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Instrumental Invasion, 4/29/20 April 30, 2020

Posted by Mike C. in Airchecks, Animation, Audio, Jazz, Media, Music, Personal, Radio.
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The April 29, 2020, Instrumental Invasion show on WCWP was the fifth to be mixed and recorded between March 25 and 30. It was the last show with hours dedicated to one year.

The playlist was made on March 23 with annotations the next day and while recording on the 29th, exactly one month before it aired.

The way I said “Spoons” while talking up Eric Marienthal‘s song was a reference to The Tick‘s catchphrase, established in this scene from the episode “The Tick vs. Arthur’s Bank Account“:

I missed an opportunity to call back to Gerald Albright‘s bass work on “Sassy” by Bobby Lyle while backselling “Highway 70” in the 2010 hour.

Click here to download the aircheck file or listen below:

Instrumental Invasion, 4/22/20; Show banner April 23, 2020

Posted by Mike C. in Airchecks, Audio, Jazz, Media, Music, Personal, Radio.
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The April 22, 2020, Instrumental Invasion show was the fourth to be mixed in Adobe Audition 2020. The talk breaks were recorded March 25, but I had to pad a few out during the mix on the 28th. David Benoit coincidentally hosting a show on another 88.1 FM – KKJZ-FM – had to be acknowledged. I was listening to it while writing the first draft on April 1.

I made the playlist on March 23 and annotated it the next day. I made additional annotations while mixing and re-recording.

After recording this show, Dan Cox, WCWP Director of Broadcasting, informed me that my show would be airing weekly starting the following week. He suggested I should also record a promo:

The excerpts I included in that promo were inspired by what I had played:

For the second week in a row, the show aired flawlessly. Click here to download the aircheck file or listen below:

Four days earlier, on April 18, WCWP‘s social media handler, Kim Brander (a.k.a. The Original DGunboats) suggested I make a logo or banner for Instrumental Invasion. After 45 minutes in Adobe Photoshop CS2, I came up with this:

The keys are from my Yamaha YPG-625 located in the basement, which I photographed with my iPhone 11. The WCWP logo is from the icon toward the bottom of the station’s website homepage. If you right-click “view image,” you get this. From there, you can “save image as” or just do that directly from the homepage without opting to view it.

Kim is another male, just like the ones I referenced after playing female Kim Scott‘s “Take It to the Rink.”

Instrumental Invasion, 4/15/20 April 16, 2020

Posted by Mike C. in Airchecks, Audio, Jazz, Media, Music, Personal, Radio.
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The April 15, 2020, Instrumental Invasion show on WCWP was the third I mixed between March 25 and 30, but the fourth show I recorded talk breaks for.

Like the first three shows, work on the playlist began March 22 with annotations on the 24th along with the other five.

I’m proud of the anecdotes about listening to “Heartbeat” by Spyro Gyra on the way back from my sister’s college graduation and Jessy J writing my name and then signing hers for my copy of My One and Only One. I also liked the allusion to Batman while talking up Jessy’s “The Tango Boy” and quoting Chieli Minucci’s March 7 Facebook post. I regret forgetting to say his last name, forgetting that I played Jeff Lorber in the first hour while talking up “Right On Time” in the second, and not acknowledging the Pat Bianchi Trio’s album, A Higher Standard, while talking up their song and signing off. I got wrapped up in the “from the bottom of my heart” segue.

The show was correctly programmed into automation and aired flawlessly. Click here to download the aircheck MP3 or listen below:

Instrumental Invasion, 4/8/20 April 9, 2020

Posted by Mike C. in Airchecks, Audio, Jazz, Media, Music, Personal, Radio.
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The April 8, 2020, Instrumental Invasion show on WCWP was the second I mixed between March 25 and 30, but the third show I recorded talk breaks for.

I made the playlist on March 22 with annotations on the 24th and while recording on the 26th. It seemed like a good idea to share my love of that Gil Shaham recording that I first heard on The Weather Channel 25 years ago, but it’s such a long title. As I said on the air, I’ll just stick to jazz.

Due to a technical error, the April 1 show initially reran. I got in touch with Dan Cox, WCWP Director of Broadcasting, and he corrected the error after the second segment of the first hour.

Below is the show’s aircheck (or click here). The ones from the first two segments and the start of the third are directly from my mix with the broadcast multiband compressor effect applied. The rest is from the FM stream.

New header April 6, 2020

Posted by Mike C. in Internet, Personal.
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I changed the header and about photo to reflect my current setup. Here’s the header:

Instrumental Invasion, 4/1/20 April 2, 2020

Posted by Mike C. in Airchecks, Audio, Jazz, Media, Music, Personal, Radio.
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The April 1, 2020, Instrumental Invasion show on WCWP was the first of six shows I recorded from March 25 to 30. My foolhardy plan was to livestream my recording of talk breaks for all six shows on March 25. It took way too long just to record the first show’s talk breaks. Not only that, but few people watched the stream. So, I abandoned it before recording a second set of talk breaks, which became the fourth show. That was as far as I went.

I encountered issues in Adobe Audition 3.0 while recording the second aircheck of the first show. The program constantly froze. I had issues recording with my USB interface before, but that was the last straw. So, I subscribed to Adobe Audition 2020 and the problem went away.

I was only able to mix multitrack sessions for this show on March 25. I’m required to record three segments per hour, six in all. I used one of Audition’s templates: Radio VO with Music Ducking. It was the only time I’ve used a template, so this show will sound different from the ones to follow.

Work on the playlist began on March 22 with annotations on the 24th and while mixing and re-recording. I miscalculated time remaining in the second segment of hour 2. I had to replace “Sorceress” by Return to Forever with the shorter “No Mystery” and redo the aircheck coming out of it.

Unfortunately, each show has the potential to have anywhere from part of a segment to none of the show airing. The last few minutes of this show were cut off. I’m glad that was it.

Here is the aircheck.

4/24 UPDATE: I recorded the May 20 show yesterday, which included another song from Chet Baker’s She Was Too Good to Me album: “Autumn Leaves.” I turned don’t know why my brain turned “to” into “for,” but I realized my error yesterday. I missed the error with “It’s You or No One” in the premiere.

Audiobooking 5 April 1, 2020

Posted by Mike C. in Animation, Audio, Audiobooks, Comedy, Commentary, Film, History, Media, Military, News, Personal, Politics, TV, Video.
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In light of my practically apolitical audiobook streak since I impulsively quit the “Audiobooking” series, save for the right end of the spectrum, I chose to bring it back. Here’s what I’ve been listening to while exercising since September 2018:

2018 humbled me with the unexpected political turns in the memoirs I listened to, not to mention Kevin Hart’s endless tangents. It taught me to choose the audiobooks I buy carefully. If the author is politically active from the left on social media, chances are it will come up in their book. Eric Idle was the last mistake in that respect, which is why I haven’t bought John Cleese’s memoir. Thankfully, Neil Ross only had one political sentence in his book: deriding right-to-work states. I wonder what Goldie Hawn’s memoir, released in 2005, would have been like if it came out today. Never Play Dead and The United States of Trump weren’t exactly choir music, either. The books reminded me of the political stories I missed while avoiding current events. Nevertheless, they were worth listening to, as were the rest of the audiobooks listed above.

Whenever Andrea Barber mentioned her son Tate in Full Circle, I thought of a running gag on the Game Sack YouTube channel involving TATE Mode, the vertical screen orientation for arcade games. It’s generally pronounced “tah-tay,” but host Joe Redifer pronounces it phonetically, an acceptable alternate pronunciation. Whenever a game is featured with TATE Mode, he’ll get facetiously hyperbolic.

I have three more audiobooks to listen to in my Audible app after I finish Full Circle, and you’ll see what those were in the next “Audiobooking” post. Until then, happy listening.