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Lisa Hilton at Carnegie Hall’s Weill Recital Hall: 2019 edition January 12, 2019

Posted by Mike C. in Animation, Blu-ray, Comedy, DVD, Hockey, Internet, Jazz, Media, Music, Personal, Photography, Politics, Sports, Travel, TV, Video Games, Weather.
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Previous Lisa Hilton recaps: June 2011January 2014January 2015January 2016, January 2018

Thursday night, for the fifth time in six years, I made my way to the Weill Recital Hall at Carnegie Hall to see jazz pianist Lisa Hilton perform.

Unlike last year, I didn’t leave the house early so I could eat dinner before arriving at Weill. I went about my typical Thursday routine, including eating a pasta dinner around 5:00. At 5:40, my mom drove me to the Wantagh LIRR station. It’s a good thing I chose to leave at that time because unbeknownst to me, the 5:59 train was moved up to 5:55 starting on Monday:

The other arrival times are unchanged.

It was cold and windy on the platform, so it’s a good thing I wasn’t there long.

The train arrived two minutes late, at least on clocks set to the official U.S. time:

Just like the snowy night I saw the Bob James Trio at the Blue Note, the Rangers and Islanders were playing each other. Then, the game was at Barclays Center, current home of the Islanders. This time, it was at Madison Square Garden. Thus, Rangers and Islanders fans were prevalent on the train. Ordinarily, I would have stayed on all the way to Penn Station, but getting to Carnegie Hall isn’t as direct as Blue Note. I could have taken the 1 train from Penn to 59th Street-Columbus Circle, but I would have to walk a few blocks south and east from there. In the afternoon, I consulted Google Maps to determine what subway line I should take instead of the 1. They suggested I exit at Woodside and take the 7 train to Queensboro Plaza, then transfer to the N or W trains to 57th Street and 7th Avenue. That’s what I did.

I arrived at Woodside at 6:46 and proceeded to the adjacent subway station:

I lost my sense of direction and stood in position for this Flushing-bound train:

I figured out where I was facing when the doors wouldn’t open on my side.

The correct 7 train arrived at 6:52:

12 minutes later, I stood in Queensboro Plaza:

Google Maps suggested the N train on the way and the W train going back. I ended up doing the opposite. The W train arrived before the N, two minutes after I got off the 7:

By 7:15, I was at 57th Street:

I took the southeast corner stairway:

The stairway faces south, so I had to turn north and then east:

It wasn’t long before I reached my destination:

Foolishly choosing the stairs over the elevator, I (somewhat) breathlessly arrived on the fourth floor and stood in the lobby until the hall doors were opened:

The audience was allowed in at 7:30.

After finding my front row not-quite-center seat, I took a few pictures of the stage, knowing I’d have to put the camera away until afterward:

A security guard reminded me there was no photography during the show, and I assured him I was only taking before and after. I know the rules and willingly play by them. (I didn’t tell him that.)

Lisa and her two bandmates walked on stage at 8:04. Yes, for the first time, this was a trio performance. Luques (“lu-KEZ”) Curtis was once again on acoustic bass with Mark Whitfield Jr. on drums. Mark alternated between sticks and brushes depending on the song.

The first nine songs were all from Lisa’s latest album, Oasis, released on December 7. The concept is similar to that of her previous album, Escapism: escaping the craziness of the real world. At the Oasis, you can take your mind off the political turmoil and extreme weather dominating the news. A case of extreme weather is the Woolsey fire in Southern California, which forced Lisa to evacuate her Malibu home. She eventually returned home to no damage, but others weren’t as fortunate.

I’m right-of-center politically, but I can’t stand politics’ insane tribalism. It’s our way or the highway, whether “our” is Republicans or Democrats. And don’t get me started on the politics of personal destruction. One wrong move will destroy your life. I also have a pessimistic view of my party’s chances in elections and I take hyperbole from left-leaning politicians and pundits personally.

Since late September, I have paid little attention to the news. I know what happened on November 6, and that my left-wing friends gloated triumphantly, but that’s mostly it. Some news comes to my attention by overhearing what someone is watching in another room, from newspapers on display at the supermarket if I fail to avert my gaze, or reading Chuck Lorre’s vanity cards at the end of episodes of his sitcoms. I keep my head buried in music, sports (but not sports debate or news magazines), documentaries, cartoons, sitcoms, tech reviews, and video game or console reviews and retrospectives. Ignorance is bliss.

I used to occasionally post political links or videos, such as for Prager University, on Facebook, but I stopped a year ago. Now, I don’t talk politics at all on any of my social media (I seldom did on Twitter since my account is public) or with family and friends, unless we agree. I’m a people-pleaser; I want to be everyone’s friend. I don’t want politics to come between us.

Lisa promised that the songs we were about to hear would be uplifting. There wouldn’t be any songs with titles like “F U Donald,” as John Scofield had with Combo 66 in November.

The set ran about 70 minutes. Here’s what Lisa Hilton’s trio played:
1.
Adventure Lands
This made me think of the times I went to the Adventureland amusement park in Farmingdale when I was growing up.

2. Oasis
Mark Whitfield Jr. provided a swing beat at times. At one point, I followed Luques Curtis’s fingers on the bass.

3. Twists of Fate
Lisa credited Count Basie and Thelonious Monk among her inspirations for this song.

4. Watercolor World

5. Vapors & Shadows (also on Horizons, 2015)
In a quiet moment, Mark lightly clacked the drums. Lisa and I seemed to lock eyes briefly.

6. Lazy Daisy
This brought to mind a hippie daisy floating downstream or lying in an inner tube in a water park lazy river, like the one at Splish Splash in Riverhead. That was another park I frequented growing up, but I haven’t been there in almost 20 years.

7. Just for Fun (also on In the Mood for Jazz, 2003; Nuance, 2010; and Getaway, 2013)
Lisa’s gliding up and down the keys made me laugh.

8. Sunshine States
There was a Latin flavor befitting the two Sunshine States, California (officially the Golden State) and Florida. It was reminiscent of Chick Corea, and the end felt like “Tequila” by The Champs, just as “Hot Summer Samba” did last year.

9. Sunday Morning (also on Midnight in Manhattan, 2006)

10. Waterfall (from Cocktails at Eight, 2000)

11. Meltdown (from Sunny Day Theory, 2008; later on Nuance, 2010; and Escapism, 2017)
This song is a comment on a hectic life, being driven to a meltdown or breakdown. It had a frantic, heavy metal-like pace, and also brought to mind boss music in a video game. There were occasionally staccato Morse Code-like notes.

12 (Encore). Zero Gravity (from Escapism, 2017)
Coincidentally, earlier in the day, I watched the fourth Futurama film, Into the Wild Green Yonder (2009), on Blu-ray. One of the special features involved series executive producers Matt Groening and David X. Cohen talking about their recent Zero G flight. They and their fellow passengers, including Matt’s son Will, experienced periods of weightlessness.

As it turned out, no one else was seated in the front row, not even in the handicap seats. I could have moved, but chose not to.

1/18 UPDATE: Lisa posted a picture from the set (taken by photographer Ryan Nava) to Facebook, her website, and her newsletter last night:

Here’s the Facebook post, which ends with a link to her web post:

1/29 UPDATE: Lisa posted two more of Ryan Nava’s pictures to social media yesterday:

When the house lights went back up in Weill Recital Hall, and the audience began to leave, I said aloud, to no one in particular, that was a great show. Steve, who was seated one row behind me, agreed. I told him it was my fifth time, he said it was his first. We spoke a little more, then went our separate ways. I proceeded to the lobby to meet and greet Lisa and Luques. I didn’t see Mark, though. As I let other audience members talk to them for a while, I shared my enthusiasm with Adam and Vicki. Adam was seated a row or two behind me and told me he noticed that I was taking notes. I let him know it was for the recap you’re reading right now, and shared some of the notes with him. He was nice enough to take a picture of Lisa and me before I left:

I rightly took the elevator back down to the first floor.

By 9:46, I was back in the 57th Street subway station:

My N train for Queensboro Plaza arrived at 9:54:

Ten minutes later, I was among a massive throng of passengers (whom I didn’t photograph out of privacy) waiting to board the 7 train:

It took another ten minutes for that 7 train to arrive, and a couple more minutes before the doors were opened. I barely fit into the cramped car I walked into. There was little relief between stops as few people got off. Flushing was likely the majority destination.

The late arrival of the 7 train at Woodside meant I missed my LIRR train for Wantagh.

The good news is I would only have to wait about 20 minutes for the next Babylon-bound train:

The bad news is it was an express train that only stopped at Woodside, Jamaica, Valley Stream, and Freeport, with no other stops before Babylon. My dad was nice enough to drive 15 minutes out to Freeport to pick me up because I wasn’t about to wait until about 11:15 for a train that would stop at Wantagh.

After waiting upstairs out of the wind for 15 minutes, I proceeded to the track 4 platform and waited for my train:

Brrr! Each gust was tough to endure.

I was relieved to board the warm train at 10:47:

Once again, there were Rangers and Islanders fans aboard. And once again, the Islanders won. This time, 4-3. As a Rangers fan, this has been a tough season. (8:20 PM UPDATE: The game was part of a home-and-home. The Rangers won 2-1 at Barclays Center earlier today.)

The train was scheduled to arrive at Freeport by 11:15. Instead, it was there at 11:23. My railcar was a few blocks from where Dad was. Once inside his car, the drive back to Wantagh took 15 minutes, the same length it took to get to Freeport. Home sweet home.

Thank you to Lisa Hilton, Luques Curtis, and Mark Whitfield Jr. for the fifth great night of music in six years. (I couldn’t make it in 2017.) Thanks, as well, to Steve, Adam, and Vicki from the audience; and of course, to my parents for transportation to and from the train stations.

Mike Chimeri’s Music Collection audio remixes December 20, 2018

Posted by Mike C. in Internet, Jazz, Media, Music, Personal, Video.
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Over the past few months, I’ve periodically taken the audio from episodes of Mike Chimeri’s Music Collection, my short-lived YouTube series, and remixed the files in Adobe Audition. By adding song excerpts, while dubbing in corrections and taking out end-of-video calls to action, episodes have gone from as short as 5:08 on video to as long as 23:30 in audio. I’ve remixed six of the eight episodes so far and will update this post if and when I complete the final two. I hope you enjoy them.

Click on the “original video” links (blog posts with embedded video) for an episode’s album list.

Episode 1: 6 Albums from 1981
Remixed audio

Original video

Episode 2: 1970s Debut Albums
Remixed audio

Original video

Episode 3: 8 Albums from 1992
Remixed audio

Original video

Episode 4: 2000s Debut Albums
Remixed audio

Original video

Episode 5: 9 Albums from 2000
Remixed audio

Original video

Episode 6: Albums by Sidemen
Remixed audio

Original video

2018 LIU Post & WCWP Homecoming Weekend October 15, 2018

Posted by Mike C. in Airchecks, Audio, Football, History, Internet, Interviews, Jazz, Media, Music, News, Personal, Photography, Radio, Sports, Travel, Video, Video Games, Weather.
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Earlier recaps: 20082009WCWP 50th Anniversary (2011)20122013201420152016, 2017

In all the years I’ve recapped WCWP Homecoming Weekend, this is the first where I consolidate all days into one post. With Sunday photographic help from Pat Kroll, I’m recapping all three days of WCWP’s special block of programming, including coverage of the LIU Post Pioneers‘ Homecoming game against the Saint Anselm Hawks.

I left for the Abrams Communications Building, home to WCWP, at 11:00 on Friday morning. I was there within a half hour and I immediately got out my equipment. There were shows to record, including one for me to host.

Unlike the previous three years, I was not the first show of the weekend. That honor went to 1960s Post Scripts, hosted by Art Beltrone and Jay Elzweig, who were with WCWP when it began:

Art Beltrone:

Jay Elzweig:

The show was packed with interviews and had occasional music.

The first guest was William Rozea, part of C.W. Post College’s first graduating class in 1959:

Also among Art and Jay’s guests were Jarron Jewell, LIU Post’s senior library assistant for archives and special collections:

Rita Langdon, LIU Post Executive Director:

Mark Bilker, another member of the Class of 1959:

Alan and Carol Fritz from the Class of 1966:

Bernie Bernard, Class of 1972:

Dan Cox, Class of 1985, and WCWP Director of Broadcasting:

Art, a Marine Corps veteran, presented Dan with banner from Vietnam, part of the Vietnam Graffiti Project.

…and Edward Keller, a Vietnam Graffiti Project volunteer and fellow Marine:

1960s Post Scripts concluded with “Yesterday” by The Beatles, which led into my show, Instrumental Invasion with Mike Chimeri.

As my second song played, I took a picture of Art Beltrone and Jay Elzweig:

Before he left, Art gave me a copy of Vietnam Graffiti: Messages from a Forgotten Troopship, by him and his wife Lee.

My setup in Studio 2:

I had Jeff Kroll take a picture of me at the board. He suggested I have my headphones on:

I belong to a few Discord servers and my fellow members know I’d be on. I gave them all a shout-out at one point during my show, including the servers’ proprietors: Norm Caruso a.k.a. the Gaming Historian, Game Dave, and Anna a.k.a. Circuits & Coffee. I gave Game Dave a personal shout-out after playing a Keiko Matsui song because he recommended her music over in-game music in one of his videos. I couldn’t recall which one on the air, but it was for the Famicom game A Week of Garfield (relevant portion at 7:40, unless you want to watch the whole thing):

Now that you’ve seen that video, here is my airchecks video:

If you just want the audio, click here for itClick here for the transitions, and a PDF of the playlist.

From one Mike to another: Magick Mike Hendryx (Mike Schanzer) followed me:

Pat and Jeff Kroll:

After the above picture, I packed up and got a ride back home. After a pasta dinner, I got to work editing Friday’s video and audio. I decided to wait until downtime after arriving back at Post on Saturday to edit Friday’s pictures.

Here is my Friday video, featuring plenty of 1960s Post Scripts, followed by two airchecks each from my show and Mike Hendryx’s show:

I left for LIU Post at 12:30 on Saturday afternoon. Once on campus, I set up my equipment at WCWP, edited pictures on my laptop, and then headed to Bethpage Federal Credit Union Stadium for part of the Pioneers’ game against Saint Anselm.

I spent much of the second quarter in the press box. Calling the game were Jeff Kroll and Neil Marks:

Video of the game was also streamed online with WCWP audio:

The scoreboard console:

A defensive stop:

The Pioneers’ third touchdown drive:

“Touchdown, Pioneers!”

The extra point:

That’s the end of the first half:

The Pioneers went on to win 37-6. If this was their last game against Saint Anselm, as they are heading to Division I FCS (Football Championship Subdivision) next season (likely under a new name), they won all 15 of them. Highlights can be viewed here.

The next few pictures were taken on the way back to WCWP:

Ted David took this great picture of me:

Banners and trophies inside the Pratt Recreation Center:

Back at WCWP…:

Jett Lightning, Lew Scharfberg (standing), Ted David, Bill Mozer, Jay Elzweig:

As usual, Bernie Bernard was on after the game:

Lisa Seckler-Roode regailed Bernie with many stories from her days working for record companies and as a personal assistant to The Who guitarist Pete Townshend:

Bernie – or rather, Maura – with her fellow reverend, Fr. Michael Tesmacher, who she and I know as Mike Tes:

Mike and I have known each other since 2002 when we worked on the public access show, The Long Island Rainbow Connection.

Jeff Jensen and his son, Jackson:

Bernie and Lisa:

Ward Henry watching Bernie’s next-to-last aircheck of her show:

Bobby G. (standing) and Mike Riccio were next:

They hosted their special Homecoming countdown show:

Joining them was Jett Lightning (center):

Mike Riccio:

Bobby G.:

Jett Lightning:

Mike and Bobby:

Before I left, I had Pat Kroll take a shot of me and John Zoni, both of us with our glasses off:

John hosted the pregame, halftime, and postgame shows. He’d go on to host a music show at midnight.

Here’s the Saturday video:

After transferring photos, videos, and audio files to my computer and eating a late dinner, I went to bed early. I woke up at 5:30 AM. My second Instrumental Invasion of the weekend was scheduled to air at 6AM. When I accessed the WCWP app on my iPhone X, I heard silence (except for light static). Apparently, there was an automation glitch that kept the scheduled 2AM and 4AM pre-records from running. At 6AM, I briefly heard the start of the 4AM show, then 12 more seconds of silence, and finally my show. Here are the airchecks from the showthe transitions, and the playlist.

Bobby G. informed me on the WCWP Alumni Association Facebook group that the show also aired at 2AM, which was its original slot before a change was made two weeks ahead of Homecoming. So, not only did my show air without a hitch, it aired twice! Bobby called it an “extra bonus.” Jeff Kroll added, “Yessir BONUS time!”

I listened to the entire show. I lied in bed, looking up at the ceiling for the first 45 minutes, then went to the computer to edit, which I continued to do long after the show ended.

Jay LaPrise (“la-PREE”) hosted Sunday’s first live show from 8 to 10AM. Here’s how he signed on.

I may not have been at WCWP in person on Sunday, but I was there in spirit, not just with my show, but with the show’s filename on the stream page for several hours afterward:

As the day progressed, I periodically recorded more airchecks. Here are two from Billy the Kid (Billy Houst), on from noon to 2:00.

Joe Honerkamp was at the mic from 2:00 to 4:00. Here he is with his daughter Diana:

Lew Scharfberg and Bill Mozer, with a photobombing Neil Marks:

Lew hosted from 4:00 to 6:00:

Jeff and Pat Kroll, and Lew Scharfberg:

Neil Marks’s wife Lita:

Jeff Kroll assisting Neil Marks at the board during his 6:00 to 8:00 show with Pat Kroll:

Pat and Neil during their show:

From 8:00 to 10:00, Alana hosted a special Homecoming edition of The Rockin’ Sunday Show:

Jeff Kroll had the last shift from 10:00 to midnight:

And with that, the 41st annual WCWP Homecoming Weekend is in the books. It was a weekend I won’t soon forget, nor will my fellow alumni. I’ll leave you with the kind works Ted David left on my Facebook timeline:

May I publicly acknowledge C.W. Post alum Mike Chimeri. As I mentioned on the air during Homecoming Weekend on WCWP Saturday, his Friday jazz show was worthy of any shift at the former CD 101.9 or the current Watercolors channel on SiriusXM.
Add to that his superior skills as a photographer/archivist and he’s one amazing guy. I spent some time with him Saturday at the station and then down at the football game. Just a super talented guy, pleasant company and proud to call him a friend and “fellow alum!”

Thank you very much, Ted.

Listen for me on WCWP this weekend October 9, 2018

Posted by Mike C. in Education, Football, Internet, Jazz, Media, Music, News, Personal, Radio, Sports.
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All times are Eastern.

It’s that time of year again: Homecoming Weekend on 88.1 FM and WCWP.org. It starts Friday at noon and runs through Sunday night at midnight.

Unlike the last three years, my show is not the first of the weekend. That honor goes to one WCWP’s founding members, Art Beltrone, who will be hosting 1960s Post Scripts.

Instrumental Invasion with Mike Chimeri follows Art’s show at 2PM. You’ll hear music from Najee, Nick Colionne, Ken Navarro, Bob James Trio, and many others.

My second Instrumental Invasion, which I pre-recorded at home on September 19, airs Sunday at 6AM. It’s the usual decades-long musical journey, a 50-year journey this year, featuring Return to Forever, David Benoit, Dave Koz, the Rippingtons (which David and Dave were once part of), and so much more. One spoiler: I recorded the show thinking it would air at 2AM, so my talk-up for “Up All Night” by Richard Elliot (“a fitting title at this hour”) lost its context.

Both shows can be heard at 88.1 FM, if you’re close enough to the signal, at WCWP.org, or on the WCWP app for iOS devices. (There is an Android app, but it isn’t working, which led Google Play to suspend it from downloading.)

In between Friday’s live show and Sunday’s pre-recorded show, I’ll be at LIU Post Homecoming on Saturday afternoon and evening. As usual, I’ll mostly be at the Abrams Communications Building, where WCWP is located, but I’ll drop by the parking lot of Bethpage Federal Credit Union Stadium as the Post Pioneers play the Saint Anselm Hawks. The team enters the game with a 5-0 record. It’s their last season in Division II, their last with green as a team color, and may be their last as the Pioneers. LIU President Dr. Kimberly Cline announced the “One LIU” unification last Wednesday. Starting next year, the Pioneers (or whatever they’ll be known as) will play in Division I FCS (Football Championship Subdivision). Ironically, I wearing my LIU Post polo shirt the day of the announcement.

Following the game, during the second hour of Bernie Bernard’s show, the 2019 inductees to the WCWP Hall of Fame will be announced.

I hope you’ll be listening to WCWP during as much of Homecoming Weekend as you can. Jeff Kroll closes out the weekend with his 10PM show on Sunday.

My experience at Day 1 of 2018 New York Comic Con October 5, 2018

Posted by Mike C. in Animation, Art, Audiobooks, Baseball, Comedy, Internet, Interviews, Media, Personal, Photography, Sports, Technology, Travel, TV, Video, Video Games, Weather.
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Previous New York Comic Con recaps: 2012 Day 22014 Day 1, 2017 Day 1

Yesterday marked my fourth time at New York Comic Con, held annually at the Javits Center in Midtown West. It was also my second consecutive year at NYCC.

I’d been looking forward to going ever since I bought my badge in June. Grey DeLisle (a.k.a. Grey Griffin), Phil LaMarr, and Richard Horvitz were among the voice actors that would be signing autographs, recording video or audio messages, and taking pictures with fans like me. Like last year, this was my sole reason for attending. None of the panels interested me.

I woke up at 5:30 in the morning. I spent the next three hours watching the American League Wild Card Game on DVR (the Yankees won handily), a couple of episodes of season six of Rowan & Martin’s Laugh-In on Amazon Prime, working out, and of course, getting ready to leave for the day.

My mother drive me to the Wantagh LIRR (Long Island Rail Road) station at 8:30 for an 8:47 westbound train. When I went there last Saturday on the way to see Chieli Minucci & Special EFX at The Cutting Room, the elevated track platform was partially closed off while the west half of it was being renovated. Little did I realize that renovation would complete two days later. Finally, after two years, when boarding a Babylon-bound LIRR train at Penn Station, you no longer have to ask if you’re in one of the six cars that lets out at Wantagh. When the east half was being renovated, only the last six cars could exit. When the west half was under renovation, you had to be in one of the first six cars.

I didn’t feel like taking out my DSLR until I got to the Javits Center, so I used my iPhone to take pictures on the platform:

It felt good to sit in the first car again.

The train ride to Penn Station took nearly an hour. Upon exiting, I walked up West 33rd Street to 10th Avenue, then north to West 35th to enter the Javits Center’s south side:

I endured a quick bag search (including emptying my pants pockets and holding up the contents) and tapped my badge in. Unfortunately, I was scolded for not moving beyond the area where the badge was tapped when I replenished my pants pockets. I felt like a fool, but felt better when I got inside and relayed my situation to an empathetic staff member when she asked if I needed help finding something.

Off to the autographing area:

I was third in line to meet Grey DeLisle at Table 1 after waiting about 45 minutes before her scheduled arrival.

As she and Richard Horvitz arrived, they spoke to each other in their respective voices on The Grim Adventures of Billy & Mandy. Richard was Billy and Grey was Mandy.

Grey was very nice. In my brief time with her, I told her I’d been a fan of hers since Clifford the Big Red Dog and three Butch Hartman cartoons – The Fairly OddParents, Danny Phantom, and T.U.F.F. Puppy. She did the voices of Emily Elizabeth (Clifford) and Vicky (FOP) for me, which led me to respond as Mark Chang, voiced by Rob Paulsen, whom I met last year. Then, we posed:

After we said our goodbyes as Vicky and Mark, I headed to Table 6 for Phil LaMarr:

I let him know how the chronological order in which I’d seen his work: FuturamaFamily Guy, MADtv reruns on Comedy Central, and Butch Hartman’s Bunsen Is a Beast. He was complimentary of Bunsen, and I lamented that it was a shame the show was canceled after only one season.

I concluded at Table 3 with Richard Horvitz:

We didn’t have time to chat, but I’m still glad to have met him. Shortly before our picture, I saw him record a video message for a fan as Zim from Invader Zim. As with his conversation with Grey as Billy and Mandy, it put a smile on my face and made me laugh. I applauded when he was finished.

After that, I headed back to civilization, so to speak…

…and walked the show floor:

I happened to pass by the SYFY Wire stage…

…as Cher Martinetti spoke to the creator/showrunner and cast of the new Netflix series, She-Ra and the Princesses of Power:
\

The creator/showrunner is Noelle Stevenson, who was accompanied by Aimee Carrero (Princess Adora/She-Ra), Karen Fukuhara (Glimmer), and Marcus Scribner (Bow).

You can watch the interview here:

I commented on the video:

I walked by the stage during this interview. I was curious about this series after seeing The Power of Grayskull documentary, but now I’m all in. I’ll definitely be watching.

11/20 UPDATE: I have unfortunately fallen off the bandwagon. While I wish nothing but the best for the series, it plays out like a soap opera, and I’m more into episodes with self-contained plots. I don’t know how I would have managed watching the Rocky & Bullwinkle cartoons when they were new with story arcs lasting several weeks. The “Jet Fuel Formula” arc took 20 weeks, “Upsidasium” lasted 18 weeks, and “Missouri Mish-Mash” played out over 13 weeks. Now, back to the recap…

I pre-ordered Mega Man 11 for PlayStation 4, but have yet to play it.

Shadow of the Tomb Raider is on my Xbox One wish list:

Having seen all I wanted to see on the show floor, I headed down to the main entrance:

Then, I left:

It’s a good thing I didn’t wear a jacket because it was warmer than it had been in the morning.

Within 20 minutes, I was back at Penn Station, where I boarded a Babylon-bound train. An hour later, I was back in Wantagh.

I walked about a mile and half home, listening to Marion Ross’s memoir on Audible along the way.

Once I had unpacked my things at home, I took a picture of my badge (blurring out the codes):

It was a nice few hours at New York Comic Con. Thank you to Grey DeLisle, Phil LaMarr, and Richard Horvitz. It was a pleasure meeting you all.

A day on trains and at the 118th U.S. Open June 18, 2018

Posted by Mike C. in Golf, Media, News, Personal, Photography, Sports, Travel, TV, Video, Weather.
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I spent 2 1/2 hours with my dad at Shinnecock Hills Golf Club on Saturday for the third round of the 118th U.S. Open.

It was the fifth time Shinnecock hosted the U.S. Open, and fourth since 1986. Counting this one, my dad has been there every one of the those modern four. This was my second time, having gone in 2004 when Retief Goosen won. It was his second U.S. Open victory. With my grandpa, my dad saw Raymond Floyd win in ’86, and, with his friends, saw Corey Pavin win in ’95.

Getting to and from Shinnecock Hills was an adventure. My mom dropped my dad and I off at the Wantagh Long Island Rail Road (LIRR) station at around 10:45 AM. Dad bought our round trip train tickets, which required changing at the Babylon station, the end of that branch of the LIRR. We didn’t have to wait long as an eastbound train arrived while walking up the stairs to the platform. 20 minutes after boarding, we were in Babylon. We followed a few other fans that were bound for Shinnecock to another platform and boarded a Patchogue-bound train at 11:17. Just under an hour later, we were in Patchogue. Unfortunately, the Montauk train that would ultimately take us to Shinnecock wasn’t due to arrive in Patchogue until 1:17.

With an hour to spare, Dad and I walked to a nearby waterfront seafood restaurant, Harbor Crab, that he saw as we pulled into the station.

We both ordered Fish and Chips, which was delicious.

After paying the check and leaving a tip, with 15 minutes left to spare, we headed back to the LIRR station.

It took another hour to get to Shinnecock Hills, but we were finally there:

Dustin Johnson won the U.S. Open two years ago when it was held at Oakmont Country Club:

A monitor showed Dustin Johnson, the 36-hole leader, practicing before his disappointing round of 77 (+7):

I asked Dad to take a picture of me at the course map:

On the way home, I posted an edited version of the pic to Instagram:

View this post on Instagram

My dad and I spent two hours or so at Shinnecock Hills Golf Club for the third round of this year’s U.S. Open. We spent more time traveling there round trip, though.

A post shared by Mike Chimeri (@mikechimeri) on

The iconic clubhouse:

2010 [British] Open Champion Louis Oosthuizen and Patrick Cantlay on the 13th green:

The 13th fairway:

Aaron Baddeley and Xander Schauffele:

Tyrrell Hatton’s ball in the 12th fairway:

This year’s Masters champion Patrick Reed after his second shot:

The 15th tee:

Aaron Baddeley after his tee shot:

This is what the leaderboard looked like before dry, windy conditions got the better of the players:

The 16th tee and 5th green:

Bryson DeChambeau’s tee shot:

Hideki Matsuyama’s tee shot:

In the distance on the 5th green are Ian Poulter and Brooks Koepka:

It didn’t occur to me that a day later, Koepka would repeat as champion.

The 17th tee:

The 18th fairway and green:

The main leaderboard:

The grandstand:

Baddeley and Schauffele completing their rounds:

DeChambeau and Matsuyama completing theirs:

Not wanting to get home too late via multiple trains, Dad and I headed for the merchandise tent, where I bought a ticket holder:

Then, we walked back to the LIRR station, a temporary stop during the championship, and waited 15 minutes for the train back to Babylon.

I hope to be at Winged Foot in 2020:

I hope traffic and transit is better in 2026:

Dad suggested Mom pick us up in Babylon rather than wait for a train to Wantagh. She agreed. The train arrived at the temporary station 20 minutes before its scheduled departure. Since the train was full up, it left eight minutes early. Unfortunately, it ended up in Babylon ten minutes late. The railcar my dad and I were in was standing room only. We found seats, but other passengers stood in front of us until seats became available at Mastic-Shirley. Chatter and loud young girls dominated the ride, and reached a crescendo when one girl, bless her heart, had a meltdown one stop from Babylon.

In all, Dad and I spent 3 1/2 hours traveling to Shinnecock Hills, an hour and a half traveling from there to Babylon, and about 20 minutes in Mom’s SUV back home. Though we spent less time at Shinnecock, it was still a great experience, especially considering Brooks Koepka ultimately won the next day.

The New York Metro Area has two more years of local majors. Next May, the PGA Championship will be at Bethpage Black Golf Course in Bethpage State Park – the first year its held in May – and, as seen earlier, the U.S. Open comes to Winged Foot Golf Club in Mamaroneck in June 2020. I hope to be at both.

For now, I’ll leave you with media links. While aggregating them, I noticed that the USGA was heavily criticized for their conduct during this year’s U.S. Open, but I chose not to look at those.

U.S. Open website:
118th U.S. Open Sights and Sounds: A Look Back at a Great Week
Final Round: Highlights Down the Stretch
Brooks Koepka’s 68 in less than 3 minutes

Fox Sports:
Brooks Koepka on winning the U.S. Open for the second year in a row
Brooks Koepka shoots 2-under to win the U.S. Open for the second year in a row
Joe Buck and Paul Azinger wrap up the 2018 U.S. Open

Newsday (Newsday or Optimum subscription required for all links):
Fans say attending U.S. Open a treat on Father’s Day
Mark Herrmann: Repeating at U.S. Open puts Brooks Koepka in elite group
Curtis Strange welcomes Brooks Koepka into back-to-back club
Long Island crowd gives Phil Mickelson a mulligan
Brooks Koepka wins, becomes seventh player to repeat as champion
LIRR: More than 78,000 passenger trips to, from U.S. Open at Shinnecock Hills

Golf Channel:
Back to back: Koepka wins second U.S. Open
Repeat U.S. Open win gives Koepka credit he deserves
Best Father’s Day ever: Bob Koepka soaks in son’s victory
Koepka: ‘It is much more gratifying the second time’
Koepka’s caddie pushed him to ‘keep plugging away’
Koepka’s Father’s Day gifts … just U.S. Open trophies
U.S. Open purse payout: Koepka clears $2 million

8/13 UPDATE: Koepka went on to win the 100th PGA Championship yesterday at Bellerive Country Club in St. Louis, coincidentally in his 100th career start. He is the fifth golfer to win the U.S. Open and PGA Championship in the same year. The first four were Gene Sarazen in 1922, Ben Hogan in 1948, Jack Nicklaus in 1980, and Tiger Woods in 2000. Tiger shot a final round 64, finishing two shots back. He congratulated Koepka by the clubhouse afterward.

2018 WCWP Hall of Fame Ceremony May 7, 2018

Posted by Mike C. in Internet, Interviews, Media, Music, Personal, Photography, Radio, Travel, Video.
7 comments

Previous Hall of Fame ceremony recaps: 2012201320142015, 2017

As usual, I took pictures and video, the latter of which is at the bottom of the post.

The seventh annual WCWP Hall of Fame Ceremony took place Saturday afternoon in the Goldsmith Atrium at the Tilles Center for the Performing Arts on the campus of LIU Post. It was my first time back on campus, and in the atrium, since seeing the Dave Koz 20th Anniversary Christmas Tour in early December.

Like last year, I arrived at Tilles a half hour before the ceremony. I immediately mingled with all that had gathered in the atrium as I set up my equipment. I noticed there was a mixer behind the platform where the interviews would take place. I went to the Abrams Communications Building, the home of WCWP, to ask Director of Broadcasting Dan Cox if he had an 1/8″ to 1/4″ cable so I could record from the mixer to my Tascam DR-03. He had a 1/8″ cable and an adapter, so I was set. When I got back to the atrium, I connected the cable and adapter to a line out jack, checked the levels, and started recording.

Shortly after 1:00, the ceremony began with an introduction by the aforementioned Dan Cox…:

…and a video narrated by Jim Cutler:

2015 inductee Jeff Kroll hosted again:

Dan Cox returned to present the first of two new awards. The WCWP Lifetime Achievement Award was given to “Grandfather Rock” Chris MacIntosh:

He shared some stories from his 37 years hosting Rock & Soul Gospel:

Back in 2016, the one year I couldn’t attend, WCWP’s sage secretary Ann Gaffney, a.k.a. Mrs. G, was posthumously inducted to the Hall of Fame. Her daughter Cathy Turner accepted on her behalf.

Cathy returned this year to present Kristina Huderski with the Ann Gaffney Student Service Award:

Kristina graduates this Friday.

2014 inductee Ted David recorded a message to the inductees from Florida:

2012 inductee Hank Neimark and 2017 inductee John LiBretto introduced Muffet Provost (“pro-VO”), then interviewed her over the phone:

Muffet was unable to attend due to impending surgery.

It was hard to make out what she was saying through the Atrium speakers, but she’s a little clearer in the video below.

2017 inductee Neil Marks introduced Pat Kroll (née Champion):

Pat read a thank you speech…:

…then reminisced with Jeff and Neil:

The obligatory view from my camcorder:

Jeff read a message from Joel Feltman:

Pat’s friend Joanne had a few words:

2015 inductee Bruce Leonard introduced Rev. John Commins:

None of us realized this at the time, but the year on the plaque is wrong. I should be ’73, not ’79. John noticed the error at his hotel afterward. Jeff Kroll promised on Facebook that John will receive a replacement plaque with the correct year.

5/28 UPDATE: John’s replacement arrived a few days ago. He took a picture which he shared in his Facebook timeline:

Jeff presented John with a CD of WCWP’s coverage of the Bar Beach (now North Hempstead Beach) Fireworks broadcast from 1987:

Jeff shipped the original cassettes to me last month and I remastered them.

A shot of John’s wife Marilyn while he shared the story of how they met:

“Ladies and gentlemen, thank you very much for joining us today at the seventh annual induction to the WCWP Hall of Fame!”:

Dan had Pat and John sign one of the posters:

Bruce, John, and Jeff posed with 2016 inductee Joe Honerkamp before he left:

John also prayed for Joe’s healing following a recent accident:

The cake:

Chris MacIntosh with his award:

Chris with Jay Mirabile:

Kristina Huderski with her award:

John LiBretto, Diane Hudson Taylor, Hank Neimark:

I had to pose with John and the CD I made for him:

My friend and hype man Jay Mirabile:

Pat Kroll and her mother Marion:

Pat and John:

The Krolls and the Commins’:

I always enjoy capturing these events and mingling with my fellow alumni. I feel deeply loved and appreciated. They’re my second family. I love you all. Congratulations to Muffet Provost, Pat Kroll, John Commins, Chris MacIntosh, and Kristina Huderski.

Here is the video:

Thanks to Dan Cox for providing the audio cable and adapter, and the introductory video. Thanks to Ted David for posting his segment to Facebook. My video was shot on a Panasonic HC-V770 camcorder with a Takstar SGC-598 shotgun mic. The audio from the mic can only be heard a few times. (A sound check in the auditorium disrupted Dan’s introduction a few minutes in, which is why there’s a jump dissolve.)

SJFS 2018 Night 2 recap May 1, 2018

Posted by Mike C. in Internet, Jazz, Media, Music, News, Personal, Photography, Softball, Travel, TV, Video.
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , ,
17 comments

Other SJFS recaps: 20082008 meet-and-greet200920102011,20122013 Night 12013 Night 22014 Night 12014 Night 22015 Night 12016 Night 12016 Night 2, 2017 Night 12017 Night 2, 2018 Night 1

The 16th annual Smooth Jazz for Scholars benefit run by keyboardist Jay Rowe on Saturday night with the second of two concerts. The headliners were Nelson Rangell, Jessy J, Matt Marshak, and Paul Taylor.

Like last year, I got a limited amount of sleep in my room at the Milford Hampton Inn into Saturday morning due to nervous energy related to impending photo editing. I got 5 1/2 hours, and maybe another hour half asleep. At around 7:30, I took my laptop and its power supply to the lobby to mingle with any musicians and fellow jazz fan friends I saw. When I arrived, David Benoit, Marc Antoine, and Roberto Vally were seated at a table, so I said hello and sat one table over. When they left for the airport, I moved to a seat at an elevated table with outlets for charging. I plugged the laptop power supply into an outlet and spent the next few hours editing in that spot, occasionally getting up for hot chocolate.

There was a man that looked like film and TV archivist Ira Gallen. It turned out his name was John, and after apologizing for mistaken identity, I had a nice conversation with he and his wife Mary. My friend Mark Abrams also came in the lobby and introduced me to John Caramagna and his wife Barbara Grocki. And I briefly spoke to Kevin McCabe and Steve Lewis.

Also in the lobby, though I didn’t talk to any of them, was the Le Moyne College softball team. They were in town to complete their Northeast-10 (or NE-10) regular season against the University of New Haven. They lost the series, but ended the regular season with a 2-1 win Sunday afternoon while I was back home in Wantagh. Adelphi University, where my sister went for her master’s, is in the NE-10 and are the reigning conference champions. Le Moyne plays New Haven later today in the first round of this year’s conference championship.

Nelson Rangell and Jessy J joined me at the table for a while. We had a lengthy, interesting conversation, which included remembrance of John Patterson, who tragically, suddenly died in March. John came to SJFS in 2016 to promote the River Raisin Jazz Festival. I made a video of his promotional pitches from both nights and posted it to Facebook. I’d like to share it here.

I never met John in person, as I added him on Facebook afterward, but we had shared interests in music and politics, so I was glad to know him.

My friend Kelly was the last friend I saw in the lobby before I went back to my room. CNN was on the TV behind me and I was hearing viewpoints I didn’t want to. The secret to having and keeping most of my friends that are music fans or musicians is to avoid politics. Thankfully, Kelly is apolitical. After finishing editing Friday’s pictures in my room, I watched initial coverage of the remaining rounds of the NFL Draft. I hung out with Kelly for a half hour and then went back to my room. After watching some YouTube videos and SnapKay’s Twitch stream, 5:00 came and it was time for dinner.

My parents and I went to Mexico Tipico, where Uno used to be, on U.S. 1 right before I-95. We went there early because we thought we would have to wait. There was no wait and we were finished by 6:15. I had my favorite Mexican dish: plain chicken quesadillas without any other toppings or sides. I was back at the Hampton Inn for about five minutes, then Kelly met me in the lobby and we took the scenic route to the Veterans Memorial Auditorium. Part of that route was the building that’s home to The Dan Patrick Show:

The show is syndicated on radio stations nationwide and simulcast on Audience and NBCSN.

We arrived at the auditorium just before 7:00 and the doors opened at precisely 7:00.

Once inside, we went our separate ways until after the show. I set up in the orchestra pit, took a break in the lobby to buy 50/50 raffle tickets (I lost), and went back to the pit.

Once again, the show began before 8:00; eight minutes, to be exact. Kevin McCabe spoke first:

The opening act was the Foran High School Jazz Ensemble, directed by Jessica Shearer:

The ensemble played two songs, the second of which was “Feels So Good” by Chuck Mangione, but in a lower key than Chuck played.

Jay Rowe and his band came on stage at around 8:10.

Jay worked the keyboards:

Dave Anderson played bass:

Trever Somerville on the drums:

Steve Scales on percussion:

…and Rohn (“Ron”) Lawrence on guitar:

As I said at the top, the headliners were Nelson Rangell on alto saxophone (below), flute, and whistling:

Jessy J on tenor sax:

Paul Taylor and soprano (below) and alto sax:

Matt Marshak on guitar:

…and for two songs, special guest Marion Meadows on soprano sax:

Unfortunately, that was the only solo shot I took of Marion, but there are plenty on the first night.

SET LIST
1. Rosemary’s Tune (Jay Rowe)
Originally heard on: Live at Daniel Street (2011), Smooth Ride (2016)
Featured musicians: Jay Rowe (keyboards), Nelson Rangell (alto sax), Rohn Lawrence (guitar solo)

2. Sunny Salsa (Nelson Rangell)
Originally heard on: Upcoming album
Featured musicians: Nelson Rangell (alto sax), Jessy J (tenor sax), Rohn Lawrence (guitar solo), Jay Rowe (keyboard solo)

3. Hot Sauce (Jessy J)
Originally heard on: Hot Sauce (2011)
Featured musicians: Jessy J (tenor sax), Rohn Lawrence (guitar solo)

4. Tequila Moon (Jessy J)
Originally heard on: Tequila Moon (2008)
Featured musicians: Jessy J (tenor sax), Matt Marshak (guitar), Jay Rowe (keyboard solo)

5. Lifestyle (Matt Marshak)
Originally heard on: Lifestyle (2014)
Featured musicians: Matt Marshak (guitar), Jay Rowe (keyboard solo)

6. Sleepwalk (Matt Marshak; Santo & Johnny cover; Larry Carlton arrangement)
Featured musician: Matt Marshak (guitar)

7. Pleasure Seeker (Paul Taylor)
Originally heard on: Pleasure Seeker (1997)
Featured musicians: Paul Taylor (soprano sax), Jay Rowe (keyboard solo)

8. Arrival (Paul Taylor)
Originally heard on: Countdown (2016)
Featured musician: Paul Taylor (alto sax)

9. Over the Rainbow (Nelson Rangell; Arlen/Harburg ballad from The Wizard of Oz)
Musicians: Nelson Rangell (whistling), Jay Rowe (keyboard)

10. By Light (Nelson Rangell)
Originally heard on: Upcoming album
Featured musicians: Nelson Rangell (flute), Jay Rowe (keyboard solo)

11. Lookin’ Back (Matt Marshak)
Originally heard on: New York (2016)
Featured musicians: Matt Marshak (guitar), Marion Meadows (special guest) (soprano sax)

12. From the Start (Nelson Rangell)
Originally heard on: Upcoming album
Featured musicians: Nelson Rangell (alto sax), Matt Marshak (guitar)

13. All I Want (Jessy J)
Originally heard on: Live at Yoshi’s 10 Year Anniversary Special (2018)
Featured musicians: Jessy J (tenor sax), Jay Rowe (keyboard solo)

14 (Finale). Ladies’ Choice (Paul Taylor)
Originally heard on: Ladies’ Choice (2007)
Featured musicians: Everyone (Paul played alto sax)

Rohn didn’t play on any songs featuring Matt.

Here are groups of pictures by artist, starting with Nelson Rangell on alto sax:

Whistling:

…and on flute:

Jessy J:

Prompting the audience to clap on “Hot Sauce”:

They obliged:

Matt Marshak:

Paul Taylor on soprano sax:

Prompting the audience to wave their arms side to side on “Pleasure Seeker”:

Again, they obliged:

…and alto sax:

Jay Rowe:

Dave Anderson:

Trever Somerville:

Steve Scales:

Rohn Lawrence:

Pointing at Jay because it was his turn to solo on “Rosemary’s Tune”:

Wide shots, starting with Nelson and Jessy:

Rohn and Jessy:

Matt and Jessy:

Rohn and Paul:

Matt and Marion (MM and MM):

Matt and Nelson:

Jessy and Jay:

The finale: “Ladies’ Choice”:

The end:

The meet and greet began with Jessy J:

I brought my copy of Live at Yoshi’s 10 Year Anniversary Special for her to sign. I was the first person to pledge to the album’s PledgeMusic campaign. I also told her a funny story. When I pledged to her 2015 album, My One and Only One, I foolishly typed my name for her to sign rather than a personal message. So, when that album arrived in my mailbox, she had signed my name, “Mike Chimeri,” on the cover. It was like that early episode of The Simpsons – “Lisa’s Substitute” – where Mr. Bergstrom (Dustin Hoffman under the pseudonym “Sam Etic”) left a note for Lisa which read “You are Lisa Simpson.”

Jessy, Paul Taylor, and Marion Meadows used to tour as Sax and the City. Saturday night served as a reunion, which was 2/3 immortalized below:

Marion also took a selfie.

I met and posed with Paul Taylor myself:

I was happy that Paul remembered me when he saw me. “Mike!,” he exclaimed.

When I approached Nelson Rangell, he signed an empty envelope (or so I thought while working on the post). It read:

For my buddy Mikey!
(signature) Nelly

So, you can understand why I have a big grin on my face:

Here’s the envelope Nelson signed:

Waiting at the end of the line was Matt Marshak:

I hadn’t seen Matt since his November 2015 show at Houndstooth Pub, which was the first time I used my Nikon D5500 at a show. He was at SJFS two years ago, but I didn’t meet him afterward.

I couldn’t see the expression Matt was making above. I only knew he spread out his arms, so I spread mine out.

While waiting in line, I saw my friend Jay Dobbins and his girlfriend Philomena. Jay took three of the last four pictures. Kelly took the one of me with the envelope. After saying goodbye to Jay, Philomena, Steve Lewis, and photographer Steve Cooper, Kelly and I headed back to the hotel.

I got a half hour less of sleep and began editing in the lobby at 6:00 Sunday morning. It was quiet for the first hour or so, but I did meet Mike, who was going to drive Jessy J and David to the airport. Then, Jessy and David came downstairs. They liked the pictures I had edited so far. Later in the morning, I met Diane Roth and her friend Rich. We had a fascinating conversation. It turns out that envelope Nelson signed originally contained a framed photo from last year. Diane took the photo and gave it to him as a gift. While working on these recaps, I noticed that there was another unframed print in the envelope. I scanned it to include here:

After Diane and Rich left, Mark and Phyllis Abrams said hello, John and Mary waved goodbye, the Le Moyne Dolphins congregated, Kelly dropped in, and Nelson and I spoke for a half hour.

I was finished editing by 10:55. I put my laptop away, went back to my room to get my packed suitcase and tripod, left a tip for housekeeping, said goodbye to Kelly in her room, exited the hotel, and got in the car with my parents. Despite pockets of heavy traffic on I-95 in the Bronx, and on the Grand Central and Southern State Parkways, it only took an hour and 40 minutes to get home. Along the way, I watched a couple of YouTube videos on my phone (this and this).

After a few hours of decompressing, I chose pictures for the two recaps you’ve read. It was tough to get to sleep, but I think I got six or seven hours. I drafted the recaps yesterday and published them this morning.

Thank you for joining me on my journey. And thank you to everyone I spoke to and saw perform this weekend. Until next year, so long.

Lisa Hilton at Carnegie Hall’s Weill Recital Hall: 2018 edition January 14, 2018

Posted by Mike C. in Comedy, Jazz, Media, Music, Personal, Photography, Travel, TV, Weather.
5 comments

Previous Lisa Hilton recaps: June 2011January 2014January 2015, January 2016
Later recap: January 2019

Thursday night marked my first time at Carnegie Hall since I saw comic ventriloquist Jeff Dunham 15 months ago, and my first time seeing jazz pianist Lisa Hilton in two years. (I couldn’t make last year’s show.)

As with all Carnegie shows, I was not allowed to take pictures during the performance. That means I have to compensate by describing what I saw and photographing what happened before and after. That’s not a complaint; just an explanation.

Until my dad drove me to the Wantagh LIRR station at 4:40, it was a typical Thursday for me: grocery shopping, treadmill running, and YouTube and Netflix watching.

As I waited on the platform for the 4:59 Penn Station-bound train to arrive, I took a couple of pictures, the first ones taken on my iPhone X, a generous Christmas gift.

About 50 minutes later, I was at Penn Station, where I walked to the 34th Street subway station and took an uptown E train to 7th Avenue and West 53rd Street.

All but one of the remaining pictures in this post were taken on my Nikon D5500:

When I exited the train, I was greeted by the Ed Sullivan Theater, home to The Late Show with Stephen Colbert since September 2015. (David Letterman retired that May.)

I planned on eating dinner at Lindy’s, but was walking up Broadway when I should have been on 7th. So, I missed it.

I turned east at West 56th Street, but couldn’t find a restaurant I liked. I did take pictures along the way.

I turned north up 6th Avenue and then west at West 57th.

I figured I would try the Russian Tea Room:

The staff seated me at a booth, generously moving the table so I could get in. Unfortunately, there was nothing on the menu to my liking. I apologetically relayed that to the waiter and left. I felt embarrassed, but I’m sure you, the reader, feel I shouldn’t have been. At least I can say I’ve been to the Russian Tea Room.

I passed by Carnegie Hall’s Weill Recital Hall, where Lisa Hilton was to perform, and found a restaurant on 7th Avenue called 9Ten:

The atmosphere was great. Contemporary jazz was playing on the speakers through what I assume was Pandora. I recognized “Max-O-Man” by Fourplay, Eric Marienthal’s cover of “Work Song” by Cannonball Adderley (written by his brother Nat), “Slammin'” by Nick Colionne, and “Step On It” by Pieces of a Dream.

As I waited for my food, I took a selfie on my iPhone X:

The food was great: mozzarella sticks, Penne Bolognese, and vanilla and chocolate ice cream.

On my way back to Carnegie Hall, I could see Times Square to the south. The ball was still there, eleven nights after it dropped:

I walked in to the Weill Recital Hall at 7:07. I had to wait in the lobby for about 20 minutes until the hall doors were opened. I was the first to arrive, but within 15 minutes, the lobby was packed. I briefly heard Lisa Hilton and her band rehearsing.

A few minutes after the doors opened, my ticket was checked and I walked into the hall. As usual, my seat was front row center, though barely right-of-center.

As I waited for Lisa and the band to come out, I took a few pictures:

I should have taken a picture of the audience behind me. The turnout was big at the orchestra level where I was. They were ready for a great performance.

Lisa came on stage at 8:07, followed closely by J.D. Allen on tenor saxophone, Luques Curtis on upright bass, and Rudy Royston on drums.

Most of the songs in the set list were from Lisa’s Escapism album, which she composed music for between April and July, and released on December 1. Thursday night was the first time the music of Escapism was performed live. Weill Recital Hall doesn’t have a sound system, so the instruments relied on the acoustics of the hall for amplification. I couldn’t tell. It sounded great; it always does.

1/17 UPDATE: Lisa posted a few of Justin Bettman’s pictures from the set to her Facebook page:

I’m in the center, to the left of J.D.:

Talking to the audience between songs:

The set was about an hour and contained the following songs:
1.
Hot Summer Samba
2. Meltdown (also on Sunny Day Theory, 2008; and Nuance, 2010)
3. Zero Gravity
4. Too Hot (not a cover of Kool & the Gang)
5. 29 Palms
6. Mojave Moon
7. Waterfall (from Cocktails at Eight, 2000)
8. A Spark in the Night (from Nocturnal and Day & Night, 2016)
9. So This is Love (from My Favorite Things, 2005; Sunny Day Theory, 2008; Nuance, 2010; and Day & Night, 2016)
10 (Encore). Seduction (from Seduction, 1997; Cocktails at Eight, 2000; My Favorite Things, 2005; and The New York Sessions, 2007)

J.D. didn’t play on “Meltdown” or “29 Palms.” He had a solo at the end of “Seduction,” which was otherwise performed as a trio. “Waterfall” was a solo piano piece, considering its origin on Cocktails at Eight, a solo piano album.

“Hot Summer Samba” was reminiscent of “Tequila” by The Champs. “Too Hot” was inspired by a trip to New Zealand in extreme heat. “Zero Gravity” brought to mind astronauts floating aboard a space shuttle. “Waterfall” initially had a Celtic feel, but then tensed up. Two years later, I still think “A Spark in the Night” had a Latin feel. Specifically, it reminded me of drummer John Favicchia‘s “Kukuc,” but at a slower tempo. That might be why “Spark” was my favorite song in the set.

I caught up with Lisa afterward, and then got to meet J.D. Allen and Luques Curtis. We all posed for a picture:

I put my coat and backpack on and left. I impatiently opted for the stairs over the elevator, then briskly walked north and west to the 59th Street-Columbus Circle subway station.

The station is adjacent to the Time Warner Center, home to CNN’s New York bureau:

As you can see, I arrived just as the downtown 1 train arrived. I boarded it and put my camera away for the night.

Thanks to Lisa, J.D., Luques, and Rudy for a great hour of music in the Weill Recital Hall. I hope to be back next year.

Audiobooking 4 December 12, 2017

Posted by Mike C. in Audio, Audiobooks, Comedy, Country, Film, Game Shows, History, Internet, Media, Music, News, Personal, Politics, Radio, Technology, Theatre, TV.
1 comment so far

Here is a list of all the audiobooks I’ve listened to in the 51 weeks since my previous “audiobooking” post:

These audiobooks got me through workouts, bedtime, long walks, and boredom.

In the case of Ron Perlman’s book, I found out after the “Legacy” chapter that Ron is politically active on social media. But I digress.

While I was obsessed with Game Show Network (now GSN) in the early 2000s, I saw plenty of Bill Anderson on Goodson-Todman game shows like Match Game and Password Plus. So, it was nice to be reacquainted with him and introduced to his music.

When you read a book, you don’t hear the tone and inflection that the author had in mind. Listening to Shelly Peiken read Confessions of a Serial Songwriter put what her words I read 16 months earlier into perspective.

Next year’s post will be #5, but will not mark five years of regularly listening to audiobooks. That milestone comes in a year and a half. In the meantime, I hope I’ve inspired you to give the above audiobooks a chance. Happy listening.