Instrumental Invasion, 4/26/23 April 27, 2023
Posted by Mike C. in Airchecks, Animation, Anime, Audio, City Pop, Education, History, Idol, Internet, Japanese, Jazz, Language, Media, Music, Personal, Radio, Technology, Travel, TV, Video, VTuber.add a comment
The April 26 Instrumental Invasion on WCWP went on the air at the end of the station dinner for students and alumni. The dinner was held at The View Grill, located off Long Island Sound in Glen Cove. I listened to much of the first hour during a ride home from my parents. Mom took a photo of Dad’s infotainment system while tuned to 88.1 FM:
3:47 PM UPDATE: Here’s a photo I took with my camera:
I caught the rest at home.
I have a lot to say, so I’ll get the scoped aircheck out of the way here:
The show’s playlist was created on February 24, annotated on the 27th and 28th, scripted on the 28th and March 1.
For the first time since December 7, I recorded out of sequence. Segments 6, 1, and 3 were recorded on March 2, followed by segments 2, 4, and 5 on March 3. I wanted to get the last segment out of the way because of the mammoth talk break that expounded on my city pop discovery, including excerpts of “4:00 A.M.” by Taeko Onuki and of the Caitlin Myers English version. My hunch was right, but I only managed to go 69 seconds over, plus another three seconds in the first segment where I first discussed city pop vis-à-vis Casiopea. I had little trouble compensating, completely making up for the overage over the last four segments without remixing.
After recording a quick pickup for the second segment on March 4, I redid the entire last talk break on the 5th. Taeko noted in a 2017 interview that Stuff drummer Chris Parker played on Sunshower, her precursor to Mignonne. Eric Gale was in Stuff. Maybe it was him. I bought a 2008 CD reissue of Mignonne on Amazon, planning on scanning the presumably Japanese liner notes once it arrived on March 6 and translating the text in the scan. Hedging my bets, the full talk break record said the soloist was Eric. Then, I did an alternate tack-on where I said it wasn’t. I played part of the solo in each.
Served me right for not noticing Discogs’ entry for Mignonne‘s 1989 CD reissue with its English credits. Nope, not Eric. It was Tsunehide Matsuki. I canceled the Amazon CD order, cited the Discogs ’89 CD credit, tacked that onto the earlier redos, and called it a night. I did one more pickup for this redo on March 7 because I was unsure of whether or not Caitlin Myers had more city pop adaptations in the pipeline. I did a separate pickup for the first segment on the 7th, with the precise Japanese transliteration of Casiopea, and a pickup for the top of hour 2.
For posterity, here was the original last talk break with all my nervous energy:
The redo where it was Eric Gale (and the Caitlin YouTube channel plug):
The redo tack-on where it wasn’t Eric:
Read about my early city pop journey in this blog post.
I’ll still include the relevant city pop videos, starting with the original “4:00 A.M.” by Taeko Onuki (or Ohnuki):
As Lou Monte would say (in “Lazy Mary”), the “British” version by Caitlin Myers (from the U.S.):
And T2norway‘s video about Casiopea:
[Removed on 5/3]
April 15 portion joined in progress:
Caitlin’s anime dubbing background inspired me to sign up with CrunchyRoll and watch select anime series. I started with the second season of Love Live! Nijigasaki High School Idol Club, featuring Caitlin as the introverted Shioriko Mifune, who slowly comes out of her shell as the season progresses. At first, I wondered “why the hell am I watching this?,” but by the third episode, I was hooked. So, now I can add idol/virtual idol to my diverse musical interests. (What I play on Instrumental Invasion remains my primary interest.) Incidentally, the English dub does not account for songs, meaning episodic numbers and the opening and closing themes are sung by the original seiyuu (Japanese voice actors).
On March 28, YouTube recommended a Ruri Ohama video, which led to a recommendation of a compilation video by JapanesePod101.com. After watching several of those compilations, I took the plunge by subscribing to the site itself and taking various courses. JapanesePod101.com is a division of the Franklin Square-based Innovative Language Learning. I always feel a sense of pride when I come across a Long Island-based company, past or present. Concurrently, I subscribed to Mochi real Japanese (Mochi Sensei) to learn Japanese from her videos. The teaching styles differ, but that’s okay.
[Removed on 5/3]
Back to what I wrote on March 3:
Ever since I watched Cronkite Remembers on DVD in the 2000s, I’ve had the introductory narration to Walter Cronkite‘s You Are There in my head. “We Were There” by Jazz Funk Soul always jogs my memory, but I never thought to play it on Instrumental Invasion until this show. The way I did the talk-up is how I’ve said the title to myself.
“Knee Deep in Rio” by Maynard Ferguson and Big Bop Nouveau was the song I moved from last week after realizing I wrongly placed it in the 1985-97 segment.
Robben Ford‘s “Magic Sam” was originally played on October 19 before I knew of the eponymous blues musician. Back then, I assumed it was about a magician, and I said that he “disappeared” as Jay Mirabile’s liner played on the fade out.
Tomorrow, I travel to Milford, Connecticut, to attend and photograph Smooth Jazz for Scholars. Wish me luck.
6:11 PM UPDATE: [Removed on 5/3]
Instrumental Invasion, 8/31/22 September 1, 2022
Posted by Mike C. in Airchecks, Audio, Education, Football, Internet, Jazz, Media, Personal, Radio, Sports, Travel.2 comments
The August 31 Instrumental Invasion on WCWP was recorded over three days: two segments on July 2, three on the 3rd, and one on the 4th before intermittent daytime fireworks began. Pickups were recorded on the 4th and 5th.
The playlist was created on the morning of June 27 before the marathon recording session of the August 17 show and last week’s first segment. Annotations began on June 28, but were delayed until July 1. First, on the 28th, an opportunity arose to record the second hour of last week’s show. I was preoccupied with ripping and editing tracks from two Maynard Ferguson CD album bundles on the 29th. (The bundles contained releases between 1974 and ’79.) On the 30th, new Bluetooth reference monitors arrived and initially worked, but interference led to incessant stuttering. Plus, without a wired connection, I couldn’t record computer audio from “stereo mix.” Installing a virtual cable worked temporarily, but didn’t last. I exchanged the Bluetooth monitors for their cheaper wired equivalent, even though the ones I replaced also had wired connections. Then, I got a 6-foot male-to-male Y-splitter to run from the computer to the input jacks on the left monitor. The computer end is 1/8-inch TRS and the monitor end is dual 1/4-inch TS.
The talk break script was drafted on July 1 and 2.
I recorded the segments wildly out of sequence because I knew that the last talk break would be really long, though not three minutes long! Even by removing ancillary sentences and speed compression, the segment still ended up 57 seconds over! With that in mind, the remaining segments were recorded in order of what I presumed to be shortest. Most anecdotes and callbacks were scrapped from the script, but among those left in were the Penn State allusions: about returning from my sister’s graduation in 2005 and about the legendary 1994 season of Nittany Lions football. Their 2022 football season starts tonight (Thursday night) at Purdue!
As the playlist shows, the other segment recorded July 2 was the fifth segment, making up 13 seconds. On July 3, I worked on the third segment (adding back six seconds), fourth segment (making up 15 seconds), and second segment (making up 21). I was left with a net overage of 14 seconds, but I removed one further anecdote from the last talk break, and that allowed me to break even. All that remained was a tight 18 minutes on the 4th, which I accomplished. Hallelujah. Incidental to that first segment, Fred Wesley, the trombonist on “Theme from Good King Bad” by George Benson, was born on the Fourth of July!
For the third week in a row, I swapped out the second 2017-present segment, this time opting for a second 1985-95.
Click here to download the aircheck MP3 or listen below:
2022 Long Island Retro Gaming Expo recap August 21, 2022
Posted by Mike C. in Audio, Aviation, Books, Education, History, Internet, Media, Music, Personal, Photography, Podcast, Travel, TV, Video, Video Games, Weather.Tags: Brett Weiss, CU podcast, ian ferguson, John Riggs, leonard herman, LI Retro, Long Island Retro Gaming Expo, pat contri, ralph baer, Video Games
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Previous LI Retro recaps: 2017 (Sunday), 2018, 2019
Spinoff recaps: UPLINK (2020), Festival of Games (2021)
Part 1: Introduction
The Long Island Retro Gaming Expo‘s long-awaited return came on Friday, August 12, after a three-year COVID-caused absence. Yes, the expo was expanded to three days starting this year, running from Friday afternoon to Sunday evening. The venue was the same as always: the Cradle of Aviation Museum, situated along Museum Row in East Garden City on the former site of Mitchel Air Force Base.
The purported 2020 edition of LI Retro was announced in February of that year. I immediately bought a weekend pass (still just two days). Little did anyone know that the faraway disease then referred to as the Coronavirus would reach the United States a few weeks later. As COVID-19 spread and a pandemic grew, venues shut down and events were either canceled or postponed. LI Retro’s postponement came that May. 2020 tickets would be honored in ’21. UPLINK, a virtual expo, was scheduled in its place on August 8 and 9. Of course, I attended and wrote a recap.
Even as vaccines were rolled out going into 2021, the organizers felt it was too soon to resume. Thus, they postponed again to ’22; and again, tickets for the postponed years would be honored. Another edition of UPLINK was held virtually in February. I attended, but was overwhelmed by the amount of transcribing and note-taking I’d have to do for the panels I planned on watching. So, I abandoned the recap in favor of continued radio show production.
Last December, LI Retro held its first annual one-day Festival of Games. I was in and out within two hours after a photographic walking tour (similar to the one you’ll see later in this post), arcade game sampling, and buying games from vendors. There was a recap for that.
As August drew closer, a third day of LI Retro was introduced. I considered attending, but opted to stick to the weekend.
With a week to go, I feared I’d compulsively take too many photos, a habit that’s gotten out of hand (i.e. Memorial Day boat ride, June 18 Mets game). I only took 353 photos at another Mets game on August 10, but sure enough, I went overboard at LI Retro. To that end, this is the first post with photo galleries.
The bulk of my photos were shot with my DSLR, but I took supplemental photos with my iPhone.
I arrived at the Cradle of Aviation Museum at 10:06 AM on Saturday:
Within 15 minutes, I was inside. I walked to the box office and handed my ticket to the attendant in exchange for a badge. “Finally,” I told her, “after 2 1/2 years, I get to use this [ticket].” She handed me my badge and my adventure began.
Part 2: Panels
My first panel – after meeting and greeting, and photographing the vendor rooms, was by Brett Weiss. “I Survived the Video Game Crash of 1983” began at 11AM in Panel Room 2. I joined it in progress, grabbing a front row seat, but oddly holding back on photos.
Brett talked about his experiences with arcade games and home video game consoles from the second generation into the third, and how the rise of home computers played a role in the 1983 crash.
During the Q&A session at the end, I relayed (but didn’t ask, so I apologized) my video game experience growing up. I was a home (and school) computer guy, fluent with Apple II, and my sister and I received an NES (Nintendo Entertainment System) in February 1990, as the third home video game console generation gave way to the fourth.
The book in the last photo is the one I bought from Brett afterward.
After snacking on a protein bar, I entered the Main Theatre for Pat Contri and Ian Ferguson’s 12:30 PM panel. I spoke to Pat and Ian during my meet and greet session two hours earlier, reminding them that I met them in 2019 and immersed myself in content from Pat’s YouTube channel after buying (at their merchandise table) the four DVD sets of Pat the NES Punk and the book Ultimate Nintendo: Guide to the NES Library. I subsequently bought the SNES guide. I wrote reviews of each – NES, SNES. (And you can buy the DVDs and books here.) This year, I bought two stickers and a CU Podcast (Completely Unnecessary Podcast) t-shirt. It was the last large size they had. I said I’d probably get along swimmingly with Frank, Pat’s older friend from New Jersey who settled in San Diego before Pat and Ian made their respective moves there.
Pat and Ian’s panel was a live portion of their next episode of the CU Podcast. Before it started, and while I settled into my front row seat, the volunteer assigned to the theater asked them to “say something into the microphone” as a mic check. Ian jokingly parroted the request: “say something into the microphone.” I amusingly replied, “I knew you were gonna say that.”
Continuing from prior episodes, Pat and Ian criticzed Tommy Tallarico and his vaporware console that would have been (or could still be?) the Intellivision Amico. On display above them was the console’s leaked “fact book.” There will be audio and video, but first, the photos:
You can hear the panel-turned-podcast-episode here. My portion of the Q&A starts at 1:57:08, but I’ve clipped it here:
And this is a video excerpt from the panel – shot with the iPhone on the table – that was posted to Pat’s YouTube channel:
I was the voice at 16:44 saying that Sean Astin narrated a video game documentary. I was thinking of Video Games: The Movie, but a comment to the video said the fact sheet was referencing the later docuseries called Playing with Power: The Nintendo Story.
I liked Ian’s quaint pronunciation of wanton, “wonton” instead of “wantin’.”
Video of the Q&A portion:
My questions start at 18:26, “Tommy” starts at 25:13.
Theater guests had to exit on the third floor, so I bode my time by taking photos of the few console freeplay tables there. Then, I snapped pics for most of the second floor exhibits prior to the Axinn Air and Space Museum Hall entrance. I saved that for after the 2PM panel back in the theater.
In that 2PM panel, John Blue Riggs performed a live ROM hack of Super Mario Bros. for the NES, the first game I played in February 1990 via the Duck Hunt combo cart. With the right software, John imported tiles from whatever NES game ROMs the audience requested, and he altered the SMB code to altered the colors and text. Let the editing begin!
I spoke to John during the meet and greet, letting him know that like his son, I am on the autism spectrum, specifically with what used to be called Asperger Syndrome. While at his table, I bought a Sega Genesis ROM hack that put Scott Pilgrim from his titular video game in Streets of Rage 2. We posed for a photo, but when I got home, I was dismayed to find that my DSLR’s lens didn’t focus on us when his tablemate Dave took our photo. They graciously allowed a do-over with my iPhone Sunday morning.
Here is John’s aforementioned vlog of his LI Retro experience:
I’m in the vlog at 13:30, going through my DSLR camera roll before John’s panel. At 19:56, he and Dave ate at Friendly’s in nearby East Meadow. I ate there with my girlfriend Kelly during her visit in April.
After the panel, I photographed what I believed to be nearly every other nook and cranny of the freeplay and tournament areas. John saw much more than I did.
The last item on my Saturday agenda was to buy games from vendors. (See the end of part 4.)
The combination of excitement from earlier in the day and a loud block party somewhere south of my house kept me from relaxing and easing into sleep. I probably slept two to four hours, at best.
I arrived at day three of the Long Island Retro Gaming Expo at around 10:30 AM. I met Justin, Marshall, and Kieran from Cinemassacre/Screenwave Media (and bought Angry Video Game Nerd: The Movie), got the second chance photo with Riggs, and hung out at Leonard Herman‘s table. I’ve known Lenny (to his friends and family) since meeting him at the 2018 LI Retro and then reviewing his video game history book, Phoenix IV. In 2019, I met his associate Jeff, and this year, I was honored to meet Patrick Wong and Mark W. Baer, the middle child of Dena and Ralph H. Baer, the inventor of videogames (one word). They’re all nice and friendly, and it was my pleasure buying Ralph’s book Videogames in the Beginning, and Kate Hannigan‘s biographical children’s book, Blips on a Screen. I will definitely read that to Leo F. Giblyn School students next March, another annual tradition of mine.
Lenny and Mark’s panel was at 11:30 AM in Panel Room 2. Again, I sat in the front row. Lenny grew to be like a surrogate son to Ralph, and the brotherly love between he and Mark was on display throughout the panel, especially in the first two pics.
I linked to it in the gallery, but here again is Ralph and Bill Harrison’s 1969 Brown Box demo:
Part 3: Meet and greet photos
Lenny Herman and Mark Baer:
Patrick Wong:
Jeff, in his Pac-Man suit:
Brett Weiss:
Pat Contri and Ian Ferguson:
John Riggs:
The Cinemassacre/Screenwave Media crew, Justin and Marshall:
…and I met Kieran while browsing a vendor’s games:
You’ll see merchandise and games in the pickups portion of this recap.
Part 4: Touring the expo
Musical performance: 88bit (a.k.a. Rob Kovacs):
88bit was featured in John Riggs’s vlog.
The other performers were ConSoul, Retro & Chill, and Super Thrash Bros. (also in John’s vlog).
The line ahead of the cosplay contest, held Saturday at 3:30 PM in the Main Theatre:
High score challenges:
Just Dance 4 (to “Never Gonna Give You Up” by Rick Astley):
Tournaments:
Game Boy Selfie Station with the Game Boy Camera and Printer:
Console freeplay:
Indie and homebrew games:
Arcade freeplay:
PC freeplay:
Before I left for home on Sunday, I tried out some console and arcade freeplay games, but not PC games. Maybe next year. The console games I played were Joust (Atari 7800), Sonic CD (Sega CD), Donkey Kong Country (Super Nintendo), and Virtua Tennis (Sega Dreamcast). The arcade games I attempted were Space Invaders, Arkanoid, NARC, VS. Hogan’s Alley, Ms. Pac-Man, and Mortal Kombat.
I even gave LJN Video Art a try. It was just as finicky as The Angry Video Game Nerd (James Rolfe) made it out to be.
I was pleasantly surprised to see a TV running the WeatherStar 4000 simulator, a tribute to The Weather Channel local forecasts/Local on the 8s in the 1990s (check TWC Classics for examples):
Vendor Room:
Vendor Room annex (“More Vendors”), also home to meet and greets (and the food court):
When I was finished taking photos on Saturday, I began making the rounds in the vendor room to pickup video games. I vowed not to spend more than $25 on a game, and with one exception, I honored my vow. I successfully haggled when necessary, paying $15 for $17 worth of games, $20 for $23 worth, and $30 for $33 worth. Otherwise, one vendor discounted $7 from my $132 total and another had a two for $10 deal if you bought two $6 games. The only game I bought priced above $25 was the Xbox port of The Simpsons: Hit & Run, which was $35. It was my last purchase before leaving on Saturday. My last two purchases on Sunday were Legacy of the Wizard and Rolling Thunder, both for NES.
I was satisfied with my pickups, which brings us to…
Part 5: Pickups
Saturday pickups:
Merchandise:
- Blips on a Screen by Kate Hannigan (writer) and Zachariah Ohora (illustrator)
- Videogames in the Beginning by Ralph H. Baer
- Streets of Rage 2: Scott Pilgrim (John Riggs Sega Genesis ROM hack)
- CU Podcast t-shirt (large)
- Pixel Pat sticker
- Ask Frank sticker
- The 100 Greatest Console Video Games: 1977-1987 by Brett Weiss
NES (Nintendo Entertainment System):
Super NES (Super Nintendo Entertainment System):
- Animaniacs
- Frank Thomas’ Big Hurt Baseball
- NCAA Basketball
- Super Caesars Palace
- Super R-Type
- Super Scope 6 (pack-in game for Super Scope light gun; someday, I’ll get that)
- MVP Baseball 2004
- NFL Blitz 20-03 (“twenty-oh-three”)
I’d wanted The Simpsons: Hit & Run ever since it was lauded in the Game Sack video on Simpsons games. (Click here to start at the relevant portion.) Epic Mickey was on my mind after seeing it on Friday in a 2017 Cygnus Destroyer video on his Top 10 Disney Games. I didn’t think to check the condition of the discs before buying, and was disappointed to see their scuffed appearance on Saturday night. You’ll see below that Epic Mickey 2 was one of my Sunday pickups from a vendor that also had the original game. All discs at his booth were in pristine condition. I lamented my mistake from the day before, chalking it up to a lesson learned. This Nintendo link taught me a positive lesson on Sunday night: how to clean discs. Monday night, I took dampened part of a washcloth and wiped Epic Mickey from left to right, line by line, then did the same with a dry part of the washcloth. The game played flawlessly in my Wii U. Tuesday morning, I did the same to Hit & Run and had the same positive result in my Xbox 360. Hit & Run was more fun and intuitive to play than Epic Mickey.
Sunday pickups:
Merchandise:
I watched the AVGN movie in 2019 on Amazon Prime Video, but it was later delisted. Now, I own a Blu-ray copy. They can’t take that away from me.
NES:
Xbox:
Wii:
It may be a while before I get a Super Scope, but the Saturday after LI Retro, I bought a Wii Balance Board, Wii Fit U, and a Wii Fit U Fit Meter. Now, I can play all the Wii Fit games and track my steps.
Just as AVGN made Ikari Warriors infamous (outtakes), Wii Music’s bad reputation stems from the crazy demo at E3 2008. I almost bought still another infamous NES game, Deadly Towers, on the Saturday of the expo, but relented.
Part 6: Conclusion
All good things must come to an end, and my time at the 2022 Long Island Retro Gaming Expo ended at 2:05 PM on Sunday, August 14. I took two parting shots with my iPhone before riding home:
Thank you for making it to the end of my recap. I know there was a lot to process, and it was a labor of love to draft the post. Patience was required often as WordPress struggled to display the text I typed, presumably because of all the photos and captions.
Thank you to all the guests I met and reacquainted with, to the vendors I bought from, and my fellow attendees, like budding game designer Brandon.
Special thanks to the LI Retro organizers and volunteers, especially Ryan Shapiro. You were all friendly and highly accommodating. I greatly appreciate that.
Until next year, so long.
2020-21 WCWP Hall of Fame Ceremony June 17, 2022
Posted by Mike C. in Airchecks, Audio, Education, Internet, Interviews, Jazz, Media, Music, Personal, Photography, Radio, Rock, Technology, Travel, Video.add a comment
Other Hall of Fame ceremony recaps: 2012, 2013, 2014, 2015, 2017, 2018, 2019
Video of the ceremony can be found at the end of this post.
It’s been three years since the last ceremony, but last Saturday, the WCWP Hall of Fame finally added five new inductees to its ranks. Due to delays by the COVID-19 pandemic, there were two sets of inductees:
- 2020: Alan Seltzer and Christina Kay (announced at Homecoming in 2019)
- 2021: Joe Manfredi, Jay Mirabile and Mike Chimeri
Yes, it’s true! I’d been dreaming of getting into the Hall of Fame for years and I got the dream fulfilling call last April.
Earlier this year, outgoing director of broadcasting Dan Cox reached out to the five of us for a ceremony date that worked for us. That date was Saturday, June 11. The venue ended up being the former LIU Post campus bookstore, now known as the Alumni and Employer Engagement Building…or it was, and now it’s Alumni Hall.
I reached out to friends and family, hoping they could attend. No matter how many turned out, I’d be happy.
I wore a suit and shirt combo that I picked out on Thursday with a tie that my mother Lisa bought with colors similar to those of LIU.
I may have been one of the inductees, but I still took photos and video when it wasn’t my turn. So, after dressing up, I packed up my DSLR camera, battery pack with a spare battery attached, camcorder, GoPro, and tripods to connect to them and my iPhone, which I would have brought anyway.
Once my sister Lauren arrived at noon, she, our mom, and dad Bill all left for campus. I was worried we’d be late after traffic was diverted away from the Seaford-Oyster Bay Expressway entrance on Alken Avenue in North Wantagh, but once we entered via Hicksville Road, we made great time, parking next to the Alumni Hall (I’ve settled on that name) at 12:40 (hey, like WGBB!).
Not wanting to unpack my camera yet, I took establishing exterior shots with my phone:
The ceremony began at 1:22:
The first 2020 inductee was Alan Seltzer, currently host of The Grooveyard on WCWP. He was inducted by Scott Perschke:
After each acceptance speech, guests were invited to share any stories. 2013 inductee Bernie Bernard had one about Alan, which he elaborated on: the story of the 1978 Dome Auditorium collapse. 
2019 inductee Lew Scharfberg talked about the collapse at his induction, and he shared his perspective again this year.
The second 2020 inductee was Christina Kay, now of WALK 97.5. She was inducted by Dan Cox:
Dan admitted in his induction speech that he considers her a second daughter. 
Christina’s table 
Yes, the plaque has a typo. It will be replaced. 
The storytellers following Christina’s speech were Charlie Moerler… 
Chris Maffei… 
Bernie Bernard… 
David North, Christina’s colleague at WALK 97.5 when he was a news anchor and reporter there… 
…and Will Bruner. 
Before moving on to the 2021 inductees, Dan Cox awarded the inaugural Art Beltrone Founders Award to Dan Casazza:
New director of broadcasting (or station manager, if you will) and 2019 inductee Pete Bellotti inducted two of the three 2021 inductees. First, Joe Manfredi, the station manager of Old Westbury Web Radio (OWWR) (listen here), serving nearby SUNY Old Westbury:
Joe acknowledged me in his speech, asking me to name some of the musicians I interviewed (over the phone) on The Mike Chimeri Show. The interviews can be found here, warts and all (meaning I’m hesitant to listen). 
There was also an anecdote about Karen Fiorelli’s news report blunder. 
Stories were shared by Dan Cox… 
Alana Leider, currently host of The Rockin’ Sunday Show on WCWP… 
Sandra Cerrone, a.k.a. DJ Sandra Dee, one of Joe’s Old Westbury Web Radio alumni… 
I love this camcorder vidcap. It’s like a Dean Martin Celebrity Roast cutaway. 6/18 UPDATE: While editing the video that I will add once complete, I noticed that this was really in reaction to a remark by… 
Joelle Desrosiers, another OWWR alumna… 
Joe Conte with an anecdote on unwittingly playing unedited songs… 
…and Mike Kinane, Joe’s OWWR colleague, and vice president of communications at SUNY Old Westbury. 
Dan reintroduced Pete to induct Jay Mirabile, longtime host of The Disco and Funk King Show (DFK for short):
Jay and his father Len 
Jay went beyond acknowledging me, inviting me to the podium to recall funny moments in early episodes of The Mike Chimeri Show. In those early days, Jay was my lead-in, and sometimes, I would acknowledge the last song of the show at the start of mine. The anecdote he relayed was how I quipped “wouldn’t you know it, they stopped” because his last song was “Ain’t No Stoppin’ Us Now” by McFadden & Whitehead. 
I thought he was going to mention the one where – channeling Jay Sherman’s boss Duke Phillips on The Critic – I began my show with “Jay, son, you’re a tough act to follow.” 
Upon leaving the podium, as I waved in thanks, Jay noted what great friends we are. 
This was my genuine reaction to the compliment. 
Story time. First, Christina Kay… 
Then, Charlie Moerler… 
Alana Leider… 
…and Joe Conte. 
Finally, it was my turn. I originally planned on my cousin Chris – C.W. Post Class of 2008 – inducting me, but he came down with COVID earlier in the week. His induction speech was partially complete and he offered to finish it and have Dan Cox read it on his behalf, but I declined and had Dan give his own speech:
LONG STORY: This is the first of the iPhone vidcaps. I foolishly recorded the entire ceremony from my table’s perspective when I’d have been better off recording my portion. Attempts to truncate the video and transfer to my computer via iCloud failed, even after upgrading to 50 GB of storage for 99 cents a month. The original mammoth video was still in the system and would need to be transferred with the edited version. This contributed to my insomnia Saturday night. Finally, late Sunday morning, I thought to download to my computer by connecting the phone to it with Dell Mobile Connect. It worked, but there was another hurdle. The raw MOV file wasn’t accepted by Adobe Premiere Elements 2020. Luckily, Wondershare Filmora accepted it and allowed me to convert it to an MP4, BUT I’d have to buy a subscription. $54 a year later, the video was converted, I loaded it into Premiere Elements, and extracted vidcaps. The absolute last hurdle involved correcting the wide-angle distortion in Photoshop Elements, and here we are. Anyway… 
In the center is Joan Yonke, LIU Post’s director of development, previously campus director of employer and alumni engagement. It was so great to see her there. I just wish I had thought to add her to my thank list. (More on that shortly.) 
Early in Dan’s induction, I asked my dad Bill to take photos with my camera. 
It’s time, as my table cheers me on! Besides Joan Yonke, going from left to right, there’s cousin Lisa Cassidy, my aunt Donna Dantes Chimeri (Chris’s mother), my mom Lisa’s friend Mandy Muldowney, Mom, Dad, Lori Downing, and Wendy Connelly. Mandy was the principal of Leo F. Giblyn School where Mom is a teaching assistant, and Wendy and Lori are (Lori retired in 2020) reading teachers at Giblyn. Interestingly, Aunt Donna (Post Class of 1998) knew Joe Manfredi’s father, also named Joe, but the elder Joe pronounced the last name “man-freedy” rather than “man-freddy.” 
Here I go! 
Mandy and Mom are taking photos and/or video. 
I made a two-page table in Microsoft Word of people to thank. I read from that with ad-libs here and there. 
My sister Lauren also shot video on her phone and shared vidcaps with me… 
Back to Dad’s photos with my camera… 
Joe Manfredi (the younger) kindly handled my camcorder during my speech. 
“… WCWP, the one place [my aunt Robin Rose Brinegar, then-academic counselor at C.W. Post] didn’t know anyone, has had the biggest, the biggest impact on my life.” 
