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Mike Chimeri’s Music Collection videos, outlines, slideshows, and script January 17, 2018

Posted by Mike C. in Internet, Jazz, Music, Personal, Video.
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Last night, I received an e-mail from YouTube that announced changes to the YouTube Partnership Program that affects my channel. One paragraph in the e-mail stood out:

Under the new eligibility requirements announced today, your YouTube channel, Mike Chimeri, is no longer eligible for monetization because it doesn’t meet the new threshold of 4,000 hours of watchtime within the past 12 months and 1,000 subscribers. As a result, your channel will lose access to all monetization tools and features associated with the YouTube Partner Program on February 20, 2018 unless you surpass this threshold in the next 30 days. Accordingly, this email serves as 30 days notice that your YouTube Partner Program terms are terminated.

This completes the failed experiment that was Mike Chimeri’s Music Collection. Having been inspired by other YouTubers, I worked from May to July last year putting together eight videos while preparing for four more that I never made. The videos were watched by as many people that watched most of my other videos: ones to tens of people, not thousands or more. And I only picked up tens of subscribers. It was heartbreaking. All the work was for naught. Money was wasted on a Parrot TelePrompTer, camcorder light, and chroma key matte. I hope to find uses for those items in the future, but I think only the light will be put to use.

The videos that got the most views were live performances from Smooth Jazz for Scholars, some of which I took down when I applied for monetization in the first place. And the highest-viewed video couldn’t be monetized because of the subject matter.

This morning, I scanned PDFs of the outlines I wrote for the eight videos I posted, the four I never completed, and one scrapped introductory video. I also made slideshows of the pictures I would have used for the four videos I didn’t complete. I am sharing all of that, and one partial script, below. (NOTE: The slideshows were uploaded to WordPress rather than YouTube.)

Introductory Video outline (scrapped)

Episode 1: 6 Albums from 1981
Outline
Video

Episode 2: 1970s Debut Albums
Outline
Video

Episode 3: 8 Albums from 1992
Outline
Video

Episode 4: 2000s Debut Albums
Outline
Video

Episode 5: 9 Albums from 2000
Outline
Video

Episode 6: Albums by Sidemen
Outline
Video

Episode 7: 1980s Debut Albums
Outline
Video

Episode 8: 1990s Debut Albums
Outline
Video

Episode 9: 9 Albums from 1977 (incomplete)
Outline
Slideshow:

In addition to an outline and slideshow for the first incomplete video, I also have a partial script that I worked on one day in September.

RAMSEY LEWIS – TEQUILA MOCKINGBIRD
Ramsey Lewis released two albums in 1977.
The second of the two was Tequila Mockingbird, a play on To Kill a Mockingbird, the Harper Lee novel-turned-Academy-Award-winning film.
Tequila Mockingbird continued Ramsey’s association with Earth, Wind & Fire that began with Sun Goddess a few years earlier.
EWF keyboardist Larry Dunn produced three tracks: the title track, “Skippin’,” and “That Ole Bach Magic.”
He wrote the title track himself and co-wrote “That Ole Bach Magic” with Eddie del Barrio.
I like all eight tracks on “Tequila Mockingbird,” including the ones produced by Bert deCoteaux.
But my absolute favorites, thanks to Ramsey’s solos, are the title track, “Camino el Bueno,” “Caring for You,” and “Intimacy.”
Ramsey would re-record “Intimacy” on Chance Encounter in 1982 and Taking Another Look in 2011.
He re-recorded the title track on Ivory Pyramid in 1992, his first album with GRP after two decades with Columbia.

BOB JAMES – HEADS
After putting out his first four solo albums on CTI, Bob James started his own label, Tappan Zee Records, in 1977.
His inaugural album, the second of the year, was Heads.
From One in 1974 through 12 in 1984, most of Bob’s early albums were numbered directly or indirectly.
Heads refers to the Buffalo nickel.
Nickels are 5 cents.
Ergo, Heads is Bob’s fifth album.
The album personnel is who’s who of New York City musicians of the day: Eric Gale, Steve Khan, Steve Gadd, Idris Muhammad, Gary King, Will Lee, Richard Tee, Ralph MacDonald, Hubert Laws, David Sanborn, Grover Washington, Jr., the Brecker Brothers, Michael and Randy, Jon Faddis, Eddie Daniels, and Mike Mainieri.
And that’s just the beginning.
There are six tracks on the album, but Bob only wrote two of them: the title track and “Night Crawler,” not to be confused with “Nite Crawler,” which Larry Carlton wrote for The Crusaders.
More on that later.
The other four tracks are what I consider to be the ultimate cover of Boz Scaggs’s “We’re All Alone,” “I’m in You” by Peter Frampton, Joe Cocker’s “You Are So Beautiful,” and a classical ballad by Henry Purcell: “One Loving Night.”
“One Loving Night” features recorder by George Marge and tenor sax by Grover Washington, Jr.

THE CRUSADERS – FREE AS THE WIND
Free as the Wind was the first Crusaders album without original member Wayne Henderson and the last album with Larry Carlton as a member.
Larry would appear as a guest on Standing Tall in 1981, which I showcased in the first episode, and The Good and Bad Times in 1986.
The rest of the Crusaders at the time were Joe Sample, Wilton Felder, Pops Popwell, and Stix Hooper.
Like Tequila Mockingbird, Free as the Wind contains eight tracks.
The title track leads it off, followed by “I Felt the Love,” which first appeared on Chain Reaction two years earlier.
After that, you have “The Way We Was,” a Pops Popwell composition with intermittent chatter, and the aforementioned unrelated “Nite Crawler,” which Larry would play on his eponymous solo album the next year.
Fifth on the album is “Feel It,” written by the entire band with a lyrical refrain by Lamont Dozier of Holland-Dozier-Holland fame, followed by the longest track – “Sweet N’ Sour,” and the shortest track – “River Rat.”
Free as the Wind closes with the Joe Sample ballad, “It Happens Everyday.”
Joe would re-record the song 20 years later on his solo album, Sample This.

PAT METHENY – WATERCOLORS
Pat Metheny Group debuted in 1978, as I shared in the second episode of Mike Chimeri’s Music Collection.
Pat’s solo offering in 1977, Watercolors, was like the group’s beta test.
75% of the band is here: Pat Metheny on guitars, Lyle Mays on piano, and Danny Gottlieb, now of the Lieutenant Dan Band, on drums.
Playing fretless bass on Watercolors was Eberhard Weber.
This is the third album in this episode thus far with eight tracks on it.
Two of them are a suite: “Florida Greeting Song” and “Legend of the Fountain.”
The title track leads off the album, followed by a solo guitar piece called “Icefire,” “Oasis,” a duet with Eberhard and with many layers of guitar.
The middle tracks are my favorites: “Lakes,” an exercise in chord progression, and “River Quay” (“key”).
After the two-part suite, Watercolors ends with the ten-minute “Sea Song.”

WEATHER REPORT – HEAVY WEATHER
The lone Weather Report album in my collection is the commercial smash, Heavy Weather.

That was as far as I got.

Episode 10: Best Ofs with New Tracks (incomplete)
Outline
Slideshow:

Episode 11: Collaborative Albums (incomplete)
Outline
Slideshow:

Episode 12: 11 Albums from 1987 (incomplete)
Outline

And with that, Mike Chimeri’s Music Collection is officially a thing of the past. It lives on through all that I’ve shared here.

I made a mere 68 cents in ad revenue while my YouTube channel was monetized. That’s $99.32 short of the point where I’d get paid.

Now, my channel will go back to its previous purpose: blizzard timelines, aircheck videos, and WCWP Hall of Fame Ceremony videos. Thank you to anyone that watched Mike Chimeri’s Music Collection. You’re in rarefied air.

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Lisa Hilton at Carnegie Hall’s Weill Recital Hall: 2018 edition January 14, 2018

Posted by Mike C. in Comedy, Jazz, Media, Music, Personal, Photography, Travel, TV, Weather.
4 comments

Previous Lisa Hilton recaps: June 2011January 2014January 2015, January 2016

Thursday night marked my first time at Carnegie Hall since I saw comic ventriloquist Jeff Dunham 15 months ago, and my first time seeing jazz pianist Lisa Hilton in two years. (I couldn’t make last year’s show.)

As with all Carnegie shows, I was not allowed to take pictures during the performance. That means I have to compensate by describing what I saw and photographing what happened before and after. That’s not a complaint; just an explanation.

Until my dad drove me to the Wantagh LIRR station at 4:40, it was a typical Thursday for me: grocery shopping, treadmill running, and YouTube and Netflix watching.

As I waited on the platform for the 4:59 Penn Station-bound train to arrive, I took a couple of pictures, the first ones taken on my iPhone X, a generous Christmas gift.

About 50 minutes later, I was at Penn Station, where I walked to the 34th Street subway station and took an uptown E train to 7th Avenue and West 53rd Street.

All but one of the remaining pictures in this post were taken on my Nikon D5500:

When I exited the train, I was greeted by the Ed Sullivan Theater, home to The Late Show with Stephen Colbert since September 2015. (David Letterman retired that May.)

I planned on eating dinner at Lindy’s, but was walking up Broadway when I should have been on 7th. So, I missed it.

I turned east at West 56th Street, but couldn’t find a restaurant I liked. I did take pictures along the way.

I turned north up 6th Avenue and then west at West 57th.

I figured I would try the Russian Tea Room:

The staff seated me at a booth, generously moving the table so I could get in. Unfortunately, there was nothing on the menu to my liking. I apologetically relayed that to the waiter and left. I felt embarrassed, but I’m sure you, the reader, feel I shouldn’t have been. At least I can say I’ve been to the Russian Tea Room.

I passed by Carnegie Hall’s Weill Recital Hall, where Lisa Hilton was to perform, and found a restaurant on 7th Avenue called 9Ten:

The atmosphere was great. Contemporary jazz was playing on the speakers through what I assume was Pandora. I recognized “Max-O-Man” by Fourplay, Eric Marienthal’s cover of “Work Song” by Cannonball Adderley (written by his brother Nat), “Slammin'” by Nick Colionne, and “Step On It” by Pieces of a Dream.

As I waited for my food, I took a selfie on my iPhone X:

The food was great: mozzarella sticks, Penne Bolognese, and vanilla and chocolate ice cream.

On my way back to Carnegie Hall, I could see Times Square to the south. The ball was still there, eleven nights after it dropped:

I walked in to the Weill Recital Hall at 7:07. I had to wait in the lobby for about 20 minutes until the hall doors were opened. I was the first to arrive, but within 15 minutes, the lobby was packed. I briefly heard Lisa Hilton and her band rehearsing.

A few minutes after the doors opened, my ticket was checked and I walked into the hall. As usual, my seat was front row center, though barely right-of-center.

As I waited for Lisa and the band to come out, I took a few pictures:

I should have taken a picture of the audience behind me. The turnout was big at the orchestra level where I was. They were ready for a great performance.

Lisa came on stage at 8:07, followed closely by J.D. Allen on tenor saxophone, Luques Curtis on upright bass, and Rudy Royston on drums.

Most of the songs in the set list were from Lisa’s Escapism album, which she composed music for between April and July, and released on December 1. Thursday night was the first time the music of Escapism was performed live. Weill Recital Hall doesn’t have a sound system, so the instruments relied on the acoustics of the hall for amplification. I couldn’t tell. It sounded great; it always does.

1/17 UPDATE: Lisa posted a few of Justin Bettman’s pictures from the set to her Facebook page:

I’m in the center, to the left of J.D.:

Talking to the audience between songs:

The set was about an hour and contained the following songs:
1.
Hot Summer Samba
2. Meltdown (also on Sunny Day Theory, 2008; and Nuance, 2010)
3. Zero Gravity
4. Too Hot (not a cover of Kool & the Gang)
5. 29 Palms
6. Mojave Moon
7. Waterfall (from Cocktails at Eight, 2000)
8. A Spark in the Night (from Nocturnal and Day & Night, 2016)
9. So This is Love (from My Favorite Things, 2005; Sunny Day Theory, 2008; Nuance, 2010; and Day & Night, 2016)
10 (Encore). Seduction (from Seduction, 1997; Cocktails at Eight, 2000; My Favorite Things, 2005; and The New York Sessions, 2007)

J.D. didn’t play on “Meltdown” or “29 Palms.” He had a solo at the end of “Seduction,” which was otherwise performed as a trio. “Waterfall” was a solo piano piece, considering its origin on Cocktails at Eight, a solo piano album.

“Hot Summer Samba” was reminiscent of “Tequila” by The Champs. “Too Hot” was inspired by a trip to New Zealand in extreme heat. “Zero Gravity” brought to mind astronauts floating aboard a space shuttle. “Waterfall” initially had a Celtic feel, but then tensed up. Two years later, I still think “A Spark in the Night” had a Latin feel. Specifically, it reminded me of drummer John Favicchia‘s “Kukuc,” but at a slower tempo. That might be why “Spark” was my favorite song in the set.

I caught up with Lisa afterward, and then got to meet J.D. Allen and Luques Curtis. We all posed for a picture:

I put my coat and backpack on and left. I impatiently opted for the stairs over the elevator, then briskly walked north and west to the 59th Street-Columbus Circle subway station.

The station is adjacent to the Time Warner Center, home to CNN’s New York bureau:

As you can see, I arrived just as the downtown 1 train arrived. I boarded it and put my camera away for the night.

Thanks to Lisa, J.D., Luques, and Rudy for a great hour of music in the Weill Recital Hall. I hope to be back next year.

January 4 blizzard, January 5 aftermath January 5, 2018

Posted by Mike C. in News, Personal, Photography, Weather.
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There had been a few brushes with snow in the last days of fall and the first days of winter, but the first major storm barreled through Long Island yesterday.

The initial forecast didn’t call for more than a few inches, but as I expected, the accumulation prediction went up as the storm approached. Nassau County also ended up in the blizzard conditions that were originally supposed to stay in Suffolk, particularly central and eastern Suffolk.

My plan was to wait for the snow to end before shoveling it. Until then, I periodically took pictures outside my bedroom window.

I took the first picture at 8:25 AM, about two hours after I woke up:

9:41 AM:

11:52 AM:

2:07 PM:

4:06 PM:

An hour later, the last snowflake had fallen from the sky, but snow continued to blow off roofs, trees, and cars as winds gusted above 40 mph.

6:38 PM, before shoveling:

After shoveling the front porch, I stuck an 18-inch ruler into an area with flat accumulation; no drifts. I measured 13 inches of snow on the ground.

8:06 PM, after giving up shoveling until morning:

I felt guilty for giving up so soon, but I just didn’t have the stamina to go on. I went inside, watched The Big Bang Theory, played a couple of games on my Nintendo 3DS, and went to sleep.

I figure I got eight hours of sleep and was half-asleep thinking of shoveling for an hour. Finally, around 7AM, I bundled up and finished what I started. My dad had to leave for work, so he came out to help. My mom followed after that, but she wasn’t out for long. Dad went inside to get ready for work, then he came back out to drive there. I finished on my own for 45 minutes.

I took this picture at 9:18 AM, after grabbing my camera to shoot outside:

…where the rest of the pictures were:

There will be more winter storms this season, and I’ll post about them afterward. Until the next one.

Smooth Jazz for Scholars 2018 dates/lineup January 5, 2018

Posted by Mike C. in Jazz, Music, Personal.
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Keyboardist Jay Rowe has announced the dates and lineup for this year’s Smooth Jazz for Scholars benefit concert series. The announcement came yesterday on Facebook:

Tickets for this year’s 16th annual Smooth Jazz for Scholars benefit concerts are on sale now!! This year’s shows will be held on Friday 4/27/18 and Saturday 4/28/18. The shows will be held at the Veterans Memorial Auditorium at the Parson’s Complex 70 West River Street Milford, CT. 06460. Doors open at 7p.m. showtime is at 8 p.m. This year’s artist line-up on Friday 4/27/18 is David Benoit, Marc Antoine and Marion Meadows. The artist line-up on Saturday 4/28/18 is Paul Taylor, Nelson Rangell, Jessy J and Matt Marshak. Tickets are $40 each for 1 night and $70 for both nights. Tickets can be purchased by sending a check or money order payable to Smooth Jazz For Scholars Inc. to P.O. Box 3723 Milford, CT. 06460. The first 250 seats are reserved seating first come first served. The rest are general admission seating. For additional info call (203)874-4150 or (203)415-8878 or go to jayrowemusic.com. Thanks!!

It’s the 16th Smooth Jazz for Scholars, and the 12th I will have attended.

I’ve been dreaming of David Benoit and Jessy J performing at SJFS for years. That dream has come true. David will be there on the first night while Jessy will be there on the second night. I just saw David last month at the Dave Koz 20th Anniversary Christmas Tour stop at the Tilles Center, but I haven’t seen Jessy since she performed at the Iridium six years ago. Jay was part of her band, as was guitarist Rohn Lawrence. I don’t know if he’ll be at either night, but it would be nice.

Matt Marshak is back for the second time in three years, the same night as Nelson Rangell. I keep envisioning him playing with Nelson on “Sonora.” Will that happen? We’ll see.

Paul Taylor hasn’t been at SJFS since 2012, one month before I transitioned to DSLR cameras.

Marc Antoine was last at SJFS in 2015, but I wasn’t there. SJFS conflicted with the WCWP Hall of Fame Ceremony in 2015 and ’16. I went straight from Milford to Tilles for the ceremony in ’15, but opted not to go in ’16. (Sorry, Joe Honerkamp.) Thankfully, the ceremony has not conflicted since. In fact, this year’s ceremony is the following Saturday, on May 5.

Friday, April 27
David Benoit
Marc Antoine
Marion Meadows

Saturday, April 28
Paul Taylor
Nelson Rangell
Jessy J
Matt Marshak

Location:
Veterans Memorial Auditorium in the Parsons Government Center
70 W. River St.
Milford, CT 06460

Tickets: $40 for one night, $70 for both nights

Reserved seating tickets can be purchased by check (like I will) or money order payable to:
Smooth Jazz for Scholars, Inc.
P.O. Box 3723
Milford, CT 06460

For questions or additional assistance, call:
(203) 874-4150
(203) 415-8878
or go to: jayrowemusic.com

I leave you with recaps of the first and second nights of the 15th annual Smooth Jazz for Scholars.

Audiobooking 4 December 12, 2017

Posted by Mike C. in Audio, Audiobooks, Comedy, Country, Film, Game Shows, History, Internet, Media, Music, News, Personal, Politics, Radio, Technology, Theatre, TV.
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Here is a list of all the audiobooks I’ve listened to in the 51 weeks since my previous “audiobooking” post:

These audiobooks got me through workouts, bedtime, long walks, and boredom.

In the case of Ron Perlman’s book, I found out after the “Legacy” chapter that Ron is politically active on social media. But I digress.

While I was obsessed with Game Show Network (now GSN) in the early 2000s, I saw plenty of Bill Anderson on Goodson-Todman game shows like Match Game and Password Plus. So, it was nice to be reacquainted with him and introduced to his music.

When you read a book, you don’t hear the tone and inflection that the author had in mind. Listening to Shelly Peiken read Confessions of a Serial Songwriter put what her words I read 16 months earlier into perspective.

Next year’s post will be #5, but will not mark five years of regularly listening to audiobooks. That milestone comes in a year and a half. In the meantime, I hope I’ve inspired you to give the above audiobooks a chance. Happy listening.

Dave Koz 20th Anniversary Christmas Tour at Tilles Center December 4, 2017

Posted by Mike C. in Baseball, Comedy, Education, Football, Internet, Jazz, Music, Personal, Photography, Radio, Sports, Travel, TV.
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Saturday night, my friend Lori Downing and I saw the Dave Koz 20th Anniversary Christmas Tour at the Tilles Center for the Performing Arts on the campus of my college alma mater, LIU Post. Saxophonist Dave Koz’s friends are guitarist Peter White, horn player Rick Braun, pianist David Benoit, and singer Selina Albright, daughter of saxophonist Gerald Albright. (She plays the sax, too.) The rest of the band was made up of music director Randy Jacobs on guitar, Brian Simpson on keyboards, Nathaniel Kearney Jr. on bass, and Jay Williams on drums.

There are 149 pictures waiting below, but first, the backstory.

This was my first time at Tilles for something not involving WCWP since July 2009 when I saw John Tesh perform. It was also my first concert since Smooth Jazz for Scholars in May. Rick Braun was there for the first night.

I have been meaning to see Dave in concert for almost 11 years. My dad bought tickets to Dave’s Valentine’s Day show at Best Buy Theater in Manhattan in 2007, but an ice storm kept us from going. Four Februarys later, I had another opportunity to see Dave at the same theater with my friend, and loyal Dave Koz fan, Kelly Dacey. Unfortunately, plans came up for her and I missed out again.

For four years in a row, I saw Peter White Christmas – a spin-off of sorts of Dave’s Christmas tour featuring Peter and Rick Braun, along with saxophonist Mindi Abair – at the defunct IMAC (Inter-Media Art Center) in Huntington. (Here’s my recap of my fourth year.)

This year, to use a cliche, Dave got the band back together to mark the 20th anniversary of his tour. The inaugural tour coincided with his first Christmas album, December Makes Me Feel This Way. With Peter, Rick, and David Benoit, whom I hadn’t seen perform since five days before Hurricane Sandy, on board, I felt compelled to finally see Dave in concert. When I noticed in early September that the tour was coming to the Tilles Center on December 2, I immediately bought two tickets, inviting my friend Lori Downing to come with me. I picked those tickets up at Tilles’s Will Call booth on October 13, following my WCWP Homecoming Weekend show.

I was anxious in the days leading up to Dave’s show, worried that something would go wrong. Thankfully, nothing did.

Until Lori picked me up around 6:30 PM, it was a typical Saturday for me. I exercised, ran on the treadmill, went grocery shopping with my friend Rob Leeds, and watched NCAA Division I FBS (Football Bowl Subdivision) conference championship games.

I guided Lori from my house to LIU Post, going the route I’ve known for 18 years of my life: the Seaford-Oyster Bay Expressway (NY 135) north, the Long Island Expressway (I-495) west, NY 106/107 north, breaking off into 107 north, Northern Boulevard (NY 25A) west, and the west entrance to LIU Post. I usually went in the east entrance to be let off at Post Hall (where the Academic Resource Center was) or WCWP, but I directed her to the other one since we were going to Tilles.

We arrived just after 7PM, but had to wait a half hour for the concert hall doors to open.

Our tickets were for row JJ, which I affectionately called the Uecker seats, a reference to an infamous Miller Lite commercial from 1984, starring Hall of Fame baseball player and broadcaster Bob Uecker, a spokesman for Miller beer at the time:

Our seats weren’t that high. The view of the stage was great (and less filling). It still helped to have my 55-300 mm lens for the pictures I was about to take.

The show began at 8:08 when David Benoit, offstage, announced: “Ladies and gentlemen, please welcome your host for the evening, Dave Koz!”

“New York, make some noise!

Before you see the rest of the pictures, I present the set list:
1. Opening Medley: Winter Wonderland/Happy Holiday/The Most Wonderful Time of the Year/Angels We Have Heard On High/Sleigh Ride
Dave Koz – lead vocals on “Happy Holiday”
Dave’s saxophone: tenor

2. Let It Snow
Dave’s saxophone: tenor

3. Little Drummer Boy
Can be heard on: December Makes Me Feel This Way (1997), A Smooth Jazz Christmas (2001)
Dave’s saxophone: soprano

4. I’ve Got My Love to Keep Me Warm
Dave’s saxophone: tenor
Selina Albright – lead vocals
Rick Braun, trombone

5. The Christmas Song
Dave’s saxophone: tenor
Selina Albright – lead vocals

6. Santa Claus is Coming to Town
Dave’s saxophone: tenor
Selina Albright – lead vocals
Peter White, Rick Braun – background vocals
Peter White – spoken verse
Randy Jacobs – electric guitar solo

7. White Christmas
Can be heard on: December Makes Me Feel This Way (1997)
Dave Koz only
Dave’s saxophone: alto

8. Together Again (Dave Koz)
Originally heard on: The Dance (1999)
Dave Koz/David Benoit
Dave’s saxophone: soprano

9. Possible (Selina Albright)
Originally heard on: Conversations (2017)
Selina Albright only

10. Everything is Alright (Rick Braun)
Originally heard on: Around the Horn (2017)
Rick Braun/Dave Koz/Peter White
Dave’s saxophone: tenor
Rick Braun – lead vocals
Randy Jacobs, Nathaniel Kearney Jr., Peter White, Dave Koz – background vocals
Randy Jacobs – electric guitar solo
Brian Simpson – piano, dance solo
Jay Williams – drum solo
Rick prompted the audience to sing the “hey, hey, pretty mama” line.

11. Do I Do/Promenade (Peter White)
Originally heard onGroovin’ (2016)/Promenade (1993)
Peter White/Dave Koz/Rick Braun
Dave’s saxophone: alto

12. The Music of Charlie Brown: Christmas is Coming*/Skating**/Christmas Time is Here***/Linus and Lucy**** (David Benoit)
David performs these songs on:
* – Remembering Christmas (1996), 40 Years: A Charlie Brown Christmas (2005), Believe (2015) (part of “Guaraldi Medley”)
** – Remembering Christmas (1996)
*** – Christmastime (1983); Remembering Christmas (1996), Here’s to You, Charlie Brown: 50 Great Years! (2000)
**** – This Side Up (1985); Happy Anniversary, Charlie Brown (1989); Here’s to You, Charlie Brown: 50 Great Years! (2000)
Dave’s saxophone: soprano on “Christmas Time is Here,” tenor on “Linus and Lucy”
Selina Albright – vocals on “Christmas Time is Here,” vocalese on “Linus and Lucy”

INTERMISSION

13. Hark! The Herald Angels We Have Heard On High (Medley) (Dave Koz & Friends)
Originally heard on20th Anniversary Christmas (2017)
Dave’s saxophone: soprano

14. Silent Night
Can be heard on: 20th Anniversary Christmas (2017)
Selina Albright, end verse vocals
Dave’s saxophone: soprano

15. Feliz Navidad
Can be heard on: 20th Anniversary Christmas (2017)
Selina Albright – lead vocals
Dave Koz, Rick Braun – background vocals
Dave’s saxophone: soprano

16. Joy to the Wonderful World (Medley) (Dave Koz & Friends)
Originally heard on20th Anniversary Christmas (2017)
Dave’s saxophone: alto
In a year where Lori and I went to the Louis Armstrong House and Museum, and 50 years since “What a Wonderful World” was recorded, this song warmed our hearts.

17. Have Yourself a Merry Little Christmas
Selina Albright – lead vocals
Dave’s saxophone: soprano

18. The Hanukkah Song/Eight Candles (A Song for Hanukkah) (Dave Koz)
“Eight Candles” originally heard onDecember Makes Me Feel This Way (1997), A Smooth Jazz Christmas (2001)
Dave Koz/Peter White/Rick Braun
Dave Koz – lead vocal on “The Hanukkah Song”
Peter White – accordion on “Eight Candles”
Rick Braun – trombone on “Eight Candles”
Dave’s saxophone on “Eight Candles”: soprano

19. Every Step of the Way/Kei’s Song Redux/Freedom at Midnight (David Benoit)
Originally heard onEvery Step of the Way (1988)/Conversation (2012)/Freedom at Midnight (1987)
Dave’s saxophone on “Freedom at Midnight”: tenor

20. Bueno Funk (Peter White)
Originally heard on: Glow, 2001
Peter White/Dave Koz/Rick Braun
Jay Williams – drum solo
Dave’s saxophone: tenor

21. Grazing in the Grass (Rick Braun)
Originally heard on: Shake It Up (with Boney James) (2000); Sessions, Volume 1 (2006)
Rick Braun/Dave Koz/Peter White
Mid-song vocal medley: Groovin’/Just My Imagination/Shotgun/Soulful Strut (instrumental)
Dave’s saxophone: tenor

22. You Make Me Smile (Dave Koz)
Originally heard on: Lucky Man (1993)
Nathaniel Kearney Jr. – bass solo
Rick Braun – trombone
Dave’s saxophone: soprano

23 (Encore). Celebrate Me Home
Part of “The Home Medley” on 20th Anniversary Christmas (2017)
Dave Koz, Selina Albright – lead vocals
Rick Braun, Peter White – background vocals
Everyone, even the audience, joined in on vocals at the end
Dave’s saxophone: alto

Now, the rest of the pictures. We start with Dave Koz on tenor sax:

Soprano sax:

And alto sax:

Peter White:

Peter played accordion on “Eight Candles”:

Rick Braun:

I never knew Rick played trombone until Saturday night:

Marching back and forth during the “Eight Candles” refrain:

David Benoit:

The “Linus and Lucy” solo, complete with Charlie Brown’s Christmas tree:

Selina Albright:

Randy Jacobs:

Brian Simpson:

Nathaniel Kearney Jr.:

Jay Williams’ “Bueno Funk” solo:

On to wide shots, starting with the opening medley:

“Santa Claus is Coming to Town”:

“Together Again”:

“Everything is Alright”:

…which featured a dance solo by Brian Simpson, accompanied by drummer Jay Williams:

“Promenade”:

“Linus and Lucy”:

“Hark! The Herald Angels We Have Heard On High (Medley)”:

“Silent Night”:

“Feliz Navidad”:

“Joy to the Wonderful World (Medley)”:

“Eight Candles”:

“Freedom at Midnight”:

“Bueno Funk” began in the audience:

The James Bond routine:

After Selina put the sunglasses on, Peter played a wolf whistle riff, which made me chuckle.

“Grazing in the Grass”:

“You Make Me Smile”:

Finally, the encore: “Celebrate Me Home”:

Dave had everyone pose for a picture – albeit, a small one – posted to Facebook and Instagram:

Here’s how it looked:

“… God bless you, Happy Holidays, good night!”:

About an hour after the band left the stage, there was a meet and greet in the Tilles Center’s Herbert and Dolores Goldsmith Atrium, which has hosted the annual WCWP Hall of Fame Ceremony since the first class was inducted in 2012. Coincidentally, I was wearing the same shirt that I wore at this year’s ceremony. Rick was the first musician Lori and I met and greeted while we were in line for Dave, Peter, and Selina:

Then, at the table, I caught up with Peter, and introduced myself to Selina and Dave. I told Dave that Kelly Dacey said hello. He appreciated that and asked what she’s up to these days. I told him. 15 minutes later, after the autograph portion of the meet-and-greet was over, I posed for a picture:

As we were posing, Dave said it was great to meet him. Through my posed smile, I said “likewise.” Selina got a kick out of that, which led me to quip “I’m a regular Jeff Dunham.”

Then, Lori joined us:

I told Dave about how we’d been to the Louis Armstrong House and Museum earlier this year and how special it was to hear “What a Wonderful World” following the trip.

After that, Lori and I packed our things and left the building, but not the campus. First, I wanted to show Lori around WCWP; or at least, since the door was locked, the exterior of the Abrams Communication Center that’s been home to it since its switch to FM in March 1965. (It began as a carrier current station in October 1961.) She was fascinated.

The clock struck midnight as Lori and I drove back to our homes. It had been a fantastic five hours on the campus of LIU Post and its Tilles Center for the Performing Arts. I had a blast! It was great to meet Dave and Selina for the first time and see Peter and Rick again. I spoke to David on Facebook on Sunday, letting him known how things went for me, complimenting him and the band, and wishing them all luck on the rest of the Dave Koz 20th Anniversary Christmas Tour.

Merry Christmas to all that observe it and Happy Hanukkah to me, Dave, and our Jewish friends and family.

P.S. As I finish this post, I’m at the end of my 302-song iTunes instrumental Christmas music playlist, which I started listening to on November 9. Okay, let’s take it from the top!

2017 LIU Post & WCWP Homecoming, 2018 Hall of Fame Announcement October 16, 2017

Posted by Mike C. in Airchecks, Audio, Football, Interviews, Jazz, Media, Music, Personal, Photography, Radio, Sports, Travel, Video, Weather.
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Earlier recaps: 2008, 2009, WCWP 50th Anniversary (2011), 2012, 2013, 2014, 2015, 2016

Later in this recap, I share airchecks from my pre-recorded Homecoming Weekend show that aired early yesterday morning. To see and hear my live show on Friday, along with other photos and audio from the three hours that followed my show, click here.

I didn’t arrive at LIU Post until 1:20 on Saturday afternoon, but I was already there in the form of voiceovers I recorded for Pete Bellotti’s WCWP Homecoming Weekend show prior to the Post Pioneers’ Homecoming game against the Southern Connecticut State Owls. As with my show yesterday, my VO garnered rave reviews from my fellow alumni when I arrived at the Abrams Communications Building. Pete Bellotti led the praise followed by John Commins, Bill Mozer, and Jay Mirabile, who ran the board during Pete’s show.

My segments, along with any references Pete and Jay made to me, can be heard here:

The “smooth jazz”/”Weather Channel music” bed they played was “Shakin’ the Shack” by Dave Koz on Lucky Man (1993), his second album.

After putting down my equipment and posing for two pictures, which you’ll see later, I made my way to Bethpage Federal Credit Union Stadium to take some pictures.

Skies were partly to mostly cloudy while the air was warm, especially when the sun peaked through, and humid.

As you can see, the press box is vacant:

I didn’t realize that there was a new press box. That’s where Jeff Kroll and Neil Marks called the game. Joel Feltman was the field reporter.

Shortly after I left the field, the Pioneers scored a touchdown. With the extra point, they led Southern 21-7.

On the way back, I stopped in the campus bookstore in Hillwood Commons and bought an LIU Post polo shirt, which I changed into at WCWP.

Bill Mozer wrote a familiar phrase on the whiteboard in Studio 3:

The next two pictures were taken before the field trip and shirt purchase, starting with Pete Bellotti:

Next, Jay Mirabile:

I had Bill Mozer take a picture of me in my new shirt:

Then, I took one of him:

John Zoni was the studio update reporter for the Homecoming game:

He provided those updates at halftime:

The Pioneers would go on to win 52-35. The Owls got within a touchdown twice, but Post hung on.

As always, Bernie Bernard, who earned her doctorate in theology the week before, followed the game:

As you can see, Grandfather Rock Chris MacIntosh dropped by:

For 36 years and counting, Chris has hosted Rock N Soul Gospel on WCWP.

At 5:00, the WCWP Alumni Barbecue began, and the 2018 inductees to the WCWP Hall of Fame were announced by Ted David.

Before the announcement, he posed with Chris:

The 2018 inductees are Muffet Provost, John Commins, and Pat Kroll (née Champion). Chris MacIntosh will receive the inaugural WCWP Lifetime Achievement Award. It will be for those that have worked at the station, but did not attend LIU Post.

Scenes from the announcement:

Ted David requested I take pictures of the inductees outside.

We started with John Commins and Pat Kroll:

John and Pat with Ted (a 2014 inductee):

John, Pat, and Chris MacIntosh:

John, Dr. Bernie Bernard (2013 inductee), Chris, Pat:

Then, Ted suggested I get in a few shots, starting with John:

John, me, Pat and Jeff Kroll:

The station transmitter:

Bobby Guthenberg, a.k.a. Bobby G., suggested I take a few pictures of John Commins and Bruce and Tamara Leonard, who had shows at 10PM and midnight, respectively. I took these in Studio 1:

John also asked for a picture with his wife Marilyn:

The WCWP sign in Studio 2:

Later in Bernie’s show, she interviewed May Pang, former secretary to John Lennon and Yoko Ono:

May will be appearing at the Heritage Trust Building on November 10 for An Evening with May Pang: Loving John Lennon. More information can be found here.

A shot from Bernie’s last aircheck, which featured (from right to left) Mike Riccio, Bobby G., and Alan Seltzer:

Prior to the picture, she interviewed WCWP alumna Fran Fried, whose appearance on Jeopardy! airs tomorrow.

Bernie then gave way to the aforementioned Mike and Bobby:

They interviewed me during their third aircheck. Here’s a vidcap:

After this, I edited photos, airchecks, video, and this post all on my laptop in Studio 3. I edited more yesterday. Conversation abound behind me and I soaked it all in. I also listened on the boombox as Mike and Bobby G.’s show continued in Studio 2.

Watch the finished video, with three airchecks each from Bernie’s and Mike and Bobby’s shows, below:

The middle aircheck from Bernie’s show is the Hall of Fame announcement. The video was monetized by Universal Music Group because of the beginning of “Pinball Wizard” during Mike and Bobby’s first aircheck. Thanks to UMG for not making me remove the song.

I always enjoy catching up with my fellow alumni and meeting new people, like Joan Yonke, the Director of Employee and Alumni Engagement at LIU Post. She told me that she saw my recap of last year’s Homecoming recap when she was researching the position, which she began in July.

Congratulations to Chris MacIntosh on his WCWP Lifetime Achievement Award, and to 2018 WCWP Hall of Fame inductees Muffet Provost, John Commins, and Pat Champion Kroll.

Until next year, I’ll leave you with airchecks from my pre-recorded Instrumental Invasion with Mike Chimeri that aired at 4AM yesterday, preceded by the end of Bruce and Tamara Leonard’s live! midnight to 4AM show:

I recorded the show on September 21, but put the songs and liners in my Adobe Audition multitrack session the day before.

Here are the transitions between songs:

And the playlist.

The 40th anniversary Homecoming Weekend concluded with Jeff Kroll at midnight last night. Here’s how he signed off:

2017 WCWP Homecoming Weekend, first five hours October 14, 2017

Posted by Mike C. in Airchecks, Audio, Education, Internet, Jazz, Media, Music, Personal, Photography, Radio, Video, Video Games.
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For the third year in a row, I led off the 60-hour Homecoming Weekend block of alumni-hosted shows on WCWP, LIU Post’s campus radio station. Instrumental Invasion with Mike Chimeri kicked off the festivities yesterday at noon.

The Homecoming Weekend block began in December 1977 as Oldtimers’ Weekend. Here is a flyer made for the inaugural block:
OldtimersWeekendFlyer

And here’s the press release.

The block would move to the weekend of homecoming the following year, but wouldn’t be called Homecoming Weekend until 1980.

Back in the present, my mother drove me up to LIU Post at 8:10 AM. I arrived at LIU Post about a half hour later.

Three hours remained until my show. I passed the time by setting up in Studio 2, browsing the web in Studio 3 (which is as an editing room and classroom) on my laptop – which I brought to edit the airchecks audio and video after my show – and played a word search in a Nintendo 3DS game called Crosswords Plus.

Along the way, fellow alumni Jeff and Pat Kroll arrived, as did Joel Feltman.

Eventually, noon came and I was on the air. While my first song – “Happy Hour” by the recently departed Chuck Loeb – was playing, I took some pictures:

An hour into the show, I had Pat Kroll take a picture of me:

Ted David, who came on after my show, listened to me on his drive up to the station. He was very complimentary of every facet of my show, especially my music selections and delivery. He repeated those compliments early in his show. After spotting my camera, he took this picture of me:

Ted’s right. This was a great show. From my perspective, it was nearly flawless. The only mistake was having the CD 1 pot (potentiometer) down at the start of “One More Time” by Herman Jackson. Here is how I looked and sounded during the airchecks:

Thanks to Shanachie for not penalizing me for the excerpt of “Stratosphere” by Najee. They claimed the copyright on the video and are getting revenue. I thank them for the joy their artists provide me.

11:45 AM UPDATE: I just noticed that my camcorder swayed back and forth on the tripod while recording. I hope it doesn’t give any viewers motion sickness.

10/17/17 UPDATE: I have since acquired an alternate recording of the show via internet stream. The constant tone from my FM tuner recording in the above video is gone. Here is how the airchecks sounded on the stream:

I mentioned during the show that David Benoit hosts a show on an 88.1 FM in Long Beach, California, but neglected to elaborate. The call letters are KKJZ-FM and it’s known as KJazz 88.1 FM. Like WCWP, it emanates from a college campus: Long Beach State. David’s show airs weekdays from 8AM to noon Pacific (11AM to 3PM Eastern).

Here’s how the transitions between songs during the show sounded (10/17/17 UPDATE: Also via the stream):

And here’s the playlist.

As I noted Ted David followed my show:

As I further noted, Ted complimented me during his show:

Thank you, Ted, not only for the compliments, but for the aircheck.

Ted then gave way to Pat Kroll:

Pat had me take a posed shot:

Then, I took a pic of Pat and Jeff:

Next door in Studio 3, I asked Bruce and Tamara Leonard to pose for a pic:

Then, Bruce had me pose with Tamara:

And before I left for home, a shot of Ted David and Joel Feltman:

It’s 8:05 AM as I post this. I’m headed back up to LIU Post this afternoon for Homecoming, the WCWP Alumni Barbecue and the announcement of the 2018 class of the WCWP Hall of Fame. I should have a recap of the day up by Monday.

Two shows on WCWP this weekend October 10, 2017

Posted by Mike C. in Education, Internet, Jazz, Media, Music, Personal, Radio, Sports.
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The WCWP Homecoming Weekend is just three days away. For the third year in a row, I lead off the 60-hour block of alumni-hosted programming on 88.1 FM and WCWP.org.

Instrumental Invasion with Mike Chimeri airs live Friday at noon Eastern with music from albums released in the last three years. The show begins with a four-song tribute to guitarist Chuck Loeb, who passed away from cancer on July 31. You’ll also hear Jay Rowe, Pieces of a Dream, Peter White, Will Donato, and many more.

Also for the third year in a row, I recorded a separate Instrumental Invasion that will air on Sunday at 4AM Eastern. This year is the 40th anniversary of Homecoming Weekend, originally known as Oldtimers Weekend. So, the show will feature songs in five-year increments from 1977 to 2017. Expect to hear Spyro Gyra, David Benoit, Norman Brown, Brian Simpson, and a host of others.

Both shows can be heard locally at 88.1 FM and worldwide at WCWP.org and on the TuneIn app.

In between shows, I’ll be at LIU Post Homecoming on Saturday afternoon and evening. Most of my day will be spent at the Abrams Communications Building, home to WCWP, but I will briefly walk to Bethpage Federal Credit Union Stadium to check in on the Post Pioneers‘ homecoming football game against Southern Connecticut State University, or Southern for short. My friend Kelly occasionally attends jazz concerts at Southern’s John Lyman Center. As for the game, the Pioneers need to win to avoid their third loss in a row following a 3-0 start.

Before the game, you can hear me on Pete Bellotti’s show, which starts at 11AM Eastern. I recorded voice over and a segment where I share my fondest memories of my time at WCWP.

Around 5PM, during Bernie Bernard’s show, the 2018 inductees to the WCWP Hall of Fame will be announced.

I hope you’ll be listening to WCWP all Homecoming Weekend long, or as long as you can. I’m honored to be the leadoff hitter for the third year in a row. And once again, Jeff Kroll wraps up the weekend Sunday at 10PM Eastern.

My experience at Day 1 of 2017 New York Comic Con October 6, 2017

Posted by Mike C. in Animation, Art, Comedy, Internet, Interviews, Media, Personal, Photography, Technology, Travel, TV, Video, Video Games, Weather.
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Previous New York Comic Con recaps: 2012 Day 2, 2014 Day 1

Yesterday, I was at the first day of the 2017 New York Comic Con, held annually at the Javits Center in the Midtown West section of Manhattan. It was my third trip to NYCC.

I almost didn’t go this year. When I planned on buying a badge (ticket) in June, I learned that fan verification was required. Unfortunately, fan verification was closed. Luckily, last month, I learned on the website that verification was open again. So, I immediately got verified and bought a badge for Day 1.

I woke up at 6:20 yesterday morning. I looked out my window and saw a picturesque sky. I took a couple of shots of it, without and with flash:

After that, I put my camera in my backpack, where it stayed for a few hours.

In between, my mother drove me to the Wantagh LIRR (Long Island Rail Road) station at 8:40. Nine minutes later, I was on a train bound for Penn Station.

50 minutes later, I exited Penn and walked to the Javits Center. Those that had a badge, including me, were directed to the green entrance via West 39th Street, five blocks north of where I’d been walking.

I made my way down to Level 1 to meet five voice actors and get professional photo ops with four of them.

First up was Tara Strong:

As you can see, I wore my Northern Trust golf tournament shirt. I got it back on August 27, after walking Glen Oaks Club in Old Westbury to see the final round.

After Tara, it was on to Rob Paulsen:

Rob is a throat cancer survivor (knock on wood), having battled it last year.

Tress MacNeille:

Jim Cummings:

And finally, Jess Harnell:

When I noticed Jess had his sunglasses on, I put my glasses on:

In all, I spent about four hours in five lines. It was a thrill to meet and chat with them all. I won’t get into the details of our brief conversations, but they were all very nice. Jess even gave me a hug.

I also enjoyed chatting with fellow fans – like Kelly, Sierra, Dave, and a few others whose names I didn’t get – while waiting in line. There was even a woman ahead of me on the Jess Harnell line who was not only dressed as one of his characters – Cedric from Sofia the First – but her name is Jess Warner! Her first name was the same as his, and her last name was the same as his Animaniacs character Wakko Warner. More on that below.

Afterward, I headed to the Epic Photo Ops area for a pair of professional photo ops. Since I had just met the actors at their autograph tables, there was a familiarity in the booth. It was like visiting old friends.

Jim Cummings suggested we “look intrepid”:

I love the outcome.

The second photo op was with Rob, Tress, and Jess, the stars of Animaniacs:

They were the Warner siblings: Yakko, voiced by Rob, Wakko, by Jess (as I noticed before), and Dot, by Tress.

All that remained was to walk the show floor on Level 3. But first, a few shots taken in the lobby on Level 2 after entering around 10:15:

The show floor:

I mostly focused on the video game developers section, as you’ll see below.

The next six pictures were taken in the morning:

I took this in the afternoon:

It was a fun day, but I was ready to head home. I left satisfied.

I walked south on 11th Avenue until I reached West 34th Street, where I alternated between walking and running, hoping to make the 4:12 train back to Wantagh. I did, with time to spare.

Thank you to Tara Strong, Jim Cummings, Rob Paulsen, Tress MacNeille, and Jess Harnell. As I said, it was a pleasure to meet and chat with you all.

I’ll conclude this post with a picture of my program and badge:

10:25 PM UPDATE: While searching in vain on YouTube for video of the I Know That Voice: The Series panel that took place at 5:30, shortly after I got home, I found this interview of Jim Cummings:

10/7 UPDATE: The only video I could find of the aforementioned panel was this:

The video stops before the Q&A portion.