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New header, finally January 20, 2019

Posted by Mike C. in Internet, Personal.
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It’s been four years and three days since I last updated this site’s header picture. Here, then, is the long overdue update:

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Smooth Jazz for Scholars 2019 dates/lineup January 18, 2019

Posted by Mike C. in Jazz, Music, Personal.
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Keyboardist Jay Rowe has announced the dates and lineup for the 17th Smooth Jazz for Scholars benefit concert series, which will be the 13th year I’ve attended. The announcement came this morning on Facebook:

This will be saxophonist Jessy J’s second year in a row at SJFS. Fellow saxophonist Eric Darius, keyboardist Brian Simpson, and guitarist Steve Oliver are also appearing for the second time. Sax man Marion Meadows, and guitarists Nick Colionne and Chieli Minucci have been mainstays in recent years, though only Marion was on hand last year.

Friday, April 26
Marion Meadows
Nick Colionne
Chieli Minucci

Saturday, April 27
Eric Darius
Brian Simpson
Steve Oliver
Jessy J

Location:
Veterans Memorial Auditorium in the Parsons Government Center
70 W. River St.
Milford, CT 06460

Tickets: $45 for one night, $75 for both nights

Reserved seating tickets can be purchased by check or money order payable to:
Smooth Jazz for Scholars, Inc.
P.O. Box 3723
Milford, CT 06460

General admission tickets can be purchased here.

I leave you with recaps of the first and second nights of the 16th annual Smooth Jazz for Scholars.

Lisa Hilton at Carnegie Hall’s Weill Recital Hall: 2019 edition January 12, 2019

Posted by Mike C. in Animation, Blu-ray, Comedy, DVD, Hockey, Internet, Jazz, Media, Music, Personal, Photography, Politics, Sports, Travel, TV, Video Games, Weather.
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Previous Lisa Hilton recaps: June 2011January 2014January 2015January 2016, January 2018

Thursday night, for the fifth time in six years, I made my way to the Weill Recital Hall at Carnegie Hall to see jazz pianist Lisa Hilton perform.

Unlike last year, I didn’t leave the house early so I could eat dinner before arriving at Weill. I went about my typical Thursday routine, including eating a pasta dinner around 5:00. At 5:40, my mom drove me to the Wantagh LIRR station. It’s a good thing I chose to leave at that time because unbeknownst to me, the 5:59 train was moved up to 5:55 starting on Monday:

The other arrival times are unchanged.

It was cold and windy on the platform, so it’s a good thing I wasn’t there long.

The train arrived two minutes late, at least on clocks set to the official U.S. time:

Just like the snowy night I saw the Bob James Trio at the Blue Note, the Rangers and Islanders were playing each other. Then, the game was at Barclays Center, current home of the Islanders. This time, it was at Madison Square Garden. Thus, Rangers and Islanders fans were prevalent on the train. Ordinarily, I would have stayed on all the way to Penn Station, but getting to Carnegie Hall isn’t as direct as Blue Note. I could have taken the 1 train from Penn to 59th Street-Columbus Circle, but I would have to walk a few blocks south and east from there. In the afternoon, I consulted Google Maps to determine what subway line I should take instead of the 1. They suggested I exit at Woodside and take the 7 train to Queensboro Plaza, then transfer to the N or W trains to 57th Street and 7th Avenue. That’s what I did.

I arrived at Woodside at 6:46 and proceeded to the adjacent subway station:

I lost my sense of direction and stood in position for this Flushing-bound train:

I figured out where I was facing when the doors wouldn’t open on my side.

The correct 7 train arrived at 6:52:

12 minutes later, I stood in Queensboro Plaza:

Google Maps suggested the N train on the way and the W train going back. I ended up doing the opposite. The W train arrived before the N, two minutes after I got off the 7:

By 7:15, I was at 57th Street:

I took the southeast corner stairway:

The stairway faces south, so I had to turn north and then east:

It wasn’t long before I reached my destination:

Foolishly choosing the stairs over the elevator, I (somewhat) breathlessly arrived on the fourth floor and stood in the lobby until the hall doors were opened:

The audience was allowed in at 7:30.

After finding my front row not-quite-center seat, I took a few pictures of the stage, knowing I’d have to put the camera away until afterward:

A security guard reminded me there was no photography during the show, and I assured him I was only taking before and after. I know the rules and willingly play by them. (I didn’t tell him that.)

Lisa and her two bandmates walked on stage at 8:04. Yes, for the first time, this was a trio performance. Luques (“lu-KEZ”) Curtis was once again on acoustic bass with Mark Whitfield Jr. on drums. Mark alternated between sticks and brushes depending on the song.

The first nine songs were all from Lisa’s latest album, Oasis, released on December 7. The concept is similar to that of her previous album, Escapism: escaping the craziness of the real world. At the Oasis, you can take your mind off the political turmoil and extreme weather dominating the news. A case of extreme weather is the Woolsey fire in Southern California, which forced Lisa to evacuate her Malibu home. She eventually returned home to no damage, but others weren’t as fortunate.

I’m right-of-center politically, but I can’t stand politics’ insane tribalism. It’s our way or the highway, whether “our” is Republicans or Democrats. And don’t get me started on the politics of personal destruction. One wrong move will destroy your life. I also have a pessimistic view of my party’s chances in elections and I take hyperbole from left-leaning politicians and pundits personally.

Since late September, I have paid little attention to the news. I know what happened on November 6, and that my left-wing friends gloated triumphantly, but that’s mostly it. Some news comes to my attention by overhearing what someone is watching in another room, from newspapers on display at the supermarket if I fail to avert my gaze, or reading Chuck Lorre’s vanity cards at the end of episodes of his sitcoms. I keep my head buried in music, sports (but not sports debate or news magazines), documentaries, cartoons, sitcoms, tech reviews, and video game or console reviews and retrospectives. Ignorance is bliss.

I used to occasionally post political links or videos, such as for Prager University, on Facebook, but I stopped a year ago. Now, I don’t talk politics at all on any of my social media (I seldom did on Twitter since my account is public) or with family and friends, unless we agree. I’m a people-pleaser; I want to be everyone’s friend. I don’t want politics to come between us.

Lisa promised that the songs we were about to hear would be uplifting. There wouldn’t be any songs with titles like “F U Donald,” as John Scofield had with Combo 66 in November.

The set ran about 70 minutes. Here’s what Lisa Hilton’s trio played:
1.
Adventure Lands
This made me think of the times I went to the Adventureland amusement park in Farmingdale when I was growing up.

2. Oasis
Mark Whitfield Jr. provided a swing beat at times. At one point, I followed Luques Curtis’s fingers on the bass.

3. Twists of Fate
Lisa credited Count Basie and Thelonious Monk among her inspirations for this song.

4. Watercolor World

5. Vapors & Shadows (also on Horizons, 2015)
In a quiet moment, Mark lightly clacked the drums. Lisa and I seemed to lock eyes briefly.

6. Lazy Daisy
This brought to mind a hippie daisy floating downstream or lying in an inner tube in a water park lazy river, like the one at Splish Splash in Riverhead. That was another park I frequented growing up, but I haven’t been there in almost 20 years.

7. Just for Fun (also on In the Mood for Jazz, 2003; Nuance, 2010; and Getaway, 2013)
Lisa’s gliding up and down the keys made me laugh.

8. Sunshine States
There was a Latin flavor befitting the two Sunshine States, California (officially the Golden State) and Florida. It was reminiscent of Chick Corea, and the end felt like “Tequila” by The Champs, just as “Hot Summer Samba” did last year.

9. Sunday Morning (also on Midnight in Manhattan, 2006)

10. Waterfall (from Cocktails at Eight, 2000)

11. Meltdown (from Sunny Day Theory, 2008; later on Nuance, 2010; and Escapism, 2017)
This song is a comment on a hectic life, being driven to a meltdown or breakdown. It had a frantic, heavy metal-like pace, and also brought to mind boss music in a video game. There were occasionally staccato Morse Code-like notes.

12 (Encore). Zero Gravity (from Escapism, 2017)
Coincidentally, earlier in the day, I watched the fourth Futurama film, Into the Wild Green Yonder (2009), on Blu-ray. One of the special features involved series executive producers Matt Groening and David X. Cohen talking about their recent Zero G flight. They and their fellow passengers, including Matt’s son Will, experienced periods of weightlessness.

As it turned out, no one else was seated in the front row, not even in the handicap seats. I could have moved, but chose not to.

1/18 UPDATE: Lisa posted a picture from the set (taken by photographer Ryan Nava) to Facebook, her website, and her newsletter last night:

Here’s the Facebook post, which ends with a link to her web post:

1/29 UPDATE: Lisa posted two more of Ryan Nava’s pictures to social media yesterday:

When the house lights went back up in Weill Recital Hall, and the audience began to leave, I said aloud, to no one in particular, that was a great show. Steve, who was seated one row behind me, agreed. I told him it was my fifth time, he said it was his first. We spoke a little more, then went our separate ways. I proceeded to the lobby to meet and greet Lisa and Luques. I didn’t see Mark, though. As I let other audience members talk to them for a while, I shared my enthusiasm with Adam and Vicki. Adam was seated a row or two behind me and told me he noticed that I was taking notes. I let him know it was for the recap you’re reading right now, and shared some of the notes with him. He was nice enough to take a picture of Lisa and me before I left:

I rightly took the elevator back down to the first floor.

By 9:46, I was back in the 57th Street subway station:

My N train for Queensboro Plaza arrived at 9:54:

Ten minutes later, I was among a massive throng of passengers (whom I didn’t photograph out of privacy) waiting to board the 7 train:

It took another ten minutes for that 7 train to arrive, and a couple more minutes before the doors were opened. I barely fit into the cramped car I walked into. There was little relief between stops as few people got off. Flushing was likely the majority destination.

The late arrival of the 7 train at Woodside meant I missed my LIRR train for Wantagh.

The good news is I would only have to wait about 20 minutes for the next Babylon-bound train:

The bad news is it was an express train that only stopped at Woodside, Jamaica, Valley Stream, and Freeport, with no other stops before Babylon. My dad was nice enough to drive 15 minutes out to Freeport to pick me up because I wasn’t about to wait until about 11:15 for a train that would stop at Wantagh.

After waiting upstairs out of the wind for 15 minutes, I proceeded to the track 4 platform and waited for my train:

Brrr! Each gust was tough to endure.

I was relieved to board the warm train at 10:47:

Once again, there were Rangers and Islanders fans aboard. And once again, the Islanders won. This time, 4-3. As a Rangers fan, this has been a tough season. (8:20 PM UPDATE: The game was part of a home-and-home. The Rangers won 2-1 at Barclays Center earlier today.)

The train was scheduled to arrive at Freeport by 11:15. Instead, it was there at 11:23. My railcar was a few blocks from where Dad was. Once inside his car, the drive back to Wantagh took 15 minutes, the same length it took to get to Freeport. Home sweet home.

Thank you to Lisa Hilton, Luques Curtis, and Mark Whitfield Jr. for the fifth great night of music in six years. (I couldn’t make it in 2017.) Thanks, as well, to Steve, Adam, and Vicki from the audience; and of course, to my parents for transportation to and from the train stations.

My Christmas music playlist December 24, 2018

Posted by Mike C. in Christmas, Jazz, Music, Personal.
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In the past (here and here), I’ve talked about my collection of jazz and new age Christmas albums. I’ve continued to add as new albums come out or I rediscover songs on the albums I already have.

The time has come to share what songs are currently in my Christmas music playlist, which I curated in iTunes. There are 329 songs combining for 21 hours, 26 minutes, and 52 seconds of listening. Here is the playlist, over 14 screencaps (click on them for full size):

I usually listen to the playlist twice. The first pass took me a few weeks. The second pass should be quicker since I’ll be playing it at a Christmas Eve party and at home on Christmas Day.

Merry Christmas to all, and to all, a good listen.

10:15 AM UPDATE: I duplicated the playlist so it would appear in a different form. That way, you can see full titles and artist names. Rather than take screencaps again, I made a video recording, set to “Snow Bells” by Ficara:

The parenthetical “MC Edit” and “remastered” mean I edited the files in Adobe Audition. The edits involved removing the first few seconds of a song, fading out the end of a song that led into the next track on the original album, or improving the sound quality.

Mike Chimeri’s Music Collection audio remixes December 20, 2018

Posted by Mike C. in Internet, Jazz, Media, Music, Personal, Video.
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Over the past few months, I’ve periodically taken the audio from episodes of Mike Chimeri’s Music Collection, my short-lived YouTube series, and remixed the files in Adobe Audition. By adding song excerpts, while dubbing in corrections and taking out end-of-video calls to action, episodes have gone from as short as 5:08 on video to as long as 23:30 in audio. I’ve remixed six of the eight episodes so far and will update this post if and when I complete the final two. I hope you enjoy them.

Click on the “original video” links (blog posts with embedded video) for an episode’s album list.

Episode 1: 6 Albums from 1981
Remixed audio

Original video

Episode 2: 1970s Debut Albums
Remixed audio

Original video

Episode 3: 8 Albums from 1992
Remixed audio

Original video

Episode 4: 2000s Debut Albums
Remixed audio

Original video

Episode 5: 9 Albums from 2000
Remixed audio

Original video

Episode 6: Albums by Sidemen
Remixed audio

Original video

John Scofield’s Combo 66 at Blue Note December 2, 2018

Posted by Mike C. in Jazz, Music, Personal, Photography, Politics, Travel, Weather.
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Two weeks after braving wintry conditions to see the Bob James Trio at Blue Note Jazz Club in Greenwich Village, I returned to the legendary venue to see guitarist John Scofield‘s Combo 66 quartet.

363 nights after seeing saxophonist Dave Koz for the first time, as his 20th Anniversary Christmas Tour stopped at the Tilles Center, it was time to see John Scofield for the first time.

Skies were partly cloudy with a stiff westerly breeze on Thursday afternoon as I walked from my house to the Wantagh LIRR station. I took an earlier train than the last time: 4:27 this time. Aboard the train, an M3 railcar, I sat in the head car and could see straight ahead, a perspective I seldom see.

Once at Penn Station, I boarded an E train for West 4th Street. I arrived outside Blue Note at exactly 5:45:

Within 20 minutes, I was inside. I thought about sitting by the stage again, but opted for a seat further back and elevated. Unfortunately, I didn’t make any new friends at the table this time. A father and son, and man in his 20s kept to themselves and I was too shy to start a conversation.

John Scofield’s Combo 66 began their set a few minutes after 8:00:

John led the quartet on electric guitar:

He was backed up by Gerald Clayton, on piano for five songs:

…and organ, which I had a better view of, for three songs:

Vicente Archer on acoustic bass:

…and Bill Stewart on drums:

Bill used brushes for “I’m Sleeping In”:

There were eight songs in the quartet’s set, with all but three of them from the Combo 66 album:
1. Can’t Dance*
Originally heard on: Combo 66 (2018)

2. Hand Jive
Originally heard on: Hand Jive (1994)

3. Green Tea*
Originally heard on: A Go Go (1998)

4. Dang Swing
Originally heard on: Combo 66 (2018)

5. I’m Sleeping In
Originally heard on: Combo 66 (2018)

6. Icons of the Fair
Originally heard on: Combo 66 (2018)

7. F U Donald (Bill Stewart composition)
Originally heard on: Band Menu (Bill Stewart) (2018)
I felt like an outcast as John announced the title, an obvious shot at President Donald Trump, which received a hearty applause. The son seated next to me cheered “my man!” at the title’s sentiment. I just sighed and shook my head. The song itself was great. I thought it was better with guitar than saxophone as there was on Bill’s Band Menu. Afterward, John emphatically repeated the title and softly quipped, “now, we’d like to play a beautiful ballad for [Vice President] Mike Pence.” Even I laughed. Then, the set concluded with…

8. New Waltzo*
Originally heard on: Combo 66 (2018)

*-Gerald Clayton played organ.

It was a superb set. Not even a politically-charged song title could dampen my enjoyment. Thank you to John, Gerald, Vicente, and Bill.

Returning to Penn Station on the E train and to Wantagh on a Babylon-bound LIRR train were both uneventful. My next trip to Manhattan is slated for January 10 when I’ll once again see pianist Lisa Hilton perform.

Bob James Trio at Blue Note November 16, 2018

Posted by Mike C. in Hockey, Jazz, Music, Personal, Sports, Travel, Weather.
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A little mid-November snow wasn’t going to keep me from getting to the Blue Note Jazz Club in Greenwich Village last night to see the Bob James Trio’s 8PM set. This was my first time inside Blue Note since I saw the Chick Corea Elektric Band in October 2016. It was also the first time I’d seen Bob since I saw Fourplay in December 2015, and the first time seeing him solo since May 2007 at the defunct IMAC (Inter-Media Art Center) in Huntington.

The story begins several hours before showtime. A nor’easter was about to bring what I assumed was going to be light snow and sleet that wouldn’t accumulate much before changing to rain. I based my assumption on Wednesday’s forecast. Little did I know that forecast models now called for a longer period of moderate-to-heavy snow. A winter weather advisory was issued from 1PM to 10PM and called for 2 to 5 inches. Wantagh ended up with the max. Plus, there were the usual gusty winds a nor’easter provides. It wasn’t comparable to Sandy, but was a nuisance.

For reference, here are a few photos in the snow’s early stages, at 1:43 PM:

2:17 PM:

…and 3:14 PM:

I chose to take a later LIRR train, the 4:59, to Penn Station so I wouldn’t have to wait outside Blue Note in the elements for an hour. Indeed, my father drove me to the Wantagh LIRR station just after 4:30 in heavy snow on unplowed roads. I waited on the platform for about 20 minutes, seeking shelter by the main stairway and escalator until the train arrived. At that time, I walked closer to the head of the train and sat down in a railcar.

The Rangers were playing the Islanders at Barclays Center in Pacific Park, Brooklyn, which meant I was surrounded by fans of both teams (I’m a Rangers fan, myself) until Jamaica, a major hub, when they would change to an Atlantic Terminal train. As the train approached Jamaica, the conductor relayed bad news: due to signal problems west of Jamaica, the train could not proceed to Penn Station. Passengers bound for Penn were diverted to the E train where tickets would be cross-honored.

MTA workers directed a throng of passengers through what was now sleet to the underground subway station. I was closely followed by Jeanette, my seatmate who boarded at Rockville Centre (or maybe it was St. Albans).

We sat together for about a half hour as the E train proceeded through Queens and into Manhattan. She exited at 50th Street and I said it was nice meeting her.

After a few more stops, the train had reached West 4th Street. I walked up to West 3rd and crossed 6th Avenue, tiptoeing through snow and slush, as sleet continued to fall, until I finally arrived at Blue Note.

I checked my coat and was fortunate enough to get my old favorite seat at the table next to the stage. The claustrophobia that drove me away from that seat before Lee Ritenour’s set in August 2016 was gone. I made fast friends in my a few of my tablemates: Debbie, who went to high school with Bob’s Fourplay bandmate Nathan East, and married couple Tom and D’Lissa. My night was more enjoyable for having met and spoken with them.

The Bob James Trio began their set at 8:23; better late than never.

Bob James played piano:

Fender Rhodes:

…and both on “Night Crawler”:

Bob was joined by Michael Palazzolo on acoustic bass:

…and Billy Kilson on drums:

Billy’s “Mister Magic” solo:

The set consisted of nine songs, plus one encore:
1. Bulgogi
Originally heard on: Espresso (2018)
Bulgogi is Korean grilled beef.

2. Feel Like Making Love (Roberta Flack cover)
Originally heard on: One (1974)
Bob played Fender Rhodes throughout, just as he did on One and on Roberta’s original.

3. Night Crawler
Originally heard on: Heads (1977), Straight Up (1996), Live at the Milliken Auditorium (2015)
Bob began on Rhodes, then transitioned to piano, playing both at once along the way.

4. Shadow Dance
Originally heard on: Espresso (2018)

5. Il Boccalone
Originally heard on: Espresso (2018)
This song was named after an Italian restaurant in, of all places, Tokyo. It was a duet for Bob and Michael.

6. Mister Magic (Grover Washington, Jr. cover)
Originally heard on: Espresso (2018)
Bob performed on Grover’s Mister Magic album, playing Rhodes on the original, but piano here, as he did on Espresso.

7. Topside
Originally heard on: Espresso (2018)
Bob started on Rhodes, then switched to piano, with a backing track playing throughout on his iPad, which required him to wear headphones.

8. Mojito Ride
Originally heard on: Espresso (2018)
This song also had a backing track.

9. Westchester Lady
Originally heard on: Three (1976), All Around the Town (1981), Live at the Milliken Auditorium (2015)
This song had a call and response between the trio and ended with an accelerando that led me to polka dance.

10 (Encore). Angela (Theme from Taxi)
Originally heard on: Touchdown (1978), All Around the Town (1981), The Genie (1983), Angels of Shanghai (2007), Live at the Milliken Auditorium (2015)
Bob began on Rhodes, then ended the set on piano.

After the set, I asked if there was a meet and greet afterward. In a way, yes. After saying goodbye to Debbie, Tom, and D’Lissa, I and a few others congregated outside Bob’s dressing room, where his manager Sonny Abelardo let us in one at a time. I reintroduced myself to Bob, he signed my copy of Espresso, and we posed for a picture:

Sonny called us the Vest Brothers. I liked that.

After leaving the room, I briefly commiserated with Billy Kilson about our misadventures getting to Blue Note.

Back downstairs, I claimed my coat, bundled up, and walked back to the West 4th subway station. By this time, it was raining lightly, but I had to tiptoe through and around slush to cross 6th Avenue.

40 minutes on the E train later, I was back at Jamaica:

I boarded the 11:08 train, which was a few minutes late, along with some happy Islanders fans and dejected Rangers fans, as the Isles beat the Blueshirts 7-5.

After taking this picture…:

…I boarded the train and headed for Wantagh.

I found through a couple I sat next to – they had come from a play – that service had been restored west Jamaica and I could have boarded at Penn Station without needing to take the E train all the way to Jamaica. But I didn’t want to take any chances, so it was the E train all the way.

Dad picked me up in Wantagh and took me home. At 12:05 AM, my adventure was complete. I hope the weather is better when I go see John Scofield’s Combo 66 on November 29.

Thank you to everyone I met last night. It was great to meet you, and in Bob’s case, to see you again.

2018 LIU Post & WCWP Homecoming Weekend October 15, 2018

Posted by Mike C. in Airchecks, Audio, Football, History, Internet, Interviews, Jazz, Media, Music, News, Personal, Photography, Radio, Sports, Travel, Video, Video Games, Weather.
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Earlier recaps: 20082009WCWP 50th Anniversary (2011)20122013201420152016, 2017

In all the years I’ve recapped WCWP Homecoming Weekend, this is the first where I consolidate all days into one post. With Sunday photographic help from Pat Kroll, I’m recapping all three days of WCWP’s special block of programming, including coverage of the LIU Post Pioneers‘ Homecoming game against the Saint Anselm Hawks.

I left for the Abrams Communications Building, home to WCWP, at 11:00 on Friday morning. I was there within a half hour and I immediately got out my equipment. There were shows to record, including one for me to host.

Unlike the previous three years, I was not the first show of the weekend. That honor went to 1960s Post Scripts, hosted by Art Beltrone and Jay Elzweig, who were with WCWP when it began:

Art Beltrone:

Jay Elzweig:

The show was packed with interviews and had occasional music.

The first guest was William Rozea, part of C.W. Post College’s first graduating class in 1959:

Also among Art and Jay’s guests were Jarron Jewell, LIU Post’s senior library assistant for archives and special collections:

Rita Langdon, LIU Post Executive Director:

Mark Bilker, another member of the Class of 1959:

Alan and Carol Fritz from the Class of 1966:

Bernie Bernard, Class of 1972:

Dan Cox, Class of 1985, and WCWP Director of Broadcasting:

Art, a Marine Corps veteran, presented Dan with banner from Vietnam, part of the Vietnam Graffiti Project.

…and Edward Keller, a Vietnam Graffiti Project volunteer and fellow Marine:

1960s Post Scripts concluded with “Yesterday” by The Beatles, which led into my show, Instrumental Invasion with Mike Chimeri.

As my second song played, I took a picture of Art Beltrone and Jay Elzweig:

Before he left, Art gave me a copy of Vietnam Graffiti: Messages from a Forgotten Troopship, by him and his wife Lee.

My setup in Studio 2:

I had Jeff Kroll take a picture of me at the board. He suggested I have my headphones on:

I belong to a few Discord servers and my fellow members know I’d be on. I gave them all a shout-out at one point during my show, including the servers’ proprietors: Norm Caruso a.k.a. the Gaming Historian, Game Dave, and Anna a.k.a. Circuits & Coffee. I gave Game Dave a personal shout-out after playing a Keiko Matsui song because he recommended her music over in-game music in one of his videos. I couldn’t recall which one on the air, but it was for the Famicom game A Week of Garfield (relevant portion at 7:40, unless you want to watch the whole thing):

Now that you’ve seen that video, here is my airchecks video:

If you just want the audio, click here for itClick here for the transitions, and a PDF of the playlist.

From one Mike to another: Magick Mike Hendryx (Mike Schanzer) followed me:

Pat and Jeff Kroll:

After the above picture, I packed up and got a ride back home. After a pasta dinner, I got to work editing Friday’s video and audio. I decided to wait until downtime after arriving back at Post on Saturday to edit Friday’s pictures.

Here is my Friday video, featuring plenty of 1960s Post Scripts, followed by two airchecks each from my show and Mike Hendryx’s show:

I left for LIU Post at 12:30 on Saturday afternoon. Once on campus, I set up my equipment at WCWP, edited pictures on my laptop, and then headed to Bethpage Federal Credit Union Stadium for part of the Pioneers’ game against Saint Anselm.

I spent much of the second quarter in the press box. Calling the game were Jeff Kroll and Neil Marks:

Video of the game was also streamed online with WCWP audio:

The scoreboard console:

A defensive stop:

The Pioneers’ third touchdown drive:

“Touchdown, Pioneers!”

The extra point:

That’s the end of the first half:

The Pioneers went on to win 37-6. If this was their last game against Saint Anselm, as they are heading to Division I FCS (Football Championship Subdivision) next season (likely under a new name), they won all 15 of them. Highlights can be viewed here.

The next few pictures were taken on the way back to WCWP:

Ted David took this great picture of me:

Banners and trophies inside the Pratt Recreation Center:

Back at WCWP…:

Jett Lightning, Lew Scharfberg (standing), Ted David, Bill Mozer, Jay Elzweig:

As usual, Bernie Bernard was on after the game:

Lisa Seckler-Roode regailed Bernie with many stories from her days working for record companies and as a personal assistant to The Who guitarist Pete Townshend:

Bernie – or rather, Maura – with her fellow reverend, Fr. Michael Tesmacher, who she and I know as Mike Tes:

Mike and I have known each other since 2002 when we worked on the public access show, The Long Island Rainbow Connection.

Jeff Jensen and his son, Jackson:

Bernie and Lisa:

Ward Henry watching Bernie’s next-to-last aircheck of her show:

Bobby G. (standing) and Mike Riccio were next:

They hosted their special Homecoming countdown show:

Joining them was Jett Lightning (center):

Mike Riccio:

Bobby G.:

Jett Lightning:

Mike and Bobby:

Before I left, I had Pat Kroll take a shot of me and John Zoni, both of us with our glasses off:

John hosted the pregame, halftime, and postgame shows. He’d go on to host a music show at midnight.

Here’s the Saturday video:

After transferring photos, videos, and audio files to my computer and eating a late dinner, I went to bed early. I woke up at 5:30 AM. My second Instrumental Invasion of the weekend was scheduled to air at 6AM. When I accessed the WCWP app on my iPhone X, I heard silence (except for light static). Apparently, there was an automation glitch that kept the scheduled 2AM and 4AM pre-records from running. At 6AM, I briefly heard the start of the 4AM show, then 12 more seconds of silence, and finally my show. Here are the airchecks from the showthe transitions, and the playlist.

Bobby G. informed me on the WCWP Alumni Association Facebook group that the show also aired at 2AM, which was its original slot before a change was made two weeks ahead of Homecoming. So, not only did my show air without a hitch, it aired twice! Bobby called it an “extra bonus.” Jeff Kroll added, “Yessir BONUS time!”

I listened to the entire show. I lied in bed, looking up at the ceiling for the first 45 minutes, then went to the computer to edit, which I continued to do long after the show ended.

Jay LaPrise (“la-PREE”) hosted Sunday’s first live show from 8 to 10AM. Here’s how he signed on.

I may not have been at WCWP in person on Sunday, but I was there in spirit, not just with my show, but with the show’s filename on the stream page for several hours afterward:

As the day progressed, I periodically recorded more airchecks. Here are two from Billy the Kid (Billy Houst), on from noon to 2:00.

Joe Honerkamp was at the mic from 2:00 to 4:00. Here he is with his daughter Diana:

Lew Scharfberg and Bill Mozer, with a photobombing Neil Marks:

Lew hosted from 4:00 to 6:00:

Jeff and Pat Kroll, and Lew Scharfberg:

Neil Marks’s wife Lita:

Jeff Kroll assisting Neil Marks at the board during his 6:00 to 8:00 show with Pat Kroll:

Pat and Neil during their show:

From 8:00 to 10:00, Alana hosted a special Homecoming edition of The Rockin’ Sunday Show:

Jeff Kroll had the last shift from 10:00 to midnight:

And with that, the 41st annual WCWP Homecoming Weekend is in the books. It was a weekend I won’t soon forget, nor will my fellow alumni. I’ll leave you with the kind works Ted David left on my Facebook timeline:

May I publicly acknowledge C.W. Post alum Mike Chimeri. As I mentioned on the air during Homecoming Weekend on WCWP Saturday, his Friday jazz show was worthy of any shift at the former CD 101.9 or the current Watercolors channel on SiriusXM.
Add to that his superior skills as a photographer/archivist and he’s one amazing guy. I spent some time with him Saturday at the station and then down at the football game. Just a super talented guy, pleasant company and proud to call him a friend and “fellow alum!”

Thank you very much, Ted.

Listen for me on WCWP this weekend October 9, 2018

Posted by Mike C. in Education, Football, Internet, Jazz, Media, Music, News, Personal, Radio, Sports.
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All times are Eastern.

It’s that time of year again: Homecoming Weekend on 88.1 FM and WCWP.org. It starts Friday at noon and runs through Sunday night at midnight.

Unlike the last three years, my show is not the first of the weekend. That honor goes to one WCWP’s founding members, Art Beltrone, who will be hosting 1960s Post Scripts.

Instrumental Invasion with Mike Chimeri follows Art’s show at 2PM. You’ll hear music from Najee, Nick Colionne, Ken Navarro, Bob James Trio, and many others.

My second Instrumental Invasion, which I pre-recorded at home on September 19, airs Sunday at 6AM. It’s the usual decades-long musical journey, a 50-year journey this year, featuring Return to Forever, David Benoit, Dave Koz, the Rippingtons (which David and Dave were once part of), and so much more. One spoiler: I recorded the show thinking it would air at 2AM, so my talk-up for “Up All Night” by Richard Elliot (“a fitting title at this hour”) lost its context.

Both shows can be heard at 88.1 FM, if you’re close enough to the signal, at WCWP.org, or on the WCWP app for iOS devices. (There is an Android app, but it isn’t working, which led Google Play to suspend it from downloading.)

In between Friday’s live show and Sunday’s pre-recorded show, I’ll be at LIU Post Homecoming on Saturday afternoon and evening. As usual, I’ll mostly be at the Abrams Communications Building, where WCWP is located, but I’ll drop by the parking lot of Bethpage Federal Credit Union Stadium as the Post Pioneers play the Saint Anselm Hawks. The team enters the game with a 5-0 record. It’s their last season in Division II, their last with green as a team color, and may be their last as the Pioneers. LIU President Dr. Kimberly Cline announced the “One LIU” unification last Wednesday. Starting next year, the Pioneers (or whatever they’ll be known as) will play in Division I FCS (Football Championship Subdivision). Ironically, I wearing my LIU Post polo shirt the day of the announcement.

Following the game, during the second hour of Bernie Bernard’s show, the 2019 inductees to the WCWP Hall of Fame will be announced.

I hope you’ll be listening to WCWP during as much of Homecoming Weekend as you can. Jeff Kroll closes out the weekend with his 10PM show on Sunday.

My experience at Day 1 of 2018 New York Comic Con October 5, 2018

Posted by Mike C. in Animation, Art, Audiobooks, Baseball, Comedy, Internet, Interviews, Media, Personal, Photography, Sports, Technology, Travel, TV, Video, Video Games, Weather.
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Previous New York Comic Con recaps: 2012 Day 22014 Day 1, 2017 Day 1

Yesterday marked my fourth time at New York Comic Con, held annually at the Javits Center in Midtown West. It was also my second consecutive year at NYCC.

I’d been looking forward to going ever since I bought my badge in June. Grey DeLisle (a.k.a. Grey Griffin), Phil LaMarr, and Richard Horvitz were among the voice actors that would be signing autographs, recording video or audio messages, and taking pictures with fans like me. Like last year, this was my sole reason for attending. None of the panels interested me.

I woke up at 5:30 in the morning. I spent the next three hours watching the American League Wild Card Game on DVR (the Yankees won handily), a couple of episodes of season six of Rowan & Martin’s Laugh-In on Amazon Prime, working out, and of course, getting ready to leave for the day.

My mother drive me to the Wantagh LIRR (Long Island Rail Road) station at 8:30 for an 8:47 westbound train. When I went there last Saturday on the way to see Chieli Minucci & Special EFX at The Cutting Room, the elevated track platform was partially closed off while the west half of it was being renovated. Little did I realize that renovation would complete two days later. Finally, after two years, when boarding a Babylon-bound LIRR train at Penn Station, you no longer have to ask if you’re in one of the six cars that lets out at Wantagh. When the east half was being renovated, only the last six cars could exit. When the west half was under renovation, you had to be in one of the first six cars.

I didn’t feel like taking out my DSLR until I got to the Javits Center, so I used my iPhone to take pictures on the platform:

It felt good to sit in the first car again.

The train ride to Penn Station took nearly an hour. Upon exiting, I walked up West 33rd Street to 10th Avenue, then north to West 35th to enter the Javits Center’s south side:

I endured a quick bag search (including emptying my pants pockets and holding up the contents) and tapped my badge in. Unfortunately, I was scolded for not moving beyond the area where the badge was tapped when I replenished my pants pockets. I felt like a fool, but felt better when I got inside and relayed my situation to an empathetic staff member when she asked if I needed help finding something.

Off to the autographing area:

I was third in line to meet Grey DeLisle at Table 1 after waiting about 45 minutes before her scheduled arrival.

As she and Richard Horvitz arrived, they spoke to each other in their respective voices on The Grim Adventures of Billy & Mandy. Richard was Billy and Grey was Mandy.

Grey was very nice. In my brief time with her, I told her I’d been a fan of hers since Clifford the Big Red Dog and three Butch Hartman cartoons – The Fairly OddParents, Danny Phantom, and T.U.F.F. Puppy. She did the voices of Emily Elizabeth (Clifford) and Vicky (FOP) for me, which led me to respond as Mark Chang, voiced by Rob Paulsen, whom I met last year. Then, we posed:

After we said our goodbyes as Vicky and Mark, I headed to Table 6 for Phil LaMarr:

I let him know how the chronological order in which I’d seen his work: FuturamaFamily Guy, MADtv reruns on Comedy Central, and Butch Hartman’s Bunsen Is a Beast. He was complimentary of Bunsen, and I lamented that it was a shame the show was canceled after only one season.

I concluded at Table 3 with Richard Horvitz:

We didn’t have time to chat, but I’m still glad to have met him. Shortly before our picture, I saw him record a video message for a fan as Zim from Invader Zim. As with his conversation with Grey as Billy and Mandy, it put a smile on my face and made me laugh. I applauded when he was finished.

After that, I headed back to civilization, so to speak…

…and walked the show floor:

I happened to pass by the SYFY Wire stage…

…as Cher Martinetti spoke to the creator/showrunner and cast of the new Netflix series, She-Ra and the Princesses of Power:
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The creator/showrunner is Noelle Stevenson, who was accompanied by Aimee Carrero (Princess Adora/She-Ra), Karen Fukuhara (Glimmer), and Marcus Scribner (Bow).

You can watch the interview here:

I commented on the video:

I walked by the stage during this interview. I was curious about this series after seeing The Power of Grayskull documentary, but now I’m all in. I’ll definitely be watching.

11/20 UPDATE: I have unfortunately fallen off the bandwagon. While I wish nothing but the best for the series, it plays out like a soap opera, and I’m more into episodes with self-contained plots. I don’t know how I would have managed watching the Rocky & Bullwinkle cartoons when they were new with story arcs lasting several weeks. The “Jet Fuel Formula” arc took 20 weeks, “Upsidasium” lasted 18 weeks, and “Missouri Mish-Mash” played out over 13 weeks. Now, back to the recap…

I pre-ordered Mega Man 11 for PlayStation 4, but have yet to play it.

Shadow of the Tomb Raider is on my Xbox One wish list:

Having seen all I wanted to see on the show floor, I headed down to the main entrance:

Then, I left:

It’s a good thing I didn’t wear a jacket because it was warmer than it had been in the morning.

Within 20 minutes, I was back at Penn Station, where I boarded a Babylon-bound train. An hour later, I was back in Wantagh.

I walked about a mile and half home, listening to Marion Ross’s memoir on Audible along the way.

Once I had unpacked my things at home, I took a picture of my badge (blurring out the codes):

It was a nice few hours at New York Comic Con. Thank you to Grey DeLisle, Phil LaMarr, and Richard Horvitz. It was a pleasure meeting you all.