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Instrumental Invasion, 5/18/22 May 19, 2022

Posted by Mike C. in Airchecks, Audio, Internet, Jazz, Media, Music, Personal, Radio, Travel, TV.
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The May 18 Instrumental Invasion on WCWP was the third consecutive show recorded over three days. Two segments were recorded on March 28, three on the 29th, and one on the 30th. Pickups were recorded from March 29 to 31, and on April 2 and 22.

The playlist was created on March 27 with annotations and the script draft on the 28th.

I first played “Five6Oh83” by Steve Cole on July 1, 2020. I noted that 56083 was the ZIP Code for Sanborn, Minnesota, but missed the connection to David Sanborn. Instead, I wondered if Steve lived there and advised against looking into that. I played “Slam” by David so I could play Steve’s tribute later. It’s also why I included “Slings and Arrows” by Michael Brecker after playing “Starburst” by Spyro Gyra, which he ended with his solo. “Slam” and “Starburst” were chock-full of alumni of Paul Shaffer and The World’s Most Dangerous Band. If I wasn’t short on time in the first segment, I would have noted when they were in the band and who replaced them.

I swapped out the second instance of Ted David‘s segment open liner with a liner by Travis Demers.

Click here to download the aircheck MP3 or listen below:

Instrumental Invasion, 5/11/22 May 12, 2022

Posted by Mike C. in Airchecks, Animation, Audio, Comedy, Internet, Jazz, Media, Music, Personal, Radio, Travel, TV, Video.
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The May 11 Instrumental Invasion on WCWP was recorded over three days: the first hour on March 21, the first segment of the second hour on the 22nd, and the last two on the 23rd. Pickups were recorded on April 22 and May 2, the latter of which incorporated a new liner by WCWP/LIU Post alumnus Travis Demers.

The playlist was created on March 20 with annotations and the talk break script draft on the 21st.

For the second time in three weeks, speed compression was involved. The last talk break was sped up to 98% (except for the pickup) to keep the segment as close to 18 minutes as possible. This was after removing extemporaneous tidbits, which I also had to do for the last talk break of the first hour.

One tidbit I removed was about the music video for “Mornin’” by Al Jarreau, billed only as Jarreau:

In the show’s last talk break, while back-selling “Shandling” by Ken Navarro, I referenced “This is the Theme to Garry’s Show,” the theme song for It’s Garry Shandling’s Show:

My talk-up for the short “Funky Song (SC-55)” by Anders Enger Jensen ended in rhyme: “This is Anders Enger Jensen with ‘Funky Song.’ It isn’t very long.” That was a reference to this moment on Drew Carey’s Improv-A-Ganza:

I swapped out the 1984 and earlier segment for an extra 2017 to present, something I haven’t done since December 29, as four new albums came my way before working on this show.

Guitarist Wayne Bruce’s appearance on “95 North” by Kim Waters allowed me to make up for my oversight last June 23. Coincidentally, tomorrow’s blog post has photos taken on I-95 north in New York and Connecticut. Kim had the Maryland portion of the interstate highway in mind for “95 North.”

I didn’t mention on-air that May 11 marked 28 years since my first “radio show” with my cousin Chris. He held a Talkboy cassette voice recorder and I held a Panasonic microcassette voice recorder. 11 years after that – May 11, 2005The Mike Chimeri Show returned to WebRadio WCWP, six days after ending the original The Instrumental Invasion on WGBB. He’ll be introducing me at the 2020-21 WCWP Hall of Fame Ceremony exactly one month from last night, on June 11.

Click here to download the May 11, 2022, aircheck MP3 or listen below:

Instrumental Invasion, 5/4/22 May 5, 2022

Posted by Mike C. in Airchecks, Audio, Comedy, Internet, Jazz, Media, Music, Personal, Radio, TV, Video.
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The May 4 Instrumental Invasion on WCWP was recorded from March 14 to 16, two segments per day. Pickups were recorded on March 19 and 21, and April 22.

The playlist was created on March 13 and annotated on the 14th. The talk break script was drafted before the first two segments were recorded, and before and after recording the third segment on the 15th.

My line in the intro was in reference to this:

From the debut of Stupid Human Tricks

On February 1, the Late Show with David Letterman YouTube channel was revived as a David Letterman archive channel (billed as “Letterman”). The channel is primarily made up segments from all three of Dave’s shows – The David Letterman Show (“the morning show”), Late Night, and the Late Show – and remembrances by surviving staff – including directors Hal Gurnee and Jerry Foley, and writers Merrill Markoe and Gammill and Pross. Despite Dave’s left-wing political bent, explicitly expressed over his last decade on the air, I have a fondness for him and his shows. I was fortunate enough to attend a Late Show taping with my dad Bill in December 2004, and to have met Hello Deli proprietor (and hidden camera subject) Rupert Jee four years earlier, as seen on this blog’s People I’ve Met page:

5/17 UPDATE: Since my Netflix account has been paused for over a year, and due to the potential politics of a given episode, I forgot that Dave continues to have an interview series on the platform called My Next Guest Needs No Introduction.

But enough about all things Letterman. I didn’t mention it on the air, but four of the songs in the first hour are the latest in a line of songs played on the show that were excerpted in local forecasts on The Weather Channel in their day:

There was so much information I did share that I didn’t use many alumni liners, but no speed compression was required for talk breaks. For the first time since January 12 (only acknowledged in the playlist), I swapped the Ted David and Bruce Leonard liners for the start of the last two segments.

Not only did the show have plenty of organ, but also many James Taylor alumni, leading up to Chuck Loeb‘s cover of “Mean Old Man.”

Coming in and out of “Dees Blues” by the Roger Kellaway Trio, I subtly referenced a suggestive meme.

Run Your Race,” Ken Navarro‘s tribute to Eddie Van Halen, was first played on October 6, recorded before learning it was a tribute (in this livestream).

Gotta Get Up” by Adam Hawley was on the smooth jazz radio charts at the time of recording.

Here is the video for the Bob James Trio’s cover of “Rocket Man“:

Click here to download the aircheck MP3 or listen below:

8:18 AM UPDATE: Whoops, I guess last week’s show wasn’t the last with the “no relation to” bit. I accidentally left one in at the top of hour 2.

Instrumental Invasion, 4/27/22 April 28, 2022

Posted by Mike C. in Airchecks, Audio, Comics, Film, Internet, Jazz, Media, Music, Personal, Radio, Video.
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The April 27 Instrumental Invasion on WCWP was recorded on March 8 (two segments) and 9 (four segments). A pickup was recorded on the 11th.

The playlist was created on March 5 and annotated on the 7th. The talk break script was drafted on the 8th, but I recorded the first segment after scripting its talk breaks.

The second and third talk breaks of the first segment were speed compressed, one more talk break than last February 3. I didn’t want to withhold anymore tidbits that I removed and wasn’t up to rerecording the breaks faster. I moved some of those tidbits to the first talk break of the second segment. The third and fourth segments had the opposite problem, which meant padding with extra liners and not having songs start underneath the talk-up.

The adamantium claws reference (with sound effect) after “Get Out Claws” by Oli SIlk was a nod to Wolverine from the X-Men.

This is the last show with the “no relation to” running gag. I employed it in some upcoming shows, but edited out all instances.

Here’s the Bob James Trio performance of “Feel Like Making Love/Night Crawler” that was extracted for use in Feel Like Making LIVE!:

If you want to see Scott Wilkie‘s “live” band perform “Fruit Sandwich,” you’ll have to buy the DVD.

As for last night’s show, click to download the aircheck MP3 or listen below:

Instrumental Invasion, 4/20/22 April 21, 2022

Posted by Mike C. in Airchecks, Audio, Comedy, Internet, Jazz, Media, Music, Personal, Photography, Radio, Travel, TV, Video.
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The April 20 Instrumental Invasion on WCWP was recorded on March 1 (four segments) and 2 (two segments), the latter occurring before my guest reading stint. Pickups were recorded on the 4th, 8th, and 24th.

The playlist was created on February 26, but not annotated until the 28th, after which the talk break script was drafted.

I forgot to plug the video of “Angela” by the Bob James Trio that was recorded as they recorded:

The session was recorded as video and the Dolby Atmos audio from it was extracted for MQA-CD players. The version of “Angela” you heard on the show was ripped from the CD with regular audio, which is good enough for me.

Coincidentally, the day I started recording this show, Ken Levine (“la-vyne”) wrote a remembrance of Taxi, the series for which Bob wrote the theme. Ken and his writing partner David Isaacs went on to work with some of the Taxi staff – such as the Charles Brothers and Jim Burrows – on Cheers and its spin-off Frasier.

The Shilts anecdote after playing “All Grown Up” referred to his May 2012 show at Houndstooth Pub. Last night was the first time I mentioned the prank.

A few days before the show aired, I finally learned how to properly say Maynard Ferguson‘s first name: “may-nard,” not “-nerd” like for football players Brad and Don. Unfortunately, it was too late to correct the mistake, but rest assured it won’t happen again.

Click here to download the aircheck MP3 or listen below:

Instrumental Invasion, 4/13/22 April 14, 2022

Posted by Mike C. in Airchecks, Audio, Internet, Jazz, Media, Music, New Age, Personal, Radio.
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The April 13 Instrumental Invasion on WCWP was recorded one hour per day on February 19 and 20, with pickups recorded before and after the second hour sessions. It was the first show recorded entirely at home with the Kaotica Eyeball shield.

The playlist was created on February 17 with annotations starting that day and continuing into the 18th. The talk break script was drafted on the 19th, before and after my friends’ daughter’s first birthday party.

I may have played six covers on a show prior to this week, but I didn’t notice until this time. My favorite has to be Maynard Ferguson‘s cover of “Eli’s Comin’” (from M.F. Horn) that led off the show, though I don’t like the beginning and end.

Valley in the Clouds” and “Jamaican Nights” were staples of The Weather Channel’s local forecasts in their day, but I wasn’t aware of the latter song until it played on CD 101.9 in November 1998. I played it in the premiere of the original The Instrumental Invasion on WGBB on July 13, 2004.

The last song of the show, “Summer Smiles” by Ken Navarro, was first heard last August 25, but this time, I said Tyler Mire‘s last name correctly: “meer.”

Click here to download the aircheck MP3 or listen below:

11:40 AM UPDATE: From time to time, I miss things when making annotations and they don’t end up in the script. I missed that David Charles played percussion on “360” by Chuck Loeb, leading me to incorrectly call it a trio song. I didn’t notice the percussion – chimes, in particular – until just now while listening to the unscoped aircheck. To compensate, I’ll play it again in an upcoming show. Listen for it in June.

Instrumental Invasion, 4/6/22 April 7, 2022

Posted by Mike C. in Airchecks, Audio, Baseball, Internet, Jazz, Media, Music, News, Personal, Radio, Sports, Technology, Travel, TV, Video, Weather.
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The April 6 Instrumental Invasion on WCWP was recorded over three days in mid-February: the first hour on the 14th (Valentine’s Day), one second hour segment on the 15th, and the last two on the 16th when a pickup was also recorded.

The playlist was created on February 12 and annotated on the 13th. The talk break script was drafted before recording on the 14th.

A few days before work on this show began, I finally took the plunge and bought the Kaotica Eyeball microphone isolation shield. Since my remote location has minimal room echo, the Eyeball is for home recordings. It only took two days to ship from Calgary, Alberta, Canada. Here’s how it looks from my chair:

It’s as big as my head, a challenge for Zoom meetings and for reading text on the right side of my monitor, but it works! Room echo was practically gone from any talk breaks I recorded at home. You will have to lower the pot (potentiometer) on your mixer. The Eyeball isolates background audio so well that more of the mic is picked up.

Thank you to actor and impressionist Jim Meskimen (son of Marion Ross) for recommending the Kaotica Eyeball in one of Mark Evanier‘s 2020 voice-over panel livestreams (cued to the relevant portion) and then jogging my memory about it in an Instagram post a few days before my purchase.

This wasn’t the first show with talk breaks recorded through the Eyeball, due to pickups I recorded for March 16.

After acquiring new music releases in the weeks leading up to this show, and the Friday after, I re-instituted two 2017 to present segments for the second hour. I included “Feet First” by Rick Braun unaware that it was the first single off his eponymous album. I did know that “Sun Princess” by the Jeff Lorber Fusion and “Out to Lunch” by Oli Silk were on the smooth jazz radio charts. So, I worked them in. Due to time constraints in the last segment, I couldn’t remind listeners about the accelerando at the end of the Bob James Trio arrangement of “Westchester Lady.” That same arrangement was part of their Blue Note set in November 2018, a month after Feel Like Making LIVE! was recorded. I said of the Blue Note performance:

This song had a call and response between the trio and ended with an accelerando that led me to polka dance [in my seat].

“The Big Windy Cat” by Nick Colionne was played 52 weeks after the previous cut from No Limits, “Headin’ Wes Before Dawn.” “Rippin’ n Runnin'” by Gordon Goodwin’s Big Phat Band, from That’s How We Roll, was played exactly six months after “Howdiz Songo?” We also went exactly six months between tracks from the Jeff Lorber Fusion’s Space-Time – “Louisiana” and “Sun Princess” – and between the last track to date from the previous Bob James Trio album, Espresso, and the first off Feel Like Making LIVE! The Espresso track was “Mister Magic,” which was also recorded for the new album.

Little did I know my inclusion of “Swingin’ for the Fence” by Nelson Rangell, and addressing personnel as “heavy hitters,” would coincide with the delayed start to the 2022 Major League Baseball Season, and appear in a show preceded by the baseball edition of The Rock Show. And it slipped my mind that an unusually late blizzard affected the New York metro area 40 years ago: April 6, 1982. You can watch WABC-TV‘s Eyewitness News coverage of that storm here.

Click here to download the aircheck MP3 or listen below:

Instrumental Invasion, 3/30/22 March 31, 2022

Posted by Mike C. in Airchecks, Audio, Game Shows, History, Internet, Jazz, Media, Music, Personal, Photography, Radio, TV, Video.
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The March 30 Instrumental Invasion on WCWP marked two years since my Wednesday night premiere. The show was recorded one hour per day on February 5 and 6 with a pickup on the 7th.

The playlist was created on February 3 and annotated on the 4th. The script was drafted on the morning of the 5th.

As on the first anniversary show last year, the first hour format was 1984 and earlier, with songs released between 1963 and 1980, and the second hour format was 1985 to ’95, with songs running the gamut.

The talk breaks for the first two segments were wordy enough that I resorted to short liners and had to hurry the third talk break of the second segment, removing tidbits about Wes Montgomery‘s Goin’ Out of My Head album. The other four segments required padding with extra liners, starting songs after a talk break, or fading them up (not out) early.

Feels So Good” by Chuck Mangione finally aired in its entirety after getting cut off by automation in the first show.

Give It One” by Maynard Ferguson led off the show, as I had bought a compilation CD of Maynard’s three M.F. Horn studio albums days before recording. I’ve been aware of the song since I downloaded an MP3 in the mid 2000s upon learning it was used as the theme to the 1974 pilot episodes of Wheel of Fortune. I incorrectly thought it was made for the show. The first part of the song reminds me an interchange on I-95 in Miami because I was looking at a photo of it while listening. When my travels took me past what’s known as the Midtown Interchange in March 2019, I took a photo of my own:

Thanks to a video slideshow I made for my family of the trip, including my cousin’s wedding, the new photo also makes me think of “Gods of Brazil” by Alison Brown. And speaking of Brazil, I was glad to talk about Iguazu Falls after playing the misspelled “Iguassu Falls” by Jeff Lorber.

Getting back to “Give It One,” trumpeter Eric Miyashiro, once part of Maynard’s big band, posted a great arrangement on YouTube back in October, featuring a solo by fellow Maynard alum Wayne Bergeron, then by him. Enjoy:

5/12 UPDATE: I learned in thanks to this interview with Eric that Maynard’s name was pronounced as it looks, not “may-nerd.”

As for the second anniversary edition of Instrumental Invasion, click here to download the aircheck MP3 or listen below:

Audiobooking 7 March 26, 2022

Posted by Mike C. in Animation, Audio, Audiobooks, Baseball, Books, Comedy, Commentary, Drama, Film, Football, Health, History, Internet, Media, Music, News, Personal, Politics, Radio, Rock, Sports, TV, Video, War, Wrestling.
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Another year of audiobook listening is in the books. I’m still an Audible member and use each month’s credit on a new book, but throughout my membership, there will come a time where I pay $35.88 to buy three extra credits. I listened while exercising, running (or walking) errands, doing household tasks, and at bedtime.

I even listened to one book on YouTube rather than Audible. Find out which one as I list the audiobooks I listened to since last year’s Audiobooking post:

  • Apropos of Nothing by Woody Allen – It’s sad that the abundance of Woody haters made him feel compelled to passionately, and rightly, defend his character through most of the book.
  • Talking to GOATs: The Moments You Remember and the Stories You Never Heard by Jim Gray (with guest voices including Bob Costas, Vin Scully, Tom Brady, and Snoop Dogg) – GOAT is an acronym for “greatest of all time.” – Vin was recorded over the phone while Bob and Tom were on Zoom via their webcam or phone. You can tell by the audio quality. – I remembered where I was during the moments Jim recounted, especially the Pete Rose interview. Jim didn’t deserve the grief he got. I’m glad he and Pete are on good terms these days
  • Killing the Mob: The Fight Against Organized Crime in America by Bill O’Reilly and Martin Dugard (read entirely by Robert Petkoff) – This was certainly enlightening. I had no idea the mob’s tentacles ran so deep, or that they had a boss in Tampa, of all places.
  • On the House: A Washington Memoir by John Boehner (“bainer”) – This was one of three books I returned. – The early stages of Speaker Boehner’s book were more of, apropos of the previous book I listened to, hits on his enemies. I mean verbal ad hominem attacks, not murders.
  • Slobberknocker: My Life in Wrestling by Jim Ross with Paul O’Brien (read by Jim; Vince McMahon’s foreword and “Stone Cold” Steve Austin’s afterword read by R.C. Bray) – I bought this with my On the House return credit. – Both Slobberknocker and Under the Black Hat have an instance of “at the end of the day.” I had yet to encounter that in Black Hat when I published last year’s post. – I watched many WWE documentaries on Peacock in my first two months as a subscriber (before “at the end of the day” fatigue made me quit watching what was left). I now realize that for all WWE-sanctioned media, you are required to say “-E” instead of “-F,” even when referring to the WWF days. Only clips can show the old logos and utterances of “-F” or “Federation.” Slobberknocker didn’t have that requirement, but Black Hat did. – I met Jim and Jerry Lawler at New York Comic Con in October.
  • How Y’all Doing?: Misadventures and Mischief from a Life Well Lived by Leslie Jordan (or should I say Leslie Alan Jordan?) – How can you not love Leslie? – I saw little of him on Will & Grace, but enjoyed him on The Cool Kids and enjoy him on Call Me Kat. – He’s worth following on Instagram.
  • Just When I Thought I’d Heard Everything!: Humorous Observations on Life in America by Charles Grodin (1934-2021) – Compilation of radio commentaries, but newly read (in 2013) for the book. – Wow, was this poorly edited. So many flubs were left in. I don’t know how I made it to the end
  • Sunshine Girl: An Unexpected Life by Julianna Marguiles (“margh-u-leez”) – I have seen little of Julianna’s work outside of the 1997 live episode of ER, but I enjoyed learning about her. – I was watching Friends on HBO Max at the time I heard her book, and it was neat seeing her older sister Alexandra (referenced in the book) recur on that show.
  • Mayor Kane: My Life in Wrestling and Politics by Glenn Jacobs (a.k.a. Kane) – Like Talking to GOATs, I remembered where I was at the time of some of the events Glenn recounted from the period when I was a wrestling fan. – “-E” instead of “-F” – In pro wrestling terms, I was a mark early in my fandom and Isaac Yankem, Glenn’s first WWE character, genuinely scared me. So, I was surprised that he hated the character – The Fake Diesel angle began on Monday Night Raw on September 23, 1996, two days before my sister’s bat mitzvah. – Early Kane scared me, too. – Glenn’s position as mayor of Knox County, Tennessee, would be known as county executive in most other regions. I was unaware of county executives going by mayor until I heard a public address announcement by the “mayor of Broward County” in Fort Lauderdale-Hollywood International Airport on March 5, 2019, while waiting in the JetBlue terminal for a flight back to JFK. (See photos from my trip here.) – I didn’t enjoy Glenn’s libertarian commentary toward the end, but at least it’s on my side of the political aisle, and he didn’t attack anyone like Boehner did.
  • Five Minutes, Mr. Byner: A Lifetime of Laughter by John Byner with Douglas Wellman (read by John) – I had better luck with John Byner than with John Boehner. – Long Island represent! Byner grew up all over Long Island, including Bohemia and Merrick. (Since Bill O’Reilly’s book, and Brian Kilmeade’s later, aren’t memoirs, I didn’t/don’t acknowledge they are also from Long Island. Bill’s from Levittown and Brian’s from Massapequa.) – I forgot John’s last name at birth was Biener. Unlike the Biener Audi folks, the phonetic spelling John legally adopted is how his family said it; like my last name, people kept mispronouncing his, calling him “Beaner” or “Beans.” – I don’t remember if he brought up playing Gurgi (and Doli) in The Black Cauldron, but I watched it on Disney+ a few weeks ago, as I work my way through (most of) Disney’s theatrical animated releases in chronological order. – Just as I prepared to published this post, I learned of The Super Bob Einstein Movie documentary on HBO Max. Bob created Super Dave Osborne for The John Byner Comedy Hour and would later appear on John’s Bizarre series and his own show, Super Dave.
  • Past Imperfect: The Autobiography by Joan Collins – Originally published in 1978, revised in the mid ’80s to include her Dynasty work, recorded in 2021. – Maxwell Reed was her husband, but I came to hate him just as much after listening. – I thought back to Slobberknocker as Joan referenced Bill Watts, obviously not related to Cowboy Bill.
  • Tropical Attire Encouraged (and Other Phrases That Scare Me) by Alison Rosen – Free with my Audible membership – Each chapter ended with an impromptu commentary by Alison and after finishing the book, there’s podcast-esque commentary by Alison and her husband Daniel Quartz. – I became a fan of Alison during her days as a guest on Red Eye with Greg Gutfeld, proudly supporting the original livestream (UStream) incarnation of Alison Rosen is Your New Best Friend. It was an honor to be the Fan Phone Call one Sunday evening in 2010; I listened to some episodes of the podcast version that continues to this day, but haven’t heard an episode in quite a while. – I’ve since gravitated toward podcasts by Gilbert Gottfried (with Frank Santopadre) and Ken Levine. – Listening to this book made me nostalgic for the halcyon days before politics drove a wedge into everything.
  • My Inappropriate Life: Some Material Not Suitable for Small Children, Nuns, or Mature Adults by Heather McDonald – Written and read in the days of Chelsea Lately, which again, I didn’t see much of, but I knew of the regular panelists and staff, including Heather.
  • The Long Slide: Thirty Years in American Journalism by Tucker Carlson – I can’t stomach his Tucker Carlson Tonight commentaries anymore (too dour, goes after right-wingers I like), but I was willing to buy The Long Slide. – After an introduction lamenting the way things were at the time of publication (summer 2021), the rest of the book is made up of past columns with present-day prologues. To that end, it was edited better than Charles Grodin’s audiobook.
  • You Look So Much Better in Person: True Stories of Absurdity and Success by Al Roker – I’ve been a fan of Al’s since his days at News 4 New York (WNBC), and thoroughly enjoyed his journey. – “You look so much better in person” was a well-meaning, unintentionally backhanded compliment someone gave him in Rockefeller Plaza one time on Today. Don’t ever tell anyone that.
  • Parenting for the Digital Age: The Truth behind Media’s Effect on Children and What to Do About It by Bill Ratner – There are occasional references to Bill’s career, but it’s mostly parental help, as the title indicates.
  • Oh, Nothing…: An Audio Collection of Stories and Memories from Alan Sues by Alan Sues (“sooz”) (1926-2011) – Since the book’s price was $9.79, I bought it that way rather with a credit that costs an additional $1.17 if bought with three ($11.96 x 3) or $5.16 with the monthly credit ($14.95). – Again I say as the title indicates, this is less of a book and more of an interview or one-on-one conversation. – There was so much more to Alan than his days on Laugh-In.
  • The Beauty of Living Twice by Sharon Stone – I felt deep empathy for Sharon as she recounted all that she’s endured. – Left-wing politics comes up throughout, but I made it to the end.
  • Mixed Plate: Chronicles of an All-American Combo by Jo Koy – “Josep!” – Jo’s brother reminded me of my late uncle Carmen, who also suffered from paranoid schizophrenia.
  • After Mixed Plate, I encountered the second book that I had to disappointingly return for left-wing political reasons. I prefer not to name it or its author (and co-author), but I will say that they were also born and raised on Long Island.
  • Windswept & Interesting: My Autobiography by Billy Connolly – I started listening just after I had finished watching Billy in the final season of Head of the Class on HBO Max, and earlier this week, I heard him in Pocahontas on Disney+. – Like Jimmy Johnson, these days, Billy lives with his wife in the Florida Keys.
  • Bad Republican by Meghan McCain – Double entendre: “bad” because she’s not conservative enough and she and her family hate [the 45th president], and “bad” merely as a Republican. The latter “bad” is how her former co-hosts of The View perceived her. – Three audio clips are used: two of her father Senator John McCain and one of her impassioned eulogy at his memorial. – One “at the end of the day”
  • God Bless This Mess: Learning to Live and Love Through Life’s Best (and Worst) Moments by Hannah Brown – Vocal fry galore! – Felt nothing when she won her season of Dancing with the Stars and didn’t get along with her dance partner Alan Bersten (only referred to by his first name) – That admission, with about an hour left in the book, let me to make my third return of the year. I was so distraught, having wasted my time supporting her (even though I thought she didn’t deserve to win that season!), I couldn’t finish my workout on the morning I heard that part.
  • Dear Hartley: Thoughts on Character, Kindness, and Building a Brighter World by Jedediah Bila – Speaking of former hosts of The View, Jedediah’s Dear Hartley is a series of hopeful letters (chapters) to her currently-toddler son. – Each “letter” ends with “I love you more than life, Mama.”
  • Kind is the New Classy by Candace Cameron Bure – One “at the end of the day” – Hey, three The View ex-pats in one year! – While Candace spoke positively of her co-hosts in the book, since she was still on it in 2018, she has since admitted her experience was as bad as Meghan’s.
  • Based on a True Story: A Memoir by Norm Macdonald (1959-2021) – Yes, the first “d” is lowercase. – This is not a nonfiction memoir, but a fictional novel “based on a true story.” – It’s the story of egomaniacal Norm and his timid sidekick Adam Eget (“e-ghit”), intertwined with confessions from the supposed ghostwriter of the book, voiced “splendidly!” by Tim O’Halloran.
  • Wishful Drinking by Carrie Fisher (1956-2016) – Before my animated theatrical journey began on Disney+, I watched all nine episodes of Star Wars (the Skywalker Saga) in episodic order. After finishing the original trilogy, I watched Bright Lights: Starring Carrie Fisher and Debbie Reynolds, a documentary produced by Carrie’s brother/Debbie’s son Todd, on HBO Max. Then, I decided to buy this audiobook and three of the next four below. – Left-wing politics, but through a 2008 lens
  • Shockaholic by Carrie Fisher (1956-2016) – A chronicle of Carrie’s experience with ECT (electroconvulsive therapy) treatments – It includes another hater-facilitated defense, this time of Michael Jackson. Good.
  • The Princess Diarist by Carrie Fisher – She talks about her experience making the original Star Wars trilogy and shares diary entries written during filming of the first one (Episode IV). – The diary entries are read by her daughter Billie Lourd. – Ends with modern-day dramatizations of fan encounters at conventions, which Carrie referred to as “celebrity lap dance(s),” a term she also used in Bright Lights.
  • The Boys: A Memoir of Hollywood and Family by Ron and Clint Howard (foreword written and read by actress Bryce Dallas Howard, Ron’s daughter) – This is a real memoir about Ron and Clint’s youth and the lives of their parents Rance and Jean Speegle Howard. (I thought it was “Spiegel” as I listened since I have a friend with that last name.) – I’ve since heard Clint in The Jungle Book and two Winnie the Pooh shorts, via The Many Adventures of…, on Disney+. – This was temporarily the longest audiobook I’ve ever listened to, surpassing I’ll Be Back Right After This by Pat O’Brien.
  • My Girls: A Lifetime with Carrie and Debbie by Todd Fisher – Todd’s memoir and point of view of the events chronicled in Carrie and Debbie’s books, which are occasionally excerpted – Todd says “two thousand and” for 2001 and beyond, even for 2010 and beyond. – He kept saying “in the end,” but I’ll take a million of those over one “at the end of the day.” Bravo, Todd. – Only five minutes shorter than The Boys
  • The Masked Man: A Memoir and Fantasy of Hollywood by Tom Wilson – This is the book I listened to on YouTube. Tom posted chapters to his channel daily over three weeks in January. – Like Norm’s book, there’s a fictional aspect (“and fantasy of”). You don’t really think Clayton Moore followed him around like a shadow, do you? – I made a playlist of all the chapters, but you may buy on Audible if it’ll clear your conscience.
  • The President and the Freedom Fighter: Abraham Lincoln, Frederick Douglass, and Their Battle to Save America’s Soul by Brian Kilmeade – A book about the lives of Abraham Lincoln and Frederick Douglass
  • But Enough About Me: A Memoir by Burt Reynolds (1936-2018) with Jon Winokur (read by Burt) – Burt lists many of the people that helped shape his life. – I don’t know if it was the frailty of age, but Burt’s delivery was mostly whispered. – I’m thankful to Burt for reminding me of Sally Field’s verbatim acceptance speech when she won the Academy Award for Best Actress, her second, for her role in Places in the Heart, and how it alluded to her previous win for Norma Rae. Read about that in her Wikipedia entry.
  • I Shouldn’t Even Be Doing This!: and Other Things That Strike Me as Funny by Bob Newhart (abridged) – The book is from 2002, so Bob’s speech was still clear and his voice wasn’t high. – Bob’s signature routines are sprinkled throughout. – I’ve since seen Bob in The Rescuers and The Rescuers Down Under on…guess where?
  • Coreyography by Corey Feldman – Empathy strikes again as my heart ached for what he and Corey Haim endured as children. – I have a hunch I’ve heard his father Bob Feldman on some David Benoit albums, but maybe it was a different Bob Feldman. – Corey, too, set the record straight on Michael Jackson. – Yeah, he was in one of those animated theatrical films I saw on Disney+ (that’s where): The Fox and the Hound.
  • Who I Am by Pete Townshend (“town’s end”) – Even longer than The Boys: 17 hours and 56 minutes. I still have around four hours left, but it’s quite an adventure. – The title is a play on his song “Who Are You?” for The Who.

As I crafted this post, adding one book at a time, I had no idea how many books I had listened to: 34, plus three that I returned! That far exceeds the amount of books in earlier posts.

Until next year’s “Audiobooking” post, happy listening.

Instrumental Invasion, 3/23/22 March 24, 2022

Posted by Mike C. in Airchecks, Audio, Internet, Jazz, Media, Music, Personal, Radio.
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The March 23 Instrumental Invasion on WCWP was recorded one hour per day on January 29 and 30.

The playlist was created on January 27. The first hour was annotated the same day – mostly by literally cutting (with scissors) and pasting (with tape) from the January 26 playlist – and the second hour on the 28th. I saved the PDF in grayscale again this week because the blue shade varied from the newly-written annotations to the ones on the printout. The talk break script was drafted before recording on the 29th, with digital copying and pasting from the January 26 script where necessary.

Much of the first hour was a do-over from January 26. About 40 minutes of that show’s first hour went unaired because the stream went out. The outage encompassed part of the first and third segments and all of the second. Rather than replay songs individually over subsequent shows, I made the unprecedented move of putting every unaired song in one show. I hope I never have to do this again.

Aside from the seven reused songs from January 26, “Bado Boy!” by Brian Bromberg was first heard last July 14. By this time, I knew the song’s origin: the titular Bado Boy is a male cat Brian rescued from Barbados. The last talk break, including the anecdote, was tough because there was too much information and too little time. Luckily, “Bado Boy!” had a long intro, allowing me to start the segment with the song, lower the levels for the Bruce Leonard liner and my talk-up, then bring the levels back up. On the other end of the spectrum, I had to pad out the first segment of hour two with an extra liner. Given a choice, I prefer having to pad segments out with liners than hurry my talk breaks, speed compress talk breaks, play shorter liners, or fade a song out early.

This was the second week in a row with two 2007-16 segments rather than two 2017 to present.

I realized this morning that Ken Navarro was playing real bass on “Running Toward the Sun.” It sounded too good to be synth bass; or as Ken calls it, “key bass.” I’ll be playing another song from Ken’s one-man band period (2014-16) on April 20, and I redid the back-sell of that song. Be sure to listen for that.

As for last night’s show, click here to download the aircheck MP3 or listen below: