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Instrumental Invasion, 4/27/22 April 28, 2022

Posted by Mike C. in Airchecks, Audio, Comics, Film, Internet, Jazz, Media, Music, Personal, Radio, Video.
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The April 27 Instrumental Invasion on WCWP was recorded on March 8 (two segments) and 9 (four segments). A pickup was recorded on the 11th.

The playlist was created on March 5 and annotated on the 7th. The talk break script was drafted on the 8th, but I recorded the first segment after scripting its talk breaks.

The second and third talk breaks of the first segment were speed compressed, one more talk break than last February 3. I didn’t want to withhold anymore tidbits that I removed and wasn’t up to rerecording the breaks faster. I moved some of those tidbits to the first talk break of the second segment. The third and fourth segments had the opposite problem, which meant padding with extra liners and not having songs start underneath the talk-up.

The adamantium claws reference (with sound effect) after “Get Out Claws” by Oli SIlk was a nod to Wolverine from the X-Men.

This is the last show with the “no relation to” running gag. I employed it in some upcoming shows, but edited out all instances.

Here’s the Bob James Trio performance of “Feel Like Making Love/Night Crawler” that was extracted for use in Feel Like Making LIVE!:

If you want to see Scott Wilkie‘s “live” band perform “Fruit Sandwich,” you’ll have to buy the DVD.

As for last night’s show, click to download the aircheck MP3 or listen below:

Audiobooking 7 March 26, 2022

Posted by Mike C. in Animation, Audio, Audiobooks, Baseball, Books, Comedy, Commentary, Drama, Film, Football, Health, History, Internet, Media, Music, News, Personal, Politics, Radio, Rock, Sports, TV, Video, War, Wrestling.
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Another year of audiobook listening is in the books. I’m still an Audible member and use each month’s credit on a new book, but throughout my membership, there will come a time where I pay $35.88 to buy three extra credits. I listened while exercising, running (or walking) errands, doing household tasks, and at bedtime.

I even listened to one book on YouTube rather than Audible. Find out which one as I list the audiobooks I listened to since last year’s Audiobooking post:

  • Apropos of Nothing by Woody Allen – It’s sad that the abundance of Woody haters made him feel compelled to passionately, and rightly, defend his character through most of the book.
  • Talking to GOATs: The Moments You Remember and the Stories You Never Heard by Jim Gray (with guest voices including Bob Costas, Vin Scully, Tom Brady, and Snoop Dogg) – GOAT is an acronym for “greatest of all time.” – Vin was recorded over the phone while Bob and Tom were on Zoom via their webcam or phone. You can tell by the audio quality. – I remembered where I was during the moments Jim recounted, especially the Pete Rose interview. Jim didn’t deserve the grief he got. I’m glad he and Pete are on good terms these days
  • Killing the Mob: The Fight Against Organized Crime in America by Bill O’Reilly and Martin Dugard (read entirely by Robert Petkoff) – This was certainly enlightening. I had no idea the mob’s tentacles ran so deep, or that they had a boss in Tampa, of all places.
  • On the House: A Washington Memoir by John Boehner (“bainer”) – This was one of three books I returned. – The early stages of Speaker Boehner’s book were more of, apropos of the previous book I listened to, hits on his enemies. I mean verbal ad hominem attacks, not murders.
  • Slobberknocker: My Life in Wrestling by Jim Ross with Paul O’Brien (read by Jim; Vince McMahon’s foreword and “Stone Cold” Steve Austin’s afterword read by R.C. Bray) – I bought this with my On the House return credit. – Both Slobberknocker and Under the Black Hat have an instance of “at the end of the day.” I had yet to encounter that in Black Hat when I published last year’s post. – I watched many WWE documentaries on Peacock in my first two months as a subscriber (before “at the end of the day” fatigue made me quit watching what was left). I now realize that for all WWE-sanctioned media, you are required to say “-E” instead of “-F,” even when referring to the WWF days. Only clips can show the old logos and utterances of “-F” or “Federation.” Slobberknocker didn’t have that requirement, but Black Hat did. – I met Jim and Jerry Lawler at New York Comic Con in October.
  • How Y’all Doing?: Misadventures and Mischief from a Life Well Lived by Leslie Jordan (or should I say Leslie Alan Jordan?) – How can you not love Leslie? – I saw little of him on Will & Grace, but enjoyed him on The Cool Kids and enjoy him on Call Me Kat. – He’s worth following on Instagram.
  • Just When I Thought I’d Heard Everything!: Humorous Observations on Life in America by Charles Grodin (1934-2021) – Compilation of radio commentaries, but newly read (in 2013) for the book. – Wow, was this poorly edited. So many flubs were left in. I don’t know how I made it to the end
  • Sunshine Girl: An Unexpected Life by Julianna Marguiles (“margh-u-leez”) – I have seen little of Julianna’s work outside of the 1997 live episode of ER, but I enjoyed learning about her. – I was watching Friends on HBO Max at the time I heard her book, and it was neat seeing her older sister Alexandra (referenced in the book) recur on that show.
  • Mayor Kane: My Life in Wrestling and Politics by Glenn Jacobs (a.k.a. Kane) – Like Talking to GOATs, I remembered where I was at the time of some of the events Glenn recounted from the period when I was a wrestling fan. – “-E” instead of “-F” – In pro wrestling terms, I was a mark early in my fandom and Isaac Yankem, Glenn’s first WWE character, genuinely scared me. So, I was surprised that he hated the character – The Fake Diesel angle began on Monday Night Raw on September 23, 1996, two days before my sister’s bat mitzvah. – Early Kane scared me, too. – Glenn’s position as mayor of Knox County, Tennessee, would be known as county executive in most other regions. I was unaware of county executives going by mayor until I heard a public address announcement by the “mayor of Broward County” in Fort Lauderdale-Hollywood International Airport on March 5, 2019, while waiting in the JetBlue terminal for a flight back to JFK. (See photos from my trip here.) – I didn’t enjoy Glenn’s libertarian commentary toward the end, but at least it’s on my side of the political aisle, and he didn’t attack anyone like Boehner did.
  • Five Minutes, Mr. Byner: A Lifetime of Laughter by John Byner with Douglas Wellman (read by John) – I had better luck with John Byner than with John Boehner. – Long Island represent! Byner grew up all over Long Island, including Bohemia and Merrick. (Since Bill O’Reilly’s book, and Brian Kilmeade’s later, aren’t memoirs, I didn’t/don’t acknowledge they are also from Long Island. Bill’s from Levittown and Brian’s from Massapequa.) – I forgot John’s last name at birth was Biener. Unlike the Biener Audi folks, the phonetic spelling John legally adopted is how his family said it; like my last name, people kept mispronouncing his, calling him “Beaner” or “Beans.” – I don’t remember if he brought up playing Gurgi (and Doli) in The Black Cauldron, but I watched it on Disney+ a few weeks ago, as I work my way through (most of) Disney’s theatrical animated releases in chronological order. – Just as I prepared to published this post, I learned of The Super Bob Einstein Movie documentary on HBO Max. Bob created Super Dave Osborne for The John Byner Comedy Hour and would later appear on John’s Bizarre series and his own show, Super Dave.
  • Past Imperfect: The Autobiography by Joan Collins – Originally published in 1978, revised in the mid ’80s to include her Dynasty work, recorded in 2021. – Maxwell Reed was her husband, but I came to hate him just as much after listening. – I thought back to Slobberknocker as Joan referenced Bill Watts, obviously not related to Cowboy Bill.
  • Tropical Attire Encouraged (and Other Phrases That Scare Me) by Alison Rosen – Free with my Audible membership – Each chapter ended with an impromptu commentary by Alison and after finishing the book, there’s podcast-esque commentary by Alison and her husband Daniel Quartz. – I became a fan of Alison during her days as a guest on Red Eye with Greg Gutfeld, proudly supporting the original livestream (UStream) incarnation of Alison Rosen is Your New Best Friend. It was an honor to be the Fan Phone Call one Sunday evening in 2010; I listened to some episodes of the podcast version that continues to this day, but haven’t heard an episode in quite a while. – I’ve since gravitated toward podcasts by Gilbert Gottfried (with Frank Santopadre) and Ken Levine. – Listening to this book made me nostalgic for the halcyon days before politics drove a wedge into everything.
  • My Inappropriate Life: Some Material Not Suitable for Small Children, Nuns, or Mature Adults by Heather McDonald – Written and read in the days of Chelsea Lately, which again, I didn’t see much of, but I knew of the regular panelists and staff, including Heather.
  • The Long Slide: Thirty Years in American Journalism by Tucker Carlson – I can’t stomach his Tucker Carlson Tonight commentaries anymore (too dour, goes after right-wingers I like), but I was willing to buy The Long Slide. – After an introduction lamenting the way things were at the time of publication (summer 2021), the rest of the book is made up of past columns with present-day prologues. To that end, it was edited better than Charles Grodin’s audiobook.
  • You Look So Much Better in Person: True Stories of Absurdity and Success by Al Roker – I’ve been a fan of Al’s since his days at News 4 New York (WNBC), and thoroughly enjoyed his journey. – “You look so much better in person” was a well-meaning, unintentionally backhanded compliment someone gave him in Rockefeller Plaza one time on Today. Don’t ever tell anyone that.
  • Parenting for the Digital Age: The Truth behind Media’s Effect on Children and What to Do About It by Bill Ratner – There are occasional references to Bill’s career, but it’s mostly parental help, as the title indicates.
  • Oh, Nothing…: An Audio Collection of Stories and Memories from Alan Sues by Alan Sues (“sooz”) (1926-2011) – Since the book’s price was $9.79, I bought it that way rather with a credit that costs an additional $1.17 if bought with three ($11.96 x 3) or $5.16 with the monthly credit ($14.95). – Again I say as the title indicates, this is less of a book and more of an interview or one-on-one conversation. – There was so much more to Alan than his days on Laugh-In.
  • The Beauty of Living Twice by Sharon Stone – I felt deep empathy for Sharon as she recounted all that she’s endured. – Left-wing politics comes up throughout, but I made it to the end.
  • Mixed Plate: Chronicles of an All-American Combo by Jo Koy – “Josep!” – Jo’s brother reminded me of my late uncle Carmen, who also suffered from paranoid schizophrenia.
  • After Mixed Plate, I encountered the second book that I had to disappointingly return for left-wing political reasons. I prefer not to name it or its author (and co-author), but I will say that they were also born and raised on Long Island.
  • Windswept & Interesting: My Autobiography by Billy Connolly – I started listening just after I had finished watching Billy in the final season of Head of the Class on HBO Max, and earlier this week, I heard him in Pocahontas on Disney+. – Like Jimmy Johnson, these days, Billy lives with his wife in the Florida Keys.
  • Bad Republican by Meghan McCain – Double entendre: “bad” because she’s not conservative enough and she and her family hate [the 45th president], and “bad” merely as a Republican. The latter “bad” is how her former co-hosts of The View perceived her. – Three audio clips are used: two of her father Senator John McCain and one of her impassioned eulogy at his memorial. – One “at the end of the day”
  • God Bless This Mess: Learning to Live and Love Through Life’s Best (and Worst) Moments by Hannah Brown – Vocal fry galore! – Felt nothing when she won her season of Dancing with the Stars and didn’t get along with her dance partner Alan Bersten (only referred to by his first name) – That admission, with about an hour left in the book, let me to make my third return of the year. I was so distraught, having wasted my time supporting her (even though I thought she didn’t deserve to win that season!), I couldn’t finish my workout on the morning I heard that part.
  • Dear Hartley: Thoughts on Character, Kindness, and Building a Brighter World by Jedediah Bila – Speaking of former hosts of The View, Jedediah’s Dear Hartley is a series of hopeful letters (chapters) to her currently-toddler son. – Each “letter” ends with “I love you more than life, Mama.”
  • Kind is the New Classy by Candace Cameron Bure – One “at the end of the day” – Hey, three The View ex-pats in one year! – While Candace spoke positively of her co-hosts in the book, since she was still on it in 2018, she has since admitted her experience was as bad as Meghan’s.
  • Based on a True Story: A Memoir by Norm Macdonald (1959-2021) – Yes, the first “d” is lowercase. – This is not a nonfiction memoir, but a fictional novel “based on a true story.” – It’s the story of egomaniacal Norm and his timid sidekick Adam Eget (“e-ghit”), intertwined with confessions from the supposed ghostwriter of the book, voiced “splendidly!” by Tim O’Halloran.
  • Wishful Drinking by Carrie Fisher (1956-2016) – Before my animated theatrical journey began on Disney+, I watched all nine episodes of Star Wars (the Skywalker Saga) in episodic order. After finishing the original trilogy, I watched Bright Lights: Starring Carrie Fisher and Debbie Reynolds, a documentary produced by Carrie’s brother/Debbie’s son Todd, on HBO Max. Then, I decided to buy this audiobook and three of the next four below. – Left-wing politics, but through a 2008 lens
  • Shockaholic by Carrie Fisher (1956-2016) – A chronicle of Carrie’s experience with ECT (electroconvulsive therapy) treatments – It includes another hater-facilitated defense, this time of Michael Jackson. Good.
  • The Princess Diarist by Carrie Fisher – She talks about her experience making the original Star Wars trilogy and shares diary entries written during filming of the first one (Episode IV). – The diary entries are read by her daughter Billie Lourd. – Ends with modern-day dramatizations of fan encounters at conventions, which Carrie referred to as “celebrity lap dance(s),” a term she also used in Bright Lights.
  • The Boys: A Memoir of Hollywood and Family by Ron and Clint Howard (foreword written and read by actress Bryce Dallas Howard, Ron’s daughter) – This is a real memoir about Ron and Clint’s youth and the lives of their parents Rance and Jean Speegle Howard. (I thought it was “Spiegel” as I listened since I have a friend with that last name.) – I’ve since heard Clint in The Jungle Book and two Winnie the Pooh shorts, via The Many Adventures of…, on Disney+. – This was temporarily the longest audiobook I’ve ever listened to, surpassing I’ll Be Back Right After This by Pat O’Brien.
  • My Girls: A Lifetime with Carrie and Debbie by Todd Fisher – Todd’s memoir and point of view of the events chronicled in Carrie and Debbie’s books, which are occasionally excerpted – Todd says “two thousand and” for 2001 and beyond, even for 2010 and beyond. – He kept saying “in the end,” but I’ll take a million of those over one “at the end of the day.” Bravo, Todd. – Only five minutes shorter than The Boys
  • The Masked Man: A Memoir and Fantasy of Hollywood by Tom Wilson – This is the book I listened to on YouTube. Tom posted chapters to his channel daily over three weeks in January. – Like Norm’s book, there’s a fictional aspect (“and fantasy of”). You don’t really think Clayton Moore followed him around like a shadow, do you? – I made a playlist of all the chapters, but you may buy on Audible if it’ll clear your conscience.
  • The President and the Freedom Fighter: Abraham Lincoln, Frederick Douglass, and Their Battle to Save America’s Soul by Brian Kilmeade – A book about the lives of Abraham Lincoln and Frederick Douglass
  • But Enough About Me: A Memoir by Burt Reynolds (1936-2018) with Jon Winokur (read by Burt) – Burt lists many of the people that helped shape his life. – I don’t know if it was the frailty of age, but Burt’s delivery was mostly whispered. – I’m thankful to Burt for reminding me of Sally Field’s verbatim acceptance speech when she won the Academy Award for Best Actress, her second, for her role in Places in the Heart, and how it alluded to her previous win for Norma Rae. Read about that in her Wikipedia entry.
  • I Shouldn’t Even Be Doing This!: and Other Things That Strike Me as Funny by Bob Newhart (abridged) – The book is from 2002, so Bob’s speech was still clear and his voice wasn’t high. – Bob’s signature routines are sprinkled throughout. – I’ve since seen Bob in The Rescuers and The Rescuers Down Under on…guess where?
  • Coreyography by Corey Feldman – Empathy strikes again as my heart ached for what he and Corey Haim endured as children. – I have a hunch I’ve heard his father Bob Feldman on some David Benoit albums, but maybe it was a different Bob Feldman. – Corey, too, set the record straight on Michael Jackson. – Yeah, he was in one of those animated theatrical films I saw on Disney+ (that’s where): The Fox and the Hound.
  • Who I Am by Pete Townshend (“town’s end”) – Even longer than The Boys: 17 hours and 56 minutes. I still have around four hours left, but it’s quite an adventure. – The title is a play on his song “Who Are You?” for The Who.

As I crafted this post, adding one book at a time, I had no idea how many books I had listened to: 34, plus three that I returned! That far exceeds the amount of books in earlier posts.

Until next year’s “Audiobooking” post, happy listening.

Instrumental Invasion, 3/2/22: Show 100! March 3, 2022

Posted by Mike C. in Airchecks, Audio, Basketball, Film, Internet, Jazz, Media, Music, Personal, Radio, Rock, Sports, Video.
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The March 2 Instrumental Invasion on WCWP was the 100th Wednesday night show! It was recorded on January 10 (four segments) and 11 (two segments). A pickup was recorded on the 12th.

The playlist was created on January 8, annotated on the 9th, and the script was drafted on the 10th before recording.

With the LIU Sharks men’s basketball team in the NEC (Northeast Conference) tournament, I had to prepare for the possibility of the show getting bumped back a week. Not only would that mean realignment of the six shows that followed, but I had to redub any references to March 2 in the 100th show. Here’s a compilation of those dubs:

My worries were for nothing and those dubs went unused. Yes, the Sharks’ quarterfinal against Sacred Heart University was at 7:00, but I was told the show would be joined in progress after coverage concluded. However, listening to the stream around 7:30 and 8:00, I noticed The Rock Show was running as scheduled. Apparently, the game – which the Sharks won – wasn’t going to be streamed. The 100th Instrumental Invasion aired in its entirety, as you’ll hear (scoped) below. (7:15 PM UPDATE: The game was not broadcast because of a telecommunications issue which should be resolved by Saturday for the semifinal game against Wagner College.) (3/6 UPDATE: They lost.)

The format for this milestone show – as I said on the air, I couldn’t have imagined this when I volunteered to record shows to fill airtime – is the same as the one last March 24. This was only the second show without a David Benoit song, but there was plenty of Jeff Lorber to go around.

Starting with this show, I don’t say “on 88.1 FM and WCWP.org” at the top of hour 2. The legal ID has run without fail every week but the first, so it’s unnecessarily redundant. It took me 99 shows to figure that out, including the shows where I said “on WCWP Brookville.”

Three songs were played for the second time as they were singles when making the playlist (first time in parentheses):

I had the reverb shout for “People Power” in mind since hearing the song on SiriusXM’s Watercolors. I’d been meaning to play “Lunchbox” for a few weeks, but kept forgetting to include it. I learned “March Forth” would be the next single from Passage through Bill himself.

I was inspired to play the Jeff Lorber Fusion cover of “King Kong” after seeing Zappa, the Frank Zappa documentary mostly culled from his personal archives, on Hulu on Christmas Eve. I knew that Jean-Luc Ponty was part of The Mothers of Invention and post-Mothers ensembles, but I was surprised how many others were associated with Zappa, including one other performer on the JLF cover: Vinnie Colaiuta. Still another Zappa alumnus to play on the cover was Ed Mann.

I mentioned after “Sooki Sooki” by Gerald Albright that I saw his daughter Selina, who sang background vocals, at the Tilles Center in December 2017 as part of Dave Koz‘s 20th Anniversary Christmas Tour. Here’s a recap. Tilles is a short walk from WCWP’s Abrams Communications Building.

The last talk break was a pain to record because there was too much to say and too little time. It’s just as well since Hudson‘s cover of “Wait Until Tomorrow” started slowly fading out in its last minute. Plus, I didn’t get any sleep the night before, an occasional nuisance.

Click here to download the aircheck MP3 or listen below:

As you’ll hear, I included promos for WCWP-FM 57th anniversary programming to air before my show on March 16.

Instrumental Invasion, 1/26/22 January 27, 2022

Posted by Mike C. in Airchecks, Audio, Film, Internet, Jazz, Media, Music, Personal, Politics, Radio, TV.
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The January 26 Instrumental Invasion on WCWP was recorded from December 7 to 9, 2021. The first segment was recorded at home on the 7th, four segments at the remote location on the 8th, and the last segment and pickups back at home on the 9th. More pickups were recorded at the remote location on the 14th as I shortened four segments. Starting next week, all segments will be 18 minutes long, bringing me full circle as that was the standard duration for the first seven months of Instrumental Invasion. (Going forward, I will not specify where segments are recorded; only when.)

The playlist was created on December 5 with annotations on the 6th. The talk break script was drafted on the 6th and 7th.

The stream cut out seven minutes into the show. Audio returned 39 minutes later, but uncompressed and initially fluctuating between channels. I will reuse the songs that didn’t air in future shows.

I played “Sundance” by Boney James because it was on the smooth jazz radio charts at the time of recording. I also wanted to work in the line “without Butch” in reference to Butch Cassidy and the Sundance Kid. You won’t hear that on Watercolors!

I didn’t realize “Legacy” by Kenny G – a “duet” with Stan Getz – was new to the charts. I chose it as the first of six tracks to play from New Standards because it was featured in Kenny’s episode of the HBO documentary series Music Box that aired on December 2, the day before the album’s release. Plus, I got to call back to the Return to Forever song at the top of the show (“Medieval Overture“) since Stan Getz collaborated with Chick Corea during the RTF era. Fun fact: Chick’s compositions “Captain Marvel” and “500 Miles High” were recorded with Stan before RTF, but Light as a Feather came out first.

And yes, it’s true. I once let slip my political views on air, as noted after Jeff Lorber‘s “Anthem for a New America.” These days, the less I know about politics and current events, the better, and I don’t want to clash with people. I want to be everyone’s friend, regardless of politics. Incidentally, this was the second week in a row where I played a song from Jeff’s He Had a Hat album.

Click here to download the aircheck MP3 or listen below:

The dead air portion was filled with segment file audio. The audio afterward was hard limited with the fluctuating portion converted to mono.

Instrumental Invasion, 10/13/21 October 14, 2021

Posted by Mike C. in Airchecks, Audio, Film, Internet, Jazz, Media, Music, Personal, Radio, Sci-Fi.
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The October 13 Instrumental Invasion on WCWP was another 3-2-1 recording. The first hour was recorded on August 26, two second hour segments on the 27th, and the last on the 28th. Pickups were recorded on August 28 and 29, and September 1.

The playlist was created on August 25 and annotated on the 26th. The script was drafted before recording the first hour and then before the first two of the second hour.

There were no references to Homecoming Weekend because it was unknown at the time if it would even happen. The release of the weekend’s schedule on September 1 allayed my fears. For the first time since 2014, I only have an overnight pre-recorded show. The theme will be music from musicians’ latest albums.

The Hall of Fame ceremony, which would have coincided with Homecoming Weekend, was moved back to its traditional month of April.

10/20 UPDATE: Here is my recap of the weekend, culminating in WCWP’s 60th anniversary broadcast.

Getting back to the 80th Instrumental Invasion, after playing “Ballad of the Whale” by Yellowjackets, I finally got to reference the scene in Star Trek IV that there was no time for back on June 2. I almost met William Shatner last Thursday at New York Comic Con and saw a livestream of George Takei‘s panel the day after I attended. You can read about my experience here.

Ironically, in a later segment, I had to cut an anecdote about my cousins in the Pacific Northwest – I’ve only seen them when they visit the East Coast – and an assumption about The RippingtonsBuilt to Last album that entries on Wikipedia and Discogs disproved.

“Sunset Passion Juice” by Special EFX had been a single for a while leading up to recording, but the mellow sound made me reluctant to play it…until this show.

Click here to download the aircheck MP3 or listen below:

For the second week in a row, the aircheck includes my show promo.

Instrumental Invasion, 9/1/21 September 2, 2021

Posted by Mike C. in Airchecks, Audio, Film, Internet, Jazz, Media, Music, Personal, Radio, Video, Video Games.
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The September 1 Instrumental Invasion on WCWP was recorded an hour per day on July 22 and 23 amid construction next door.

The playlist was created on July 21 and annotated on the morning of the 22nd. The script was drafted before each recording session. That means the first hour was drafted on the afternoon of the 22nd and the second on the morning of the 23rd.

As usual, some segments ran long, requiring fast delivery or removing sentences, while others ran short, requiring padding, swapping out short liners for longer ones, and extra info. For example, I wasn’t planning on listing all the Hubert Laws albums Chick Corea played on.

I referenced the 1989 film The Wizard while back-selling “The Wizard” by Joyce Cooling. It’s a film I had heard about, but didn’t see until last September on HBO Max. It surely made moviegoers want a Nintendo Entertainment System, Power Glove (Lucas Barton loves it!), and Super Mario Bros. 3, key to the film’s climax. SMB3 was released in North America two months after The Wizard released.

The Power Glove was mentioned in The Gaming Historian‘s video on the U-Force, which creator Norman Caruso posted eight hours before airtime. Watch:

As for my show, click here to download the aircheck MP3 or listen below:

The stream audio was fine this week, clear as a bell in both channels, but there was a glitch toward the end of the first segment of hour 2. The stream (or automation) froze for about three minutes, resumed, froze again for several more seconds, resumed again, then jumped ahead to the next segment. For the part that didn’t air, I copied from my segment files and applied a multiband compressor filter.

9/3 UPDATE: Ken Navarro hosted a listening party tonight on Facebook for I Will Still Be Here, and I learned I’ve been mispronouncing the last name of trumpeter Tyler Mire. It’s “meer,” as in meerkat. It doesn’t rhyme with fire. Last week’s show and next week’s show, which I submitted yesterday morning, also have that mispronunciation.

Instrumental Invasion, 8/25/21 August 26, 2021

Posted by Mike C. in Airchecks, Audio, Blu-ray, Comedy, Film, Internet, Jazz, Media, Music, Personal, Radio, TV, Weather.
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The August 25 Instrumental Invasion on WCWP was again recorded two segments per day, from July 15 to 17.

The playlist was created and annotated on the 15th and, again, the script was drafted as I recorded.

A few segments ran long, which required me to cut out information, such as what I hoped to share about The Goonies, which I watched on Blu-ray back in February.

The rest of the segments were barely short, requiring minimal padding.

I continued my tradition of playing songs that were excerpted for local forecasts/Local on the 8s on The Weather Channel. That included “Mirage” by The Rippingtons, “One Thousand & One Nights” by Shahin & Sepehr, “Go Wes Young Man” by Chris Camozzi, and “Happy Feet” by Steve Oliver. I first heard “The Way to You” by Nelson Rangell on CD 101.9. The point where I ended my talk-up is where the radio edit began.

Click here to download the aircheck MP3 or listen below:

For the second week in a row, the left channel audio was barely audible. That means this aircheck is once again mono from the right channel.

Instrumental Invasion, 8/11/21 August 12, 2021

Posted by Mike C. in Airchecks, Audio, Film, Internet, Jazz, Media, Music, Personal, Radio, Sci-Fi, Technology, Video.
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The August 11 Instrumental Invasion on WCWP was recorded over three days. The first hour was completed on July 1 with two second hour segments recorded on the 2nd and the last on the 3rd. Pickups were recorded on the 3rd and 4th (in the morning, before intermittent fireworks began).

The playlist was created and annotated, and the script drafted, entirely on June 30.

Since I was eager to play the McCoy Tyner Big Band version of “Fly with the Wind,” I swapped out the 1984 and earlier segment for a second 1985 to ’95 segment.

Some segments ran short, others were a little too long. In the last talk break, I forgot to acknowledge Trevor Neumann in the horn section of “Wayman” by Steve Cole.

I had the talk-up for “I’ll Love You Later” by Jay Rowe in mind ever since he played a solo piano version last year during one of his Facebook Live streams. For the sake of example, here’s his stream from May 25 of this year:

There’s a reason I played “Godzilla” by Nelson Rangell. While I have never seen a Godzilla film, not even the latest, I appreciate the franchise. I owe my appreciation to James Rolfe‘s explanatory 2019 Cinemassacre video, “Godzilla for Beginners”:

His spoiler-free review of Godzilla vs. Kong on March 31 set me up for if I ever watch it:

One more thing: Last Friday, James posted a behind-the-scenes video regarding his recent Angry Video Game Nerd episodes. That included outtakes from Shrek: Fairy Tale Freakdown, the first episode of 2021. The outtakes inspired me to clip them and add “Floaters” from the YouTube audio library, which is heard at the end of Technology Connections videos, to play underneath. For fans of that channel, “Floaters” has become synonymous with “le bloops,” bloopers from a given video. It came out this way, complete with Technology Connections-inspired captions:

As for this week’s show, click here to download the aircheck MP3 or listen below:

Instrumental Invasion, 7/28/21 July 29, 2021

Posted by Mike C. in Airchecks, Audio, Comedy, Film, Internet, Jazz, Media, Music, Personal, Radio.
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The July 28 Instrumental Invasion on WCWP was recorded on June 17 (four segments) and 18 (two segments).

The playlist was created and annotated, and the script was drafted, on June 16.

Since the early days of the show, I’ve reached out to fellow WCWP alumni to record liners for it. The latest is Alexis Lindsey, known as Lexticy during her time at the station. Her liner debuted in this week’s show:

I recorded liners for her in the days of her show and I was glad to reach out to her for Instrumental Invasion.

It only took a week for me to play Rodney Franklin‘s addictive “Windy City,” which Lex’s liner led into.

Immature as it is, I can’t think of this show, the 69th overall, without an exclamation from Bill & Ted’s Excellent Adventure coming to mind:

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Instrumental Invasion, 7/14/21 July 15, 2021

Posted by Mike C. in Airchecks, Audio, Film, Internet, Jazz, Media, Music, Personal, Radio, Sci-Fi, TV.
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The July 14 Instrumental Invasion on WCWP was recorded on June 3. It was the first show recorded in one day since January 6, which was recorded four weeks earlier on December 9.

The playlist was created and annotated, and the script was drafted, on June 2, one day before recording.

In all, I worked on three shows in 12 days, between May 23 and June 3, recording them in a 10-day span, between May 25 and June 3.

Pickups were recorded from June 9 to 11, and on the 26th.

A few segments in this show ran long, but I didn’t have to cut much out to compensate.

I made a timing error for the second straight show, this time in the second segment of hour 2. That meant I had to replace “Altair and Vega” by Bob James and Keiko Matsui with “Au Naturale” by Chieli Minucci and Special EFX. The script for the talk break coming out of that song had to be revised, along with the tease at the end of the previous segment.

I called “Vulcan Worlds” by Return to Forever a “fascinating” song because Spock (Star Trek) was half-Vulcan and fond of the phrase “fascinating.”

I came up with “Wummers of Summer” two summers ago when I heard Steve Oliver‘s “Wings of Spring” on SiriusXM’s Watercolors. I’m glad to finally say that publicly.

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