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Instrumental Invasion, 6/22/22 June 23, 2022

Posted by Mike C. in Airchecks, Audio, Internet, Jazz, Media, Music, Personal, Radio, Religion.
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The June 22 Instrumental Invasion on WCWP was the third of three shows produced in ten days, making for six shows produced in 23 days. I wanted to allow myself a hiatus of at least two weeks to focus on my girlfriend Kelly’s visit from Connecticut, then attending and documenting Smooth Jazz for Scholars in Connecticut (recaps here and here).

This show was recorded entirely on April 18 with pickups on the 19th, the first show recorded principally in one day since recording the December 15 show on November 1, the same day as annotating and talk break script drafting.

The playlist was created on April 16 with annotations and drafting of the talk break script on the 17th.

Once again, I replayed songs to make up for past mistakes: “Ear Candy” by Pieces of a Dream (January 5) and “360” by Chuck Loeb (April 13).

I had fun with “Spinnin'” by Jessy J from her latest album, Blue. It unintentionally sounded like the Hora if it were done by Les McCann. So, I worked many Jewish cultural references (I was raised Reform Jewish) into my talk break coming out of it, led by the exclamation “L’chaim (to life)!”

Click here to download the aircheck MP3 or listen below:

2020-21 WCWP Hall of Fame Ceremony June 17, 2022

Posted by Mike C. in Airchecks, Audio, Education, Internet, Interviews, Jazz, Media, Music, Personal, Photography, Radio, Rock, Technology, Travel, Video.
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Other Hall of Fame ceremony recaps: 20122013201420152017, 2018, 2019

Video of the ceremony can be found at the end of this post.

It’s been three years since the last ceremony, but last Saturday, the WCWP Hall of Fame finally added five new inductees to its ranks. Due to delays by the COVID-19 pandemic, there were two sets of inductees:

  • 2020: Alan Seltzer and Christina Kay (announced at Homecoming in 2019)
  • 2021: Joe Manfredi, Jay Mirabile and Mike Chimeri

Yes, it’s true! I’d been dreaming of getting into the Hall of Fame for years and I got the dream fulfilling call last April.

Earlier this year, outgoing director of broadcasting Dan Cox reached out to the five of us for a ceremony date that worked for us. That date was Saturday, June 11. The venue ended up being the former LIU Post campus bookstore, now known as the Alumni and Employer Engagement Building…or it was, and now it’s Alumni Hall.

I reached out to friends and family, hoping they could attend. No matter how many turned out, I’d be happy.

I wore a suit and shirt combo that I picked out on Thursday with a tie that my mother Lisa bought with colors similar to those of LIU.

I may have been one of the inductees, but I still took photos and video when it wasn’t my turn. So, after dressing up, I packed up my DSLR camera, battery pack with a spare battery attached, camcorder, GoPro, and tripods to connect to them and my iPhone, which I would have brought anyway.

Once my sister Lauren arrived at noon, she, our mom, and dad Bill all left for campus. I was worried we’d be late after traffic was diverted away from the Seaford-Oyster Bay Expressway entrance on Alken Avenue in North Wantagh, but once we entered via Hicksville Road, we made great time, parking next to the Alumni Hall (I’ve settled on that name) at 12:40 (hey, like WGBB!).

Not wanting to unpack my camera yet, I took establishing exterior shots with my phone:

The ceremony began at 1:22:

Hosting this ceremony was Dan Cox’s last act as director of broadcasting, officially retiring on May 31. Pete Bellotti was named his successor on June 6.

The first 2020 inductee was Alan Seltzer, currently host of The Grooveyard on WCWP. He was inducted by Scott Perschke:

The second 2020 inductee was Christina Kay, now of WALK 97.5. She was inducted by Dan Cox:

Before moving on to the 2021 inductees, Dan Cox awarded the inaugural Art Beltrone Founders Award to Dan Casazza:

New director of broadcasting (or station manager, if you will) and 2019 inductee Pete Bellotti inducted two of the three 2021 inductees. First, Joe Manfredi, the station manager of Old Westbury Web Radio (OWWR) (listen here), serving nearby SUNY Old Westbury:

Dan reintroduced Pete to induct Jay Mirabile, longtime host of The Disco and Funk King Show (DFK for short):

Finally, it was my turn. I originally planned on my cousin Chris – C.W. Post Class of 2008 – inducting me, but he came down with COVID earlier in the week. His induction speech was partially complete and he offered to finish it and have Dan Cox read it on his behalf, but I declined and had Dan give his own speech:

Dan, with his time as director of broadcasting at an end, closed the ceremony with poignant, and pointed, remarks:

With the ceremony complete, all that remained were the photo ops:

As I left, Dan had everyone yell “goodbye” to me. I happily waved and walked out…except that I left my camera battery charger in an outlet. I realized my error halfway to Domenico’s of Levittown. I didn’t feel like going back to campus, so Pete returned it to me today. Still, I went ahead and bought new third-party batteries with a charger. The batteries I had were 6 1/2 years old, anyway.

Joining my family at Domenico’s were Wendy, Lori, and Aunt Donna. The lone photo I took there was of a toast:

Cheers!

Thank you to those that gave me congratulations cards and gifts:

Thus ends the recap. I am overwhelmed by all the support I received during and after the ceremony. Congratulations to Alan Seltzer, Christina Kay, Joe Manfredi, Jay Mirabile, and yours truly Mike Chimeri, the 2020 and ’21 classes of the WCWP Hall of Fame.

6/21 UPDATE: The video is now up. Chapters are included if you want to skip ahead or know what to expect. There is occasional coarse language and suggestive dialogue.

Instrumental Invasion, 6/15/22 June 16, 2022

Posted by Mike C. in Airchecks, Audio, Internet, Jazz, Media, Music, Personal, Radio.
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The June 15 Instrumental Invasion on WCWP was recorded over three days: April 13 (one segment), 14 (three segments), and 15 (two segments). The second talk break of the third segment was rerecorded on the 15th prior to recording the last two. I wasn’t thinking straight on the 14th as landscapers across the street made their annual debut, working on and off for four hours! After I got the first of my three planned segment recordings in, our landscaping crew made their debut, which took “only” two hours. I recorded the second segment of the day after they left and when the crew across the street was in a lull. I recorded the third in the evening. Naturally, all this occurred on the warmest (and most humid) day of the spring to that point. The Kaotica Eyeball only drowns out so much; the window still needs to be closed. It was drier and less warm on the 15th, so my room didn’t get stiflingly hot. There was a bird chirping in a tree at one point, but I didn’t notice it on playback.

The playlist was created on April 12 after wrapping up last week’s show, with annotations and the talk break script draft on the 13th.

For the second week in a row, a cut from Chet Baker‘s She Was Too Good to Me was played in the first segment followed by a Bob James song, and Fourplay ended the first hour. “Autumn Leaves” was originally played on May 20, 2020, but with less background info and the wrong vibraphonist credit. Next week’s show will have more recurring songs to compensate for misinformation.

Click here to download this week’s aircheck MP3 or listen below:

Instrumental Invasion, 6/8/22 June 9, 2022

Posted by Mike C. in Airchecks, Audio, Internet, Jazz, Media, Music, Personal, Radio.
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The June 8 Instrumental Invasion on WCWP was recorded on April 11 (four segments) and 12 (two segments) with pickups recorded on April 13 and May 2.

The playlist was created on April 9, annotated on the 10th, and the talk break script was drafted before recording on the 11th.

Between last week’s show and this one, Pete Bellotti was named WCWP’s new director of broadcasting. In an e-mail on Monday, he informed me and my fellow FM hosts that the current programming lineup will continue through at least Labor Day.

As noted on the air, I played “It’s You or No One” by Chet Baker in the first Wednesday night show back on April 1, 2020. In that show, I misidentified She Was Too Good to Me, the album it’s from, as “…too good for me.” I’ll be replaying “Autumn Leaves” from that album next week to make up for misidentifying the vibraphonist in the eighth show (May 20).

Serendipity struck again this week as the last song I needed to fill out hour two’s first segment had a similar title to the song I played from Darren Rahn‘s Rock The World album. Last week, it was “Midnight Sun” and “Midnight Madness,” and this week, “Infinite Love” and “I’ve Never Been in Love Before.” One segment after that, I experimented with one long song taking up the entire segment: “After the Cosmic Rain” on Return to Forever IV’s live album The Mothership Returns. Contrary to what the playlist says, I had the post-song liner picked out before recording the talk break.

Click here to download the aircheck MP3 or listen below:

Instrumental Invasion, 6/1/22 June 2, 2022

Posted by Mike C. in Airchecks, Animation, Audio, Internet, Jazz, Media, Music, Personal, Radio, TV, Video.
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The June 1 Instrumental Invasion on WCWP was the third of three shows produced in eleven days. Recording took place from April 4 to 6 in the same 2-3-1 configuration as the May 18 show: two segments on April 4, three on the 5th, and the last segment and pickups on the 6th. An additional pickup was recorded on April 18.

The playlist was created on April 2 after recording the first hour of last week’s show and annotated on the 3rd before recording its second hour. The talk break script was drafted on the 4th before recording the first two segments for this week.

June 1 was the first day after Dan Cox’s retirement as Director of Broadcasting. Long Island University is going to make that position part-time upon hiring his replacement. At Dan’s request, I continue to work on shows even if some of them don’t air, assuming the worst case scenario: where the university terminates WCWP after 57 years on 88.1 FM and 61 years since its carrier current launch. This is the only time I’m acknowledging the station’s uncertainty unless the worst comes true. (6/9 UPDATE: Pete Bellotti became the new director on June 6 and stated that the current FM lineup will continue through at least Labor Day.)

Getting back to this week’s show, in my back-sell of “Vinyl” by Euge Groove, I referenced an (original) Animaniacs segment called “Please Please Please Get a Life Foundation” (from episode 73):

Online pedantry goes back farther than you think.

I’ve since watched the first two seasons of the reboot, which I enjoyed.

This show’s second segment was the hardest to record, compounded by my new habit of zooming in the waveform to see mouth clicks I can edit out. If every song fades out and you’re light on information, the last resort is to do the talk breaks at a slow pace. I recorded the third talk break slow, but there was still too much left, so I had to redo the second. The third segments of each hour required careful editing of their second talk breaks to avoid running over. It was in the last segment that I realized it makes more sense looking for mouth clicks in a talk break after editing out flubs, but I’ve since reverted to the old way.

It marked the second time I paired songs by Wes Montgomery and Earl Klugh, coincidentally recorded the week of the show with the first time. The inclusion of “Midnight Madness” by Skinny Hightower after “Midnight Sun (Extended Version)” by Darren Rahn was serendipity. The first segment of hour two needed a song around 3:45 and I came across “Midnight Madness.” Then, I noticed it had vinyl record crackling just like “Vinyl”; two callbacks in one.

Click here to download the aircheck MP3 or listen below:

Instrumental Invasion, 5/25/22 May 26, 2022

Posted by Mike C. in Airchecks, Animation, Audio, Drama, Game Shows, Internet, Jazz, Media, Music, Radio, TV, Video.
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The May 25 Instrumental Invasion on WCWP was recorded one hour per day on April 2 and 3. A pickup was recorded on May 2.

The playlist was created on March 31 and annotated on April 1. The talk break script was drafted before recording the first hour on the 2nd. This was the third time the playlist did not include David Benoit. The other two times were the 40th birthday special last November 17 and the 100th show on March 2.

After finishing last week’s show, it occurred to me that I hadn’t played many live recordings on Instrumental Invasion: ten songs in 111 shows. Five of those were Pat Metheny; one with his Group, two versions of “Better Days Ahead.” This week alone had five live recordings in it, four of them long. Spyro Gyra‘s Access All Areas version of “Heliopolis” was part of Extended Cuts Week on the original The Instrumental Invasion on WGBB. That show aired January 27, 2005, 17 years and four months ago tomorrow (May 27). The phrase “almost live” was part of The Gong Show announcer’s intro spiel: “From Hollywood, almost live, it’s The Gong Show!” (I’d link to video of the intro, but all the videos on YouTube are poor quality.)

I ended my talk-up of “Seventh Heaven” by Jeff Lorber with the line “the seventh heaven is, of course, the best,” an homage to a bit in the Technology Connections video on touch lamps. I’ve clipped the bit here, but the full video is worth watching:

I was going to reference the bit after playing “Tenth Victim” by the Jeff Lorber Fusion last week, but realized that would be in bad taste, even if I added “at least in positive situations.”

Incidentally, the inclusion of “Seventh Heaven” plus “Supernatural” by Brian Simpson made for two songs sharing their name with a WB/CW drama. 7th Heaven was family-oriented while Supernatural was dark fantasy.

As for last night’s show, click here to download the aircheck MP3 or listen below:

I had Homer Simpson in mind when I used the word “dealies” at the end of the first segment.

Instrumental Invasion, 5/18/22 May 19, 2022

Posted by Mike C. in Airchecks, Audio, Internet, Jazz, Media, Music, Personal, Radio, Travel, TV.
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The May 18 Instrumental Invasion on WCWP was the third consecutive show recorded over three days. Two segments were recorded on March 28, three on the 29th, and one on the 30th. Pickups were recorded from March 29 to 31, and on April 2 and 22.

The playlist was created on March 27 with annotations and the script draft on the 28th.

I first played “Five6Oh83” by Steve Cole on July 1, 2020. I noted that 56083 was the ZIP Code for Sanborn, Minnesota, but missed the connection to David Sanborn. Instead, I wondered if Steve lived there and advised against looking into that. I played “Slam” by David so I could play Steve’s tribute later. It’s also why I included “Slings and Arrows” by Michael Brecker after playing “Starburst” by Spyro Gyra, which he ended with his solo. “Slam” and “Starburst” were chock-full of alumni of Paul Shaffer and The World’s Most Dangerous Band. If I wasn’t short on time in the first segment, I would have noted when they were in the band and who replaced them.

I swapped out the second instance of Ted David‘s segment open liner with a liner by Travis Demers.

Click here to download the aircheck MP3 or listen below:

Instrumental Invasion, 5/11/22 May 12, 2022

Posted by Mike C. in Airchecks, Animation, Audio, Comedy, Internet, Jazz, Media, Music, Personal, Radio, Travel, TV, Video.
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The May 11 Instrumental Invasion on WCWP was recorded over three days: the first hour on March 21, the first segment of the second hour on the 22nd, and the last two on the 23rd. Pickups were recorded on April 22 and May 2, the latter of which incorporated a new liner by WCWP/LIU Post alumnus Travis Demers.

The playlist was created on March 20 with annotations and the talk break script draft on the 21st.

For the second time in three weeks, speed compression was involved. The last talk break was sped up to 98% (except for the pickup) to keep the segment as close to 18 minutes as possible. This was after removing extemporaneous tidbits, which I also had to do for the last talk break of the first hour.

One tidbit I removed was about the music video for “Mornin’” by Al Jarreau, billed only as Jarreau:

In the show’s last talk break, while back-selling “Shandling” by Ken Navarro, I referenced “This is the Theme to Garry’s Show,” the theme song for It’s Garry Shandling’s Show:

My talk-up for the short “Funky Song (SC-55)” by Anders Enger Jensen ended in rhyme: “This is Anders Enger Jensen with ‘Funky Song.’ It isn’t very long.” That was a reference to this moment on Drew Carey’s Improv-A-Ganza:

I swapped out the 1984 and earlier segment for an extra 2017 to present, something I haven’t done since December 29, as four new albums came my way before working on this show.

Guitarist Wayne Bruce’s appearance on “95 North” by Kim Waters allowed me to make up for my oversight last June 23. Coincidentally, tomorrow’s blog post has photos taken on I-95 north in New York and Connecticut. (5/26 UPDATE: Here’s the post.) Kim had the Maryland portion of the interstate highway in mind for “95 North.”

I didn’t mention on-air that May 11 marked 28 years since my first “radio show” with my cousin Chris. He held a Talkboy cassette voice recorder and I held a Panasonic microcassette voice recorder. 11 years after that – May 11, 2005The Mike Chimeri Show returned to WebRadio WCWP, six days after ending the original The Instrumental Invasion on WGBB. He’ll be introducing me at the 2020-21 WCWP Hall of Fame Ceremony exactly one month from last night, on June 11.

Click here to download the May 11, 2022, aircheck MP3 or listen below:

Instrumental Invasion, 5/4/22 May 5, 2022

Posted by Mike C. in Airchecks, Audio, Comedy, Internet, Jazz, Media, Music, Personal, Radio, TV, Video.
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The May 4 Instrumental Invasion on WCWP was recorded from March 14 to 16, two segments per day. Pickups were recorded on March 19 and 21, and April 22.

The playlist was created on March 13 and annotated on the 14th. The talk break script was drafted before the first two segments were recorded, and before and after recording the third segment on the 15th.

My line in the intro was in reference to this:

From the debut of Stupid Human Tricks

On February 1, the Late Show with David Letterman YouTube channel was revived as a David Letterman archive channel (billed as “Letterman”). The channel is primarily made up segments from all three of Dave’s shows – The David Letterman Show (“the morning show”), Late Night, and the Late Show – and remembrances by surviving staff – including directors Hal Gurnee and Jerry Foley, and writers Merrill Markoe and Gammill and Pross. Despite Dave’s left-wing political bent, explicitly expressed over his last decade on the air, I have a fondness for him and his shows. I was fortunate enough to attend a Late Show taping with my dad Bill in December 2004, and to have met Hello Deli proprietor (and hidden camera subject) Rupert Jee four years earlier, as seen on this blog’s People I’ve Met page:

5/17 UPDATE: Since my Netflix account has been paused for over a year, and due to the potential politics of a given episode, I forgot that Dave continues to have an interview series on the platform called My Next Guest Needs No Introduction.

But enough about all things Letterman. 6/9 UPDATE: That sentence took on a new meaning yesterday when I unsubscribed from the channel. I grew overwhelmed by the frequency of videos that I felt compelled to watch, and they posted two politically-fueled videos in two weeks: one from 2013 (Republican senator-shaming Stooge of the Night compilation), one recorded yesterday (bashing the governor of Florida after Dave’s sister wrote to him). Oh, well. It was a fun few months. I’ll always have “doppity-doh” and “Ball, Get Out of My Nachos.”

I didn’t mention it on the air, but four of the songs in the first hour are the latest in a line of songs played on the show that were excerpted in local forecasts on The Weather Channel in their day:

There was so much information I did share that I didn’t use many alumni liners, but no speed compression was required for talk breaks. For the first time since January 12 (only acknowledged in the playlist), I swapped the Ted David and Bruce Leonard liners for the start of the last two segments.

Not only did the show have plenty of organ, but also many James Taylor alumni, leading up to Chuck Loeb‘s cover of “Mean Old Man.”

Coming in and out of “Dees Blues” by the Roger Kellaway Trio, I subtly referenced a suggestive meme.

Run Your Race,” Ken Navarro‘s tribute to Eddie Van Halen, was first played on October 6, recorded before learning it was a tribute (in this livestream).

Gotta Get Up” by Adam Hawley was on the smooth jazz radio charts at the time of recording.

Here is the video for the Bob James Trio’s cover of “Rocket Man“:

Click here to download the aircheck MP3 or listen below:

8:18 AM UPDATE: Whoops, I guess last week’s show wasn’t the last with the “no relation to” bit. I accidentally left one in at the top of hour 2.

Instrumental Invasion, 4/27/22 April 28, 2022

Posted by Mike C. in Airchecks, Audio, Comics, Film, Internet, Jazz, Media, Music, Personal, Radio, Video.
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The April 27 Instrumental Invasion on WCWP was recorded on March 8 (two segments) and 9 (four segments). A pickup was recorded on the 11th.

The playlist was created on March 5 and annotated on the 7th. The talk break script was drafted on the 8th, but I recorded the first segment after scripting its talk breaks.

The second and third talk breaks of the first segment were speed compressed, one more talk break than last February 3. I didn’t want to withhold anymore tidbits that I removed and wasn’t up to rerecording the breaks faster. I moved some of those tidbits to the first talk break of the second segment. The third and fourth segments had the opposite problem, which meant padding with extra liners and not having songs start underneath the talk-up.

The adamantium claws reference (with sound effect) after “Get Out Claws” by Oli SIlk was a nod to Wolverine from the X-Men.

This is the last show with the “no relation to” running gag. I employed it in some upcoming shows, but edited out all instances.

Here’s the Bob James Trio performance of “Feel Like Making Love/Night Crawler” that was extracted for use in Feel Like Making LIVE!:

If you want to see Scott Wilkie‘s “live” band perform “Fruit Sandwich,” you’ll have to buy the DVD.

As for last night’s show, click to download the aircheck MP3 or listen below: