Instrumental Invasion, 6/24/20 June 25, 2020
Posted by Mike C. in Airchecks, Animation, Audio, Comedy, Internet, Jazz, Media, Music, Personal, Radio, TV.add a comment
The June 24, 2020, Instrumental Invasion on WCWP was recorded on the afternoon of May 26 with rerecording on June 5.
Work on the playlist began on May 19 with annotations on the 24th and during the recording session on the 26th.
I was proud to incorporate Dave Pike and Randy Waldman into the show.
I bought Dave’s Jazz for the Jet Set after listening to “Sweet ‘Tater Pie” on Spotify. I was first exposed to the song after hearing WABC-AM DJ Dan Ingram play it on his WABC-FM (later, WPLJ) show in 1967. The jazz and blues show differed greatly from the top 40 he played the AM side. The aircheck I heard can be found on the Musicradio 77 website.
As for Randy Waldman, my musician friend Nelson Rangell recommended Superheroes to me during a phone conversation the night before I bought it and Dave Pike’s album. The first song I was drawn to was the “Mighty Mouse Theme.” It made me think of a routine in Andy Kaufman’s stand-up act. As Foreign Man, he would stand next to a record player while the theme played on an LP. He would stand perfectly still until the line “here I come to save the day!,” which he would lip-sync while heroically moving his arm.
Speaking of stand-up acts, I unknowingly channeled comedian Timmie Rogers both times I said the title of Brian Hughes‘ song “Oh Yeah!” That was Rogers’s catchphrase, exemplified in this 1960s performance:
I have a feeling I’m the only DJ in North America to play Anders Enger Jensen on the radio. His music is all over YouTube – on channels like The 8-Bit Guy, Techmoan, Technology Connections, and of course, his own channel – but it needs the terrestrial treatment, and I provided it.
The end of the first hour’s second segment and all of the third had to be rerecorded on the morning of June 5. After referencing Norman Brown‘s “Something Just for You,” on the same album as “It’s a Feelin’,” my segue to the tease should have been “A Song Just for Bilbao,” but I inverted “just” and “for” and didn’t notice the mistake until a day after recording. Since it wasn’t a factual error or repeated phrase (i.e. “but first”), I initially chose not to rerecord. A week after recording, I realized I neglected to acknowledge Dave Holland, the bassist on Michael Brecker‘s cover of “Song for Bilbao.” Since there was music playing under both omissions, I had to redo the entire segment. After that, I fixed my flub at the end of the previous segment.
Unfortunately, as I feared, the redone segments were not added to automation. So, listeners heard the original “for just” and Dave Holland-less segments. The lesson here is to thoroughly check your recordings before submitting them.
Click here to download this show’s aircheck MP3, which I modified to include the corrections, or listen below:
Instrumental Invasion, 5/27/20 May 28, 2020
Posted by Mike C. in Airchecks, Animation, Audio, Internet, Jazz, Media, Music, Personal, Radio.add a comment
The May 27, 2020, Instrumental Invasion on WCWP was #9 overall.
The playlist was created on April 12 with annotations on the 14th, 15th, and during the recording session on the 25th.
The “woo! yeah!” excerpt I used while back-selling “Hustlin'” by Eric Marienthal is from the Wikipedia entry.
I had Pat Summerall on my mind when I said “Touchdown.”
The way I talked up Steve Cole‘s “Good News Day” was an homage to Professor Farnsworth’s “good news, everyone!” exclamation on Futurama.
Click here to download the aircheck MP3 or listen below:
Instrumental Invasion, 4/29/20 April 30, 2020
Posted by Mike C. in Airchecks, Animation, Audio, Jazz, Media, Music, Personal, Radio.add a comment
The April 29, 2020, Instrumental Invasion show on WCWP was the fifth to be mixed and recorded between March 25 and 30. It was the last show with hours dedicated to one year.
The playlist was made on March 23 with annotations the next day and while recording on the 29th, exactly one month before it aired.
The way I said “Spoons” while talking up Eric Marienthal‘s song was a reference to The Tick‘s catchphrase, established in this scene from the episode “The Tick vs. Arthur’s Bank Account“:
I missed an opportunity to call back to Gerald Albright‘s bass work on “Sassy” by Bobby Lyle while backselling “Highway 70” in the 2010 hour.
Click here to download the aircheck file or listen below:
Rob Paulsen with Michael Fleeman, Voice Lessons November 7, 2019
Posted by Mike C. in Animation, Audiobooks, Books, Comedy, Health, Media, Music, Personal, TV, Video.add a comment
Posing with Rob Paulsen (right) and Michael Fleeman (left) after they discussed Voice Lessons at Strand Bookstore
Four weeks ago today, I attended a discussion and signing at Strand Bookstore for voice actor Rob Paulsen‘s memoir (with Michael Fleeman), Voice Lessons: How a Couple of Ninja Turtles, Pinky, and an Animaniac Saved My Life. Two weeks passed before I began simultaneously reading the book and listening to the “read by the author” audiobook.
On the afternoon of October 24, I read the front and back covers, Rob and Mike’s signatures, and the “Praise for Voice Lessons.” Then, I opened the Audible app on my iPhone and began the simulcast. I read and listened to the dedication, foreword (written and read by Rob’s son Ash), introduction, and the first chapter. I took care of the rest of the book, including photos and the “about the authors” page, over nine of the next thirteen days. It was a quite a literary journey.
Voice Lessons recalls key moments in Rob Paulsen’s life and career, including growing up in Michigan, leading a cover band, moving to California to pursue acting, his biggest roles, and winning an Emmy Award.
The last 40% of the memoir covers the harrowing journey through Rob’s throat cancer diagnosis, treatment, and recovery. I felt like I was there and I sympathized. I cheered inside as his recovery progressed. I remember listening to the first Talkin’ Toons podcast Rob did after his recovery, which he cited in the last chapter. His lead sentence even served as the chapter title: “faith, kindness, passion, humor…and Cheez-Its.”
There is also a heartwarming story about Chad Gozzola, a Duchenne muscular dystrophy patient whom Rob first met at a charity hockey game in Calgary, Alberta, Canada, and remained in touch with – along with his family – over the rest of his life.
The book concludes with the return of Animaniacs and Pinky and the Brain, which will premiere next year on Hulu. Rob also announced that at the book discussion.
This humble review only scratches the surface. Voice Lessons is about 200 pages long and worth reading. The audiobook is seven hours and seven minutes long and worth listening to. I recommend both at the same time, although you’ll occasionally notice differences in phrasing.
I’ll leave you with a photo of my copy and my log:
I kept in Strand’s Post-It note, indicating I’m in signing group 1, as a reminder of my experience last month. As for the log, I tracked the content I read and how many pages it was. For example:
11/1/19: Chapter 7 (27)
Rob Paulsen at Strand Bookstore October 13, 2019
Posted by Mike C. in Animation, Audiobooks, Books, Comedy, Health, Internet, Media, Music, Personal, Photography, Travel, TV, Weather.2 comments
I traveled to the borough of Manhattan for the second Thursday in a row. This time, my destination was the Strand Bookstore in the East Village to see voice actor Rob Paulsen discuss his new memoir, Voice Lessons: How a Couple of Ninja Turtles, Pinky, and an Animaniac Saved My Life. He was joined by his co-author Michael Fleeman, and later by Randy Rogel, the brilliant mind behind many great songs and episodes from Animaniacs and Histeria!, among other credits, and animation writer, including for Batman: The Animated Series, which I began watching on the DC Universe app and website on September 27 and will complete today.
The trip to Strand Bookstore marked my first time on the east side of Greenwich Village after a few years traveling to the West Village for performances at Blue Note. My most recent trip there was for John Scofield’s Combo 66 last November.
A nor’easter had been churning offshore since Wednesday and was supposed to push back west, giving the region rain and wind until Friday or Saturday. I woke up Thursday morning to unexpected sunshine. It turns out the rain wasn’t going to start until the afternoon. I regularly run for exercise, so I took the opportunity to get in 10.4 miles, an outdoor personal best that I would break by .1 miles only two days later.
The sun held out much longer than I thought it would and I was able to walk to the Wantagh LIRR station without needing to take Uber to avoid walking in the rain. I only had to contend with light rain for the last quarter-mile and for ten minutes on the platform. As the train proceeded west toward Penn Station, away from the nor’easter, the skies cleared. The ride was uneventful except for the sight of a Southwest Airlines plane approaching LaGuardia Airport. If only I had my camera out of my backpack.
After arriving at Penn Station, I proceeded up West 34th Street to 6th Avenue, where I went down to 34th Street-Herald Square Station and took the Q train to 14th Street-Union Square Station.
These are the sites I took in as I walked through Union Square and down to Strand:
It was 5:58 when I walked into Strand. Rob’s discussion was on the 3rd floor, the Rare Old Books floor. I walked up the stairs where a few people waited by the door until we were allowed in at 6:30. The line grew over the next half hour, but before long, the door opened and those of us that were on the guest list checked in. We were given a copy of Voice Lessons with a Post-It that had a number written on it. Mine had the number 1, which meant I was in group 1, the first to get books signed by Rob Paulsen and Michael Fleeman.
I sat in the front row, right next to Rob and Mike’s chairs. To my right, a laptop was connected to a TV for slides and a couple of videos that would be shown during the discussion:
Rob and Mike entered the room at 7:09 and the discussion began.
Rob’s brother Mike was in attendance, along with his high school friend, his agent, and a few others. Randy Rogel sat with them until the musical portion of the event. The rest of the attendees were, like me, hardcore Rob Paulsen fans.
Here are select close-ups of Rob Paulsen:
…and Michael Fleeman:
Rob and Mike discussed the structure of the book and went over its highlights.
They also talked about Rob’s signature characters, starting with Raphael from the original Teenage Mutant Ninja Turtles and Donatello from the 2012 series:
Carl Wheezer from The Adventures of Jimmy Neutron: Boy Genius:
Yakko Warner on Animaniacs:
Genetically-enhanced lab mouse Pinky of Pinky and the Brain, which began as shorts on Animaniacs and were spun off into their own series:
This portion led to a reading of the book’s introduction: “Pinky Gets Bad News”:
Then, Mike introduced a pair of commercials Rob appeared in:
The first was his first role: a 1979 ad for west coast fast food chain Jack in the Box during their Fring (french fry/onion ring) campaign:
Here is that ad:
The second was the infamous “Aaron Burr” Got Milk? ad where a radio call-in contestant fails to coherently recite the correct answer because he doesn’t have milk to wash down his peanut butter sandwich:
You know the one: “Awwin Buww!” Rob voiced the radio personality, Sean Whalen played the unfortunate caller, and Michael Bay – yes, that one – was the director! Watch:
The discussion inevitably turned to Rob’s throat cancer, which he thankfully survived (knock on wood):
The stage then turned to Randy Rogel:
Referring to the sign behind him, he quipped: “I like how this is ’18 miles of books,’ and now it’s 18 miles and one inch.”
Rob explained how Randy got into showbiz:
Randy talked about when Rob told him he had cancer:
“…but the truth is, the doctor said to Rob, ‘Rob, you have a very rare form of cancer. It’s called The Rob Paulsen Cancer. And he said, ‘why me?!'”
Jokes aside, Rob and Randy were part of Animaniacs LIVE! at Joe’s Pub the night before. Unfortunately, I was unaware of the event and did not attend. For those of us that couldn’t make it, and even for some that did, we were treated to a few songs.
To the Joe’s Pub attendees, “if I had known you were gonna be here tonight, I’d have written a new song”:
Rob replied, “Not too far from the truth.”
The first song was “When You’re Traveling from Nantucket,” from Animaniacs episode 87, which focused on the concept of time:
“… The international date line’s an imaginary cleft. Today is on the right side and tomorrow’s on the left. …”
“… that it was mildly amusing, but then totally confusing, and we bet you wish we hadn’t sung at all!”
Next was a song from Histeria! episode 32, “Writers of the Purple Prose.” Chronicling the works of William Shakespeare, it’s “That’s the Story That’s Told by the Bard”:
It was a duet:
Singing of MacBeth: “… Then he kills others, it’s really quite vicious, Until in the end, he gets stabbed in the duff!”
“No, that’s wrong. By MacDuff.”
The third and final song was Randy’s first: “Yakko’s World“:
“United States, Canada, Mexico, Panama, Haiti, Jamaica, Peru…”
“… Tunisia, Morocco, Uganda, Angola, Zimbabwe, Djibouti, Botswana-aaaaa, …”
“…Crete, Mauritania, then Transylvania, Monaco, Liechtenstein, Malta, and Palestine, Fiji, Australia, Sudan!”
Michael Fleeman returned for Q&A:
Rob and Mike fielded four questions:
And that was it!
“Thank you, guys. Randy! Mike Fleeman!”
With the discussion complete, it was time to sign. While waiting in the group 1, I passed by a Remington Standard 10 typewriter:
I had Andrew, a Strand employee, take a picture of me with Rob and Mike:
Both of them signed my copy, Mike first and Rob second. Thinking ahead, Mike wrote:
To Mike,
What he said
(arrow pointing up)
Mike
Rob signed with a variant on Yakko’s “Helloooo, Nurse!” catchphrase:
Hellooo, Mike!
Rob Paulsen
I told Rob we were friends on Facebook and that I’d met him two years ago at New York Comic Con. He instantly remembered.
I said my goodbyes and went back to my chair, but before I packed up and headed back to Penn Station, I got to meet Randy Rogel:
I told him I loved his music and his Emmy-winning writing work for Batman. He liked that, looking back fondly.
Within ten minutes, I was at 14th Street-Union Square Station and back aboard the Q for 34th Street-Herald Square. Unfortunately, power disruptions on the Broadway corridor delayed the ride. We were stuck on the center track at 23rd Street Station for about five minutes, though it felt longer. At Penn Station, I bought a frozen yogurt to eat on the ride back to Wantagh. Since I missed the 8:56 Babylon branch train, I’d have to wait until 9:31. But as I stood by a timetable waiting for a track number for the 9:31, I noticed there was a 9:13 Babylon train. It didn’t stop at Wantagh, but did stop one hamlet west in Bellmore. So, I took that and was picked up in Bellmore. The forecast of rain didn’t pan out. That light rain I encountered earlier in the day was the extent of it. Once I was home, I unpacked and went to sleep.
It was a great night at Strand, and a pleasure to see Rob Paulsen again, and meet Michael Fleeman and Randy Rogel for the first time. In the days ahead, I will read Voice Lessons and simultaneously listen to the “read by the author” audiobook. I have done this in years. When I finish, I’ll write a review. Until then, thanks for reading this post.
NOTE: Strand recorded the event to add to their YouTube channel. Once added, I will update this post with their video.
10/14 UPDATE: The video is up. I’m in it, taking and checking pictures, and otherwise listening intently. Watch:
10/22 UPDATE: The day after appearing at Strand, Rob appeared on Fox Business Network anchor Liz Claman‘s eponymous podcast, Everyone Talks to Liz Claman. The episode went up a week later. You can listen to it here.
My experience at Day 1 of 2019 New York Comic Con October 5, 2019
Posted by Mike C. in Animation, Art, Blu-ray, Broadway, Comedy, DVD, Internet, Media, Personal, Photography, Technology, Travel, TV, Video, Video Games, Weather.add a comment
Previous New York Comic Con recaps: 2012 Day 2, 2014 Day 1, 2017 Day 1, 2018 Day 1
Thursday marked my fifth time at New York Comic Con, and third year in a row. It’s become tradition to attend, meet actors, and tour the show floor. NYCC is held annually inside the Javits Center in Midtown West.
I waited by my computer for about two hours back on May 5 to buy my Thursday badge. I didn’t know what guests would attend, but I found out a month later. The ones I was interested in meeting were Paul Reubens, James Arnold Taylor, Laraine Newman, Jennifer Hale, and Tom Kenny. Once again, this was my sole reason for attending because there weren’t any panels worth seeing.
One day removed from record heat, the weather that greeted me when I left my Wantagh home at 8:30 was cool and cloudy. As I stood on the LIRR station platform waiting for the 8:47 train, I briefly wished I brought gloves. Keeping with my train travel routine, I chose to sit in the first car. There were a few people seated ahead of me that were also on their way to New York Comic Con, but I didn’t want to bother them. I just listened to David Benoit and Friends and ate my protein bar with a can of orange seltzer.
The ride to Penn Station took about 45 minutes. When I exited at 8th Avenue and West 33rd Street, I greeted by persistent drizzle. It followed me all the way to the Javits Center. It took a while for the massive throng of attendees to get through security, but my search was quick and scold-less. After I was checked, I walked toward the entrance and then zipped my backpack compartments back up.
Once inside, I made my way to the autographing area:
It turns out there were two autographing areas: 1C and 1E. I was looking for Paul Reubens’ table in 1C, but he was actually in 1E. So, I walked toward there and waited in line at his table. Thank you to the staff members who aided me.
Like most 1980s children, I grew up watching Pee-wee’s Playhouse. I didn’t realize Pee-wee Herman was a character created and portrayed by Paul Reubens until the mid ’90s. That was the first time I saw Paul out of that character, on Murphy Brown.
I rediscovered Pee-wee’s Playhouse on Cartoon Network’s Adult Swim in 2006, then rediscovered it again ten years later on Netflix. Watching it there wasn’t enough. I had to buy the series on Blu-ray, especially for the bonus features. I sometimes find myself quoting not just Pee-wee, but other series characters like Globey, Mr. Window (particularly when I see Lynne Marie Stewart [Miss Yvonne] on TV), Jambi, Pterri, Conky, Randy, and occasionally Clocky.
So, it was a thrill to meet Paul, albeit briefly, on Thursday morning. I told him I met Phil LaMarr last year. Phil played Cowboy Curtis in the Broadway run of The Pee-wee Herman Show. I had noticed Paul was making a surprised face while posing with attendees ahead of me, so I tried to do the same:
I look more shocked than surprised, but I still like it.
I returned to 1C to meet four voice actors:
First up was James Arnold Taylor:
I discovered James through Johnny Test, but learned more about his illustrious career through his website, JAT Vlogs on his YouTube channel, and appearance on the podcast Talkin’ Toons with Rob Paulsen. I told him I liked how for his Fred Flintstone voice, he combined Alan Reed’s original portrayal with Henry Corden’s subsequent version. I also expressed my love as the voice of Fox’s Sunday primetime promos, to which he said he recorded the latest set of promos in his hotel room the night before. There was one thing I neglected to discuss. I’ve never played a Final Fantasy game, but I am aware of an infamous cutscene he voiced as Tidus in Final Fantasy X. In the cutscene, Tidus let out a loud, wooden, staccato laugh: “haaaa ha ha ha ha ha ha!” James explained that scene in a March 2016 JAT Vlog:
I chose a character collage at his table to sign, and he wrote:
Mike – You’re awesome!!
James Arnold Taylor
5:05 PM UPDATE: James recorded another promo from his hotel room yesterday, as he shared on Instagram:
After James, I moved one table to the right (his left) and spoke to Laraine Newman:
You may know Laraine from her days on Saturday Night Live, and I’ve seen a handful of sketches from that time, but I’m more familiar with her voice over work. She was Queen Jipjorulac, Mark Chang’s mother on The Fairly OddParents. Mark Chang was voiced by Rob Paulsen as an energetic surfer dude with awkward syntax (pronouncing assistance “ah-sis-TAHN-say,” for example). When Rob interviewed Laraine for Talkin’ Toons, she mentioned Histeria!, the Warner Bros. edutainment animated series they co-starred in. I was not aware of the series when it originally aired, but my curiosity was piqued after that interview. Unfortunately, unlike the other ’90s WB series, Histeria! was not yet on DVD. When it was finally released years later, I bought it, watching for the first time over the 2017 Christmas vacation. I loved it! So, it was that DVD that I brought to NYCC for Laraine to sign. She was thrilled. I told her how much I loved the show and loved her characters: Miss Information, a bubbly Southern tour guide with a penchant for getting things wrong, and Charity Bazaar, a sad girl who frequently lamented, “I’m not happy.” I said I sometimes find myself saying that in certain situations.
Laraine signed the following on my DVD:
To Mike (Heart)
Laraine Newman
Laraine and the aforementioned Paul Reubens, Lynne Stewart, and Phil LaMarr are all alumni of The Groundlings improv and sketch comedy troupe. It’s where Paul created Pee-wee Herman.
Jennifer Hale was next:
Jennifer has a wealth of video game credits, but I know her mostly for her work as Ms. Keane on The Powerpuff Girls, various characters on Johnny Bravo, and T.U.F.F. Puppy. Someday, I will play some of the games she appeared in.
As with James, I chose a collage for her to sign:
To Mike!
Jennifer Hale
And finally, Tom Kenny:
Of course, Tom is the titular character on SpongeBob SquarePants. I love that show, but also love Futurama, where Tom’s credits include the all-purpose commissioner Abner Doubledeal and Leela’s bland eye doctor boyfriend Adlai Atkins, and the aforementioned Johnny Bravo, where he played Johnny’s (Jeff Bennett) nerdy friend Carl Chryniszzswics (“cruh-SIN-uh-wits”). He was glad to hear Carl get some love at the convention, as one attendee ahead of me had a drawing of Carl. We talked about his co-star, the late Larry Drake, who voiced Pops. I even imitated Pops (“Hey, Johnny!”). Tom told me about Larry’s horror film background, which I wasn’t aware of but glad to learn. Prior to Johnny Bravo, I only knew him from L.A. Law.
I thanked Tom for taking the time to meet with everyone in line, as the line extended down to one of the panel “chutes,” requiring security to let people know which side was the panel chute and which was the line for Tom (or “SpongeBob,” as the guard said). I brought my copy of the eighth season of SpongeBob SquarePants for him to sign:
10-3-19
Mike Ahoy!
Best fishes from “SpongeBob”
Tom Kenny
Thank you to Paul, James, Laraine, Jennifer, and Tom. It was a pleasure to meet all of you. Thanks, as well, to Anissa and her eldest son James, who I met in Tom’s line. It was nice to meet you, too, and I hope we can stay in touch.
After nearly four hours in autograph land, I was ready to head for home, but not before touring parts of the show floor:
Within 20 minutes of walking the show floor, I exited the Javits Center:
25 minutes after that, I was back in Penn Station where I boarded the 3:03 Babylon-bound train, which was packed with commuters. The crowd thinned a little at Jamaica, then further at Rockville Centre, but a handful of passengers exited with me at Wantagh one hour later. I was once again in the first car, which meant that I was on the east end and exited above Beech Street. (The first car westbound is just west of Wantagh Avenue.) After walking 20 minutes in the mist, I was home.
Once inside, I unpacked and photographed my autographed merchandise and my badge (with the codes blurred out):
I hope to be back at New York Comic Con next year. In the meantime, thank you for viewing this post.
Ladies and gentlemen, David Benoit and Friends! August 26, 2019
Posted by Mike C. in Animation, Books, Jazz, Music, Personal, TV.Tags: David Benoit
add a comment
My scan of the cover
I am a big fan of jazz pianist, composer, and conductor David Benoit for over 20 years, but have been aware of his music for over 30 years, dating back to songs from his catalog getting airplay during local forecasts on The Weather Channel. I have been fortunate enough to see him perform ten times since 2003 and I’m proud to call him a friend.
Friday marked the release of David’s latest album: David Benoit and Friends. I’ve been looking forward to the album for months, especially within the last two months since he played two songs from it in June at My Father’s Place.
Every track is superb, but my favorites are:
- Sienna Step – a fast-paced bossa nova workout, this was one of the two songs David performed in June
- 96-132 Revisited – a new take on a song from his debut album Heavier Than Yesterday (1977); 96-132 refers to the song’s tempos: 96 BPM (beats per minute) at the beginning and end, and 132 BPM in the middle; until reading the liner notes, I thought the title referred to a zip code, and I incorrectly read it as “9-6-1-3-2”
- Sly Fox – an organ-heavy tune that David composed with Jeff Lorber, but unlike the two songs they wrote for Full Circle (2006), Jeff did not appear on it
- Dave G. – a tribute to Dave Grusin that features Vincent Ingala on soprano sax; drummer John “JR” Robinson posted video of one of his recording session takes to Facebook back in May:
- The Ballad of Jane Hawk – an uplifting orchestral tribute to David’s friend Dean Koontz’s book series; featuring Peter White on acoustic guitar and Tim Weisberg on flute
- Feel It Still – a Portugal the Man cover a la Ramsey Lewis Trio’s version of “The In Crowd”
- Make It Real – the lone vocal track, featuring vocals and lyrics by Lindsey Webster; the bossa nova refrain is addictive
My favorites make up most of the album. I like it that much.
As you saw in the cover art at the top, other “friends” on the album are saxophonist Dave Koz, guitarist Marc Antoine, and trumpeter Rick Braun. The liner notes reveal still another “friend”: cellist Justin Cheung.
Backing David up throughout the album are the aforementioned JR Robinson on drums, Ken Wild on bass, percussion by Luis Conte, and the guitar stylings of Pat Kelley. The horn section is made up of Mike Cottone and Jamey Havorka on trumpet with trombone by Erm Navarro.
I highly recommend David Benoit and Friends. Buy it now; you won’t be disappointed. Here is the full track list:
- The Ballad of Jane Hawk (featuring Peter White and Tim Weisberg)
- Make It Real (featuring Lindsey Webster)
- Vernazza (this is the second song David performed in June) (featuring Dave Koz)
- Moon and Sand (Chet Baker cover, based on Kenny Burrell’s cover) (featuring Marc Antoine)
- Sly Fox
- How Deep is the Ocean (Irving Berlin standard) (featuring Rick Braun)
- Dave G. (featuring Vincent Ingala)
- Sienna Step
- Feel It Still (Portugal the Man cover)
- 96-132 Revisited
- Viva La Vida (Coldplay cover) (featuring Justin Cheung)
P.S. The title of this post refers to the late Gary Owens’s introduction to the Garfield and Friends theme song: “Ladies and gentlemen, Garfield and Friends!” The intro leads into two versions of the theme: “Friends are There” for the first two seasons and “Ready to Party” in subsequent seasons. David Benoit composed the music for two Garfield specials: Garfield’s Feline Fantasies and Garfield Gets a Life. Ed Bogas wrote music for Garfield and Friends.
Lisa Hilton at Carnegie Hall’s Weill Recital Hall: 2019 edition January 12, 2019
Posted by Mike C. in Animation, Blu-ray, Comedy, DVD, Hockey, Internet, Jazz, Media, Music, Personal, Photography, Politics, Sports, Travel, TV, Video Games, Weather.add a comment
Previous Lisa Hilton recaps: June 2011, January 2014, January 2015, January 2016, January 2018
Thursday night, for the fifth time in six years, I made my way to the Weill Recital Hall at Carnegie Hall to see jazz pianist Lisa Hilton perform.
Unlike last year, I didn’t leave the house early so I could eat dinner before arriving at Weill. I went about my typical Thursday routine, including eating a pasta dinner around 5:00. At 5:40, my mom drove me to the Wantagh LIRR station. It’s a good thing I chose to leave at that time because unbeknownst to me, the 5:59 train was moved up to 5:55 starting on Monday:
The other arrival times are unchanged.
It was cold and windy on the platform, so it’s a good thing I wasn’t there long.
The train arrived two minutes late, at least on clocks set to the official U.S. time:
Just like the snowy night I saw the Bob James Trio at the Blue Note, the Rangers and Islanders were playing each other. Then, the game was at Barclays Center, current home of the Islanders. This time, it was at Madison Square Garden. Thus, Rangers and Islanders fans were prevalent on the train. Ordinarily, I would have stayed on all the way to Penn Station, but getting to Carnegie Hall isn’t as direct as Blue Note. I could have taken the 1 train from Penn to 59th Street-Columbus Circle, but I would have to walk a few blocks south and east from there. In the afternoon, I consulted Google Maps to determine what subway line I should take instead of the 1. They suggested I exit at Woodside and take the 7 train to Queensboro Plaza, then transfer to the N or W trains to 57th Street and 7th Avenue. That’s what I did.
I arrived at Woodside at 6:46 and proceeded to the adjacent subway station:
I lost my sense of direction and stood in position for this Flushing-bound train:
I figured out where I was facing when the doors wouldn’t open on my side.
The correct 7 train arrived at 6:52:
12 minutes later, I stood in Queensboro Plaza:
Google Maps suggested the N train on the way and the W train going back. I ended up doing the opposite. The W train arrived before the N, two minutes after I got off the 7:
By 7:15, I was at 57th Street:
I took the southeast corner stairway:
The stairway faces south, so I had to turn north and then east:
It wasn’t long before I reached my destination:
Foolishly choosing the stairs over the elevator, I (somewhat) breathlessly arrived on the fourth floor and stood in the lobby until the hall doors were opened:
The audience was allowed in at 7:30.
After finding my front row not-quite-center seat, I took a few pictures of the stage, knowing I’d have to put the camera away until afterward:
A security guard reminded me there was no photography during the show, and I assured him I was only taking before and after. I know the rules and willingly play by them. (I didn’t tell him that.)
Lisa and her two bandmates walked on stage at 8:04. Yes, for the first time, this was a trio performance. Luques (“lu-KEZ”) Curtis was once again on acoustic bass with Mark Whitfield Jr. on drums. Mark alternated between sticks and brushes depending on the song.
The first nine songs were all from Lisa’s latest album, Oasis, released on December 7. The concept is similar to that of her previous album, Escapism: escaping the craziness of the real world. At the Oasis, you can take your mind off the political turmoil and extreme weather dominating the news. A case of extreme weather is the Woolsey fire in Southern California, which forced Lisa to evacuate her Malibu home. She eventually returned home to no damage, but others weren’t as fortunate.
I’m right-of-center politically, but I can’t stand politics’ insane tribalism. It’s our way or the highway, whether “our” is Republicans or Democrats. And don’t get me started on the politics of personal destruction. One wrong move will destroy your life. I also have a pessimistic view of my party’s chances in elections and I take hyperbole from left-leaning politicians and pundits personally.
Since late September, I have paid little attention to the news. I know what happened on November 6, and that my left-wing friends gloated triumphantly, but that’s mostly it. Some news comes to my attention by overhearing what someone is watching in another room, from newspapers on display at the supermarket if I fail to avert my gaze, or reading Chuck Lorre’s vanity cards at the end of episodes of his sitcoms. I keep my head buried in music, sports (but not sports debate or news magazines), documentaries, cartoons, sitcoms, tech reviews, and video game or console reviews and retrospectives. Ignorance is bliss.
I used to occasionally post political links or videos, such as for Prager University, on Facebook, but I stopped a year ago. Now, I don’t talk politics at all on any of my social media (I seldom did on Twitter since my account is public) or with family and friends, unless we agree. I’m a people-pleaser; I want to be everyone’s friend. I don’t want politics to come between us.
Lisa promised that the songs we were about to hear would be uplifting. There wouldn’t be any songs with titles like “F U Donald,” as John Scofield had with Combo 66 in November.
The set ran about 70 minutes. Here’s what Lisa Hilton’s trio played:
1. Adventure Lands
This made me think of the times I went to the Adventureland amusement park in Farmingdale when I was growing up.
2. Oasis
Mark Whitfield Jr. provided a swing beat at times. At one point, I followed Luques Curtis’s fingers on the bass.
3. Twists of Fate
Lisa credited Count Basie and Thelonious Monk among her inspirations for this song.
4. Watercolor World
5. Vapors & Shadows (also on Horizons, 2015)
In a quiet moment, Mark lightly clacked the drums. Lisa and I seemed to lock eyes briefly.
6. Lazy Daisy
This brought to mind a hippie daisy floating downstream or lying in an inner tube in a water park lazy river, like the one at Splish Splash in Riverhead. That was another park I frequented growing up, but I haven’t been there in almost 20 years.
7. Just for Fun (also on In the Mood for Jazz, 2003; Nuance, 2010; and Getaway, 2013)
Lisa’s gliding up and down the keys made me laugh.
8. Sunshine States
There was a Latin flavor befitting the two Sunshine States, California (officially the Golden State) and Florida. It was reminiscent of Chick Corea, and the end felt like “Tequila” by The Champs, just as “Hot Summer Samba” did last year.
9. Sunday Morning (also on Midnight in Manhattan, 2006)
10. Waterfall (from Cocktails at Eight, 2000)
11. Meltdown (from Sunny Day Theory, 2008; later on Nuance, 2010; and Escapism, 2017)
This song is a comment on a hectic life, being driven to a meltdown or breakdown. It had a frantic, heavy metal-like pace, and also brought to mind boss music in a video game. There were occasionally staccato Morse Code-like notes.
12 (Encore). Zero Gravity (from Escapism, 2017)
Coincidentally, earlier in the day, I watched the fourth Futurama film, Into the Wild Green Yonder (2009), on Blu-ray. One of the special features involved series executive producers Matt Groening and David X. Cohen talking about their recent Zero G flight. They and their fellow passengers, including Matt’s son Will, experienced periods of weightlessness.
As it turned out, no one else was seated in the front row, not even in the handicap seats. I could have moved, but chose not to.
1/18 UPDATE: Lisa posted a picture from the set (taken by photographer Ryan Nava) to Facebook, her website, and her newsletter last night:
Here’s the Facebook post, which ends with a link to her web post:
1/29 UPDATE: Lisa posted two more of Ryan Nava’s pictures to social media yesterday:
When the house lights went back up in Weill Recital Hall, and the audience began to leave, I said aloud, to no one in particular, that was a great show. Steve, who was seated one row behind me, agreed. I told him it was my fifth time, he said it was his first. We spoke a little more, then went our separate ways. I proceeded to the lobby to meet and greet Lisa and Luques. I didn’t see Mark, though. As I let other audience members talk to them for a while, I shared my enthusiasm with Adam and Vicki. Adam was seated a row or two behind me and told me he noticed that I was taking notes. I let him know it was for the recap you’re reading right now, and shared some of the notes with him. He was nice enough to take a picture of Lisa and me before I left:
I rightly took the elevator back down to the first floor.
By 9:46, I was back in the 57th Street subway station:
My N train for Queensboro Plaza arrived at 9:54:
Ten minutes later, I was among a massive throng of passengers (whom I didn’t photograph out of privacy) waiting to board the 7 train:
It took another ten minutes for that 7 train to arrive, and a couple more minutes before the doors were opened. I barely fit into the cramped car I walked into. There was little relief between stops as few people got off. Flushing was likely the majority destination.
The late arrival of the 7 train at Woodside meant I missed my LIRR train for Wantagh.
The good news is I would only have to wait about 20 minutes for the next Babylon-bound train:
The bad news is it was an express train that only stopped at Woodside, Jamaica, Valley Stream, and Freeport, with no other stops before Babylon. My dad was nice enough to drive 15 minutes out to Freeport to pick me up because I wasn’t about to wait until about 11:15 for a train that would stop at Wantagh.
After waiting upstairs out of the wind for 15 minutes, I proceeded to the track 4 platform and waited for my train:
Brrr! Each gust was tough to endure.
I was relieved to board the warm train at 10:47:
Once again, there were Rangers and Islanders fans aboard. And once again, the Islanders won. This time, 4-3. As a Rangers fan, this has been a tough season. (8:20 PM UPDATE: The game was part of a home-and-home. The Rangers won 2-1 at Barclays Center earlier today.)
The train was scheduled to arrive at Freeport by 11:15. Instead, it was there at 11:23. My railcar was a few blocks from where Dad was. Once inside his car, the drive back to Wantagh took 15 minutes, the same length it took to get to Freeport. Home sweet home.
Thank you to Lisa Hilton, Luques Curtis, and Mark Whitfield Jr. for the fifth great night of music in six years. (I couldn’t make it in 2017.) Thanks, as well, to Steve, Adam, and Vicki from the audience; and of course, to my parents for transportation to and from the train stations.
My experience at Day 1 of 2018 New York Comic Con October 5, 2018
Posted by Mike C. in Animation, Art, Audiobooks, Baseball, Comedy, Internet, Interviews, Media, Personal, Photography, Sports, Technology, Travel, TV, Video, Video Games, Weather.add a comment
Other New York Comic Con recaps: 2012 Day 2, 2014 Day 1, 2017 Day 1, 2019 Day 1
Yesterday marked my fourth time at New York Comic Con, held annually at the Javits Center in Midtown West. It was also my second consecutive year at NYCC.
I’d been looking forward to going ever since I bought my badge in June. Grey DeLisle (a.k.a. Grey Griffin), Phil LaMarr, and Richard Horvitz were among the voice actors that would be signing autographs, recording video or audio messages, and taking pictures with fans like me. Like last year, this was my sole reason for attending. None of the panels interested me.
I woke up at 5:30 in the morning. I spent the next three hours watching the American League Wild Card Game on DVR (the Yankees won handily), a couple of episodes of season six of Rowan & Martin’s Laugh-In on Amazon Prime, working out, and of course, getting ready to leave for the day.
My mother drive me to the Wantagh LIRR (Long Island Rail Road) station at 8:30 for an 8:47 westbound train. When I went there last Saturday on the way to see Chieli Minucci & Special EFX at The Cutting Room, the elevated track platform was partially closed off while the west half of it was being renovated. Little did I realize that renovation would complete two days later. Finally, after two years, when boarding a Babylon-bound LIRR train at Penn Station, you no longer have to ask if you’re in one of the six cars that lets out at Wantagh. When the east half was being renovated, only the last six cars could exit. When the west half was under renovation, you had to be in one of the first six cars.
I didn’t feel like taking out my DSLR until I got to the Javits Center, so I used my iPhone to take pictures on the platform:
It felt good to sit in the first car again.
The train ride to Penn Station took nearly an hour. Upon exiting, I walked up West 33rd Street to 10th Avenue, then north to West 35th to enter the Javits Center’s south side:
I endured a quick bag search (including emptying my pants pockets and holding up the contents) and tapped my badge in. Unfortunately, I was scolded for not moving beyond the area where the badge was tapped when I replenished my pants pockets. I felt like a fool, but felt better when I got inside and relayed my situation to an empathetic staff member when she asked if I needed help finding something.
Off to the autographing area:
I was third in line to meet Grey DeLisle at Table 1 after waiting about 45 minutes before her scheduled arrival.
As she and Richard Horvitz arrived, they spoke to each other in their respective voices on The Grim Adventures of Billy & Mandy. Richard was Billy and Grey was Mandy.
Grey was very nice. In my brief time with her, I told her I’d been a fan of hers since Clifford the Big Red Dog and three Butch Hartman cartoons – The Fairly OddParents, Danny Phantom, and T.U.F.F. Puppy. She did the voices of Emily Elizabeth (Clifford) and Vicky (FOP) for me, which led me to respond as Mark Chang, voiced by Rob Paulsen, whom I met last year. Then, we posed:
After we said our goodbyes as Vicky and Mark, I headed to Table 6 for Phil LaMarr:
I let him know how the chronological order in which I’d seen his work: Futurama, Family Guy, MADtv reruns on Comedy Central, and Butch Hartman’s Bunsen Is a Beast. He was complimentary of Bunsen, and I lamented that it was a shame the show was canceled after only one season.
I concluded at Table 3 with Richard Horvitz:
We didn’t have time to chat, but I’m still glad to have met him. Shortly before our picture, I saw him record a video message for a fan as Zim from Invader Zim. As with his conversation with Grey as Billy and Mandy, it put a smile on my face and made me laugh. I applauded when he was finished.
After that, I headed back to civilization, so to speak…
…and walked the show floor:
I happened to pass by the SYFY Wire stage…
…as Cher Martinetti spoke to the creator/showrunner and cast of the new Netflix series, She-Ra and the Princesses of Power:
\
The creator/showrunner is Noelle Stevenson, who was accompanied by Aimee Carrero (Princess Adora/She-Ra), Karen Fukuhara (Glimmer), and Marcus Scribner (Bow).
You can watch the interview here:
I walked by the stage during this interview. I was curious about this series after seeing The Power of Grayskull documentary, but now I’m all in. I’ll definitely be watching.
11/20 UPDATE: I have unfortunately fallen off the bandwagon. While I wish nothing but the best for the series, it plays out like a soap opera, and I’m more into episodes with self-contained plots. I don’t know how I would have managed watching the Rocky & Bullwinkle cartoons when they were new with story arcs lasting several weeks. The “Jet Fuel Formula” arc took 20 weeks, “Upsidasium” lasted 18 weeks, and “Missouri Mish-Mash” played out over 13 weeks. Now, back to the recap…
I pre-ordered Mega Man 11 for PlayStation 4, but have yet to play it.
Shadow of the Tomb Raider is on my Xbox One wish list:
Having seen all I wanted to see on the show floor, I headed down to the main entrance:
Then, I left:
It’s a good thing I didn’t wear a jacket because it was warmer than it had been in the morning.
Within 20 minutes, I was back at Penn Station, where I boarded a Babylon-bound train. An hour later, I was back in Wantagh.
I walked about a mile and half home, listening to Marion Ross’s memoir on Audible along the way.
Once I had unpacked my things at home, I took a picture of my badge (blurring out the codes):
It was a nice few hours at New York Comic Con. Thank you to Grey DeLisle, Phil LaMarr, and Richard Horvitz. It was a pleasure meeting you all.
Audiobooking 5 April 1, 2020
Posted by Mike C. in Animation, Audio, Audiobooks, Comedy, Commentary, Film, History, Media, Military, News, Personal, Politics, TV, Video.add a comment
In light of my practically apolitical audiobook streak since I impulsively quit the “Audiobooking” series, save for the right end of the spectrum, I chose to bring it back. Here’s what I’ve been listening to while exercising since September 2018:
2018 humbled me with the unexpected political turns in the memoirs I listened to, not to mention Kevin Hart’s endless tangents. It taught me to choose the audiobooks I buy carefully. If the author is politically active from the left on social media, chances are it will come up in their book. Eric Idle was the last mistake in that respect, which is why I haven’t bought John Cleese’s memoir. Thankfully, Neil Ross only had one political sentence in his book: deriding right-to-work states. I wonder what Goldie Hawn’s memoir, released in 2005, would have been like if it came out today. Never Play Dead and The United States of Trump weren’t exactly choir music, either. The books reminded me of the political stories I missed while avoiding current events. Nevertheless, they were worth listening to, as were the rest of the audiobooks listed above.
Whenever Andrea Barber mentioned her son Tate in Full Circle, I thought of a running gag on the Game Sack YouTube channel involving TATE Mode, the vertical screen orientation for arcade games. It’s generally pronounced “tah-tay,” but host Joe Redifer pronounces it phonetically, an acceptable alternate pronunciation. Whenever a game is featured with TATE Mode, he’ll get facetiously hyperbolic.
I have three more audiobooks to listen to in my Audible app after I finish Full Circle, and you’ll see what those were in the next “Audiobooking” post. Until then, happy listening.