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Instrumental Invasion, 5/31/23 June 1, 2023

Posted by Mike C. in Airchecks, Animation, Audio, Baseball, City Pop, Comedy, Dogs, Film, Health, Horse Racing, Internet, Jazz, Media, Music, Personal, Radio, Religion, Sports, Thoroughbred, TV, Video, Western, World Music.
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The May 31 Instrumental Invasion on WCWP was the fifth in a row with talk breaks recorded in one day, and third in a row/fourth out of five recorded in one day. That day was April 10, 19 days after last week’s show was recorded. I got a cold a few days after that recording (March 25) and used the time to work on playlists for this show and the next two. Pickups were recorded on April 13, April 16, and May 5.

The playlist was created March 19, 22, and 26, then tweaked on April 1 to add a track from Keiko Matsui‘s Euphoria album released the day before. Annotations were written from April 3 to 5, and the talk break script was drafted April 8.

I played the lead single from Keiko’s album, “Steps on the Globe,” which prompted me to play a clip from “Moosylvania Saved,” the final Rocky and Bullwinkle story arc where the punchline was “spots on the globe.” This exchange between Fearless Leader (Bill Scott) and Boris Badenov (Paul Frees) occurred in episode one of four:

“That’s what my uncle came down with: spots on the globe.”

That talk break also had references to a pair of Mel Brooks films, Blazing Saddles and Young Frankenstein. The second segment’s second talk break referred to Ghostbusters and Steve Somers. The Schmoozer homage came when I said “The Square were schmoozing S-P-O-R-T-S,” Steve’s catchphrase at the start of some shows or hours of those shows.

There were three retreads this week:

Click here to download this week’s scoped aircheck or listen below:

See you at the WCWP Hall of Fame Ceremony this Saturday.

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Instrumental Invasion, 5/24/23 May 25, 2023

Posted by Mike C. in Airchecks, Animation, Astronomy, Audio, City Pop, Comedy, Internet, Jazz, Music, Personal, Photography, Radio, Technology, TV, Video, World Music.
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The May 24 Instrumental Invasion on WCWP was the fourth show in a row with the talk breaks recorded in one day, and second in a row/third out of four to be recorded and mixed in one day. The recording/mixing date was March 22. Pickups were recorded on the night of the 22nd and mid-afternoon on the 24th.

The playlist was created March 18 with annotations on the 20th and the talk break script draft on the 21st.

The scoped aircheck before further details:

After immersing myself in Casiopea music for the first few weeks as a city pop aficionado and Japanophile (my post about the first eight days), I introduced The Square/T-Square into my musical diet. The jumping-off place was “Texas Kid” from their third album, Make Me a Star, thanks to a March 10 post in the Japanese city pop and fusion collectors Facebook group I belong to. The member commented on his post with a link to “Texas Kid” on T-Square’s YouTube topic channel:

The Make Me a Star cover model reminds me of someone I knew in high school.

I listened several times from March 10 to 17 before delving into the T-Square topic channel’s full catalog. As I type this paragraph on the morning March 23, I am up to New-S (1991). (I also have to contend with construction work and chatter in my neighbors’ backyard.) And as I type this before publication on May 25, I skipped from B.C. A.D. to FLY! FLY! FLY! and WISH.

My first impression of “Texas Kid” was that it sounded like an homage to The Crusaders. So, I made the first segment with them and The Square in mind. The song I ultimately chose, “Honky Tonk Struttin’,” tied in with the feel of “Texas Kid.” I extended the Texas theme into the second segment by including “An Evening in Dallas” by Joe McBride and “Houston” by David Benoit (told you he’d be back). All that was preceded by a nod to “The Eyes of Texas.”

“Houston” was recycled from last August 17, nine months and one week ago. It gave me an opportunity (during the talk break afterward) to work in a funny text-to-speech dub from the following Technology Connections video (at the 19:48 mark):

Here is the dub on its own:

The joke about not telling a wizard to “make me a star” lest he zap you to the Milky Way was a nod to a scene in episode 68b of Garfield and Friends:

ORSON (narrating for Booker and Sheldon): The wizard Bo ran a little restaurant at the edge of the forest where he made magic and sandwiches. Occasionally, he got his two skills confused.

(Bo, in wizard garb, stands behind the counter, wiping a glass. Roy walks in and takes a seat.)

ROY: Hiya, Bo. Make me a sandwich.

BO: Okay. You’re a sandwich, man. (Bo transforms Roy into a sandwich.) Oh, like, sorry, dude. I’ll, uh, change you back.

(Roy returns to normal, but with his face covered in mayonnaise. Wade, as The Ugly Duckling, walks in with a bag over his face.)

WADE: Wizard, you must help me. I… (He notices Roy.) Uh, why do you have mayonnaise all over you?

ROY (exasperated): Don’t ask.

U.S. Acres in “The Ugly Duckling” (originally aired October 19, 1991) – written/voice directed by Mark Evanier
Gregg Berger as Orson Pig, Thom Huge (“HUE-ghee”) as Roy Rooster, Frank Welker as Bo Sheep, Howard Morris as Wade Duck

This show also marked the first week with tracks from Les Sabler‘s Flying High CD – thank you, Dave Love (speaking of Joe McBride) – and the debut of world music duo Strunz & Farah via their Syncretic Strings album.

I went 75 seconds over, thanks to a lengthy talk break in the first segment and another 21 in the fourth segment, but with short talk breaks here and omitted tidbits there, I broke even by the last segment. (My “even” is 1:49:00.)

Recording and mixing a full show in one day is as exhausting as running a marathon. Flubs were plentiful and mouth clicks were everywhere. Adobe Audition‘s declicker only goes so far. On the plus side, I finally realized the need to orient the microphone at my second location vertically to match the sound at home.

Second location mic:

It’s unplugged because I was through recording.

Home mic with Kaotica Eyeball attached:

Back next week with more music.

SJFS 2023 Night 2 recap May 18, 2023

Posted by Mike C. in Animation, Anime, City Pop, Comedy, Health, Internet, Jazz, Music, Personal, Photography, Technology, Travel, TV, Video, Video Games, Weather.
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Continued from night 1 recap

Saturday, April 29, concluded with the second night of Jay Rowe‘s 20th anniversary edition of Smooth Jazz for Scholars, benefiting the Milford Public Schools music department. As usual, I have a long preamble listing how my day went before the show itself.

Upon waking up in my second floor Hampton Inn hotel room that faced the parking lot, I went through the rest of the photos from Friday night and removed the blurry ones. Following a workout (and shower), I headed down to the common area with my laptop for breakfast and mingling as I began editing. I didn’t edit as much as I talked with fellow jazz fans that went to the first night. They were fascinated with what I do and what my interests are, including my newfound Japanophilia and fascination with music and pop culture. (Read about my first week as a city pop fan.) In addition to meeting up with Mark and Phyllis Abrams, Estella and her friend Norma were eating breakfast at a table behind me. I always set up on the elevated center table because it has outlets for plugging in devices. Then, I met Owen Lomax who showed me his photos and videos from other shows he’s attended. After that, Mark and Phyllis’s friends Rob and Mel came down. Rob was most fascinated with me and we spoke a long time. He was even nice enough to get ice from the second floor machine so I could chill hot water. I’d poured it from a container before noticing there weren’t any hot cocoa packets to mix in. As noon approached and the common area quieted down, I decided to head back to my second floor room.

I bought three 50/50 raffle tickets for $10 on way into the Veterans Memorial Auditorium at Parsons Complex Friday night, inadvertently knocking my keys out of my coat’s right pocket when reaching for the wallet. I didn’t know what happened until Saturday afternoon before a trip to ShopRite. I thought I might have left the keys at CVS when checking out my stenographer pad and sleep mask purchase. However, when I stopped there on the way to ShopRite, an employee working Friday night said she didn’t see keys left in the checkout area. After ShopRite, my parents dropped me back at the hotel, and went to Home Depot to duplicate the house and office keys. That left the auditorium as the only place I could have lost them. I’d find out come evening.

In my room, I sat at my laptop and ate homemade trail mix that I did remember to bring (lightly salted peanuts and almonds, and raisins) as I watched the rest of an Adventures of the Gummi Bears episode on Disney+. I was halfway through an English dubbed episode of Kuma Kuma Kuma Bear on CrunchyRoll when I’d finished the trail mix. Then, back to editing while listening to Casiopea and part two of the Hollywood and Levine podcast interview with author/screenwriter Nicholas Meyer.

My editing process for Canon EOS R7 photos in Adobe Photoshop Elements (again, I also have regular Photoshop) is cropping out excess and tweaking brightness, contrast, color, and/or levels. Somewhere along the way, I apply a dust and scratches filter to tamp down the grain. If I have to sharpen a photo, I use despeckle before dust and scratches. (Read about my initial experience with the R7.)

I cut myself off from editing at 3:45, having only reached photo 120 out of 294 taken during the show.

My parents and I opted to drive up Boston Post Road (U.S. 1) for dinner at Olive Garden in Orange. It was rainy and windy most of the weekend, and that’s what we encountered Saturday afternoon and evening. I planned on wearing my LIU Post polo during SJFS night two (to complement the WCWP polo on Friday), but an accidental stain while eating meant I’d have to change into a spare long-sleeve polo I brought when I got back to the hotel.

On the way back, we stopped at Cumberland Farms so I could get a pint of ice cream (not just bars this time) and Dad could refuel the Ford Explorer. I watched more Kuma Kuma Kuma Bear and finished eating the ice cream right before my girlfriend Kelly arrived from Wallingford. Then, off to Parsons Complex. It was still raining heavily, so Kelly dropped me off by the auditorium side entrance to limit the rainfall on my gear.

Inside, I asked around about my lost keys, and was eventually referred to the light and sound engineer. He handed them to me before I finished asking! Thank goodness! At least I have spare keys now.

I set up my equipment in the same left-center portion of the orchestra pit, took $10 out of wallet, and went back to the lobby to buy another three 50/50 raffle tickets. Before and after retrieving the wallet from my right coat pocket, I made certain that the keys were still in there. Now that it’s warmer, I do that with my right pants pocket.

While I’d spoken to my photography mates Katherine Gilraine and Ron Hancox on Friday, I didn’t get to meet the fourth photographer, Andrew James, until Saturday before the show. I’ve made so many friends since my first time at Smooth Jazz for Scholars in 2007 (with my first recap in ’08), including Paul, one of the ushers. I saw Lisa Arpin again, along with fellow Jay Rowe Tito Tuesdays livestream alumni Judy Raphael and Robin Morin Stewart.

8:00 arrived, as it always does, and Kevin McCabe walked to a stage mic for his introduction.

For the first time since 2019, a night of SJFS opened with a performance by Milford Public Schools music students: the Foran High School Jazz Ensemble, under the direction of Jessica Turner:

Ms. Turner did not cite song titles, but the first song featured alto and tenor sax solos.

The second was led by a baritone sax solo:

I didn’t take photos during the third song, which had tenor sax and trumpet solos.

The ensemble received much applause.

Jay Rowe came out afterward to compliment the ensemble and their director, Ms. Turner:

Then, they left the stage…

…and the house band made their way out. Kevin returned to introduce them and Jay Rowe welcomed the audience:

It was Jay leading the way on keyboards…

…with Andy Abel on guitar:

Dave Anderson on bass:

Trever Somerville on drums:

…and the great Steve Scales with percussion:

Headlining on Saturday night were the lively JJ Sansaverino:

The energetic Paul Taylor:

The sweet and saxy Kim Waters:

…and saxophonista Jessy J:

Lots of Js on the stage this night.

Coincidentally, Friday night, I heard a song by similarly-spelled pop singer Jessie J while shopping in Cumberland Farms.

(Updated with videos on 5/31)

SET LIST
1. East Coast West Coast (Jay Rowe)
Originally heard on: Red, Hot & Smooth (2006)
Featured musicians: Jay Rowe (keyboards), Andy Abel (guitar)

2. Midnight Dance (Jay Rowe) (yes, both nights)
Single
Featured musician: Jay Rowe (keyboards)

3. Ride With Me (JJ Sansaverino)
Originally heard on: Soul Energy (2022)
Featured musician: JJ Sansaverino (guitar)

4. Set It Off (JJ Sansaverino)
Originally heard on: Cocktails & Jazz (2021)
Featured musician: JJ Sansaverino (guitar)

5. And Now This (Paul Taylor)
Originally heard on: And Now This (2021)
Featured musician: Paul Taylor (alto sax)

6. Pleasure Seeker (Paul Taylor)
Originally heard on: Pleasure Seeker (1997)
Featured musicians: Paul Taylor (soprano sax)

7. In the House (Kim Waters)
Originally heard on: From the Heart (2001)
Featured musician: Kim Waters (alto sax)

8. Love Don’t Live Here Anymore (Kim Waters; Rose Royce cover)
Originally heard on: Love Stories (2010)
Featured musician: Kim Waters (alto sax)

9. Tequila Moon (Jessy J)
Originally heard on: Tequila Moon (2008)
Featured musicians: Jessy J (tenor sax), Jay Rowe (keyboards)

10. Tropical Rain/Hot Sauce (Jessy J)
Originally heard on: True Love (2009)/Hot Sauce (2011)
Featured musicians: Jessy J (tenor sax), Andy Abel (guitar)

11. Waterfall (Kim Waters)
Originally heard on: Someone to Love You (2002)
Featured musicians: Kim Waters (alto sax), Jay Rowe (keyboards)

12. Europa (JJ Sansaverino; Santana cover)
Featured musician: JJ Sansaverino (guitar)

13. Blue (Jessy J)
Originally heard on: Blue (2022)
Featured musicians: Jessy J (tenor sax), Andy Abel (guitar)

14. Exotica
Originally heard on: On the Horn (1995)
Featured musician: Paul Taylor (soprano sax)

15 (Finale). Ladies’ Choice (Paul Taylor)
Originally heard on: Ladies’ Choice (2007)
Featured musicians: Everyone, plus women from the audience!

JJ Sansaverino leads off the headliner photo galleries:

Next, Paul Taylor on alto sax:

Paul on soprano sax:

“Side to side!”
The audience obliged.

Kim Waters was solely on alto sax:

End of “Waterfall”…

…and Jessy J played tenor sax:

Photo galleries of the house band start with Jay Rowe during his intense “Waterfall” solo:

The best I could get of Jay’s pirouette/glide

Andy Abel’s “East Coast West Coast” solo:

Regrettably, I only took two more photos of Dave Anderson:

Here are nine of Trever Somerville:

…and the 11 best of Steve Scales:

Medium shots, starting with Kim, Dave and Jay:

JJ and Jay:

  • End of “Set It Off”

Jessy J and Jay:

  • Dancing along (no pun intended) to Jay’s “Tequila Moon” solo

Jessy and Andy during his “Blue” solo:

Wide shots:

End of “Pleasure Seeker”
Andy Abel’s “In the House” solo…
End of “Hot Sauce”…
“Thank you so much! That’s ‘Hot Sauce.’ Mwah.”
“Jessy J! She’ll be right back!”
Jay’s “Waterfall” solo
End of “Exotica”
End of “Europa”…
“JJ Sansaverino!”
“Thank you!“

Between “Europa” and “Blue,” the raffle winners were announced from a bag held by Kevin McCabe. Jessy gave Jay the winning 50/50 raffle ticket (I lost again):

The winner was Chris.
It was Chris’s 46th wedding anniversary! Yes, that is why she’s cheering.

That brings us to the finale: “Ladies’ Choice.” Paul Taylor’s custom for live performances of this song is to invite ten ladies to dance on stage. As you’ll see, Kelly was one of the ten! Feeling ambitious, I started walking to the stage, but turned back before reaching the rope on the left end of the orchestra pit. Now, the photos:

Big finish!
That’s it!
Headliner bow…
The headliners and ladies exited as Jay and the house band wrapped up…
The true end…
Jay’s sign-off

I packed my equipment and headed for the lobby, putting it all on a table in the corner. Then, I began meeting and greeting, catching up with Kim Waters first:

If I knew he was pointing at me, I’d have pointed back, like I’ve done in other photos.

Kim paid tribute to Chuck Loeb after playing “In the House,” a song they wrote and played on. They produced and recorded many albums together in the 1990s and 2000s. I told Kim I hadn’t seen him play live since he and Chuck did the first night of SJFS in 2014.

Me and Chuck Loeb (1955-2017) after the first night of the 2014 Smooth Jazz for Scholars

I said I still have the business card Chuck gave me for his online guitar school, which I scanned for posterity at home Sunday evening:

I tried the website and it no longer works.

To Kim’s right at the meet-and-greet table was Paul Taylor:

Then, Jessy J:

Jessy thanked me for my positive review of Blue when it was released last April, and we also reflected on the loss of Dancing with the Stars judge Len Goodman the week before. Jessy is in Ray Chew Live, the DWTS house band, and she was highly complimentary of Len. I had thought he retired as judge because of his cancer diagnosis, but Jessy said that came after. Len and his tens will live on in our hearts.

Coincidentally, the shirt I wore instead of the LIU Post polo is the same one I wore the first time I saw Jessy live at The Iridium in Feburary 2012:

Me and Jessy J after her set at The Iridium (2/9/12); Jay Rowe played keyboards that night

Last but not least, JJ Sansaverino:

JJ was very happy to see me, admitting he’s enjoyed my Facebook posts and was grateful that I’ve played his music on Instrumental Invasion. I hadn’t seen JJ since he played guitar at saxophonist Steve Cole‘s Houndstooth Pub show in November 2011.

Turning the tables, Jessy took a photo of me and my good friend Steve Lewis, another yearly SJFS volunteer:

Steve was in the background of that 2014 photo with Chuck Loeb.

I took a photo of Kim with Jay Rowe’s mother, Mia DiStasi:

…and a selfie with Mia:

The camera only focused on her, but that’s okay.

Kelly and I gathered my equipment and we said goodbye to our friends in the lobby. A lighter rain awaited us outside Parsons on our walk to the parking lot. When we got back to the hotel, I gave Kelly a good night kiss and took the elevator back to my room, bantering with the desk clerk until the doors opened.

In my room, like the night before, I moved photos and videos to my laptop (while watching a Twitch stream), imported the RAW photos into Lightroom, exported them as JPGs, deleted the RAWs, edited the meet-and-greet shots for posting to Facebook, and edited another 15 from Friday’s set. Then, sleep…for another few hours. Back to the laptop to curate my roll. I was left with 70 more photos than Friday. I edited a little, then met Diane and Richard in the common area. They, too, were at both nights of Smooth Jazz for Scholars and we agreed to meet for breakfast Sunday morning. I had my laptop with me, but never opened it. I just talked to them, and Paul Taylor (it was his birthday!) once he came down for breakfast. After a little more editing in my room, I packed up and checked out with my parents.

The ride home took two hours. It was an average time, though longer than I’m used to on Sundays. I spent the entire ride watching YouTube videos, including an episode of the Match Game-Hollywood Squares Hour in which a four-day champion won $30,000 in one day!

I put off further editing until Monday (May 1). The rest of Sunday (April 30) was for unwinding after a long weekend. I vowed to take my time editing the photos and working on this recap.

Editing was completed May 7, immediately followed by watermarking all photos. On May 9 and 10, I picked the best of the best from each night, which was still a lot, then saved lower resolution versions in Photoshop Elements. May 10 is also when I started drafting the written portions of these blog posts, which I incorporated into posts on the 12th and 13th, and fleshed out on the 15th and 16th.

Thank you for reading one or both of my 20th anniversary Smooth Jazz for Scholars blog posts. I will be back next year! See you around.

SJFS 2023 Night 1 recap May 18, 2023

Posted by Mike C. in Animation, Audio, Comedy, Health, Internet, Jazz, Music, Personal, Photography, Radio, Technology, Travel, TV, Video.
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Friday, April 28, was the first of two nights for the 20th anniversary edition of Smooth Jazz for Scholars, hosted by keyboardist Jay Rowe in his hometown of Milford, Connecticut. The event, held on two nights since 2013, benefits the Milford Public Schools music department. It was the 19th SJFS overall (canceled by COVID in 2020 and ’21), my 15th overall, and 14th that I’ve seen it its entirety. (I only saw the first night in 2015 with that year’s WCWP Hall of Fame Ceremony held the following afternoon back on Long Island.)

In the days and hours leading up to the Milford trip, I grew overwhelmed by the impending workload (photos and videos). I struggled to pack everything the afternoon of the 28th, having spent two hours editing most photos from the WCWP station dinner (for student and alumni staff) on the 26th. I didn’t want to go, but felt obligated to go because I didn’t want to back out of the commitment I’d made to Jay. I convinced myself this would be the last year. (SPOILER: It won’t be.)

I finally left house with my parents just before 2:00. We encountered traffic delays on I-95 in Fairfield County, Connecticut. Waze directed us through winding side streets in Westport. We were eventually directed back to I-95 in Bridgeport with little volume the rest of the way to Exit 36 in Milford (in New Haven County, if you’re wondering). Not knowing which would be the official hotel, we booked rooms at Hampton Inn a month or two earlier. Our rooms were on the second floor, facing opposite ends of the building. I chose the room facing the parking lot so I-95 traffic wouldn’t keep me awake.

After settling into our rooms, we went for dinner at Pasquale Pizza a short drive from the hotel. Since we were close to the hotel, I walked back after finishing my pasta. On the way, I passed a Gas & Go station:

That made me think of the Gasigo sequence in the “Heroboy” episode of Freakazoid! In the sequence, singing attendants delayed Freakazoid’s (Paul Rugg) attempt to reach the villain Gutierrez (Ricardo Montalban). They had to finish the jingle in Freak’s car. Watch:

The episode ended with the Gasigo attendants driving Gutierrez mad as they reprised their jingle:

Ed Asner was the voice of Sergeant Mike Cosgrove.

South of Gas & Go was another gas station/convenience store: Cumberland Farms. I stopped in there to buy ice cream bars for dessert back in my room.

My girlfriend Kelly drove down from Wallingford for the show and met me at my room door around 6:30. We hung out for a little while, then drove to the Parsons Complex. I had her stop at CVS on the way so I could buy a small notebook or pad for writing out the set list and side notes. I forgot to pack a notebook and my sleep mask. I got a cheap gray mask and stenographer pad (close enough), then went on to Parsons. We arrived close to 7:30, after the soundcheck, so the doors were open.

Before entering the Veterans Memorial Auditorium, I decided to take a chance on the 50/50 raffle. I took out my wallet from my coat’s right pocket and bought three tickets for $10. Little did I know I inadvertently knocked out my keys, and wouldn’t realize what happened until the next day. More on that in the Saturday post.

I got plenty of reassurance from Katherine Gilraine and Ron Hancox, my fellow photographers in the orchestra pit, along with friends like Jay Dobbins, Phyllis Abrams, and Robin Morin Stewart. I love what I do and I love the music. I shouldn’t put so much pressure on myself. I need to be present, enjoy myself, trust the process, and take my time. I don’t work for a media outlet. There is no deadline.

With newfound confidence, I set up my equipment on the center-left portion of the orchestra pit below the stage. Production manager Kevin McCabe came on stage around 8:10 to welcome the audience and thank the sponsors:

Then, he introduced Jay Rowe, who read his statement in the program that marked Smooth Jazz for Scholars’ 20th anniversary:

Here is that message:

20 years of Smooth Jazz for Scholars!! I certainly did not think I would reach this milestone when I had the idea to start this event 20 years ago. Doing these shows helped me to become a better musician and play with some of my favorite musicians and people!! In some cases, I was playing alongside my musical heroes like Jeff Lorber, Alex Bugnon, David Benoit, Marc Antoine and Peter White, while watching newer artists like Vincent Ingala and Eric Darius become superstars and amazing entertainers. There have been losses along the way such as the passing of Jeff Golub, Chuck Loeb, Nick Colionne [fan page] and Rohn [“Ron”] Lawrence. These guys are missed terribly in our musical community and will never be forgotten. I have learned much about how important music is in people’s lives and have examined my own relationship with music. I still love playing and I am grateful that musical dreams can still come true in advancing middle age!! I truly hope that the youth of Milford, Connecticut – the town I grew up in and still love to live in – can experience the joy I have when playing music in whatever they pursue when they grow up. I also hope they can have the wonderful friendships that I have had through playing music. Thanks so much to Ken Navarro, Marion Meadows, Chieli Minucci [“key-ellie min-oo-chee”] and Nelson Rangell for being there for me at the very first Smooth Jazz for Scholars show that we played back in 2003 at Foran High School. It is very fitting to me that these artists perform for the first night of our 20th anniversary weekend. It has been a pleasure working with all of the artists who have played at Smooth Jazz for Scholars over the years at various festivals, clubs and events all over the world. Thanks to all of the fans of smooth jazz who have supported this show for all these years. You have been the reason to keep this going to support music education in our public schools inspiring the next generation of artists and music teachers!! Thanks to our sponsors: Barrett Outdoor Communications; Milford Bank; Dr. Anna Cutaia, Superintendent for Milford Public Schools; Amy Perras, Instructional Supervisor for Music, Art and Library Media; Kathy Bonetti, Communications Coordinator for Milford Public Schools; my mom Mia DiStasi; my wife Deborah Rowe; Kevin McCabe; WRTC; Mike Stacy at WRCH; Gregg Roche, former host of The Sunday Smooth Jazz Brunch on WRCH; Steve Butler, my favorite booking agent; everyone in this ad book (program), all of the wonderful fans of smooth jazz and the great artists performing at this year’s shows. Enjoy this year’s shows and stay tuned for next year when Smooth Jazz for Scholars becomes an adult at 21!!

Jay Rowe, 2023 Smooth Jazz for Scholars program

As Jay said, all four headliners from the first show in 2003 were present on the first night 20 years later!

Chieli Minucci:

Ken Navarro:

Marion Meadows:

…and Nelson Rangell:

Jay’s house band had percussion by Steve Scales:

Trever Somerville on drums:

Dave Anderson on bass:

Andy Abel on guitar:

And directing it all, Jay Rowe on keyboards:

(Updated with videos on 5/31. The soundcheck was part of the original post.)

SET LIST
1. Every Woman Every Man (Jay Rowe)
Originally heard on: Smooth Ride (2016) (earlier version of this post incorrectly credited song to Groove Reflections)
Featured musician: Jay Rowe (keyboards)

2. Midnight Dance (Jay Rowe)
Single
Featured musician: Jay Rowe (keyboards)

3. Ballerina (Special EFX)
Originally heard on: Just Like Magic (1990)
Featured musician: Chieli Minucci (electric guitar)

4. George Can’t Dance (Special EFX)
Originally heard on: Catwalk (1994)
Featured musicians: Chieli Minucci (electric guitar), Nelson Rangell (alto sax)

5. Gratitude (Nelson Rangell)
New and unrecorded
Featured musicians: Nelson Rangell (alto sax), Chieli Minucci (acoustic guitar)

6. Smokin’ Joe (Nelson Rangell)
New and unrecorded; tribute to Joe Sample
Featured musicians: Nelson Rangell (alto sax), Jay Rowe (keyboards)

7. Smooth Sensation (Ken Navarro)
Originally heard on: Smooth Sensation (1997)
Featured musician: Ken Navarro (acoustic guitar)

8. When We Dance (Ken Navarro)
Originally heard on: Into the Light (2020)
Featured musician: Ken Navarro (acoustic guitar)

9. The Lift (Marion Meadows) (started in audience)
Originally heard on: Body Rhythm (1995)
Featured musician: Marion Meadows (soprano sax)

10. My Cherie Amour (Marion Meadows; Stevie Wonder cover)
Originally heard on: Body Rhythm (1995)
Featured musicians: Marion Meadows (soprano sax), Jay Rowe (keyboards)

11. Daybreak (Special EFX)
Originally heard on: Global Village (1992)
Featured musicians: Chieli Minucci (acoustic/electric guitars), Jay Rowe (keyboards), Dave Anderson (bass)

12. Sonora (Nelson Rangell; Hampton Hawes cover)
Originally heard on: Destiny (1995); My American Songbook, Vol. 1 (2005)
Featured musicians: Nelson Rangell (whistling/piccolo), Ken Navarro (acoustic guitar)

13. In the Sky Today (Ken Navarro)
Originally heard on: All the Way (2003)
Featured musicians: Ken Navarro (acoustic guitar), Nelson Rangell (alto sax), Steve Scales (percussion), Trever Somerville (drums)

14. In Memory of Elizabeth Reed (Special EFX; The Allman Brothers Band cover)
Originally heard on: Twenty Twenty 2 (2022)
Featured musicians: Chieli Minucci (electric guitar), Ken Navarro (electric guitar), Jay Rowe (keyboards)

Ken posted video of the soundcheck:

15. Marcosinho (Marion Meadows; Dave Valentin cover)
Originally heard on: Whisper (2013)
Featured musician: Marion Meadows (soprano sax)

16. Romantica (Marion Meadows) (ended in audience)
Originally heard on: Player’s Club (2004)
Featured musician: Marion Meadows (soprano sax)

17 (Finale). What You Won’t Do for Love (Bobby Caldwell cover, tribute to the recently departed singer)
Featured musicians: Everyone, Carla Z (vocals)
Marion was part of Bobby’s live band.

This part of the post is dedicated to photo galleries of the headliners. We start with Chieli Minucci on electric guitar:

Chieli on acoustic guitar:

Ken Navarro on acoustic guitar:

Ken on electric guitar for “In Memory of Elizabeth Reed”:

Ken interacting with the band on “In the Sky Today”:

“Steve Scales on percussion!”

Marion Meadows starting in the audience for “The Lift”:

Nydia Hancox shooting video in the foreground as Marion plays to good friend Dolly Moye

On stage:

Ending “Romantica” in the audience:

Nelson Rangell on alto sax:

Whistling on “Sonora”:

Whistling gave way to piccolo…

…and whistling while holding the piccolo:

End of “Sonora”

Now, the house band, beginning with percussionist Steve Scales:

Drummer Trever Somerville:

Bassist Dave Anderson:

Strumming!

Andy Abel on acoustic guitar:

…and otherwise on electric:

Finally, Jay Rowe on keyboards (all but the first are from his “My Cherie Amour”):

On to medium and wide shots, beginning with Chieli and Nelson:

Chieli and Ken on “In Memory of Elizabeth Reed”:

A standing ovation!

Ken and Nelson:

Nelson and Jay:

Marion and Jay:

Last in this section, Steve and Trever:

Why not give audience and photographer shots their own section?

  • Andrew James, Ron and Nydia Hancox
  • Estella Taylor-Greene, Dolly Moye, Nydia Hancox, Jay Dobbins, Norma Rohadfox
  • Another photo of the fab five in my camera’s sports mode. Jay Dobbins spotted me again.

When it came time for the raffles (between “…Elizabeth Reed” and “Marcosinho”), I forgot to only check my tickets for the 50/50 portion. I was needlessly exasperated when my numbers didn’t match what Jay Rowe called.

I was rightfully dismayed when I actually lost the 50/50, but at least my $10 went to a great cause. The winner was Steve, who graciously donated back $200 of his winnings.

The finale, “What You Won’t Do for Love,” featured vocals by Carla Z:

The end of the finale
Jay thanked the musicians and audience
The bow…

As I was packing up my camcorder – Panasonic HC-X1500 with VW-HU1 and Rode VideoMic GO II – and tripod – Magnus VT-300, Lisa Arpin approached me to say hello. We had met during Jay Rowe’s Tito Tuesdays livestreams on Facebook during the early months of COVID. Afterward, I put the speedlight on my camera – a Canon EOS R7 – for flash meet-and-greet photos. (I was close enough to the stage that the RF-S 18-150mm lens was all I needed.) Unfortunately, the flash and low ISO (100) darkened the background and washed out the foreground. So, I turned off the speedlight and had photos taken at the settings I used during the show: 1/100 second shutter speed and ISO 2500. Later in Adobe Photoshop Elements, I’d bump up the brightness and contrast. (I have regular Photoshop, but mostly use it for upscaling, PDF automation, and graphic design.)

The first photo is of Jay Dobbins and Andy Abel:

Andy and “Jay Squared” (Dobbins came up with that):

I wanted to get in one photo, which Andy’s sister Janet gladly took (the next day was her birthday):

Once more from the auditorium, me with Jay Dobbins and Steve Scales:

Out in the lobby, I missed a chance to catch up with Chieli Minucci, but was part of a conversation with Marion Meadows and Katherine Gilraine about a documentary he was working on.

It took three attempts to get a photo with Jay Rowe, his wife Deborah, and Nelson Rangell (sorry to all three of you):

The last photo of the night, taken by Kelly, was me with Kristin and Ken Navarro:

Ken acknowledged Kristin during the show before “When We Dance.” It was very nice to catch up with them. Ken spotted me in the orchestra pit while playing “Smooth Sensation,” saying hi to me during a rest. After the show, he climbed off stage to chat with me. I talked about how I’d be debuting tracks from Love is Everywhere on May 17 (last night) at the end of the second Three-of-a-Kind Showcase edition of Instrumental Invasion. Ken liked the concept.

Kelly dropped me off at Hampton Inn around midnight. I wrote the following back in my room (in the vein of what I wrote earlier in this recap):

I had a lot of apprehension and performance anxiety ahead of tonight, the first night of the 20th anniversary Smooth Jazz of Scholars. The thought of taking hundreds of photos and having to edit them all scared me. And yet, I was at the Parsons Complex in Milford and had a great time. No way will I give up what I do. It’s too much fun in the moment. That’s what should matter. I have to remind myself to be present. I can’t look ahead in fear. I have to enjoy myself and snap away. I’m beloved by all that know me, and that was true tonight.

Mike Chimeri, Facebook post, 4/29/23, 1:22 AM

Watching part of a Twitch livestream got me through the late night/early morning hours as I transferred photos and videos from their SD cards. Then, since I shoot RAW now, I imported all the photos into Adobe Lightroom, then exported them as JPGs and deleted the RAW files.

Before retiring for the night/morning, I edited the meet-and-greet photos to include in my all-is-well Facebook post. I was able to get a few hours of sleep before my body decided I’d had enough.

Click here to read about Saturday morning and beyond.

Instrumental Invasion, 5/17/23: More Three-of-a-Kind Showcases! May 18, 2023

Posted by Mike C. in Airchecks, Animation, Audio, City Pop, Comedy, Game Shows, Internet, Jazz, Media, Personal, Radio, TV, Video.
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The May 17 Instrumental Invasion on WCWP was the sequel to February 8’s theme week, containing six more Three-of-a-Kind Showcases and more Bob Barker era Price is Right references (Fremantle’s Barker era YouTube channel). The show was recorded and mixed entirely on March 15, but I had to do pickups on the 16th.

The playlist was created on March 9 with annotations on the 11th. The talk break script was drafted up to the top of hour 2 on March 14 and completed between recording sessions on the 15th.

Let’s get the scoped aircheck out of the way before all the background info:

The line “I wouldn’t think of it” while back-selling “Unthinkable” by Casiopea referred to a scene in Futurama episode 2ACV03, “A Head in the Polls.” Here is the relevant portion from the transcript:

Morbo: Morbo demands an answer to the following question: If you saw delicious candy in the hands of a small child, would you seize and consume it?

Johnson: Unthinkable.

Jackson: I wouldn’t think of it.

Morbo: What about you, Mr. Nixon? I remind you, you are under a truth-o-scope.

[The truth-o-scope hovers over Nixon’s head and he starts to sweat.]

Nixon: Uh, well, I, uh … the question is-is vague. You don’t say what kind of candy, whether anyone is watching or, uh…

[He clears his throat.]

At any rate, I certainly wouldn’t harm the child.

[The truth-o-scope beeps.]

Maurice LaMarche as Morbo, John DiMaggio as Jack Johnson and John Jackson (same voice for each), Billy West as Richard Nixon’s Head

Aside from that, there were many Bob Barkerisms in my talk breaks, such as the way I teased the next segment, and the “Sir John, who cometh from the flock…?” shtick with announcer Johnny Olson. Examples can be found at the start of these two videos:

I channeled Johnny and Rod Roddy with the “something for every room in the house!” bit leading into the Fourplay and Ken Navarro showcases. I was going to end the show with a Marc Antoine Three-of-a-Kind Showcase, but my signed copy of Ken’s Love is Everywhere CD arrived on March 9. Thus, an opportunity arose to end on a new recording.

This time, four songs were retreads (again, listed in order of appearance):

And The Price is Right music cues I used were (italics are not in the video title):

For the first time in the show’s Wednesday night history, I went more than a week – two weeks – without a David Benoit song. That’s still only seven weeks out of 163. He will definitely be back next week.

Audiobooking 8 March 24, 2023

Posted by Mike C. in Animation, Audiobooks, Basketball, Comedy, Film, Game Shows, Golf, History, Media, Music, News, Personal, Podcast, Politics, Radio, Rock, Sports, Technology, Theatre, TV, Video Games.
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It’s time for the annual “audiobooking” post. Most are visible in the thumbnail, but here are all the audiobooks (with links) that I’ve listened to on Audible since post #7 last year:

That’s a total of 27 audiobooks (two co-written by O’Reilly, one wholly by Reilly), plus two returns. Everything from I’m a Still a 10-Year-Old Boy through Face the Music was purchased in October while Audible steeply discounted their catalog. Since then, I only use Audible credits on audiobooks over $14.95, the monthly membership fee. Of course, if I buy three credits for $35.88, then I’ll buy anything over $11.96.

Next year’s “audiobooking” post will be the ninth overall, but the tenth anniversary. Until then, happy listening.

Instrumental Invasion, 3/15/23 March 16, 2023

Posted by Mike C. in Airchecks, Animation, Audio, Comedy, Internet, Jazz, Media, Music, Personal, Radio, TV, Video, Weather.
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The March 15 Instrumental Invasion on WCWP was recorded one hour per day on January 29 and 30, with pickups on the 30th. After hearing the filtered audio over the air on January 25, I abandoned the technique. The two locations I record at have unique audio quality, and there’s no point in trying for a uniform sound.

The playlists for this week and next were created on January 20. This week’s annotations came on the 24th and 25th, and the talk break script was drafted on the 26th and 27th.

I led the show with Quincy Jones’s “Killer Joe” arrangement to make up for my blunder on January 18. I superstitiously neglected to acknowledge Q’s 90th birthday on Tuesday; the perils of recording in advance. I did, however, acknowledge the January blunder while back-selling “Chicken Joe” by Joe McBride. The talk-up for that song referenced Chicken Boo from Animaniacs. (I had no idea season three of the Hulu reboot was to launch on February 17.) My cluck for the tease was inspired by Jay Sherman’s (Jon Lovitz) cluck in The Critic series finale.

I’d been meaning to play “Free” by Beth Michaels ever since TWC Classics posted its appearance in a [glitchy] November 27, 1994, local forecast:

RIP Dan Chandler

During the annotation process, “Metro Blue” by Richard Elliot replaced Kenny G‘s cover of “The Way We Were.” Wikipedia’s entry for the album it appears on lacked concise credits, as did all other online resources. Forgetting I had the CD at home, I hastily searched for a replacement, settling on “Metro Blue.” The Metro Blue record label tidbit I had in mind for “Coastline” next week was moved up a week.

I took an educated guess on Herb Alpert‘s “Rotation” personnel.

The playlist included three retreads:

Click here to download this week’s scoped aircheck or listen below:

Instrumental Invasion, 3/8/23 March 9, 2023

Posted by Mike C. in Airchecks, Animation, Audio, Comedy, Comics, Computer, History, Internet, Jazz, Media, Music, Personal, Photography, Radio, Technology, TV, VHS, Video, Video Games.
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Since there’s much to discuss and many photos and videos, I’ll post the scoped aircheck up here (and below) instead of at the end:

The March 8 Instrumental Invasion on WCWP was recorded from January 14 to 16: the first hour on the 14th, the next two segments on the 15th, and the last on the 16th. Pickups were recorded that day and the next (January 17).

Due to a facility issue at the Abrams Communication Center, WCWP activity was not allowed the day this show aired. Station manager Pete Bellotti informed me the show would air at 7PM and 9PM since there couldn’t be a live edition of The Rock Show. The above scope is from the 7PM broadcast.

The playlist was created and mostly annotated on January 11. The rest of the annotations came on the 12th, followed by the talk break script draft that carried into the 13th. A timing error in the first segment meant I had to make up a 72-second surplus. I successfully made up that time without having to remix segments.

Five songs in this show have appeared in prior shows:

“Freda” was preceded by David Benoit‘s arrangement of “Frieda with the Naturally Curly Hair” from Here’s to You, Charlie Brown: 50 Great Years! I had yet to see the special that gave David’s CD its name, but watched a few days after completing production. Here it is:

A chance viewing of a video that showed the differences between the original and subsequent airings of A Charlie Brown Christmas got the ball rolling on Peanuts documentaries and specials. The first video YouTube recommended was the documentary A Boy Named Charlie Brown, not to be confused with the later film:

I challenge fellow Peanuts fans to count how many scenes foreshadow later specials and films.

The second video chronologically was the third recommended to me: Happy Anniversary, Charlie Brown.

The second special I watched was It’s Your 20th Television Anniversary, Charlie Brown. (I originally omitted the “television” part, correcting the error in my January 17 pickup.)

The last special I watched on YouTube before working on this show was You Don’t Look 40, Charlie Brown. This special coincided with the unrelated CD Happy Anniversary, Charlie Brown! David Benoit appears in a “Linus and Lucy” music video, concluding with his anniversary wishes to Good Ol’ Charlie Brown.

I bought a VHS copy on eBay years ago, but don’t know what I did with it.

After Here’s to You, I watched the CBS News special Good Grief, Charlie Brown: A Tribute to Charles Schulz, hosted by Walter Cronkite:

This aired February 11, 2000. Schulz died on the night of the 12th, and his last Peanuts strip ran on the 13th. The above thumbnail is of Donna Mae Wold (née Donna Mae Johnson), who inspired the Little Red-Haired Girl.

And just this Sunday, the following ran on CBS Sunday Morning (4/12 UPDATE: CBS removed the YouTube version, so here it is via Facebook):

Lee Cowan’s report featured Schulz’s widow Jean and Pearls Before Swine cartoonist Stephan Pastis (first name pronounced like Stephen Curry).

As my Facebook friends and Instagram followers know, I obsessively archived Brian Simpson‘s Closer Still CD for posterity since it’s rare for anyone to find the real thing. (You can’t even find it on eBay!) I won’t share my WAV and MP3 rips from the CD since you can buy and stream the tracks digitally from places like Amazon Music, Apple Music, and Spotify. I will, however, share my camera photos and flatbed scans. Photos first:

The Discogs seller may have paid $2.99, but I was more than willing to pay their asking price of $39.97, plus shipping and tax. Archival!

Scans:

I used the magic wand tool in Adobe Photoshop to edit out the black background, then cropped the image.
This was also cropped after removing the white background. Each of the last two were scanned in grayscale. All the rest were RGB color.
I even scanned the CD.

“Hidden Pleasures” (track 4) was the centerpiece of my three Brians segment (two Brians, one Bryan). The talk break that followed paid homage to two video game-centric content creators: Game Dave and Metal Jesus, with a reference to Frank Cifaldi and the Video Game History Foundation for good measure. Metal Jesus occasionally posts “hidden gems” videos, highlighting overlooked video games. Here’s a marathon of six episodes he did on Wii hidden gems:

Thank you for reading to the end of this post. I’ll return to the regular show recap format next week.

My city pop discovery (and reacquaintance with Garfield and Friends) March 5, 2023

Posted by Mike C. in Animation, City Pop, Comedy, Comics, Film, Game Shows, Health, Internet, Jazz, Media, Music, Personal, Phone, Pop, Radio, Technology, Travel, TV, Video, Video Games, Weather.
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NOTE 1: This is also a Garfield and Friends story with several montages among the city pop material. Those montages led me to city pop.

NOTE 2: I consulted my computer audio recordings of the Garfield and Friends DVDs to ensure the video embed caption quotes are verbatim.

NOTE 3: I even spend a paragraph on The Weather Channel tribute site TWC Classics, a simulator that re-creates the old local forecasts, and recently departed announcer Dan Chandler who lent his narration to the sim.

Nearly 50 years ago, Japan’s economy was booming and a new leisure class developed. That leisure class begat a new Japanese pop music genre, borrowing elements of various Western music genres. They called it city pop. What began in the 1970s, peaked in popularity in the ’80s, then fell out of the Japanese mainstream.

City pop found a new Western audience in the 2010s thanks to blog posts like mine (but earlier), Japanese reissues of the genre’s albums, and YouTube uploads of the albums’ tracks. From a 2023 perspective, I give YouTube most of the credit. Today, it is the best city pop recruitment tool.

The rest of this post is about how I discovered city pop and recounts my first nine days as a fan. If you want to read more about the genre and its resurgence, I recommend Cat Zhang’s 2021 Pitchfork article and Wikipedia’s city pop entry.

On February 19, YouTube recommended a video with random clips from my favorite cartoon series, Garfield and Friends:

Jim Davis created the Garfield comic strip and CBS TV specials, but Mark Evanier (with Sharman DiVono for three seasons) spun comedy gold on CBS Saturday mornings from 1988 to 1994 (the last rerun aired in ’95). I can quote parts of episodes or even whole episodes. So, when watching the above clips, I knew what happened next.

The next Garfield and Friends clip in my recommendations came on February 20:

The evening of February 21 was my city pop entry point, but we’re not there yet. The prelude to the entry was this:

“Today [Monday], Garfield, we’re going to eat nothing but raisins!”

Full disclosure: I met Jim Davis at a signing in March 1995, but I was too shy and just had him sign a sketch. And I interviewed Jon Arbuckle voice actor Thom Huge (HUE-ghee) three times for The Mike Chimeri Show. (In retrospect, I would have held off on the first interview until his voice was back to normal.)

The Jon Arbuckle montage led YouTube to recommend this:

According to Know Your Meme, the video originated in the 1991 CBS TV special, Garfield Gets a Life, where it was set to “Shake Your Paw,” performed by The Temptations. The score and three songs (including “Shake Your Paw”) were written by David Benoit (music) and Desirée Goyette (lyrics).

Whoa! What is that song that sounds vaguely like “Burnin’ Up the Carnival” by Joe Sample (from Voices in the Rain)? I scrolled down and saw the song was “4:00 A.M.” by Taeko Onuki (or Ohnuki). I searched Google on my iPhone and the Taeko’s Wikipedia entry (linked in the previous sentence) and found the song. That prompted the YouTube app where I heard the whole thing:

Whoa again, it appeared on an album with the last name of a few of my friends, but with an extra N. Lyrics are here.

1:30 PM UPDATE: A member of the My Life in Gaming Discord server told me the album title was part of Taeko’s fascination with French media, which I confirmed after a Google Search yielded this 2017 interview. Still, Mignonne is one letter off from my friends of Italian descent.

3:10 PM UPDATE: I just finished reading the interview linked in the prior update. It was an interesting read, but I was disappointed to learn Taeko did not like Mignonne because of what transpired during production. The resulting disenchantment, and poor sales, made her take a two-year hiatus from the music industry. Anyway, back to the good stuff.

Taeko’s Wikipedia entry led me to the one on city pop. That’s what I heard and I wanted more.

I could not stop listening to “4:00 A.M.” Ironically, it kept me up past midnight, but not as late as 4AM. I was up at 4AM on March 4 when I drafted this blog post thanks to a period of strong easterly winds that buffeted my bedroom window. The song’s refrain may sound vaguely like the later “Burnin’ Up the Carnival,” but the song otherwise had more in common with the works of Bob James and Grover Washington Jr. The line “ima o” was phrased like “that’s the time” in “Feel Like Makin’ Love” by Roberta Flack, which Bob played on and then covered. The guitar solo on the ending breakdown sounded like it came from Eric Gale‘s hands. (It was from Tsunehide Matsuki‘s hands.) I have repeatedly imagined Grover Washington himself covering “4:00 A.M.” on alto saxophone, soloing (improvising) from the last refrain, through the breakdown, all the way to the end.

I should probably acknowledge that I am on the high-functioning end of the autism spectrum, formerly known as Asperger Syndrome. That probably explains my intense focus on one thing or another, and attention to detail.

I was busy with radio show production on February 22, but “4:00 A.M.” was in the back of my mind and I was intent on extracting the audio and assigning the WAV file to a vintage Weather Channel local forecast flavor in my WeatherStar 4000 simulator. Now, I could hear all but the last 36 seconds with the current conditions and forecast, peppered with Dan Chandler’s re-created narrations. (I was in touch with Dan for a few weeks midway through my tenure at WGBB, and he even called in while I was playing a song. I didn’t put him on, but relayed what we talked about, including “reading the sports pages” as he listened to the live stream. After writing that sentence, I’m sorry to learn that he passed away on February 7 [obituary].) The simulator was already populated by music cues from The Price is Right and adjacent Goodson–Todman game shows. See the February 15 Instrumental Invasion recap for more on that obsession.

While my “4:00 A.M.” obsession continued, YouTube had more city pop recommendations, including a modern music video for Mariya Takeuchi‘s “Plastic Love“:

Mariya only appears audibly through the original 1984 song. In ’82, she married the king of city pop, Tatsuro Yamashita. I was impressed that her English vocals were English, not transliterations.

Oh, and another Jon Arbuckle montage:

As the “Plastic Love” video wound down, I pretended to be Dan Ingram back-selling the song, quipping that it was better than polyurethane love.

My vocal city pop discoveries halted for the next few days when I found a city pop creation befitting my love of instrumental music: jazz fusion supergroup Casiopea!

First, I found “Midnight Rendezvous“:

Then, “Eyes of the Mind” before the “the” was added:

Groups like Casiopea and T-Square (formerly The Square) have influenced generations of video game music composers.

I woke up on February 23 after a full night’s sleep and was greeted with two more Jon Arbuckle videos:

“He can’t cook! He can’t get a date! He’s Jon Arbuckle, and we’re giving him away absolutely free! In fact, we’ll pay you to take him!”
“Let’s not ask questions. Let’s just get out of here.”

As I listened to my radio show aircheck from the night before, I began extracting audio from whatever Casiopea albums were on YouTube (mostly via their “topics” channel), provided the cover art available online was clear and at least 1500×1500 pixels. If AI upscaling in Adobe Photoshop yielded poor results, I’d buy the CD myself and scan the artwork. That’s what I did for Flowers (1996), but I bought Euphony (1988) because it wasn’t on YouTube. I will eventually buy the actual CDs, but given the inflated import prices, collection take a while. Here’s what I do have:

I’m still working my way through the albums chronologically in my spare time. Flowers is gradually on its way from a Japan Discogs markeplace seller, so I jumped from Freshness to Light and Shadows. That’s where I am as of publication on March 5. (I got in eight hours of sleep the night before.)

The last item in this post’s Casiopea segment is T2norway‘s video profile of them, preceded by his city pop story:

Thanks to my college friend Phil Federico for bringing this to my attention. I can overlook T2’s mispronunciations of Harvey Mason and Lee Ritenour, who also appeared on Casiopea albums. In fact, they, Bob James, and Nathan East – future members of Fourplay – all appeared on Casiopea studio recordings.

The night of February 23, YouTube recommended two more Garfield and Friends videos. One was yet another montage:

And the other was a series review by Nostalgia Critic, played by Doug Walker (who was born the same day as me!):

I was let down by his critiques of certain characters and the animation style, not to mention his disdain for U.S. Acres. Nonetheless, I respect his dissent.

My city pop discoveries resumed on the night of February 25, related to “Plastic Love.” Leading off, a Super Famicom/Nintendo rendition:

That was followed by the infamous long version of the Mariya Takeuchi original (lyrics):

(As of March 13, the video was taken down. In the long version, one verse repeated and the ending chorus was extended, exemplified below.)

Since I was watching in a web browser, I saw recommendations on the right side of the tab. The one that caught me eye was an English version of “Plastic Love”: