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Joe Falco documentary audio used in podcast September 11, 2020

Posted by Mike C. in Audio, Fire, History, Interviews, News, Podcast.
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On August 10, Scott Johnson contacted me requesting permission to the audio from the Joe Falco documentary that served as my college senior project. I graciously granted Scott permission to use it in an episode of his podcast, What Was That Like. The episode went up today, on September 11. Joe’s portion begins at around 18:05.

Here are relevant portions of the episode’s page:

Joe Falco was a New York City firefighter. He was working to save lives at the World Trade Center, and was injured when the buildings collapsed.

Thanks to Mike Chimeri for his permission to use the Joe Falco audio. Mike’s father, Bill, currently works as a volunteer with Joe Falco at the Freeport Fire Department Truck Company. Mike is the host of an instrumental music radio show on public radio station WCWP. You can check out his work at his website, MikeChimeri.com.

Thank you very much, Scott, for including the project in your podcast.

POSTSCRIPT: The project was created in fall 2003. Two years earlier, I wrote about my 9/11 experience in a portfolio summary for a broadcasting course. I posted that to my blog, along with an original follow-up, on the tenth anniversary.

Instrumental Invasion, 9/9/20 September 10, 2020

Posted by Mike C. in Airchecks, Audio, History, Internet, Jazz, Media, Music, News, Personal, Podcast, Radio, Video.
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The September 9, 2020, Instrumental Invasion on WCWP was recorded over two days: the first hour on August 14 and the second on the 15th.

The playlist was created on August 11 and annotated on the 12th, with additional annotations during each recording session.

Even though they only air once, I like to keep my shows evergreen, but I was aware this show would be airing two days before September 11. So, I referenced Philippe Petit, who in 1974, walked on a wire between the roofs of the World Trade Center towers. I played “The Firehouse Chill” by Fourplay, then acknowledged my father Bill, a volunteer firefighter for the Freeport Fire Department‘s Truck Co. 1.

I’ll mention here that my dad’s friend Joe Falco is also a member Truck Co., as well as Engine 1/Ladder 24 in the FDNY. It was in that capacity on 9/11 where he survived the collapse of the World Trade Center’s south tower (2 World Trade Center). My dad interviewed Joe, affectionately known as Bubba, for a documentary that served as my college senior project. I posted that documentary to my YouTube channel in 2016:

9/11 UPDATE: The audio from the video was included, with my permission, in the latest episode of a podcast called What Was That Like.

As for the September 9 radio show, click here to download the aircheck MP3 or listen below:

UPLINK by LI Retro recap August 21, 2020

Posted by Mike C. in Art, Film, History, Internet, Interviews, Media, Personal, Technology, Video, Video Games.
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Long Island Retro Gaming Expo recaps: 2017, 2018, 2019

Since the early days of the COVID-19 pandemic, events have been canceled or postponed. The 2020 Long Island Retro Gaming Expo was no exception. In its place, the team behind the expo announced UPLINK by LI Retro, a convention held entirely online. They also announced that tickets for the 2020 LI Retro will be honored in 2021.

UPLINK ran August 8 and 9, the weekend intended for the expo. In the days leading up to it, I consulted the schedule to determine which panels I would attend remotely. Seven caught my eye.

Saturday, August 8
As UPLINK began, the cable remained out at my house, stemming from an outage that began around 7PM Wednesday, two hours before my radio show was to air. That meant until service was restored, I had to take part via 4G on my iPhone 11.

I only noticed one vendor in the exhibitor hall selling games and none that I was interested in. So, there won’t be any pickups at the end of the post.

Discord chat servers were set up on the right side of the main event page and on all panel pages.

My plan was to take notes during each panel and also take screencaps for private use and, if granted permission, a public blog post. (Obviously, I was permitted or you wouldn’t be reading this.)

The first panel I attended, at 10:30 AM, was Origins of the JRPG (Japanese role-playing game) with Jeremy Parish, co-host of the Retronauts podcast and host of the Video Works series, and Kurt Kalata of Hardcore Gaming 101:

The games discussed were:

Some of the above games were chronicled in a 2013 HG101 post.

Jeremy and Kurt concluded by answering questions from the chat and Twitter, discussing Kurt’s upcoming JRPG book, and opining on the Trials of Mana remake.

I screencapped the panel from the archive video once my cable service was restored.

My next panel wasn’t until 1:45 PM, which gave me time to retouch photo scans on my computer while listening to an episode of Gilbert Gottfried’s Amazing Colossal Podcast.

The 1:45 panel was a My Life in Gaming Q&A with channel creators Coury Carlson & Marc “Try4ce” (“Try” for short) Duddleson:

Minutes into the panel, the 4G service fell to one or two bars, making UPLINK impossible to watch live. I hoped to watch the panel archives once cable was restored, whenever that would be.

Having given up, I turned on my TV to watch a film on Blu-ray. A strange thing greeted me: a message on the top right corner of the screen. Those only come if there’s a Wi-Fi connection. I walked into the guest room to check the cable modem. There were three solid lights! Not one solid and one blinking! The cable was back! My UPLINK weekend was back on!

Here are the notes I compiled while watching the archive:

The panel is available to watch on the My Life in Gaming YouTube channel:

I had a pair of primetime panels, but first, dinner and shows on my DVR that I missed while the cable was out.

At 7PM, there was a roundtable discussion moderated by Dom Delledera of the It’s All Fun and Games YouTube channel, with Metal Jesus Rocks & Friends: Metal Jesus, a.k.a. Jason Lindsey, The Immortal John Hancock, John Riggs, and Kelsey Lewin:

Due to technical problems, Riggs was a few minutes late.

Dom is on the top left, John Hancock is top center, Jason is top right, Kelsey is on the bottom left, and John Riggs on the bottom right.

Metal Jesus and his friends are based in Washington State. Jason and Kelsey both live in the Seattle area, Riggs is in Yakima, and Hancock is based on Longview.

For this and subsequent panels in the recap, if a remark is not in quotation marks, it is not verbatim.

  • How has everyone been during the pandemic?
  • Kelsey noted how game prices were affected by the pandemic
  • Games that Jason and Riggs have been looking for
  • Jason has been buying PlayStation 3 games at various GameStop locations. He suggested collectors pick up games for PS3, Xbox 360, Wii, and Wii U.
  • Hancock is currently collecting retro computer games and pursuing Nintendo Switch games.
  • Riggs hasn’t been pursuing games due to the pandemic. His area is only at Phase 1. He’s fortunate to have an enormous backlog.
  • Kelsey and Jason have started cataloging more often.
  • Hancock went over his YouTube channel‘s recent videos, including The Many Ports of Joust, from Atari to Xbox.
  • Riggs talked about recent videos on his channel.
  • The conversation turned to preservation.
  • Jason is a fan of really bad movies, such as Chopping Mall.
  • All media has value, Jason said, whether it’s good or bad.
  • Every game is someone’s favorite game, said Riggs.
  • Hancock believes we need to consider obscurities.
  • The current generation of games is difficult to preserve.
  • Preserving mobile games: Jason preserved some of them on his iPhone 6
  • Hancock lamented that we’re moving from an ownership model to a service model, and that’s concerning.
  • Kelsey noted this has been a problem since the original Xbox.
  • It’s not just archiving games, Jason explained, but also servers.
  • Riggs bought NES games cheap during liquidation sales in the late 1990s. Examples: Bucky O’Hare for $4 and Contra Force for $6.
  • Hancock used to get lots of games in a flea market with only $20 to $40 on him. He’s still finding deals at flea markets: a PS3 controller for $3, a Move controller for $5.
  • Kelsey noted the economy of retro game collecting has changed so much in the last decade.
  • Ever had to spend more than you wanted? For Jason, it was SSI gold box games and Neverwinter Nights. Kelsey spent more than she’d have wanted on Mama Mitte, a pregnancy tracker for the Bandai WonderSwan: $3,200. John Hancock’s big purchase was Magical Chase for the TurboGrafx-16: about $2,000 on a payment plan. John Riggs found The Flintstones: Surprise at Dinosaur Peak for NES (Nintendo Entertainment System) from Chile for only $200.
  • The rarest game in Hancock’s collection that he never gets to talk about is the Microsoft BASIC programming cartridge for the Mattel Intellivision. Jason’s rarest game is a DS cartridge for horse race betting.
  • Kelsey asked if anyone had anything rare outside of games. Jason has CDs that there’s only one copy of, such as a demo tape at a Nevermore signing by an album producer who also produced Queen. Hancock is an all-in guy; just games. Riggs has old cereal boxes. And Kelsey collected Nintendo toys from before they made video games.
  • Hancock and Riggs listed the games that their children play. Riggs’s 12-year-old son, who is autistic (I’m also on the spectrum), loves Clubhouse Games for the Switch.
  • What plans do they have for their collections at end of their lives? Hancock has a non-profit formed and is working on a museum. He never intended to keep his collection. Kelsey’s collection is committed to the Video Game History Foundation, where she is a co-director. (More on that in the VGHF panel later in this post.) Riggs has been piecing out his collection, selling some games at conventions.
  • What have you given up looking for? John Hancock gave up Neo Geo AES carts, prototypes, signage, and kiosks. Jason’s through looking for arcade machines. For Kelsey, Bandai WonderSwan store displays and WonderSwan “booth babe” outfits. She does have an inflatable WonderSwan balloon. Riggs has given up on the Ultimate Journey NES prototype.
  • Jason hoped he’d find more 64DD development disks, after previously finding a 64DD, but no one came forward.
  • In closing, Dom asked if Jason had a hidden gem. He chose Skyrim VR. It’s not really a hidden gem, but it’s the first thing that came to mind.

Immediately after the MJR panel, I jumped to the Fireside Chat with David Murray, The 8-Bit Guy, moderated by George Portugal:

  • The Tech from Texas series (part 2)
  • New backyard workshop in backyard to be built over the next 3 to 4 months – will be able to work on projects more efficiently
  • David keeps retro hardware in his attic. There’s little room for it elsewhere in the house.
  • He won’t be moving his office into the workshop.
  • The DFW (Dallas-Fort Worth) retro computer community – used to have regular quarterly meetings – everyone would bring something – active Facebook group
  • David doesn’t ask for donations anymore because he can just borrow a given item from the community.
  • The Commander X16 project is 99% complete. He hasn’t been involved much in current development. Everything is working on the board except for the video chip. If it were booting now, he would start the Kickstarter campaign. He needs a functioning prototype first. He expects the Kickstarter to launch in the fall. Some people could have an X16 by Christmas. Christian Simpson, a.k.a. Perifractic, is doing the manual.
  • David talked about his various series on manufacturers – Commodore, Tandy, Sinclair – and took future episode suggestions.
  • He reacted in agreement to my Discord chat post: “You can’t please everyone.”
  • The worst videos to make are the ones that never got finished.
  • David gave an update on the Commodore series DVD (or Blu-ray). He’s waiting to finish it with a video on the Amiga line. He doesn’t know much about it outside of the 500, and is communicating with experts for help.
  • He will also need help in scripting the TRS-80 series video.
  • Are there YouTube channels David enjoys or watches? There are two he subscribes to: LGR (Lazy Game Reviews), run by Clint Basinger, and Techmoan, run by Mat Taylor. He also watches Perifractic and electric car-related channels. He has heard of and talked to the Nostalgia Nerd. He’s seen Technology Connections videos, but hasn’t talked to Alec. He likely won’t meet Mat since he doesn’t travel or do conventions.
  • David keeps a running list, in spreadsheet form, of topics he wants to cover.
  • His favorite video is the history of the Commodore VIC-20, which was his first computer. He also likes the two-part VIC-20 restoration video (part 1, part 2), which each got over a million views.
  • Are you PC or Mac? David is both, but edits on a Mac.
  • He hardly has time for games unless it’s for the purpose of a video. When there is time, he’ll play StarCraft, Duke Nukem 3D, and his own game, Planet X3.
  • Will there be a Planet X4? David says maybe. He’s working on something similar that’s closer to SimCity and M.U.L.E.. Whatever the next game is, he wants it to work on all Commodore systems. He’ll code it on the PET.
  • David likes programming constraints.
  • He might be getting a THEVIC20 mini console to review.
  • He has no desire to port Planet X2 to Atari 8-bit computers.
  • David owns all the equipment to do a video on Family BASIC for Famicom, which was donated to him recently. He’ll need help, though.
  • His favorite Commodore 64 games are the Ultima series, Master of the Lamps, M.U.L.E., Ghostbusters, Action Biker, Spy vs. Spy, Maniac Mansion, and Zak McCracken and the Alien Mindbenders.
  • David went on Richard Garriott‘s property for the Austin episode of Tech from Texas, speaking to Richard about that earlier in the year. Richard was in France at the time, and would have come back, but when the pandemic struck, he stayed in France. Instead, David was shown around the property by former Origin Systems employee Scott Jones and former Portalarium employee Edward Vitralis.
  • David’s least favorite computer that he reviewed are the Advantech I.Q. Unlimited by V-Tech and the Timex Sinclair 1000. His least favorite that he restored was the Osborne (part 1, part 2, part 3).
  • His favorite current computer storage medium is SD card; retro is 3.5″ floppy.
  • Are UV lights the best approach to retrobriting vs. the sun? David still prefers to use the sun, if available because it’s much faster.
  • David’s wife and daugther don’t help much with videos. His wife was camera operator in Austin, and his daughter handled that in Houston.
  • He talked about his appearance in a recent Krazy Ken’s Tech Talk video. It was recorded last year, and he forgot he even said what he did in the video.
  • David lamented that he couldn’t come to Long Island this year. He had a speech planned on the demo scene, which would have been revamped from a previous speech at Portland Retro Gaming Expo (PRGE), which was also canceled this year. He doesn’t like the IMAX theater in the Cradle of Aviation Museum. You can’t see the audience when the lights are dimmed. The projection on the IMAX screen is curved. Everyone is up above.
  • Hopefully, in person next year.

That was the last of my Saturday panels. I finished watching a movie on Prime Video and went to sleep.

Sunday, August 9
My first panel of the day wasn’t until 12:15 PM. Of the three panels I planned on watching, two conflicted with each other. So, I opted to watch one live and the other later.

The 12:15 panel was the Retro Roundtable hosted by Bob Neal of RetroRGB (top left), with Ste Kulov (top center) and Nick Mueller (bottom center) of HD Retrovision, Zach Henson, a.k.a. Voultar (top right), and René Richard (bottom right) of dB Electronics:

  • René wore a mask initially.
  • Bob was the only one to wear a t-shirt that says “Bob& Zach& René& Nick& Ste.”
  • What everyone’s been up to?
  • Bob, Ste, and Nick’s lives haven’t changed much. Zach’s has due to Kentucky small business regulations and government mandates. He had issues with the shipping system. At one point in the pandemic, items weren’t arriving on time, but “things are much better now.”
  • René said there was one COVID case in his town. Schools were shut down, and he worked from home for two months. René was eventually allowed back to his office, but with a mask, and he had to wash his hands after entering and before exiting. He quit Twitter about a year ago. René’s house got flooded, and he had to tear out the drywall. He hadn’t worked in the last few months, nor had he played any games during the post-flood restoration. He started playing games again two weeks ago.
  • Bob talked about the Sony BVM D32.
  • The last game Bob beat was The Legend of Zelda: Link’s Awakening for Nintendo Switch. He has been using the PlayStation 2 version of OutRun 2006 to test other games. It’s a really fun racing game, he said.
  • Ste learned how to machine aluminum, had a problem with a U.S.-based supplier – Nick clarified it was over Dreamcast cables – and he played Final Fantasy VII Remake.
  • Nick said it took three months to ship cables to a distributor in Switzerland via USPS.
  • Bob lamented his shipping woes.
  • The last game Zach played was also Link’s Awakening. Like Bob, he can look beyond the subtle frame rate issues.
  • Zach and Ste rented server space, at $9 a month, for games they love to play, such as Battlefield 2142. They soon hope to invite friends and viewers to play in the server. Ste noted it’s running now via OpenSpy. Zach said all Doom games are on the server.
  • Bob asked if you can up the frame rate on older PC games. Zach said yes. A game’s vertical refresh rate will sync to the refresh rate of your monitor.
  • There was talk of two PlayStation ODEs (optical disc emulators): CybDyn’s PSIO and the upcoming xStation by Robert Neumann. (Zach posted a video on the xStation the day before.) ODE loading speeds were compared to loading speeds on disc.
  • They talked about the MiSTer FPGA (field-programmable gate array).
  • René listed the flash carts he has.
  • Krikzz’s Mega EverDrive PRO vs. Terraonion’s Mega SD, two carts that can play Sega CD games and Virtua Racing for Genesis
  • The subject turned to personal non-retro projects: René built his own amplifier, which he showed off. It’s a 4-channel tube amp that he made back in about 2008. Unfortunately, there’s a pop sound when switching between high and low gain.
  • The issue of repro (reproduction cart) sellers was debated.
  • Zach promoted his cartridge patching and translation service.
  • Bob joked about a “guitar-off.” René’s been practicing guitar, improving his skill for the first time since 2012.
  • Bob went over his recording process.
  • The panel talked about the Analogue Pocket. Zach said their marketing is “disingenuously brilliant.” They praised Kevin Horton, a.k.a. Kevtris, who worked on previous Analogue consoles.
  • Zach plugged an upcoming video on Analogue.
  • What are their thoughts on mini consoles? Bob thinks they’re best for a nostalgia fix; Zach said they’re a fun novelty.
  • The panel universally praised 8BitDo products, then showed off controllers from 8BitDo, Krikzz, and Retro-Bit.
  • Ste and Nick gave an update on HD Retrovision.
  • There was a plug for the upcoming MLiG/John Linneman panel.

The Video Game History Foundation panel at 2PM was the one I chose not to watch live. I watched on Wednesday, taking the most comprehensive notes out of any panel I watched.

This panel was moderated by Jeremy Parish, co-host of the Retronauts podcast and host of the Video Works series, who I saw on Saturday morning in Origins of the JRPG. His guests where VGHF founder and co-director Frank Cifaldi and co-director Kelsey Lewin, who I saw in the Metal Jesus roundtable on Saturday night.

  • Jeremy first thought of doing a VGHF update during last year’s Long Island Retro Gaming Expo. He would have had a panel at the GDC (Game Developers Conference) in the spring, but “the whole world got sick.” (The GDC was rescheduled to a few days before UPLINK was also held virtually.) Jeremy was “glad that we can finally make it happen” at UPLINK.
  • Jeremy spoke to Frank, Steve Lin and Mike Mica about their starting VGHF three years ago during California Extreme.
  • Frank got into video game history through the video game industry, starting in the late ’90s as a video game journalist. His first entry to preserving video games was seeking out cartridge-based console games that weren’t yet preserved digitally. He was inspired by The Film Foundation, applying that line of thinking to video games. He started a website called Lost Levels, the first to focus on unreleased games. He talked to game developers. He worked Gamasutra and 1UP. Frank is also in game development, working for Digital Eclipse on their game compilations. He was the producer/director of the Mega Man Legacy Collection and SNK 40th Anniversary Collection. He also worked on Street Fighter 30th Anniversary Collection and The Disney Afternoon Collection. The Video Game History Foundation is the culmination of Frank’s preservation on the side. “‘That guy Frank’ should be more than me,” he said.
  • Kelsey started collecting and playing old games a decade ago. She was working at a retro video game store, Pink Gorilla Games, which she now owns with her husband Cody Spencer. She enjoyed researching old games and reaching out to developers. Like Frank, Kelsey was a frustrated historian. She discovered VGHF shortly about a month after their 2017 launch.
  • Frank noted that Kelsey pitched the idea of being a public relations representative for the foundation, but he declined. She didn’t go away, though, and started sending him things, showed up to all the meetings, helped organize museum displays at PRGE. Kelsey did a project for Game Informer, organizing volunteers to help digitize a collection of press kits, slides, press releases, and more. She did it for all five weeks. Kelsey’s a co-director because “she’s the real deal and she proved her worth by far.”
  • Jeremy’s Video Works series was inspired by Chrontendo.
  • Jeremy lamented the problem with being a completionist is always thinking there’s more to do. (I can attest to that.)
  • Frank: “The research is never done.”
  • Frank stumbled across the Video Game Update/Computer Entertainer newsletter and has most of the set scanned. It’s a great resource for Jeremy, proving “you can’t believe everything Nintendo says about its own library.” The newsletter was the only outlet that consistently covered console games from 1985 to 1988 when video game magazines came back or launched. In Frank’s words: “This is the only English-language review of Super Mario Bros. from when it came out. This is it.”
  • Frank’s passion isn’t completing video games; it’s completing information. He admitted he gets upset if missing an issue of a video game magazine.
  • VGHF’s focus isn’t on the games, but the context.
  • Kelsey’s WonderSwan pregnancy tracker, Mama Mitte, caught the attention of Tanita, who manufactured it. (They also manufactured the scale I’ve had since 1999.)
  • Kelsey said there are still things in Japan that are not well-documented, such as retail releases. She claimed we’re 99% done here, but there are still some holes in Japan.
  • Frank talked about archiving Where in North Dakota is Carmen Sandiego?, a mainline Carmen Sandiego game that became extremely rare. He interviewed teachers who worked on it and managed to archive a clean copy of the game (unsaved disks) and a game box.
  • Frank is trying to blanket cover English-language print media and assets that the media had.
  • Frank said a majority of video games were made by companies that no longer exist.
  • Speaking of the Nintendo Gigaleak, Jeremy said it showed there’s actually a company that obsessively preserved all the content about a game: betas, development documents, in-house messaging. That doesn’t happen often in Japan. Regardless, the way the leak came out was unfortunate.
  • Frank believes collecting game development source material is the best way to study a game. You have access to its source, and can tweak and rebuild it.
  • Frank said source code should be donated to libraries. The code is something that lives in a place where an historian can access it, study it, and start piecing together a narrative.
  • The thing that drives Jeremy is telling stories and piecing them together: how a game compares to what else was on the market, what it owes to other creations. The more information that VGHF can put out, the easier it becomes to tell those stories, to go beyond review of a game and piece together a timeline of video game history. As someone of his age, who can remember the time of the NES launch (he was 10, at the time), he can fill in gaps from his experience. You need as much raw material to work with as you can.
  • Kelsey noted you get little info from a game itself. One magazine doesn’t paint the entire story. She analogized handing someone Pokémon Red and thinking that’s the entire story, ignoring three to four years of PokéMania, as chronicled in a TIME cover story. (Here’s the cover.) You don’t get that from just handing someone a copy of game.
  • Frank helped on an EarthBound documentary with VGHF resources. He noticed patterns: almost every reviewer thought the graphics were objectively bad. “8-bit” came up a lot. The game was compared to Chrono Trigger. Reviewers were in a 3D reality at the time. Jeremy added that American console gamers didn’t have nostalgia for RPGs back then. Frank concluded there was no scenario where better marketing would have saved EarthBound.
  • Projecting the thoughts of the reviewers, Jeremy quipped: “[Battle Arena] Toshinden looks so much better than EarthBound. I bet it’s a much better game. It’s gonna be a timeless classic that people are still talking about in 20 years, and EarthBound, no one’s gonna remember that.”
  • How has the VGHF mission has evolved in three years?
  • In the early days, Frank envisioned the foundation as a vetted, digital repository of information. There’s a lot of work to be done to get there, though. The foundation still doesn’t have good intake system. The biggest change since founding is recognizing things only they can do and what others can do. They will use resources to go out and seek things like video game source code from developers that trust them. They will not turn source material into gossip. Most resources are spent communicating, building bridges and organizing as opposed to actual archival work. Kelsey said it’s a matter of resources and dealing with volatile media. They’re currently focused on advocacy, building a premise of a world where people can study video games more easily. She talked to someone who came into Pink Gorilla that worked in the video game industry. The person had old builds that he considered “microwav[ing],” wondering “who’s gonna care about this game?” Kelsey concluded, “we don’t get to decide what becomes historically important later.”
  • Jeremy has found through hunting down Japanese game developers that worked on classic games 30 years ago that “people are often a very poor judge of the merit of their own work.” Some overvalue their work, others work for hire. It never occurs to them that the games mean something to people on the other side of the planet who will want to learn more about them. He continued you have to get over the barrier of humility, establish a sense of trust. It’s hard to get across, but essential if you can.
  • Frank recalled how in 2017, VGHF published an article breaking down Disney’s Aladdin on Sega Genesis: how it was made, the tools that was used, the animation process, and cut content. It was a very respectful long article. Thanks to the article, Disney and Digital Eclipse made Disney Classic Games: Aladdin and The Lion King. They used source code from the archives to make a new version of the Genesis Aladdin game that’s on the compilation. Speaking of advocacy, Frank said “if we’re able to demonstrate our vision in a respectable way, … we start working with companies and archiving this stuff more often.”
  • What would you most like to accomplish five years from now? Speaking “for both of us,” Kelsey replied getting the source code initiative off the ground. There are legal hurdles. They don’t have legal precedent for putting source code online unless it’s open source. The first step is to be able to have that accessible in the library.
  • Before formalizing VGHF, Frank visited the Library of Congress’s film archives, which is also where video game archives are. He spent time with librarians who run that, and came to understand the function they serve. LOC has master film reels; companies get prints for remasters. “This should exist for video games.” He wants it to become commonplace where source code is accessible to people, especially abandoned source code. It should be normal, in the archives of any kind, and accessible to people.
  • Kelsey said it’s great to have original art and development documents archived in a way that’s accessible to people.
  • Frank lamented that no video game publisher can justify any labor for allowing access. Time is money. It doesn’t make sense for a for-profit company. Jeremy added that profit motivation is the biggest challenge to preserving video game history. Games that are safe bets are republished constantly – such as Super Mario World – while esoteric games are in rights limbo.
  • How does the foundation’s work apply to MMOs (massively multiplayer online games)? Frank said they can’t do anything about that right now, but on the bright side, companies have gotten significantly better about archiving their material. They’ve figured out how to have secondary market for their product with HD remasters. Kelsey said there’s no way to make an MMO feel the same way it did when it was active, even if you’ve saved everything. What’s useful to historians is many video experiences, oral histories, and blog posts. Frank’s wife is currently playing World of Warcraft Classic, which is not the same as the original. He said people are playing it in a different way.
  • “You can only go so far with anecdotal commentaries,” Jeremy said. “Having the hard copy there as proof is invaluable.”
  • Someone in the chat asked about getting involved in VGHF. Kelsey said there will soon be a need for people who understand library systems, like cataloging and sorting things. The website is going through remodeling. Reach out to VGHF on Twitter. Frank acknowledged the Patreon page with Discord access. “Hang out with historians like us,” he pitched, adding that “it’s nice to have this tight-knit group that we can have conversations with so that we’re not feeling like we’re on our own with this stuff, and you could help us solve problems that way.”

The last of the magnificent seven panels was at 2:15 PM Sunday: a second My Life in Gaming panel, this time with John Linneman of Digital Foundry:

  • This was John’s first U.S. convention appearance. He’s an American expatriate based in Germany, and previously France.
  • The main topic for the panel was gaming technology.
  • October marks seven years since MLiG debuted.
  • John joined Digital Foundry in 2013, as well.
  • Frame rate graphs
  • Video creation process
  • Preferring retro games to modern games
  • Coury praised John’s wealth of knowledge.
  • John said he can look at a game and immediately know how it’ll play.
  • John pretends he’s giving an E3 demo when capturing modern games. Try called it a “cinematic approach.”
  • Gaming technology originated for Coury with Quake II with its Voodoo graphics accelerator by 3dfx Interactive. He didn’t think much about it again until seeing John’s videos, as did Try.
  • SLI (scan-line interleave)
  • The evolution of John’s videos
  • What started John down the gaming tech path was seeing the Daytona USA arcade game in 1994.
  • Try’s entry was F-Zero X on Nintendo 64.
  • Try lamented that people will fight over frame rate, saying 60 FPS (frames per second) retro games are impossible. Coury said that’s likely due to early 30 FPS YouTube videos.
  • John is a self-taught video editor. Coury and Try come from video editing backgrounds.
  • John’s first video in 2015 took a long time to put together
  • John and Try exchanged profundities: John’s pearl was “nobody will ever see the video you didn’t make,” while Try recalled his grandfather’s words of wisdom: “good enough never is.”
  • The trio went over their video editing techniques.
  • Try believes editing more fun when you’re providing each other material. He also used the term “G-roll,” which G to the Next Level liked in the chat.
  • John said “it’s more fun to work with a group now, when it’s possible.”
  • What’s the toughest part about making a video? For Coury, it’s writing. Try is better at that, saying he enjoys it, though he said he gets wordy at times. Coury leans more into editing, which is toughest for Try. The toughest part for John is stress. He feels a sense of accomplishment after finishing a video’s introduction. Then, the writing becomes easier. He writes in chunks.
  • Coury has been experimenting with writing outlines, taking bullet points (like the ones in this post) and turning them into paragraphs.
  • John uses Notepad.
  • Try writes notes so he doesn’t forget.
  • John on editing: “What could look cool here?”
  • Try: Slider shots
  • Coury: Comparison shots
  • Coury cautioned that “you don’t want to repeat shot ideas from episode to episode.”
  • John is proud of the intro to his Analogue Super Nt video.
  • Try is proud of the Play It Loud intro to the MLiG Super Nt video, with its low frame rate, Play It Loud music, and Kevtris soundbites.
  • Coury: Hands-on feel
  • They spoke of the Analog Frontiers series (part 1, part 2).
  • Try’s dog Sandy made a couple of cameos in the panel.
  • John’s PC gameplay capture was used by Try in a video via PC monitor.
  • Why does John say “Mega Drive” instead of “Genesis“? He loves the name, and has more Japanese Mega Drive games than Genesis games.
  • Try believes the PC Engine scene is bigger than TurboGrafx-16 scene. That means there’s more interest in the PC Engine than for its North American counterpart, which released two years after Japan.
  • What were their first experiences seeing RGB on a PVM? John’s came circa 2004. Coury’s first experience was seeing Dreamcast in composite on a CRT. For Try, it was S-Video in college in 2002 and then RGB explanations on Hazard-City.
  • Voiceover techniques
  • Capture techniques
  • Storyboarding and animation
  • John: “I just envision it in my head.”
  • Coury suggests that if you get stuck, step away and try again the next day.
  • Two of Try’s creative locations are in the shower and on the toilet.
  • John is most proud of the video he did on the making of Onrush. He filmed it all in a day and edited over three days. It’s not the best, but he’s proud nonetheless. It didn’t get many views because the game didn’t get much attention.
  • What are your dream documentary subjects? Coury’s is Working Designs. Try would like to profile the original Final Fantasy staff, including creator Hironobu Sakaguchi. John’s dream subject is the original creators of the Sega Saturn. He’d like to understand the entire process, from initial thought to release, and its legacy.
  • What’s the most powerful mini console? John said the Capcom Home Arcade. For hacking purposes, Try went with the PlayStation Classic. Coury’s choice was the Super NES Classic Edition.
  • What videos would they like to do over or differently? Try would like to redo most older videos. The voiceover has improved so much over the years. He would redo the Myst series video. He wouldn’t have written his opinions into the script or use first- or second-person terms.
  • Has John gotten pushback from a company? Once. Most are happy. On his Redout video, he made a small error regarding the Xbox One X version. He received threats. (A retest video followed.)
  • John tries to be positive and documentary-like in videos, helping people understand things. He’s not a raging critic, referring to “angry videos,” though he can’t fault them.
  • They all prefer the OSSC to the Framemeister.
  • They think of Bob Neal when referring to bob deinterlacing.
  • There was a question in the chat about Analog Frontiers with Saturday’s information reiterated. New to this panel was Try considering a spinoff called Analog Frontiers Gaiden. John offered to do a Gaiden video about The CRT Wizard in Germany (referenced in this tweet). Try also noted Artemio Urbina and Tim Worthington will appear briefly in part 5. (Artemio previously appeared in part 2.)
  • They all prefer open world over simulation in contemporary games.
  • Try believes the generic AAA game formula has become tiresome.
  • What’s your favorite modern game? John was torn between Sonic Mania and Monster Boy and the Cursed Kingdom. Coury’s favorite is also Monster Boy. Try’s is The Legend of Zelda: Breath of the Wild for Nintendo Switch.
  • Thanks to everybody who hung out and watched.
  • John said it was good to see G To the Next Level in the chat. He feels like he’s competing with him on Genesis videos. (Here’s one such video.)
  • Thanks to John for staying up late, as it was 10PM local time.

The panel ran 45 minutes over its intended 3:15 end time. Like the Saturday panel, this one is available to watch on the MLiG YouTube channel:

I don’t think I’ve ever taken this many notes for a blog post. It was a worthwhile endeavor to archive the discussions I witnessed. I hope to be back at the Cradle of Aviation Museum next August to take many photos of panels and exhibits, meet and greet the panelists, and pickup retro games from vendors. Stay safe and healthy, and thank you for reading.

Instrumental Invasion, 8/19/20 August 20, 2020

Posted by Mike C. in Airchecks, Audio, History, Internet, Jazz, Media, Music, Personal, Travel, TV, Video, Video Games.
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The August 19, 2020, Instrumental Invasion on WCWP was recorded on July 24 (hour 1) and 25 (hour 2).

The playlist was created, modified, and annotated between July 21 and 23.

To accommodate my chatty second talk break of hour 1’s second segment, I had to replace the Jeff Lorber Fusion song I had in mind. Instead of “Bright Sky” off Galaxian, I went with “Lava Lands” from Wizard Island. It was a fitting choice, having watched the Oregon episode of Smithsonian Channel’s Aerial America on their YouTube channel a few days before recording. The Fusion’s album is a reference to various landmarks in Oregon, including Lava Lands Visitor Center and, of course, Wizard Island, which is located within Crater Lake.

I had to rerecord the second and third talk breaks of the above segment on the morning of the 25th, shortly after waking up. That’s why my voice sounded the way it did. I realized that morning I’d mistakenly left out Will Lee on bass while talking about “Some Down Time” by Steve Khan, and wanted to correct that immediately. I had to script the talk breaks so I wouldn’t get flustered or forget what to say.

As I did in my 2018 and ’19 Homecoming Weekend shows, I dedicated the Keiko Matsui song I played – in this case, “Marlin Club Blues” – to Game Dave, citing a video where he suggested you listen to her music rather than in-game music:

I neglected to mention that Randy Waldman played keyboards and Hammond B-3 organ on “Marlin Club Blues.” Keiko was only on piano.

And speaking of YouTube, here is the music video for “Living Out Loud” by Joyce Cooling that I recommended:

Click here to download the aircheck MP3 or listen below:

8/22 UPDATE: While watching the Houston portion of The 8-Bit Guy‘s second Tech from Texas video, it occurred to me that David Benoit‘s song “El Camino Real” was not about the road in California, but the trail in Texas. It should have been obvious since a song called “Houston” precedes it on his Inner Motion album. As a California native, I assumed David had the California road in mind when I annotated the playlist. Clearly, I was wrong.

Audiobooking 5 April 1, 2020

Posted by Mike C. in Animation, Audio, Audiobooks, Comedy, Commentary, Film, History, Media, Military, News, Personal, Politics, TV, Video.
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In light of my practically apolitical audiobook streak since I impulsively quit the “Audiobooking” series, save for the right end of the spectrum, I chose to bring it back. Here’s what I’ve been listening to while exercising since September 2018:

2018 humbled me with the unexpected political turns in the memoirs I listened to, not to mention Kevin Hart’s endless tangents. It taught me to choose the audiobooks I buy carefully. If the author is politically active from the left on social media, chances are it will come up in their book. Eric Idle was the last mistake in that respect, which is why I haven’t bought John Cleese’s memoir. Thankfully, Neil Ross only had one political sentence in his book: deriding right-to-work states. I wonder what Goldie Hawn’s memoir, released in 2005, would have been like if it came out today. Never Play Dead and The United States of Trump weren’t exactly choir music, either. The books reminded me of the political stories I missed while avoiding current events. Nevertheless, they were worth listening to, as were the rest of the audiobooks listed above.

Whenever Andrea Barber mentioned her son Tate in Full Circle, I thought of a running gag on the Game Sack YouTube channel involving TATE Mode, the vertical screen orientation for arcade games. It’s generally pronounced “tah-tay,” but host Joe Redifer pronounces it phonetically, an acceptable alternate pronunciation. Whenever a game is featured with TATE Mode, he’ll get facetiously hyperbolic.

I have three more audiobooks to listen to in my Audible app after I finish Full Circle, and you’ll see what those were in the next “Audiobooking” post. Until then, happy listening.

Ryan and Mike at LIU Post, Teddy and Abe on exhibit October 30, 2019

Posted by Mike C. in Airchecks, Art, Education, History, Internet, Jazz, Media, Music, Personal, Photography, Radio, Sports, Technology, Travel, TV, Video.
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I concluded my Monday post this way:

With a pair of loose ends successfully tied up, it’s on to the next post, whenever that may come.

It turns out you only had to wait two days for the next post. The focus this time is another trip to LIU Post, including a stroll down memory lane as I recall my undergrad years.

I walked the campus with my friend, Ryan Grabow, who graduated with me in 2004:

I also had a chance encounter with another friend of mine, LIU Post artist-in-residence Dan Christoffel, leading to a tour of his latest art exhibit. More on that later.

For many years after graduating, Ryan Grabow had been living in Fort Myers, Florida, where he directed newscasts for two TV stations owned by Waterman Broadcasting. This year, he decided to look for the same position upstate in Orlando. He now directs the morning newscast at WOFL-TV, FOX 35 Orlando.

My trip back to LIU Post with Ryan, one week removed from Homecoming Weekend, was arranged in a text message conversation we struck up during Instrumental Invasion on Friday, October 18, after I played a song by the Rippingtons. As I wrote in my comprehensive recap:

… [M]y friend Ryan Grabow texted me after I played “Silver Arrows” by the Rippingtons. When he would appear on The Mike Chimeri Show 15 years ago, he’d always say “a ripping good time” whenever I played a Ripps song. Coincidentally, the next song I played was “Dear Friend” by Patrick Bradley, a fitting title.

You can watch the aircheck here:

Ryan told me he was driving up to New York for a week-long vacation and chose Monday the 28th as our day to hang out. He would pick me up at 10AM.

This was our first time at Post together in two years. I brought along my Nikon D5500 camera and the two CDs I made to alternate between for my show. As we listened to the music on the ride to Brookville, we told one another what we’d been up to lately and I provided commentary on what was happening in my show as each song played on the CDs.

Once we arrived on campus, Ryan acknowledged the change in color on the signs, which I had first seen ten days earlier and photographed a day later. Case in point:

He quipped that the speed bumps hadn’t changed. The reference was a running gag that originated with a TV production project: “Speed control: good idea or just plain nuts?”:

Naturally, our first stop after parking was WCWP, where we spoke to receptionist Janine Celauro, my mother Lisa’s bowling teammate, and Dan Cox, Director of Broadcasting.

Ryan’s next task was going to the bursar to update his alumni contact information. So, we walked north to Kumble Hall, passing signs with alumni names on them. One of them was Fred Gaudelli:

Fred is the executive producer of NBC’s Sunday Night Football and was inducted into the WCWP Hall of Fame earlier this year.

Another was Brian Kilmeade:

Brian, a Massapequa native, co-hosts Fox & Friends on Fox News Channel, hosts The Brian Kilmeade Show on Fox News Radio, and has authored a handful of books about American history. His latest is called Sam Houston and the Alamo Avengers: The Texas Victory That Changed American History.

Passing Brian’s name reminded Ryan that he helps set up remote guests for Fox & Friends and other national Fox broadcasts for the aforementioned Fox News Channel, Fox Business Network, and Fox Sports 1.

I photographed Kumble’s exterior before we walked inside:

Kumble was a place I visited when meeting with my academic advisor each semester. My aunt Robin Rose was an advisor in the 1990s and early 2000s, which is how I ended up at what was then C.W. Post. Her presence was invaluable. It helped that she knew so many faculty, which made things easier for me in my first two years. It turned out the place I had the most success, WCWP, didn’t require her connections.

The bursar’s office directed us to the Alumni & Employer Engagement building, which housed the campus bookstore while Ryan and I were students.

On the way, we stopped in the Crafts Center, home to ceramics:

Professor Frank Olt was among the faculty that was connected with Aunt Robin and she recommended one of his courses to me in my second semester when I switched out of photography. I couldn’t handle film development or manually setting aperture and F-stop. It was overwhelming. I thrived in ceramics, sculpting many works that semester. I would sculpt more works in the spring of 2002, after switching out of an intimidating journalism course, and fall of 2003, the only time the course was my first choice. Via grainy digital camera photos from 2003, here are a few of my works:

I don’t know what happened to those, but here is what I was able to find in my house this morning, starting with the first thing I ever made in 2000:

I called it “Hertz Fieldhouse” because I was inspired by Conseco Fieldhouse, the recently-opened arena in Indianapolis. Since I made an outdoor stadium, I should have just called “Hertz Field.”

Lastly, a piece I photographed on film in April 2000:

I hadn’t visited Frank Olt in years – he wasn’t there when Ryan and I walked the campus in 2017 – so we were both happy to see each other. I told him about the jazz shows I had been to recently: the aforementioned Rippingtons in March, David Benoit in June, and the Bob James Trio last November. I forgot to tell him about seeing John Scofield two weeks after Bob.

Frank and I posed for a picture as he sat at a pottery wheel:

I’m so glad to know Frank, and to have known his colleague Linda Marbach while she was a professor.

This was Linda in April 2000 with graduate student Ji-Hyun:

Frank directed me and Ryan to the back room where Dan Christoffel was situated. I hadn’t seen him since he attended his friend and fellow artist Charlie Fillizola’s exhibit at Wantagh Public Library in 2013; six years and two days before Monday, in fact. Dan told us that he was about to present his latest exhibit in the Steinberg Museum of Art on the lower level of the B. Davis Schwartz Memorial Library. Ryan would have to wait before updating his alumni contact info. Luckily, he didn’t mind.

Dan spoke to an audience of LIU Post art majors (at least, I think that’s what they were):

Shortly after Ryan and I came in, Dan had us introduce ourselves.

Here are some of Dan’s works, starting with Now He Belongs to the Ages on the Abraham Lincoln wing of the exhibit:

Unfortunately, I can’t make out the title on the left, but the painting on the right is Thinking Beyond:

Justice, a trompe-l’œil (deceive the eye) painting:

Two paintings of Walt Whitman: Oh captain, my Captain, inspired by Whitman’s poem after Lincoln’s assassination:

Walt Whitman in His Prime:

On to the Theodore Roosevelt wing:

In his deepest hour:

Colonel Roosevelt:

Sagamore Hill:

Nobel Prize:

Rough Rider:

At the Elk Horn Ranch, Dakota Territory:

1901 – A Very Young President:

A Young Assemblyman:

Fighting the Good Fight:

A portrait of Booker T. Washington to mark a milestone occasion: First Black Man to Have Dinner at the White House:

His Love of Reading:

Little Texas:

T.R. – His Wife and Mother Died on the Same Day; He Went out West to Deal with His Deep Grief:

The exhibit concluded with Taking the Bull by the Horns:

A Newsday article on Dan’s artistry:

A picture with Dan before departing:

Thank you, Dan, for inviting us to your exhibit. It was wonderful. I highly recommend the exhibit if you, the reader, will be at LIU Post in the near future.

Ryan and I made our way east to the Alumni & Employer Engagement building:

Leftover from Homecoming:

Ryan was given a notepad to write down his new contact information and that was that.

We took the scenic route back to Hillwood Commons:

Ryan stopped in the Arboretum Walk so I could photograph him with his iPhone for a Facebook post. I also took a photo with my camera:

Ryan has been inside The Doll House, but I never have:

Post Hall:

As an undergrad, the southwest corner of the building was home to the Academic Resource Center. It was my home away from home. I made many friends in the form of fellow students, directors, learning assistants, and annual social work interns. I remain in touch with some of them.

The northeast corner of Hillwood:

Before going up the stairs to the current campus bookstore, which was once home to the museum, we passed a sign that explained the presence of Dan Christoffel’s exhibit:

Once in the bookstore, I planned on buying a sky blue polo shirt that said “Long Island University,” convinced to buy one after seeing Jeff Kroll (right) and Neil Marks (left) sporting them during the Homecoming game:

I was hoping for a shirt that said “LIU,” but when I initially visited the bookstore ahead of my radio show, it seemed only shirts emblazoned with the full name were available. But seeing Jeff and Neil in the shirts convinced me to buy upon my return with Ryan. On this day, I searched the rack where the shirts hung to look for my size: medium. Once I saw the letter M, I blindly reached for the shirt, and was surprised to find the holy grail: an “LIU” shirt!

Meanwhile, Ryan bought a windbreaker that said “Long Island University,” something to wear on cool winter mornings in Orlando. I’m proudly wearing my “LIU” shirt as I write this post, and it will be part of my warm/hot weather rotation.

We made one more stop at WCWP to say goodbye to Dan Cox and Janine Celauro. I had Janine take our picture:

Coincidentally, our friend Bernie Bernard was on the display behind us.

Ryan planned on stopping at Wendy’s on Glen Cove Road in Greenvale, but it was closed for renovations. So, we proceeded to our next stop – Micro Center in Westbury – looking for a place to eat on the way. We settled on Applebee’s in Roosevelt Raceway Center. Inside, besides eating our entrees, we talked about Ryan’s job at FOX 35 Orlando, about former WCWP Director of Operations Joe Manfredi (now at SUNY Old Westbury where he serves as station manager for OWWR), and other things. We walked around Micro Center for 45 minutes, browsing but not buying. Ryan didn’t leave empty-handed, though, buying a few mouse pads.

Ryan was nice enough to take me grocery shopping at the Levittown Stop & Shop, then we hung out at my house for an hour. After talking about a few YouTube channels in the car, he recommended the channel Technology Connections. I chose a couple of videos to watch on the CED (Capacitance Electronic Disc). (A third video on the subject was released yesterday with a fourth still to come.)

After that, we said our goodbyes until his next visit. It was enjoyable 7 1/2 hours.

It’s always great to see you, Ryan. As I said on the air, you’re a dear friend. I hope you don’t mind that I dipped into the archives with the speed bump video.

Loose ends from earlier in 2019 October 28, 2019

Posted by Mike C. in Books, Education, History, Personal, Photography, Travel.
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There were a couple of events in my life this year that I posted about on social media at the time, but neglected to share on this site until now.

The first came back on April 17, on the eve of spring break, at the Leo F. Giblyn School in Freeport. I had been a guest reader at Giblyn on National Read Across America Day for the previous four years, but couldn’t make it this year. I was in South Florida for my cousin David’s wedding. Before I left, teacher Meghan Carney provided an opportunity to make up for my absence. I chose the Wednesday before Easter, April 17, as my day to read to her class. The books I read were Fly Guy Presents Garbage & Recycling by Tedd Arnold, Love the World by Todd Parr, and a pair of Dr. Seuss books: One Fish, Two Fish, Red Fish, Blue Fish, and The Lorax. Like last year, I based my delivery for The Lorax on the 1972 CBS special featuring Bob Holt’s voice characterizations.

Mrs. Carney photographed me as I read. For this post, I made a collage of some of her shots:

As I said in April, thank you, Meghan, for the opportunity. I hope to be back at Giblyn on Read Across America Day next March to read to your class and many others.

12 weeks later, on July 10, Lori Downing, another friend from Giblyn, invited me to spend part of the afternoon walking through Old Westbury Gardens. It was our fourth excursion together, having previously gone to Fire Island Lighthouse, to the Louis Armstrong House and Museum, and to Tilles Center for saxophonist Dave Koz’s 20th Anniversary Christmas Tour.

Despite the heat and humidity, I enjoyed seeing the plants, wildlife, art, and architecture. Here are photographs from that afternoon in Old Westbury:

With a pair of loose ends successfully tied up, it’s on to the next post, whenever that may come.

2019 LIU Post & WCWP Homecoming Weekend October 21, 2019

Posted by Mike C. in Airchecks, Audio, Football, History, Internet, Interviews, Jazz, Media, Military, Music, News, Personal, Photography, Radio, Sports, Travel, Video, Weather.
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Other recaps: 20082009WCWP 50th Anniversary (2011)20122013201420152016, 2017, 2018

Another WCWP Homecoming Weekend has come and gone at LIU Post. This is a recap of all three days of the campus radio station’s alumni-hosted block of programming, including coverage of the LIU Sharks‘ Homecoming game against the Saint Francis Red Flash.

Before the proper recap, an explanation about what’s changed since last year. Starting with the fall 2019 semester, Long Island University athletics for the Brooklyn and Post campuses have merged, which means one color set, one team name, and one big move to NCAA Division I FCS (Football Championship Subdivision). The LIU Brooklyn Blackbirds and LIU Post Pioneers are now, collectively, the LIU Sharks. Now, the recap.

Two days in advance, I scheduled an Uber pickup at my house on Friday at 10AM. The driver was prompt, parking at the curb. With my equipment in tow, I hopped in the backseat and the drive began. I was dropped off at the Abrams Communications Building, home to WCWP, at 10:28. I set down my equipment and set up my laptop in studio 3 on one of the computer tables. After visiting the campus bookstore in Hillwood Commons, I returned to the station and set up the tripod, camcorder, and shotgun mic in studio 4. I was going to record the first show of Homecoming Weekend: Art Beltrone’s PostScripts talk show. Back by my laptop, I connected a portable radio tuned to 88.1 FM to an audio recorder and began recording at 11:50. Then, I walked into studio 4 and waited for PostScripts to begin.

To my left was this banner:

The Long Island University colors are blue for Brooklyn and gold for Post. As you’ll see in the Saturday pictures, the campus’s green signs were all painted sky blue.

Show time:

Art’s first guest was Joan Yonke, the LIU Post Campus Director of Employer and Alumni Engagement (I accidentally left out the “Employer and” part in the show video):

Art’s next guests were Jeff Kroll, who engineered the show…:

…and his wife Pat, who coordinated the guests:

After playing the Krolls’ (and the Yonkes’) wedding song, “Can’t Take My Eyes Off of You” by Frankie Valli, a milestone was acknowledged:

Exactly 58 years ago – October 18, 1961, at 12:15 PM – WCWP signed on as an AM carrier current station. Art Beltrone was the first student voice ever heard on its air. In honor of the occasion, the sign-on was played at 12:15 in 2019.

Art listened fondly:

When the first non-student voice, Dennis Sullivan, tossed back to Art on the tape, Jeff cued Art in the present:

Following “Hello, Dolly!” by Louis Armstrong, Bill Mozer dropped by:

Jeff Kroll joined in the conversation:

For the last hour, Art spoke to fellow alumni and Vietnam Veterans, Jack Cassidy and Mike Padula:

Jack Cassidy:

Mike Padula:

Art, Jack, and Mike also spoke to guests over the phone, including John LiBretto, Jim Harley, and Ron Zappardino. I had to leave studio 4 at 1:30 to set up for my show, Instrumental Invasion with Mike Chimeri, in studio 2.

Here are portions of PostScripts, some of which were photographed above:

When 2PM came, Art handed off to me, I played a legal ID, and began my show. I thanked Art and all of his guests, then played my first song: “Flash Back Friday” by bassist Julian Vaughn, guitarist Nick Colionne‘s nephew.

As the song played, I went back into studio 4 to take a picture of Jack Cassidy, Jeff Kroll, Art Beltrone, and Mike Padula:

While my second song, “Illuminate” by Steve Oliver, was playing, Pat Kroll took the obligatory photo of me at the board in studio 2:

There was also time for Art’s friend Ed Keller to take our picture:

The show proceeded from there with little to no hiccups. Here were my surroundings:

During my show, Bill Mozer moved the livestream webcam from studio 4 to 2. We spoke while I was off mic. One of the liners I played was of Dan Ingram, legendary New York DJ and commercial voice talent, while visiting the station in 1968. Back then, the university was known as C.W. Post College. The liner went like this:

Hi there, Kemosabe. This is Big Dan Ingram. Whenever I’m on the Merriweather campus, and my bosses in New York don’t know about it, I always listen to WCWP, at 88.1, in Brookville, New York. Love it.

“Merriweather” referred to Marjorie Merriweather Post.

Bill, who worked with Dan at WABC, remarked that he was never “on the Merriweather campus” – besides that day – so he therefore never listened to the station. I replied that he was humoring the students that recorded him.

Bobby Guthenberg, a.k.a. Bobby G., complimented my playlist on Facebook, and my friend Ryan Grabow texted me after I played “Silver Arrows” by the Rippingtons. When he would appear on The Mike Chimeri Show 15 years ago, he’d always say “a ripping good time” whenever I played a Ripps song. Coincidentally, the next song I played was “Dear Friend” by Patrick Bradley, a fitting title.

Before I knew it, I was signing off and playing my last song: “Nu Som” by Mike Stern and Jeff Lorber Fusion.

Here is the show aircheck…:

Direct link

…transitions, with the aforementioned Dan Ingram liner…:

Direct link

the playlist in PDF form

…and the video:

 

 

Jeff Jensen was next at 4PM:

Here are a couple of his talk breaks:

I headed home just before 5:00 and was home half an hour later. After editing the airchecks that you heard above, day 1 was complete.

I started my Saturday by editing videos, synced with the aircheck audio, and photos. Then, I got ready to return to LIU Post. While waiting to turn onto Northern Boulevard, I took out my camera so I could photograph what once was green and now is blue.

It was 1:05 when I turned into the campus’s east gate:

MyWCWP, which was WebRadio WCWP when I was a student, was renamed The Wave:

The Wave is also the name of a Southern California radio station that used to play smooth jazz: 94.7 The Wave. Since I’m not on this Wave, there’s no smooth or contemporary jazz to be found.

During the second quarter of the Sharks’ Homecoming game against Saint Francis, I walked over to Bethpage Federal Credit Union Stadium to take in some of the action:

I was given media access, which allowed me to go up to the press box…at least at first. Saint Francis did not bring a crew to broadcast the game, but LIU did, from the roof. To get there, you had to climb this ladder:

Jeff Kroll (right) and Neil Marks (left) called the game:

A view from the top:

Considering the Sharks were winless coming into the game and were unlikely to score while I was on the roof, I left after I took the above pictures. Before I left, I had Pat Kroll take a photo of me:

2:25 PM UPDATE: Jeff informed that the NEC (Northeastern Conference) had a room in the press box for the video feed and conference announcers. He added:

The video equipment is also used for all play reviews. Cameras manned by WCWP students! Ours was the only radio broadcast of the game.

The walk back to WCWP:

Pioneer Lane is now Shark Street:

The Sharks fell to 0-6, blown out by the Saint Francis Red Flash 30-0. It was 9-0 after three quarters, but SFU exploded for 21 points in the first six minutes of the fourth. Factoring in the Pioneers past, this was the team’s first loss on Homecoming since 2011. It was also the first loss Jeff and Neil called since the Pioneers lost to the Iona College Gaels 9-2 in 1989.

Air traffic was moderate and a couple of planes were low enough for me to get high resolution crops. This is a DHL plane:

I think this might be Alitalia:

After the dust had settled on the Sharks’ loss, studio host John Zoni ran the “highlights”…:

…and listed the scores elsewhere in the NEC:

Due to a lung infection early in the week, Bernie Bernard was unable to make it up from Florida. Bobby G. and Mike Riccio expanded their show to fill in for her. Due to the short length of the football game, the show began at 3:45, 45 minutes early.

Bobby flew solo while Mike was in transit:

Hanging out in the studio were Jay and Arlene Elzweig…:

…and Jett Lightning, who I wanted to get a picture with:

I would pose for more pictures later.

Mike Riccio arrived in time for Bernie Bernard to call in:

Wanting to be a part of the call, I got on my knees by Bobby’s mic, holding up a Rick Wakeman CD at one point:

Once Mike was at the controls, the playlist turned to artists that appeared at Woodstock:

I came on at one point to promote the rest of the weekend, including my second Instrumental Invasion that would air at 2AM:

The big WCWP Hall of Fame announcement was set for 6:00. Before then, I went outside to the barbecue for a burger and hot dog, and some cookies for dessert.

Then, I got to meet fellow alumni Joel Mahan and Jerry Reilly, posing here with Bill Mozer:

I was so glad to see M.J. Lonardo and K.J. Mills:

M.J. complimented me on my running, which I had been writing about on Facebook, with a few milestone posts on Twitter and Instagram.

2019 WCWP Hall of Fame inductee Pete Bellotti made the announcement:

Here’s how things looked on the livestream webcam during this segment (courtesy of Ted David):

The 2020 inductees are…:

Alan Seltzer and Christina Kay!

I stood in front of the camcorder and applauded the inductees:

With the announcement complete, I began to pack up for home, but not before taking the obligatory shot of Mike and Bobby:

John Zoni’s postgame and the segments from Mike and Bobby’s show can all be seen here:

 

Me with John Zoni:

Dan Cox:

I owe my career in radio to Dan. He was my Broadcasting 4 professor in the spring of 2001 and recommended me to then-station manager Judy Cramer the following semester. A few weeks later, on October 5, I was on the air for the first time.

Bill Mozer:

…and Pete Bellotti:

Joel Mahan wanted a photo with Pete, as well:

The last pic of the weekend for me was Bill Mozer and Alan Boritz, who followed Mike and Bobby at 10PM:

Bill photographed the weekend with his own DSLR camera. Via the WCWP Alumni Association Facebook group, here are his photos – with “no film in the camera” – starting with John Zoni during his 6PM show on Friday:

Jay Mirabile and Pete Bellotti during Friday’s 10PM DFK Show:

The picture was taken with Jay’s phone, but Bill cropped it.

On Saturday, it’s Art Beltrone and Jay Elzweig:

Grandfather Rock Chris MacIntosh:

Pat Kroll and Lew Scharfberg:

And at the mic for his 10PM show, Alan Boritz:

From midnight to 4AM, WCWP had the one-two punch of Strictly Jazz with Hank Neimark, John LiBretto, and Rita Sands – which they recorded in late August – and the second Instrumental Invasion with Mike Chimeri – which I recorded at home back on September 26. It was chocolate and peanut butter back to back. In SiriusXM parlance, they were Real Jazz, I was Watercolors. Hank told the aforementioned Facebook group he was listening to the station, including his own show, from Greece, expressing what a thrill it was.

Here is the aircheck for Strictly Jazz

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…and Instrumental Invasion:

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And of course, the latter show’s transitions…:

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and playlist.

I try to work in as many of the notes I write on my playlists as I can, but some notes stay on the paper.

Unfortunately, Magick Mike Hendryx’s show didn’t run, making for the second year in a row where that’s happened to a file designated for Sunday at 4AM. Strictly Jazz reran at 6AM as scheduled.

I spent Sunday working on this post and periodically listening to WCWP. Like last year, Jay LaPrise (“la-PREE”) had the first live show of the day at 8AM. Here are his last two talk breaks:

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The ladies of Prison Break Radio, Jamie Mazzo and Sara Dorchak, were next at 10AM. Here are their first four talk breaks:

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Billy the Kid (Billy Houst) followed at noon. He was later joined by Joey C. (Joe Conte) and Big L Lou (Lou Raio). Here are talk breaks from Billy’s first hour:

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Bill Mozer photographed Billy…:

…Joey C. …:

…and Lou Raio:

Billy the Kid was followed at 2PM by Joe the Honerkamp. Here are five talk breaks from his show:

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And one picture of him by Bill Mozer:

That is his index finger, not the other one.

The last three photos in this post were taken by Pat Kroll.

At 4PM, Lew Scharfberg:

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Jeff Kroll ran the board:

6PM had a Homecoming Weekend edition of Rock ‘N’ Soul Gospel with Grandfather Rock Chris MacIntosh:

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Next to last was Alana at 8PM with The Rockin’ Sunday Show, following an introduction by Jeff Kroll:

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And turning out the lights on the 60-hour block was Jeff himself from 10PM to midnight, following Alana’s lead-in:

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I was singled out in Jeff’s credits:

Mike Chimeri! Oh, Mike, a great jazz show; in fact, two of them this weekend. And always with the pictures and the videos. Thanks so much, Mike.

Thank you, Jeff. This is a labor of love for me as I know putting together Homecoming Weekend each year is for you and Pat. If it means I have restless nights as my brain contemplates what tasks I have left to do, so be it. The fruits of my labor make it all worthwhile.

It was great catching up with my fellow alumni throughout the weekend. It warms my heart to be among you.

Thank you to those that stayed with this recap to the end. I leave with Jeff’s last words last night:

Thanks to all here at WCWP. It’s been a wonderful 2019 Homecoming Weekend. We’ll get the schedules together and see what happens a year from now. And it’ll be a new decade: 2020! Thanks for tuning in to the WCWP Homecoming Weekend.

And for posterity, the schedule:

Art & Lee Beltrone, Vietnam Graffiti: Messages from a Forgotten Troopship September 24, 2019

Posted by Mike C. in Books, History, Radio.
2 comments

Posing with Vietnam Graffiti while writing this post

Last October, early in my Homecoming Weekend radio show on WCWP, fellow alumnus Art Beltrone, who hosted the show before mine, gave me a copy of a book he published in 2004 with his wife Lee. The book is called Vietnam Graffiti: Messages from a Forgotten Troopship.

It took nearly a year to read the book, but I finally did over three days last week.

One morning in February 1997, Art and Lee Beltrone traveled with Jack Fisk – their Keswick, Virginia, neighbor – to the James River Reserve Fleet near Fort Eustis. They assisted Fisk in research for the upcoming World War II movie The Thin Red Line. Among the ships they toured in the fleet was the General Nelson M. Walker.

The Walker dated back to the end of World War II, when it went by the Admiral H.T. Mayo. But touring the ship revealed it was a time capsule to the Vietnam era. Machinery, utensils, cleaning supplies, tables, chairs, and bunks were among the artifacts aboard, mostly intact. Soldiers bound for Vietnam wrote graffiti on the bunk canvases, including sketches, poetry, names, and personal messages.

The discovery led to a traveling exhibit called “Marking Time: Voyage to Vietnam,” which has traveled for 15 years to 35 states and over 70 venues. The exhibit will open at the National WWI (World War I) Museum and Memorial in Kansas City, Missouri, and will open this November 8 and end May 31 next year. Beltrone’s exhibit is part of the New York Historical Society‘s exhibit called “The Vietnam War: 1945-1975.”

Vietnam Graffiti consists of Art’s written recollections of the Walker tour and Lee’s photographs of the fleet, the ship, and artifacts therein. There are also profiles of a few surviving veterans. I won’t spoil this post with excerpts. You’ll have to read and see for yourself. It sells for $25.

The book is 88 pages worth reading and viewing. I should have read it sooner. Thank you, Art, for blessing me with a copy, and thank you to all the soldiers who served aboard the Mayo/Walker.

In the years since the book’s publication, the Vietnam Graffiti Project was formed. On their behalf, during his show last October (1960s Post Scripts), Art presented Dan Cox, WCWP’s director of broadcasting, with one of the bunk canvases found on the Walker:

I’m in an episode of The Gaming Historian! May 31, 2019

Posted by Mike C. in Audio, History, Internet, Media, Personal, Video, Video Games.
1 comment so far

Last Tuesday, Norman Caruso, a.k.a. The Gaming Historian (website), put out a call on his Discord chat server, which I belong to, for people to read a newspaper review blurb for an episode on The Legend of Zelda: Link’s Awakening, a Game Boy game released in 1993.

I recorded two takes to one WAVE file and e-mailed it to him. For posterity, here is that file.

Two days later, he announced that he chose my submission and posted a rough cut to his Patreon supporters, of which I’m one, as well as on Discord. Yesterday, the final cut went public. Watch below:

My part, the first take of my submission, can be heard about nine minutes in. Here’s the audio from that part.

I’m also in the credits:

As a result of this video, though not necessarily because of me, The Gaming Historian YouTube channel surpassed 600,000 subscribers!

Thank you very much, Norm, for the opportunity. I greatly appreciate it.

7:53 PM UPDATE: About 90 minutes ago, Norm tweeted the following:

As I type, the video has over 236,000 views! That will surely continue to grow. I’m glad to have been part of a record-setting video.