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SJFS 2022 Night 2 recap May 6, 2022

Posted by Mike C. in Baseball, Internet, Jazz, Music, Personal, Photography, Radio, Sports, Technology, Travel, Video, Weather.
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Other SJFS recaps: 20082008 meet-and-greet20092010201120122013 Night 12013 Night 22014 Night 12014 Night 22015 Night 12016 Night 12016 Night 22017 Night 12017 Night 22018 Night 12018 Night 22019 Night 1, 2019 Night 2, 2022 Night 1

Updated with videos on 5/15.

Keyboardist Jay Rowe‘s 18th annual Smooth Jazz for Scholars (benefiting the Milford Public Schools music department) continued Saturday night with the second of two shows. Saturday’s headliners were Jeff Kashiwa (who made a surprise appearance late Friday), Alex Bugnon, and in his debut, Marcus Anderson. Alex appeared in place of Brian Simpson, who had to back out at some point after my promotional blog post in February. SJFS attendees last saw Alex on the first night in 2013.

Photos and the set list are on the way, but we start with the preamble.

I found it hard to sleep in my Hampton Inn hotel room on Friday night. Not only did I have photo editing on my mind, but intermittent trucks and motorcycles (or muscle cars) on I-95 made it hard to relax and drift into sleep. I didn’t mention this in the Friday recap, but I brought two pairs of foam ear plugs to wear on both nights. I got in the habit of wearing them or safety earmuffs at home to drown out loud or unsettling noises, like fireworks (sadly, not just on the Fourth of July) or high wind gusts that slam rain into my south and east-facing windows during coastal storms. I figured I should start wearing them at concerts; if only I had thought of that sooner. When I wore ear plugs at bedtime, I would lie on my back with a sleep mask on, attempting to sleep, or at least relax. That’s what I did Friday night into Saturday morning. There comes a point on sleepless nights where I give up and start my day. That point came around 5AM.

I’m a Mets fan, so I checked the MLB app on my phone (via Hilton Honors Wi-Fi) to see how they did while I was pre-occupied with SJFS. What?! A no-hitter against the Phillies?! That’s only the second one in team history! And a combined no-hitter, at that! Click here to read all about it (and watch videos).

I lifted weights in the fitness center, then went back in my room to do push-ups and whittle down the amount of photos from Friday night. I showered, got dressed, and brought my laptop and phone to the lobby for breakfast and potential mingling with fans or musicians. I didn’t see any musicians, but John and Theresa Monteverde were there, followed later by Mark and Phyllis Abrams, and Billy and Sandy Okumu. Diane and Richard Roth were there, but we had forgotten about each other and didn’t reacquaint ourselves until Sunday morning.

For breakfast, I had two plates of French toast sticks with syrup, and two cups of apple juice to wash them down, followed later by two cups of hot chocolate. I mainly edited the road sign photos, but was able to start on photos from the show.

I went back to my room around 11AM and spent the next four hours editing the rest of Friday night’s photos and picking which ones to publicize. All the while, I listened to a few 2021 episodes of Gilbert Gottfried’s Amazing Colossal Podcast. (Sadly, Gilbert died last month.)

I’m also a fan (and Patreon supporter) of the YouTube channel Technology Connections. Alec, the creator, recently posted the third of three (and a half) videos on heat pumps. Part three included a segment on the PTAC (packaged terminal air conditioner) and their use in hotels. This was the PTAC in my room:

My PTAC

It was set to cool when I checked in on Friday, but I switched to heat. I switched back to cool Saturday afternoon as the unfiltered sun warmed up the room. That’s when I realized the thin curtain in front of the light-blocking thick one is supposed to filter the sun rays.

My girlfriend Kelly, dad Bill, and I had dinner at Gusto Trattoria, half a block from the hotel. It was there that self-doubt and performance anxiety set in. I worried that I wouldn’t be able to function at the auditorium because of my lack of sleep and that I’d compulsively end up taking as many photos as Friday night (around 400 before whittling). Somewhere in between, I managed to eat a piece of bread and bowl of Rigatoni Bolognese. Upon returning to my room after dinner, I lied down and took deep breaths. By 7PM (about an hour after dinner), I felt calm enough to get out of bed and go with Kelly to the Veterans Memorial Auditorium at Parsons Complex. Obviously, the sound check was over before we arrived because we saw attendees filing in.

I took an establishing shot of the auditorium with my phone before going in:

The second of my 2020 tickets was honored upon entrance and I went back to the same spot in the orchestra pit as Friday night to set up. I comprised with fellow photographers Katherine Gilraine and Ron Hancox to situate my camcorder (which recorded flawlessly on this night) (5/15 UPDATE: four videos are posted below) in a spot further back so the two of them had more room to maneuver during the show. I only had to move it out during a solo on the penultimate song of the night (one of the videos below). Fun fact (as Alec would say): this month marks ten years since I entered the world of DSLR cameras after Katherine recommended I switch to one.

While waiting, Jay Dobbins introduced me to someone I had met on Facebook through Jay Rowe’s weekly Tito Tuesday livestreams on Facebook (here’s one of the last streams to date). It was Robin Morin Stewart. After a pleasant conversation, Jay D. took our picture:

I also recognized Judy Raphael and spoke to her, but forgot to get a picture.

And of course, I saw the rest of my friends that I had seen Friday night and/or Saturday morning in the hotel dining area.

At some point before showtime, I got my second wind. I didn’t feel the least bit overtired or overwhelmed.

Saturday’s set began at 8PM with another enthusiastic introduction by Kevin McCabe of Jumpstart Jazz Productions:

Music director Jay Rowe led the house band on keyboards:

Andy Abel on guitar:

Dave Livolsi on bass:

Trever Somerville on drums:

…and percussion by Tony Cintron:

The headliners were Jeff Kashiwa on tenor sax and NuRAD (seen on tenor):

Alex Bugnon on keyboards:

…and Marcus Anderson on alto sax and flute (seen on alto):

SET LIST
1. I’ll Love You Later (Jay Rowe)
Originally heard on: Groove Reflections (2021)
Featured musician: Jay Rowe (keyboards)

2. There She Goes (Jay Rowe)
Originally heard on: Groove Reflections (2021)
Featured musicians: Jay Rowe (keyboards), Andy Abel (guitar)

3. Starlight Kisses (Jay Rowe)
Originally heard on: Groove Reflections (2021)
Featured musicians: Jay Rowe (keyboards), Jeff Kashiwa (tenor sax)

4. Slow Turn (Jeff Kashiwa)
Originally heard on: Sunrise (2021)
Featured musicians: Jeff Kashiwa (NuRAD/tenor sax), Andy Abel (guitar)
The NuRAD is an EWI (electronic wind instrument) that can be paired with a phone or tablet. Jeff paired his with his phone. 5/9 UPDATE: Jeff said in a Facebook post sharing one of my photos that it was “triggering [his] iPhone with the Korg iMono/Poly Patchman library.”

5. The Night is Young (Jeff Kashiwa)
Originally heard on: Sunrise (2021)
Featured musician: Jeff Kashiwa (tenor sax)

6. The Pecan Tree (Joe Sample cover) (Alex Bugnon)
Featured musician: Alex Bugnon (keyboards)
Jay didn’t play on any of Alex’s songs. Coincidentally, I played the original Joe Sample version of “The Pecan Tree” on last Wednesday’s Instrumental Invasion.

7. Harlem on My Mind (Alex Bugnon)
Originally heard on: Tales from the Bright Side (1995)
Featured musician: Alex Bugnon (keyboards)

8. Will Power (Marcus Anderson)
Originally heard on: Limited Edition (2017)
Featured musician: Marcus Anderson (alto sax/flute at the end)

9. Soul Ties (Marcus Anderson)
Originally heard on: Reverse (2022)
Featured musician: Marcus Anderson (alto sax)

10. Jay Rowe/Alex Bugnon duet: Poinciana/107 Degrees in the Shade
Originally heard on: 107 Degrees in the Shade (1991) (second song only)
Jay and Alex played the same medley in their 2013 duet. “Poinciana” is a jazz standard popularized by Ahmad Jamal on his album of the same name.

11. Night Groove (Alex Bugnon)
Originally heard on: Soul Purpose (2001)
Featured musician: Alex Bugnon (keyboards)

12. Understanding (Marcus Anderson)
Originally heard on: Limited Edition (2017)
Featured musicians: Marcus Anderson (alto sax), Jay Rowe (keyboards), Andy Abel (guitar)

13. Let It Ride (Jeff Kashiwa)
Originally heard on: Let It Ride (2012)
Featured musicians: Jeff Kashiwa (tenor sax), Dave Livolsi (bass), Tony Cintron (percussion), Jay Rowe (keyboards)
Jeff noted that Let It Ride was inspired by 1960s and ’70s music, and the performance of the title track here exemplified the ’70s part. Dave’s solo was based (no pun intended) on “For the Love of Money” by The O’Jays (1973), while Jay based his on “People Make the World Go Round” by The Stylistics (1972) and “Riders on the Storm” by The Doors (1971). The ’70s influence carried into the finale.

14 (Finale). Love and Happiness (Al Green cover)
Featured musicians: Everyone but Alex Bugnon
Trever Somerville and Tony Cintron traded places on drums and percussion midway through, and Trever even sang vocals! He left the percussion kit behind at the end (I neglected to take photos) and just sang next to Tony. These were the only surprises of the show, which went quicker than Friday night.

Here are groups of pictures by artist, starting with Jeff Kashiwa on tenor sax:

Jeff on NuRAD for “Slow Turn”:

Alex Bugnon:

Marcus Anderson on alto sax:

Marcus on flute at the end of “Will Power”:

Jay Rowe:

Andy Abel:

Dave Livolsi:

Trever Somerville:

Tony Cintron:

Marcus and Andy:

Marcus and Dave:

Marcus and Jay:

Jeff and Jay:

The last note of “Let It Ride”:

Jay and Alex’s duet:

The finale: “Love and Happiness”:

All that remained was meeting and greeting, starting with me and Alex Bugnon:

Me and Marcus Anderson:

Jeff Kashiwa with my photography buddies Katherine Gilraine and Ron Hancox:

Just the three of us:

Back in the lobby, Marcus Anderson with Steve Lewis:

Johnnie “Butch” Brooks and Dolly Moye, whose birthday was on Sunday:

…and finally, me and Dolly:

Thanks to Jay Dobbins and Steve Lewis for taking photos of me. Jay also took this selfie with me:

Friday night, Kelly and I left for the hotel at 11:30, but Saturday, the departure time was 10:45. After transferring the photos and video to my laptop via a handy USB 3.0 SD card reader, I took melatonin and went to sleep. After five hours of successful sleep early Sunday morning, I noticed daylight peaking through the edge of the curtains and opted to wake up for the day. (The Mets lost Saturday’s game, but won on Sunday night while I was getting ten hours of sleep.)

I didn’t lift weights until I got home, but I did do push-ups in my room Sunday morning before going to the lobby for breakfast. All my rowdy friends, to paraphrase Hank Williams Jr., were there, including Jay Rowe. French toast sticks weren’t available, so I ate four sausages and two blueberry muffins with two lemon-lime seltzer cans that I brought and stored in my room’s mini fridge. Before returning to the room to pack up and leave, I got a selfie with the Monteverde, Abrams, and Okumu couples:

John Monteverde, me, Phyllis Abrams, Theresa Monteverde, Mark Abrams, Sandy and Billy Okumu

I saved photo editing for Monday and Tuesday, followed by drafting this post and the one before it on Tuesday and Wednesday.

Dad and I checked out around 10:30 and got home by 12:25. I took tons of photos on the road to and from Milford, but those will get their own post next week. Until then, thank you for reading the recaps of both nights of the 18th annual Smooth Jazz for Scholars. As Jay Rowe noted, next year will be the 20th anniversary, but 19th annual. I hope to be there. Thank you to Jay and everyone involved in putting SJFS together each year.

Instrumental Invasion, 4/6/22 April 7, 2022

Posted by Mike C. in Airchecks, Audio, Baseball, Internet, Jazz, Media, Music, News, Personal, Radio, Sports, Technology, Travel, TV, Video, Weather.
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The April 6 Instrumental Invasion on WCWP was recorded over three days in mid-February: the first hour on the 14th (Valentine’s Day), one second hour segment on the 15th, and the last two on the 16th when a pickup was also recorded.

The playlist was created on February 12 and annotated on the 13th. The talk break script was drafted before recording on the 14th.

A few days before work on this show began, I finally took the plunge and bought the Kaotica Eyeball microphone isolation shield. Since my remote location has minimal room echo, the Eyeball is for home recordings. It only took two days to ship from Calgary, Alberta, Canada. Here’s how it looks from my chair:

It’s as big as my head, a challenge for Zoom meetings and for reading text on the right side of my monitor, but it works! Room echo was practically gone from any talk breaks I recorded at home. You will have to lower the pot (potentiometer) on your mixer. The Eyeball isolates background audio so well that more of the mic is picked up.

Thank you to actor and impressionist Jim Meskimen (son of Marion Ross) for recommending the Kaotica Eyeball in one of Mark Evanier‘s 2020 voice-over panel livestreams (cued to the relevant portion) and then jogging my memory about it in an Instagram post a few days before my purchase.

This wasn’t the first show with talk breaks recorded through the Eyeball, due to pickups I recorded for March 16.

After acquiring new music releases in the weeks leading up to this show, and the Friday after, I re-instituted two 2017 to present segments for the second hour. I included “Feet First” by Rick Braun unaware that it was the first single off his eponymous album. I did know that “Sun Princess” by the Jeff Lorber Fusion and “Out to Lunch” by Oli Silk were on the smooth jazz radio charts. So, I worked them in. Due to time constraints in the last segment, I couldn’t remind listeners about the accelerando at the end of the Bob James Trio arrangement of “Westchester Lady.” That same arrangement was part of their Blue Note set in November 2018, a month after Feel Like Making LIVE! was recorded. I said of the Blue Note performance:

This song had a call and response between the trio and ended with an accelerando that led me to polka dance [in my seat].

“The Big Windy Cat” by Nick Colionne was played 52 weeks after the previous cut from No Limits, “Headin’ Wes Before Dawn.” “Rippin’ n Runnin'” by Gordon Goodwin’s Big Phat Band, from That’s How We Roll, was played exactly six months after “Howdiz Songo?” We also went exactly six months between tracks from the Jeff Lorber Fusion’s Space-Time – “Louisiana” and “Sun Princess” – and between the last track to date from the previous Bob James Trio album, Espresso, and the first off Feel Like Making LIVE! The Espresso track was “Mister Magic,” which was also recorded for the new album.

Little did I know my inclusion of “Swingin’ for the Fence” by Nelson Rangell, and addressing personnel as “heavy hitters,” would coincide with the delayed start to the 2022 Major League Baseball Season, and appear in a show preceded by the baseball edition of The Rock Show. And it slipped my mind that an unusually late blizzard affected the New York metro area 40 years ago: April 6, 1982. You can watch WABC-TV‘s Eyewitness News coverage of that storm here.

Click here to download the aircheck MP3 or listen below:

January 28-29 snowstorm February 1, 2022

Posted by Mike C. in Internet, Personal, Photography, Weather.
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***THIS IS MY 600TH BLOG POST!***

It took three weeks for the next major snow event to affect Long Island, and it was major. As in February 2013, Wantagh was west of the worst snow (and blizzard conditions), but this time, I measured 17 inches in the driveway. It’s possible I measured a drift, rendering my reading inaccurate, but I don’t think so. Still, the official total for “1 WNW Wantagh” – according to the National Weather Service – was 14 inches. Their full snowfall report can be viewed here.

The main storm was preceded by a lesser system Friday morning and afternoon with mere non-accumulating snow flurries. I took two photos of that, one at 8:47 AM:

…and another at 3:58 PM:

The real deal began Friday evening. I took this photo at 7:20:

I also took a photo around 8:15 before going to bed, but I accidentally deleted it.

I awoke to heavy snow, a stiff breeze, and much accumulation. Whereas the January 7 snow started powdery, this was all powder as air temperatures hovered in the low 20s for the duration of the storm. The photographic timeline starts at 6:47 AM:

As the snow fell, I carried on with indoor tasks: a treadmill run (and shower), drafting the March 23 Instrumental Invasion talk break script and then recording its first hour, and watching content on my streaming services. Underestimating the accumulation, I took out the garbage from the kitchen trash can, getting snow up to my knees, requiring a change of pants.

By 3:45, snow was tapering off:

That meant it was time to break out the shovels and snow blower. My dad Bill shoveled initially, and I took it from there. I cleared the front porch, walkway to the driveway, in front of the garage, and a path to the oil burner fuel cap on the left side of the house. It took Dad 45 minutes to clear the driveway and sidewalk:

He asked at one point if I wanted to use the snow blower, but I declined. I did try it after last year’s blizzard.

When Dad was finished, I shoveled what was left. I had to quit while working on the west end of the driveway due to muscle strain. By 5:06, I sprinkled rock salt on the porch, driveway, and sidewalk, then photographed the aftermath, just as the setting sun shone through the breaking clouds:

The setting sun:

One last Saturday photo from bedroom window at 5:11:

I ate a hearty pasta dinner (as usual), then lied down (after taking ibuprofen) to watch more streaming content. I started feeling tired around 7:00, so I went to sleep. I must have gotten close to ten hours of sleep, getting up for the day at 6:15 AM Sunday. My muscle aches had diminished enough that I went back out to shovel. The snow plow hadn’t come up our block until evening, so I shoveled what had settled onto the edge of the driveway and sidewalk up to the property line. I also gave the west end of the driveway another try. Here’s how it looked back in my room at 6:46:

I still felt well enough to carry out my daily exercise routine, including a treadmill run. I photographed the backyard and deck at 8:16, before the run:

The footprint trail is from Dad’s walk to the shed for the gas can so the snow blower could be refueled.

When Dad left for his office, I shoveled whatever wasn’t frozen in the center of the driveway. This is the last aftermath photo, taken at 1:19 PM:

As you can see, there was some melting, thanks to the rock salt and the sun, but temperatures were still only in the 20s, so whatever melted froze overnight. Warmer weather is expected in the next few days with rain on Thursday and Friday. Below freezing temperatures return Friday night with a slight chance of snow.

Until the next storm, thanks for reading my 600th blog post!

January 7 snowfall January 8, 2022

Posted by Mike C. in Personal, Photography, Weather.
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The first measurable snowfall of the season fell Friday morning, exactly five years to the date of the first measurable snowfall of that winter. I’m not sure when it started this time, but I know it ended around 9:00.

The initial forecast earlier in the week called for a rain/snow mix, but I’ve learned to expect a colder and snowier forecast as the event approaches. That’s what happened here. Thursday’s winter weather advisory called for 3 to 5 inches, then 2 to 4. 8 inches fell (one less than five years ago), at least on our lawn. I measured 5 inches in the driveway, which was resurfaced in August. With air temperatures around the freezing mark (32 degrees Fahrenheit), snow was more wet than powdery, at least by the time I woke up. My friend Jeff Jensen noted it was powdery at the onset. Seeing snow clumped on the trees and bushes misled me.

What follows is the usual photographic timeline from my first photo of the day through the last. We begin at 6:35 AM:

No more snow is expected for a while. The next time more than two inches falls, I’ll post about it. Until then, thanks for reading.

1/11 UPDATE: Jinx. Another round of snow is possible this weekend.

Festival of Games recap December 13, 2021

Posted by Mike C. in Animation, Aviation, Christmas, History, Internet, Media, Personal, Photography, Travel, TV, Video, Video Games, Weather.
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Saturday, for the first time in two years and four months, I made the pilgrimage to the Cradle of Aviation Museum along Museum Row in East Garden City. The event was Festival of Games, spun off from the Long Island Retro Gaming Expo. The main expo returns next August, but video games were calling for me. So, I bought a ticket to the Festival on November 23.

My plan Saturday was to attend for two to three hours, walking through the vendor hall, free play zones, and ticketed arcade zone. (Patrons were given a ticket with their wristband at the front desk.) If any arcade games caught my eye, I’d play them. Then, I’d go back to the vendor hall and pick up games. I followed that plan to the letter upon my arrival just after 12:30. Here are the photos:

I didn’t play NARC then (or now), but I videotaped two of my friends playing, per these vidcaps (12/27 UPDATE: I upscaled the vidcaps with Bigjpg):

I left this out of the stacked gallery, but one of the free play TVs was connected to a Famicom Disk System, which ran a festive program:

Back at the vendor hall, I picked up 33 games for various consoles. I don’t remember what I bought from which vendor, but the business cards show they were Geek Guilt, Flashback Gaming, The SemiCollector, and Joega’s Comic Chaos. When greeting one of the vendors, I inadvertently said “hello” like Sheldon Cooper, Jim Parsons‘ character from The Big Bang Theory (and Iain Armitage‘s from Young Sheldon). Noticing, I repeated and got a laugh. As I edited Saturday’s photos, I noticed I missed a couple of vendors over the course of my shopping spree. Oh, well.

As I shopped, I checked my video game collection Word document to make sure I didn’t buy a game I already had. I didn’t.

While waiting for a ride home, I photographed my haul:

Once I got home, I photographed my pickups by console.

Going chronologically, I picked up 15 NES games:

Golgo 13: Top Secret Episode is out of order because I mistook the subtitle for the lead title. Thank goodness for Pat Contri‘s Ultimate Nintendo: Guide to the NES Library.

Five for Sega Master System:

The vendor took $10 off Rastan.

Three on Game Boy:

Two for Super Nintendo:

One for Super Famicom!:

Two for Sega Genesis:

One for Sony PlayStation:

One for Nintendo 64 (N64):

Two for PlayStation 3:

Two for Microsoft Xbox 360:

And one for Nintendo Switch:

In writing, the games were:

Nintendo Entertainment System:

Sega Master System:

Game Boy:

Super Nintendo Entertainment System/Super Famicom*:

Sega Genesis:

PlayStation:

Nintendo 64:

PlayStation 3:

Xbox 360:

Nintendo Switch:

Thank you to LI Retro for an enjoyable Festival of Games. I’ll see you in August.

Instrumental Invasion, 11/3/21 November 4, 2021

Posted by Mike C. in Airchecks, Audio, Audiobooks, Books, Comedy, Internet, Jazz, Media, Music, Personal, Radio, Weather.
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The November 3 Instrumental Invasion on WCWP was recorded over four days: one segment per day on September 14, 16, and 17, and three segments on the 15th. Pickups were recorded on September 18 and October 21. You can tell what time of day I recorded based on the sound of my voice.

The playlist was created on September 12 and annotated on the 13th, followed by the script draft.

As I noted at the top of hour 2, I was inspired to play the Bob James Trio version of “Billy Boy” after hearing John Byner recall, in his memoir (I ducked away from the mic while shouting the title), that he sang it in a school play. I said “Billy Boy” twice while talking it up to reflect the first lyric:

Oh, where have you been, Billy Boy, Billy Boy?

I had no idea in mid-September how timely Chris Standring‘s rendition of “Autumn in New York” would be. Seasonable autumn/fall temperatures arrived Monday night with daytime highs in the 50s and lows in the 30s and 40s.

A technical glitch during the second segment of hour 2 made this the second show in three weeks where the last segment got cut off before its natural end; 1:33, in this case.

Click here to download the aircheck MP3 or listen below:

Instrumental Invasion, 10/20/21 October 21, 2021

Posted by Mike C. in Airchecks, Animation, Audio, Internet, Jazz, Media, Music, Personal, Radio, Travel, TV, Video, Weather.
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The October 20 Instrumental Invasion on WCWP was recorded from September 2 to 4: one segment on the 2nd, three on the 3rd, and two on the 4th. Pickups were recorded on the 4th and 5th.

The playlist was created on September 1 with annotations and the script draft on the 2nd.

I referred to live shows in 2016 and ’19, and to New York Comic Con in ’17. I brought up NYCC after bringing up Futurama character Hattie McDoogal after playing “Whatchacallit” by Mike Stern. That was Hattie’s original catchphrase. I like “kajigger” better. I recapped all three events on this blog:

Let’s face it: if it weren’t for The Weather Channel, I wouldn’t be into instrumentals, or meteorology, for that matter. Many songs on this show were heard during local forecasts, later known as Local on the 8s. TWCClassics.com has compiled video and audio playlists. Audio goes in alphabetical order; “the” is listed under T.

This was the second week in a row where Herbie Hancock led off the show.

“Right On Time” by Richard Elliot was a single at the time of recording, previously heard on March 24.

For the first time since last December 9, the end of the last song – “Top of the Tower” by Jay Rowe – was cut off in automation due to spot breaks running longer than 90 seconds and the first week of new underwriting. 18:40 was a safe segment duration for so long, but no more. The next six shows had to be remixed with 18:30 segments. Some segments stayed at 18:40 and others were in between.

Anyway, click here to download this show’s aircheck MP3 or listen below:

2021 LIU Post & WCWP Homecoming Weekend, WCWP’s 60th Anniversary October 19, 2021

Posted by Mike C. in Airchecks, Audio, Aviation, Football, Health, History, Internet, Interviews, Jazz, Media, Music, News, Personal, Phone, Photography, Radio, Rock, Sports, Technology, Travel, Video, Video Games, Weather.
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Other recaps: 20082009WCWP 50th Anniversary (2011)20122013201420152016, 2017, 2018, 2019

After a year away, Homecoming Weekend was back in full force! And WCWP’s 60th anniversary on Monday made it a four-day weekend!

It was my first time back on the campus of LIU Post since October 28, 2019 – a week after the last Homecoming – with Ryan Grabow.

On Thursday, October 14, I charged up my camcorder and changed batteries in the shotgun mic and audio recorder. I also charged up my GoPro Hero 7 for multi camera production, but didn’t use it.

Friday, October 15

I left for LIU Post via Uber at 10:30. Upon arrival, I gave my COVID-19 self-check form – which I filled out before I left – to the gate attendant. Then, I was driven down to WCWP in the Abrams Communication Center. I immediately went to work as Art Beltrone and Hank Neimark pre-recorded an interview in studio 1 for Monday’s 60th anniversary broadcast. The guest and recorder was Samantha “Sami J” Negron.

Here is the interview:

After that, I moved my equipment into studio 2 to record part of Art Beltrone’s solo show, WCWP’s Early Years, which kicked off the 60-hour (hey, 60 hours + 60 years!) Homecoming Weekend programming block. Jeff Kroll was the board operator and his wife Pat was producer.

Hank Neimark was Art’s first guest:

Jay Elzweig introduced the songs, all from 1961, the year WCWP signed on:

Several WCWP alumni were interviewed via Zoom:

Two of the Zoom guests were Stewart Ain…:

…and Steve Radoff:

Another show feature had Art reading Post Pioneer newspaper articles. This one was “Message to the Students from the Provost”:

Jay showed off his t-shirt:

The show closed with a preview of 4:00’s Strictly Jazz with John LiBretto and Hank Neimark:

Art also asked Jeff and Pat Kroll their thoughts:

After Art’s closing remarks, the show was over.

Here’s video of portions of WCWP’s Early Years:

Joan Yonke, LIU Post Campus Director of Employer and Alumni Engagement, dropped by the station during Early Years and came back again afterward. It’s always nice to see her.

While the pre-recorded WCWP Career Paths with Bill Mozer ran, I took some photos in the lounge area:

Here’s Homecoming Weekend coordinator Zach’s dog Diesel:

Strictly Jazz started a few minutes after 4PM due to technical difficulties, but ran without a hitch after that.

As you saw, Jeff Kroll ran the board again.

Joining John LiBretto…:

…and Hank Neimark…:

…was Rita Sands, appearing by phone.

They spoke to Jon Korkes via Zoom (after John held Jeff’s “un-mute” message up to the webcam):

They spoke to me in studio 2:

And after my dad picked up to drive me home, Ted David on Zoom:

Here is my video of the first hour:

And the scope of the entire show, just as in 2019 when it aired before mine:

10/20 UPDATE: John Zoni took over studio 2 at 6PM:

Sami J was on at 8PM with Total Access:

My friend and ardent supporter Jay Mirabile had a special edition of his DFK Show at 10PM. Here’s a photo he posted with Sami and Peter Sacoulas:

And his aircheck:

Saturday, October 16

I spent much of the morning editing media and drafting this blog post. I left for Post, this time with my dad, shortly after 1PM.

Both gates were open with no need to check in. So, when we got to campus at 1:30, I photographed the turn into the east gate:

Bernie Bernard and Adam Smook were congregating in studio 3. Adam and I are both from Wantagh – Wantagh Woods, at that! – as we discussed. We also talked about fellow alumnus Frank D’Elia, who worked with Adam at WOR and then WABC.

Jay Elzweig and Jett Lightning came in, as our WABC discussion continued, eventually turning to jingles. Bernie mentioned how JAM Creative Productions recorded a name jingle for her. That jingle has become part of her annual Homecoming Weekend show, which airs after coverage of the football game.

The LIU Sharks‘ Homecoming football game was against the Merrimack Warriors. Merrimack won convincingly 43-5. The Sharks only got a safety and a field goal. I walked toward Bethpage Federal Credit Union Stadium during the third quarter.

I planespotted to and from Bethpage Federal Credit Union Stadium, watching planes turn toward JFK. This is Delta flight 169 from BCN (Barcelona El Prat Airport):

JetBlue flight B6192 from ACK (Nantucket Memorial Airport):

Carnival attractions in the parking lot:

“Hoco”? That’s a new one on me.

The stadium entrance:

A play on Bronko Piersall Field:

The scoreboard:

The new press box and stands:

The opposite side:

That’s enough for me. Back to the station.

Emirates flight 201 from DXB (Dubai International Airport):

Jeff Kroll told me he’s been on that flight in the past, all 13 hours of it.

Delta flight 858 from ATL (Atlanta Hartsfield-Jackson International Airport):

Delta flight 4721 from BNA (Nashville International Airport):

WCWP’s transmitter:

When the game was over, I got to work photographing the postgame show, hosted by John Zoni:

Here is my aircheck of the postgame show, which includes final thoughts from the broadcast booth by Tom Scavetta and Alex Damiris:

Next, the aforementioned Bernie Bernard:

The first page of her playlist:

Jett Lightning was Bernie’s first guest:

Then, me:

Meanwhile, WCWP’s internet station, The Wave, hosted a barbecue outside. Zach was the grillmaster:

Dave asked for a picture:

Seconds later, Qatar Airways flight 701 from DOH (Doha Hamad International Airport) was flying about as low as the earlier Emirates plane:

Jeff’s been on that flight, too. It’s 14 hours long! Nonetheless, he raved about their service.

One last Delta plane: flight 1984 from SAL (San Salvador International Airport):

Back inside, John Zoni and Lew Scharfberg wrapped up the bagels from earlier in the day:

Jay Elzweig was the last of Bernie’s guests that I photographed and video recorded:

In addition to reminiscing, he gave the weather forecast, right up my alley as a fellow weather buff:

The weather Friday and Saturday was warm and a little humid, but a cold front came through Saturday night, leading to seasonably mild and dry conditions Sunday and Monday.

Video of all three segments (my vidcap is the thumbnail):

I chose to leave earlier this year, but there was more to do before I left.

I photographed Art Beltrone’s interview with Nick Mattina and Griffin Ward:

Art:

Nick:

Griffin:

Art’s notes:

A candid shot of Art’s off-air conversation with Lew Scharfberg:

Then, I recorded Art’s interview with me. Here are vidcaps:

…and the video itself:

I mentioned Dan Cox’s predecessor as WCWP’s Director of Broadcasting, and Dan himself who has held the position for 19 years and counting, but forgot to acknowledge Joe Manfredi, the Director of Operations when I was a student. He’s my fellow 2021 WCWP Hall of Fame inductee along with Jay Mirabile. Participating on Zoom during the broadcast to remedy my omission voided the chance for this interview to air; no double-dipping.

Finally on Saturday, posed photos, starting with Peter Sacoulas and Sami Jo Negron:

Me with Peter and Sami:

John Zoni:

…and Tom Scavetta:

Art Beltrone, Bobby Guthenberg (a.k.a. Bobby G.), Joel Mahan:

Art, Bobby G., Jerry Reilly, Joel:

I met Joel and Jerry in 2019 and was so glad to see them again this year. Joel was eager to listen to my regular Wednesday night show and Bobby complimented my work.

Jett Lightning and Jay Elzweig:

Bernie Bernard:

Bernie and John Mertz:

A candid shot of Art Beltrone and Alan Seltzer:

…and posed:

And with my dad having arrived in the parking lot, the last photo was me with Bobby and Alan:

Like Art at the end of his interview with me, Bobby thanked me for everything I do. I told him I appreciate that.

It’s an aircheck palooza from here on out, except for any photos I find in the WCWP Alumni Association Facebook group. To that end, here’s a photo of another guest on Bernie’s show: her former student Joe Connelly:

Alan Seltzer and Bobby G., followed by just Alan:

And Bernie’s outro:

Bobby G. and Mike Riccio were next at 7PM. Here is a scope of their first hour:

Again, courtesy of Bernie, it’s Bobby and Jett:

Mike Riccio:

And the four original hosts of The Rock Show: Bobby, Mike, Alan and Bernie:

A partial scope of Alan’s 10PM show, Seltzer with a Twist:

Sunday, October 17

Once again, I spent the morning editing content from the day before and the aircheck of Instrumental Invasion. Full details about the show are in a separate post, but here’s the scoped aircheck:

I airchecked a handful of Sunday’s shows, also of the partial scope variety. Jay LaPrise was on at 8AM with The Why I Work in Television Radio Show:

At noon, “Jammin'” Jamie Mazzo and Sara “Sadie” Dorchak hosted The Ladies of Prison Break Radio. This is a partial scope, but a long one: 49 minutes. The aircheck begins with a trailer-style Homecoming Weekend promo voiced by Zach:

10/20 UPDATE: Next, at 4PM, Joseph P. Honerkamp. You can call him Joe. Here’s a full scope:

There’s also a video:

I made a scoped version with re-synced audio and the end part that the video missed:

Jett Lightning came on at 6PM with Lightning’s Hits and Rarities Reliquary. As you’ll hear, Jay Elzweig – weather forecast in tow – joined Jett later in the show:

Rock ‘N’ Soul Gospel followed at 8PM, hosted by Grandfather Rock Chris MacIntosh. His scope includes a community calendar spot voiced by me and a promo for Monday’s 60th anniversary special voiced by Jeff Kroll:

And as midnight approached, Zach wrapped up the weekend that was:

Monday, October 18

I had yet another morning of editing; in this case, Sunday’s aircheck scopes heard above.

Noon came, and so began the WCWP 60th anniversary broadcast, hosted by Art Beltrone and Hank Neimark, board operated by Jeff Kroll, and produced by Pat Kroll; same as Friday.

My initial plan was to listen to the stream, but as noted earlier, I joined in on Zoom. Here are some screencaps:

Show timeline:

  • Introduction with sign-on audio
  • Dr. Jennifer Holmes, Dean of Arts, Communications, and Design; and Michael Berthel, Chief of Staff and Vice President for Student Affairs
  • Hank counts down to 12:15, pops champagne, cuts cake
  • Dr. Kimberly Cline, LIU President
  • Jeff Kroll
  • Dan Cox, WCWP Director of Broadcasting, reads citation from Nassau County Executive Laura Curran
  • Hank Neimark
  • Bruce Mahler (via Zoom)
  • Jon Cole (via Zoom)
  • John Commins (via Zoom)
  • Joel Feltman (via Zoom)
  • Diane Taylor (via Zoom)
  • Stewart Ain (via Zoom)
  • Joe Honerkamp (via Zoom)
  • John LiBretto (via Zoom)
  • Jon Korkes (via Zoom)
  • Rita Sands (on the phone)
  • Bernie Bernard (recorded Saturday)
  • Jeff asks Art and Hank to share their recollections
  • Harry Lowenthal (via Zoom)
  • Mike Chimeri (via Zoom)
  • Bobby Guthenberg (via Zoom)
  • Zach Parker
  • West Side Story opened in theaters the same day WCWP signed on
  • Alan Seltzer (via Zoom)
  • Ted David (recorded via Zoom)
  • Jeff’s recollections, John Commins and Mike Chimeri’s interjections
  • Aleen “Junie” Thomas (via Zoom)
  • Dr. William Martinov, LIU Director of Athletics (recorded Saturday)
  • Andrew Scarpaci (recorded Saturday)
  • Art and Hank re-read citation
  • Pat Kroll
  • Joe Honerkamp and Stewart Ain share stories about Mrs. Abrams
  • Lew Scharfberg (via Zoom)
  • Bruce Leonard (via Zoom)
  • Fred Gaudelli (via Zoom)
  • Bill Mozer (on the phone)
  • Jon Cole, Mike Chimeri, Fred Gaudelli, Joel Feltman speak to Bill
  • Elise Person (recorded on the phone)
  • End

The show was 2 1/2 hours, but I’m posting audio in three parts. Here’s part 1:

Part 2:

Part 3:

And my pre-record-voiding appearance:

Pat Kroll also took several photos, starting with the cake:

Art with the cake:

Hank, Jeff, Art:

Hank cutting the cake:

Dr. Cline:

Dan Cox reads County Executive Curran’s citation:

The citation:

Thank you very much for reading, viewing, and hearing all the way to the end. To repeat myself, I greatly appreciate the support I get for the work I do. This was a labor of love and friendship.

60 cheers to WCWP! See you next year.

Instrumental Invasion, 10/6/21 October 7, 2021

Posted by Mike C. in Airchecks, Audio, Internet, Jazz, Media, Music, Personal, Radio, Travel, TV, Video, Weather.
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The October 6 Instrumental Invasion on WCWP was, yet again, recorded over three days: three segments on August 19, two on the 20th, one on the 21st. Pickups were also recorded on the 21st.

The playlist was created and annotated on August 18 and the script was drafted before recording on the 19th.

“Completely Yours” by Patrick Bradley was the latest recurring song to account for its presence on the smooth jazz radio charts at the time of recording. I first played it back on March 24.

After playing later versions of Cedar Walton‘s “Sixth Avenue” (with Eastern Rebellion) and “The Hello” by Chuck Loeb last week, I decided to play the originals this week. Cedar’s original recording of “Sixth Avenue,” on Soundscapes, was excerpted by The Weather Channel for local forecasts in the late 1980s. “Seguaro (sic)” by David Lanz and Paul Speer was heard into the ’90s. Chuck Loeb’s original 1991 recording of “The Hello,” on Balance, featured Nelson Rangell on alto sax. Since saguaro cacti are native to the Sonoran Desert, I got to reference Nelson’s whistling cover of “Sonora” by Hampton Hawes, a staple of his live repertoire. Here’s one such performance at Smooth Jazz for Scholars in 2012:

As for this week’s show, click here to download the aircheck MP3 or listen below:

The aircheck includes a community calendar spot I recorded and my show promo.

Instrumental Invasion, 8/25/21 August 26, 2021

Posted by Mike C. in Airchecks, Audio, Blu-ray, Comedy, Film, Internet, Jazz, Media, Music, Personal, Radio, TV, Weather.
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The August 25 Instrumental Invasion on WCWP was again recorded two segments per day, from July 15 to 17.

The playlist was created and annotated on the 15th and, again, the script was drafted as I recorded.

A few segments ran long, which required me to cut out information, such as what I hoped to share about The Goonies, which I watched on Blu-ray back in February.

The rest of the segments were barely short, requiring minimal padding.

I continued my tradition of playing songs that were excerpted for local forecasts/Local on the 8s on The Weather Channel. That included “Mirage” by The Rippingtons, “One Thousand & One Nights” by Shahin & Sepehr, “Go Wes Young Man” by Chris Camozzi, and “Happy Feet” by Steve Oliver. I first heard “The Way to You” by Nelson Rangell on CD 101.9. The point where I ended my talk-up is where the radio edit began.

Click here to download the aircheck MP3 or listen below:

For the second week in a row, the left channel audio was barely audible. That means this aircheck is once again mono from the right channel.