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My experience at Day 1 of 2019 New York Comic Con October 5, 2019

Posted by Mike C. in Animation, Art, Blu-ray, Broadway, Comedy, DVD, Internet, Media, Personal, Photography, Technology, Travel, TV, Video, Video Games, Weather.
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Previous New York Comic Con recaps: 2012 Day 22014 Day 1, 2017 Day 1, 2018 Day 1

Thursday marked my fifth time at New York Comic Con, and third year in a row. It’s become tradition to attend, meet actors, and tour the show floor. NYCC is held annually inside the Javits Center in Midtown West.

I waited by my computer for about two hours back on May 5 to buy my Thursday badge. I didn’t know what guests would attend, but I found out a month later. The ones I was interested in meeting were Paul Reubens, James Arnold Taylor, Laraine Newman, Jennifer Hale, and Tom Kenny. Once again, this was my sole reason for attending because there weren’t any panels worth seeing.

One day removed from record heat, the weather that greeted me when I left my Wantagh home at 8:30 was cool and cloudy. As I stood on the LIRR station platform waiting for the 8:47 train, I briefly wished I brought gloves. Keeping with my train travel routine, I chose to sit in the first car. There were a few people seated ahead of me that were also on their way to New York Comic Con, but I didn’t want to bother them. I just listened to David Benoit and Friends and ate my protein bar with a can of orange seltzer.

The ride to Penn Station took about 45 minutes. When I exited at 8th Avenue and West 33rd Street, I greeted by persistent drizzle. It followed me all the way to the Javits Center. It took a while for the massive throng of attendees to get through security, but my search was quick and scold-less. After I was checked, I walked toward the entrance and then zipped my backpack compartments back up.

Once inside, I made my way to the autographing area:

It turns out there were two autographing areas: 1C and 1E. I was looking for Paul Reubens’ table in 1C, but he was actually in 1E. So, I walked toward there and waited in line at his table. Thank you to the staff members who aided me.

Like most 1980s children, I grew up watching Pee-wee’s Playhouse. I didn’t realize Pee-wee Herman was a character created and portrayed by Paul Reubens until the mid ’90s. That was the first time I saw Paul out of that character, on Murphy Brown.

I rediscovered Pee-wee’s Playhouse on Cartoon Network’s Adult Swim in 2006, then rediscovered it again ten years later on Netflix. Watching it there wasn’t enough. I had to buy the series on Blu-ray, especially for the bonus features. I sometimes find myself quoting not just Pee-wee, but other series characters like Globey, Mr. Window (particularly when I see Lynne Marie Stewart [Miss Yvonne] on TV), Jambi, Pterri, Conky, Randy, and occasionally Clocky.

So, it was a thrill to meet Paul, albeit briefly, on Thursday morning. I told him I met Phil LaMarr last year. Phil played Cowboy Curtis in the Broadway run of The Pee-wee Herman Show. I had noticed Paul was making a surprised face while posing with attendees ahead of me, so I tried to do the same:

I look more shocked than surprised, but I still like it.

I returned to 1C to meet four voice actors:

First up was James Arnold Taylor:

I discovered James through Johnny Test, but learned more about his illustrious career through his website, JAT Vlogs on his YouTube channel, and appearance on the podcast Talkin’ Toons with Rob Paulsen. I told him I liked how for his Fred Flintstone voice, he combined Alan Reed’s original portrayal with Henry Corden’s subsequent version. I also expressed my love as the voice of Fox’s Sunday primetime promos, to which he said he recorded the latest set of promos in his hotel room the night before. There was one thing I neglected to discuss. I’ve never played a Final Fantasy game, but I am aware of an infamous cutscene he voiced as Tidus in Final Fantasy X. In the cutscene, Tidus let out a loud, wooden, staccato laugh: “haaaa ha ha ha ha ha ha!” James explained that scene in a March 2016 JAT Vlog:

I chose a character collage at his table to sign, and he wrote:

Mike – You’re awesome!!
James Arnold Taylor

5:05 PM UPDATE: James recorded another promo from his hotel room yesterday, as he shared on Instagram:

View this post on Instagram

More promos in my makeshift padded room in my hotel while at @newyorkcomiccon

A post shared by James Arnold Taylor (@jatactor) on

After James, I moved one table to the right (his left) and spoke to Laraine Newman:

You may know Laraine from her days on Saturday Night Live, and I’ve seen a handful of sketches from that time, but I’m more familiar with her voice over work. She was Queen Jipjorulac, Mark Chang’s mother on The Fairly OddParents. Mark Chang was voiced by Rob Paulsen as an energetic surfer dude with awkward syntax (pronouncing assistance “ah-sis-TAHN-say,” for example). When Rob interviewed Laraine for Talkin’ Toons, she mentioned Histeria!, the Warner Bros. edutainment animated series they co-starred in. I was not aware of the series when it originally aired, but my curiosity was piqued after that interview. Unfortunately, unlike the other ’90s WB series, Histeria! was not yet on DVD. When it was finally released years later, I bought it, watching for the first time over the 2017 Christmas vacation. I loved it! So, it was that DVD that I brought to NYCC for Laraine to sign. She was thrilled. I told her how much I loved the show and loved her characters: Miss Information, a bubbly Southern tour guide with a penchant for getting things wrong, and Charity Bazaar, a sad girl who frequently lamented, “I’m not happy.” I said I sometimes find myself saying that in certain situations.

Laraine signed the following on my DVD:

To Mike (Heart)
Laraine Newman

Laraine and the aforementioned Paul Reubens, Lynne Stewart, and Phil LaMarr are all alumni of The Groundlings improv and sketch comedy troupe. It’s where Paul created Pee-wee Herman.

Jennifer Hale was next:

Jennifer has a wealth of video game credits, but I know her mostly for her work as Ms. Keane on The Powerpuff Girls, various characters on Johnny Bravo, and T.U.F.F. Puppy. Someday, I will play some of the games she appeared in.

As with James, I chose a collage for her to sign:

To Mike!
Jennifer Hale

And finally, Tom Kenny:

Of course, Tom is the titular character on SpongeBob SquarePants. I love that show, but also love Futurama, where Tom’s credits include the all-purpose commissioner Abner Doubledeal and Leela’s bland eye doctor boyfriend Adlai Atkins, and the aforementioned Johnny Bravo, where he played Johnny’s (Jeff Bennett) nerdy friend Carl Chryniszzswics (“cruh-SIN-uh-wits”). He was glad to hear Carl get some love at the convention, as one attendee ahead of me had a drawing of Carl. We talked about his co-star, the late Larry Drake, who voiced Pops. I even imitated Pops (“Hey, Johnny!”). Tom told me about Larry’s horror film background, which I wasn’t aware of but glad to learn. Prior to Johnny Bravo, I only knew him from L.A. Law.

I thanked Tom for taking the time to meet with everyone in line, as the line extended down to one of the panel “chutes,” requiring security to let people know which side was the panel chute and which was the line for Tom (or “SpongeBob,” as the guard said). I brought my copy of the eighth season of SpongeBob SquarePants for him to sign:

10-3-19
Mike Ahoy!
Best fishes from “SpongeBob”
Tom Kenny

Thank you to Paul, James, Laraine, Jennifer, and Tom. It was a pleasure to meet all of you. Thanks, as well, to Anissa and her eldest son James, who I met in Tom’s line. It was nice to meet you, too, and I hope we can stay in touch.

After nearly four hours in autograph land, I was ready to head for home, but not before touring parts of the show floor:

Within 20 minutes of walking the show floor, I exited the Javits Center:

25 minutes after that, I was back in Penn Station where I boarded the 3:03 Babylon-bound train, which was packed with commuters. The crowd thinned a little at Jamaica, then further at Rockville Centre, but a handful of passengers exited with me at Wantagh one hour later. I was once again in the first car, which meant that I was on the east end and exited above Beech Street. (The first car westbound is just west of Wantagh Avenue.) After walking 20 minutes in the mist, I was home.

Once inside, I unpacked and photographed my autographed merchandise and my badge (with the codes blurred out):

I hope to be back at New York Comic Con next year. In the meantime, thank you for viewing this post.

Pat Contri, Ultimate Nintendo: Guide to the NES Library September 13, 2019

Posted by Mike C. in Books, DVD, Internet, Technology, Video, Video Games.
Tags: , , , , ,
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A cropped photo of my copy after returning from day 1 of this year’s Long Island Retro Gaming Expo

Pat Contri was a name I’d heard of since I started regularly watching YouTube channels a few years ago, but I’d never seen his videos, listened to his podcasts, or bought his merchandise. My only exposure to him was the Angry Video Game Nerd episode he appeared in, which he wrote with series creator and star James Rolfe. My unfamiliarity dissolved after visiting Pat’s table last month at the Long Island Retro Gaming Expo. I got to meet him and his friend and colleague Ian Ferguson…:

…and I bought early episodes of the Pat the NES Punk YouTube series on DVD along with Pat’s comprehensive 2016 book: Ultimate Nintendo: Guide to the NES Library.

As with Leonard Herman’s Phoenix IV last year, I vowed to read the Guide to the NES Library after the expo. After reading a couple of preface pages on the Uber ride home on August 10, I held off on the rest of the book until 12 days later, August 22. I had another day of the expo, photos to edit, a recap to write, cousins to hang out with while they visited for a few days, and a photo editing project for a friend. In my downtime, I worked my way through the three sets of DVDs. As I neared the end of the third set, my photo editing project was complete, which meant I could finally commit to Pat’s guide.

Ultimate Nintendo: Guide to the NES Library is as big as an educational textbook and just as heavy. It’s 437 glossy pages long, but the last five pages are a list of the book’s financial backers. So, I read two more preface pages, then moved on to the main 432.

The book chronicles each and every game released for the Nintendo Entertainment System in North America, from the numbered titles like 1942 and 8 Eyes to Zoda’s Revenge and Zombie Nation.

Pat is not alone in reviewing each game, as he is joined by Ian Ferguson, Asheton “Ashi” Phinney, Brett Weiss, Jim Evans, Joe Pingree, Karen Niemla, and Joey “Roo” DeSena.

Most pages are devoted to two games. An image from one of the two games is in the background while four images from each game are on the bottom. The top of the page shows the games’ cartridge designs and lists their genre, release date, developer, publisher, number of players, special features, whether the game is licensed or unlicensed, availability (from “very common” to “extremely rare”), and star rating. There are 11 ratings ranging from bomb (“awful and/or broken”) to 2 1/2 stars (“average”) to 5 stars (“classic”). Below that is the review, which can be a few short sentences in medium type or several paragraphs in small type. Then the reviewer, identified by their initials (i.e. PC, IF, JD), will add their “reflections.”

The landmark titles get their own pages with additional images. Such titles include the three Super Mario Bros. games, The Legend of Zelda, Zelda II, the unlicensed Tengen version of Tetris, and Tecmo Super Bowl.

Following 387 pages of North American releases, the book concludes with PAL exclusive games, HES (Home Entertainment Suppliers) games, special and promo cartridges (i.e. Nintendo World Championships 1990), test cartridges, label variants, the NES console and its major accessories, supplemental articles, and images of unreleased games.

It took me 21 days to read 432 pages of Ultimate Nintendo: Guide to the NES Library. Along the way, I kept a journal of how many pages I read each day. I started with 12, then 14, 18, 20, 24, and 50 and 53 pages on two of my last three days. For some games, I imagined certain public figures in my head reading in their voice. I thought of Bob Costas for baseball games, Mike “Doc” Emrick for hockey games, Ahmad Rashad for basketball ones, Jim Lampley for boxing, Liev Schreiber for football, David Feherty for golf, and even Matt Ezero for some games he evaluated in his LJN Defender videos. For reflections, in the case of Pat, Ian, and Roo, I imagined them reading for themselves.

When I wasn’t reading on the first 11 days, I finished Pat Contri’s DVDs, watched all ten episodes of The Video Game Years on Amazon Prime, and caught up on most of Pat’s non-podcast videos from 2012 to the present. That included all later Pat the NES Punk and Flea Market Madness episodes.

It was neat to read about games that I previously saw in Punk episodes, like Baseball Stars, Dance Aerobics, Sqoon, and Wall Street Kid. It was also satisfying to know that some games in my collection were uncommon, such as Wario’s Woods.

The tone of the book’s reviews range from clinical to overly critical. I was satisfied with all but three reviews: Tetris 2, Wheel of Fortune: Featuring Vanna White, and Yoshi’s Cookie. I liked those games growing up, getting plenty of mileage out of them. I treated Tetris 2 and Yoshi’s Cookie as endurance tests, playing until a game over. For Wheel of Fortune: Featuring Vanna White, I played solo, hitting select during the puzzle selection each round until I finally got a big one. That meant more money to win on the wheel. In …Guide to the NES Library, Tetris 2 and Yoshi’s Cookie were dismissed as lousy cash-ins. Wheel of Fortune: Featuring Vanna White was considered a step down from the Rare-developed games that preceded it. “Pat Sajak would not be pleased,” wrote Pat Contri in the reflections.

There were sporadic typos or word omissions, and (counting Console Wars author Blake Harris’s foreword) six instances of my pet peeve phrase “at the end of the day” (thank goodness there weren’t more), but ultimately, the book was a great read.

If you grew up with the Nintendo Entertainment System, are collecting for it, or you just want to learn about the console that revived the video game industry, buy this book, available for $59.99. You’ll love it. And when you’re finished with that, be sure to pre-order Pat’s next book, a Guide to the SNES Library, which will focus on the Super Nintendo’s games. It’s also available for $59.99, or you can buy the special edition for $79.99.

Lastly, there’s a $4.99 app called Ultimate Game Guide – on Android and iOS – which contains all NES games from all regions, as well as accessories and console variants. If you select a game, it includes the statistics and review from the book, though not the reflections. You can even keep track of the games you have in your collection, and go to Amazon or eBay to check listings for the ones you don’t.

2019 Long Island Retro Gaming Expo recap August 14, 2019

Posted by Mike C. in Books, Internet, Media, Music, Personal, Photography, Technology, Travel, TV, Video, Video Games, Weather.
Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,
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Previous LIRGE recaps: 2017 (Sunday), 2018

This is a long and comprehensive post, so buckle up.

Last weekend, I attended the Long Island Retro Gaming Expo for the third year in a row and my second year for both days.

John Hancock and The 8-Bit Guy weren’t at LIRGE this year, but making return appearances were Bob Neal from RetroRGB, Jeremy Parish of Retronauts and Video Works, Kurt Kalata and Rob Russo of Hardcore Gaming 101, and video game historian and author Leonard Herman.

Among those appearing for the first time were Frank Cifaldi of the Video Game History Foundation, Pat Contri (a.k.a. Pat the NES Punk) and Ian Ferguson of the Completely Unnecessary Podcast and The Video Game Years, and the My Life in Gaming duo of Coury Carlson and Marc “Try4ce” Duddleson (as in the Triforce from The Legend of Zelda).

The Long Island Retro Gaming Expo is held at the Cradle of Aviation Museum along Museum Row in East Garden City, as indicated by these signs I took on the way there Saturday morning:

Based on the “date taken” info of the above pic, I arrived at the museum at 10:09. Before getting in line to get inside, I photographed a historic marker:

The weather outdoors was much better this year: sunny, warm, and comfortable. You could leave the rain gear at home or in your hotel room.

While on line, I passed a trailer with arcade machines inside:

This was the only time I noticed it. I was focused on what was in the museum.

I set foot inside Cradle of Aviation half an hour after arriving:

The rest of this post is divided into four parts:

  1. Panels
  2. Meeting and Greeting
  3. Pictorial Tour
  4. Pickups

Part One: Panels

After walking around the first floor for nearly 15 minutes, I made my way into the theater planetarium for the first panel:

It was Jeremy Parish (center) along with Kurt Kalata (right) and Rob Russo (left):

Titled “Love for the Unloved,” the trio discussed several underappreciated consoles, accompanied by Powerpoint slides.

Before we see the slides, here are close-ups of Jeremy:

Kurt:

…and Rob:

A few wide shots:

The slides of underappreicated consoles:

The slide for the Bandai WonderSwan went up, but they didn’t have time to discuss it:

9/26 UPDATE: The expo’s YouTube channel has posted video of the panel:

Next to speak was…

Frank introduced himself…

…and his work with Digital Eclipse…

…before moving on to the main topic:

Frank is pictured with Kelsey Lewin, who was at Game On Expo in Phoenix, Arizona, that weekend hosting a similar panel:

The last 35 minutes of the panel were Q&A:

10/10 UPDATE: Video of the panel was posted today:

I spent the next two hours touring the exhibits, buying games from vendors, meeting and greeting Frank Cifaldi, Coury and Try, Pat and Ian, and Leonard Herman. You’ll see photographic evidence in parts two and three. I made time in between to eat a few snacks from the Cradle of Aviation Museum’s Red Planet Café.

Pat and Ian had a panel after Frank’s, which you can hear in part in the latest Completely Unnecessary Podcast, starting 17 minutes in.

Then, it was on to Leonard’s panel, which was in Panel Room 2:

Leonard talked about the late Ralph Baer and Ted Dabney, and the friendships he developed with them.

After arriving on Sunday, I tried out Ralph Baer’s Brown Box with a man named Jeff:

I played poorly, but had a good time.

There were two panels that I attended on Sunday. First, the My Life in Gaming RGB Master Class:

As noted earlier, My Life in Gaming is run by Coury Carlson:

…and Marc Duddleson, better known as Try:

Coury and Try periodically ran excerpts from upcoming episodes profiling figures in the fields of video game modding, repair, and history:

Bob from RetroRGB, who was seated next to me, was included, but I kept his screenshot out of this post since he told me he didn’t like how he looked.

I found those excerpts enlightening. It put faces and voices to names I’d heard of in previous episodes. I was already familiar with Bob, Kevin, Frank, Ste, and Dan.

The excerpts can be seen in this unlisted link.

Time for Q&A:

I asked what it was like shooting the M2 documentary, seen here:

(NOTE: Unless you’re fluent in Japanese, I suggest selecting “English – Japanese Translation” in the CC [closed captioning] settings.)

More Q&A shots:

Coury made the panel available for listening here. (My attempts to embed it failed.)

After exiting the theater, Bob talked shop with fans:

10/30 UPDATE: Video of most of the panel (ending abruptly after 57 minutes) was posted today:

The second panel I went to on Sunday, my last of the weekend, was Jeremy Parish, Frank Cifaldi, and Coury Carlson:

It was like the finale of a revue where all the acts return to play together.

After introducing themselves for those that hadn’t seen their other panels, Jeremy, Frank, and Coury talked about what avenues are available for playing old video games.

Close-ups of Jeremy:

Frank:

…and Coury:

Wide shots:

Part Two: Meeting and Greeting

I caught up with Frank Cifaldi after his Saturday panel. I told him I was in a similar situation preserving photos, videos, and documents digitally. Then, Try took our picture:

After that, Frank took a picture of me with Coury and Try:

I caught up with Leonard Herman his table before his panel:

I was finally introduced to Pat Contri:

…and his colleague Ian Ferguson:

I spent a lot of time at the table shared by Coury, Try, Pat, and Ian, along with Ian’s wife Vani. I watched as fans came by to meet them and had in-depth conversations with them. The topics ranged from games to travel to video production to my running. Coury was surprised that I had run 8.8 miles early Sunday morning.

I briefly spoke to Bob Neal from RetroRGB once I got back to the table after the RGB Master Class and Try took our picture:

Following my last panel, I briefly spoke to Jeremy Parish, complimenting him on his recently-wrapped Virtual Boy Works series. After 21 proper episodes on the 22 releases (13 in North American and Japan, 9 exclusive to Japan), he posted this retrospective:

Ryan, a staff member I grew accustomed to in the theater planetarium, took a picture of me and Jeremy before I left for the weekend:

Part Three: Pictorial Tour

This is a pictorial tour through all three floors of the expo, starting on the first floor:

This game is actually part of the museum, unaffiliated with the expo:

The second floor:

Among the musical performers were the band Consoul, who played music from several video games:

At the time, they were playing the main theme from Super Mario 64. For reference, here is the original music:

…and the third floor:

Meanwhile, the Long Island Tabletop Gaming Expo was occurring on the other side of the museum:

Next year, the Tabletop Gaming Expo will be held separately on April 18.

Time to go:

A parting shot:

Part Four: Pickups

Saturday’s pickups:

Sunday’s pickups:

Yes, even these count as pickups:

Summing up in writing, the pickups were:

Nintendo Entertainment System:

  • The Adventures of Bayou Billy
  • American Gladitators
  • Blades of Steel
  • The Bugs Bunny Birthday Blowout
  • Golf
  • Gyromite
  • Gradius (“GRAHDius”)
  • The Legend of Kage (“KAH-ghay”)
  • Lee Trevino’s Fighting Golf
  • Mike Tyson’s Punch-Out!!
  • R.C. Pro-Am
  • Super C
  • Track & Field
  • Track & Field II

I played Mike Tyson’s Punch-Out!! at friends’ houses, but never had that version. I only had plain Punch-Out!! with Mr. Dream replacing Tyson after the licensing agreement wasn’t renewed. Now, I have the original. I don’t have R.O.B. (Robotic Operating Buddy), but that won’t stop from using two controllers to play Gyromite. I already do it with sports games.

Super Nintendo Entertainment System:

  • Gradius III
  • Paperboy 2
  • Pilotwings
  • Pitfall: The Mayan Adventure
  • Saturday Night Slammasters
  • Wario’s Woods
  • Zoop

I had Pilotwings 64 for the Nintendo 64, but never the original for Super NES. My sister took Wario’s Woods to her new apartment a couple of months ago, so I bought a new copy to replace it. Paperboy 2 is worth getting for the music alone, as seen in Jeremy Parish’s review last June:

Sega Genesis:

  • Columns
  • Dynamite Headdy
  • Michael Jackson’s Moonwalker
  • Paperboy
  • Road Rash
  • Shaq-Fu
  • Super Monaco GP
  • WWF Super WrestleMania

Michael Jackson’s Moonwalker was my most expensive pickup; more than Teenage Mutant Ninja Turtles: The Hyperstone Heist last year. I remember Super Monaco GP in the arcade room at Baldwin Lanes. According to Joe Redifer of Game Sack, the Genesis port is better than the original. (Since I cued the video to the relevant portion, I can’t embed it.) I bought a loose cart on eBay in 2016, but I now prefer to have Genesis games in their original boxes. So, I bought one in its box on Sunday. The same goes for Columns. I bought Super WrestleMania to complement the Super NES port I’ve had since childhood. Coincidentally, today marks 30 years since the Genesis was released in North America. Last October 29 was the 30th anniversary of the initial Japanese release as the Mega Drive. And last Tuesday marked 25 years since I purchased a Genesis of my own. It was the Sega Sports bundle with a seat cushion and NFL Football ’94 Starring Joe Montana.

Microsoft Xbox:

  • Tetris Worlds

I played the Game Boy Advance version a lot in the mid 2000s. I never knew it was ported to other consoles. I like to collect Tetris games for as many consoles as I can. I even bought the unlicensed Tengen arcade port for NES that predated Nintendo’s official version. It reminded me of playing the arcade machine at Kutscher’s Resort and Country Club in March 1995.

Non-games:

  • The Legend of Zelda official keychain
  • My Life in Gaming pin
  • My Life in Gaming sticker
  • Night Trap: 25 Years Later (Blu-ray) (signed by Coury and Try)
  • Pat the NES Punk, Volumes 1 to 4 (DVDs) (all signed by Pat)
  • Ultimate Nintendo: Guide to the NES Library: 1985-1995 (signed by Pat, Ian, and Frank)
  • The Video Game History Foundation sticker
  • Phoenix IV bookmark

Pat’s merchandise is available here. As with Phoenix IV last year, I will review Ultimate Nintendo when I finish reading it. And I’m enjoying Pat’s DVDs. (8/31/19 UPDATE: I enjoyed them. I watched later videos on Pat’s YouTube channel, as well as all ten episodes of The Video Game Years on Amazon Prime Video.)

This was another successful and enjoyable year at the Long Island Retro Gaming Expo. Thank you to everyone I met, met again, and bought from. Until next year.

I’m in an episode of The Gaming Historian! May 31, 2019

Posted by Mike C. in Audio, History, Internet, Media, Personal, Video, Video Games.
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Last Tuesday, Norman Caruso, a.k.a. The Gaming Historian (website), put out a call on his Discord chat server, which I belong to, for people to read a newspaper review blurb for an episode on The Legend of Zelda: Link’s Awakening, a Game Boy game released in 1993.

I recorded two takes to one WAVE file and e-mailed it to him. For posterity, here is that file.

Two days later, he announced that he chose my submission and posted a rough cut to his Patreon supporters, of which I’m one, as well as on Discord. Yesterday, the final cut went public. Watch below:

My part, the first take of my submission, can be heard about nine minutes in. Here’s the audio from that part.

I’m also in the credits:

As a result of this video, though not necessarily because of me, The Gaming Historian YouTube channel surpassed 600,000 subscribers!

Thank you very much, Norm, for the opportunity. I greatly appreciate it.

7:53 PM UPDATE: About 90 minutes ago, Norm tweeted the following:

As I type, the video has over 236,000 views! That will surely continue to grow. I’m glad to have been part of a record-setting video.

Lisa Hilton at Carnegie Hall’s Weill Recital Hall: 2019 edition January 12, 2019

Posted by Mike C. in Animation, Blu-ray, Comedy, DVD, Hockey, Internet, Jazz, Media, Music, Personal, Photography, Politics, Sports, Travel, TV, Video Games, Weather.
5 comments

Previous Lisa Hilton recaps: June 2011January 2014January 2015January 2016, January 2018

Thursday night, for the fifth time in six years, I made my way to the Weill Recital Hall at Carnegie Hall to see jazz pianist Lisa Hilton perform.

Unlike last year, I didn’t leave the house early so I could eat dinner before arriving at Weill. I went about my typical Thursday routine, including eating a pasta dinner around 5:00. At 5:40, my mom drove me to the Wantagh LIRR station. It’s a good thing I chose to leave at that time because unbeknownst to me, the 5:59 train was moved up to 5:55 starting on Monday:

The other arrival times are unchanged.

It was cold and windy on the platform, so it’s a good thing I wasn’t there long.

The train arrived two minutes late, at least on clocks set to the official U.S. time:

Just like the snowy night I saw the Bob James Trio at the Blue Note, the Rangers and Islanders were playing each other. Then, the game was at Barclays Center, current home of the Islanders. This time, it was at Madison Square Garden. Thus, Rangers and Islanders fans were prevalent on the train. Ordinarily, I would have stayed on all the way to Penn Station, but getting to Carnegie Hall isn’t as direct as Blue Note. I could have taken the 1 train from Penn to 59th Street-Columbus Circle, but I would have to walk a few blocks south and east from there. In the afternoon, I consulted Google Maps to determine what subway line I should take instead of the 1. They suggested I exit at Woodside and take the 7 train to Queensboro Plaza, then transfer to the N or W trains to 57th Street and 7th Avenue. That’s what I did.

I arrived at Woodside at 6:46 and proceeded to the adjacent subway station:

I lost my sense of direction and stood in position for this Flushing-bound train:

I figured out where I was facing when the doors wouldn’t open on my side.

The correct 7 train arrived at 6:52:

12 minutes later, I stood in Queensboro Plaza:

Google Maps suggested the N train on the way and the W train going back. I ended up doing the opposite. The W train arrived before the N, two minutes after I got off the 7:

By 7:15, I was at 57th Street:

I took the southeast corner stairway:

The stairway faces south, so I had to turn north and then east:

It wasn’t long before I reached my destination:

Foolishly choosing the stairs over the elevator, I (somewhat) breathlessly arrived on the fourth floor and stood in the lobby until the hall doors were opened:

The audience was allowed in at 7:30.

After finding my front row not-quite-center seat, I took a few pictures of the stage, knowing I’d have to put the camera away until afterward:

A security guard reminded me there was no photography during the show, and I assured him I was only taking before and after. I know the rules and willingly play by them. (I didn’t tell him that.)

Lisa and her two bandmates walked on stage at 8:04. Yes, for the first time, this was a trio performance. Luques (“lu-KEZ”) Curtis was once again on acoustic bass with Mark Whitfield Jr. on drums. Mark alternated between sticks and brushes depending on the song.

The first nine songs were all from Lisa’s latest album, Oasis, released on December 7. The concept is similar to that of her previous album, Escapism: escaping the craziness of the real world. At the Oasis, you can take your mind off the political turmoil and extreme weather dominating the news. A case of extreme weather is the Woolsey fire in Southern California, which forced Lisa to evacuate her Malibu home. She eventually returned home to no damage, but others weren’t as fortunate.

I’m right-of-center politically, but I can’t stand politics’ insane tribalism. It’s our way or the highway, whether “our” is Republicans or Democrats. And don’t get me started on the politics of personal destruction. One wrong move will destroy your life. I also have a pessimistic view of my party’s chances in elections and I take hyperbole from left-leaning politicians and pundits personally.

Since late September, I have paid little attention to the news. I know what happened on November 6, and that my left-wing friends gloated triumphantly, but that’s mostly it. Some news comes to my attention by overhearing what someone is watching in another room, from newspapers on display at the supermarket if I fail to avert my gaze, or reading Chuck Lorre’s vanity cards at the end of episodes of his sitcoms. I keep my head buried in music, sports (but not sports debate or news magazines), documentaries, cartoons, sitcoms, tech reviews, and video game or console reviews and retrospectives. Ignorance is bliss.

I used to occasionally post political links or videos, such as for Prager University, on Facebook, but I stopped a year ago. Now, I don’t talk politics at all on any of my social media (I seldom did on Twitter since my account is public) or with family and friends, unless we agree. I’m a people-pleaser; I want to be everyone’s friend. I don’t want politics to come between us.

Lisa promised that the songs we were about to hear would be uplifting. There wouldn’t be any songs with titles like “F U Donald,” as John Scofield had with Combo 66 in November.

The set ran about 70 minutes. Here’s what Lisa Hilton’s trio played:
1.
Adventure Lands
This made me think of the times I went to the Adventureland amusement park in Farmingdale when I was growing up.

2. Oasis
Mark Whitfield Jr. provided a swing beat at times. At one point, I followed Luques Curtis’s fingers on the bass.

3. Twists of Fate
Lisa credited Count Basie and Thelonious Monk among her inspirations for this song.

4. Watercolor World

5. Vapors & Shadows (also on Horizons, 2015)
In a quiet moment, Mark lightly clacked the drums. Lisa and I seemed to lock eyes briefly.

6. Lazy Daisy
This brought to mind a hippie daisy floating downstream or lying in an inner tube in a water park lazy river, like the one at Splish Splash in Riverhead. That was another park I frequented growing up, but I haven’t been there in almost 20 years.

7. Just for Fun (also on In the Mood for Jazz, 2003; Nuance, 2010; and Getaway, 2013)
Lisa’s gliding up and down the keys made me laugh.

8. Sunshine States
There was a Latin flavor befitting the two Sunshine States, California (officially the Golden State) and Florida. It was reminiscent of Chick Corea, and the end felt like “Tequila” by The Champs, just as “Hot Summer Samba” did last year.

9. Sunday Morning (also on Midnight in Manhattan, 2006)

10. Waterfall (from Cocktails at Eight, 2000)

11. Meltdown (from Sunny Day Theory, 2008; later on Nuance, 2010; and Escapism, 2017)
This song is a comment on a hectic life, being driven to a meltdown or breakdown. It had a frantic, heavy metal-like pace, and also brought to mind boss music in a video game. There were occasionally staccato Morse Code-like notes.

12 (Encore). Zero Gravity (from Escapism, 2017)
Coincidentally, earlier in the day, I watched the fourth Futurama film, Into the Wild Green Yonder (2009), on Blu-ray. One of the special features involved series executive producers Matt Groening and David X. Cohen talking about their recent Zero G flight. They and their fellow passengers, including Matt’s son Will, experienced periods of weightlessness.

As it turned out, no one else was seated in the front row, not even in the handicap seats. I could have moved, but chose not to.

1/18 UPDATE: Lisa posted a picture from the set (taken by photographer Ryan Nava) to Facebook, her website, and her newsletter last night:

Here’s the Facebook post, which ends with a link to her web post:

1/29 UPDATE: Lisa posted two more of Ryan Nava’s pictures to social media yesterday:

When the house lights went back up in Weill Recital Hall, and the audience began to leave, I said aloud, to no one in particular, that was a great show. Steve, who was seated one row behind me, agreed. I told him it was my fifth time, he said it was his first. We spoke a little more, then went our separate ways. I proceeded to the lobby to meet and greet Lisa and Luques. I didn’t see Mark, though. As I let other audience members talk to them for a while, I shared my enthusiasm with Adam and Vicki. Adam was seated a row or two behind me and told me he noticed that I was taking notes. I let him know it was for the recap you’re reading right now, and shared some of the notes with him. He was nice enough to take a picture of Lisa and me before I left:

I rightly took the elevator back down to the first floor.

By 9:46, I was back in the 57th Street subway station:

My N train for Queensboro Plaza arrived at 9:54:

Ten minutes later, I was among a massive throng of passengers (whom I didn’t photograph out of privacy) waiting to board the 7 train:

It took another ten minutes for that 7 train to arrive, and a couple more minutes before the doors were opened. I barely fit into the cramped car I walked into. There was little relief between stops as few people got off. Flushing was likely the majority destination.

The late arrival of the 7 train at Woodside meant I missed my LIRR train for Wantagh.

The good news is I would only have to wait about 20 minutes for the next Babylon-bound train:

The bad news is it was an express train that only stopped at Woodside, Jamaica, Valley Stream, and Freeport, with no other stops before Babylon. My dad was nice enough to drive 15 minutes out to Freeport to pick me up because I wasn’t about to wait until about 11:15 for a train that would stop at Wantagh.

After waiting upstairs out of the wind for 15 minutes, I proceeded to the track 4 platform and waited for my train:

Brrr! Each gust was tough to endure.

I was relieved to board the warm train at 10:47:

Once again, there were Rangers and Islanders fans aboard. And once again, the Islanders won. This time, 4-3. As a Rangers fan, this has been a tough season. (8:20 PM UPDATE: The game was part of a home-and-home. The Rangers won 2-1 at Barclays Center earlier today.)

The train was scheduled to arrive at Freeport by 11:15. Instead, it was there at 11:23. My railcar was a few blocks from where Dad was. Once inside his car, the drive back to Wantagh took 15 minutes, the same length it took to get to Freeport. Home sweet home.

Thank you to Lisa Hilton, Luques Curtis, and Mark Whitfield Jr. for the fifth great night of music in six years. (I couldn’t make it in 2017.) Thanks, as well, to Steve, Adam, and Vicki from the audience; and of course, to my parents for transportation to and from the train stations.

2018 LIU Post & WCWP Homecoming Weekend October 15, 2018

Posted by Mike C. in Airchecks, Audio, Football, History, Internet, Interviews, Jazz, Media, Music, News, Personal, Photography, Radio, Sports, Travel, Video, Video Games, Weather.
12 comments

Other recaps: 20082009WCWP 50th Anniversary (2011)20122013201420152016, 2017, 2019

In all the years I’ve recapped WCWP Homecoming Weekend, this is the first where I consolidate all days into one post. With Sunday photographic help from Pat Kroll, I’m recapping all three days of WCWP’s special block of programming, including coverage of the LIU Post Pioneers‘ Homecoming game against the Saint Anselm Hawks.

I left for the Abrams Communications Building, home to WCWP, at 11:00 on Friday morning. I was there within half an hour and I immediately got out my equipment. There were shows to record, including one for me to host.

Unlike the previous three years, I was not the first show of the weekend. That honor went to 1960s Post Scripts, hosted by Art Beltrone and Jay Elzweig, who were with WCWP when it began:

Art Beltrone:

Jay Elzweig:

The show was packed with interviews and had occasional music.

The first guest was William Rozea, part of C.W. Post College’s first graduating class in 1959:

Also among Art and Jay’s guests were Jarron Jewell, LIU Post’s senior library assistant for archives and special collections:

Rita Langdon, LIU Post Executive Director:

Mark Bilker, another member of the Class of 1959:

Alan and Carol Fritz from the Class of 1966:

Bernie Bernard, Class of 1972:

Dan Cox, Class of 1985, and WCWP Director of Broadcasting:

Art, a Marine Corps veteran, presented Dan with banner from Vietnam, part of the Vietnam Graffiti Project.

…and Edward Keller, a Vietnam Graffiti Project volunteer and fellow Marine:

1960s Post Scripts concluded with “Yesterday” by The Beatles, which led into my show, Instrumental Invasion with Mike Chimeri.

As my second song played, I took a picture of Art Beltrone and Jay Elzweig:

Before he left, Art gave me a copy of Vietnam Graffiti: Messages from a Forgotten Troopship, by him and his wife Lee.

My setup in Studio 2:

I had Jeff Kroll take a picture of me at the board. He suggested I have my headphones on:

I belong to a few Discord servers and my fellow members know I’d be on. I gave them all a shout-out at one point during my show, including the servers’ proprietors: Norm Caruso a.k.a. the Gaming Historian, Game Dave, and Anna a.k.a. Circuits & Coffee. I gave Game Dave a personal shout-out after playing a Keiko Matsui song because he recommended her music over in-game music in one of his videos. I couldn’t recall which one on the air, but it was for the Famicom game A Week of Garfield (relevant portion at 7:40, unless you want to watch the whole thing):

Now that you’ve seen that video, here is my airchecks video:

If you just want the audio, click here for itClick here for the transitions, and a PDF of the playlist.

From one Mike to another: Magick Mike Hendryx (Mike Schanzer) followed me:

Pat and Jeff Kroll:

After the above picture, I packed up and got a ride back home. After a pasta dinner, I got to work editing Friday’s video and audio. I decided to wait until downtime after arriving back at Post on Saturday to edit Friday’s pictures.

Here is my Friday video, featuring plenty of 1960s Post Scripts, followed by two airchecks each from my show and Mike Hendryx’s show:

I left for LIU Post at 12:30 on Saturday afternoon. Once on campus, I set up my equipment at WCWP, edited pictures on my laptop, and then headed to Bethpage Federal Credit Union Stadium for part of the Pioneers’ game against Saint Anselm.

I spent much of the second quarter in the press box. Calling the game were Jeff Kroll and Neil Marks:

Video of the game was also streamed online with WCWP audio:

The scoreboard console:

A defensive stop:

The Pioneers’ third touchdown drive:

“Touchdown, Pioneers!”

The extra point:

That’s the end of the first half:

The Pioneers went on to win 37-6. If this was their last game against Saint Anselm, as they are heading to Division I FCS (Football Championship Subdivision) next season (likely under a new name), they won all 15 of them. Highlights can be viewed here.

The next few pictures were taken on the way back to WCWP:

Ted David took this great picture of me:

Banners and trophies inside the Pratt Recreation Center:

Back at WCWP…:

Jett Lightning, Lew Scharfberg (standing), Ted David, Bill Mozer, Jay Elzweig:

As usual, Bernie Bernard was on after the game:

Lisa Seckler-Roode regailed Bernie with many stories from her days working for record companies and as a personal assistant to The Who guitarist Pete Townshend:

Bernie – or rather, Maura – with her fellow reverend, Fr. Michael Tesmacher, who she and I know as Mike Tes:

Mike and I have known each other since 2002 when we worked on the public access show, The Long Island Rainbow Connection.

Jeff Jensen and his son, Jackson:

Bernie and Lisa:

Ward Henry watching Bernie’s next-to-last aircheck of her show:

Bobby G. (standing) and Mike Riccio were next:

They hosted their special Homecoming countdown show:

Joining them was Jett Lightning (center):

Mike Riccio:

Bobby G.:

Jett Lightning:

Mike and Bobby:

Before I left, I had Pat Kroll take a shot of me and John Zoni, both of us with our glasses off:

John hosted the pregame, halftime, and postgame shows. He’d go on to host a music show at midnight.

Here’s the Saturday video:

After transferring photos, videos, and audio files to my computer and eating a late dinner, I went to bed early. I woke up at 5:30 AM. My second Instrumental Invasion of the weekend was scheduled to air at 6AM. When I accessed the WCWP app on my iPhone X, I heard silence (except for light static). Apparently, there was an automation glitch that kept the scheduled 2AM and 4AM pre-records from running. At 6AM, I briefly heard the start of the 4AM show, then 12 more seconds of silence, and finally my show. Here are the airchecks from the showthe transitions, and the playlist.

Bobby G. informed me on the WCWP Alumni Association Facebook group that the show also aired at 2AM, which was its original slot before a change was made two weeks ahead of Homecoming. So, not only did my show air without a hitch, it aired twice! Bobby called it an “extra bonus.” Jeff Kroll added, “Yessir BONUS time!”

I listened to the entire show. I lied in bed, looking up at the ceiling for the first 45 minutes, then went to the computer to edit, which I continued to do long after the show ended.

Jay LaPrise (“la-PREE”) hosted Sunday’s first live show from 8 to 10AM. Here’s how he signed on.

I may not have been at WCWP in person on Sunday, but I was there in spirit, not just with my show, but with the show’s filename on the stream page for several hours afterward:

As the day progressed, I periodically recorded more airchecks. Here are two from Billy the Kid (Billy Houst), on from noon to 2:00.

Joe Honerkamp was at the mic from 2:00 to 4:00. Here he is with his daughter Diana:

Lew Scharfberg and Bill Mozer, with a photobombing Neil Marks:

Lew hosted from 4:00 to 6:00:

Jeff and Pat Kroll, and Lew Scharfberg:

Neil Marks’s wife Lita:

Jeff Kroll assisting Neil Marks at the board during his 6:00 to 8:00 show with Pat Kroll:

Pat and Neil during their show:

From 8:00 to 10:00, Alana hosted a special Homecoming edition of The Rockin’ Sunday Show:

Jeff Kroll had the last shift from 10:00 to midnight:

And with that, the 41st annual WCWP Homecoming Weekend is in the books. It was a weekend I won’t soon forget, nor will my fellow alumni. I’ll leave you with the kind works Ted David left on my Facebook timeline:

May I publicly acknowledge C.W. Post alum Mike Chimeri. As I mentioned on the air during Homecoming Weekend on WCWP Saturday, his Friday jazz show was worthy of any shift at the former CD 101.9 or the current Watercolors channel on SiriusXM.
Add to that his superior skills as a photographer/archivist and he’s one amazing guy. I spent some time with him Saturday at the station and then down at the football game. Just a super talented guy, pleasant company and proud to call him a friend and “fellow alum!”

Thank you very much, Ted.

My experience at Day 1 of 2018 New York Comic Con October 5, 2018

Posted by Mike C. in Animation, Art, Audiobooks, Baseball, Comedy, Internet, Interviews, Media, Personal, Photography, Sports, Technology, Travel, TV, Video, Video Games, Weather.
4 comments

Other New York Comic Con recaps: 2012 Day 22014 Day 1, 2017 Day 1, 2019 Day 1

Yesterday marked my fourth time at New York Comic Con, held annually at the Javits Center in Midtown West. It was also my second consecutive year at NYCC.

I’d been looking forward to going ever since I bought my badge in June. Grey DeLisle (a.k.a. Grey Griffin), Phil LaMarr, and Richard Horvitz were among the voice actors that would be signing autographs, recording video or audio messages, and taking pictures with fans like me. Like last year, this was my sole reason for attending. None of the panels interested me.

I woke up at 5:30 in the morning. I spent the next three hours watching the American League Wild Card Game on DVR (the Yankees won handily), a couple of episodes of season six of Rowan & Martin’s Laugh-In on Amazon Prime, working out, and of course, getting ready to leave for the day.

My mother drive me to the Wantagh LIRR (Long Island Rail Road) station at 8:30 for an 8:47 westbound train. When I went there last Saturday on the way to see Chieli Minucci & Special EFX at The Cutting Room, the elevated track platform was partially closed off while the west half of it was being renovated. Little did I realize that renovation would complete two days later. Finally, after two years, when boarding a Babylon-bound LIRR train at Penn Station, you no longer have to ask if you’re in one of the six cars that lets out at Wantagh. When the east half was being renovated, only the last six cars could exit. When the west half was under renovation, you had to be in one of the first six cars.

I didn’t feel like taking out my DSLR until I got to the Javits Center, so I used my iPhone to take pictures on the platform:

It felt good to sit in the first car again.

The train ride to Penn Station took nearly an hour. Upon exiting, I walked up West 33rd Street to 10th Avenue, then north to West 35th to enter the Javits Center’s south side:

I endured a quick bag search (including emptying my pants pockets and holding up the contents) and tapped my badge in. Unfortunately, I was scolded for not moving beyond the area where the badge was tapped when I replenished my pants pockets. I felt like a fool, but felt better when I got inside and relayed my situation to an empathetic staff member when she asked if I needed help finding something.

Off to the autographing area:

I was third in line to meet Grey DeLisle at Table 1 after waiting about 45 minutes before her scheduled arrival.

As she and Richard Horvitz arrived, they spoke to each other in their respective voices on The Grim Adventures of Billy & Mandy. Richard was Billy and Grey was Mandy.

Grey was very nice. In my brief time with her, I told her I’d been a fan of hers since Clifford the Big Red Dog and three Butch Hartman cartoons – The Fairly OddParents, Danny Phantom, and T.U.F.F. Puppy. She did the voices of Emily Elizabeth (Clifford) and Vicky (FOP) for me, which led me to respond as Mark Chang, voiced by Rob Paulsen, whom I met last year. Then, we posed:

After we said our goodbyes as Vicky and Mark, I headed to Table 6 for Phil LaMarr:

I let him know how the chronological order in which I’d seen his work: FuturamaFamily Guy, MADtv reruns on Comedy Central, and Butch Hartman’s Bunsen Is a Beast. He was complimentary of Bunsen, and I lamented that it was a shame the show was canceled after only one season.

I concluded at Table 3 with Richard Horvitz:

We didn’t have time to chat, but I’m still glad to have met him. Shortly before our picture, I saw him record a video message for a fan as Zim from Invader Zim. As with his conversation with Grey as Billy and Mandy, it put a smile on my face and made me laugh. I applauded when he was finished.

After that, I headed back to civilization, so to speak…

…and walked the show floor:

I happened to pass by the SYFY Wire stage…

…as Cher Martinetti spoke to the creator/showrunner and cast of the new Netflix series, She-Ra and the Princesses of Power:
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The creator/showrunner is Noelle Stevenson, who was accompanied by Aimee Carrero (Princess Adora/She-Ra), Karen Fukuhara (Glimmer), and Marcus Scribner (Bow).

You can watch the interview here:

I commented on the video:

I walked by the stage during this interview. I was curious about this series after seeing The Power of Grayskull documentary, but now I’m all in. I’ll definitely be watching.

11/20 UPDATE: I have unfortunately fallen off the bandwagon. While I wish nothing but the best for the series, it plays out like a soap opera, and I’m more into episodes with self-contained plots. I don’t know how I would have managed watching the Rocky & Bullwinkle cartoons when they were new with story arcs lasting several weeks. The “Jet Fuel Formula” arc took 20 weeks, “Upsidasium” lasted 18 weeks, and “Missouri Mish-Mash” played out over 13 weeks. Now, back to the recap…

I pre-ordered Mega Man 11 for PlayStation 4, but have yet to play it.

Shadow of the Tomb Raider is on my Xbox One wish list:

Having seen all I wanted to see on the show floor, I headed down to the main entrance:

Then, I left:

It’s a good thing I didn’t wear a jacket because it was warmer than it had been in the morning.

Within 20 minutes, I was back at Penn Station, where I boarded a Babylon-bound train. An hour later, I was back in Wantagh.

I walked about a mile and half home, listening to Marion Ross’s memoir on Audible along the way.

Once I had unpacked my things at home, I took a picture of my badge (blurring out the codes):

It was a nice few hours at New York Comic Con. Thank you to Grey DeLisle, Phil LaMarr, and Richard Horvitz. It was a pleasure meeting you all.

Leonard Herman, Phoenix IV: The History of the Videogame Industry September 13, 2018

Posted by Mike C. in Books, Technology, Video, Video Games.
1 comment so far


Posing with Phoenix IV moments after completing it

One of the last things I picked up last month at the annual Long Island Retro Gaming Expo was Phoenix IV: The History of the Videogame Industry by Leonard Herman.

Leonard co-hosted a panel with The Immortal John Hancock on the second day of the expo.

Copies of Leonard’s book were available in the vendor hall, so I bought one for him to sign. On the dedication page (“This book is dedicated to my friend & mentor Ralph H. Baer”), he wrote:

To Mike,

Best Wishes

Leonard Herman

In my recap of the expo, I noted that I would read Phoenix IV from cover to cover, no matter how long it took. I kept my word. It took 31 days to read the blurbs, forewords, introduction, 43 chapters, four appendices, endnotes, and the About the Author page. In all, I read 781 pages between August 12, the day after the expo, through Tuesday. My copy was the black and white paperback edition. The color hardcover edition is slightly longer in duration with more illustrations.

The “IV” in Phoenix IV indicates that it is the fourth edition of a book Leonard first released in 1994. The original title was Phoenix: The Fall & Rise of Home Videogames.

Phoenix IV is a treasure trove of information, spanning from 1951 to 2015 (with the endnotes extending into 2016). Leonard introduced facts and figures that I’d never known about while also providing a trip down memory lane. I recalled my experience with certain games and consoles, and where I was in my life when they launched. I learned more about certain events in video game history, as well as video game consoles and accessories, including lesser-known consoles like the Coleco Adam. I found out that the Atari 2600 was first called the VCS (Video Computer System) and didn’t take its numeric name until the 5200 was released years later. I got used to the initials SCE to describe Sony Computer Entertainment when the various PlayStation consoles were referenced. I was educated on the yen-to-dollar ratio in a given year for Japanese console, game, and accessory prices.

There’s so much more to learn about when you read Phoenix IV. My only complaint is it has occasional typos and formatting errors, but if that’s my only complaint, then you know it’s a great book. It’ll take a while to read, but it’s a journey worth taking.

Thank you, Leonard.

2018 Long Island Retro Gaming Expo recap August 13, 2018

Posted by Mike C. in Books, Internet, Music, Personal, Photography, Radio, Technology, Travel, Video, Video Games, Weather.
2 comments

Last year marked my first time at the annual Long Island Retro Gaming Expo, held at the Cradle of Aviation Museum along Museum Row in East Garden City. I was only there for two hours, though. This year, I deeply immersed myself in the event, buying a weekend pass back in March. I did that after learning that legendary video game collector and educator The Immortal John Hancock would be there:

If that wasn’t enough, David Murray, The 8-Bit Guy, would be back, as well. And on behalf of Retronauts, Jeremy Parish was there. I’ve only listened to one podcast so far, but I regularly watch the Works series of videos for NES, Super NES, and Game Boy on Jeremy’s YouTube channel.

Hancock, 8-Bit Guy, and Parish all had panels on Saturday afternoon in the museum theater. Before I did anything else, I made sure to sit in on those panels.

I left for the Cradle of Aviation Museum at 10:20. A light rain fell in the wake of thunderstorms that plowed through an hour earlier. By the time I arrived, there was only drizzle. I had to wait in line to present my ticket and get wristbands for both days. While waiting, I photographed a couple of historic markers:

…and the museum exterior:

Once inside, attendees were greeted by this sign:

My home for the next four hours:

First panel up, Jeremy Parish (center) with Kurt Kalata (left) and Rob Russo (right) of Hardcore Gaming 101:

Kurt plugged the appearance a few days ago on the site.

The topic was the history of Super Joe in Capcom games, including Commando and Bionic Commando.

Jeremy Parish:

Kurt Kalata:

Rob Russo:

The lone picture I took with my iPhone X all weekend:

The panel wrapped up with Q&A.

Afterward, I got to meet Jeremy, letting him know how much enjoy his videos. Then, we posed for a picture:

He let me know what the next episode of Super NES Works would be about, including the correct pronunciation of one of the words in the title.

8/15 UPDATE: The episode is about Darius Twin, with “Darius” pronounced like “Elias,” but with an “R” instead of an “L”:

Jeremy explained the pronunciation in a pinned comment below the video:

Fun fact about this video: I looked up the pronunciation of Darius to make sure I got it right. So anyone who posts a comment to “correct” it will be (1) wrong and (2) sent to the salt mines for a life of hard labor.

For the next panel, The 8-Bit Guy talked about the demo scene:

For Q&A, someone asked how David’s Planet X3 game for DOS was coming along.

He showed us:

A few more questions and answers followed.

8/14 UPDATE: I recorded all the panels for personal use, but in the case of David’s presentation, to vidcap anything I couldn’t get with my DSLR. Here are those vidcaps: