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Joe Falco documentary audio used in podcast September 11, 2020

Posted by Mike C. in Audio, Fire, History, Interviews, News, Podcast.
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On August 10, Scott Johnson contacted me requesting permission to the audio from the Joe Falco documentary that served as my college senior project. I graciously granted Scott permission to use it in an episode of his podcast, What Was That Like. The episode went up today, on September 11. Joe’s portion begins at around 18:05.

Here are relevant portions of the episode’s page:

Joe Falco was a New York City firefighter. He was working to save lives at the World Trade Center, and was injured when the buildings collapsed.

Thanks to Mike Chimeri for his permission to use the Joe Falco audio. Mike’s father, Bill, currently works as a volunteer with Joe Falco at the Freeport Fire Department Truck Company. Mike is the host of an instrumental music radio show on public radio station WCWP. You can check out his work at his website, MikeChimeri.com.

Thank you very much, Scott, for including the project in your podcast.

POSTSCRIPT: The project was created in fall 2003. Two years earlier, I wrote about my 9/11 experience in a portfolio summary for a broadcasting course. I posted that to my blog, along with an original follow-up, on the tenth anniversary.

UPLINK by LI Retro recap August 21, 2020

Posted by Mike C. in Art, Film, History, Internet, Interviews, Media, Personal, Technology, Video, Video Games.
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Long Island Retro Gaming Expo recaps: 2017, 2018, 2019

Since the early days of the COVID-19 pandemic, events have been canceled or postponed. The 2020 Long Island Retro Gaming Expo was no exception. In its place, the team behind the expo announced UPLINK by LI Retro, a convention held entirely online. They also announced that tickets for the 2020 LI Retro will be honored in 2021.

UPLINK ran August 8 and 9, the weekend intended for the expo. In the days leading up to it, I consulted the schedule to determine which panels I would attend remotely. Seven caught my eye.

Saturday, August 8
As UPLINK began, the cable remained out at my house, stemming from an outage that began around 7PM Wednesday, two hours before my radio show was to air. That meant until service was restored, I had to take part via 4G on my iPhone 11.

I only noticed one vendor in the exhibitor hall selling games and none that I was interested in. So, there won’t be any pickups at the end of the post.

Discord chat servers were set up on the right side of the main event page and on all panel pages.

My plan was to take notes during each panel and also take screencaps for private use and, if granted permission, a public blog post. (Obviously, I was permitted or you wouldn’t be reading this.)

The first panel I attended, at 10:30 AM, was Origins of the JRPG (Japanese role-playing game) with Jeremy Parish, co-host of the Retronauts podcast and host of the Video Works series, and Kurt Kalata of Hardcore Gaming 101:

The games discussed were:

Some of the above games were chronicled in a 2013 HG101 post.

Jeremy and Kurt concluded by answering questions from the chat and Twitter, discussing Kurt’s upcoming JRPG book, and opining on the Trials of Mana remake.

I screencapped the panel from the archive video once my cable service was restored.

My next panel wasn’t until 1:45 PM, which gave me time to retouch photo scans on my computer while listening to an episode of Gilbert Gottfried’s Amazing Colossal Podcast.

The 1:45 panel was a My Life in Gaming Q&A with channel creators Coury Carlson & Marc “Try4ce” (“Try” for short) Duddleson:

Minutes into the panel, the 4G service fell to one or two bars, making UPLINK impossible to watch live. I hoped to watch the panel archives once cable was restored, whenever that would be.

Having given up, I turned on my TV to watch a film on Blu-ray. A strange thing greeted me: a message on the top right corner of the screen. Those only come if there’s a Wi-Fi connection. I walked into the guest room to check the cable modem. There were three solid lights! Not one solid and one blinking! The cable was back! My UPLINK weekend was back on!

Here are the notes I compiled while watching the archive:

The panel is available to watch on the My Life in Gaming YouTube channel:

I had a pair of primetime panels, but first, dinner and shows on my DVR that I missed while the cable was out.

At 7PM, there was a roundtable discussion moderated by Dom Delledera of the It’s All Fun and Games YouTube channel, with Metal Jesus Rocks & Friends: Metal Jesus, a.k.a. Jason Lindsey, The Immortal John Hancock, John Riggs, and Kelsey Lewin:

Due to technical problems, Riggs was a few minutes late.

Dom is on the top left, John Hancock is top center, Jason is top right, Kelsey is on the bottom left, and John Riggs on the bottom right.

Metal Jesus and his friends are based in Washington State. Jason and Kelsey both live in the Seattle area, Riggs is in Yakima, and Hancock is based on Longview.

For this and subsequent panels in the recap, if a remark is not in quotation marks, it is not verbatim.

  • How has everyone been during the pandemic?
  • Kelsey noted how game prices were affected by the pandemic
  • Games that Jason and Riggs have been looking for
  • Jason has been buying PlayStation 3 games at various GameStop locations. He suggested collectors pick up games for PS3, Xbox 360, Wii, and Wii U.
  • Hancock is currently collecting retro computer games and pursuing Nintendo Switch games.
  • Riggs hasn’t been pursuing games due to the pandemic. His area is only at Phase 1. He’s fortunate to have an enormous backlog.
  • Kelsey and Jason have started cataloging more often.
  • Hancock went over his YouTube channel‘s recent videos, including The Many Ports of Joust, from Atari to Xbox.
  • Riggs talked about recent videos on his channel.
  • The conversation turned to preservation.
  • Jason is a fan of really bad movies, such as Chopping Mall.
  • All media has value, Jason said, whether it’s good or bad.
  • Every game is someone’s favorite game, said Riggs.
  • Hancock believes we need to consider obscurities.
  • The current generation of games is difficult to preserve.
  • Preserving mobile games: Jason preserved some of them on his iPhone 6
  • Hancock lamented that we’re moving from an ownership model to a service model, and that’s concerning.
  • Kelsey noted this has been a problem since the original Xbox.
  • It’s not just archiving games, Jason explained, but also servers.
  • Riggs bought NES games cheap during liquidation sales in the late 1990s. Examples: Bucky O’Hare for $4 and Contra Force for $6.
  • Hancock used to get lots of games in a flea market with only $20 to $40 on him. He’s still finding deals at flea markets: a PS3 controller for $3, a Move controller for $5.
  • Kelsey noted the economy of retro game collecting has changed so much in the last decade.
  • Ever had to spend more than you wanted? For Jason, it was SSI gold box games and Neverwinter Nights. Kelsey spent more than she’d have wanted on Mama Mitte, a pregnancy tracker for the Bandai WonderSwan: $3,200. John Hancock’s big purchase was Magical Chase for the TurboGrafx-16: about $2,000 on a payment plan. John Riggs found The Flintstones: Surprise at Dinosaur Peak for NES (Nintendo Entertainment System) from Chile for only $200.
  • The rarest game in Hancock’s collection that he never gets to talk about is the Microsoft BASIC programming cartridge for the Mattel Intellivision. Jason’s rarest game is a DS cartridge for horse race betting.
  • Kelsey asked if anyone had anything rare outside of games. Jason has CDs that there’s only one copy of, such as a demo tape at a Nevermore signing by an album producer who also produced Queen. Hancock is an all-in guy; just games. Riggs has old cereal boxes. And Kelsey collected Nintendo toys from before they made video games.
  • Hancock and Riggs listed the games that their children play. Riggs’s 12-year-old son, who is autistic (I’m also on the spectrum), loves Clubhouse Games for the Switch.
  • What plans do they have for their collections at end of their lives? Hancock has a non-profit formed and is working on a museum. He never intended to keep his collection. Kelsey’s collection is committed to the Video Game History Foundation, where she is a co-director. (More on that in the VGHF panel later in this post.) Riggs has been piecing out his collection, selling some games at conventions.
  • What have you given up looking for? John Hancock gave up Neo Geo AES carts, prototypes, signage, and kiosks. Jason’s through looking for arcade machines. For Kelsey, Bandai WonderSwan store displays and WonderSwan “booth babe” outfits. She does have an inflatable WonderSwan balloon. Riggs has given up on the Ultimate Journey NES prototype.
  • Jason hoped he’d find more 64DD development disks, after previously finding a 64DD, but no one came forward.
  • In closing, Dom asked if Jason had a hidden gem. He chose Skyrim VR. It’s not really a hidden gem, but it’s the first thing that came to mind.

Immediately after the MJR panel, I jumped to the Fireside Chat with David Murray, The 8-Bit Guy, moderated by George Portugal:

  • The Tech from Texas series (part 2)
  • New backyard workshop in backyard to be built over the next 3 to 4 months – will be able to work on projects more efficiently
  • David keeps retro hardware in his attic. There’s little room for it elsewhere in the house.
  • He won’t be moving his office into the workshop.
  • The DFW (Dallas-Fort Worth) retro computer community – used to have regular quarterly meetings – everyone would bring something – active Facebook group
  • David doesn’t ask for donations anymore because he can just borrow a given item from the community.
  • The Commander X16 project is 99% complete. He hasn’t been involved much in current development. Everything is working on the board except for the video chip. If it were booting now, he would start the Kickstarter campaign. He needs a functioning prototype first. He expects the Kickstarter to launch in the fall. Some people could have an X16 by Christmas. Christian Simpson, a.k.a. Perifractic, is doing the manual.
  • David talked about his various series on manufacturers – Commodore, Tandy, Sinclair – and took future episode suggestions.
  • He reacted in agreement to my Discord chat post: “You can’t please everyone.”
  • The worst videos to make are the ones that never got finished.
  • David gave an update on the Commodore series DVD (or Blu-ray). He’s waiting to finish it with a video on the Amiga line. He doesn’t know much about it outside of the 500, and is communicating with experts for help.
  • He will also need help in scripting the TRS-80 series video.
  • Are there YouTube channels David enjoys or watches? There are two he subscribes to: LGR (Lazy Game Reviews), run by Clint Basinger, and Techmoan, run by Mat Taylor. He also watches Perifractic and electric car-related channels. He has heard of and talked to the Nostalgia Nerd. He’s seen Technology Connections videos, but hasn’t talked to Alec. He likely won’t meet Mat since he doesn’t travel or do conventions.
  • David keeps a running list, in spreadsheet form, of topics he wants to cover.
  • His favorite video is the history of the Commodore VIC-20, which was his first computer. He also likes the two-part VIC-20 restoration video (part 1, part 2), which each got over a million views.
  • Are you PC or Mac? David is both, but edits on a Mac.
  • He hardly has time for games unless it’s for the purpose of a video. When there is time, he’ll play StarCraft, Duke Nukem 3D, and his own game, Planet X3.
  • Will there be a Planet X4? David says maybe. He’s working on something similar that’s closer to SimCity and M.U.L.E.. Whatever the next game is, he wants it to work on all Commodore systems. He’ll code it on the PET.
  • David likes programming constraints.
  • He might be getting a THEVIC20 mini console to review.
  • He has no desire to port Planet X2 to Atari 8-bit computers.
  • David owns all the equipment to do a video on Family BASIC for Famicom, which was donated to him recently. He’ll need help, though.
  • His favorite Commodore 64 games are the Ultima series, Master of the Lamps, M.U.L.E., Ghostbusters, Action Biker, Spy vs. Spy, Maniac Mansion, and Zak McCracken and the Alien Mindbenders.
  • David went on Richard Garriott‘s property for the Austin episode of Tech from Texas, speaking to Richard about that earlier in the year. Richard was in France at the time, and would have come back, but when the pandemic struck, he stayed in France. Instead, David was shown around the property by former Origin Systems employee Scott Jones and former Portalarium employee Edward Vitralis.
  • David’s least favorite computer that he reviewed are the Advantech I.Q. Unlimited by V-Tech and the Timex Sinclair 1000. His least favorite that he restored was the Osborne (part 1, part 2, part 3).
  • His favorite current computer storage medium is SD card; retro is 3.5″ floppy.
  • Are UV lights the best approach to retrobriting vs. the sun? David still prefers to use the sun, if available because it’s much faster.
  • David’s wife and daugther don’t help much with videos. His wife was camera operator in Austin, and his daughter handled that in Houston.
  • He talked about his appearance in a recent Krazy Ken’s Tech Talk video. It was recorded last year, and he forgot he even said what he did in the video.
  • David lamented that he couldn’t come to Long Island this year. He had a speech planned on the demo scene, which would have been revamped from a previous speech at Portland Retro Gaming Expo (PRGE), which was also canceled this year. He doesn’t like the IMAX theater in the Cradle of Aviation Museum. You can’t see the audience when the lights are dimmed. The projection on the IMAX screen is curved. Everyone is up above.
  • Hopefully, in person next year.

That was the last of my Saturday panels. I finished watching a movie on Prime Video and went to sleep.

Sunday, August 9
My first panel of the day wasn’t until 12:15 PM. Of the three panels I planned on watching, two conflicted with each other. So, I opted to watch one live and the other later.

The 12:15 panel was the Retro Roundtable hosted by Bob Neal of RetroRGB (top left), with Ste Kulov (top center) and Nick Mueller (bottom center) of HD Retrovision, Zach Henson, a.k.a. Voultar (top right), and René Richard (bottom right) of dB Electronics:

  • René wore a mask initially.
  • Bob was the only one to wear a t-shirt that says “Bob& Zach& René& Nick& Ste.”
  • What everyone’s been up to?
  • Bob, Ste, and Nick’s lives haven’t changed much. Zach’s has due to Kentucky small business regulations and government mandates. He had issues with the shipping system. At one point in the pandemic, items weren’t arriving on time, but “things are much better now.”
  • René said there was one COVID case in his town. Schools were shut down, and he worked from home for two months. René was eventually allowed back to his office, but with a mask, and he had to wash his hands after entering and before exiting. He quit Twitter about a year ago. René’s house got flooded, and he had to tear out the drywall. He hadn’t worked in the last few months, nor had he played any games during the post-flood restoration. He started playing games again two weeks ago.
  • Bob talked about the Sony BVM D32.
  • The last game Bob beat was The Legend of Zelda: Link’s Awakening for Nintendo Switch. He has been using the PlayStation 2 version of OutRun 2006 to test other games. It’s a really fun racing game, he said.
  • Ste learned how to machine aluminum, had a problem with a U.S.-based supplier – Nick clarified it was over Dreamcast cables – and he played Final Fantasy VII Remake.
  • Nick said it took three months to ship cables to a distributor in Switzerland via USPS.
  • Bob lamented his shipping woes.
  • The last game Zach played was also Link’s Awakening. Like Bob, he can look beyond the subtle frame rate issues.
  • Zach and Ste rented server space, at $9 a month, for games they love to play, such as Battlefield 2142. They soon hope to invite friends and viewers to play in the server. Ste noted it’s running now via OpenSpy. Zach said all Doom games are on the server.
  • Bob asked if you can up the frame rate on older PC games. Zach said yes. A game’s vertical refresh rate will sync to the refresh rate of your monitor.
  • There was talk of two PlayStation ODEs (optical disc emulators): CybDyn’s PSIO and the upcoming xStation by Robert Neumann. (Zach posted a video on the xStation the day before.) ODE loading speeds were compared to loading speeds on disc.
  • They talked about the MiSTer FPGA (field-programmable gate array).
  • René listed the flash carts he has.
  • Krikzz’s Mega EverDrive PRO vs. Terraonion’s Mega SD, two carts that can play Sega CD games and Virtua Racing for Genesis
  • The subject turned to personal non-retro projects: René built his own amplifier, which he showed off. It’s a 4-channel tube amp that he made back in about 2008. Unfortunately, there’s a pop sound when switching between high and low gain.
  • The issue of repro (reproduction cart) sellers was debated.
  • Zach promoted his cartridge patching and translation service.
  • Bob joked about a “guitar-off.” René’s been practicing guitar, improving his skill for the first time since 2012.
  • Bob went over his recording process.
  • The panel talked about the Analogue Pocket. Zach said their marketing is “disingenuously brilliant.” They praised Kevin Horton, a.k.a. Kevtris, who worked on previous Analogue consoles.
  • Zach plugged an upcoming video on Analogue.
  • What are their thoughts on mini consoles? Bob thinks they’re best for a nostalgia fix; Zach said they’re a fun novelty.
  • The panel universally praised 8BitDo products, then showed off controllers from 8BitDo, Krikzz, and Retro-Bit.
  • Ste and Nick gave an update on HD Retrovision.
  • There was a plug for the upcoming MLiG/John Linneman panel.

The Video Game History Foundation panel at 2PM was the one I chose not to watch live. I watched on Wednesday, taking the most comprehensive notes out of any panel I watched.

This panel was moderated by Jeremy Parish, co-host of the Retronauts podcast and host of the Video Works series, who I saw on Saturday morning in Origins of the JRPG. His guests where VGHF founder and co-director Frank Cifaldi and co-director Kelsey Lewin, who I saw in the Metal Jesus roundtable on Saturday night.

  • Jeremy first thought of doing a VGHF update during last year’s Long Island Retro Gaming Expo. He would have had a panel at the GDC (Game Developers Conference) in the spring, but “the whole world got sick.” (The GDC was rescheduled to a few days before UPLINK was also held virtually.) Jeremy was “glad that we can finally make it happen” at UPLINK.
  • Jeremy spoke to Frank, Steve Lin and Mike Mica about their starting VGHF three years ago during California Extreme.
  • Frank got into video game history through the video game industry, starting in the late ’90s as a video game journalist. His first entry to preserving video games was seeking out cartridge-based console games that weren’t yet preserved digitally. He was inspired by The Film Foundation, applying that line of thinking to video games. He started a website called Lost Levels, the first to focus on unreleased games. He talked to game developers. He worked Gamasutra and 1UP. Frank is also in game development, working for Digital Eclipse on their game compilations. He was the producer/director of the Mega Man Legacy Collection and SNK 40th Anniversary Collection. He also worked on Street Fighter 30th Anniversary Collection and The Disney Afternoon Collection. The Video Game History Foundation is the culmination of Frank’s preservation on the side. “‘That guy Frank’ should be more than me,” he said.
  • Kelsey started collecting and playing old games a decade ago. She was working at a retro video game store, Pink Gorilla Games, which she now owns with her husband Cody Spencer. She enjoyed researching old games and reaching out to developers. Like Frank, Kelsey was a frustrated historian. She discovered VGHF shortly about a month after their 2017 launch.
  • Frank noted that Kelsey pitched the idea of being a public relations representative for the foundation, but he declined. She didn’t go away, though, and started sending him things, showed up to all the meetings, helped organize museum displays at PRGE. Kelsey did a project for Game Informer, organizing volunteers to help digitize a collection of press kits, slides, press releases, and more. She did it for all five weeks. Kelsey’s a co-director because “she’s the real deal and she proved her worth by far.”
  • Jeremy’s Video Works series was inspired by Chrontendo.
  • Jeremy lamented the problem with being a completionist is always thinking there’s more to do. (I can attest to that.)
  • Frank: “The research is never done.”
  • Frank stumbled across the Video Game Update/Computer Entertainer newsletter and has most of the set scanned. It’s a great resource for Jeremy, proving “you can’t believe everything Nintendo says about its own library.” The newsletter was the only outlet that consistently covered console games from 1985 to 1988 when video game magazines came back or launched. In Frank’s words: “This is the only English-language review of Super Mario Bros. from when it came out. This is it.”
  • Frank’s passion isn’t completing video games; it’s completing information. He admitted he gets upset if missing an issue of a video game magazine.
  • VGHF’s focus isn’t on the games, but the context.
  • Kelsey’s WonderSwan pregnancy tracker, Mama Mitte, caught the attention of Tanita, who manufactured it. (They also manufactured the scale I’ve had since 1999.)
  • Kelsey said there are still things in Japan that are not well-documented, such as retail releases. She claimed we’re 99% done here, but there are still some holes in Japan.
  • Frank talked about archiving Where in North Dakota is Carmen Sandiego?, a mainline Carmen Sandiego game that became extremely rare. He interviewed teachers who worked on it and managed to archive a clean copy of the game (unsaved disks) and a game box.
  • Frank is trying to blanket cover English-language print media and assets that the media had.
  • Frank said a majority of video games were made by companies that no longer exist.
  • Speaking of the Nintendo Gigaleak, Jeremy said it showed there’s actually a company that obsessively preserved all the content about a game: betas, development documents, in-house messaging. That doesn’t happen often in Japan. Regardless, the way the leak came out was unfortunate.
  • Frank believes collecting game development source material is the best way to study a game. You have access to its source, and can tweak and rebuild it.
  • Frank said source code should be donated to libraries. The code is something that lives in a place where an historian can access it, study it, and start piecing together a narrative.
  • The thing that drives Jeremy is telling stories and piecing them together: how a game compares to what else was on the market, what it owes to other creations. The more information that VGHF can put out, the easier it becomes to tell those stories, to go beyond review of a game and piece together a timeline of video game history. As someone of his age, who can remember the time of the NES launch (he was 10, at the time), he can fill in gaps from his experience. You need as much raw material to work with as you can.
  • Kelsey noted you get little info from a game itself. One magazine doesn’t paint the entire story. She analogized handing someone Pokémon Red and thinking that’s the entire story, ignoring three to four years of PokéMania, as chronicled in a TIME cover story. (Here’s the cover.) You don’t get that from just handing someone a copy of game.
  • Frank helped on an EarthBound documentary with VGHF resources. He noticed patterns: almost every reviewer thought the graphics were objectively bad. “8-bit” came up a lot. The game was compared to Chrono Trigger. Reviewers were in a 3D reality at the time. Jeremy added that American console gamers didn’t have nostalgia for RPGs back then. Frank concluded there was no scenario where better marketing would have saved EarthBound.
  • Projecting the thoughts of the reviewers, Jeremy quipped: “[Battle Arena] Toshinden looks so much better than EarthBound. I bet it’s a much better game. It’s gonna be a timeless classic that people are still talking about in 20 years, and EarthBound, no one’s gonna remember that.”
  • How has the VGHF mission has evolved in three years?
  • In the early days, Frank envisioned the foundation as a vetted, digital repository of information. There’s a lot of work to be done to get there, though. The foundation still doesn’t have good intake system. The biggest change since founding is recognizing things only they can do and what others can do. They will use resources to go out and seek things like video game source code from developers that trust them. They will not turn source material into gossip. Most resources are spent communicating, building bridges and organizing as opposed to actual archival work. Kelsey said it’s a matter of resources and dealing with volatile media. They’re currently focused on advocacy, building a premise of a world where people can study video games more easily. She talked to someone who came into Pink Gorilla that worked in the video game industry. The person had old builds that he considered “microwav[ing],” wondering “who’s gonna care about this game?” Kelsey concluded, “we don’t get to decide what becomes historically important later.”
  • Jeremy has found through hunting down Japanese game developers that worked on classic games 30 years ago that “people are often a very poor judge of the merit of their own work.” Some overvalue their work, others work for hire. It never occurs to them that the games mean something to people on the other side of the planet who will want to learn more about them. He continued you have to get over the barrier of humility, establish a sense of trust. It’s hard to get across, but essential if you can.
  • Frank recalled how in 2017, VGHF published an article breaking down Disney’s Aladdin on Sega Genesis: how it was made, the tools that was used, the animation process, and cut content. It was a very respectful long article. Thanks to the article, Disney and Digital Eclipse made Disney Classic Games: Aladdin and The Lion King. They used source code from the archives to make a new version of the Genesis Aladdin game that’s on the compilation. Speaking of advocacy, Frank said “if we’re able to demonstrate our vision in a respectable way, … we start working with companies and archiving this stuff more often.”
  • What would you most like to accomplish five years from now? Speaking “for both of us,” Kelsey replied getting the source code initiative off the ground. There are legal hurdles. They don’t have legal precedent for putting source code online unless it’s open source. The first step is to be able to have that accessible in the library.
  • Before formalizing VGHF, Frank visited the Library of Congress’s film archives, which is also where video game archives are. He spent time with librarians who run that, and came to understand the function they serve. LOC has master film reels; companies get prints for remasters. “This should exist for video games.” He wants it to become commonplace where source code is accessible to people, especially abandoned source code. It should be normal, in the archives of any kind, and accessible to people.
  • Kelsey said it’s great to have original art and development documents archived in a way that’s accessible to people.
  • Frank lamented that no video game publisher can justify any labor for allowing access. Time is money. It doesn’t make sense for a for-profit company. Jeremy added that profit motivation is the biggest challenge to preserving video game history. Games that are safe bets are republished constantly – such as Super Mario World – while esoteric games are in rights limbo.
  • How does the foundation’s work apply to MMOs (massively multiplayer online games)? Frank said they can’t do anything about that right now, but on the bright side, companies have gotten significantly better about archiving their material. They’ve figured out how to have secondary market for their product with HD remasters. Kelsey said there’s no way to make an MMO feel the same way it did when it was active, even if you’ve saved everything. What’s useful to historians is many video experiences, oral histories, and blog posts. Frank’s wife is currently playing World of Warcraft Classic, which is not the same as the original. He said people are playing it in a different way.
  • “You can only go so far with anecdotal commentaries,” Jeremy said. “Having the hard copy there as proof is invaluable.”
  • Someone in the chat asked about getting involved in VGHF. Kelsey said there will soon be a need for people who understand library systems, like cataloging and sorting things. The website is going through remodeling. Reach out to VGHF on Twitter. Frank acknowledged the Patreon page with Discord access. “Hang out with historians like us,” he pitched, adding that “it’s nice to have this tight-knit group that we can have conversations with so that we’re not feeling like we’re on our own with this stuff, and you could help us solve problems that way.”

The last of the magnificent seven panels was at 2:15 PM Sunday: a second My Life in Gaming panel, this time with John Linneman of Digital Foundry:

  • This was John’s first U.S. convention appearance. He’s an American expatriate based in Germany, and previously France.
  • The main topic for the panel was gaming technology.
  • October marks seven years since MLiG debuted.
  • John joined Digital Foundry in 2013, as well.
  • Frame rate graphs
  • Video creation process
  • Preferring retro games to modern games
  • Coury praised John’s wealth of knowledge.
  • John said he can look at a game and immediately know how it’ll play.
  • John pretends he’s giving an E3 demo when capturing modern games. Try called it a “cinematic approach.”
  • Gaming technology originated for Coury with Quake II with its Voodoo graphics accelerator by 3dfx Interactive. He didn’t think much about it again until seeing John’s videos, as did Try.
  • SLI (scan-line interleave)
  • The evolution of John’s videos
  • What started John down the gaming tech path was seeing the Daytona USA arcade game in 1994.
  • Try’s entry was F-Zero X on Nintendo 64.
  • Try lamented that people will fight over frame rate, saying 60 FPS (frames per second) retro games are impossible. Coury said that’s likely due to early 30 FPS YouTube videos.
  • John is a self-taught video editor. Coury and Try come from video editing backgrounds.
  • John’s first video in 2015 took a long time to put together
  • John and Try exchanged profundities: John’s pearl was “nobody will ever see the video you didn’t make,” while Try recalled his grandfather’s words of wisdom: “good enough never is.”
  • The trio went over their video editing techniques.
  • Try believes editing more fun when you’re providing each other material. He also used the term “G-roll,” which G to the Next Level liked in the chat.
  • John said “it’s more fun to work with a group now, when it’s possible.”
  • What’s the toughest part about making a video? For Coury, it’s writing. Try is better at that, saying he enjoys it, though he said he gets wordy at times. Coury leans more into editing, which is toughest for Try. The toughest part for John is stress. He feels a sense of accomplishment after finishing a video’s introduction. Then, the writing becomes easier. He writes in chunks.
  • Coury has been experimenting with writing outlines, taking bullet points (like the ones in this post) and turning them into paragraphs.
  • John uses Notepad.
  • Try writes notes so he doesn’t forget.
  • John on editing: “What could look cool here?”
  • Try: Slider shots
  • Coury: Comparison shots
  • Coury cautioned that “you don’t want to repeat shot ideas from episode to episode.”
  • John is proud of the intro to his Analogue Super Nt video.
  • Try is proud of the Play It Loud intro to the MLiG Super Nt video, with its low frame rate, Play It Loud music, and Kevtris soundbites.
  • Coury: Hands-on feel
  • They spoke of the Analog Frontiers series (part 1, part 2).
  • Try’s dog Sandy made a couple of cameos in the panel.
  • John’s PC gameplay capture was used by Try in a video via PC monitor.
  • Why does John say “Mega Drive” instead of “Genesis“? He loves the name, and has more Japanese Mega Drive games than Genesis games.
  • Try believes the PC Engine scene is bigger than TurboGrafx-16 scene. That means there’s more interest in the PC Engine than for its North American counterpart, which released two years after Japan.
  • What were their first experiences seeing RGB on a PVM? John’s came circa 2004. Coury’s first experience was seeing Dreamcast in composite on a CRT. For Try, it was S-Video in college in 2002 and then RGB explanations on Hazard-City.
  • Voiceover techniques
  • Capture techniques
  • Storyboarding and animation
  • John: “I just envision it in my head.”
  • Coury suggests that if you get stuck, step away and try again the next day.
  • Two of Try’s creative locations are in the shower and on the toilet.
  • John is most proud of the video he did on the making of Onrush. He filmed it all in a day and edited over three days. It’s not the best, but he’s proud nonetheless. It didn’t get many views because the game didn’t get much attention.
  • What are your dream documentary subjects? Coury’s is Working Designs. Try would like to profile the original Final Fantasy staff, including creator Hironobu Sakaguchi. John’s dream subject is the original creators of the Sega Saturn. He’d like to understand the entire process, from initial thought to release, and its legacy.
  • What’s the most powerful mini console? John said the Capcom Home Arcade. For hacking purposes, Try went with the PlayStation Classic. Coury’s choice was the Super NES Classic Edition.
  • What videos would they like to do over or differently? Try would like to redo most older videos. The voiceover has improved so much over the years. He would redo the Myst series video. He wouldn’t have written his opinions into the script or use first- or second-person terms.
  • Has John gotten pushback from a company? Once. Most are happy. On his Redout video, he made a small error regarding the Xbox One X version. He received threats. (A retest video followed.)
  • John tries to be positive and documentary-like in videos, helping people understand things. He’s not a raging critic, referring to “angry videos,” though he can’t fault them.
  • They all prefer the OSSC to the Framemeister.
  • They think of Bob Neal when referring to bob deinterlacing.
  • There was a question in the chat about Analog Frontiers with Saturday’s information reiterated. New to this panel was Try considering a spinoff called Analog Frontiers Gaiden. John offered to do a Gaiden video about The CRT Wizard in Germany (referenced in this tweet). Try also noted Artemio Urbina and Tim Worthington will appear briefly in part 5. (Artemio previously appeared in part 2.)
  • They all prefer open world over simulation in contemporary games.
  • Try believes the generic AAA game formula has become tiresome.
  • What’s your favorite modern game? John was torn between Sonic Mania and Monster Boy and the Cursed Kingdom. Coury’s favorite is also Monster Boy. Try’s is The Legend of Zelda: Breath of the Wild for Nintendo Switch.
  • Thanks to everybody who hung out and watched.
  • John said it was good to see G To the Next Level in the chat. He feels like he’s competing with him on Genesis videos. (Here’s one such video.)
  • Thanks to John for staying up late, as it was 10PM local time.

The panel ran 45 minutes over its intended 3:15 end time. Like the Saturday panel, this one is available to watch on the MLiG YouTube channel:

I don’t think I’ve ever taken this many notes for a blog post. It was a worthwhile endeavor to archive the discussions I witnessed. I hope to be back at the Cradle of Aviation Museum next August to take many photos of panels and exhibits, meet and greet the panelists, and pickup retro games from vendors. Stay safe and healthy, and thank you for reading.

2019 LIU Post & WCWP Homecoming Weekend October 21, 2019

Posted by Mike C. in Airchecks, Audio, Football, History, Internet, Interviews, Jazz, Media, Military, Music, News, Personal, Photography, Radio, Sports, Travel, Video, Weather.
2 comments

Other recaps: 20082009WCWP 50th Anniversary (2011)20122013201420152016, 2017, 2018

Another WCWP Homecoming Weekend has come and gone at LIU Post. This is a recap of all three days of the campus radio station’s alumni-hosted block of programming, including coverage of the LIU Sharks‘ Homecoming game against the Saint Francis Red Flash.

Before the proper recap, an explanation about what’s changed since last year. Starting with the fall 2019 semester, Long Island University athletics for the Brooklyn and Post campuses have merged, which means one color set, one team name, and one big move to NCAA Division I FCS (Football Championship Subdivision). The LIU Brooklyn Blackbirds and LIU Post Pioneers are now, collectively, the LIU Sharks. Now, the recap.

Two days in advance, I scheduled an Uber pickup at my house on Friday at 10AM. The driver was prompt, parking at the curb. With my equipment in tow, I hopped in the backseat and the drive began. I was dropped off at the Abrams Communications Building, home to WCWP, at 10:28. I set down my equipment and set up my laptop in studio 3 on one of the computer tables. After visiting the campus bookstore in Hillwood Commons, I returned to the station and set up the tripod, camcorder, and shotgun mic in studio 4. I was going to record the first show of Homecoming Weekend: Art Beltrone’s PostScripts talk show. Back by my laptop, I connected a portable radio tuned to 88.1 FM to an audio recorder and began recording at 11:50. Then, I walked into studio 4 and waited for PostScripts to begin.

To my left was this banner:

The Long Island University colors are blue for Brooklyn and gold for Post. As you’ll see in the Saturday pictures, the campus’s green signs were all painted sky blue.

Show time:

Art’s first guest was Joan Yonke, the LIU Post Campus Director of Employer and Alumni Engagement (I accidentally left out the “Employer and” part in the show video):

Art’s next guests were Jeff Kroll, who engineered the show…:

…and his wife Pat, who coordinated the guests:

After playing the Krolls’ (and the Yonkes’) wedding song, “Can’t Take My Eyes Off of You” by Frankie Valli, a milestone was acknowledged:

Exactly 58 years ago – October 18, 1961, at 12:15 PM – WCWP signed on as an AM carrier current station. Art Beltrone was the first student voice ever heard on its air. In honor of the occasion, the sign-on was played at 12:15 in 2019.

Art listened fondly:

When the first non-student voice, Dennis Sullivan, tossed back to Art on the tape, Jeff cued Art in the present:

Following “Hello, Dolly!” by Louis Armstrong, Bill Mozer dropped by:

Jeff Kroll joined in the conversation:

For the last hour, Art spoke to fellow alumni and Vietnam Veterans, Jack Cassidy and Mike Padula:

Jack Cassidy:

Mike Padula:

Art, Jack, and Mike also spoke to guests over the phone, including John LiBretto, Jim Harley, and Ron Zappardino. I had to leave studio 4 at 1:30 to set up for my show, Instrumental Invasion with Mike Chimeri, in studio 2.

Here are portions of PostScripts, some of which were photographed above:

When 2PM came, Art handed off to me, I played a legal ID, and began my show. I thanked Art and all of his guests, then played my first song: “Flash Back Friday” by bassist Julian Vaughn, guitarist Nick Colionne‘s nephew.

As the song played, I went back into studio 4 to take a picture of Jack Cassidy, Jeff Kroll, Art Beltrone, and Mike Padula:

While my second song, “Illuminate” by Steve Oliver, was playing, Pat Kroll took the obligatory photo of me at the board in studio 2:

There was also time for Art’s friend Ed Keller to take our picture:

The show proceeded from there with little to no hiccups. Here were my surroundings:

During my show, Bill Mozer moved the livestream webcam from studio 4 to 2. We spoke while I was off mic. One of the liners I played was of Dan Ingram, legendary New York DJ and commercial voice talent, while visiting the station in 1968. Back then, the university was known as C.W. Post College. The liner went like this:

Hi there, Kemosabe. This is Big Dan Ingram. Whenever I’m on the Merriweather campus, and my bosses in New York don’t know about it, I always listen to WCWP, at 88.1, in Brookville, New York. Love it.

“Merriweather” referred to Marjorie Merriweather Post.

Bill, who worked with Dan at WABC, remarked that he was never “on the Merriweather campus” – besides that day – so he therefore never listened to the station. I replied that he was humoring the students that recorded him.

Bobby Guthenberg, a.k.a. Bobby G., complimented my playlist on Facebook, and my friend Ryan Grabow texted me after I played “Silver Arrows” by the Rippingtons. When he would appear on The Mike Chimeri Show 15 years ago, he’d always say “a ripping good time” whenever I played a Ripps song. Coincidentally, the next song I played was “Dear Friend” by Patrick Bradley, a fitting title.

Before I knew it, I was signing off and playing my last song: “Nu Som” by Mike Stern and Jeff Lorber Fusion.

Here is the show aircheck…:

Direct link

…transitions, with the aforementioned Dan Ingram liner…:

Direct link

the playlist in PDF form

…and the video:

 

 

Jeff Jensen was next at 4PM:

Here are a couple of his talk breaks:

I headed home just before 5:00 and was home half an hour later. After editing the airchecks that you heard above, day 1 was complete.

I started my Saturday by editing videos, synced with the aircheck audio, and photos. Then, I got ready to return to LIU Post. While waiting to turn onto Northern Boulevard, I took out my camera so I could photograph what once was green and now is blue.

It was 1:05 when I turned into the campus’s east gate:

MyWCWP, which was WebRadio WCWP when I was a student, was renamed The Wave:

The Wave is also the name of a Southern California radio station that used to play smooth jazz: 94.7 The Wave. Since I’m not on this Wave, there’s no smooth or contemporary jazz to be found.

During the second quarter of the Sharks’ Homecoming game against Saint Francis, I walked over to Bethpage Federal Credit Union Stadium to take in some of the action:

I was given media access, which allowed me to go up to the press box…at least at first. Saint Francis did not bring a crew to broadcast the game, but LIU did, from the roof. To get there, you had to climb this ladder:

Jeff Kroll (right) and Neil Marks (left) called the game:

A view from the top:

Considering the Sharks were winless coming into the game and were unlikely to score while I was on the roof, I left after I took the above pictures. Before I left, I had Pat Kroll take a photo of me:

2:25 PM UPDATE: Jeff informed that the NEC (Northeastern Conference) had a room in the press box for the video feed and conference announcers. He added:

The video equipment is also used for all play reviews. Cameras manned by WCWP students! Ours was the only radio broadcast of the game.

The walk back to WCWP:

Pioneer Lane is now Shark Street:

The Sharks fell to 0-6, blown out by the Saint Francis Red Flash 30-0. It was 9-0 after three quarters, but SFU exploded for 21 points in the first six minutes of the fourth. Factoring in the Pioneers past, this was the team’s first loss on Homecoming since 2011. It was also the first loss Jeff and Neil called since the Pioneers lost to the Iona College Gaels 9-2 in 1989.

Air traffic was moderate and a couple of planes were low enough for me to get high resolution crops. This is a DHL plane:

I think this might be Alitalia:

After the dust had settled on the Sharks’ loss, studio host John Zoni ran the “highlights”…:

…and listed the scores elsewhere in the NEC:

Due to a lung infection early in the week, Bernie Bernard was unable to make it up from Florida. Bobby G. and Mike Riccio expanded their show to fill in for her. Due to the short length of the football game, the show began at 3:45, 45 minutes early.

Bobby flew solo while Mike was in transit:

Hanging out in the studio were Jay and Arlene Elzweig…:

…and Jett Lightning, who I wanted to get a picture with:

I would pose for more pictures later.

Mike Riccio arrived in time for Bernie Bernard to call in:

Wanting to be a part of the call, I got on my knees by Bobby’s mic, holding up a Rick Wakeman CD at one point:

Once Mike was at the controls, the playlist turned to artists that appeared at Woodstock:

I came on at one point to promote the rest of the weekend, including my second Instrumental Invasion that would air at 2AM:

The big WCWP Hall of Fame announcement was set for 6:00. Before then, I went outside to the barbecue for a burger and hot dog, and some cookies for dessert.

Then, I got to meet fellow alumni Joel Mahan and Jerry Reilly, posing here with Bill Mozer:

I was so glad to see M.J. Lonardo and K.J. Mills:

M.J. complimented me on my running, which I had been writing about on Facebook, with a few milestone posts on Twitter and Instagram.

2019 WCWP Hall of Fame inductee Pete Bellotti made the announcement:

Here’s how things looked on the livestream webcam during this segment (courtesy of Ted David):

The 2020 inductees are…:

Alan Seltzer and Christina Kay!

I stood in front of the camcorder and applauded the inductees:

With the announcement complete, I began to pack up for home, but not before taking the obligatory shot of Mike and Bobby:

John Zoni’s postgame and the segments from Mike and Bobby’s show can all be seen here:

 

Me with John Zoni:

Dan Cox:

I owe my career in radio to Dan. He was my Broadcasting 4 professor in the spring of 2001 and recommended me to then-station manager Judy Cramer the following semester. A few weeks later, on October 5, I was on the air for the first time.

Bill Mozer:

…and Pete Bellotti:

Joel Mahan wanted a photo with Pete, as well:

The last pic of the weekend for me was Bill Mozer and Alan Boritz, who followed Mike and Bobby at 10PM:

Bill photographed the weekend with his own DSLR camera. Via the WCWP Alumni Association Facebook group, here are his photos – with “no film in the camera” – starting with John Zoni during his 6PM show on Friday:

Jay Mirabile and Pete Bellotti during Friday’s 10PM DFK Show:

The picture was taken with Jay’s phone, but Bill cropped it.

On Saturday, it’s Art Beltrone and Jay Elzweig:

Grandfather Rock Chris MacIntosh:

Pat Kroll and Lew Scharfberg:

And at the mic for his 10PM show, Alan Boritz:

From midnight to 4AM, WCWP had the one-two punch of Strictly Jazz with Hank Neimark, John LiBretto, and Rita Sands – which they recorded in late August – and the second Instrumental Invasion with Mike Chimeri – which I recorded at home back on September 26. It was chocolate and peanut butter back to back. In SiriusXM parlance, they were Real Jazz, I was Watercolors. Hank told the aforementioned Facebook group he was listening to the station, including his own show, from Greece, expressing what a thrill it was.

Here is the aircheck for Strictly Jazz

Direct link

…and Instrumental Invasion:

Direct link

And of course, the latter show’s transitions…:

Direct link

and playlist.

I try to work in as many of the notes I write on my playlists as I can, but some notes stay on the paper.

Unfortunately, Magick Mike Hendryx’s show didn’t run, making for the second year in a row where that’s happened to a file designated for Sunday at 4AM. Strictly Jazz reran at 6AM as scheduled.

I spent Sunday working on this post and periodically listening to WCWP. Like last year, Jay LaPrise (“la-PREE”) had the first live show of the day at 8AM. Here are his last two talk breaks:

Direct link

The ladies of Prison Break Radio, Jamie Mazzo and Sara Dorchak, were next at 10AM. Here are their first four talk breaks:

Direct link

Billy the Kid (Billy Houst) followed at noon. He was later joined by Joey C. (Joe Conte) and Big L Lou (Lou Raio). Here are talk breaks from Billy’s first hour:

Direct link

Bill Mozer photographed Billy…:

…Joey C. …:

…and Lou Raio:

Billy the Kid was followed at 2PM by Joe the Honerkamp. Here are five talk breaks from his show:

Direct link

And one picture of him by Bill Mozer:

That is his index finger, not the other one.

The last three photos in this post were taken by Pat Kroll.

At 4PM, Lew Scharfberg:

Direct link

Jeff Kroll ran the board:

6PM had a Homecoming Weekend edition of Rock ‘N’ Soul Gospel with Grandfather Rock Chris MacIntosh:

Direct link

Next to last was Alana at 8PM with The Rockin’ Sunday Show, following an introduction by Jeff Kroll:

Direct link

And turning out the lights on the 60-hour block was Jeff himself from 10PM to midnight, following Alana’s lead-in:

Direct link

I was singled out in Jeff’s credits:

Mike Chimeri! Oh, Mike, a great jazz show; in fact, two of them this weekend. And always with the pictures and the videos. Thanks so much, Mike.

Thank you, Jeff. This is a labor of love for me as I know putting together Homecoming Weekend each year is for you and Pat. If it means I have restless nights as my brain contemplates what tasks I have left to do, so be it. The fruits of my labor make it all worthwhile.

It was great catching up with my fellow alumni throughout the weekend. It warms my heart to be among you.

Thank you to those that stayed with this recap to the end. I leave with Jeff’s last words last night:

Thanks to all here at WCWP. It’s been a wonderful 2019 Homecoming Weekend. We’ll get the schedules together and see what happens a year from now. And it’ll be a new decade: 2020! Thanks for tuning in to the WCWP Homecoming Weekend.

And for posterity, the schedule:

Witnessing the final round of the 2019 PGA Championship May 21, 2019

Posted by Mike C. in Golf, Internet, Interviews, Jazz, Media, Music, News, Personal, Photography, Sports, Travel, TV, Video, Weather.
2 comments

For the fourth year in a row, I attended at least one PGA Tour event; and for the third time in the last four years, I attended a round of a major golf tournament. Three years ago, it was the second round of the PGA Championship at Baltusrol. Last year, the third round of the U.S. Open at Shinnecock Hills. Sunday, I attended the final round of the PGA Championship (final leaderboard) at Bethpage State Park’s Black Golf Course, Bethpage Black for short. The Black previously hosted the 2002 and 2009 U.S. Open.

The 101st PGA Championship was the first to be played in May, after decades in which it was held in August and served as the last major of the season. Now, it’s the second. That means CBS holds the broadcast rights to the first two majors of the year, with Fox carrying the U.S. Open and NBC televising the Open Championship.

Bethpage State Park and its courses are only 15 minutes away from my Wantagh home, but going there for the PGA Championship by car required driving south to Jones Beach State Park parking field 3 or 4 for general parking:

My dad and I were directed to field 4:

From there, a shuttle bus took us east on Ocean Parkway, north on Wantagh Parkway to Exit W6, east on Merrick Road, north on the Seaford-Oyster Bay Expressway (NY 135), east on Merritts Road (after exiting at a special ramp), and finally to the terminal outside Bethpage Black. We arrived at 12:30, two hours and five minutes before Brooks Koepka (“KEP-ka”), the 54-hole leader by seven shots, was to tee off:

The sun broke through the clouds for the first few hours, but the clouds eventually won out.

The USGA calls their shop the Merchandise Pavilion; the PGA calls it The PGA Shops:

Having already purchased a cap and short-sleeve shirt, the latter of which I wore on the second night of Smooth Jazz for Scholars, and not wanted to lug a bag of merchandise all day, I waited until we left in the evening to get anything.

The defending champion, and, I hoped, the repeat champion:

The range:

Among those practicing were Lucas Bjerregaard, Erik Van Rooyen, and Rickie Fowler.

The obligatory photo op:

The practice green and media center:

The bridge to the range:

The bridge from the 18th green:

Another practice green:

Phil Mickelson walking up the bridge after his final round:

He shot 76 for the second consecutive round, finishing at +12.

The 1:05 group: Lucas Glover, the 2009 U.S. Open Champion…:

…and Lucas Bjerregaard:

The Lucases both shot 73 and finished at +3.

The electronic leaderboard/TV monitor:

The 1st fairway:

The 1st green:

I stood by the 2nd tee to watch three groups come by:

First, another group where the pair share a first name: Danny Lee:

…and Danny Willett, 2016 Masters Champion:

The Dannys both shot 77, with Lee finishing at +6 and Willett +7.

The Goodyear Blimp provided aerial coverage early on:

But cloud cover forced it to ground.

The second group I saw at 2 was Rickie Fowler:

…and Sung Kang, who won the AT&T Byron Nelson tournament the week before:

Fowler shot 77 to finish at +6, while Kang fared a little better: 72 to finish even-par.

The third was Jordan Spieth, who won the Masters and U.S. Open in 2015 and Open Championship in 2017:

…and Erik Van Rooyen:

Van Rooyen’s tee shot was way left:

Here’s where it ended up:

The 2nd fairway:

The 2nd green:

Spieth was one stroke better than yesterday, 71, ending up at -2. Van Rooyen shot 73 and finished at +1.

The 3rd tee:

The 3rd green and 4th tee:

The 4th fairway:

After that, I started to get hot – that’ll teach me to wear a jacket – and didn’t feel like walking the entire course. So, I headed for the 18th green. Along the way, I saw the 13th green:

14th tee:

14th green:

Back across Round Swamp Road, the 16th green grandstand:

15th tee:

16th green:

Somewhere in the distance is the 17th tee:

The 17th green and its grandstands:

The 18th tee:

18th fairway, which didn’t see many balls this round:

The 18th green and grandstands:

The TNT/CBS broadcast tower, overlooking the 18th fairway and green:

Jim Nantz and Nick Faldo called the action from 2:00 to 7:00. Spoiler alert: the championship ended on time, meaning 60 Minutes started on time.

The 18th fairway, seen from the greenside bunker:

Matt Kuchar after shooting 69:

He was one of a handful players under par for the round. He finished +1 for the championship.

After stopping at the adjacent concession stand for lunch/dinner, Dad and I returned to our spot by the greenside bunker:

We stayed there to the end. The stiff breezes cooled me off to the point where I put my jacket back on.

Between groups, the leaderboard would switch to the CBS feed (no audio). We watched as Brooks Koepka’s seven-shot lead almost evaporated, mainly due to four straight bogeys from 11 to 14, and Dustin Johnson, two groups ahead, drew closer, with five birdies and only one bogey through 15 holes. Even though I’ve rooted against players myself, I was startled that the fans around me, behind me by the ropes and up in the stands, were cheering Koepka’s demise. I like D.J., I even saw him triumph over Jordan Spieth in The Northern Trust two years ago, but I wanted Koepka to finish what he started. I’ve seen collapses in other sports, and the 2012 Ryder Cup, and I don’t like them. When Dustin Johnson faltered himself with bogeys at 16 and 17, I shook my head in affirmation and pumped my fist, not that anyone noticed. “Take that, fans,” I thought. But the fans cheered again when D.J. saved par at 18, chanting “D.J.! D.J.!” They cheered more as Brooks Koepka missed a short par putt at 17.

We’ll get to Koepka’s 18th hole in a bit. But first, here are some of the players that came before him, starting with Rory McIlroy, the 2012 and 2014 PGA Champion, as well as the 2011 U.S. Open Champion and 2014 Champion Golfer of the Year (winner of the Open Championship):

Like Matt Kuchar, McIlroy shot under par 69 and finished at +1.

When I went back to the concession stand for a chocolate chip cookie, I noticed there was another course map, smaller than the one by the entrance:

Back at the green, the Lucases, Glover and Bjerregaard:

One hole earlier, at 17, Bjerregaard made a hole in one while Glover chipped in for birdie from the bunker! I heard the roar, but didn’t know what it was until I saw on the leaderboard/monitor. It turns out my friend, guitarist and vocalist Matt Marshak, was there and saw both shots! How exciting!

Back at 18, Danny Lee in the bunker:

Rickie Fowler:

Jordan Spieth:

Dustin Johnson:

“D.J.! D.J.!”:

He finished with a 69, -6 for the championship. Spoiler again, Koepka survived 18 to win by two.

Luke List:

List had a rough day after three rounds under par. He shot 74 to finish at -1.

And that brings us to Brooks Koepka. His tee shot landed in the fescue left of the fairway:

His second shot landed back in the fairway.

After checking the distance…:

…he laid up and landed on the green, 12 feet from the hole:

The fans changed their allegiance to Koepka as he walked up to his ball:

After playing partner Harold Varner III putted out, an unfortunate 81 for him and +6 finish, Koepka putt from 12 feet:

…and made it:

As Jim Nantz said on TV, “It’s a Koepka coronation!” “Coronation” was the word I had hoped for after Saturday. Despite shooting a 74, his only round over par, he was crowned repeat PGA Champion.

Here’s how it looked on CBS:

I couldn’t see the trophy presentation from where I was:

Unfortunately, no one could hear it, either. Whoever was in charge of the speakers didn’t feed into the CBS audio. Only the TV audience heard Bill Macatee as he announced Rob Labritz was the low-scoring club professional, heard PGA of America President Suzy Whaley introduce Brooks Koepka as he returned to the green to receive the Wanamaker Trophy, and heard Koepka fielding Macatee’s questions. Fans in the grandstands cried “we can’t hear you!” and words to that effect. They cheered when it seemed like they were supposed to: when Labritz waved and Koepka raised the trophy. This could be why I’m unable to find video of the presentation online. This video has excerpts at the beginning, but that’s all we get. Otherwise, I have to consult my DVR, as I did yesterday morning.

5/26 UPDATE: One week later, the KitchenAid Senior PGA Championship was played upstate, at Oak Hill Country Club in Rochester, televised on Golf Channel and NBC. Ken Tanigawa won by one shot. This time, the crowd at 18 was able to hear the trophy presentation hosted by Steve Sands. Oak Hill will host the regular PGA in 2023, as it did in 2013, 2003, and 1980. It first hosted the Senior PGA in 2008.

With no sign that the presentation would be redone for the fans, Dad and I headed for the exit:

Future PGA Championship sites:

Along the way, we went into The PGA Shops:

I had to get a commemorative 18th hole flag, as I had done for the two U.S. Opens. Yesterday morning, I unwrapped it and put it on my bedroom wall:

It replaced the flag from the 2009 U.S. Open:

…which replaced the one from 2002:

That one developed creases from being folded up for ten years.

Back at the Black, it was time to go:

With my iPhone’s battery at 10%, I turned it off for the shuttle bus ride back to Jones Beach. I charged it in the car on the way home and back in my room once I got home.

Bethpage Black’s next big event will be the 2024 Ryder Cup. The last thing I’d like to hear that Sunday, whether in person or on TV, is the “Olé” song, indicating Europe won again. (9/21/20 UPDATE: It will be held in 2025 after the 2020 Ryder Cup was postponed to 2021, moving all subsequent Ryder Cups back to odd-numbered years and the Presidents Cup back to even-numbered years.)

I’m so glad that Brooks Koepka held on to win the 101st PGA Championship. It’s his fourth major victory in the last eight he’s played. The win returned him to #1 in the Official World Golf Ranking. And he’s undefeated on Long Island, having won his second U.S. Open last year at Shinnecock Hills in Southampton. Congratulations, Brooksie! (9/21/20 UPDATE: BK is a better nickname.)

Will Koepka get the three-peat at Pebble Beach next month? Will Dustin Johnson redeem himself after losing the lead in the final round the last time the U.S. Open was at Pebble? We’ll see.

6/16 UPDATE: Neither happened. Gary Woodland won by three shots over Koepka to win his first major.

Until then, I’ll leave you with videos…:

Todd Lewis’s interview with Brooks Koepka for Golf Channel

…and articles:
Mike Lopresti, PGA.com: Big-Game Brooks Koepka Goes Wire to Wire for First Repeat PGA Championship Since Tiger Woods
Ryan Lavner, Golf Channel: Little brother no more: Koepka sends message staring down DJ at the PGA
ESPN: Koepka struggles, holds off Johnson for PGA win
Kyle Porter, CBS Sports: Brooks Koepka finds his edge, exuding toughness in fourth major win
Greg Logan, Newsday: Brooks Koepka holds on to win at Bethpage Black despite struggling in final round
Hank Gola, New York Daily News: Brooks Koepka wins PGA Championship overcoming difficult course, hostile crowd
Mark Cannizzaro, New York Post: How Brooks Koepka avoided epic PGA Championship choke job

Perfect Bid: The documentary that set me straight May 16, 2019

Posted by Mike C. in Game Shows, Internet, Interviews, Media, Personal, TV.
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About a decade ago, when I regularly watched The Price is Right, I would post about major accomplishments that I saw. One of those involved Terry Kneiss (“nees”), who went on a run that ended with him winning both showcases with a perfect bid. Host Drew Carey deadpanned in response, not at all excited by the achievement. Unaware of the circumstances, and considering how I reacted in a recording I made after bowling a 221 in 2002, I defended his reaction.

Two years later, Terry released a book called Cause and Effects, which defended his actions.

Three years after that, I heard Drew’s side of the story on a podcast: the tape clearly showed Terry got his exact prices from an audience member with a grudge. I updated my original post about Terry’s book with Drew’s remarks. I considered it closure to my years of watching The Price is Right. George Gray’s announcing delivery didn’t sit right with me and I no longer liked watch contestants lose on any game show. So, I stopped watching.

5/30 UPDATE: Watching old episodes of TPiR on YouTube last weekend led me to DVR Monday’s episode for comparison. Whatever distaste I had in the show when I stopped watching went away. I’m back on the bandwagon. I’m also watching Jeopardy! again to see how long James Holzhauer can last as champion. I’m in awe and wish I had watched sooner.

6/6 UPDATE: Never mind. Holzhauer was unseated after 32 wins and contestants lose too much on TPiR. I’m back off both bandwagons because tonight’s new champion, knocking off the woman that knocked off Holzhauer, says “please” nearly every time he makes a selection. I like assertiveness in contestants. Shorthanding category names and dollar amounts is also a plus. Picky, aren’t I? It’s the curse of having Asperger Syndrome: nonsense like this bothers you. Anyway…

This week on Netflix, while searching for Still Laugh-In: The Stars Celebrate, I noticed an entry in one of the queues called Perfect Bid: The Contestant Who Knew Too Much. So, that’s why the Cause and Effects post was getting hits on my blog. Yesterday, I watched it.

Perfect Bid profiles a “loyal friend and true,” Theodore Slauson. Ted became a fan of TPiR early in its CBS run and noticed that the same items were up for bids with the same prices on several shows. So, he kept track of those items through spreadsheets, word processing documents, and original computer software. Starting in the early ’80s, he regularly attended tapings, giving contestants in contestants’ row and on stage the prices of prizes. There were plenty of $100 bonuses awarded for perfect One Bids and Bob Barker gave him his due during the tapings. He even came on down once in 1992, winning One Bid and Punch-a-Bunch.

After his day as a contestant, he stopped attending tapings to focus on other things. He returned in 2002 and helped a fellow audience member win over $39,000 in cash and prizes.

When Drew Carey took over for Bob Barker in 2007, the rule that contestants could only appear once was rescinded. That opened the door for Ted to return. At the start of season 37, Ted went to a taping in the hopes of coming on down again. He didn’t, but Terry Kneiss did. The two met in line before the taping.

Perfect Bid notes that Ted was edited out of several camera shots during the show which aired in September 2008. The note came as an excerpt began from host Drew Carey’s appearance on Kevin Pollak’s Chat Show. The impression given to Drew by producer Kathy Greco, who Bob dubbed “Fingers” when he was the host, was that Ted was sent by Roger Dobkowitz, fired as producer the season before, to sabotage the show. Giving Terry exact prices was revenge exacted by a fan group. Drew later found out Ted was innocent, but didn’t know that as the show was taped.

Kathy stopped production after Terry and his fellow showcase contestant gave their bids, trying to make sense of what had happened. When taping resumed, Drew deadpanned the results, assuming the show would never air because of Ted’s involvement, shook Terry’s hand, and wrapped up the show. But it did air. In the aftermath, TPiR staff never used the same item more than once. The price one day will not be the price another day.

In the final moments of the documentary, Ted remarked:

You know, I’ve been called a lot of ugly names on the Internet, and in podcasts and things like that, and it’s just sad that people don’t know the whole story. So, I appreciate being able to tell it.

And I appreciate having seen Perfect Bid. It cleared the air about what happened on that September morning a decade ago. Thank you, CJ Wallis, for setting me straight. Thank you for interviewing Theodore “Ted” Slauson, Bob Barker, and Roger Dobkowitz. I highly recommend you watch it. This post only scratches the surface.

Sincerely, Mike Chimeri, a loyal friend and true starting with summer 1992 reruns.

2019 WCWP Hall of Fame Ceremony May 14, 2019

Posted by Mike C. in Airchecks, Audio, Football, Internet, Interviews, Jazz, Media, Music, Personal, Photography, Radio, Sports, Travel, TV, Video, Weather.
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Video of the ceremony can be found at the end of this post.

The eighth annual WCWP Hall of Fame Ceremony was held Saturday afternoon in the Goldsmith Atrium at the Tilles Center for the Performing Arts on the campus of LIU Post. As you can see above, this year’s inductees were Lew Scharfberg, Fred Gaudelli, and Pete Bellotti.

The ceremony began at 1:10 with an introduction by WCWP Director of Broadcasting Dan Cox…:

…and a video narrated by Bernie Bernard, who was inducted in 2013:

This picture taken during a dissolve was a happy accident because it looks like Lew and Jeff Kroll, the Master of Ceremonies, are pointing at Pete:

Jeff at the mic as M.C.:

Dan had the honor of introducing two of the three inductees. First, was Pete Bellotti, currently of CBS Sports Radio:

Before Jeff’s interview and remembrances from the audience, Pete gave a speech:

Jay Mirabile had an interesting story:

Joe Manfredi, Director of Operations while Pete was a student, was complimentary:

Pete even acknowledged me when referencing the music I provided and hours of co-hosting for WCWP’s live broadcast from Bar Beach Park (now North Hempstead Beach Park) in 2006:

I was about 90 pounds heavier at the time, as I co-hosted with Eli W. Sen:

“It was a fun experience”:

Lew Scharfberg was next, following Jeff’s introduction:

Among Lew’s stories in his speech were the teletype bell ringing frantically on August 16, 1977, as news broke that Elvis Presley had died, and learning of the Dome Auditorium roof collapse during the Blizzard of 1978.

Bill Mozer misremembered one anecdote…:

…and had to be corrected by Dan:

He accurately recalled another:

Neil Marks ribbed Lew, leading to an impassioned defense…:

…but was also complimentary:

Dan Cox chimed in:

The obligatory camcorder shot to use as a cover photo for my YouTube channel:

…and the obligatory alternate perspective:

Lew’s son Dan gave a moving speech:

I told him afterward, “you’re a good son.”

Last up was Fred Gaudelli, who is the executive producer of Sunday Night Football for NBC Sports:

Fred had plenty of stories from his days at C.W. Post, working his way up through ESPN, introducing what became the 1st and 10 line, producing Monday Night Football and Sunday Night Football.

At one point, Dan played a clip of Fred calling a furious comeback by the Post Pioneers against James Madison in 1981:

They rallied from 21 points down with two minutes to play, winning 37-36.

Jeff’s closing remarks:

I want to thank everyone for being here today. That’ll do it. That’s it for the 2019 WCWP Hall of Fame induction. Thank you, folks.

Photo ops, starting with the three inductees:

The three inductees with Dan Cox, Bill Mozer (2013), and Jeff Kroll (2015):

Pete and his wife Bridget:

Pete with Dan Cox and Joe Manfredi:

…and me:

The early-to-mid-2000s era of WCWP:

The Scharfbergs:

Dan quickly introduced me to Fred before he left, and took a picture of us:

I posed with him 16 years earlier after he and fellow alum Dan Reagan (“Reegan”) spoke to the broadcasting class I was in:

My parting shot was of Pat and Jeff Kroll:

Pat was inducted last year along with Muffet Provost and John Commins.

Jeff was kind enough to drive me home. We had an interesting conversation along the way, and he recognized my driveway from all the times I’d photographed it after shoveling snow. (Here’s one example.)

Congratulations to Pete Bellotti, Lew Scharfberg, and Fred Gaudelli, the 2019 class of the WCWP Hall of Fame.

Here is the video:

Thanks to Dan Cox for providing the introductory video and highlights of Fred’s play-by-play. My video was shot on a Panasonic HC-V770 camcorder with a Takstar SGC-598 shotgun mic. I periodically switched to my Tascam DR-03 recording from the platform to fill gaps between raw video files and compensate for panning to the audience.

2018 LIU Post & WCWP Homecoming Weekend October 15, 2018

Posted by Mike C. in Airchecks, Audio, Football, History, Internet, Interviews, Jazz, Media, Music, News, Personal, Photography, Radio, Sports, Travel, Video, Video Games, Weather.
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Other recaps: 20082009WCWP 50th Anniversary (2011)20122013201420152016, 2017, 2019

In all the years I’ve recapped WCWP Homecoming Weekend, this is the first where I consolidate all days into one post. With Sunday photographic help from Pat Kroll, I’m recapping all three days of WCWP’s special block of programming, including coverage of the LIU Post Pioneers‘ Homecoming game against the Saint Anselm Hawks.

I left for the Abrams Communications Building, home to WCWP, at 11:00 on Friday morning. I was there within half an hour and I immediately got out my equipment. There were shows to record, including one for me to host.

Unlike the previous three years, I was not the first show of the weekend. That honor went to 1960s Post Scripts, hosted by Art Beltrone and Jay Elzweig, who were with WCWP when it began:

Art Beltrone:

Jay Elzweig:

The show was packed with interviews and had occasional music.

The first guest was William Rozea, part of C.W. Post College’s first graduating class in 1959:

Also among Art and Jay’s guests were Jarron Jewell, LIU Post’s senior library assistant for archives and special collections:

Rita Langdon, LIU Post Executive Director:

Mark Bilker, another member of the Class of 1959:

Alan and Carol Fritz from the Class of 1966:

Bernie Bernard, Class of 1972:

Dan Cox, Class of 1985, and WCWP Director of Broadcasting:

Art, a Marine Corps veteran, presented Dan with banner from Vietnam, part of the Vietnam Graffiti Project.

…and Edward Keller, a Vietnam Graffiti Project volunteer and fellow Marine:

1960s Post Scripts concluded with “Yesterday” by The Beatles, which led into my show, Instrumental Invasion with Mike Chimeri.

As my second song played, I took a picture of Art Beltrone and Jay Elzweig:

Before he left, Art gave me a copy of Vietnam Graffiti: Messages from a Forgotten Troopship, by him and his wife Lee.

My setup in Studio 2:

I had Jeff Kroll take a picture of me at the board. He suggested I have my headphones on:

I belong to a few Discord servers and my fellow members know I’d be on. I gave them all a shout-out at one point during my show, including the servers’ proprietors: Norm Caruso a.k.a. the Gaming Historian, Game Dave, and Anna a.k.a. Circuits & Coffee. I gave Game Dave a personal shout-out after playing a Keiko Matsui song because he recommended her music over in-game music in one of his videos. I couldn’t recall which one on the air, but it was for the Famicom game A Week of Garfield (relevant portion at 7:40, unless you want to watch the whole thing):

Now that you’ve seen that video, here is my aircheck video:

If you just want the audio, click here for itClick here for the transitions, and a PDF of the playlist.

From one Mike to another: Magick Mike Hendryx (Mike Schanzer) followed me:

Pat and Jeff Kroll:

After the above picture, I packed up and got a ride back home. After a pasta dinner, I got to work editing Friday’s video and audio. I decided to wait until downtime after arriving back at Post on Saturday to edit Friday’s pictures.

Here is my Friday video, featuring plenty of 1960s Post Scripts, followed by two talk breaks each from my show and Mike Hendryx’s show:

I left for LIU Post at 12:30 on Saturday afternoon. Once on campus, I set up my equipment at WCWP, edited pictures on my laptop, and then headed to Bethpage Federal Credit Union Stadium for part of the Pioneers’ game against Saint Anselm.

I spent much of the second quarter in the press box. Calling the game were Jeff Kroll and Neil Marks:

Video of the game was also streamed online with WCWP audio:

The scoreboard console:

A defensive stop:

The Pioneers’ third touchdown drive:

“Touchdown, Pioneers!”

The extra point:

That’s the end of the first half:

The Pioneers went on to win 37-6. If this was their last game against Saint Anselm, as they are heading to Division I FCS (Football Championship Subdivision) next season (likely under a new name), they won all 15 of them. Highlights can be viewed here.

The next few pictures were taken on the way back to WCWP:

Ted David took this great picture of me:

Banners and trophies inside the Pratt Recreation Center:

Back at WCWP…:

Jett Lightning, Lew Scharfberg (standing), Ted David, Bill Mozer, Jay Elzweig:

As usual, Bernie Bernard was on after the game:

Lisa Seckler-Roode regailed Bernie with many stories from her days working for record companies and as a personal assistant to The Who guitarist Pete Townshend:

Bernie – or rather, Maura – with her fellow reverend, Fr. Michael Tesmacher, who she and I know as Mike Tes:

Mike and I have known each other since 2002 when we worked on the public access show, The Long Island Rainbow Connection.

Jeff Jensen and his son, Jackson:

Bernie and Lisa:

Ward Henry watching Bernie’s next-to-last aircheck of her show:

Bobby G. (standing) and Mike Riccio were next:

They hosted their special Homecoming countdown show:

Joining them was Jett Lightning (center):

Mike Riccio:

Bobby G.:

Jett Lightning:

Mike and Bobby:

Before I left, I had Pat Kroll take a shot of me and John Zoni, both of us with our glasses off:

John hosted the pregame, halftime, and postgame shows. He’d go on to host a music show at midnight.

Here’s the Saturday video:

After transferring photos, videos, and audio files to my computer and eating a late dinner, I went to bed early. I woke up at 5:30 AM. My second Instrumental Invasion of the weekend was scheduled to air at 6AM. When I accessed the WCWP app on my iPhone X, I heard silence (except for light static). Apparently, there was an automation glitch that kept the scheduled 2AM and 4AM pre-records from running. At 6AM, I briefly heard the start of the 4AM show, then 12 more seconds of silence, and finally my show. Here is the aircheckthe show transitions, and the playlist.

Bobby G. informed me on the WCWP Alumni Association Facebook group that the show also aired at 2AM, which was its original slot before a change was made two weeks ahead of Homecoming. So, not only did my show air without a hitch, it aired twice! Bobby called it an “extra bonus.” Jeff Kroll added, “Yessir BONUS time!”

I listened to the entire show. I lied in bed, looking up at the ceiling for the first 45 minutes, then went to the computer to edit, which I continued to do long after the show ended.

Jay LaPrise (“la-PREE”) hosted Sunday’s first live show from 8 to 10AM. Here’s how he signed on.

I may not have been at WCWP in person on Sunday, but I was there in spirit, not just with my show, but with the show’s filename on the stream page for several hours afterward:

As the day progressed, I periodically recorded more airchecks. Here are two from Billy the Kid (Billy Houst), on from noon to 2:00.

Joe Honerkamp was at the mic from 2:00 to 4:00. Here he is with his daughter Diana:

Lew Scharfberg and Bill Mozer, with a photobombing Neil Marks:

Lew hosted from 4:00 to 6:00:

Jeff and Pat Kroll, and Lew Scharfberg:

Neil Marks’s wife Lita:

Jeff Kroll assisting Neil Marks at the board during his 6:00 to 8:00 show with Pat Kroll:

Pat and Neil during their show:

From 8:00 to 10:00, Alana hosted a special Homecoming edition of The Rockin’ Sunday Show:

Jeff Kroll had the last shift from 10:00 to midnight:

And with that, the 41st annual WCWP Homecoming Weekend is in the books. It was a weekend I won’t soon forget, nor will my fellow alumni. I’ll leave you with the kind works Ted David left on my Facebook timeline:

May I publicly acknowledge C.W. Post alum Mike Chimeri. As I mentioned on the air during Homecoming Weekend on WCWP Saturday, his Friday jazz show was worthy of any shift at the former CD 101.9 or the current Watercolors channel on SiriusXM.
Add to that his superior skills as a photographer/archivist and he’s one amazing guy. I spent some time with him Saturday at the station and then down at the football game. Just a super talented guy, pleasant company and proud to call him a friend and “fellow alum!”

Thank you very much, Ted.

My experience at Day 1 of 2018 New York Comic Con October 5, 2018

Posted by Mike C. in Animation, Art, Audiobooks, Baseball, Comedy, Internet, Interviews, Media, Personal, Photography, Sports, Technology, Travel, TV, Video, Video Games, Weather.
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Other New York Comic Con recaps: 2012 Day 22014 Day 1, 2017 Day 1, 2019 Day 1

Yesterday marked my fourth time at New York Comic Con, held annually at the Javits Center in Midtown West. It was also my second consecutive year at NYCC.

I’d been looking forward to going ever since I bought my badge in June. Grey DeLisle (a.k.a. Grey Griffin), Phil LaMarr, and Richard Horvitz were among the voice actors that would be signing autographs, recording video or audio messages, and taking pictures with fans like me. Like last year, this was my sole reason for attending. None of the panels interested me.

I woke up at 5:30 in the morning. I spent the next three hours watching the American League Wild Card Game on DVR (the Yankees won handily), a couple of episodes of season six of Rowan & Martin’s Laugh-In on Amazon Prime, working out, and of course, getting ready to leave for the day.

My mother drive me to the Wantagh LIRR (Long Island Rail Road) station at 8:30 for an 8:47 westbound train. When I went there last Saturday on the way to see Chieli Minucci & Special EFX at The Cutting Room, the elevated track platform was partially closed off while the west half of it was being renovated. Little did I realize that renovation would complete two days later. Finally, after two years, when boarding a Babylon-bound LIRR train at Penn Station, you no longer have to ask if you’re in one of the six cars that lets out at Wantagh. When the east half was being renovated, only the last six cars could exit. When the west half was under renovation, you had to be in one of the first six cars.

I didn’t feel like taking out my DSLR until I got to the Javits Center, so I used my iPhone to take pictures on the platform:

It felt good to sit in the first car again.

The train ride to Penn Station took nearly an hour. Upon exiting, I walked up West 33rd Street to 10th Avenue, then north to West 35th to enter the Javits Center’s south side:

I endured a quick bag search (including emptying my pants pockets and holding up the contents) and tapped my badge in. Unfortunately, I was scolded for not moving beyond the area where the badge was tapped when I replenished my pants pockets. I felt like a fool, but felt better when I got inside and relayed my situation to an empathetic staff member when she asked if I needed help finding something.

Off to the autographing area:

I was third in line to meet Grey DeLisle at Table 1 after waiting about 45 minutes before her scheduled arrival.

As she and Richard Horvitz arrived, they spoke to each other in their respective voices on The Grim Adventures of Billy & Mandy. Richard was Billy and Grey was Mandy.

Grey was very nice. In my brief time with her, I told her I’d been a fan of hers since Clifford the Big Red Dog and three Butch Hartman cartoons – The Fairly OddParents, Danny Phantom, and T.U.F.F. Puppy. She did the voices of Emily Elizabeth (Clifford) and Vicky (FOP) for me, which led me to respond as Mark Chang, voiced by Rob Paulsen, whom I met last year. Then, we posed:

After we said our goodbyes as Vicky and Mark, I headed to Table 6 for Phil LaMarr:

I let him know how the chronological order in which I’d seen his work: FuturamaFamily Guy, MADtv reruns on Comedy Central, and Butch Hartman’s Bunsen Is a Beast. He was complimentary of Bunsen, and I lamented that it was a shame the show was canceled after only one season.

I concluded at Table 3 with Richard Horvitz:

We didn’t have time to chat, but I’m still glad to have met him. Shortly before our picture, I saw him record a video message for a fan as Zim from Invader Zim. As with his conversation with Grey as Billy and Mandy, it put a smile on my face and made me laugh. I applauded when he was finished.

After that, I headed back to civilization, so to speak…

…and walked the show floor:

I happened to pass by the SYFY Wire stage…

…as Cher Martinetti spoke to the creator/showrunner and cast of the new Netflix series, She-Ra and the Princesses of Power:
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The creator/showrunner is Noelle Stevenson, who was accompanied by Aimee Carrero (Princess Adora/She-Ra), Karen Fukuhara (Glimmer), and Marcus Scribner (Bow).

You can watch the interview here:

I commented on the video:

I walked by the stage during this interview. I was curious about this series after seeing The Power of Grayskull documentary, but now I’m all in. I’ll definitely be watching.

11/20 UPDATE: I have unfortunately fallen off the bandwagon. While I wish nothing but the best for the series, it plays out like a soap opera, and I’m more into episodes with self-contained plots. I don’t know how I would have managed watching the Rocky & Bullwinkle cartoons when they were new with story arcs lasting several weeks. The “Jet Fuel Formula” arc took 20 weeks, “Upsidasium” lasted 18 weeks, and “Missouri Mish-Mash” played out over 13 weeks. Now, back to the recap…

I pre-ordered Mega Man 11 for PlayStation 4, but have yet to play it.

Shadow of the Tomb Raider is on my Xbox One wish list:

Having seen all I wanted to see on the show floor, I headed down to the main entrance:

Then, I left:

It’s a good thing I didn’t wear a jacket because it was warmer than it had been in the morning.

Within 20 minutes, I was back at Penn Station, where I boarded a Babylon-bound train. An hour later, I was back in Wantagh.

I walked about a mile and half home, listening to Marion Ross’s memoir on Audible along the way.

Once I had unpacked my things at home, I took a picture of my badge (blurring out the codes):

It was a nice few hours at New York Comic Con. Thank you to Grey DeLisle, Phil LaMarr, and Richard Horvitz. It was a pleasure meeting you all.

2018 WCWP Hall of Fame Ceremony May 7, 2018

Posted by Mike C. in Internet, Interviews, Media, Music, Personal, Photography, Radio, Travel, Video.
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Other Hall of Fame ceremony recaps: 2012201320142015, 20172019

As usual, I took pictures and video, the latter of which is at the bottom of the post.

The seventh annual WCWP Hall of Fame Ceremony took place Saturday afternoon in the Goldsmith Atrium at the Tilles Center for the Performing Arts on the campus of LIU Post. It was my first time back on campus, and in the atrium, since seeing the Dave Koz 20th Anniversary Christmas Tour in early December.

Like last year, I arrived at Tilles a half hour before the ceremony. I immediately mingled with all that had gathered in the atrium as I set up my equipment. I noticed there was a mixer behind the platform where the interviews would take place. I went to the Abrams Communications Building, the home of WCWP, to ask Director of Broadcasting Dan Cox if he had an 1/8″ to 1/4″ cable so I could record from the mixer to my Tascam DR-03. He had a 1/8″ cable and an adapter, so I was set. When I got back to the atrium, I connected the cable and adapter to a line out jack, checked the levels, and started recording.

Shortly after 1:00, the ceremony began with an introduction by the aforementioned Dan Cox…:

…and a video narrated by Jim Cutler:

2015 inductee Jeff Kroll hosted again:

Dan Cox returned to present the first of two new awards. The WCWP Lifetime Achievement Award was given to “Grandfather Rock” Chris MacIntosh:

He shared some stories from his 37 years hosting Rock & Soul Gospel:

Back in 2016, the one year I couldn’t attend, WCWP’s sage secretary Ann Gaffney, a.k.a. Mrs. G, was posthumously inducted to the Hall of Fame. Her daughter Cathy Turner accepted on her behalf.

Cathy returned this year to present Kristina Huderski with the Ann Gaffney Student Service Award:

Kristina graduates this Friday.

2014 inductee Ted David recorded a message to the inductees from Florida:

2012 inductee Hank Neimark and 2017 inductee John LiBretto introduced Muffet Provost (“pro-VO”), then interviewed her over the phone:

Muffet was unable to attend due to impending surgery.

It was hard to make out what she was saying through the Atrium speakers, but she’s a little clearer in the video below.

2017 inductee Neil Marks introduced Pat Kroll (née Champion):

Pat read a thank you speech…:

…then reminisced with Jeff and Neil:

The obligatory view from my camcorder:

Jeff read a message from Joel Feltman:

Pat’s friend Joanne had a few words:

2015 inductee Bruce Leonard introduced Rev. John Commins:

None of us realized this at the time, but the year on the plaque is wrong. I should be ’73, not ’79. John noticed the error at his hotel afterward. Jeff Kroll promised on Facebook that John will receive a replacement plaque with the correct year.

5/28 UPDATE: John’s replacement arrived a few days ago. He took a picture which he shared in his Facebook timeline:

Jeff presented John with a CD of WCWP’s coverage of the Bar Beach (now North Hempstead Beach) Fireworks broadcast from 1987:

Jeff shipped the original cassettes to me last month and I remastered them.

A shot of John’s wife Marilyn while he shared the story of how they met:

“Ladies and gentlemen, thank you very much for joining us today at the seventh annual induction to the WCWP Hall of Fame!”:

Dan had Pat and John sign one of the posters:

Bruce, John, and Jeff posed with 2016 inductee Joe Honerkamp before he left:

John also prayed for Joe’s healing following a recent accident:

The cake:

Chris MacIntosh with his award:

Chris with Jay Mirabile:

Kristina Huderski with her award:

John LiBretto, Diane Hudson Taylor, Hank Neimark:

I had to pose with John and the CD I made for him:

My friend and hype man Jay Mirabile:

Pat Kroll and her mother Marion:

Pat and John:

The Krolls and the Commins’:

I always enjoy capturing these events and mingling with my fellow alumni. I feel deeply loved and appreciated. They’re my second family. I love you all. Congratulations to Muffet Provost, Pat Kroll, John Commins, Chris MacIntosh, and Kristina Huderski.

Here is the video:

Thanks to Dan Cox for providing the audio cable and adapter, and the introductory video. Thanks to Ted David for posting his segment to Facebook. My video was shot on a Panasonic HC-V770 camcorder with a Takstar SGC-598 shotgun mic. The audio from the mic can only be heard a few times. (A sound check in the auditorium disrupted Dan’s introduction a few minutes in, which is why there’s a jump dissolve.)

2017 LIU Post & WCWP Homecoming, 2018 Hall of Fame Announcement October 16, 2017

Posted by Mike C. in Airchecks, Audio, Football, Interviews, Jazz, Media, Music, Personal, Photography, Radio,