Southern Hills Country Club in Tulsa, Oklahoma. They were originally scheduled to host the PGA in 2030, which means a new venue will have to be picked for then. The next major in the New York metro area will be the 2026 U.S. Open at Shinnecock Hills.

I’ll leave you with video and additional articles related to the final round of the 120th U.S. Open.

VIDEO:
John Pak finishes as low amateur
Final round top shots
Final round extended highlights
Bryson DeChambeau, every televised shot
2020 U.S. Open top shots
Every televised shot from DeChambeau’s victory (all rounds)
Trophy presentation
Press conference
Bryson with Todd Lewis on Live from the U.S. Open
Bryson with Todd Lewis on Morning Drive

ARTICLES:
Will Gray, Golf Channel: Bryson DeChambeau cruises to U.S. Open win for first major title
Michael Bamberger, Golf.com: Victory & Validation: Bryson DeChambeau won the U.S. Open on his own terms
Mike Dougherty, Rockland/Westchester Journal News: Bryson DeChambeau vindicated after dominant finish at Winged Foot
Bill Pennington, The New York Times: Bryson DeChambeau wins U.S. Open his way: in commanding fashion
Mark Cannizaro, New York Post: Bryson DeChambeau runs away with U.S. Open for first major title
Greg Logan, Newsday: Bryson DeChambeau powers his way to his first major at Winged Foot

Instrumental Invasion, 9/16/20 September 17, 2020

Posted by Mike C. in Airchecks, Audio, Comedy, Film, Internet, Jazz, Media, Music, Personal, Radio, TV, Video, Video Games.
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The September 16, 2020, Instrumental Invasion on WCWP is the 25th show overall. It was recorded over two days: the first hour on August 21 and the second on the 22nd.

The playlist was created on August 18 and annotated on the 19th, with additional annotations during each recording session.

I finished recording in the nick of time. After the last talk break, the landscaping crew for the two houses directly behind my bedroom began running their leaf blowers.

I had to work in “Working Girl March” by Dave Grusin from the Tootsie soundtrack, which I bought immediately after watching the film on Netflix a week before recording. The version on the soundtrack is not the cue used in the film.

The show intro was one of three talk breaks I scripted out in Notepad. Each had a lot of information to share and I didn’t want to get stuck.

The ends of the talk-ups for “Cruisin'” by Larry Carlton and “Hacienda” by the Jeff Lorber Fusion had to be remixed and precisely spliced over the original mixes. The first talk-up had a glitch between “not” and “Grusin.” The second required me to raise the gain on “this time” because it was too low to hear as I raised the music levels.

I didn’t mention it on the air, but the notes at the end of Larry’s solo on “Cruisin'” always remind me of the pause sound in Konami games for the NES:

Now, here’s the pause sound mixed with the end of the solo:

I noted that Jean-Luc Ponty performed “Tender Memories” on David Sanborn‘s Night Music around the time Storytelling was released. Here is that performance:

Click here to download the show 25 aircheck MP3 or listen below:

Instrumental Invasion, 9/2/20 September 3, 2020

Posted by Mike C. in Airchecks, Audio, Comedy, Film, Internet, Jazz, Media, Music, Personal, Radio, Video.
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The September 2, 2020, Instrumental Invasion on WCWP was recorded two segments per day from August 5 to 7.

The playlist was created and annotated on August 4 with additional annotations during the recording sessions.

I had It’s a Mad, Mad, Mad, Mad World on my mind as I played Gerald Albright‘s cover of “It’s a Man’s Man’s Man’s World” by James Brown. I had seen the film on Amazon Prime Video earlier in the week. I didn’t like it as much I thought I would. I was hoping for a happier ending. I eventually came to accept the way the film ended and appreciate the its historical significance.

The horn section in Bob James‘s interpretation of “We’re All Alone” by Boz Scaggs was too numerous to mention in my back-sell, but you can read the list here.

Click here to download the aircheck MP3 or listen below: