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Instrumental Invasion, 1/18/23 January 19, 2023

Posted by Mike C. in Airchecks, Audio, Biking, Film, Food, History, Internet, Jazz, Media, Music, Personal, Radio, Sports, TV, Video.
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The January 18 Instrumental Invasion on WCWP was recorded from December 1 to 3, 2022: the first segment on the 1st, the next three on the 2nd, and last two on the 3rd along with remixing and pickups.

The playlist was created on November 27 with annotations on 29th and 30th. The talk break script was drafted November 30 and December 1.

This week, the extra 2017-present segment was swapped for an extra 1985-95 segment. The last four segments only had two talk breaks each. The first two of hour 2 were made up of three songs in a row (a triple shot).

Off the Top” by Kim Scott was originally played last April 6.

Since I brought it up after playing Wes Montgomery’s cover of “Windy,” I would have liked to attend the Dancing with the Stars Live tour stop at the Tilles Center last Tuesday, but the show was sold out when I looked for tickets and they were only available marked up through resellers on Ticketmaster. Oh, well. By the way, my “everyone knows it’s Instrumental Invasion” line going into “Windy” referenced a lyric in the song.

I included “Automat” by Yellowjackets after having seen a documentary on the titular fast food restaurants popularized by Horn & Hardart.

Here is a composite of CBS Sports’ coverage of the 1988 Tour de France, complete with John Tesh‘s music:

While skimming through the video, I thought John himself covered parts of the race, but the voice I heard (and face I saw) was Tim Brant.

Click here to download this week’s scoped aircheck or listen below:

1:50 PM UPDATE: This is another of those shows where I don’t notice mistakes or oversights until after the show airs. Bob Mintzer played tenor and soprano sax on “Automat.” The phrase trumpeter Igmar Thomas borrowed on “Blues Vagabond” by Lisa Hilton was from “Killer Joe,” which Quincy Jones covered on Walking in Space. The song was originally written and performed by Benny Golson for The Jazztet‘s Meet the Jazztet record. “Chicken Joe” was by pianist Joe McBride.

I also missed a community calendar spot I recorded on Monday that ran during the last break:

The music bed is “Working Girl March #2 (Film Cue)” by Dave Grusin from the Tootsie soundtrack.

4:05 PM UPDATE: Oh, and this is the PAMS jingle I referenced going into “Wherever You Go” by Brian Simpson:

I clipped from part 2 of Jon Wolfert’s The History of the Musicradio WABC Jingles.

Instrumental Invasion, 1/11/23 January 12, 2023

Posted by Mike C. in Airchecks, Audio, Books, DVD, Internet, Jazz, Laserdisc, Media, Music, New Age, Personal, Photography, Radio, Travel, TV, Video, Video Games, Weather.
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The January 11 edition of Instrumental Invasion on WCWP was recorded one hour per day between November 24* and 25. This show brought me back to a comfortable seven-week buffer.

*Thanksgiving, my parents’ 45th wedding anniversary, the 30th anniversary of Sonic 2sDay (release day for Sonic the Hedgehog 2)

The playlist was created on November 21, annotated on the 22nd, and the talk break script was drafted on the 23rd when not working on last week’s show.

Speaking of Sonic 2, I referred to video games and video game consoles again this week: the Oculus Rift, PlayStation VR, and Virtual Boy. Jeremy Parish’s Virtual Boy Works video series can be viewed here and you can buy his book here. (Yes, my story about trying out the Shapp cousins’ Virtual Boy was true.)

I played another cut from the compilation True North, starting the show with “One More River Passing” by James Reynolds. Hear it in a Weather Channel local forecast at this link. Click here for a local forecast featuringDown Hill Racer” by Patrick O’Hearn.

With only two new albums left that hadn’t met my requisite six tracks to play, I added a second 1996-2006 segment and moved the remaining 2017-present segment to the middle of hour 2. That allowed me to make up for not ending hour 1 with the live 2002 version of “Kukuc” (“koo-kooch”) by John Favicchia, the second week in a row with a version of “Kukuc,” both from Tangible. The second segment of hour 1 and first of hour 2 only had two talk breaks thanks to “Spain” by Return to Forever and “Kukuc.”

This week’s version of “Kukuc” was performed at Backstreet Blues in Rockville Centre, the venue where I was introduced to Fav and his Dharma All-Stars on July 13, 2005. Here are the photos I took that night:

Backstreet Blues is now known as The New Vibe Lounge.

Click here to download this week’s scoped aircheck or listen below:

Instrumental Invasion, 1/4/23 January 4, 2023

Posted by Mike C. in Airchecks, Audio, DVD, History, Internet, Jazz, Laserdisc, Media, Music, New Age, New Year, Personal, Radio, TV, VHS, Video, Video Games, Weather.
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The January 4 edition of Instrumental Invasion on WCWP was the first show of 2023 and the second show in the last three to be recorded and mixed in one day. Fittingly, that one day was the 23rd of November, 2022, and thankfully, recording talk breaks wasn’t as physically taxing as the Christmas show.

The playlist was created on November 20, with annotations starting on the 21st and continuing into the 22nd, followed by the talk break script draft. As you can see, I went way over with the first segment and spent the rest of the show compensating. Ironically, I had to make that first segment even longer due to a surplus after principal recording.

Just Like That” by Dan Siegel was first played on October 14, 2020, but I included it again as a prelude to Ken Navarro‘s “Just Like That.”

The video version of True North was on LaserDisc and VHS, then reissued on DVD in 1998. I bought a DVD copy for posterity, but haven’t watched it yet. “Whispers of Light” by James Reynolds was the latest in a long line of Weather Channel local forecast staples, as demonstrated here.

Not only did I play Mario Kart 64 back in the day, but I received the official soundtrack on CD for free through my Nintendo Power magazine subscription. I led off the January 25, 2002, edition of The Mike Chimeri Show with the game’s title screen cue, proclaiming I was back for another semester.

Norman Caruso, The Gaming Historian, chronicled the story of Super Mario Kart, the N64 game’s predecessor, in a video last month:

I ended the show with “Kukuc (koo-kooch) 2020″ the first track on drummer John Favicchia‘s new compilation CD Tangible. It coincided with the debut of a liner I had Fav record for the show. I neglected to tell him how to pronounce my last name, so I took the “sh” sound from Tom Schuman‘s liner and slowed down the “im” part. Here’s the end result:

And here are recaps of the last nine Dharma gigs I attended:

July 24, 2008

September 7, 2008 (preceded by Alan Bates)

June 4, 2009

July 30, 2009

April 8, 2010

August 19, 2010

September 14, 2011

January 16, 2015

June 24, 2016

Next week’s show recap will have photos from the first gig I attended on July 13, 2005.

For now, click here to download this week’s scoped aircheck or listen below:

Bonus: the “Kukuc 2020” video:

Instrumental Invasion, 12/28/22 December 29, 2022

Posted by Mike C. in Airchecks, Audio, Christmas, Computer, Football, Internet, Jazz, Media, Music, New Age, New Year, News, Personal, Radio, Sports, TV, Video, Video Games, Weather.
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The December 28 Instrumental Invasion on WCWP was recorded one hour per day on November 17, my 41st birthday, and 18, followed by pickups and remixing. An additional pickup was recorded on the 19th.

The playlist was the third of three created between November 7 and 9. I created it solely on November 9, started annotating on the 9th and finished on the 12th, with the talk break script drafted on the 15th and 16th.

For the second year in a row, I played Christmas-adjacent songs the week after the Christmas show. “December Dream” by Fourplay was originally in mind for last week, but I replaced it to allow for a longer third song in its intended segment.

For the second show in a row, I played two versions of the same song, ending each hour with “Auld Lang Syne“; first by Kenny G, then by Jessy J. Yes, I know J is technically not her last initial, but for poetic license, it was in this show.

All of the last three shows have had segment gaps filled by songs less than three minutes long. And speaking of last initials, I searched my blazers for a suitable (no pun intended) nickname to go with “Armani B” by Brian Simpson. Jos. A. Bank made the most sense; ergo, “Joseph A. Bank M.” By the way, I bought a CD copy of Closer Still just before publishing this post.

Busta Move” by Julian Vaughn was originally played on August 17.

I’m still not finished listening to my iTunes Christmas music playlist, which I’ve been listening to incrementally since early November. I got through big portions of it during a Christmas Eve party and then on Christmas Day at home, but there were over a hundred songs left. I’ll update this paragraph once I finish. 1/2/23 UPDATE: I finished this morning.

Mid-November Mike (another nickname) could not have foreseen a historic winter storm, an explosive cyclogenesis (“bomb cyclone” in media hype lingo), when he included “Black Frost” by Grover Washington, Jr. to fill out the first segment. Crazy as the storm and aftermath were here on Long Island – southwest winds ushering in cold air?! – it was much worse elsewhere, particularly in Buffalo! Here, temperatures plummeted from the mid 50s (Fahrenheit) to the single digits! That meant there was black frost ice on the roads, and patches of ice on the sidewalks, from floodwaters brought on by rain and coastal flooding. I haven’t talked to Ryan “A Ripping Good Time” Grabow since the storm, but I know from its Wikipedia entry (first link) that Central Florida – where he lives and works for the Orlando Fox affiliate – had a period of sleet and snow flurries in on Christmas morning! (Okay, enough exclamations.) Christmas also marked record cold highs for Fort Lauderdale and Miami: 49° and 50°F, respectively. Reading that took me back to similarly cold Christmastimes in 1989 and ’90 in Crystal Beach, Florida, in the Tampa Bay area; not to mention how cold it was outside LaGuardia Airport before flying to Tampa in ’90. Maybe weather conditions are cyclical.

I’m further reminded of a video I watched on YouTube five years ago that exemplified the cold Christmastime in ’89: the start of NBC Sports coverage of the Miami Dolphins’ Christmas Eve regular season finale against the Kansas City Chiefs at then-Joe Robbie Stadium in not-yet-incorporated Miami Gardens. As you’ll see in the video below, the game time temperature was 39° with gusty northwest winds. No wonder it was dubbed The Miami Ice Bowl.

Yes, that was “Carol of the Bells” by Mannheim Steamroller (from A Fresh Aire Christmas); yes, that was Charles McCord announcing (“NBC Sports presents…”); and yes, John Tesh‘s “Gridiron Dreams” was the NFL on NBC theme song.

Anyway, click here to download the last scoped Instrumental Invasion aircheck of 2022, or listen below:

See you in 2023!

Festival of Games 2022 recap December 16, 2022

Posted by Mike C. in Animation, Aviation, Christmas, Game Shows, History, Internet, Media, Military, Personal, Photography, Travel, TV, Video, Video Games, Weather.
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Last year’s Festival of Games (the first)

Last Saturday, the second annual Festival of Games was held at the Cradle of Aviation Museum along Museum Row in East Garden City. The so-far one-day spinoff of Long Island Retro Gaming Expo (read about the 2022 LI Retro here) was my latest chance to walk and snap photos in as many sections as possible. Then, back to the vendor halls to add video games to my multi-console, multi-generation collection.

Thanks to my past recaps, I have made friends with the organizers, volunteers, and a week before this Festival of Games, the museum’s director of marketing and community relations, Jerelyn Zontini. I’m honored to know them and to promote special events like this.

I did not think to check the Festival of Games website for this year’s schedule, so I missed out on the panels in the main stage (planetarium) and classes in the classroom, but I saw everything else on offer, and was surprised to meet legendary collector, YouTuber, and streamer Pete Dorr at his vending table. More on that later.

To photograph the event, I brought my Canon EOS R7 with RF-S 18-150mm lens and Speedlite 430EX III-RT. When writing about my initial experience with the mirrorless camera, I did not lower the resolution on test photos. Considering the camera’s higher native max resolution (6984×4660) with the same 3:2 aspect ratio as my previous camera, it made sense while editing Saturday’s photos to increase my default blog post/social media resolution. Thus, going forward, photos will be no lower than 2000 pixels vertically, stepping up from my max horizontal resolution of 2600 pixels.

Again planning on a two-hour stay, my mother dropped me off at 12:43 PM:

Once inside (and having my bag searched), I presented my e-ticket printout to a box office attendant who stamped my left hand.

A promotional banner for the first leg in what’s now my annual triple crown: Cradle-Con:

I bought my weekend pass for Cradle-Con Monday afternoon. No more New York Comic Con for me. I was already disenchanted with them last year, but went anyway and had a good time. The uncertainty and last-minute additions this year were my tipping point, as noted in the third paragraph of my Dutchess County trip post. I’m optimistic that I’ll have a much better time at Cradle-Con.

Each section I walked through at Festival of Games has a dedicated photo gallery. We start with the vendor hall gallery:

The board game section:

In all the years I’ve been inside the Cradle of Aviation Museum, I never observed its exhibits. I rectified that after passing the board games section.

MY ANSWER: Most of them, thanks to my proximity to John F. Kennedy International Airport. The planes are either on final approach or just took off. I also see general aviation aircraft coming to or from Republic Airport in Farmingdale, which is even closer to my house.

Back to video games in the free play area:

Tournaments:

On to the second floor:

Of course, most of the arcade games were housed on the Air & Space hall sky walk:

I chose not to play any of the arcade games or free play console games. I just wanted to buy games, and where better to start than at Pete Dorr’s table? I didn’t introduce myself to him right away, but he approached me after a few minutes of rummaging. That’s when I complimented him on his work. I ended up buying five Sega Genesis games from Pete’s table, which he gave me a great discount on. Then, we posed for a photo:

An hour of vendor-hopping yielded 42 games in all, including seven imports! Four games were for the Family Computer (Famicom) and three were for the Super Famicom. Final Fantasy V was a timely get as GTV Japan posted a retrospective the day before (last Friday).

Satisfied, I proceeded to the parking lot for my mom to pick me up.

Back at home, I spent nearly two hours photographing my pickups, removing price stickers, and cataloging the games.

Now, photos of all pickups by console, starting with Family Computer (Famicom):

Super Famicom:

Nintendo Entertainment System:

Yes, I passed on Deadly Towers again.

Super Nintendo:

I didn’t notice a crack on the upper left of Tecmo Super NBA Basketball until cataloging later. I bought a better condition cart on eBay Tuesday night and put in an offer for another Looney Tunes game, Speedy Gonzales: Los Gatos Bandidos. I bought that on Wednesday when my offer was accepted.

Sega Master System:

Now, I have the original Zillion to go along with the sequel I bought last year.

Sega Genesis (Mega Drive outside North America):

And one Nintendo Wii game: The Price is Right: 2010 Edition:

That last pickup was the culmination of all the time that I spent this year watching various winning pricing games and showcases from the Bob Barker era of The Price is Right, and with my resulting renewed obsession with Barker era music cues, many of which can be found on this YouTube channel.

It was another successful and enjoyable Festival of Games. Thank you to Pete Dorr and all the vendors I bought from, to the LI Retro staff including George Portugal (who I saw on Saturday), and to Jerelyn Zontini. It was great to meet her in person after she connected with me on LinkedIn a few weeks ago.

Until Cradle-Con.

Instrumental Invasion, 12/14/22 December 15, 2022

Posted by Mike C. in Airchecks, Audio, Internet, Jazz, Media, Music, Personal, Radio, TV, Video.
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The December 14 Instrumental Invasion on WCWP was recorded sequentially between November 13 and 15: three segments on the 13th, one on the 14th, and the last two (plus pickups and remixing) on the 15th.

I created the playlists for this week and the following two weeks between November 7 and 9. This one was created solely on November 7, and annotated on the 9th and 10th. The first hour of the talk break script was drafted before recording on the 13th and the second half on the 14th.

Let’s Get Down Tonight” by Adam Hawley was originally played last December 8.

River Waltz” by Yellowjackets wasn’t the only song crossed off my airplay wish list. I kept hearing “Pass It On” by Jeff Golub on SiriusXM’s Watercolors channel, but neglected to remind myself to put it in a show until this week. Here is the Instagram account for River Mae the Lab that inspired me to play “River Waltz.”

As noted during the show, “My Latin Lady” was one of a few songs by After Five excerpted during local forecasts on The Weather Channel (example). Discogs confirms they were After Five, their album was Jazz Expressions, and it was a printing error that led me and the internet (and me on the internet) to think the album was Expressions and the group was After Five Jazz.

Since I referenced Dancing with the Stars, what with all the dance-themed songs, I’ll note that season 31‘s semifinals aired during production of this week’s show. The finale, airing a week later, concluded with Charli D’Amelio and her pro partner Mark Ballas winning the Mirrorball Trophy.

Click here to download the scoped aircheck of this week’s show or listen below:

Instrumental Invasion, 12/7/22 December 8, 2022

Posted by Mike C. in Airchecks, Animation, Audio, Christmas, Comedy, Internet, Jazz, Media, Music, Personal, Radio, Travel, TV, Video.
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The December 7 Instrumental Invasion on WCWP was recorded out of sequence on November 5 and 6. I did segments 1, 3, 5, and 4 on the 5th, and 6 and 1 on the 6th. Pickups were recorded on the 6th and 7th.

The playlist was created on October 28 alongside the one for last week. Annotations began on October 29 and didn’t resume until November 3. I went back to a script this week, which I drafted on the 4th and 5th. I’d have done it all on the 4th, but I had errands to run, including shipping the last of my eBay items referenced in my new camera post.

Like last week, I chose to record out of sequence so I could get the presumably short segments out of the way and bank time for the ones I expected to run long. Also like last week, I was still short after principal production, having to make up 15 seconds by reinstating my “fun fact” about Lynne Scott being friends with Laraine Newman.

The Futurama reference after “Robo Bop” by Fourplay dates back to an episode of Mike Chimeri’s Music Collection, my short-lived YouTube series. The excerpt I played was from this video (the title sequence for episode 4ACV17, “Spanish Fry”):

The November 7 pickups were for the second segment after missing an opportunity to link Amy Poehler and Laraine Newman as Saturday Night Live alumnae (that show has come up a lot lately) and memoir authors (Yes, Please and May You Live in Interesting Times). I met Laraine at New York Comic Con in 2019:

There were more callbacks to Homecoming Weekend this week. I returned the favor to Jett Lightning after he played the original “Blue Train” on his Sunday show, and I played two songs that were on my live Friday show. The songs are the respective artists’ current singles and previously heard on the regular Wednesday show (original air dates are in parentheses):

I was told not to play music from Lisa Hilton‘s new Paradise Cove album until after its release date last Friday. Since the title track shares its name with a favorite Russ Freeman composition, I bookended the show with each “Paradise Cove,” marking Lisa’s album’s debut on the show.

I referenced the Dutchess County trip yet again, doing so after “El Swing” by Hudson.

My “beat Army” line after acknowledging Dan LaMaestra‘s tenure with the U.S. Navy Band was coincidental. I forgot the annual Army-Navy [football] Game is this Saturday.

The Dan Ingram joke about Jack Jones stemmed from Dan’s backsell of “The Impossible Dream (The Quest)” on June 25, 1966 (heard in Rewound Radio’s The Life and Times of Dan Ingram: In His Own Words):

I slowed the clip down three percentage points to the correct speed.

I excluded the 1984 and earlier segment to allow for an extra segment of music from 2022 releases. The Hudson song filled a gap.

Excluded for only the fourth time in 140 shows was David Benoit. He will be back next week.

Click here to download this week’s scoped aircheck or listen below:

Instrumental Invasion, 11/23/22 November 24, 2022

Posted by Mike C. in Airchecks, Animation, Audio, Blu-ray, Internet, Jazz, Media, Music, Personal, Radio, Travel, TV.
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The November 23, Thanksgiving Eve Instrumental Invasion on WCWP took a while to develop, as Kenny Mayne would say. The playlist was created on September 27, annotations began on October 4 and weren’t completed until the 10th while in Staatsburg, the talk break script was drafted on the 12th followed by recording of the first hour, and the second hour and pickups were recorded a week later on October 19. I was going to record on the 13th, but my time mismanagement skills reared their ugly head, and I had a breakdown while rushing to complete errands. Thank goodness WCWP station manager Pete Bellotti talked me down. Per his advice, I suspended production on this show until after Homecoming Weekend, and production was completed on videos of two Saturday shows (Bernie Bernard; Mike Riccio and Bobby G.).

I usually have a wealth of inside information about this reference or that reference, but I’ve wasted enough time. So, click here to download the scoped aircheck or listen below:

Since writing the above text on October 19, I’ve published posts about Homecoming Weekend and what I now call the Dutchess County trip. Listening to “Far Away” by Robben Ford took me back to how far away I felt at times in the AirBNB on Connelly Drive. Watching A Charlie Brown Thanksgiving on 4K Blu-ray on Tuesday (November 22), I realized I forgot to acknowledge Chuck Bennett’s trombone was also the “voice” of the adult Charlie Brown spoke to on the phone.

Happy Thanksgiving. Here’s hoping you get the long end of the wishbone like Woodstock (the bird, not the town half an hour northwest of Rhinebeck/Staatsburg).

Instrumental Invasion, 11/2/22 November 3, 2022

Posted by Mike C. in Airchecks, Animation, Audio, Film, History, Internet, Jazz, Media, Music, Personal, Politics, Radio, Sci-Fi, TV, Video.
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I replaced my thumbnail/show banner photo with a selfie taken with my new camera. You can read all about that tomorrow. (11/10 UPDATE: Read here.)

The November 2 Instrumental Invasion on WCWP was recorded and mixed entirely on September 19, the first one-day record/mix since June 27 when I worked on all of the August 17 show and the first segment of August 24. I made a timing error when remixing the third segment, which I didn’t notice until September 20. An extra liner and a pickup were required to add five seconds so that “+:13” on the playlist below was true. Additional pickups were recorded on October 10 (after returning from Dutchess County) to correct a factual error about bassist Harvie S‘s “Pyramid” composition, and then to react to a shorter replacement liner.

The playlist was created on September 10 (a day after last week’s show) and annotated on the 14th (after completing last week’s annotations). The talk break script draft began on the 16th, but didn’t resume until the 18th once production was completed on the prior show.

Incumbent Waltz” is the seventh Vince Guaraldi-composed music cue for a Peanuts special that I’ve played, and a timely one with the midterm elections next Tuesday. Here’s where you can buy those Glenn Cronkhite Custom Cases I referenced in the backsell.

Two songs that aired previously are listed below with the first air date (in parentheses) and the reason for playing again:

I originally had the 2011 version of “Altair and Vega” by Bob James and Keiko Matsui in mind last July 14, but a different timing error – miscalculating the song’s duration – required a replacement. I made up for that this week, complete with the story of Tanabata/Hoshimatsuri, a festival centered around the two titular stars. You can read the Wikipedia entry in the previous sentence, but I also recommend this short video by GTV Japan:

Coincidentally, the show last July had a Star Trek reference leading into the first song. This week’s first song, complete with my paraphrase of the opening spiel, was Maynard Ferguson’s cover of the “Theme from Star Trek.” I had no idea Larry King adopted it as his radio show theme.

Click here to download this week’s scoped aircheck or listen below:

Instrumental Invasion, 10/26/22 October 27, 2022

Posted by Mike C. in Airchecks, Audio, Baseball, Comedy, Internet, Jazz, Media, Music, News, Personal, Radio, Sports, TV, Video.
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The October 26 Instrumental Invasion on WCWP was recorded in sequence on September 17 (four segments) and 18 (two segments).

The playlist was created on September 9, following a production hiatus while assembling and setting up my new computer and drafting the subsequent blog post.

As noted in the October 5 post, going forward, annotations are made in a separate Microsoft Word document, from which the talk break script is drafted in its usual document. I never share the script, but since annotations are an extension of the playlist, I will share those. This week’s annotations were made on September 13 and 14 with the script drafted on the 15th.

This is also the first week with 18:05 segments in mind, and a desired total duration of 1:48:30. Segment 1 of hour 2 was exactly 18:05, the first exact duration since segment 2 of hour 2 on October 5.

I used the phrase “leadoff hitter” to describe the first song – “There’s No One Else” by Robben Ford – in honor of the World Series, which starts tomorrow night. I wish the Mets were the National League representative, but I’m proud of all their other accomplishments this season. (I wrote that presumptuously on September 20. On October 26, I’m writing that I’m glad the Phillies eliminated the Braves in the NLDS and Padres in the NLCS. The Mets blew the NL East lead to the Braves and lost their NL Wild Card Series to the Padres.)

The inclusion of “Spring High” by Ramsey Lewis preceded his death on September 12, but that was acknowledged in the annotations and script. With “After Chicago” by Ronnie Foster coincidentally included, I called back to Ramsey’s Cabrini-Green upbringing.

In all the years I’ve heard “Schmooze” by Eric Marienthal, I’m reminded of longtime WFAN host Steve Somers, a.k.a. The Schmoozer, a.k.a. Captain Midnight (a la the radio serial). I dialed down my impression of Steve, limiting it to his name and removing his phraseology at the start of the talk-up (i.e. “Eric Marienthal on a Wednesday night on WCWP Brookville”). This was the WCWP-FAN jingle hybrid I made:

I made sure to fade out ASAP, lest listeners think FAN is simulcasting on 88.1, even though it’s from a retired jingle package.

Then, there’s Fourplay‘s “Little Foxes,” evoking Festrunk Brothers lingo (the “foxes” part). It helped that most of the backing vocalists were women, hence my “adult foxes” tangent. Here is one such Festrunk Brothers Saturday Night Live sketch:

Air date: April 22, 1978 (source)

Click here to download this week’s scoped aircheck or listen below: