Instrumental Invasion, 3/30/22 March 31, 2022
Posted by Mike C. in Airchecks, Audio, Game Shows, History, Internet, Jazz, Media, Music, Personal, Photography, Radio, TV, Video.add a comment

The March 30 Instrumental Invasion on WCWP marked two years since my Wednesday night premiere. The show was recorded one hour per day on February 5 and 6 with a pickup on the 7th.
The playlist was created on February 3 and annotated on the 4th. The script was drafted on the morning of the 5th.
As on the first anniversary show last year, the first hour format was 1984 and earlier, with songs released between 1963 and 1980, and the second hour format was 1985 to ’95, with songs running the gamut.
The talk breaks for the first two segments were wordy enough that I resorted to short liners and had to hurry the third talk break of the second segment, removing tidbits about Wes Montgomery‘s Goin’ Out of My Head album. The other four segments required padding with extra liners, starting songs after a talk break, or fading them up (not out) early.
“Feels So Good” by Chuck Mangione finally aired in its entirety after getting cut off by automation in the first show.
“Give It One” by Maynard Ferguson led off the show, as I had bought a compilation CD of Maynard’s three M.F. Horn studio albums days before recording. I’ve been aware of the song since I downloaded an MP3 in the mid 2000s upon learning it was used as the theme to the 1974 pilot episodes of Wheel of Fortune. I incorrectly thought it was made for the show. The first part of the song reminds me an interchange on I-95 in Miami because I was looking at a photo of it while listening. When my travels took me past what’s known as the Midtown Interchange in March 2019, I took a photo of my own:

Thanks to a video slideshow I made for my family of the trip, including my cousin’s wedding, the new photo also makes me think of “Gods of Brazil” by Alison Brown. And speaking of Brazil, I was glad to talk about Iguazu Falls after playing the misspelled “Iguassu Falls” by Jeff Lorber.
Getting back to “Give It One,” trumpeter Eric Miyashiro, once part of Maynard’s big band, posted a great arrangement on YouTube back in October, featuring a solo by fellow Maynard alum Wayne Bergeron, then by him. Enjoy:
5/12 UPDATE: I learned in thanks to this interview with Eric that Maynard’s name was pronounced as it looks, not “may-nerd.”
As for the second anniversary edition of Instrumental Invasion, click here to download the aircheck MP3 or listen below:
Guest reading at my old elementary school: Year 6 March 4, 2022
Posted by Mike C. in Airchecks, Animation, Audio, Books, Education, Internet, Jazz, Media, Music, Personal, Photography, Radio, TV, Video.1 comment so far
Other guest reading posts: 2015, 2016, 2017, 2018, 2020
I returned to Leo F. Giblyn School in Freeport on Wednesday for Guest Reader Day, what they call National Read Across America Day. It was my sixth appearance as a guest reader (and photographer) and my first time inside Giblyn in exactly two years, a week and a half before the COVID-19 pandemic shut down anything and everything, taking education virtual. I had an opportunity to read virtually last year, a hybrid learning year (half a classroom’s students in person, half online), but I couldn’t get the pass code to log in.
It was so great to be back, and the faculty and students were glad I was back. This was the first year with Amy Lederer as principal, moving up from assistant principal following Amanda Muldowney’s retirement.
After photographing one guest reader, Ms. Lederer had me photograph the Freeport High School students who read to classrooms before I arrived at 11AM. I then mingled with my mother Lisa, a teaching assistant at Giblyn since I was in 4th grade there, and other faculty. Before photographing three more readers, Stephanie Huggard informed me which classrooms I would be reading to and when: 1:00, 1:55, and 3:00. I ended up reading to one more class after the third. The books I read were (teachers in parentheses):
- I Wanna Iguana by Karen Kaufman Orloff (Suehanne Sueffront, Wendy Connelly)
- Horton Hears a Who! by Dr. Seuss (Meghan Carney)
- No Lie, I Acted Like a Beast! by Nancy Loewen (Emmy Nicholas)
- What Makes a Rainbow? by Betty Schwartz (Francie Jonza)
Mrs. Connelly prompted me to tell Mrs. Souffront’s class about my WCWP radio show, which led me to promote that night’s 100th Instrumental Invasion, to share that I will be inducted into the WCWP Hall of Fame on June 11 in the Great Hall at LIU Post, and to view my website and YouTube channel. We listened to part of the aircheck from last Wednesday’s show and watched some of the video of my live Homecoming Weekend show in 2019. It was a lot of fun, especially using the large touchscreen monitor to scroll up or push buttons. I felt like a weatherman.
Reading Horton to Mrs. Carney’s class was quite a workout, as I did the voices from the 1970 TV special while reading. My radio show and accomplishments came up again, and we talked about animation and voice-overs. The kids in all classes loved my performances and had many questions that I was happily answered. It was challenging to read the non-Dr. Seuss books cold (site unseen), but still fun. Before I read to Mrs. Nicholas’s class, I stopped in Mrs. Jonza’s room, and we agreed I’d read to her kindergartners when I was finished upstairs. The only class where we didn’t visit my website and listen to last Wednesday’s aircheck was in Mrs. Carney’s. Mrs. Jonza’s students loved the sound of “Feel It Comin’” by Grover Washington, Jr. when I played part of last Wednesday’s full aircheck. (Unedited airchecks for every week of Instrumental Invasion are available for download here.)
As I was talking to Mrs. Carney’s students about myself, Lori Downing came in to read Clovis Keeps His Cool by Katelyn Aronson. Mrs. Downing was a reading teacher at Giblyn until her retirement in 2020. I was pleasantly surprised to learn earlier in the day that she would be a guest reader, but this was the only room I was able to watch her read in.
Thank you, again, to everyone I interacted with on Wednesday. Special thanks to Anita Stevenson. Mrs. Stevenson has been highly supportive me through the years and yesterday was no exception. My photo with her is included in this year’s collage of select photos from the classes I read to:

I don’t want to limit our photo to the collage. Here it is in full:

Thanks again.
Instrumental Invasion, 3/2/22: Show 100! March 3, 2022
Posted by Mike C. in Airchecks, Audio, Basketball, Film, Internet, Jazz, Media, Music, Personal, Radio, Rock, Sports, Video.add a comment

The March 2 Instrumental Invasion on WCWP was the 100th Wednesday night show! It was recorded on January 10 (four segments) and 11 (two segments). A pickup was recorded on the 12th.
The playlist was created on January 8, annotated on the 9th, and the script was drafted on the 10th before recording.
With the LIU Sharks men’s basketball team in the NEC (Northeast Conference) tournament, I had to prepare for the possibility of the show getting bumped back a week. Not only would that mean realignment of the six shows that followed, but I had to redub any references to March 2 in the 100th show. Here’s a compilation of those dubs:
My worries were for nothing and those dubs went unused. Yes, the Sharks’ quarterfinal against Sacred Heart University was at 7:00, but I was told the show would be joined in progress after coverage concluded. However, listening to the stream around 7:30 and 8:00, I noticed The Rock Show was running as scheduled. Apparently, the game – which the Sharks won – wasn’t going to be streamed. The 100th Instrumental Invasion aired in its entirety, as you’ll hear (scoped) below. (7:15 PM UPDATE: The game was not broadcast because of a telecommunications issue which should be resolved by Saturday for the semifinal game against Wagner College.) (3/6 UPDATE: They lost.)
The format for this milestone show – as I said on the air, I couldn’t have imagined this when I volunteered to record shows to fill airtime – is the same as the one last March 24. This was only the second show without a David Benoit song, but there was plenty of Jeff Lorber to go around.
Starting with this show, I don’t say “on 88.1 FM and WCWP.org” at the top of hour 2. The legal ID has run without fail every week but the first, so it’s unnecessarily redundant. It took me 99 shows to figure that out, including the shows where I said “on WCWP Brookville.”
Three songs were played for the second time as they were singles when making the playlist (first time in parentheses):
- “People Power” by Al DeGregoris (September 16, 2020 [show accidentally replayed the following week])
- “Lunchbox” by Marion Meadows (June 30, 2021)
- “March Forth” by Bill Heller (October 20, 2021)
I had the reverb shout for “People Power” in mind since hearing the song on SiriusXM’s Watercolors. I’d been meaning to play “Lunchbox” for a few weeks, but kept forgetting to include it. I learned “March Forth” would be the next single from Passage through Bill himself.
I was inspired to play the Jeff Lorber Fusion cover of “King Kong” after seeing Zappa, the Frank Zappa documentary mostly culled from his personal archives, on Hulu on Christmas Eve. I knew that Jean-Luc Ponty was part of The Mothers of Invention and post-Mothers ensembles, but I was surprised how many others were associated with Zappa, including one other performer on the JLF cover: Vinnie Colaiuta. Still another Zappa alumnus to play on the cover was Ed Mann.
I mentioned after “Sooki Sooki” by Gerald Albright that I saw his daughter Selina, who sang background vocals, at the Tilles Center in December 2017 as part of Dave Koz‘s 20th Anniversary Christmas Tour. Here’s a recap. Tilles is a short walk from WCWP’s Abrams Communications Building.
The last talk break was a pain to record because there was too much to say and too little time. It’s just as well since Hudson‘s cover of “Wait Until Tomorrow” started slowly fading out in its last minute. Plus, I didn’t get any sleep the night before, an occasional nuisance.
Click here to download the aircheck MP3 or listen below:
As you’ll hear, I included promos for WCWP-FM 57th anniversary programming to air before my show on March 16.
Smooth Jazz for Scholars 2022 dates/lineup February 22, 2022
Posted by Mike C. in Jazz, Music, Personal, Video.add a comment

Keyboardist Jay Rowe shared wonderful news on Monday night: Smooth Jazz for Scholars is back!
Two of the three featured musicians on Friday, April 29 – Peter White and Nelson Rangell – would have been featured on the Friday in 2020. Jeff Kashiwa was originally slated for 2020’s Saturday show. Nelson grew his hair out during the pandemic, but it’s back to the length you saw in the billboard. Marcus Anderson will be making his Smooth Jazz for Scholars debut.
Brian Simpson and Marion Meadows were present in 2019. Who would have thought that would be the last SJFS for Nick Colionne and Rohn Lawrence? Nick passed away last month, on New Year’s Day, and Rohn died two days earlier, on December 30. Here is Rohn’s guitar solo on the first night in 2019 during Marion’s cover of “No Rhyme, No Reason”:
I was also reminded I took a photo of Nick and Rohn together during the last song of 2016’s second night:

Rest in power.
Repeating the information about this year’s Smooth Jazz for Scholars:
Friday, April 29
Peter White
Nelson Rangell
Marion Meadows
Saturday, April 30
Brian Simpson
Jeff Kashiwa
Marcus Anderson
Jay Rowe will be featured on both nights.
Location:
Veterans Memorial Auditorium in the Parsons Government Center
70 W. River St.
Milford, CT 06460
Tickets: $45 for one night, $75 for both nights
Please specify which night for single night purchases.
2020 tickets will be honored.
Proof of vaccination is required and masks must be worn.
Funds can be sent to Jay electronically:
PayPal: funhouse63@aol.com
Venmo: John-Rowe-43
Cash App: $Jayrowe
Or by check:
Jay Rowe
78 Hillside Ave.
Milford, CT 06460
As usual, I’ll end this post with recaps of the first and second nights in 2019, the 17th annual Smooth Jazz for Scholars. The 18th will definitely be worth the wait. See you there!
4/30 UPDATE: Brian Simpson had to back out of the second night. He was replaced with Alex Bugnon.

Instrumental Invasion, 1/12/22 January 13, 2022
Posted by Mike C. in Airchecks, Animation, Art, Audio, Comedy, History, Internet, Jazz, Media, Music, News, Personal, Philanthropy, Radio, TV, Video.add a comment

NOTE: This post concludes with remarks on the passing of Bob Saget.
The January 12 Instrumental Invasion on WCWP was recorded from November 23 to 25, 2021. The first segment was recorded on the 23rd, the next three on the 24th, and the last two on the 25th, Thanksgiving. Pickups were recorded on the 25th, 27th, and 28th, with an additional pickup on December 14 to accommodate a shortened final segment. The other five had no wiggle room and remained 18:30 in length.
The playlist was created on November 21 and annotated on the 22nd, followed by the script draft.
I had South America, particularly Brazil, on my mind after watching a documentary on Disney+ called Walt & El Grupo about Walt Disney’s 1941 trip, with a group of studio artists, to South America. Then, I watched the two films inspired by the trip: Saludos Amigos and The Three Caballeros. The combination of watching those and listening to a DAT transfer of an extended of “Life is Like a Samba” by David Benoit, which was on a 7″ EP, are the reason I played the album version of the aforementioned song, “Cabana Carioca” by Spyro Gyra, and Cedar Walton‘s cover of “Aquarela do Brasil,” a.k.a. “Brazil.” And while determining how to pronounce vocalist Jerri Bocchino’s last name, since she sang the “Life is Like…” refrain, I was led to her website where she goes by Jerri Bo Keno. That’s how: “bo keno.”
I continued my tradition of playing a different version of a song I played the week before. Last week, I played the original Nelson Rangell version of “Dancing with Ivy,” and this week, it was the song’s writer Jay Rowe‘s version on his debut album, A Dream I Had.
“Wayman” by Steve Cole, “Still In Love” by Marc Antoine, and “Just Can’t Resist” by Oli Silk were all played for the second time. The first two were singles at the time of recording while the third song, like “Chrome Explosion” last week, was used to fill out the segment.
This was the second week in a row where the first song of the show was from 1979 and by a guitarist, and where the third song was by The Crusaders.
I was unaware of bassist Will Lee‘s Uncle Will nickname until an Instagram post by Bob Saget on October 28. I first used it on the Christmas show a few weeks ago. The reason for this anecdote is the unexpected passing of Bob this past Sunday. I saw a post by him that morning, thinking nothing of it, and was blindsided when I saw this post from actress Khrystyne Haje at the top of my feed around 8PM. I was ready to go to sleep, but couldn’t for about two hours. How could I with shocking news rattling around my brain? How could anyone, especially those that knew him personally?
Bob’s media friends, like Rich Eisen, suggested fans donate to the Scleroderma Research Foundation in his honor. Bob became involved with SRF after the disease took the life of his sister Gay. I made a donation before airtime last night, and I’m happy to report that thousands more have done the same.
As for last night’s show, click here to download the aircheck MP3 or listen below:
Instrumental Invasion, 12/22/21: Christmas December 23, 2021
Posted by Mike C. in Airchecks, Audio, Christmas, Country, Internet, Jazz, Media, Music, New Age, Personal, Radio, Video, Video Games.add a comment

The December 22 Instrumental Invasion on WCWP was recorded from home on November 4 (four segments) and 5 (two segments and pickups) with the denoise filter applied to all talk breaks. Additional pickups were recorded on November 23 and December 13, both without the denoise filter and the latter while shortening four segments. It was recommended on the 13th that I make 18-minute segments. Between this week and January 26, I’ve shortened any segments that were padded by liners or songs that don’t start with a talk-up. The first show with 18-minute segments in mind will be February 2, 2/2/22. Wait till you hear what I have in store.
The playlist for the Christmas show was created and annotated on November 3.
Like last year, the show included two songs each by David Benoit and Mannheim Steamroller, but also two versions of “Carol of the Bells” (1 1/2 last year) and “Jingle Bells.” One of those versions was Jay Rowe‘s that I referenced last year. This year, a slightly longer version was included on Jay’s new album, Ho! Ho! Ho! Merry Christmas, from Jay Rowe. The November 23 pickup came after Jay announced the album’s release on Facebook. Here’s the original single version, not the album version that aired:
I was glad to reference Roy’s poem in Game Dave‘s video posted exactly a year before the show aired:
Roy’s portion is about 8:20 in.
Click here to download the aircheck MP3 or listen below:
Merry Christmas!
Instrumental Invasion, 12/15/21 December 16, 2021
Posted by Mike C. in Airchecks, Animation, Audio, Comedy, Internet, Jazz, Media, Music, Personal, Radio, Rock, Technology, TV, Video.add a comment

The December 15 Instrumental Invasion on WCWP was recorded its entirety at my remote location on November 1, immediately after annotating the playlist and drafting the script. The playlist was created the day before, on Halloween (October 31). It’s the fastest turnaround from creation to completion since the July 14 show, which was created, annotated, and script drafted on June 2, and recorded on the 3rd.
To play it safe, I applied the denoise filter to all talk breaks, except for the pickup I recorded from home which is the first time I noticed how echoey my room is.
Back at home, I was a few days into re-digitizing my DAT and analog cassette recordings of The Mike Chimeri Show on WebRadio WCWP and the original The Instrumental Invasion on WGBB. Those shows were fresh on my mind during recording, as was Full House, a show from my youth, which I was four seasons into on HBO Max. Hence, “you got it, dude!,” and allusions to my early radio shows and its lead-ins: Jay Mirabile (2001-02) and Ryan Grabow (2003). It’s too bad that the stock laugh that The Nanny ran into the ground – as noted in the October 27 post – was used first by Full House starting in season 7. That laugh again:
Torture.
For the second time in the last four weeks, I swapped out the 1984 and earlier segment for an extra 2017 to present. I also opted to list release dates for 2021 releases instead of billing them as “all-2021 segments,” which I’ve overdone. One of the 2021 songs was the Delvon Lamarr Organ Trio‘s cover of “Careless Whisper” by George Michael. Bill McClintock did a great mashup that combines the backing track to George’s version with the vocals from “Love Gun” by KISS. Watch:
This was the second week in a row with a song from David Benoit‘s album, Here’s to You, Charlie Brown: Great Years! This time, I cited the accompanying TV special, which was the last Peanuts special on CBS before ABC took over broadcasting rights. What I didn’t mention is rights now belong to Apple TV+ and PBS.
As for the December 15 Instrumental Invasion, click here to download the aircheck MP3 or listen below:
Festival of Games recap December 13, 2021
Posted by Mike C. in Animation, Aviation, Christmas, History, Internet, Media, Personal, Photography, Travel, TV, Video, Video Games, Weather.add a comment

Saturday, for the first time in two years and four months, I made the pilgrimage to the Cradle of Aviation Museum along Museum Row in East Garden City. The event was Festival of Games, spun off from the Long Island Retro Gaming Expo. The main expo returns next August, but video games were calling for me. So, I bought a ticket to the Festival on November 23.
My plan Saturday was to attend for two to three hours, walking through the vendor hall, free play zones, and ticketed arcade zone. (Patrons were given a ticket with their wristband at the front desk.) If any arcade games caught my eye, I’d play them. Then, I’d go back to the vendor hall and pick up games. I followed that plan to the letter upon my arrival just after 12:30. Here are the photos:























A R.O.B. quintet “dances” to Christmas music. 







Computer Space is celebrating its 50th anniversary this month (and last month)! 









Ah, Tetris. As I noted in my recap of the 2019 LI Retro (the expo’s preferred shorthand, rather than LIRGE), I have fond memories of playing the Tetris arcade game at Kutsher’s Hotel and Country Club in March 1995. It was the third of four years in a row of weekend retreats with my fellow congregants of Union Reform Temple. We went to Kutsher’s in ’95 and January ’96, and prior to that, the Nevele Grand Hotel in January ’93 and ’94. Sadly, URT and the two resorts are now defunct. 







The next arcade machine I played was Street Fighter II. I picked up where the previous players left off, but didn’t realize they were in two-player mode until I had my way as Guile with Dhalsim. 

After this, one-player mode kicked in and I was summarily defeated by Ryu, despite somehow winning round 2. 



I am better with the NES port of Donkey Kong Jr. than with the arcade original. 
“Body blow! Body blow!” 
Out of privacy, I chose to remove the boy’s face from this photo. 




I’d heard about Rolling Thunder, but never played it until Saturday. Again, I didn’t get far. 


After that, I gave Double Dragon a go. Yet again, I didn’t get far, but it was far enough for me. 


I could not get a handle on Arkanoid, nor am I the best at its spiritual sibling Breakout. I’m great at Alleyway on Game Boy. 

NFL Blitz isn’t the same off N64. 







Last but not least, another game I saw in the arcade room at Kutsher’s: NARC.
I didn’t play NARC then (or now), but I videotaped two of my friends playing, per these vidcaps (12/27 UPDATE: I upscaled the vidcaps with Bigjpg):



I left this out of the stacked gallery, but one of the free play TVs was connected to a Famicom Disk System, which ran a festive program:


Back at the vendor hall, I picked up 33 games for various consoles. I don’t remember what I bought from which vendor, but the business cards show they were Geek Guilt, Flashback Gaming, The SemiCollector, and Joega’s Comic Chaos. When greeting one of the vendors, I inadvertently said “hello” like Sheldon Cooper, Jim Parsons‘ character from The Big Bang Theory (and Iain Armitage‘s from Young Sheldon). Noticing, I repeated and got a laugh. As I edited Saturday’s photos, I noticed I missed a couple of vendors over the course of my shopping spree. Oh, well.
As I shopped, I checked my video game collection Word document to make sure I didn’t buy a game I already had. I didn’t.
While waiting for a ride home, I photographed my haul:

Once I got home, I photographed my pickups by console.
Going chronologically, I picked up 15 NES games:

Five for Sega Master System:

Three on Game Boy:

Two for Super Nintendo:

One for Super Famicom!:

Two for Sega Genesis:

One for Sony PlayStation:

One for Nintendo 64 (N64):

Two for PlayStation 3:


And one for Nintendo Switch:

In writing, the games were:
Nintendo Entertainment System:
- Balloon Fight
- Cobra Triangle
- Fester’s Quest
- Freedom Force
- Gauntlet II
- Golgo 13: Top Secret Episode
- Hogan’s Alley
- Kabuki: Quantum Fighter
- The Legend of Zelda
- Mickey Mousecapade
- Rambo
- RoboCop
- Section Z
- StarTropics
- Wrath of the Black Manta
Sega Master System:
Game Boy:
Super Nintendo Entertainment System/Super Famicom*:
Sega Genesis:
PlayStation:
Nintendo 64:
PlayStation 3:
Xbox 360:
Nintendo Switch:
Thank you to LI Retro for an enjoyable Festival of Games. I’ll see you in August.
Instrumental Invasion, 12/1/21 December 2, 2021
Posted by Mike C. in Airchecks, Audio, History, Internet, Jazz, Media, Music, Personal, Photography, Radio, Technology, Travel, Video.add a comment

The December 1 Instrumental Invasion on WCWP was recorded one hour per day on October 10 and 11.
The playlist was created and annotated on October 9 while the script was drafted before recording on the 10th.
I chose to take the next two weeks off to focus on covering WCWP’s Homecoming Weekend and then to unwind, but was pressed into service on October 21 after an additional underwriting spot at the top of each hour necessitated shortening segments to 18:30, and also picking up where I took out a liner. The first segment couldn’t be shortened.
This is the first show with a new thumbnail, after updating my profile photo on my various platforms last Saturday. I took the photo on a GoPro Hero 7 attached to a 10″ flexible tripod. I held a tripod leg with my right hand while taking the photo in an iPhone app with my left hand. It was time-consuming adapting the photo to the show banner, and then updating thumbnails for all completed shows recorded to date, but the end results were worth it, even if the image is darker without a flash.
I led off the show with “Unisphere” by The Dave Brubeck Quartet because I had purchased their Time Changes album – an ironic title, considering my later circumstance – after watching video of a live performance on Dave’s Facebook page:
The song was inspired by the steel structure that served as the theme symbol to the 1964-65 New York World’s Fair. As noted on the air, I saw the Unisphere firsthand back in July 2017:

This is the documentary I spoke of, After the Fair:
I saw The Rippingtons live at My Father’s Place in Roslyn in March 2019, the night before Open Road was released. Their set included “Tangerine Skyline.”
I made up for last week’s mistake by including “Watch Your Step” by Chris Geith in the second hour’s second segment.
Click here to download this show’s aircheck MP3 or listen below:
Audiobooking 7 March 26, 2022
Posted by Mike C. in Animation, Audio, Audiobooks, Baseball, Books, Comedy, Commentary, Drama, Film, Football, Health, History, Internet, Media, Music, News, Personal, Politics, Radio, Rock, Sports, TV, Video, War, Wrestling.2 comments
Another year of audiobook listening is in the books. I’m still an Audible member and use each month’s credit on a new book, but throughout my membership, there will come a time where I pay $35.88 to buy three extra credits. I listened while exercising, running (or walking) errands, doing household tasks, and at bedtime.
I even listened to one book on YouTube rather than Audible. Find out which one as I list the audiobooks I listened to since last year’s Audiobooking post:
As I crafted this post, adding one book at a time, I had no idea how many books I had listened to: 34, plus three that I returned! That far exceeds the amount of books in earlier posts.
Until next year’s “Audiobooking” post, happy listening.