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Instrumental Invasion, 1/12/22 January 13, 2022

Posted by Mike C. in Airchecks, Animation, Art, Audio, Comedy, History, Internet, Jazz, Media, Music, News, Personal, Philanthropy, Radio, TV, Video.
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NOTE: This post concludes with remarks on the passing of Bob Saget.

The January 12 Instrumental Invasion on WCWP was recorded from November 23 to 25, 2021. The first segment was recorded on the 23rd, the next three on the 24th, and the last two on the 25th, Thanksgiving. Pickups were recorded on the 25th, 27th, and 28th, with an additional pickup on December 14 to accommodate a shortened final segment. The other five had no wiggle room and remained 18:30 in length.

The playlist was created on November 21 and annotated on the 22nd, followed by the script draft.

I had South America, particularly Brazil, on my mind after watching a documentary on Disney+ called Walt & El Grupo about Walt Disney’s 1941 trip, with a group of studio artists, to South America. Then, I watched the two films inspired by the trip: Saludos Amigos and The Three Caballeros. The combination of watching those and listening to a DAT transfer of an extended of “Life is Like a Samba” by David Benoit, which was on a 7″ EP, are the reason I played the album version of the aforementioned song, “Cabana Carioca” by Spyro Gyra, and Cedar Walton‘s cover of “Aquarela do Brasil,” a.k.a. “Brazil.” And while determining how to pronounce vocalist Jerri Bocchino’s last name, since she sang the “Life is Like…” refrain, I was led to her website where she goes by Jerri Bo Keno. That’s how: “bo keno.”

I continued my tradition of playing a different version of a song I played the week before. Last week, I played the original Nelson Rangell version of “Dancing with Ivy,” and this week, it was the song’s writer Jay Rowe‘s version on his debut album, A Dream I Had.

“Wayman” by Steve Cole, “Still In Love” by Marc Antoine, and “Just Can’t Resist” by Oli Silk were all played for the second time. The first two were singles at the time of recording while the third song, like “Chrome Explosion” last week, was used to fill out the segment.

This was the second week in a row where the first song of the show was from 1979 and by a guitarist, and where the third song was by The Crusaders.

I was unaware of bassist Will Lee‘s Uncle Will nickname until an Instagram post by Bob Saget on October 28. I first used it on the Christmas show a few weeks ago. The reason for this anecdote is the unexpected passing of Bob this past Sunday. I saw a post by him that morning, thinking nothing of it, and was blindsided when I saw this post from actress Khrystyne Haje at the top of my feed around 8PM. I was ready to go to sleep, but couldn’t for about two hours. How could I with shocking news rattling around my brain? How could anyone, especially those that knew him personally?

Bob’s media friends, like Rich Eisen, suggested fans donate to the Scleroderma Research Foundation in his honor. Bob became involved with SRF after the disease took the life of his sister Gay. I made a donation before airtime last night, and I’m happy to report that thousands more have done the same.

As for last night’s show, click here to download the aircheck MP3 or listen below:

Instrumental Invasion, 12/15/21 December 16, 2021

Posted by Mike C. in Airchecks, Animation, Audio, Comedy, Internet, Jazz, Media, Music, Personal, Radio, Rock, Technology, TV, Video.
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The December 15 Instrumental Invasion on WCWP was recorded its entirety at my remote location on November 1, immediately after annotating the playlist and drafting the script. The playlist was created the day before, on Halloween (October 31). It’s the fastest turnaround from creation to completion since the July 14 show, which was created, annotated, and script drafted on June 2, and recorded on the 3rd.

To play it safe, I applied the denoise filter to all talk breaks, except for the pickup I recorded from home which is the first time I noticed how echoey my room is.

Back at home, I was a few days into re-digitizing my DAT and analog cassette recordings of The Mike Chimeri Show on WebRadio WCWP and the original The Instrumental Invasion on WGBB. Those shows were fresh on my mind during recording, as was Full House, a show from my youth, which I was four seasons into on HBO Max. Hence, “you got it, dude!,” and allusions to my early radio shows and its lead-ins: Jay Mirabile (2001-02) and Ryan Grabow (2003). It’s too bad that the stock laugh that The Nanny ran into the ground – as noted in the October 27 post – was used first by Full House starting in season 7. That laugh again:

Torture.

For the second time in the last four weeks, I swapped out the 1984 and earlier segment for an extra 2017 to present. I also opted to list release dates for 2021 releases instead of billing them as “all-2021 segments,” which I’ve overdone. One of the 2021 songs was the Delvon Lamarr Organ Trio‘s cover of “Careless Whisper” by George Michael. Bill McClintock did a great mashup that combines the backing track to George’s version with the vocals from “Love Gun” by KISS. Watch:

This was the second week in a row with a song from David Benoit‘s album, Here’s to You, Charlie Brown: Great Years! This time, I cited the accompanying TV special, which was the last Peanuts special on CBS before ABC took over broadcasting rights. What I didn’t mention is rights now belong to Apple TV+ and PBS.

As for the December 15 Instrumental Invasion, click here to download the aircheck MP3 or listen below:

Festival of Games recap December 13, 2021

Posted by Mike C. in Animation, Aviation, Christmas, History, Internet, Media, Personal, Photography, Travel, TV, Video, Video Games, Weather.
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Saturday, for the first time in two years and four months, I made the pilgrimage to the Cradle of Aviation Museum along Museum Row in East Garden City. The event was Festival of Games, spun off from the Long Island Retro Gaming Expo. The main expo returns next August, but video games were calling for me. So, I bought a ticket to the Festival on November 23.

My plan Saturday was to attend for two to three hours, walking through the vendor hall, free play zones, and ticketed arcade zone. (Patrons were given a ticket with their wristband at the front desk.) If any arcade games caught my eye, I’d play them. Then, I’d go back to the vendor hall and pick up games. I followed that plan to the letter upon my arrival just after 12:30. Here are the photos:

I didn’t play NARC then (or now), but I videotaped two of my friends playing, per these vidcaps (12/27 UPDATE: I upscaled the vidcaps with Bigjpg):

I left this out of the stacked gallery, but one of the free play TVs was connected to a Famicom Disk System, which ran a festive program:

Back at the vendor hall, I picked up 33 games for various consoles. I don’t remember what I bought from which vendor, but the business cards show they were Geek Guilt, Flashback Gaming, The SemiCollector, and Joega’s Comic Chaos. When greeting one of the vendors, I inadvertently said “hello” like Sheldon Cooper, Jim Parsons‘ character from The Big Bang Theory (and Iain Armitage‘s from Young Sheldon). Noticing, I repeated and got a laugh. As I edited Saturday’s photos, I noticed I missed a couple of vendors over the course of my shopping spree. Oh, well.

As I shopped, I checked my video game collection Word document to make sure I didn’t buy a game I already had. I didn’t.

While waiting for a ride home, I photographed my haul:

Once I got home, I photographed my pickups by console.

Going chronologically, I picked up 15 NES games:

Golgo 13: Top Secret Episode is out of order because I mistook the subtitle for the lead title. Thank goodness for Pat Contri‘s Ultimate Nintendo: Guide to the NES Library.

Five for Sega Master System:

The vendor took $10 off Rastan.

Three on Game Boy:

Two for Super Nintendo:

One for Super Famicom!:

Two for Sega Genesis:

One for Sony PlayStation:

One for Nintendo 64 (N64):

Two for PlayStation 3:

Two for Microsoft Xbox 360:

And one for Nintendo Switch:

In writing, the games were:

Nintendo Entertainment System:

Sega Master System:

Game Boy:

Super Nintendo Entertainment System/Super Famicom*:

Sega Genesis:

PlayStation:

Nintendo 64:

PlayStation 3:

Xbox 360:

Nintendo Switch:

Thank you to LI Retro for an enjoyable Festival of Games. I’ll see you in August.

Instrumental Invasion, 11/24/21 November 25, 2021

Posted by Mike C. in Airchecks, Animation, Audio, Comedy, Internet, Jazz, Media, Music, Personal, Politics, Radio, TV, Video Games.
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The November 24 Instrumental Invasion on WCWP was recorded one hour per day on October 4 and 6. I chose not to record on the 5th due to insomnia the night before. Recording was done on my laptop at my secondary location, but with my spare Audio-Technica AT2020 mic connected to my Focusrite Scarlett 2i2 that I used at home before receiving a new mixer for Christmas. The mic stood on a boom for three years under the false hope of conducting an interview with a house guest. Accepting reality, I brought the mic and interface to the other location to use with my laptop. I’d finally achieved a universal sound with the same mic model in both locations. The only problem is I noticed a hum on my talk breaks, which I determined was from the fluorescent lights on the ceiling. Apparently, I had gotten used to the hum and forgot it existed. I know now to turn off the lights before recording.

Pickups were recorded from home on October 8 and 21. Segments were also remixed on the 21st down to 18:30 or close to it.

The playlist was created on October 1 and annotated on the 2nd. The script was drafted before recording on the 4th.

To accommodate all the new music I received, I replaced the 1984 and earlier segment with a third 2017 to present segment.

This was the first show with a new Dan Siegel liner in mind. Segments from the previous four shows featuring his music were retrofitted to include the liner.

In addition to new music by Dan, the show also marked the debut of the Delvon Lamarr Organ Trio after his music was sent my way for airplay consideration. I said the title of the song I played “Girly Face,” a la Arnold Schwarzenegger, in reference to his phrase “girlie men.” The phrase was co-opted from the Hans and Franz sketch on Saturday Night Live, in the same manner that “cheese-eatin[g] surrender monkeys” was co-opted from an episode of The Simpsons.

I averted an error when crafting the second segment of hour 1, but missed the one in hour 2’s second segment. Thinking I had 3:50 available rather than 2:50, I selected “Watch Your Step” by Chris Geith. I realized the error during the October 6 recording session, replacing it with “Nocturnal” by Lisa Hilton. You’ll hear Chris’s song next week.

I’ve been meaning to end a show with Gerald Albright‘s cover of “Crazy” for a while, but it never fit. There was finally time for it this week.

Little did I realize that the penultimate song of the night, “Looking Ahead” by Bill Heller, would get the music video treatment the day after I finished recording. Here it is, with all musicians except for the percussionist (Paula Atherton is featured in the thumbnail on flute):

I didn’t mention on the air, but it was my parents’ 44th wedding anniversary.

Click here to download the aircheck MP3 or listen below:

8:45 AM UPDATE: I made another mistake that I didn’t notice until listening to the aircheck. When drafting the script, I mistook the first “i” in Dan Feiszli for an “r,” leading me to call him “Dan Ferszli” while back-selling “Full Sail” by Lawson Rollins.

Instrumental Invasion, 10/20/21 October 21, 2021

Posted by Mike C. in Airchecks, Animation, Audio, Internet, Jazz, Media, Music, Personal, Radio, Travel, TV, Video, Weather.
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The October 20 Instrumental Invasion on WCWP was recorded from September 2 to 4: one segment on the 2nd, three on the 3rd, and two on the 4th. Pickups were recorded on the 4th and 5th.

The playlist was created on September 1 with annotations and the script draft on the 2nd.

I referred to live shows in 2016 and ’19, and to New York Comic Con in ’17. I brought up NYCC after bringing up Futurama character Hattie McDoogal after playing “Whatchacallit” by Mike Stern. That was Hattie’s original catchphrase. I like “kajigger” better. I recapped all three events on this blog:

Let’s face it: if it weren’t for The Weather Channel, I wouldn’t be into instrumentals, or meteorology, for that matter. Many songs on this show were heard during local forecasts, later known as Local on the 8s. TWCClassics.com has compiled video and audio playlists. Audio goes in alphabetical order; “the” is listed under T.

This was the second week in a row where Herbie Hancock led off the show.

“Right On Time” by Richard Elliot was a single at the time of recording, previously heard on March 24.

For the first time since last December 9, the end of the last song – “Top of the Tower” by Jay Rowe – was cut off in automation due to spot breaks running longer than 90 seconds and the first week of new underwriting. 18:40 was a safe segment duration for so long, but no more. The next six shows had to be remixed with 18:30 segments. Some segments stayed at 18:40 and others were in between.

Anyway, click here to download this show’s aircheck MP3 or listen below:

My experience at Day 1 of 2021 New York Comic Con October 9, 2021

Posted by Mike C. in Airchecks, Animation, Art, Audio, Audiobooks, DVD, Health, History, Internet, Jazz, Media, Music, News, Personal, Politics, Radio, Technology, Trains, Travel, TV, Video, War, Wrestling.
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Other New York Comic Con recaps: 2012 Day 22014 Day 1, 2017 Day 1, 2018 Day 1, 2019 Day 1

I returned to the Javits Center on Thursday for the first day of this year’s New York Comic Con, my sixth time at the event. It was also the first time I set foot in Manhattan since a failed trip to Lisa Hilton’s performance at Carnegie Hall, nearly two years ago.

The days and weeks leading up to my trip were filled with trepidation. I felt anxious about what to expect. Would there be a capacity limit? Would I get scolded by staff or security? Did I waste my money on a badge? Why did William Shatner have to go to space, leading his events to be moved to the evening?

The day turned out to be as exciting as it was my last time at NYCC in 2019.

Under the assumption that I’d be meeting Shatner, I tweeted him about my concerns:

Been going back/forth on replying, but here goes: I have Asperger Syndrome, & I’m going to day 1 of NY Comic Con on Oct 7. I’m worried about what to expect, including photo op w/you that I bought. I’m hoping staff are nice, not angry/scolding. Will wear mask, of course.

Mike Chimeri

He replied encouragingly. I was hoping to link to that reply, but it seems to have been taken down.

Regardless, that led to many more replies from fellow fans. One fan in the UK made this suggestion:

Hi Mike, not sure if you have the same in the States, but in the UK we have a scheme where people wear a lanyard with sunflowers on, this signifies that the person wearing the lanyard may perceive life differently and to be a bit more understanding around them.

Mark ELVIS Goddard, @GBsBestElvis

He followed that up with…:

They are just a subtle way to let people know to be kind I work in the tourist industry & if a customer is wearing one we automatically know 2b kind & maybe a bit calmer around them, but they don’t have that awkward conversation of explaining why they don’t do lifts for example!

Mark ELVIS Goddard, @GBsBestElvis

So, I paid about $8 for a set of artificial sunflower heads. They shed like dog fur, but I proudly put one in my ticket holder above my badge.

My day began like any other Thursday since last April, in the days when the Javits Center was a field hospital for COVID patients: edit Wednesday’s Instrumental Invasion aircheck, make a scoped version for my blog, publish the blog post, and share the post on social media. That left me about 45 minutes to eat breakfast (a bowl of cereal), shower, and get dressed and packed.

An Uber driver picked me up around 9:00, dropping me off at Wantagh LIRR station within ten minutes. Once there, I bought my ticket and walked to my usual spot on the west end of the platform, above Wantagh Avenue. The train arrived at 9:28:

I was hoping for the new M9 railcar, but it was the old M7. Oh, well.

I listened to much of my aircheck on the platform and then on the train.

Penn Station has changed drastically since last January, as seen in these photos taken on the way back from Javits:

When I arrived at Javits, my Clear app vaccination voucher was scanned, then my badge, and I went through security. It was hassle-free, thankfully. I took the first photo at 10:42, snapping away until I reached the autographing area in hall 1E:

Knowing I’d be meeting Dee Bradley Baker, earlier in the week, I ordered a compilation DVD on Amazon of Phineas and Ferb episodes centered around Perry the Platypus, Dee’s character. Assuming I’d be seeing William Shatner’s panel at 11AM and getting a photo op at 12:10 PM, I bought a 1PM ticket for Dee. Thankfully, it was accepted at 11:00.

As I waited in line, I saw Dee and other celebrity guests assembling behind the curtain. I waved to Dee and he signaled back to me, pointing two fingers at his eyes and then toward me, as if to say “I’m watching you.” That was flattering. When I was next in line, I learned that photos were not allowed at the table; autographs only. I asked the representative if he had a photo op. Yes, at 3:40, an hour and 50 minutes before the rescheduled Shatner photo op would have been. I was fine with that.

Dee and I spoke briefly as he signed the DVD box art:

To Mike!

Dee Baker

Agent P (Perry’s code name in the O.W.C.A. [Organization Without a Cool Acronym])

Dee’s autograph

Then, he graced me with Perry’s signature vocal effect. We said our goodbyes and I proceeded to the sales table to buy my photo op.

It took half an hour because neither my credit nor debit cards worked and I had to withdraw cash from an ATM, then going on the line for cash payments.

I had 3 1/2 hours to spend until it was time to wait in the queue. What to do?

First, I bought lunch at the food court: chicken fingers with waffle fries and a Sprite. I ate as I finished listening to my aircheck. When I went to out my Bose SoundLink wireless headphones away, the ear cushion for the right channel came loose. I had to buy a replacement set from their website.

After that, I proceeded up to the show floor:

What?! Jerry “The King” Lawler and Jim “Good Ol’ J.R.” Ross?!

I was a big pro wrestling fan growing up, along with my sister Lauren and cousins Chris and Sam (Samantha). After another ATM trip, a dream of mine was fulfilled: an autographed photo…:

To Mike!

“King” Jerry Lawler (WWE) HOF 07

Jim Ross

WWE HOF ’07

Jerry and Jim’s autographs

…and a photo op with King and J.R.!:

As you can see, I wore my 2020 U.S. Open shirt, previously seen in my pretend Winged Foot photo.

Before the photo, I told King that I didn’t know he’d be there. True to form, he quipped that he didn’t, either, but found himself and J.R. there anyway, or words to that effect. Don’t quote me. All I know is my comeback was “yeah, that’s how it goes,” meaning that’s what happens. After the photo, I told J.R. how long I’d been a fan and that I really enjoyed his two books, Slobberknocker and Under the Black Hat, which I listened to on Audible. He thanked me. (I synopsized Under the Black Hat in my latest “audiobooking” post.)

I took some more photos on the show floor…:

…then went back to the food court for seltzer (sparkling water) and a cookie. I engaged in conversation with my table mates, then called a few friends, and texted Lauren and Chris with a photo of the photo:

There was still plenty of time, so I sought out room 1E01: the Quiet Room:

As the name suggests, it’s a place where you can silently contemplate. I used my time in the room to charge my phone and draft the post you’re reading now.

My plan to pass the time worked. 3:15 came and I walked to the queue:

I spent the next 20 minutes or so chatting with my fellow queue members, then it was time.

I handed a staff member my ticket, put my belongings on a shelf, and was reunited with Dee. Here is our photo:

I was looking straight ahead, so I didn’t know what expression he made. I love it: Jack Benny-esque.

I said goodbye again, grabbed my belongings, picked up my photo print, and left the Javits Center. I may not have seen and met William Shatner, but I made many lasting memories. I’m so happy with how the day turned out. I will definitely be back.

Incidentally, there are articles on Bill’s 6:45 panel – which I would have seen if it was still at 11AM – on CNN’s website and Mediaite. Mediaite’s article includes a YouTube video of the panel (by Gragon Productions):

I watched on Friday night. It was like I was there in person.

10/13 UPDATE: Bill’s space trip was this morning. I didn’t realize it would only be a few minutes, but those few minutes were literally awesome for him. Watch the Blue Origin webcast replay:

10/14 UPDATE: Then, watch the moment of apogee inside the capsule:

10/17 UPDATE: Blue Origin had one more video up their sleeve: a recap:

Back to October 7.

Here’s my photographic journey back to Penn Station:

I reached Penn at 4:05…:

…and took the 4:12 bound for Wantagh, which was another M7:

When I arrived in Wantagh at 5:02, my mom was waiting to drive me home. As it turns out, the Penn-bound train was an M9:

Back in my room, I took photos of all the day’s belongings:

POSTSCRIPT: While perusing the New York Comic Con site on Friday afternoon, I noticed George Takei, Bill’s Star Trek co-star, was in the Q&A portion of his panel. So, I watched, periodically taking screencaps. In addition to Star Trek, he fielded questions about the animated film Kubo and the Two Strings, the video game Command & Conquer: Red Alert 3, his political activism stemming from internment during World War II (I ached as he told his story), and fond memories of Leonard Nimoy, another Star Trek co-star. One anecdote in particular was about how George saw Leonard perform in the play Equus on Broadway and Leonard returned the favor when George performed in the L.A. production. After the last question, George stood up, thanked the fans in the hall, and gave them Spock’s Vulcan salute. Now, how about those screencaps?

Well, thank you for making it this far. My next task is to chronicle the return of WCWP Homecoming Weekend. Till then, so long.

Instrumental Invasion, 8/18/21 August 19, 2021

Posted by Mike C. in Airchecks, Animation, Audio, Food, Internet, Jazz, Media, Music, Personal, Rock, Travel.
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The August 18 Instrumental Invasion on WCWP was recorded two segments per day from July 8 to 10.

The playlist was created on July 7 and annotated on the 8th. This time, I drafted the script as I recorded.

Since the show aired on my father Bill’s birthday, just as March 10 was my mother Lisa’s birthday, I chose to play “Daddy’s Got a New Girl Now” (even though I’m a boy) by Spyro Gyra and David Benoit‘s cover of “Secret Love” since he recorded it with his father Bob. As usual for my dad’s birthday (which he shares with David), we went out for dinner at Sushi Time 560 in Bethpage.

I also made sure to include Road Runner sound effects leading into “Roadrunner” by Boney James. I said “meep meep” myself when talking up the song in my overnight Homecoming Weekend show in 2017 and coming out of Lee Ritenour‘s “Road Runnerlast December 2.

“Hipster” by Alexander Zonjic was previously played on January 6. I referred to irony, at the root of hipster culture, in both talk-ups.

Click here to download the aircheck MP3 or listen below:

The left channel audio was barely audible, so the aircheck is mono from the right channel. (8/26 UPDATE: The next show had the same problem.)

Audiobooking 6 April 4, 2021

Posted by Mike C. in Animation, Audio, Audiobooks, Baseball, Comedy, Commentary, Film, History, Media, Personal, Politics, Radio, Sports, TV, Video.
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It’s been just over a year since the previous post. Instrumental Invasion has taken up most of my time, providing a necessary escape from the tumultuous reality.

I continue to listen to audiobooks on days where I workout and run, or even while editing photos. My source remains Audible, now as a paid member. When I’m billed at the end of each month, I use my credit on the next audiobook to listen to. As I type, I have three-book backlog.

Here’s what I’ve been listened to since Andrea Barber’s memoir:

I was a big fan of “The Critic” and have been an on-and-off fan of “The Simpsons.” I heard the cheery voice of Mike Reiss (“rees”) in DVD commentaries for both shows. I thought I would like “Simpsons Confidential.” While it had its moments, the book was mostly a string of personal or locational attacks: Texas, South Carolina, Tim Allen, Republican politicians, etc. Never meet your heroes and don’t listen to their memoirs. I was previously let down in a similar fashion by Ron Perlman, Joely Fisher, Carrie Keagan, and Eric Idle. I was somehow able to tolerate the political asides of Billy Crystal, Carl Reiner, and Ken Levine (“laVYNE”) in their memoirs.
Thankfully, Audible refunded my credit for the book, even with only 55 minutes left to listen to. I used it to buy Jerry Seinfeld’s “Is This Anything?” I hope nothing makes me regret that purchase.
If you want to see Mike’s latest personal attacks on people he hates, he’s on Twitter at MikeReissWriter.

My Instagram post, 1/30/21; a screencap of Audible’s credit was the post photo
  • All in All: An Actor’s Life On and Off the Stage by Stacy Keach (foreword by Alec Baldwin, read by voice actress whose name, again, I missed) – Only political in the ’60s and early ’70s – blessed relief after enduring Mike Reiss
  • Is This Anything? by Jerry Seinfeld (chapter titles read by British voice actress) – Jerry’s jokes by decade, prefaced by synopses of his life in each decade
  • Never Look at the Empty Seats: A Memoir by Charlie Daniels (1936-2020) – Nearly the opposite of Ken Levine and Mike Reiss politically – pleasant to my center-right ears – nice to learn about his full career besides “The Devil Went Down to Georgia”
  • Greenlights by Matthew McConaughey – Except for acknowledging 2020 events at the end, enjoyable to listen to – “NOTE TO SELF! …”
  • Under the Black Hat: My Life in the WWE and Beyond by Jim Ross with Paul O’Brien (read by JR) – Focuses on JR’s WWF/WWE career, beginning at Wrestlemania XV in 1999 (six years after his initial debut) – for a wider life story, I’ll need to check out Slobberknocker: My Life in Wrestling

There, all caught up.

Until next year’s “Audiobooking” post, happy listening.

Instrumental Invasion, 3/24/21 March 25, 2021

Posted by Mike C. in Airchecks, Animation, Audio, Internet, Jazz, Media, Music, Personal, Radio, Technology, TV, Weather.
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The March 24, 2021, Instrumental Invasion on WCWP was yet another show recorded over three days. The first hour was taken care of on February 18 (while snow and sleet pelted my window), the first segment of hour 2 was recorded on the 19th (after an hour of fixing my computer’s audio), and the last two segments were recorded on the 20th.

The playlist was created and annotated on February 15 and the scripted was drafted on the 16th.

Next week’s show will mark one year since Instrumental Invasion went weekly. The first show was limited to music from the 1970s, so I’ll be paying homage in a similar vein: music from 1995 and earlier. Ahead of that, I opted this week for music between 1996 and 2021.

There were three animated series references in the show:

  • Talking up “Funkology by Matt Marshak: “And pay attention; there’ll be a test at the end,” one of Garfield’s title sequence tags on Garfield and Friends
  • Back-selling “She’s Got the Way-O” by Steve Oliver: “Did you (I) say 3-D?” was a fourth wall-breaking question in a movie at the start of “Timmy’s 2-D House of Horror,” an episode of The Fairly OddParents
  • A second Garfield and Friends reference came while talking up “Mystic Vibration” by Ragan Whiteside: in “Mind Over Matter,” a crooked fortune teller begins his act by “sending out for brain waves” and “psychic vibrations”

Click here to download the aircheck MP3 or listen below:

Instrumental Invasion, 3/10/21 March 11, 2021

Posted by Mike C. in Airchecks, Animation, Audio, Comedy, Internet, Jazz, Media, Music, Personal, Radio, Travel, TV, Video, Weather.
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The March 10, 2021, Instrumental Invasion on WCWP was recorded over three days: one on February 3, three on the 4th, and two on the 5th, which is when I added the first segment pickup “ready, and appear!” Like last week, the first segment of hour 2 was remixed on the 16th after Patrick Bradley e-mailed his liner.

It was my mother Lisa’s 65th birthday, but I superstitiously didn’t acknowledge that. To celebrate, she, my father Bill, sister Lauren, and I went out to dinner at Vittorio’s in Amityville. It was my first time at a restaurant since Mom’s 64th birthday. (The next day, the country began to shut down.) I was only required to wear my mask when not seated at the table, so I adapted quickly.

The playlist for this show was created and annotated on February 1 as a snowstorm raged outside. I added annotations for “Snapshot” by Richard Elliot on the 2nd after my copy of Authentic Life arrived in the mail. The script was drafted on the 3rd.

I was inspired to play “Nautilus” by Bob James after watching this video the night before creating the playlist:

I had wanted to play a John Philip Sousa march for a while, and chose this show to incorporate my appreciation for his marches and for Monty Python by playing “The Liberty Bell,” which was the theme to Monty Python’s Flying Circus. In the talk-up, referencing the show’s intro, I quoted John Cleese‘s BBC continuity announcer character and imitated Michael Palin‘s “It’s” Man.

I paid homage to another favorite series of mine, Rocky & Bullwinkle, while talking up “Why Not” by Fowler and Branca. One episode of the Banana Formula story arc found Boris and Natasha stealing the tape recorder they used to capture Bullwinkle hiccuping said formula back from Fearless Leader after he was knocked out by a spring in the machine:

NATASHA: Now what, Boris?
BORIS: What else? We run like rabbits.
NATASHA: Good idea!
BORIS: On second thought, we take secret formula (on the recorder) with us.
NATASHA: You mean steal it?
BORIS: Why not?
(pause)
NATASHA: Funny, I can’t think of a reason.

The aforementioned snowstorm inspired me to play Nelson Rangell‘s cover of “Sweetest Somebody I Know” by Stevie Wonder. One of the first times I listened to it was on the back end of a 2015 winter storm, also in early February. That storm began as snow, changed to sleet and freezing rain, then changed to rain, after which I shoveled, and changed back to snow, which led to more shoveling because it was accumulating.

I said “album” a lot!, but I don’t care.

Click here to download the aircheck MP3 or listen below: