David Benoit at My Father’s Place June 17, 2019

Posted by Mike C. in Comedy, Internet, Jazz, Media, Music, Personal, Photography, Travel, TV, Weather.
add a comment

Friday night marked my second time in My Father’s Place at The Roslyn Hotel. The first time in March was to see The Rippingtons. This time, I saw one of the musicians from their first album: David Benoit. I saw David as part of Dave Koz’s 20th Anniversary Christmas Tour in December 2017 and at Smooth Jazz for Scholars in April 2018, but hadn’t seen him solo since October 2012, five days before Hurricane Sandy, at The Iridium. Furthermore, it was the first time I’d seen David on Long Island since his Christmas show at IMAC in December 2008, my last time there before it closed the following June.

I arrived at My Father’s Place at 6:30, entering from The Roslyn Hotel lobby and taking the elevator down to the lower level where it and 1221 at MFP are situated. The hostess recommended a table in the center. Considering the way the piano, bass, and drums were arranged, I opted for that table. I ate a cheeseburger and french fries, then waited for 8:00 to come.

Once again, there was an opening comedy act: Sherry Davey:

I was familiar with Sherry’s work, having seen her on an episode of NickMom Night Out, a signature show when Nick Jr. aired a late night programming block for adults. Sherry lives in nearby Port Washington and she incorporated many local references into her set. She also talked about getting remarried, online dating, millennials, her daughters, her nephew, her parents, and living with heart disease. I noticed in her website bio that one of her daughters is autistic. I’m on the spectrum myself, diagnosed with Asperger Syndrome 20 years ago. That could be why I’m so passionate about the music of David Benoit and other artists that I’m into.

After 20 minutes, Sherry’s set was over and it was time for the David Benoit Trio.

David led the trio on piano…:

…with Roberto Vally on bass:

…and Merrick native Dan Schnelle on drums:

Including the encore, the set ran 73 minutes. Here’s what they played:
1. Every Step of the Way
Originally heard on: Every Step of the Way (1988), The Steinway Sessions (2017)

2. Só Danço Samba
Originally heard on: So Nice! (with Marc Antoine) (2017)

3. Sienna Step
Originally heard on: David Benoit and Friends (coming later in 2019)

4. Vernazza
Originally heard on: David Benoit and Friends (coming later in 2019)

5. Kei’s Song
Originally heard on: Freedom at Midnight (1987), Conversation (2012) (as “Kei’s Song Redux”), The Steinway Sessions (2017)

6. Waiting for Spring
Originally heard on: Waiting for Spring (1989)

7. Dad’s Room
Originally heard on: Professional Dreamer (1999), The Steinway Sessions (2017)

8. If I Were a Bell
Originally heard on: Heroes (2008) (bonus track on Japan release; not worth importing unless you don’t have the U.S. release)

9. Cast Your Fate to the Wind
Originally heard on: Waiting for Spring (1989)

10. Beat Street
Originally heard on: Full Circle (2006)

11. Strange Meadowlark/Blue Rondo a La Turk (Dave Brubeck medley)
Originally heard on: Digits (1983), The Steinway Sessions (2017); Heroes (2008)

12. Freedom at Midnight
Originally heard on: Freedom at Midnight (1987), Earthglow (2010) (subtitled “The Schroeder Variations”)

13 (Encore). Linus and Lucy
Originally heard on: This Side Up (1985), Happy Anniversary, Charlie Brown! (1989), Here’s to You, Charlie Brown: 50 Great Years! (2000), The Steinway Sessions (2017)

I can’t wait to hear how “Sienna Step” and “Vernazza” sound on the new album when it comes out, likely by September. I will definitely play something from it on my Homecoming Weekend show in October. In the meantime, I’m falling in love with The Steinway Sessions.

Now, for groups of pictures of each band member, starting with David Benoit:

Roberto Vally:

…and Dan Schnelle:

The end of the encore:

I hung out in the lobby for about 15 minutes, mingling with David, Roberto, and Dan. Dan introduced David to his mother and grandparents. That was when I learned he was originally from Merrick. I perked up, telling them I grew up and live nearby in Wantagh.

Roberto asked me to send him the pictures I took of him, which I did on Saturday, including this one:

Two guys from the South Shore:

Lastly, me and David:

On the subject of his song “Dad’s Room,” I told him how much I enjoyed “Secret Love” on Waiting for Spring, which was a duet with his father Bob on rhythm electric guitar. He appreciated that, picking up on the story he told during the set of how that album was recorded in one day for budgetary reasons.

I had a great watching David, Roberto, and Dan perform. Thanks to all of you. Thanks also to Sherry Davey for relatable jokes and hilarious impressions.