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SJFS 2026 Night 2 recap May 14, 2026

Posted by Mike C. in Education, Internet, Jazz, Media, Music, Personal, Photography, smooth jazz, Sports, Thoroughbred, Travel, TV, Video, Weather.
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Continued from night 1 recap

Saturday, May 2, was night 2 of the 23rd anniversary Smooth Jazz for Scholars, hosted by keyboardist Jay Rowe in his hometown of Milford, Connecticut, benefiting the Milford Public Schools music department.

Much of the day was spent at Hilton Garden Inn, whether hanging out in my room or mingling in the lobby. I’d seen night 1 headliner Steve Oliver when I arrived Friday afternoon. On Saturday, I said quick hellos to Althea René and Steve Cole, who were among the night 2 headliners. I also saw fellow photographer Kat Gilraine, Mark and Phyllis Abrams, Rob and Melanie Hoogenboom, and Billy Okumu. At Veterans Memorial Auditorium, the site of Smooth Jazz for Scholars (within Parsons Complex), I saw Jay Dobbins, Judy Raphael, Steve Lewis, Jay Rowe’s wife Deborah, and his mother Mia DiStasi. I made a new acquaintance after the show, which I’ll get to when the time comes.

I left for the auditorium right after watching Golden Tempo make history at the 152nd Kentucky Derby at the restaurant in the hotel lobby. (Watch Larry Collmus call the race for NBC.)

It was another 7:20 arrival, and this was my gear down in the orchestra pit:

I arrived at the same time for a set that began at the same time: promptly at 8PM. That’s when Kevin McCabe of JumpStart Jazz Productions bid us good evening.

Saturday’s student openers were the full Joseph A. Foran High School Jazz Ensemble, directed by Jessica Turner.

Kevin McCabe returned to introduce the headliners and house band, led by Smooth Jazz for Scholars music director and founder Jay Rowe.

Jay’s opening remarks

Jay on his front-facing keyboards:

Saturday’s headliners were the aforementioned Steve Cole on tenor sax (and jokes):

Chieli Minucci on electric guitar:

…and acoustic guitar:

The aforementioned Althea René on flute:

…and Alex Bugnon on keyboards:

The house band accompanying Jay Rowe and the headliners was made up of Steve Scales on percussion:

Trever Somerville on drums:

Andy Abel on guitar:

…and Dave Anderson on bass:

SET LIST
1. The Next Step (Jay Rowe) (also played on night 1)
2026 single
Featured musicians: Jay Rowe (keyboards), Andy Abel (guitar)

2. City Groove (Jay Rowe)
2023 single
Featured musicians: Jay Rowe (keyboards), Andy Abel (guitar), Steve Scales (percussion)

3. Just Another Love Thing (Jay Rowe)
Originally heard on: Groove Reflections (2021)
Featured musicians: Jay Rowe (keyboards), Steve Cole (tenor sax)

I love (no pun intended) the “Linus and Lucy” phrases Jay threw into his solos.

4. Attitude (Steve Cole)
Originally heard on: Without a Doubt (2023)
Featured musician: Steve Cole (tenor sax)

5. Time & Space (Althea René)
Originally heard on: 18 Karat (2025)
Featured musician: Althea René (flute)

6. Life on Mars (Althea René) (Dexter Wansel cover)
Originally heard on: Flawsome (2019)
Featured musicians: Althea René (flute, “flute talk”), Andy Abel (guitar), Jay Rowe (keyboards), Dave Anderson (bass), Trever Somerville (drums)

7. Daybreak (Special EFX)
Originally heard on: Global Village (1992)
Featured musicians: Chieli Minucci (acoustic/electric guitars), Althea René (flute), Jay Rowe (keyboards)

8. Mystical Remedies/Mystical (Special EFX)
Originally heard on: Modern Manners (1985), Sweet Surrender (2007)
Featured musicians: Chieli Minucci (electric guitar), Steve Cole (tenor sax)

9. Sweet Sticky Thing (Alex Bugnon)
Originally heard on: This Time Around (1993)
Featured musician: Alex Bugnon (keyboards)
Jay Rowe did not play.

10. Night Groove (Alex Bugnon)
Originally heard on: Soul Purpose (2001)
Featured musician: Alex Bugnon (keyboards)
Jay Rowe did not play.

11. Synergy (Althea René)
Originally heard on: Conspiracy Theory (2026)
Featured musician: Althea René (flute)

12. Mirage (Steve Cole)
Originally heard on: Turn It Up (2016)
Featured musician: Steve Cole (tenor sax), Jay Rowe (keyboards)

13. Justice (Steve Cole)
Originally heard on: Smoke and Mirrors (2021)
Featured musicians: Steve Cole (tenor sax), Jay Rowe (keyboards)

50/50 RAFFLE ($965 pot) (won by John)

14. Spellbound (Alex Bugnon) (Joe Sample cover)
Featured musician: Alex Bugnon (keyboards)
(recycled from 2024 night 2 recap): The story behind Alex’s cover of “Spellbound” involved filling in for an ailing Joe Sample at Yoshi’s in 2013. Spellbound was the first jazz album I ever bought, in the summer of 1998.
Jay Rowe did not play.

15. Cool Summer (Special EFX)
2024 single
Featured musicians: Chieli Minucci (acoustic guitar), Jay Rowe (keyboards)

16 (Finale). Love and Happiness (Trever Somerville) (Al Green cover)
Featured musicians: Trever Somerville (vocals, drums), Everyone

Before I get to the bulk of the photos, I need to thank Jay Rowe for taking the time between – “Mystical Remedies” and “Sweet Sticky Thing” – to praise the work of me and my fellow photographers Kat Gilraine, Ken Combs, and Keith McDonald. Thank you so much, Jay. We’ve known each other 20 years (since May 5, 2006) and I am grateful to have you in my life. I’m equally grateful to everyone I’ve gotten to know and collaborate with at Smooth Jazz for Scholars, the WCWP Hall of Fame Ceremony, and Long Island Retro Gaming Expo, just to name a few.

Now, photo galleries of each musician, beginning with Jay:

Steve Cole:

Chieli Minucci on electric guitar:

Chieli on acoustic guitar:

Althea René:

Alex Bugnon:

The house band is up next, starting with Steve Scales:

Trever Somerville:

Andy Abel:

…and Dave Anderson:

Medium shots:
Chieli Minucci and Althea René on “Daybreak”:

Chieli Minucci and Steve Cole (and Andy Abel) on “Mystical Remedies”:

Alex Bugnon, Dave Anderson, Trever Somerville on “Night Groove”:

Steve Cole and Jay Rowe on “Justice”:

Wide shots:
“The Next Step”:

“Just Another Love Thing”:

“Sweet Sticky Thing”:

End of “Night Groove”:

“Thank you!”

End of “Cool Summer”:

When the time came for the 50/50 raffle, with a $965 pot, Jay Rowe pulled out the winning ticket from the bag Kevin McCabe brought to the stage:

The winner was John from Brooklyn:

As you saw in the set list and video, Trever Somerville sang for the grand finale: Al Green‘s “Love and Happiness“:

Here’s how the rest of the finale played out photographically:

The big finish to the grand finale:

Jay Rowe’s closing remarks:

All right! Give it up for Alex Bugnon, Steve Cole, Althea René, Chieli Minucci, Steve Scales, Andy Abel, Trever Somerville, Dave Anderson, [and] I’m Jay Rowe! Thank you all so much! We’ll see you outside [in the lobby]! We’re havin’ our after party at Bistro Mediterranean on Bridgeport Avenue! So, come on down and have a drink with us! Thank you so much. We’re signin’ CDs out there [in the lobby], too.

The meet-and-greet photos begin with Anita Guris of 2 The Bridge Talent and the guitar she won, signed by all the musicians (Jay, headliners, house band):

Anita and Chieli Minucci:

In addition to that Fender Squier Telecaster guitar, Anita won two gift baskets in a raffle. I may not have had any luck in raffles, but I am proud for the lucky ones, and luck was with Anita this year.

Here I am with Steve Cole:

Althea René:

Thanks to Jay Rowe’s wife Deborah, me with Jay and Chieli Minucci:

…and after I’d put my EOS R7 away, an iPhone 17 Pro selfie with Ken Combs:

I said good night to everyone, exited the Veterans Memorial Auditorium, and headed back to Hilton Garden Inn.

I checked out of the hotel at 10:30 AM on Sunday, May 3. Even with heavy pockets of traffic in Greenwich, and in one spot each on the Cross Island and Southern State Parkways, the ride home (as a passenger) took an hour and 38 minutes, from 10:38 AM to 12:16 PM.

Cross Island Parkway Exit 25A, Southern State Parkway East:

Southern State Parkway Exit 13N, Linden Boulevard:

That’s the last of the photos and the last of my two-part 2026 Smooth Jazz for Scholars recap. The publication of these posts, and all the videos, is the culmination of a 19-day labor of love; from the moment I entered the Roosevelt School East Room at LIU Post (for the WCWP Hall of Fame Ceremony) to the moment yesterday when I clicked “save draft” one last time on the SJFS night 1 and 2 posts. Thank you for following me on this multimedia journey, and thank you to Jay Rowe, the Friday and Saturday headliners, the house band, Kevin McCabe and the JumpStart Jazz Productions crew, and all my fellow smooth jazz fans and photographers.

Like the WCWP Hall of Fame Ceremony video, I dedicate this two-part recap to my uncle Scott Stephen, a Milford native, whom I lost on April 23. The bulk of my post-production was done at the computer/desk hutch that he graciously assembled back in June 2023. Uncle Scott was a very handy man, a funny man, and as avid a fisherman as my dad Bill. I will miss him dearly.

SJFS 2026 Night 1 recap May 14, 2026

Posted by Mike C. in Education, Internet, Jazz, Media, Music, Personal, Photography, Radio, smooth jazz, Travel, Video.
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Read about night 2 here.

Friday, May 1, was the first of two nights of the 23rd anniversary Smooth Jazz for Scholars, hosted by keyboardist Jay Rowe in his hometown of Milford, Connecticut, benefiting the Milford Public Schools music department.

This was another year with minimal anxiety ahead of the ride from Wantagh to Milford, but I did bump into the right edge of my bedroom door before I left the house. (I was walking out to tell my dad something across the hall and my right shoe got caught.) I tended to the resulting cut quickly enough that it never swelled. I didn’t even need ointment or bandages by the time I packed up my gear in the Parsons Complex Veterans Memorial Auditorium that night.

Surprisingly, the Hampton Inn on Plains Road closed down. Thus, the official hotel was Hilton Garden Inn on Old Gate Lane.

After a quick stop at the store for seltzer to stock in my room’s mini fridge, the ride to the hotel took two hours and 16 minutes. It felt longer with multiple heavy pockets of traffic between the Throgs Neck Bridge and I-95 Connecticut exit 23.

Exit 40 led to Hilton Garden Inn:

View from the outside:

…and inside my room (taken Saturday):

I arrived at Veterans Memorial Auditorium at about 7:20. The parking lot by the baseball field was busy with a concert of its own; a rock concert. That was also the case on Saturday.

Yes, I lost with the three 50/50 raffle tickets I bought each night. Next.

Ron Hancox was at a high school reunion this year and Andrew James was also absent. That left a quartet of photographers: Katherine Gilraine, Ken Combs, Keith McDonald, and me. (Happy birthday, Kat, since it’s your birthday while I write this paragraph the day before publication.)

The gear I use:

Promptly at 8PM, the lights came down and Kevin McCabe from JumpStart Jazz Productions bid us good evening.

The Jonathan Law High School jazz sextet, not a full ensemble, played first.

The Law sextet played three songs. I recognized the second and third as “Autumn Leaves” and “Song for My Father.”

Kevin McCabe returned to introduce the headliners and house band, led by Jay Rowe.

Jay was on keyboards, facing forward this year:

Friday’s headliners were Steve Oliver on guitar and vocal sounds:

Jessy J on tenor sax:

Brian Simpson on keyboards (but not keytar):

Marion Meadows (ladies…) on soprano sax:

…and vocalist Timmy Maia:

As for the house band, Steve Scales returned on percussion:

Trever Somerville was on drums:

Andy Abel on guitar:

…and Dave Anderson on bass:

SET LIST
1. East Coast West Coast (Jay Rowe)
Originally heard on: Red, Hot & Smooth (2006)
Featured musicians: Jay Rowe (keyboards), Andy Abel (guitar)

2. The Next Step (Jay Rowe)
2026 single
Featured musicians: Jay Rowe (keyboards), Andy Abel (guitar)

3. High Noon (Steve Oliver)
Originally heard on: Positive Energy (2002)
Featured musician: Steve Oliver (guitar, vocal sounds), Steve Scales (percussion)

4. Dancing in the Sand (Steve Oliver)
2026 single
Featured musician: Steve Oliver (guitar, vocal sounds)

5. Tropical Rain (Jessy J)
Originally heard on: True Love (2009)
Featured musician: Jessy J (tenor sax)

6. Tequila Moon (Jessy J)
Originally heard on: Tequila Moon (2008)
Featured musicians: Jessy J (tenor sax), Andy Abel (guitar), Jay Rowe (keyboards)

7. I Can’t Go for That (No Can Do) (Timmy Maia) (Hall & Oates cover)
Featured musicians: Timmy Maia (vocals), Jessy J (tenor sax)

8. I Just Might (Timmy Maia) (Bruno Mars cover)
Featured musician: Timmy Maia (vocals)

9. It Could Happen (Brian Simpson)
Originally heard on: It’s All Good (2005)
Featured musicians: Brian Simpson (keyboards)
Jay Rowe did not play.

10. It’s All Good (Brian Simpson)
Originally heard on: It’s All Good (2005)
Featured musicians: Brian Simpson (keyboards), Jessy J (tenor sax), Trever Somerville (drums)
Jay Rowe did not play.

11. Saturday Cool (Brian Simpson)
Originally heard on: It’s All Good (2005)
Featured musicians: Brian Simpson (keyboards), Jessy J (tenor sax), Dave Anderson (bass)
Jay Rowe did not play.

12. Michelle/The Warmth of the Sun (Jay Rowe) (covers of The Beatles and The Beach Boys)
Originally heard on: Jay Walking (1997) (“The Warmth of the Sun” only)
Featured musician: Jay Rowe (keyboards)
This was a tribute to Michele Mueller who worked with the CD/merchandise table in the lobby on behalf of JumpStart Jazz Productions. Michele died much too soon at the age of 61 on February 26. The last time I saw Michele was on night 2 last year. I bought Jeff Kashiwa‘s Luminoso CD from her before the show, and she took a photo of us when he signed it after the show.
Thank you to Kevin McCabe for requesting this tribute and reaching out to me for the audio to play on your WRTC-FM radio show.

13. The Lift (Marion Meadows) (started in audience)
Originally heard on: Body Rhythm (1995)
Featured musician: Marion Meadows (soprano sax)
The annual game of “Where’s Marion?” commenced in the left center aisle.

14. Treasures (Marion Meadows)
Originally heard on: In Deep (2002)
Featured musicians: Marion Meadows (soprano sax), Andy Abel (guitar), Jay Rowe (keyboards)

15. Suede (Marion Meadows)
Originally heard on: Player’s Club (2004)
Featured musician: Marion Meadows (soprano sax)

50/50 RAFFLE ($1,130 pot) (won by audience member whose name I did not catch)

16. Beso del Sol (Jessy J)
Originally heard on: Terranova (2025)
Featured musician: Jessy J (tenor sax), Steve Scales (percussion)

17. Chips and Salsa (Steve Oliver)
Originally heard on: 3D (2004)
Featured musicians: Steve Oliver (guitar, vocals, vocal sounds), Everyone (including the audience)

18 (Finale). Give Me the Night (Timmy Maia) (George Benson cover on 1980 album of the same name)
Featured musicians: Timmy Maia (lead vocals), Steve Oliver (backing vocals, guitar), Everyone

This is the part with photo galleries of each musician, starting with Jay Rowe:

Steve Oliver:

Jessy J:

Timmy Maia:

Brian Simpson:

Marion Meadows, starting “The Lift” in the audience:

On stage:

Turning to the house band, Steve Scales:

Trever Somerville:

Andy Abel:

Dave Anderson, with all photos from his “Saturday Cool” solo:

Medium shots:
Timmy Maia and Jay Rowe:

“High Noon”: Percussion by “the two Steves,” Oliver and Scales:

Jessy J and Andy Abel:

Jessy J and Brian Simpson:

“It’s All Good” ending:

“Saturday Cool” ending:

Wide shots:
“It Could Happen”:

Michele Mueller tribute medley:

The 50/50 raffle had a $1,130 pot!

Kevin McCabe brought bag of tickets to the stage, and Jay Rowe picked the winner that wasn’t me:

I didn’t catch the winner’s name, but it’s someone Jay knew.

For that reason, he had to make clear the raffle was not rigged. I blurted out to myself, “if it was rigged, I would’ve won.”

“Chips and Salsa” wasn’t the finale, but all the headliners joined Steve Oliver as it began.

The finale was Timmy Maia’s cover of “Give Me the Night” by George Benson:

The big finish:

[Part of] Jay Rowe’s closing remarks:

… Give it up: Brian Simpson, Timmy Maia, Steve Oliver, Marion Meadows, Jessy J, Steve Scales, Andy Abel, Trever Somerville, Dave Anderson! I’m Jay Rowe! We love you! Thank you all so much for a great night! … We’ll see you all at Bistro Mediterranean and see you all tomorrow night. Thank you.

The meeting and greeting began in the front row with Steve Scales:

Steve and I are both Hall of Famers. I’m in the WCWP Hall of Fame and Steve is in the Rock and Roll Hall of Fame as part of Talking Heads.

Out in the lobby, I caught up with Jessy J:

Brian Simpson:

Steve Oliver:

…and Marion Meadows:

And that’s a wrap on night 1 of the 23rd anniversary of Smooth Jazz for Scholars. Click here for a recap of night 2 and the aftermath.

2025 WCWP Hall of Fame Ceremony May 5, 2026

Posted by Mike C. in Airchecks, Audio, Comedy, Country, Education, Internet, Media, Music, News, Personal, Photography, Radio, Rock, Travel, TV, Video, Weather.
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Picking up on the format from the WCWP-FM 60th anniversary weekend, the 2025 WCWP Hall of Fame Ceremony was part of a three-day celebration, from April 24 to 26, 2026. This was the format for Hall of Fame Induction Weekend:

  • Friday, April 24, 7-9PM: Welcome reception at the Abrams Communications Center
  • Saturday, April 25, 6-9PM: Hall of Fame Induction Dinner at the Roosevelt School
  • Sunday, April 26, 10AM-1PM: Farewell coffee and bagels at the Abrams Communications Center

Once again, the Roosevelt School‘s East Room dining hall was the site of the ceremony. The 2025 inductees were:

Midway through the ceremony, 2026 graduate Avery Cochikas of The Wave, WCWP’s student-run internet station, received the Arthur Beltrone Founders Award. Art helped found WCWP, which signed on as a carrier current station at noon on October 18, 1961. In the role of program director, Art was the first student voice heard at sign-on.

This recap will include photos during and after the ceremony, along with an aircheck of April 24’s The Rock Show, hosted by Dan Reagan, 2022 WCWP Hall of Fame inductee and chairman of the Hall of Fame Committee. (I have served on the committee since 2022, two years before Dan’s chairmanship began.)

Before all that, I present the 2025 ceremony video, with a running time of 1:49:37.

After an adventurous Lyft ride, I arrived at the Roosevelt School well before 6PM; at around 4:45. Let’s just say it involved a northbound detour up and thin, private road. A few minutes later, we turned west and found ourselves on campus by the intramural baseball fields. Gold Coast Road soon followed and we turned south (left) for our destination.

It would be another hour before attendees and inductees began filing in.

I took these photos during the wait after unpacking my equipment:

Two photos featuring Ellyn Solis and her posse before the ceremony:

Dinner was served at 6PM, and the ceremony began shortly after 7PM.

Jeff ran the board during Dan’s edition of The Rock Show the night before the ceremony: Friday, April 24. It was so good that it went beyond the usual two hours (2 hours and 17 minutes). Here is my scope of Dan Cox’s aircheck (thanks to Jeff for forwarding me the unscoped original):

In one of the talk breaks, Dan Reagan noted rain was in the forecast for the day of the ceremony. It did rain, and it poured. That’s why my mom Lisa suggested a pack my tripods and bag of camcorders in a tall suitcase to shield them. Thank you, Mom, for the idea. She and my dad Bill were attending the annual Freeport Fire Department installation dinner, in the vein of WCWP’s Hall of Fame ceremony, which is why took Lyft rides to and from my home.

Quick tangent: Before I packed up and left the East Room, Cosmo Leone, another 2022 inductee, congratulated my dad. I told him he was just attending the dinner as all FFD members do each year. Little did I know Coz had reason to congratulate. Bill Chimeri – ex-captain of Freeport Truck Company One – was honored for 25 years of active service, as shown in this photo:

End of tangent.

Dan and his wife Gina were kind enough to drive me from the Roosevelt School up to the Abrams Communications Center where our fellow alumni and this year’s inductees looked around WCWP’s renovated home. It also allowed for a more convenient Lyft pickup spot. (The ride home was conversational rather than adventurous.)

That’s a wrap on the 2025 WCWP Hall of Fame Ceremony recap. Congratulations again to Chris Maffei, Tony Traguardo, Ellyn Solis, Cande Roth, and Art Beltrone Founders Award recipient Avery Cochikas.

Thank you to Ellyn and to Julian Wilson for identifying who was who in a few of the photos (last names withheld).

2025 LIU Post & WCWP Homecoming Weekend September 21, 2025

Posted by Mike C. in Airchecks, Audio, Education, Football, History, Internet, Interviews, Jazz, Media, Music, Personal, Photography, Pop, Radio, Rock, Sports, Technology, Travel, Video, Weather.
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NOTE: Two of the alumni hosts, Alana and Tom, do not use their last names on the air. So, I have omitted their last names from this post.

This year, Homecoming Weekend on WCWP (simulcast on WXBA) and at LIU Post was the earliest it’s ever been: September 12 to 14. The date was made public during the WCWP-FM 60th anniversary broadcast on March 16. (Read about that celebratory weekend here.) Homecoming Weekend coordinator Ted David assembled quite the lineup, which began with me at noon (well, noon-ish) on Friday, September 12, and ended at midnight on the 14th/15th as Grandfather Rock Chris MacIntosh closed Rock ‘N’ Soul Gospel with “Red Hot and Cooking” by Garth Hewitt.

The centerpiece of the weekend was the LIU Sharks football team‘s Homecoming game (and home opener) against the Sacred Heart Pioneers. (That was the LIU Post team name before the Post and Brooklyn athletic programs merged and moved from NCAA Division II to Division I.)

Once again, as unofficial station historian, I documented as much as I could of the entire weekend – on campus Friday and Saturday, and from home on Sunday.

I airchecked off the FM web stream on PCs in my bedroom and guest room via Audacity, where I would export as individual files, and then edit in Adobe Audition. Unfortunately, my internet betrayed me on Saturday. I recorded nearly nine hours of silence. I’m grateful to WCWP station manager Dan Cox for filling the gaps with his official airchecks and to Bernie Bernard via her show files.

FRIDAY, SEPTEMBER 12

I arrived at the Abrams Communications Center at 11:30 AM. While Project Independence and You (one week shy of its 14th anniversary) finished up in studio 3, I prepped for my live Instrumental Invasion. It was the first time I led off Homecoming Weekend since 2017.

I made a separate recap of that show here, but I’ll at least share Pat Kroll’s photo of me during one of my sets…

…and the aircheck video (with an edited open):

Pat and Jeff Kroll had the next show at 2PM. Since their show and Strictly Jazz at 4PM would be rerun from 2AM to 7AM, Jeff had to be prompt, fading out my last song with 1:40 remaining.

Herb Alpert fans that we are, we both began our shows with Tijuana Brass tracks. My lead was “Spanish Flea” while Jeff used “Don’t Go Breaking My Heart” (covered on S.R.O.) as the intro bed.

Out in the lobby, Neil Marks talked to Strictly Jazz hosts John LiBretto and Hank Neimark about his long trip to LIU Post earlier Friday.

Hank had the honor of signing on WCWP-FM on March 16, 1965.

The Krolls with fellow alumni (and fiancés) Sami Jo Negron and Pete Sacoulas:

A partial video of Jeff and Pat’s show:

…and a full scoped aircheck:

John LiBretto and Hank Neimark hosted Strictly Jazz, the third show of the weekend, Friday at 4PM.

A partial video of Strictly Jazz:

…and the full scoped aircheck:

From jazz to rock, John Zoni was next at 7PM:

We went from rock to dance just after 9PM with Jay Mirabile and a special edition of The DFK Show.

If you’re wondering, I took a rideshare home around 6:30 PM.

SATURDAY, SEPTEMBER 13

We jump ahead to 7AM and a prerecorded show hosted by John Commins:

David Friedland was live in studio 2 at 9AM, leading into the Sharks’ Homecoming game:

Aircheck courtesy of Dan Cox

After editing what I’d airchecked so far, my mom drove me up to LIU Post half an hour later than Friday. We had to clear a security checkpoint before reaching the parking lot by WCWP. I unpacked and walked toward Shark Stadium (no naming rights this year) for photos around and above the field.

The bulk of my Shark Stadium photos were taken on the roof where Travis Demers, Neil Marks, and Jeff Kroll called the LIU Sharks Homecoming football game. Pat Kroll was the coordinating producer.

Just for fun, I took a short video on my iPhone that I later synced to the relevant portion of Dan Cox’s game aircheck:

Travis and my fellow alumni were impressed when I posted that video to the WCWP Alumni Association Facebook group.

Before we return to WCWP, let’s look at photos on the field, sidelines, and bleachers.

I made it back to WCWP just before halftime where co-hosts John Zoni and Jeannie Moon narrated highlights and analyzed the first half. At the board was Andrew Scarpaci.

The studio portion of the halftime report:

Aircheck courtesy of Dan Cox

You saw how Zetta looked at halftime. This image after the game tells a different, but predictable story:

For the second year in a row, the Sharks squandered a lead. They gave up 17 unanswered points to the SHU Pioneers, losing 24-21 on a field goal as time expired.

In spite of another down ending, it was another exciting game for Jeff Kroll, Neil Marks, and Travis Demers to call on Long Island’s 88.1 FM.

I kept my camcorders and tripods in studio 3 to cover John Zoni and Jeannie Moon’s portion of the postgame show.

Aircheck courtesy of Dan Cox

This YouTube video compiles the studio 3 halftime and postgame reports:

I’ll spare you the details of what happened in the Sharks’ next game.

On a happier note, programming moved back to studio 2 after the Sharks postgame show. At 3:30 PM, Homecoming Weekend coordinator Ted David hosted the 2025 WCWP Hall of Fame inductee announcement special.

The lucky quartet of 2025 inductees was Cande Roth, Ellyn Solis-Maurer, Tony Traguardo, and Chris Maffei.

(Full disclosure: This was my fourth year on the Hall of Fame Committee.)

Below is the announcement, featuring a cameo from me, here:

…and listen here (without the video’s cutaways):

Bernie Bernard’s prerecorded show ran at 4PM:

Thanks to Bernie for the show files, which I tweaked in Adobe Audition to sound like I airchecked off the FM stream.

As Bernie’s show ran in automation, I joined my fellow alumni outside for the Homecoming barbecue. We’ll use this time for a photographic interlude.

First, Ted’s selfie with me:

Live programming returned to studio 2 at 6PM with Bobby G. and Mike Riccio. The dynamic duo counted down most of the 50 songs in the “First Annual WCWP Beatle Spectacular Hit-List.” Published in December 1969, the list represented the most popular Beatles songs as voted by WCWP listeners.

You can watch those first three talk breaks here:

…and here is the full scoped aircheck:

Aircheck courtesy of Dan Cox

Incidentally, this is my scan of a copy of the First Annual WCWP Beatle Spectacular Hit-List:

Vincent Randazzo and a host of others were on hand for a special edition of The Alternative Jukebox at 9PM:

Vince’s show was three hours, but half the time was spent chatting with current and recently-graduated staff. It was quite informative. (Shoutout to Post-Party Depression.)

SUNDAY, SEPTEMBER 14

The prerecorded Instrumental Invasion ran at midnight. Click here for a full recap, then come back for the rest of this recap.

I will again share the aircheck scope, though:

9/23 UPDATE: And why not include a 65x speed montage of the two Twitch streams that served as recording sessions?

The montage is set to “Sweat It Out” by Casiopea, one of the songs I played.

All other info is in the show recap. If you’re returning from that post, welcome back.

Tom was up bright and early at 6AM for the Homecoming Weekend edition of The Dad Rock Show:

Jay LaPrise followed at 8AM with a playlist featuring songs by artists he saw live in concert:

Of course, it was bookended by “God Shuffled His Feet” by Crash Test Dummies and AC/DC’s “Rock and Roll Ain’t Noise Pollution.”

Alana’s The Rockin’ Sunday Show normally airs at noon, but aired in its original 10AM slot on Homecoming Weekend.

Photo courtesy of Alana

Jumping ahead to 1PM, Ted David and Jeff Kroll co-hosted The Joe Show, a remembrance of the late Joseph P. “Joe” Honerkamp.

Joe Honerkamp in the early 1980s with Bill Epperhart, Ted David, John Commins, Lew Scharfberg, and Neil Marks; photo courtesy of Jeff Kroll

Joe was a fixture at WCWP for over 50 years, and had a long professional career which included radio stints at WYNY and WHN, and TV production on the weekend Today show.

Among those to reflect on the life and times of Joseph P. were his widow Kathy Honerkamp and their daughters Melanie and Diana. Kathy and Melanie are seen here in studio 2. Diana spoke by phone.

Photo courtesy of Ted David

Bruce Leonard and Joel Feltman were also among those to call in.

The scoped aircheck (there were a few songs played) can be heard here:

Ted David shifted to the board at 2PM, playing a wide variety of music over the next hours:

Billy the Kid (Billy Houst) and Joey C. (Joe Conte) had the last two-hour show at 4PM: Masters of Metal.

The penultimate show of Homecoming Weekend began at 6PM: The Ladies of Prison Break Radio, Jamie Mazzo and Sara Dorchak.

And putting a bow on the weekend, my children, was Grandfather Rock Chris MacIntosh and Rock ‘N’ Soul Gospel. Check it out.

Post-production, no pun intended, began as Homecoming Weekend was in progress on September 13 and concluded on the evening of the 21st with publication of this post and the Instrumental Invasion posts.

Thank you very much for reading all the way to the end. It bears repeating: documenting events like this is a labor of love. The next time I step on the campus of LIU Post will be March 25, 2026, for a twice-in-a-lifetime experience thanks to Bobby Guthenberg. My mom and I will get to see Herb Alpert and the Tijuana Brass and Other Delights again for their Tilles Center set. (Read about their April 1 Jazz at the Lincoln Center show here.)

This post is not only dedicated to the memory of Joe Honerkamp, but also Jett Lightning. Jett (Julio) fell ill in the days leading up to Homecoming Weekend and passed away on the morning of September 13. He will be sorely missed at WCWP. I’ll leave you with a photo of Jett taken last year

…and a scope of his 2022 Homecoming Weekend show featuring Jay Elzweig, who is also no longer with us.

For the record, the Bronx theme park was Freedomland U.S.A., which is now the site of Co-op City.

2025 Long Island Retro Gaming Expo recap: conclusion and pickups August 21, 2025

Posted by Mike C. in Aviation, Education, Magazine, Media, Personal, Photography, TV, Video, Video Games.
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If you haven’t seen them yet, read part one here and part two here.

CONCLUSION
With Leonard Herman’s panel complete, I said my goodbyes. On my way outside to wait for my Lyft ride home, I noticed a vendor that had a copy of David Crane‘s Pitfall! for the Atari 2600. Then, as you’ll see in the pickups section, I did something I’d never done in all my years attending Long Island Retro Gaming Expo at the Cradle of Aviation Museum in Uniondale.

This was the last photo I took before packing up my Canon EOS R7 (with RF-S 18-150mm lens and Speedlite 430EX II attached):

PICKUPS
As I walked around the vendor marketplace Sunday, I noticed this replica Pan Am plane in the window of the museum gift shop. Finally, after seven years, moments before going home, I stepped inside to buy that plane (seen here on Amazon).

The clerk told me his grandfather flew that model plane as a pilot for Pan Am.

My LI Retro program and badge, front and back:

Two vendor cards (only one side of the first):

Guest merchandise:

Video games:

1 for Nintendo 64 (on Saturday):

1 for Sega Genesis (on Saturday):

1 for Super Famicom (on Sunday):

5 for Super Nintendo (1 Saturday, 4 Sunday):

5 for Atari VCS/2600 (4 Saturday, 1 Sunday):

And by coincidence, I got a whopping 14 NES games for its 40th anniversary (6 Saturday, 8 Sunday):

Whomp ‘Em was my most expensive game of the weekend, going for $60. Counting the fried ravioli (and Sprite) I ordered from a food truck Sunday afternoon, I only went $30 over my $370 cash budget. (I bought the Pan Am plane with my credit card.)

Volleyball is my latest NES Black Box game pickup. There were 30 Black Box games released, 17 at launch, then 10, and 3 more. Alphabetically, Volleyball was the 30th. I have 20 of the 30: 11 of the first 17, 6 of the next 10, and all of the last 3.

THE END
Thank you, as always, for taking this photographic journey through Long Island Retro Gaming Expo. I seem to say this all the time, but working on recap blog posts is truly a labor of love. So much work goes into them: editing the photos, choosing which ones to watermark for inclusion in these posts, making lower resolution equivalents for the blog and other social media, uploading the photos into each blog post draft, rearranging the photos in certain galleries, writing, link aggregation, coming up with SEO summaries (I forgot to make one for this post), publication, and social media promotion.

Like with Smooth Jazz for Scholars, I initially streamed the photo editing process on my Twitch channel (after showing all my pickups). I finished the “job” off-stream after Friday afternoon. I sacrificed many hours, and either truncated my treadmill runs (42 minutes instead of 70) or didn’t run at all. It was for the art. I hope you, the reader, are satisfied with the end results.

See you again next year.

2025 Long Island Retro Gaming Expo: introduction, guests, staff, fellow attendees, panels August 21, 2025

Posted by Mike C. in Audio, Aviation, Books, Computer, Education, History, Internet, Magazine, Media, Personal, Photography, Podcast, Radio, Sports, Technology, Travel, Video, Video Games.
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Feel free to skip ahead to part two (touring the expo) or part three (conclusion and pickups).

INTRODUCTION
2025 marked the 10th anniversary Long Island Retro Gaming Expo, held annually (except during COVID) in the Cradle of Aviation Museum, on the right end of Museum Row in Uniondale*. For the 10th anniversary, LI Retro celebrated the 40th anniversary of the Nintendo Entertainment System‘s New York area launch, introduced to the world in places such as Green Acres Mall in Valley Stream.

*I had no idea that LI Retro’s first year was the same year that East Garden City (a.k.a. Nassau Hub) was absorbed into Uniondale and is no longer a census-designated place. Keep that in mind when you read my earlier recaps.

I have attended seven of LI Retro’s nine years. I started small in 2017, only spending two hours there on Sunday afternoon. I was there the entire weekend in 2018 and ’19, and have used my weekend pass on two of the three days since 2022. By 2023, I had to spread my recaps out into three parts because I took so many pictures, mostly of the exhibits (as seen in 2024). That’s what I’m doing again this year.

Tickets went on sale in February and guests were announced in July. Some of those guests will be chronicled below.

You’ll be happy to know there weren’t any mishaps this year. None of my equipment was wrecked and no cups of coffee were spilled.

ARRIVING AT THE MUSEUM
My mom pulled into the Cradle of Aviation Museum parking lot at 9:38 AM on Saturday.

I exited the car with badge QR code printout in hand. I had the lanyard for my badge wrapped around my neck, along with my Canon EOS R7 with RF-S 18-150mm lens and Speedlite 430EX II attached. (I only used the latter on for flash photos, and never during panels.)

This photo was taken Sunday morning, but pretend it was Saturday.

Inside, I was ushered to the box office where my QR code was scanned and I was handed my weekend badge. I attached to my lanyard and made my way to the first of four panels I had in mind. We’ll see photos from those later in this post.

The LI Retro staff is great and I’m honored to know them. Sunday morning, I met up with staff member Ryan Shapiro and he took this selfie of us:

Thank you, as always, Ryan.

PHOTOS WITH GUESTS AND CANDID PHOTOS OF THEIR TABLES

John Lester (Gamester81)
John is among the first on YouTube with a channel devoted to video games and collecting. Beyond that, he started Game On Expo in Phoenix, Arizona, which celebrated its 10th anniversary in April. He is the co-owner of CollectorVision Games and developed their Sydney Hunter series. Sydney Hunter and the Curse of the Mayan is the first in that series available on modern consoles.

I got a photo with John after his The Evolution of Retro Collecting panel.

Check out his LI Retro vlog:

Pat Contri and Ian Ferguson
Pat and Ian have been a fixture at Long Island Retro Gaming Expo since 2019, and I never miss their panel, recorded live for their Completely Unnecessary Podcast (a.k.a. CU Podcast). Like John Lester, Pat Contri’s YouTube journey began in 2008 with his Pat the NES Punk series, a fictionalized take on his life as a video game fan and collector. Pat’s YouTube channel also includes Flea Market Madness (sometimes featuring Frank, a fellow New Jersey transplant in San Diego), The Video Game Years retrospective, the aforementioned CU Podcast in video form, and the Not So Common Podcast with Alex Faciane.

Alongside the many Charlie Brown/Peanuts Christmas TV specials, it’s an annual tradition of mine to watch Pat the NES Punk Christmas episodes every December. It’s hard to pick a favorite, but the first two are the most sentimental. Incidentally, I can’t look at R.O.B., the original face of the NES, without hearing the Punch-Out!! opponent “voice.”

A big component of this year’s LI Retro was print media’s role in video game preservation. Pat’s Ultimate Nintendo series does its part. I have been a loyal reader since the Guide to the NES Library, which I bought from Pat (along with Pat the NES Punk DVD sets) in 2019. I helped fund Guide to the SNES Library later that year and last year, the latest book (as seen behind Ian, me, and Pat): Guide to the N64 Library. Pat, Ian, and an all-star lineup of reviewers break down every release for Nintendo’s first three home consoles. I used the Ultimate Nintendo app after each day of LI Retro to add any NES pickups to my collection. (Buy Ultimate Nintendo books here.)

Thank you to Kristen for taking this photo:

I returned the favor by having Kristen pose with Pat and Ian:

Adam Koralik
Sunday afternoon, “Mike Camera” and Adam Koralik met a third time. (That’s my server name on his Discord.) Adam’s trusty Sega Pluto prototype was part of the Retro Gaming Museum exhibit and he was more than happy to discuss it with attendees and have them try out its few playable games.

And of course, I had to get a selfie:

More exhibit photos can be found in part two of this year’s recap.

Matthew Sussman
While I did not meet actor Matthew Sussman, the original English language voice of Meowth in the Pokémon anime, he was a big draw, as seen in this Saturday photo.

I learned from an attendee in line outside the museum Sunday morning that Matthew is a fellow photographer, also in the Canon ecosystem. His camera of choice is the EOS R6 Mark II.

Ryan Burger
Ryan is the publisher of Old School Gamer Magazine, a literal mom-and-pop operation, at least at conventions. On staff at LI Retro were his wife Becky (who took the photo below), and their daughters Paige (the manager) and Rachel.

Ryan graciously gifted me with Old School Gamer Magazine Issue 46, which I held in our Sunday morning photo. You’ll see it again among the pickups in part three. Ryan was part of the third Saturday panel I attended: The Role Print Media Plays in Video Game Preservation. One of Ryan’s fellow panelists was…

Leonard Herman
I remain grateful to The Immortal John Hancock for introducing me to Leonard Herman at their joint 2018 panel. It inspired me to buy Phoenix IV and many other books. I have become good friends with Lenny and his table manager Patrick Wong, and a fixture at any panel Lenny is part of. (If I got the title wrong, either of you can let me know and I’ll edit post haste.)

Lenny is putting the finishing touches on Phoenix 5, to be released in two volumes in 2026 via Jeremy Parish’s Press Run, a division of Limited Run Games. (Jeremy and two rotating Retronauts co-hosts rounded out Saturday’s print media panel.)

Lenny with Patrick Wong on Saturday:

Patrick took our photo on Sunday:

One of the books I bought two years ago was ABC to the VCS, and I think Lenny would be proud that I bought five Atari VCS/2600 games this year. I was inspired to do so because I sought out any games programmed by the quartet of…

Dan and Garry Kitchen, David Crane, John Van Ryzin
Regrettably, I was too shy to approach Dan, Garry, David, or John, but I bought Ghostbusters (designed by David, programmed for 2600 by Dan), Donkey Kong (programmed for 2600 by Garry), and Pitfall! (by David). I couldn’t find H.E.R.O., designed by John. And because of my shyness, I didn’t buy any of their new games made for the 2600.

The new games, by Audacity Games, included:

That takes care of the guest photos. Photos with fellow attendees are coming up after a look at the quartet of panels I saw.

PANELS

Saturday Panel 1, 10:30-11:30 AM
Panel Room 2 (now upstairs in The Sperry Classroom)
John Lester (Gamester81)
The Evolution of Retro Collecting: From Hobby to Industry

Saturday Panel 2, 12-1PM
Main Theatre
Pat Contri and Ian Ferguson
CU Podcast Live!

The main topic for this edition of The CU Podcast was this video by Phil1Up Collects:

Next on the agenda, NES trivia:

I got the first question right: Which game was released for the NES licensed, unlicensed, and licensed again? I raised my hand and answered “Pac-Man.” I was right, and earned a sticker. As a supporter of The Gaming Historian (and yes, I read a quote in a video), I chose a GH Patreon supporter sticker to go with the one I have from my days as a supporter.

Alex and Daniel Greenberg in the audience:

Q&A:

As usual, I had a question: playing off the Gaming Historian sticker, I asked if Pat or Ian had been in touch with Norman Caruso since he announced last April that he was giving up pursuing the YouTube channel full time. Great news: Norm is still creating. He co-hosts An Old Timey Podcast with his wife Kristin.

Pat was surprised that we went the entire Q&A session without invoking the ill-fated vaporware known as the Intellivision Amico.

As of publication on August 21, the full episode is up, with the Phil1Up Collects video discussion heard starting at 1:15:30. NES trivia and the Q&A are not included. I will update with video clips when posted.

9/29 UPDATE: Sorry for the delay. There is one video and here it is:

Saturday Panel 3, 2:30-3:30 PM
Panel Room 2
The Role Print Media Plays in Video Game Preservation, moderated by Luis Aguasvivas (NPR, Debug Magazine, member of New York Videogame Critics Circle)

Panelists: Leonard Herman, Ryan Burger (Old School Gamer Magazine); Retronauts podcast host Jeremy Parish (Limited Run Games’ Press Run division, Video Works YouTube series and corresponding books [NES Works, SNES Works, Virtual Boy Works, SG-1000 Works]), rotating co-hosts Kevin Bunch (independent researcher, Atari Archive website and YouTube channel, author of Atari Archive Volume 1: 1977-78) and Brian Clark (translator, author of Gameplay Harmonies)

One other tidbit from this panel is Jeremy Parish lamenting that his early 2000s articles for now-defunct websites cannot be accessed because they weren’t archived.

I devoted most of my Sunday to photographing the exhibits and freeplay areas, buying any games I didn’t buy on Saturday, mingling further with guests, and actually playing freeplay games for the first time in years. (Oh, and I bought fried ravioli from a food truck; another first for me.)

So, the one panel I saw that day had to be Lenny’s.

Sunday Panel, 3-4PM
Panel Room 2
Leonard Herman
The History of the History of Videogames

9/29 UPDATE: Leonard posted video of his panel. (Of course, you see me front and center snapping away.)

PHOTOS WITH/OF FELLOW ATTENDEES

My friend Timothy (a.k.a. Sho):

Timothy and C.J. (I forget which vendor she was with):

Daniel Greenberg (Winterion Game Studios):

Daniel and his wife Alex:

Anthony and two of his friends:

I can’t say no to a photo op if someone asks, and I was more than happy to honor Anthony’s requests.

That is the end of post one. Head to part two for a tour of the marketplace and exhibits. Part three features a conclusion, and pickups photos.

I’ll leave you with photos taken before I left for home on Saturday and before I walked back into the museum on Sunday.

SJFS 2025 Night 2 recap May 15, 2025

Posted by Mike C. in Education, Food, Health, Internet, Jazz, Jazz Fusion, Livestream, Media, Music, Personal, Photography, smooth jazz, Technology, Travel, Wrestling.
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Continued from Night 1 recap

Jay Rowe‘s 22nd annual Smooth Jazz for Scholars continued on Saturday, May 3, with five headliners, including Jay himself.

It bears repeating that Scholars benefits the Milford, Connecticut, Public Schools music department.

I edited 112 of Friday’s 304 photos on my laptop Saturday morning and afternoon. Some of that editing was during an impromptu livestream on my Twitch channel. A bandwidth test in OBS proved streaming was possible without dropped frames and major interference. At last, hotel premium Wi-Fi is strong enough to stream from your room, my room being at the Milford Hampton Inn on Plains Road. I streamed for an hour before raiding out, and would continue editing on and off stream in my first six days back home. Then, I picked 179 photos to use in the Friday recap, and 198 for this Saturday recap.

My parents and I ate dinner at Chili’s on Boston Post Road (U.S. 1), which is where we ate the first time I attended SJFS in 2007.

Again, we returned to the hotel for an hour before leaving at 7PM for Veterans Memorial Auditorium at the Parsons Complex with all my equipment.

Reiterating what I said in Friday’s post, my photographer fellowship down in the orchestra pit were Katherine Gilraine, Kenny Combs, Andrew James, and Ron Hancox.

My equipment was as follows:

With hellos out of the way and 8:00 upon us, we shouted “good evening!” to Kevin McCabe:

Leading off on Saturday was the Joseph A. Foran High School Jazz Ensemble, directed by Jessica Turner. (I couldn’t catch the names of the songs, but the second was by Earth, Wind & Fire.)

Jay Rowe‘s opening remarks were in two parts. First, he complimented the Foran Jazz Ensemble for their EWF cover. Then, he came back out after the chairs were removed and Kevin McCabe introduced the house band and headliners.

To paraphrase the late HairClub founder Sy Sperling, Jay Rowe isn’t just a smooth jazz sideman; he’s also a fan. And he was even a headliner on Saturday!

The first of Jay’s fellow headliners was Lindsey Webster:

Lindsey’s collaborator Keith Slattery was on keyboards for her songs:

The remaining headliners were Jeff Kashiwa on tenor sax:

…and flute:

Marion Meadows on soprano sax:

…and two for one, Four80East. Rob DeBoer was on keyboards:

…with percussion by Tony Grace:

Jay’s house band was made up of Trever Somerville on drums:

Andy Abel on guitar:

…and Dave Anderson on bass:

SET LIST (updated with videos on 6/20/25)
1. That’s What I Know (Jay Rowe) (tribute to Rohn [“ron”] Lawrence; expression Rohn inherited from his father and used on his son)
2024 single
Featured musician: Jay Rowe (keyboards)

If you don’t take out the garbage and mow the lawn, you’re not gonna borrow the car this weekend. That’s what I know.
-Jay Rowe, channeling Rohn Lawrence’s father

2. Every Woman, Every Man (Jay Rowe)
Originally heard on: Smooth Ride (2016)
Featured musician: Jay Rowe (keyboards)

3. Starlight Kisses (Jay Rowe)
Originally heard on: Groove Reflections (2021)
Featured musicians: Jay Rowe (keyboards), Jeff Kashiwa (tenor sax)

4. Let It Ride (Jeff Kashiwa)
Originally heard on: Let It Ride (2012)
Featured musicians: Jeff Kashiwa (tenor sax); Four80East: Rob DeBoer (keyboards), Tony Grace (percussion)

5. Upa Neguinho (Keep Up Little One) (Jeff Kashiwa; cover of Edu e Bethânia song)
Originally heard on: Luminoso (2024)
Featured musicians: Jeff Kashiwa (tenor sax); Four80East: Rob DeBoer (keyboards), Tony Grace (percussion)

6. Noodle Soup (Four80East)
Originally heard on: En Route (2007); Barn Sessions, Volume 1 (2025)
Featured musicians: Four80East: Rob DeBoer (keyboards), Tony Grace (percussion); Jeff Kashiwa (flute)

7. Cinco Cinco Seis (Four80East)
Originally heard on: Four on the Floor (2018)
Featured musician: Four80East: Rob DeBoer (keyboards, with voice sample [“uno, dos, tres, quatro, cinco, cinco, seis”]), Tony Grace (percussion); Jeff Kashiwa (flute)

8. I’m OK (Lindsey Webster)
Originally heard on: Reasons (2022)
Featured musicians: Lindsey Webster (vocals), Keith Slattery (keyboards)

Keith played keyboards in place of Jay Rowe on Lindsey’s songs.

9. I Got You (I Feel Good) (Lindsey Webster) (James Brown cover)
Featured musicians: Lindsey Webster (vocals), Keith Slattery (keyboards)

50/50 RAFFLE ($1,350 pot) (won by Denise)

10. The Lift (Marion Meadows)
Originally heard on: Body Rhythm (1995)
Featured musician: Marion Meadows (soprano sax) (started in audience)

11. South Beach (Marion Meadows)
Originally heard on: Body Rhythm (1995)
Featured musician: Marion Meadows (soprano sax)

12. Romantica (Marion Meadows)
Originally heard on: Player’s Club (2004)
Featured musicians: Marion Meadows (soprano sax) (walked off stage at the end), Tony Grace (percussion)

13. 3-Day Weekend (Jeff Kashiwa)
Originally heard on: Simple Truth (2002)
Featured musicians: Jeff Kashiwa (tenor sax), Tony Grace (percussion)

14. The Walker (Four80East)
Originally heard on: Off Duty (2012)
Featured musicians: Four80East: Rob DeBoer (keyboards, with voice samples [“funking nasty,” “to the east side, to the west side”]), Tony Grace (percussion); Jeff Kashiwa (flute)
Included audience participation (right side shouted “to the east side,” left side shouted “to the west side”), “flute battle” between Rob’s synth flute and Jeff’s real flute

15. Over the Rainbow (Lindsey Webster) (sung by Judy Garland as Dorothy Gale in The Wizard of Oz)
Originally heard on: A Woman Like Me (2020)
Featured musicians: Lindsey Webster (vocals, with comedic pause before last note), Keith Slattery (keyboards)

Jay Rowe did not play on “The Walker” or “Over the Rainbow.”

Before the finale, Lindsey sang a snippet of the title track to her upcoming album. (3/14/26 UPDATE: Music in Me was released on February 27, 2026.)

16 (Finale). Ain’t Nobody (Lindsey Webster) (Rufus and Chaka Khan cover)
Featured musicians: Everyone; Lindsey Webster (vocals)

Photo galleries of each musician begin with Jay Rowe‘s “South Beach” solo:

“Jay Rowe, y’all!”

I appreciated the “Mas que nada” phrasing at the end, calling back to Lani Hall‘s Sergio Mendes & Brasil ’66 medley I saw during Herb Alpert & the Tijuana Brass & Other Delights on April 1.

Lindsey Webster:
I’m OK“:

Over the Rainbow“:

Keith Slattery:

Jeff Kashiwa on tenor sax:

Jeff on flute:

Marion Meadows started “The Lift” in the audience:

Marion on stage:

Marion’s exit at the end of “Romantica”:

Upscaled/cropped freeze frame from my “A” camcorder

Four80East:
Rob DeBoer:

Tony Grace:

Trever Somerville:

Andy Abel:

…and Dave Anderson:

Lindsey and Dave are in this first of my medium shots:

Marion, Trever and Dave:

Marion, Tony and Andy:

Tony and Trever’s “3-Day Weekend” duet (with Andy and Jeff in the middle):

Jeff and Rob’s “The Walker” flute battle:

Wide shots start with two from “Let It Ride“:

The end of “I Got You (I Feel Good)“:

South Beach“:

Romantica“:

The Walker“:

The end of “Over the Rainbow“:

The audience has their turn now, seen first dancing to “Noodle Soup” (Dolly Moye and Jay Dobbins are to the right of Norma):

“The Walker”:

The 50/50 raffle (won by Denise):

The finale: “Ain’t Nobody” (Rufus and Chaka Khan song):

The end:

“Thank you all! See you again real soon.”
-Jay Rowe

I’ll admit things got overwhelming in the lobby afterward. (It comes with being on the autism spectrum.) There was a large crowd meeting and greeting and I was too bashful to go ahead of anyone. When the wait seemed interminable, I sat down at an elevated round table and started to cry. A woman noticed me and asked if I was okay (of all things to ask after a show featuring “I’m OK”), and then Jay Rowe noticed me and brought Lindsey Webster over to sign my copy of Reasons. Marion Meadows soon followed. (A man named Sal told me afterward it was his idea to invite Marion to where I was seated.) Marion signed my copying of Just Doing Me. Then, as my tears subsided, Jay took our photo.

Simply writing that paragraph made me cry a little.

Jay then took a photo of me and Rob DeBoer with my signed copy of Barn Sessions, Volume 1:

And Michele Mueller from the merchandise table took a photo of me and Jeff Kashiwa with my newly purchased and signed copy of Luminoso:

(5/12/26 UPDATE: Sadly, this was the last time I saw Michele. She passed away nearly ten months later, on February 26.)

I said my goodbyes to everyone – including Mia DiStasi (Jay’s mom), Kevin McCabe, and Steve Lewis – and walked out to the parking lot for the ride back to Hampton Inn. Yet again, I unloaded the contents off all the SD cards to my laptop.

Unfortunately, the last 11 minutes of Saturday’s show are missing from my “A” camcorder. When reaching for the handle unit light switch after panning to the audience’s post-“Over the Rainbow” standing ovation, the middle of my thumb grazed the record button. Gotta remember to lock that next time. That’s why the freeze frame at the end of the finale is from the “B” camcorder. The on-board audio from that camcorder was disappointingly distant. So, I’m taking my Takstar SGC-598 out of retirement for use with the “B” going forward.

That was the only wrinkle to what was otherwise a great weekend, both at the Parsons Complex and Hampton Inn. I caught up with musicians and fellow fans that I hadn’t seen since last year or longer, and met others for the first time, including Joe Green, Rick Pascal, Bill McLaughlin, and Chip Paris.

I spent hours in the hotel lobby with my laptop, mingling while editing and eating breakfast.

Here I am on Saturday with Hap Carpenter:

And I got a selfie with Estella Taylor-Greene and Norma Rohadfox before we all checked out:

My parents and I left Hampton Inn at 10:35 AM on Sunday, May 4. The ride back to Wantagh was 20 minutes shorter than the ride from there on Friday! We were home by 12:08 PM.

Along the way, I took a photo of the current WWE headquarters off southbound I-95 in Stamford:

Thank you to everyone for a memorable weekend in Milford. See you all again next year!

I’ll conclude this post with a 100x speed montage of the nine photo editing livestreams on my Twitch channel, from May 3 in my hotel room to May 11 (Mother’s Day) at home. (WARNING: There will be flashing effects at times from going back and forth between apps.)

P.S. Wednesday was my 350th Twitch stream, and marked a return to video games, my channel’s main focus.

SJFS 2025 Night 1 recap May 15, 2025

Posted by Mike C. in Education, Food, Internet, Jazz, Media, Music, Personal, Photography, smooth jazz, Technology, TV, Video Games.
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Read about Night 2 here.

Friday, May 2, was the first of two nights of the 22nd annual Smooth Jazz for Scholars, hosted by keyboardist Jay Rowe in his hometown of Milford, Connecticut, benefiting the Milford Public Schools music department. (6/17 NOTE: This was the 22nd anniversary, but the 21st overall. In spite of that, I am following the branding and referring to this as the 22nd annual Smooth Jazz for Scholars.)

In recent posts, I’ve tried my best to cut back on the diary aspect of my recaps and focus on the events. So, I’ll continue that trend in this recap and the one for Saturday, May 3.

Like last year (recaps here and here), I had minimal anxiety leading up to showtime at 8PM. I began packing (and charging camcorder batteries) on Thursday, May 1, and was all set by early Friday afternoon. My parents and I left Wantagh for Milford at 12:23 PM and we reached the Hampton Inn parking lot in less than two hours (2:16).

In addition to my laptop, mirrorless camera, pair of camcorders, tripods, and all other accessories, I brought a Nintendo Switch and a third party dock (with HDMI cable). I played games on that in handheld mode to pass the time in the car, and then in docked mode in my hotel room TV after check-in. This is when I wasn’t on my laptop, of course.

Pasquale Pizza was again the place for dinner on Friday for me and my parents where we shared a meatball pizza pie.

We stopped back at Hampton Inn for an hour, and then it was off to Veterans Memorial Auditorium at the Parsons Complex. I was in the door around 7:15 PM and, after buying three 50/50 raffle tickets (SPOILER: I lost, and would lose with another set of 3 on Saturday), I got my event tickets (one per night) from Michelle at the will call/merchandise table.

Then, I made a beeline for the orchestra pit and began unpacking my equipment.

For photos, I use a Canon EOS R7 with RF-S 18-150mm lens. This year, I added a Speedlite 430 EX II flash attachment for pictures of the audience. 1/100 shutter speed and ISO 2000 works for a well-lit stage, but extra illumination was necessary off stage. Only one of the two 128GB SanDisk Extreme PRO UHS-I SDXC cards inserted is required for the amount of photos I take.

Ever since WCWP Homecoming Weekend last September, I have used a pair of Panasonic HC-X1500 camcorders. The main (“A”) camcorder has a VW-HU1 and Rode VideoMic GO II attached, and is connected to a Magnus VT-300 tripod, perfect for all the panning and zooming required. The secondary (“B”) camcorder, intended for a static wide shot, had no attachments and an Amazon Basics tripod. Each camcorder has one 256GB SanDisk SD card (same model as for the camera).

I’m still using the 6×9 stenographer notebook I got at the Milford CVS two years ago to write down the set list, house band members, headliners, and any other necessary notes.

Joining me down in the orchestra pit were fellow photographers Katherine Gilraine, Kenny Combs, Andrew James, and Ron Hancox. It’s Kat’s birthday as I write this sentence on Tuesday, May 13, and it was Kat who sent me down the interchangeable lens camera path in 2012.

I also said hello to Jay Dobbins, Judy Raphael, Mark and Phyllis Abrams, Diane Roth and her partner Rich, and Hap Carpenter. Friday, May 2, was his birthday.

(Okay, that was still a long preamble, but not as long as last year.)

8:00 arrived and Kevin McCabe bid us “good evening”:

Warming us up were the Jonathan Law High School Jazz Ensemble, directed by David Pelaggi.

Once the stage crew removed the chairs and Kevin McCabe introduced the headliners and band, Jay Rowe came on stage with opening remarks.

(This was taken later on, but pretend it was during the open.)

Jay led the way on keyboards:

Friday’s headliners were Jackiem Joyner on alto sax:

Nelson Rangell on alto sax (plus flute, piccolo, and whistling, which you’ll see later):

Peter White on guitar:

…and Timmy Maia on vocals:

The house band had Trever Somerville on drums (and even vocals for one song):

Andy Abel on guitar:

…and Dave Anderson on bass:

SET LIST (updated with videos on 6/19/25)
1. There She Goes (Jay Rowe)
Originally heard on: Groove Reflections (2021)
Featured musician: Jay Rowe (keyboards)

2. Take Me There (Jackiem Joyner)
Originally heard on: Lil’ Man Soul (2009)
Featured musician: Jackiem Joyner (alto sax)

3. I’m Waiting for You (Jackiem Joyner)
Originally heard on: Lil’ Man Soul (2009)
Featured musician: Jackiem Joyner (alto sax)

4. Tidal Wave (Nelson Rangell)
Originally heard on: By Light (2019)
Featured musician: Nelson Rangell (alto sax)

5. Gratitude (Nelson Rangell)
2023 single
Featured musician: Nelson Rangell (alto sax)

6. Can We Talk (Jackiem Joyner) (Tevin Campbell cover)
Featured musician: Jackiem Joyner (alto sax)

7. Promenade (Peter White)
Originally heard on: Promenade (1993)
Featured musicians: Peter White (guitar), Jackiem Joyner (alto sax)

8. Catalonia (Peter White)
Originally heard on: Light of Day (2025)
Featured musicians: Peter White (guitar), Nelson Rangell (flute)

9. Mornin’ (Timmy Maia) (Al Jarreau cover)
Featured musicians: Timmy Maia (vocals), Nelson Rangell (alto sax)

10. I Can’t Go for That (No Can Do) (Timmy Maia) (Hall & Oates cover)
Featured musicians: Timmy Maia (vocals), Nelson Rangell (alto sax)

11. Beautiful Seduction (Jackiem Joyner)
Originally heard on: Touch (2019)
Featured musicians: Jackiem Joyner (alto sax), Peter White (guitar)

12. Bueno Funk (Peter White)
Originally heard on: Glow (2001)
Featured musicians: Peter White (guitar), Jackiem Joyner (alto sax)
Included the James Bond sunglasses bit, audience participation for vocal scat and Bob Marley’s (The Wailers) “Get Up, Stand Up” chorus

13. Bright (Peter White) (tribute to Wayman Tisdale)
Originally heard on: Good Day (2009)
Featured musician: Peter White (guitar)

50/50 RAFFLE ($1,000 pot) (won by Carolyn)

14. Sonora (Nelson Rangell) (Hampton Hawes cover)
Originally heard on: Destiny (1995), My American Songbook, Vol. 1 (2005)
Featured musicians: Nelson Rangell (vocal percussion intro, whistling, piccolo), Peter White (guitar)

15. What is Hip? (Timmy Maia) (Tower of Power cover)
Featured musician: Timmy Maia (vocals)

16. Tennessee Whiskey (Trever Somerville) (cover of Chris Stapleton interpretation of David Allan Coe song)
Featured musicians: Trever Somerville (vocals, drums), Nelson Rangell (alto sax)

17 (Finale). Right Place, Wrong Time (Jay Rowe) (Dr. John cover)
Featured musicians: Everyone; Jay Rowe (vocals, keyboards)

This is the part with photo galleries of each musician, starting with Jay Rowe:

Jackiem Joyner:

Nelson Rangell on alto sax:

I didn’t get any close-ups of Nelson on flute during “Catalonia,” so we’ll jump to “Sonora.”

Whistling:

Piccolo:

Whistling while holding piccolo:

Peter White:

The “Bueno Funk” James Bond bit:

That bit originated at an early 2000s live gig when saxophonist Richard Elliot dubbed Peter “the James Bond of smooth jazz.”

Timmy Maia:

Trever Somerville:

Andy Abel:

…and Dave Anderson:

I’d take many more photos of Dave on Saturday, but less of Trever. Such is the nature of documenting live events.

On to medium shots, starting with Jackiem and Andy:

Jackiem and Peter:

Nelson and Peter:
Flute on “Catalonia“:

Whistling and piccolo on “Sonora”:

Timmy and Nelson:

Peter and Trever:

Now, wide shots, like this one from “Tidal Wave”:

“Bueno Funk”:

True to my word, I used the speedlight for audience photos. Here they are dancing to Timmy’s cover of “I Can’t Go for That (No Can Do)“:

Peter’s “Get Up, Stand Up” tangent during “Bueno Funk”:

The standing ovation after “Sonora”:

The 50/50 raffle (won by Carolyn):

Tennessee Whiskey” (David Allan Coe song popularized by Chris Stapleton a la Etta James):

The finale was “Right Place, Wrong Time,” a Dr. John song, with vocals by John “Jay” Rowe!

The end:

Thanks to Andrew James for taking the meet-and-greet photos below. Here I am with Jackiem Joyner:

Nelson Rangell:

…and Peter White:

Peter signed my copy of Light of Day with seagull sketches to match the cover photo’s beach setting. Nice touch.

On the way out to the parking lot, I said hello to Jay Rowe’s mother Mia DiStasi. The title of Jay’s 2006 song (from Red, Hot and Smooth) is apt: “Everyone Loves Mia.”

When I got back to my hotel room at Hampton Inn, I unloaded all the photos and videos to my laptop. I would winnow down the photos in the morning and use Advanced Renamer to quickly change the remaining filenames.

Click here for a recap of Saturday and beyond.

WCWP-FM 60th anniversary celebration weekend, 2024 WCWP Hall of Fame Ceremony March 25, 2025

Posted by Mike C. in Airchecks, Audio, Education, Football, History, Internet, Interviews, Jazz, Livestream, Media, Music, Personal, Philanthropy, Photography, Pop, Radio, Rock, smooth jazz, Sports, Technology, TV, Video.
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NOTE: Whenever possible throughout this post (no pun intended), I will list an alum’s graduation year in parentheses.

Sunday, March 16, at 4PM Eastern marked 60 years since WCWP-FM signed on. Located at 88.1 on the FM band, the public radio station emanates from the Benjamin and Elizabeth Abrams Communications Center at LIU Post. The school was known as C.W. Post College in 1965, but it has always been part of the Long Island University system. (Wikipedia entry)

WCWP was initially a carrier current radio station, signing on at noon on October 18, 1961. (That 60th anniversary was celebrated during Homecoming Weekend in 2021.) Art Beltrone (1963) was the first student voice heard at sign-on. Here is that sign-on:

Quoting Art from the aircheck:

Two years ago, a group of students and your announcer felt that a school such as Post would benefit a great deal from a radio station. We organized a small club at first, and at the meetings that followed, we talked radio, making hopeful plans for the establishment of a carrier current station, leading eventually into an FM station.

In just over three years, the FM station dream was realized.

WCWP-FM’s 60th anniversary celebration also spanned an entire weekend, from 6PM on March 14 to 6PM on March 16.

Promotional banner

The celebration included a dinner on the night of March 15, held in the East Room of the Roosevelt School on the south end of campus. The dinner included the induction of the 2024 WCWP Hall of Fame class: 1984 alumnae Jeannie Moon and Laurie White, and fittingly, Benjamin Abrams. Ben Abrams, a founder of Emerson Radio, whose philanthropic efforts allowed for construction of the building that would house the FM station. In later years, the student-run web station would also emanate from the Abrams Communications Center, but I digress.

I considered splitting the celebration recap into three posts. Instead, everything is here, separated by dates and events in bold font.

This isn’t a personal diary of my experience, meaning I won’t mention things like when I arrived on campus, what equipment I used, and how I spent my downtime. This is a multimedia celebration of WCWP-FM’s 60 years on the air; the students, alumni, faculty, and volunteers who are part of its history; and the latest inductees to the WCWP Hall of Fame. (Full disclosure: I have served on the Hall of Fame Committee since the 2022 class.)

FRIDAY, MARCH 14
Meet-and-Greet, The Rock Show

I only have two photos of the meet-and-greet in the lobby of the Abrams Communications Center.

First is my fellow 2004 alumnus Joe Sacco with WCWP station manager Dan Cox (1985).

Then, Dan took a photo of Joe and me.

All other photos were in Studio 2 for The Rock Show with Jeff and Pat Kroll, and guest host Neil Marks.

Before air, Dan Cox dropped in to speak with the Krolls (Jeff graduated in 1975, Pat in ’79), Neil (’77), and Bobby Guthenberg, a.k.a. Bobby G. (’70).

Jeff Kroll kicked off The Rock Show just after 7PM.

The theme was many songs that topped the music charts on March 16. That date in 1965 was when WCWP-FM signed on. Not every year was represented in the playlist, and only a snippet was played of the number 1 song in 2025, but the songs Jeff did play lived up to their chart-topping status.

Jeff’s wife Pat Kroll (née Champion) served as co-host…

…with the addition of Neil Marks.

About half an hour into the show, Jeff interviewed 2024 WCWP Hall of Fame inductees Laurie White and Jeannie Moon (both 1984 alumnae).

One hour in, Jeff and Pat spoke to Mike Chimeri (me), WCWP station historian and photographer, and 2021 WCWP Hall of Famer.

Neil Marks took photos on my behalf.

My lead-in was “Never Gonna Give You Up” by Rick Astley – number 1 on March 16, 1988. So, I began my interview with a nod to my Twitch channel, and gave a shoutout to music streamer GnatChat. Nat does a jazzy rendition of “Never Gonna Give You Up” as her raid song. (She, too, is an event photographer, albeit professionally.) I posted an excerpt of the video below to her Discord chat server and she thanked me for the shoutout.

After that, I discussed my history with WCWP, dating back to my first show on October 5, 2001, on WebRadio WCWP, now known as The Wave. (Select scoped airchecks of The Mike Chimeri Show can be heard here. As for Instrumental Invasion, here’s the recap aggregation page.)

After my interview, Neil Marks returned to his seat. Music and banter between Jeff, Pat, and Neil took up the rest of the show, concluding with “Believe” by Cher, number 1 on March 16, 1999, during my senior year at Wantagh High School. (Neil is a fellow Wantagh High School alumnus.)

Watch a scoped aircheck of The Rock Show below:

More of the beginnings and ends of songs can be heard in the audio version of the scoped aircheck:

SATURDAY, MARCH 15
60th Anniversary Celebration Dinner and 2024 WCWP Hall of Fame Ceremony
(with a pictorial tour of Roosevelt School presidential exhibits)

There was an open house at the Abrams Communications Center on Saturday afternoon. In this first photo, WCWP station manager Dan Cox showed the current makeup of Studio 3 to Neil Marks (1977), Fred Gaudelli (1982), and Suzanne Langwell (1983).

Neil, Fred, and Suzanne are all members of the WCWP Hall of Fame. Neil was part of the 2017 class, Fred was inducted in ’19, and Suzanne in ’22 (ceremony in ’23).

Suzanne Langwell and Neil and Lita Marks converse in Studio 3:

Jeff Kroll prerecorded an interview with Fred Gaudelli to air during Sunday’s FM 60th anniversary broadcast. (Scroll down to that portion of this post to see and hear it.)

Fred is not only in the WCWP Hall of Fame, but also the Sports Broadcasting Hall of Fame (2020-21), and the Pro Football Hall of Fame, receiving the Pete Rozelle Radio-Television Award in 2023.

Cynthia Hochman, daughter of Benjamin Abrams, spoke to Jeff Kroll and Neil Marks. Listening along are Cynthia’s granddaughters and Joan Yonke, LIU Director of Development and Annual Fund. (Development webpage)

Suzanne Langwell also spoke to Cynthia Hochman.

Pete Sacoulas (2017) drove me and Neil Marks to the south end of LIU Post’s campus for the 60th anniversary celebration and 2024 WCWP Hall of Fame Ceremony in the Roosevelt School‘s East Room.

Photos of the presidential exhibits will be shown at the end of this album. For now, I’ll note this was my first time inside the now-Roosevelt School since my first semester in Fall 1999. It was a building for music courses, such as Introduction to Music Theory. My professor was John Meschi, now the Director of Music Technology.

The entrance to the East Room:

The Hall of Fame banner and plaques, and programs:

As guests filed in, a photo array looped on a monitor to the left of the podium.

A straight-on podium view:

It makes you feel like you’re in the White House briefing room.

LIU President Dr. Kimberly Cline speaking with Marjorie Hyman, daughter of Benjamin Abrams, who was among the 2024 WCWP Hall of Fame inductees:

Dr. Cline speaking with Cynthia Hochman, another daughter of Benjamin Abrams; and one of Cynthia’s granddaughters:

Jeff Kroll and WCWP station manager Dan Cox speaking with Dr. Kimberly Cline and Vice President for University Advancement Kerry Kruckel:

Fred Gaudelli joined the conversation with Dr. Cline and Ms. Kruckel:

Courtesy of Suzanne Langwell, here’s a photo of Suzanne with 2024 WCWP Hall of Fame inductees Laurie White and Jeannie Moon:

The 60th anniversary celebration began with opening remarks from Dan Cox:

Kerry Kruckel, LIU Vice President for University Advancement, was next to speak:

Cindy Rogers, District Director for Rep. Tom Suozzi (D-NY), delivered a citation on the Congressman’s behalf:

The citation:

Certificate of Special Congressional Recognition
Presented to
WCWP
Long Island University Public Radio
In celebration of its
60th Anniversary


On behalf of the constituents of the Third Congressional District of New York, congratulations on celebrating your 60th Anniversary. This achievement is a testament to your hard work and dedication to providing informative and entertaining content to the community as a student-run radio station. Best wishes for many more years of successful broadcasting.

Thomas R. Suozzi
Member of Congress
Third District of New York
March 15, 2025

Dan Cox read a statement from WCWP founding member Art Beltrone, commemorating the FM station’s 60th anniversary:

That was followed by prerecorded speeches from Hank Neimark (1964) and Ted David (1972):

Hank signed on WCWP-FM at 4PM on March 16, 1965, with the words “WCWP-FM is on the air.” (You’ll see him recite those words again during the 60th anniversary broadcast later in this post.)

Dan Reagan (1981) presented 2024 WCWP Hall of Fame inductee Jeannie Moon.

Dan was a 2022 inductee with Suzanne Langwell and six others, and served as chairman of the 2024 Hall of Fame Committee.

Jeannie Moon posed with presenter Dan and her Hall of Fame plaque:

Jeannie’s acceptance speech:

Fred Gaudelli was one of two presenters for inductee Laurie White:

Dan Reagan (right) returned as the second presenter:

Laurie White holding her Hall of Fame plaque with presenters Dan Reagan and Fred Gaudelli:

Laurie’s acceptance speech:

That brought us to the most emotional part of the Hall of Fame Ceremony: the induction of Benjamin Abrams.

Two of Abrams’ surviving daughters, Marjorie Hyman and Cynthia Hochman, spoke on his behalf.

97-year-old Marjorie Hyman’s speech outlined the life and times of her father.

It was an awe-inspiring speech, one that I complimented Marjorie for after the ceremony. I also thanked her for the generous donation that led to the renovation of the Benjamin and Elizabeth Abrams Communications Center. I initially shook her hand, and continued to hold her hand for the length of our conversation. I nearly cried.

Cynthia Hochman, another of Ben Abrams’ daughters, was next to speak.

Cynthia Hochman and Marjorie Hyman proudly posed with their father Benjamin Abrams’ Hall of Fame plaque:

The ceremony concluded with impassioned remarks from WCWP station manager Dan Cox:

You’ve seen the photos, now watch the video:

If you’re wondering, Marjorie Hyman’s speech is at the 1:07:59 mark.

Ted David left a highly complimentary YouTube comment:

Superior videography to chronicle a major milestone in the history of WCWP, its 60th anniversary. The speeches by the Abrams daughters were the capstones of an amazing evening. Congratulations to the HOF inductees and to all who took part. Special kudos to Mike Chimeri for capturing this history in audio, video and still photography for our posterity!

Thank you very much, Ted.

Now, as promised, we conclude the Saturday portion of this post with photos of the Roosevelt School presidential exhibits.

SUNDAY, MARCH 16
WCWP-FM 60th Anniversary Broadcast

Jeff Kroll commenced the FM 60th anniversary broadcast at 3PM:

Jeff hosted and Pat produced:

Jeff’s view of Zoom on the Studio 3 monitor:

Hank Neimark is seen in the upper left. Art Beltrone is upper-right center, Bernie Bernard (1972) upper right, Junie Thomas (1969) middle left, Jon Korkes (1967) middle-left center, and Joel Feltman (1974) middle-right center. Art and Hank were the founding members of WCWP as a carrier current station at noon on October 18, 1961. Hank, Junie, and Jon were among the staff as WCWP-FM signed on March 16, 1965.

Larry Brodsky (1968) was the first studio guest:

As 4PM approached, producer Pat Kroll made a cameo for the Zoom participants:

Jeff ran a legal ID from Chris Maffei (2013) at 3:58 to clear the way for Hank Neimark at 4PM.

Hank repeated his sign-on: “WCWP-FM is on the air.”

That was followed by applause from Zoom participants Art Beltrone, Bernie Bernard, Junie Thomas, Jon Korkes, Alan Seltzer (1978), Joel Feltman, John LiBretto (1968) (also on staff for the FM sign-on), and John Commins (1973).

Bobby Guthenberg, a.k.a. Bobby G., was the second guest off Zoom and in Studio 3 with Jeff Kroll.

In honor of the late Joe Honerkamp, a.k.a Joseph P. (1974), Jeff Kroll went through a list of high temperatures on March 16 in 1965 and beyond:

Joe was, and Jeff and I (Mike) are, big weather enthusiasts. Jeff said in a comment to this photo in the WCWP Alumni Association album, “[Joe’s] presence was missed throughout the weekend celebrations.”

I showed the following photo featuring Joe Honerkamp (seated at the mic) in the 60th anniversary broadcast before Jeff read the high temperatures:

This was among a batch of photo prints Jeff had me scan back in 2017.

In the 5PM hour, the studio guest list picked up, starting with Lew Scharfberg (1978) (atop the above photo) and Jeff Jensen (1984):

Dan Reagan was next. (His wife Gina looked on outside the studio.)

Dan Reagan was followed by WCWP station manager Dan Cox.

While Jeff Kroll’s prerecorded interview with Fred Gaudelli ran (as seen in the Saturday portion of this recap), I stepped out of Studio 3 to take this photo:

From left to right: Dan Reagan, Jeannie Moon, Bobby Guthenberg, Jett Lightning, Gina Reagan, Lew Scharfberg, Pete Sacoulas

Back live in Studio 3, Jeff Kroll spoke to “Grandfather Rock” Chris MacIntosh, host of Rock N’ Soul Gospel.

Then, it was my turn:

Rather than rehash my WCWP biography from the Friday night interview, I chose to compliment Marjorie Hyman’s speech on behalf of her father Benjamin Abrams.

Vincent Randazzo (2024) and Andrew Scarpaci (2023) were next, the most recent WCWP alumni to be interviewed:

The last guest of the broadcast was Jeannie Moon:

After noting 26 guests were interviewed, on Zoom and in Studio 3 combined, Jeff and Pat Kroll signed off:

Then, it was back to regular programming: Rock N’ Soul Gospel with “Grandfather Rock” Chris MacIntosh.

That brings us to the comprehensive video of the 60th anniversary broadcast, combining upscaled Zoom video, A- and B-roll from my two camcorders (as in the other two videos), supplemental photos, and the full aircheck. Enjoy.

For good measure, the audio from that video:

Thank you for taking this multimedia journey through WCWP-FM’s 60th anniversary celebration. It is the culmination of 11 days of production and post-production. I sacrificed tens of hours of my time, but I assure you it was a labor of love.

My next blog post should be a recap of Herb Alpert & the Tijuana Brass & Other Delights: In Concert at Lincoln Center on April 1. (Jeff and Pat Kroll will be at the March 31 concert.) That will be followed by recaps of this year’s Smooth Jazz for Scholars, to be held May 2 and 3.

Otherwise, as far as WCWP goes, see you on Homecoming Weekend, starting September 12. (Yes, it’s a week earlier than last year.)

David Benoit at My Father’s Place: A Tribute to A Charlie Brown Christmas December 7, 2024

Posted by Mike C. in Animation, Broadway, Christmas, Comedy, DVD, Education, Football, History, Jazz, Media, Music, Personal, Photography, Radio, smooth jazz, Theatre, Travel, TV, VHS, Weather.
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3/25/25 NOTE: Scroll down for an update to this post via an email from Steve Stoliar.

Wednesday evening, thanks to the generosity of my fellow WCWP/LIU Post alumnus Bobby Guthenberg, I was at My Father’s Place at the Roslyn Hotel to see David Benoit‘s annual tribute to A Charlie Brown Christmas.

It was the first time I’d seen a live show outside of Smooth Jazz for Scholars since before COVID. That last pre-COVID show was Mike Stern and Jeff Lorber Fusion at The Iridium in December 2019. Wednesday also marked the first time I’d seen David and his trio since June 2019, also at My Father’s Place, three months after I saw The Rippingtons there.

Bobby G., longtime friend of My Father’s Place promoter Michael “Eppy” Epstein, first invited me to David’s show one morning in late August. I didn’t hesitate in accepting the invitation. We would meet at WCWP’s Abrams Communications Center by 5:45 PM and drive to Roslyn from there.

Since it was Christmastime, I anticipated David’s set would be similar to the one from his 2008 concert at IMAC (Inter-Media Art Center) in Huntington. (Little did I know that would be the last show I’d ever see there as the venue closed in June 2009, eventually replaced by The Paramount.)

My parents drove me up to LIU Post at 5:00 and we arrived in the parking lot adjacent to WCWP (and Hillwood Commons) within 20 minutes. In contrast to the flurry of activity during Homecoming Weekend, the Abrams Communications Center was as dark as the night sky, with most of the light coming from studio 1 and 3 where live shows were in progress. Thomas, the Wednesday host of The Rock Show, invited me in before retreating to Hillwood for dinner. I paced quietly in the lobby until Bobby G. arrived shortly after 5:45.

Bobby and I conversed on the entire drive to My Father’s Place, listening to David Benoit’s Fuzzy Logic (2002) CD along the way.

It was about 6PM when parked in the Roslyn Hotel lot. We walked up the stairs to the hotel lobby and down the stairs to the My Father’s Place section. (MFP was originally its own venue before relocating to the hotel.) Eppy Epstein was seated outside the entrance and Bobby introduced us. Then, we confirmed our ticketed reservation with the attendant in the entryway and were ushered to a front row center table.

My conversation with Bobby continued as 8PM approached. (He and Billy Joel were classmates at Hicksville High School!) We both ordered separate dinners, each choosing a seltzer with lime as our soft drink, drinking water in the meantime. None of the entrees interested me, so I ordered fried calamari and a “side” of mac and cheese. Our waitress told me the side dish, with shell pasta, was as big as an entree, meaning I only needed to order one bowl. It was all quite good.

I checked the stage for a set list so I’d know what I was in for. I found one on the stage floor by the drum kit. I didn’t think to write the list to my stenographer pad until the show had begun and the waitress took our dessert orders. I chose chocolate lava cake, which was a bit rich for me, even with the vanilla ice cream mixed in, but still good.

Okay, the preamble is over. Let’s talk about the show itself!

As you see, there was a fourth member of the band: vocalist Courtney Fortune.

David Benoit was on a Yamaha piano:

New York City native Roberto Vally played bass:

Merrick native Dan Schnelle was on drums:

And the aforementioned Courtney Fortune on vocals:

The front stage featured replicas of Schroeder‘s toy piano and the sapling Charlie Brown chose over fully-grown trees in A Charlie Brown Christmas.

Hmm. What’s with the electrical wiring? You’ll soon find out.

Before more photos, let’s look at…

THE SET LIST

  1. It’s the Most Wonderful Time of the Year
  2. Believe
  3. Medley: My Favorite Things/The Christmas Waltz
  4. Santa Claus is Coming to Town
  5. Originals medley: Drive Time/Café Rio/Kei’s Song
  6. Schroeder/The Doctor is In
  7. Vince Guaraldi medley: Great Pumpkin Waltz/Thanksgiving Theme/You’re in Love, Charlie Brown/Christmas is Coming/Skating/What Child is This?/O Tannenbaum
  8. Christmas Time is Here
  9. Just Like Me
  10. Linus and Lucy
  11. (encore) Cabin Fever

Set List Background Info
Vince Guaraldi’s A Charlie Brown Christmas compositions (except where noted) in the set were “Christmas is Coming,” “Skating,” “What Child is This?” (only on the soundtrack album; arrangement of traditional song), “O Tannenbaum” (arrangement of traditional song), “Linus and Lucy,” and “Christmas Time is Here.” That last song was heard instrumentally throughout A Charlie Brown Christmas, but a separate version added lyrics by Lee Mendelson, the special’s producer and co-writer (with Peanuts creator Charles M. “Sparky” Schulz). David first covered “Linus and Lucy” on This Side Up (1985), which led to an updated arrangement for “The Great Inventors” episode of This is America, Charlie Brown. David scored that entire episode, and many Peanuts TV specials (plus some Garfield specials) through 2006. The specials that stand out in my mind are:

3/25/25 UPDATE: Steve Stoliar emailed me this evening to clear things up about his involvement in You’re in the Super Bowl, Charlie Brown.

It was much more of a challenge than mere improvisation. Here – whether you want it or not – is the complete story:  I had a friend who worked at Bill Melendez Prods. in a variety of capacities. She called me up one day and said, “Can you help us? We produced this Super Bowl show that Sparky wrote and there are football games with no dialogue that just go on and on and they’re repetitious and confusing.”

She gave me a VHS of the rough-cut and I sat on my living room floor starting, pausing, rewinding my VHS player and trying to time (without a stopwatch) how long each football sequence ran. Then I scribbled down some suggested narration, making use of a lot of alliterations and metaphors, such as you get from color commentators on sporting events.  After that, I read it and tried to edit the copy so it fit snugly in the blank spaces. Then I went to Melendez Prods. in Hollywood and we recorded it – with Bill M. directing me – and me doing a sort of Vin Scully-inspired classic sportscaster voice.

It’s fairly miraculous that it worked out. “Variety” actually reviewed it and pointed out the sports narration as a high spot. Unfortunately, my pleasure in having met the challenge was greatly impacted by my late wife and me having been literally thrown out of our apartment by the Northridge Earthquake, which hit between the time I recorded the narration and when the show aired.

I was later rewarded with a lovely production cel (and original background) from one of the birdie football games, inscribed, “For Steve – In friendship – Bill Melendez” in black Sharpie. Sadly, even though it wasn’t in direct sunlight, the inscription faded.  But – like Big Julie in “Guys ‘n’ Dolls” talking about the blank dice – “I remembers where da spots previously were.”

It remains the only Charlie Brown special that has any sort of shared writing credit.

End of story – except to thank you for the compliment on my Groucho impression!

Thank you, Steve, for correcting the record, and allowing me to post what you wrote. I don’t know where I got in my head that he improvised the dialogue. I must have misinterpreted the Facebook comment he left a few years ago when I said that I’d watched my digitizing of the VHS tape. On that note, Steve wrote in a follow-up reply…

Oh – also – that particular show was produced as a tie-in with Shell Oil and the VHS tape was either a giveaway or for sale at a low, low price at Shell Stations when you filled up your tank. So even though it aired on TV, I suspect it’s missing from DVD release because of the initial deal with Shell. Not sure. I also did voices for Melendez (what a great guy) on “Snoopy’s Reunion” and “It’s The Girl In The Red Truck, Charlie Brown.”

I’m inclined to agree with Steve about the Shell tie-in keeping You’re in the Super Bowl, Charlie Brown off DVD and other modern home media releases. It’s the Girl in the Red Truck, Charlie Brown is another special that has yet to go beyond VHS, but Snoopy’s Reunion has a dedicated DVD.

Thanks again to Steve Stoliar. Now, back to what I wrote in December.

Speaking of David’s originals, “Kei’s Song” is from Freedom at Midnight (1987), “Cabin Fever” (the encore) was on Waiting for Spring (1989), “Drive Time” originated on The Best of David Benoit: 1987-1995 (one of two new tracks), and “Café Rio” is from Full Circle (2006). “Drive Time” and “Café Rio” get the big band treatment on David’s latest album, Timeless, recorded in the UK with Spice Fusion Big Band.

David composed “Just Like Me” for 40 Years: A Charlie Brown Christmas (2005), with Lee Mendelson lyrics that honor the feel of “Christmas Time is Here.” Vanessa Williams sang on the original, and David recorded a solo piano version at Steinway Hall in 2017, one of 17 tracks from his The Steinway Sessions…session that were saved for It’s a David Benoit Christmas! (2020).

“Great Pumpkin Waltz,” “You’re in Love, Charlie Brown,” and “Thanksgiving Theme” were Vince Guaraldi compositions for It’s the Great Pumpkin Charlie Brown, You’re in Love, Charlie Brown (yes, more redundancy), and A Charlie Brown Thanksgiving.

Believe” was a Josh Groban song for the film The Polar Express, which served as the title track to David’s 2015 trio album that featured Jane Monheit and The All-American Boys Chorus.

“Schroeder” (set to Beethoven’s “Moonlight Sonata”) and “The Doctor is In” were from the Broadway musical You’re a Good Man, Charlie Brown.

That brings us back to the photos. For that You’re a Good Man medley, David portrayed Schroeder and Courtney channeled Lucy.

I’m not ashamed to admit “Just Like Me” drove me to happy tears. It’s such a pretty song.

When Courtney wasn’t on stage, the trio of David, Roberto, and Dan played instrumentally.

The finale: “Linus and Lucy”:

For the encore, a man at a front row table held up his LP copy of Waiting for Spring (I have it on CD) and requested a track from there. David chose “Cabin Fever,” one of my favorites.

I only got to meet and greet half the band. Roberto and Dan were deep in separate conversations and I didn’t want to rudely interrupt.

However, I did get to catch up with David, who signed my copy of Timeless:

I then introduced David to Bobby Guthenberg (who took the above photo). Bobby bought a copy of Timeless, and David signed that.

Bobby G. and I weren’t the only WCWP alumni at My Father’s Place that night. Voice actor David Kaplan was there, too. It was great to see him. He was talking to vocalist Courtney Fortune, who I then spoke to. I complimented Courtney’s performance and told her how moving her rendition of “Just Like Me” was. Then, Bobby took a photo of us:

My one regret is not getting a photo with My Father’s Place promoter Eppy Epstein before Bobby and I exited The Roslyn. Upon exiting, I noticed it was snowing!

Before meeting and greeting, Bobby offered to drive me back to Wantagh so my parents wouldn’t have to drive back up to WCWP for me. I accepted and called my mom to let her know. Bobby cautiously drove home in the rain/snow mix, once again conversing the entire way while finishing up his Fuzzy Logic CD. He switched to Timeless while waiting at a red light on Jerusalem Avenue.

Bobby dropped me off at the curb at about 10:30. I wished him good night and thanked him yet again for treating me to a memorable night at My Father’s Place. (He messaged me on Facebook upon his safe return home to Bayside.) I may return to MFP some time in 2025 if Eppy can book drummer Billy Cobham. Until then, Merry Christmas and Happy Holidays!

Thank you again to David Benoit, Roberto Vally, Dan Schnelle, and Courtney Fortune. You were all wonderful.