Instrumental Invasion, 1/11/23 January 12, 2023
Posted by Mike C. in Airchecks, Audio, Books, DVD, Internet, Jazz, Laserdisc, Media, Music, New Age, Personal, Photography, Radio, Travel, TV, Video, Video Games, Weather.add a comment

The January 11 edition of Instrumental Invasion on WCWP was recorded one hour per day between November 24* and 25. This show brought me back to a comfortable seven-week buffer.
*Thanksgiving, my parents’ 45th wedding anniversary, the 30th anniversary of Sonic 2sDay (release day for Sonic the Hedgehog 2)
The playlist was created on November 21, annotated on the 22nd, and the talk break script was drafted on the 23rd when not working on last week’s show.
Speaking of Sonic 2, I referred to video games and video game consoles again this week: the Oculus Rift, PlayStation VR, and Virtual Boy. Jeremy Parish’s Virtual Boy Works video series can be viewed here and you can buy his book here. (Yes, my story about trying out the Shapp cousins’ Virtual Boy was true.)
I played another cut from the compilation True North, starting the show with “One More River Passing” by James Reynolds. Hear it in a Weather Channel local forecast at this link. Click here for a local forecast featuring “Down Hill Racer” by Patrick O’Hearn.
With only two new albums left that hadn’t met my requisite six tracks to play, I added a second 1996-2006 segment and moved the remaining 2017-present segment to the middle of hour 2. That allowed me to make up for not ending hour 1 with the live 2002 version of “Kukuc” (“koo-kooch”) by John Favicchia, the second week in a row with a version of “Kukuc,” both from Tangible. The second segment of hour 1 and first of hour 2 only had two talk breaks thanks to “Spain” by Return to Forever and “Kukuc.”
This week’s version of “Kukuc” was performed at Backstreet Blues in Rockville Centre, the venue where I was introduced to Fav and his Dharma All-Stars on July 13, 2005. Here are the photos I took that night:
Brad Mason (trumpet), Mark Gatz (tenor sax) (RIP), Mike Nunno (bass), Chieli Minucci (guitar) Frederic Las Fargeas (keyboards), Brad Mason (trumpet), Mark Gatz (tenor sax) The mostly-clear view from table: Frederic Las Fargeas, Brad Mason, Mark Gatz, John Favicchia, Mike Nunno, Chieli Minucci A close-up of Chieli This time, with the flash during “Kukuc” (the closer) A wide shot with the flash: Frederic Las Fargeas, Brad Mason, Mark Gatz, John Favicchia (out of view), Mike Nunno, Chieli Minucci Chieli and I after the set; it was his idea for me to attend; I’m forever grateful to him for that
Backstreet Blues is now known as The New Vibe Lounge.
Click here to download this week’s scoped aircheck or listen below:
Instrumental Invasion, 1/4/23 January 4, 2023
Posted by Mike C. in Airchecks, Audio, DVD, History, Internet, Jazz, Laserdisc, Media, Music, New Age, New Year, Personal, Radio, TV, VHS, Video, Video Games, Weather.add a comment

The January 4 edition of Instrumental Invasion on WCWP was the first show of 2023 and the second show in the last three to be recorded and mixed in one day. Fittingly, that one day was the 23rd of November, 2022, and thankfully, recording talk breaks wasn’t as physically taxing as the Christmas show.
The playlist was created on November 20, with annotations starting on the 21st and continuing into the 22nd, followed by the talk break script draft. As you can see, I went way over with the first segment and spent the rest of the show compensating. Ironically, I had to make that first segment even longer due to a surplus after principal recording.
“Just Like That” by Dan Siegel was first played on October 14, 2020, but I included it again as a prelude to Ken Navarro‘s “Just Like That.”
The video version of True North was on LaserDisc and VHS, then reissued on DVD in 1998. I bought a DVD copy for posterity, but haven’t watched it yet. “Whispers of Light” by James Reynolds was the latest in a long line of Weather Channel local forecast staples, as demonstrated here.
Not only did I play Mario Kart 64 back in the day, but I received the official soundtrack on CD for free through my Nintendo Power magazine subscription. I led off the January 25, 2002, edition of The Mike Chimeri Show with the game’s title screen cue, proclaiming I was back for another semester.
Norman Caruso, The Gaming Historian, chronicled the story of Super Mario Kart, the N64 game’s predecessor, in a video last month:
I ended the show with “Kukuc (koo-kooch) 2020″ the first track on drummer John Favicchia‘s new compilation CD Tangible. It coincided with the debut of a liner I had Fav record for the show. I neglected to tell him how to pronounce my last name, so I took the “sh” sound from Tom Schuman‘s liner and slowed down the “im” part. Here’s the end result:
And here are recaps of the last nine Dharma gigs I attended:
September 7, 2008 (preceded by Alan Bates)
Next week’s show recap will have photos from the first gig I attended on July 13, 2005.
For now, click here to download this week’s scoped aircheck or listen below:
Bonus: the “Kukuc 2020” video:
Instrumental Invasion, 12/28/22 December 29, 2022
Posted by Mike C. in Airchecks, Audio, Christmas, Computer, Football, Internet, Jazz, Media, Music, New Age, New Year, News, Personal, Radio, Sports, TV, Video, Video Games, Weather.add a comment

The December 28 Instrumental Invasion on WCWP was recorded one hour per day on November 17, my 41st birthday, and 18, followed by pickups and remixing. An additional pickup was recorded on the 19th.
The playlist was the third of three created between November 7 and 9. I created it solely on November 9, started annotating on the 9th and finished on the 12th, with the talk break script drafted on the 15th and 16th.
For the second year in a row, I played Christmas-adjacent songs the week after the Christmas show. “December Dream” by Fourplay was originally in mind for last week, but I replaced it to allow for a longer third song in its intended segment.
For the second show in a row, I played two versions of the same song, ending each hour with “Auld Lang Syne“; first by Kenny G, then by Jessy J. Yes, I know J is technically not her last initial, but for poetic license, it was in this show.
All of the last three shows have had segment gaps filled by songs less than three minutes long. And speaking of last initials, I searched my blazers for a suitable (no pun intended) nickname to go with “Armani B” by Brian Simpson. Jos. A. Bank made the most sense; ergo, “Joseph A. Bank M.” By the way, I bought a CD copy of Closer Still just before publishing this post.
“Busta Move” by Julian Vaughn was originally played on August 17.
I’m still not finished listening to my iTunes Christmas music playlist, which I’ve been listening to incrementally since early November. I got through big portions of it during a Christmas Eve party and then on Christmas Day at home, but there were over a hundred songs left. I’ll update this paragraph once I finish. 1/2/23 UPDATE: I finished this morning.
Mid-November Mike (another nickname) could not have foreseen a historic winter storm, an explosive cyclogenesis (“bomb cyclone” in media hype lingo), when he included “Black Frost” by Grover Washington, Jr. to fill out the first segment. Crazy as the storm and aftermath were here on Long Island – southwest winds ushering in cold air?! – it was much worse elsewhere, particularly in Buffalo! Here, temperatures plummeted from the mid 50s (Fahrenheit) to the single digits! That meant there was black frost ice on the roads, and patches of ice on the sidewalks, from floodwaters brought on by rain and coastal flooding. I haven’t talked to Ryan “A Ripping Good Time” Grabow since the storm, but I know from its Wikipedia entry (first link) that Central Florida – where he lives and works for the Orlando Fox affiliate – had a period of sleet and snow flurries in on Christmas morning! (Okay, enough exclamations.) Christmas also marked record cold highs for Fort Lauderdale and Miami: 49° and 50°F, respectively. Reading that took me back to similarly cold Christmastimes in 1989 and ’90 in Crystal Beach, Florida, in the Tampa Bay area; not to mention how cold it was outside LaGuardia Airport before flying to Tampa in ’90. Maybe weather conditions are cyclical.
I’m further reminded of a video I watched on YouTube five years ago that exemplified the cold Christmastime in ’89: the start of NBC Sports coverage of the Miami Dolphins’ Christmas Eve regular season finale against the Kansas City Chiefs at then-Joe Robbie Stadium in not-yet-incorporated Miami Gardens. As you’ll see in the video below, the game time temperature was 39° with gusty northwest winds. No wonder it was dubbed The Miami Ice Bowl.
Yes, that was “Carol of the Bells” by Mannheim Steamroller (from A Fresh Aire Christmas); yes, that was Charles McCord announcing (“NBC Sports presents…”); and yes, John Tesh‘s “Gridiron Dreams” was the NFL on NBC theme song.
Anyway, click here to download the last scoped Instrumental Invasion aircheck of 2022, or listen below:
See you in 2023!
Instrumental Invasion, 12/21/22: Christmas December 22, 2022
Posted by Mike C. in Airchecks, Audio, Christmas, Film, Internet, Jazz, Media, Music, New Age, Personal, Radio.add a comment

The December 21 Instrumental Invasion on WCWP was the third annual Christmas special. All segments were recorded on November 16, the eve of my 41st birthday, making this the first show recorded in one day since November 2 (September 19). Pickups were recorded on Thanksgiving, November 24.
This show’s playlist was the second of three between I made November 7 and 9. It was created November 7th and 8th, annotated on the 9th and 11th, and the talk break script was drafted on the 14th and 15th.
Principal recording was a pain in the sleigh bells. I struggled with every segment’s second and third talk break. It was a Christmas miracle when I reached the end. I used up the entire 58-second surplus accrued in the first hour. That meant I had to tightly edit the second hour talk breaks, run short liners, and start some songs as beds, including the last song.
Click here to download this week’s scoped aircheck or listen below:
Not included in the scope was a new community calendar I voiced and produced on Saturday (as I was getting over the flu):
And here is hip harpist Deborah Henson-Conant’s website, referenced after playing “We Three Kings of Orient Are.”
Merry Christmas.
Instrumental Invasion, 4/13/22 April 14, 2022
Posted by Mike C. in Airchecks, Audio, Internet, Jazz, Media, Music, New Age, Personal, Radio.add a comment

The April 13 Instrumental Invasion on WCWP was recorded one hour per day on February 19 and 20, with pickups recorded before and after the second hour sessions. It was the first show recorded entirely at home with the Kaotica Eyeball shield.
The playlist was created on February 17 with annotations starting that day and continuing into the 18th. The talk break script was drafted on the 19th, before and after my friends’ daughter’s first birthday party.
I may have played six covers on a show prior to this week, but I didn’t notice until this time. My favorite has to be Maynard Ferguson‘s cover of “Eli’s Comin’” (from M.F. Horn) that led off the show, though I don’t like the beginning and end.
“Valley in the Clouds” and “Jamaican Nights” were staples of The Weather Channel’s local forecasts in their day, but I wasn’t aware of the latter song until it played on CD 101.9 in November 1998. I played it in the premiere of the original The Instrumental Invasion on WGBB on July 13, 2004.
The last song of the show, “Summer Smiles” by Ken Navarro, was first heard last August 25, but this time, I said Tyler Mire‘s last name correctly: “meer.”
Click here to download the aircheck MP3 or listen below:
11:40 AM UPDATE: From time to time, I miss things when making annotations and they don’t end up in the script. I missed that David Charles played percussion on “360” by Chuck Loeb, leading me to incorrectly call it a trio song. I didn’t notice the percussion – chimes, in particular – until just now while listening to the unscoped aircheck. To compensate, I’ll play it again in an upcoming show. Listen for it in June.
Instrumental Invasion, 12/22/21: Christmas December 23, 2021
Posted by Mike C. in Airchecks, Audio, Christmas, Country, Internet, Jazz, Media, Music, New Age, Personal, Radio, Video, Video Games.add a comment

The December 22 Instrumental Invasion on WCWP was recorded from home on November 4 (four segments) and 5 (two segments and pickups) with the denoise filter applied to all talk breaks. Additional pickups were recorded on November 23 and December 13, both without the denoise filter and the latter while shortening four segments. It was recommended on the 13th that I make 18-minute segments. Between this week and January 26, I’ve shortened any segments that were padded by liners or songs that don’t start with a talk-up. The first show with 18-minute segments in mind will be February 2, 2/2/22. Wait till you hear what I have in store.
The playlist for the Christmas show was created and annotated on November 3.
Like last year, the show included two songs each by David Benoit and Mannheim Steamroller, but also two versions of “Carol of the Bells” (1 1/2 last year) and “Jingle Bells.” One of those versions was Jay Rowe‘s that I referenced last year. This year, a slightly longer version was included on Jay’s new album, Ho! Ho! Ho! Merry Christmas, from Jay Rowe. The November 23 pickup came after Jay announced the album’s release on Facebook. Here’s the original single version, not the album version that aired:
I was glad to reference Roy’s poem in Game Dave‘s video posted exactly a year before the show aired:
Roy’s portion is about 8:20 in.
Click here to download the aircheck MP3 or listen below:
Merry Christmas!
Instrumental Invasion, 6/9/21 June 10, 2021
Posted by Mike C. in Airchecks, Audio, Internet, Jazz, Media, Music, New Age, Personal, Radio, Travel, Video.add a comment

The June 9 Instrumental Invasion on WCWP was recorded two segments per day from May 4 to 6. Pickups for the first two segments of the second hour were recorded on the 20th.
The playlist was created on May 2 with annotations and the script draft following on the 3rd. In spite of additional time allowed for talk breaks, I still wrote too much for myself to say, but I also didn’t write enough for two breaks. The latter issue allowed me to share a Jaco Pastorius tidbit I couldn’t share earlier due to the former issue. The drive through Oakland Park occurred on March 3, 2019, the day after my cousin David’s wedding to Talia. Here’s a photo:

The song I played before sharing the tidbit was “Jaco Smiled” by Ken Navarro, whose birthday coincided with last night’s show. As the show was winding down, he posted this video on Facebook, thanking everyone for the birthday wishes:
Click here to download the aircheck MP3 or listen below:
For the second week in a row, one of my spots ran during a break. This time, it was for the community calendar. You can hear it at the 3:58 mark.
Instrumental Invasion, 12/23/20: Christmas December 24, 2020
Posted by Mike C. in Airchecks, Audio, Christmas, Country, Internet, Jazz, Media, Music, New Age, Personal, Radio, Technology, Video.add a comment
The December 23, 2020, Instrumental Invasion on WCWP was recorded one hour per day on November 20 and 21. Pickups were recorded on the 22nd after remembering Steve Rodby was also an alumnus of Pat Metheny Group. Originally, I only acknowledged Danny Gottlieb and Mark Egan. Another pickup was recorded on the 30th after learning that Jay Rowe recorded a newer, faster version of his arrangement of “Jingle Bells” for Jessy J, which I played in the third segment:
The first and third segments were kept at their original 18:45 length. The rest were cut down to 18:40.
The playlist was created on November 17 (my 39th birthday), then refined and annotated on the 18th.
As I’ve said in the past, I absolutely love instrumental Christmas music, dating back to its use in local forecasts on The Weather Channel in the first 25 days of December. I have a vast playlist in iTunes that I play at parties (in a normal year) and at home ahead of, and on, the special day. The 27 songs on this show were just a taste of the day’s worth of songs in that playlist.
The first song of the show, “Carol of the Toy Keyboards” by David Murray, a.k.a. The 8-Bit Guy (YouTube, website), premiered on David’s sister channel, 8-Bit Keys, on December 1, 2015:
And Lindsey Stirling has a video for “Dance of the Sugar Plum Fairy” (with over 20 million views!!!):
The name of the vocalist and percussionist on “We Three Kings” by Marion Meadows was Arto Tunçboyacıyan. I consulted this page for the pronunciation. Since recording the talk break, it now rolls off the tongue, like Krzyzewski. The name of the stringed instrument Brian Keane used was a bağlama.
Click here to download the aircheck MP3 or listen below:
And as a bonus, here’s a liner that will be heard on WCWP today and tomorrow:
Merry Christmas!
Attending the 2020 U.S. Open in spirit; how I got through the COVID-19 lockdown September 22, 2020
Posted by Mike C. in Comedy, Dogs, Golf, Health, Internet, Media, Music, New Age, News, Personal, Photography, Sports, Tennis, Travel, TV, Video, Video Games.add a comment
2020 would have been the third year in a row I attended a PGA Tour major championship held in the New York metropolitan area and fourth year in the last five. In 2016, I traveled to Baltusrol Golf Club for the second round of the PGA Championship. In 2018, I was briefly at Shinnecock Hills for the third round of the U.S. Open. And last year, I witnessed the final round of the PGA at Bethpage Black Golf Course, the third time a major had been held there.
This year, the U.S. Open was to return to New York in June, as usual, to be held at Winged Foot Golf Club in Mamaroneck. As my dad and I had done in 2002 and 2018, we opted to attend the third round so that he could watch at home on Father’s Day. We attended the final round the last time the championship was at Winged Foot in 2006. We were on the periphery of Phil Mickelson‘s collapse on the final hole. So many people stood by the 18th green that we could only hear the undoing. It was a depressing walk to the bus terminal and ride back to general parking at Orchard Beach in the Bronx.
Shortly after Dad bought the 2020 third round tickets in December, I bought a polo shirt that I would proudly don as I walked Winged Foot’s West Course. I had visions of aerial shots of the course along and ground level views of flags flying in the breeze while Brian Tyler‘s epic theme for Fox Sports‘ USGA coverage – “Triumph of the Spirit” – danced through my head.
Meanwhile, an insidious disease was spreading its way around the world. By March, Coronavirus Disease 2019 – also known as COVID-19 and the coronavirus – had reached the United States. State and local governments put residents on lockdown. Events were canceled or postponed left and right. Sports were put on hold indefinitely.
It was a sudden, sharp, and scary change that was very hard for me to bear. I was so scared and paranoid that I avoided watching or reading the news. It was torture passing by the den as my parents watched New York Governor Andrew Cuomo’s daily briefings. His voice was the last thing I wanted to hear as it served as a harsh reality check. Social media wasn’t any better. Every day, another public figure became a casualty. Some of my friends lost their friends. My dad lost two of his friends.
From March to June, I kept busy at home. I retouched photo scans, removing dust and scratches, and adjusting contrast and color. While I worked, I listened to music or to interview podcasts that didn’t reference the news. Once I landed a weekly radio show at WCWP, recording and producing the shows became another preoccupation. In my downtime, I watched videos on the various YouTube channels I subscribe to, learning about technology and video games. I also watched traditional TV programming: sitcoms like Last Man Standing and Man with a Plan, and the documentary miniseries The Last Dance, about the Chicago Bulls championship dynasty in the 1990s. I worked out religiously and watched what I ate. I bought groceries and other necessities online.
On social media, I limited my Facebook posts to treadmill running milestones, post-radio show blog posts, and photos from the past on Throwback Thursday (#TBT), Flashback Friday (#FBF) or #MemoryMonday. Instagram had some of those photos from the past, but I also began the Cocoa Photo Series, with new entries posted every two to three days. It’s photos of my late Chocolate Labrador from his puppy days in 1998 through Christmas 2006. Here’s an example.
As states and localities were phased back to somewhat normal, I left my house more often, disposable mask in hand when walking through the neighborhood and covering my face when necessary, especially when shopping. I still buy some things online, though.
For a few months now, I’ve begun to follow various dog accounts on Instagram, mostly for Labrador Retrievers. Watching dogs grow up is just what I need in these difficult times.
This concludes the COVID-19 portion of the post.
In April, I learned that three of the four PGA Tour majors were rescheduled for later in the year, with the [British] Open Championship being canceled outright. The U.S. Open was rescheduled for September 17 to 20, the first time the event was in September since 1913. (This meant it would occur a week after the conclusion of the tennis US Open, sans periods, held south of Winged Foot within the USTA Billie Jean King National Tennis Center. For the record, Naomi Osaka won the women’s singles title for the second time in three years while Dominic Thiem won for the men, his first grand slam title.)
Assuming spectators would be allowed, I would be attending the third round of the U.S. Open on September 19. I put the date in my iPhone calendar and hoped that fans got the okay to attend. On July 29, access was denied. I felt like I had wasted my money on a shirt for an event I couldn’t even see in person. At least Dad got refunded for the tickets.
Indeed, to date, I’ve only worn it once since this Instagram post. That one time was on September 10, a week before the first round. It was for a photo project that would put myself at Winged Foot in spirit.
I connected my Nikon D5500 to a tripod, attached a remote, and photographed myself in front of a blank spot on my bedroom wall, clad in what I would have worn to the third round:
The hat is from 2006 and the ticket holder is from 2018.
Then, I applied an effect to make it seem like I was outside in the sun:
The third step was to combine the image with a shot of Winged Foot I found on Google:
I used the magic wand tool to highlight the wall so I could delete it, leaving only myself. Then, I copied and pasted what was left over the Winged Foot image. After initially placing myself in the center of the image, I cropped it down and re-centered myself. This is the end result:
For publicity’s sake, I made sure to note it was a “fake photo.” I posted to Facebook upon completion on the 10th and to Instagram on the morning of the 19th.
Fall conditions were in effect in the area, which meant I’d have a jacket on if I was truly in person, as I did last year at the PGA:
I watched all four rounds of the U.S. Open on TV like everyone else, but not on FS1 and Fox. The rescheduling put Fox in a bind as they were committed to college football on Saturday and the NFL on Sunday. The only solution was to relinquish their USGA rights back to NBC Sports, which they did on June 29. Starting this year, Thursdays and Fridays would be seen on Golf Channel with weekend coverage on NBC. This also meant the previous U.S. Open theme, “In Celebration of Man” by Yanni (pardon the audio quality), made its return. (A bagpipe-infused version was made for Open Championship coverage, as heard in 2016.)
At the end of 72 holes, Bryson DeChambeau was the 120th United States Open champion. He was the only player to shoot under par in the final round and the only player under par for the championship. Bryson joined Jack Nicklaus and Tiger Woods among players to win an NCAA individual title, the U.S. Amateur, and the U.S. Open. It was his first career major victory and I was very glad for him.
The end result motivated me to include the polo shirt in my regular rotation, just as I do with shirts for most of the other tournaments I’ve attended.
The next major to be held in the New York metropolitan area comes in May 2022 when the PGA Championship is held at Trump National Golf Club Bedminster in New Jersey. I hope the world is post-pandemic by then so I can be there in person. (Other future sites can be found here.)
1/11/21 UPDATE: The 2022 PGA has been pulled from Trump National Bedminster due to the riot at the U.S. Capitol last Wednesday by some of the outgoing president’s supporters. An alternate venue has not been chosen yet. I hope it’s one in the New York metro area as Bedminster would have been.
2/4/21 UPDATE: The PGA announced their replacement last week, which I didn’t find out until this morning. It’s far removed from the New York metro area: Southern Hills Country Club in Tulsa, Oklahoma. They were originally scheduled to host the PGA in 2030, which means a new venue will have to be picked for then. The next major in the New York metro area will be the 2026 U.S. Open at Shinnecock Hills.
I’ll leave you with video and additional articles related to the final round of the 120th U.S. Open.
VIDEO:
John Pak finishes as low amateur
Final round top shots
Final round extended highlights
Bryson DeChambeau, every televised shot
2020 U.S. Open top shots
Every televised shot from DeChambeau’s victory (all rounds)
Trophy presentation
Press conference
Bryson with Todd Lewis on Live from the U.S. Open
Bryson with Todd Lewis on Morning Drive
ARTICLES:
Will Gray, Golf Channel: Bryson DeChambeau cruises to U.S. Open win for first major title
Michael Bamberger, Golf.com: Victory & Validation: Bryson DeChambeau won the U.S. Open on his own terms
Mike Dougherty, Rockland/Westchester Journal News: Bryson DeChambeau vindicated after dominant finish at Winged Foot
Bill Pennington, The New York Times: Bryson DeChambeau wins U.S. Open his way: in commanding fashion
Mark Cannizaro, New York Post: Bryson DeChambeau runs away with U.S. Open for first major title
Greg Logan, Newsday: Bryson DeChambeau powers his way to his first major at Winged Foot
1990s Debut Albums September 18, 2017
Posted by Mike C. in Jazz, Music, New Age.Tags: Bob James, Chuck Loeb, Craig Chaquico, Dave Koz, Down to the Bone, Fourplay, Harvey Mason, Jay Dobbins, Jefferson Starship, Ken Navarro, Lee Ritenour, Nathan East, Norman Brown, Starship, Steve Cole
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Note and links from the video description:
This episode was recorded in mid-July, a few weeks before guitarist Chuck Loeb passed away.
Chuck Loeb, “Life Colors” (1990): https://www.amazon.com/Life-Colors-Chuck-Loeb/dp/B000003DDE/
Dave Koz, “Dave Koz” (1990): https://www.amazon.com/Dave-Koz/dp/B000002UUL/
Dave’s website: http://davekoz.com/
Ken Navarro, “The River Flows” (1990): https://www.amazon.com/River-Flows-Ken-Navarro/dp/B000000JYI/
Ken’s website: http://www.kennavarro.com/
Fourplay, “Fourplay” (1991): https://www.amazon.com/Fourplay-FOURPLAY/dp/B000002LQ5/
Fourplay’s website: http://fourplayjazz.com/
Norman Brown, “Just Between Us” (1992): https://www.amazon.com/Just-Between-Us-Norman-Brown/dp/B000001AL7/
Norman’s website: http://normanbrown.com/
Craig Chaquico, “Acoustic Highway” (1993): https://www.amazon.com/Acoustic-Highway-Craig-Chaquico/dp/B00001NFR2/
Craig’s website: http://craigchaquico.com/
Down to the Bone, “From Manhattan to Staten” (1997): https://www.amazon.com/Manhattan-Staten-Down-Bone/dp/B000001YJZ/
DTTB website: http://www.downtothebone.com/
Steve Cole, “Stay Awhile” (1998): https://www.amazon.com/Stay-Awhile-Steve-Cole/dp/B0000062SV/
Steve’s website: http://stevecole.net/
Title music: “Wishing for Something” by Jay Dobbins, from “Anything for You” (2013): https://store.cdbaby.com/cd/jaydobbins