Guest reading at my old elementary school: Year 6 March 4, 2022
Posted by Mike C. in Airchecks, Animation, Audio, Books, Education, Internet, Jazz, Media, Music, Personal, Photography, Radio, TV, Video.1 comment so far
Other guest reading posts: 2015, 2016, 2017, 2018, 2020
I returned to Leo F. Giblyn School in Freeport on Wednesday for Guest Reader Day, what they call National Read Across America Day. It was my sixth appearance as a guest reader (and photographer) and my first time inside Giblyn in exactly two years, a week and a half before the COVID-19 pandemic shut down anything and everything, taking education virtual. I had an opportunity to read virtually last year, a hybrid learning year (half a classroom’s students in person, half online), but I couldn’t get the pass code to log in.
It was so great to be back, and the faculty and students were glad I was back. This was the first year with Amy Lederer as principal, moving up from assistant principal following Amanda Muldowney’s retirement.
After photographing one guest reader, Ms. Lederer had me photograph the Freeport High School students who read to classrooms before I arrived at 11AM. I then mingled with my mother Lisa, a teaching assistant at Giblyn since I was in 4th grade there, and other faculty. Before photographing three more readers, Stephanie Huggard informed me which classrooms I would be reading to and when: 1:00, 1:55, and 3:00. I ended up reading to one more class after the third. The books I read were (teachers in parentheses):
- I Wanna Iguana by Karen Kaufman Orloff (Suehanne Sueffront, Wendy Connelly)
- Horton Hears a Who! by Dr. Seuss (Meghan Carney)
- No Lie, I Acted Like a Beast! by Nancy Loewen (Emmy Nicholas)
- What Makes a Rainbow? by Betty Schwartz (Francie Jonza)
Mrs. Connelly prompted me to tell Mrs. Souffront’s class about my WCWP radio show, which led me to promote that night’s 100th Instrumental Invasion, to share that I will be inducted into the WCWP Hall of Fame on June 11 in the Great Hall at LIU Post, and to view my website and YouTube channel. We listened to part of the aircheck from last Wednesday’s show and watched some of the video of my live Homecoming Weekend show in 2019. It was a lot of fun, especially using the large touchscreen monitor to scroll up or push buttons. I felt like a weatherman.
Reading Horton to Mrs. Carney’s class was quite a workout, as I did the voices from the 1970 TV special while reading. My radio show and accomplishments came up again, and we talked about animation and voice-overs. The kids in all classes loved my performances and had many questions that I was happily answered. It was challenging to read the non-Dr. Seuss books cold (site unseen), but still fun. Before I read to Mrs. Nicholas’s class, I stopped in Mrs. Jonza’s room, and we agreed I’d read to her kindergartners when I was finished upstairs. The only class where we didn’t visit my website and listen to last Wednesday’s aircheck was in Mrs. Carney’s. Mrs. Jonza’s students loved the sound of “Feel It Comin’” by Grover Washington, Jr. when I played part of last Wednesday’s full aircheck. (Unedited airchecks for every week of Instrumental Invasion are available for download here.)
As I was talking to Mrs. Carney’s students about myself, Lori Downing came in to read Clovis Keeps His Cool by Katelyn Aronson. Mrs. Downing was a reading teacher at Giblyn until her retirement in 2020. I was pleasantly surprised to learn earlier in the day that she would be a guest reader, but this was the only room I was able to watch her read in.
Thank you, again, to everyone I interacted with on Wednesday. Special thanks to Anita Stevenson. Mrs. Stevenson has been highly supportive me through the years and yesterday was no exception. My photo with her is included in this year’s collage of select photos from the classes I read to:

I don’t want to limit our photo to the collage. Here it is in full:

Thanks again.
Instrumental Invasion, 1/26/22 January 27, 2022
Posted by Mike C. in Airchecks, Audio, Film, Internet, Jazz, Media, Music, Personal, Politics, Radio, TV.add a comment

The January 26 Instrumental Invasion on WCWP was recorded from December 7 to 9, 2021. The first segment was recorded at home on the 7th, four segments at the remote location on the 8th, and the last segment and pickups back at home on the 9th. More pickups were recorded at the remote location on the 14th as I shortened four segments. Starting next week, all segments will be 18 minutes long, bringing me full circle as that was the standard duration for the first seven months of Instrumental Invasion. (Going forward, I will not specify where segments are recorded; only when.)
The playlist was created on December 5 with annotations on the 6th. The talk break script was drafted on the 6th and 7th.
The stream cut out seven minutes into the show. Audio returned 39 minutes later, but uncompressed and initially fluctuating between channels. I will reuse the songs that didn’t air in future shows.
I played “Sundance” by Boney James because it was on the smooth jazz radio charts at the time of recording. I also wanted to work in the line “without Butch” in reference to Butch Cassidy and the Sundance Kid. You won’t hear that on Watercolors!
I didn’t realize “Legacy” by Kenny G – a “duet” with Stan Getz – was new to the charts. I chose it as the first of six tracks to play from New Standards because it was featured in Kenny’s episode of the HBO documentary series Music Box that aired on December 2, the day before the album’s release. Plus, I got to call back to the Return to Forever song at the top of the show (“Medieval Overture“) since Stan Getz collaborated with Chick Corea during the RTF era. Fun fact: Chick’s compositions “Captain Marvel” and “500 Miles High” were recorded with Stan before RTF, but Light as a Feather came out first.
And yes, it’s true. I once let slip my political views on air, as noted after Jeff Lorber‘s “Anthem for a New America.” These days, the less I know about politics and current events, the better, and I don’t want to clash with people. I want to be everyone’s friend, regardless of politics. Incidentally, this was the second week in a row where I played a song from Jeff’s He Had a Hat album.
Click here to download the aircheck MP3 or listen below:
The dead air portion was filled with segment file audio. The audio afterward was hard limited with the fluctuating portion converted to mono.
Instrumental Invasion, 1/12/22 January 13, 2022
Posted by Mike C. in Airchecks, Animation, Art, Audio, Comedy, History, Internet, Jazz, Media, Music, News, Personal, Philanthropy, Radio, TV, Video.add a comment

NOTE: This post concludes with remarks on the passing of Bob Saget.
The January 12 Instrumental Invasion on WCWP was recorded from November 23 to 25, 2021. The first segment was recorded on the 23rd, the next three on the 24th, and the last two on the 25th, Thanksgiving. Pickups were recorded on the 25th, 27th, and 28th, with an additional pickup on December 14 to accommodate a shortened final segment. The other five had no wiggle room and remained 18:30 in length.
The playlist was created on November 21 and annotated on the 22nd, followed by the script draft.
I had South America, particularly Brazil, on my mind after watching a documentary on Disney+ called Walt & El Grupo about Walt Disney’s 1941 trip, with a group of studio artists, to South America. Then, I watched the two films inspired by the trip: Saludos Amigos and The Three Caballeros. The combination of watching those and listening to a DAT transfer of an extended of “Life is Like a Samba” by David Benoit, which was on a 7″ EP, are the reason I played the album version of the aforementioned song, “Cabana Carioca” by Spyro Gyra, and Cedar Walton‘s cover of “Aquarela do Brasil,” a.k.a. “Brazil.” And while determining how to pronounce vocalist Jerri Bocchino’s last name, since she sang the “Life is Like…” refrain, I was led to her website where she goes by Jerri Bo Keno. That’s how: “bo keno.”
I continued my tradition of playing a different version of a song I played the week before. Last week, I played the original Nelson Rangell version of “Dancing with Ivy,” and this week, it was the song’s writer Jay Rowe‘s version on his debut album, A Dream I Had.
“Wayman” by Steve Cole, “Still In Love” by Marc Antoine, and “Just Can’t Resist” by Oli Silk were all played for the second time. The first two were singles at the time of recording while the third song, like “Chrome Explosion” last week, was used to fill out the segment.
This was the second week in a row where the first song of the show was from 1979 and by a guitarist, and where the third song was by The Crusaders.
I was unaware of bassist Will Lee‘s Uncle Will nickname until an Instagram post by Bob Saget on October 28. I first used it on the Christmas show a few weeks ago. The reason for this anecdote is the unexpected passing of Bob this past Sunday. I saw a post by him that morning, thinking nothing of it, and was blindsided when I saw this post from actress Khrystyne Haje at the top of my feed around 8PM. I was ready to go to sleep, but couldn’t for about two hours. How could I with shocking news rattling around my brain? How could anyone, especially those that knew him personally?
Bob’s media friends, like Rich Eisen, suggested fans donate to the Scleroderma Research Foundation in his honor. Bob became involved with SRF after the disease took the life of his sister Gay. I made a donation before airtime last night, and I’m happy to report that thousands more have done the same.
As for last night’s show, click here to download the aircheck MP3 or listen below:
Instrumental Invasion, 12/29/21 December 30, 2021
Posted by Mike C. in Airchecks, Audio, Golf, History, Internet, Jazz, Media, Music, New Year, Personal, Radio, Travel, TV.add a comment

The December 29 Instrumental Invasion on WCWP was recorded in two days: the first segment at home on November 9 and the other five at my remote location on the 10th. The denoise filter was applied to all talk breaks but the first. Pickups were recorded on December 14, without the filter, for three shortened segments.
The playlist was created on November 7 and annotated on the 8th with the script draft carrying into the 9th. I forgot to include the New Year’s Eve host succession included in the annotation for “Auld Lang Syne,” but it’s fine. It was better to focus on Guy Lombardo and my Freeport beginnings. The use of Fourplay‘s “Auld Lang Syne” makes this the second week in a row where the show begins with a song from their Snowbound album. It’s also the second regular show in a row with an extra 2017 to present segment in place of 1984 and earlier.
Michael Brecker‘s rendition of “Song for Bilbao,” which followed “Auld Lang Syne,” was first played last June 24. This time, listeners got to hear the correct information as my segment redo the last time didn’t air. I played “Groove Reflections” by Jay Rowe to make up for the end getting cut off on November 3.
The last time I visited my grandparents’ condo, in March 2011, I photographed grandpa Carmen’s hole in one trophy from two angles:


As I said coming out of “Hole in One” by the Delvon Lamarr Organ Trio, Carmen shot a hole in one on the eighth hole of Tarpon Springs Golf Course on August 11, 1995.
The show had its share of running gags, including “plural” and a flat “yes” response to musical questions.
Click here to download the aircheck MP3 or listen below:
See you in 2022!
Instrumental Invasion, 12/15/21 December 16, 2021
Posted by Mike C. in Airchecks, Animation, Audio, Comedy, Internet, Jazz, Media, Music, Personal, Radio, Rock, Technology, TV, Video.add a comment

The December 15 Instrumental Invasion on WCWP was recorded its entirety at my remote location on November 1, immediately after annotating the playlist and drafting the script. The playlist was created the day before, on Halloween (October 31). It’s the fastest turnaround from creation to completion since the July 14 show, which was created, annotated, and script drafted on June 2, and recorded on the 3rd.
To play it safe, I applied the denoise filter to all talk breaks, except for the pickup I recorded from home which is the first time I noticed how echoey my room is.
Back at home, I was a few days into re-digitizing my DAT and analog cassette recordings of The Mike Chimeri Show on WebRadio WCWP and the original The Instrumental Invasion on WGBB. Those shows were fresh on my mind during recording, as was Full House, a show from my youth, which I was four seasons into on HBO Max. Hence, “you got it, dude!,” and allusions to my early radio shows and its lead-ins: Jay Mirabile (2001-02) and Ryan Grabow (2003). It’s too bad that the stock laugh that The Nanny ran into the ground – as noted in the October 27 post – was used first by Full House starting in season 7. That laugh again:
Torture.
For the second time in the last four weeks, I swapped out the 1984 and earlier segment for an extra 2017 to present. I also opted to list release dates for 2021 releases instead of billing them as “all-2021 segments,” which I’ve overdone. One of the 2021 songs was the Delvon Lamarr Organ Trio‘s cover of “Careless Whisper” by George Michael. Bill McClintock did a great mashup that combines the backing track to George’s version with the vocals from “Love Gun” by KISS. Watch:
This was the second week in a row with a song from David Benoit‘s album, Here’s to You, Charlie Brown: Great Years! This time, I cited the accompanying TV special, which was the last Peanuts special on CBS before ABC took over broadcasting rights. What I didn’t mention is rights now belong to Apple TV+ and PBS.
As for the December 15 Instrumental Invasion, click here to download the aircheck MP3 or listen below:
Festival of Games recap December 13, 2021
Posted by Mike C. in Animation, Aviation, Christmas, History, Internet, Media, Personal, Photography, Travel, TV, Video, Video Games, Weather.add a comment

Saturday, for the first time in two years and four months, I made the pilgrimage to the Cradle of Aviation Museum along Museum Row in East Garden City. The event was Festival of Games, spun off from the Long Island Retro Gaming Expo. The main expo returns next August, but video games were calling for me. So, I bought a ticket to the Festival on November 23.
My plan Saturday was to attend for two to three hours, walking through the vendor hall, free play zones, and ticketed arcade zone. (Patrons were given a ticket with their wristband at the front desk.) If any arcade games caught my eye, I’d play them. Then, I’d go back to the vendor hall and pick up games. I followed that plan to the letter upon my arrival just after 12:30. Here are the photos:























A R.O.B. quintet “dances” to Christmas music. 







Computer Space is celebrating its 50th anniversary this month (and last month)! 









Ah, Tetris. As I noted in my recap of the 2019 LI Retro (the expo’s preferred shorthand, rather than LIRGE), I have fond memories of playing the Tetris arcade game at Kutsher’s Hotel and Country Club in March 1995. It was the third of four years in a row of weekend retreats with my fellow congregants of Union Reform Temple. We went to Kutsher’s in ’95 and January ’96, and prior to that, the Nevele Grand Hotel in January ’93 and ’94. Sadly, URT and the two resorts are now defunct. 







The next arcade machine I played was Street Fighter II. I picked up where the previous players left off, but didn’t realize they were in two-player mode until I had my way as Guile with Dhalsim. 

After this, one-player mode kicked in and I was summarily defeated by Ryu, despite somehow winning round 2. 



I am better with the NES port of Donkey Kong Jr. than with the arcade original. 
“Body blow! Body blow!” 
Out of privacy, I chose to remove the boy’s face from this photo. 




I’d heard about Rolling Thunder, but never played it until Saturday. Again, I didn’t get far. 


After that, I gave Double Dragon a go. Yet again, I didn’t get far, but it was far enough for me. 


I could not get a handle on Arkanoid, nor am I the best at its spiritual sibling Breakout. I’m great at Alleyway on Game Boy. 

NFL Blitz isn’t the same off N64. 







Last but not least, another game I saw in the arcade room at Kutsher’s: NARC.
I didn’t play NARC then (or now), but I videotaped two of my friends playing, per these vidcaps (12/27 UPDATE: I upscaled the vidcaps with Bigjpg):



I left this out of the stacked gallery, but one of the free play TVs was connected to a Famicom Disk System, which ran a festive program:


Back at the vendor hall, I picked up 33 games for various consoles. I don’t remember what I bought from which vendor, but the business cards show they were Geek Guilt, Flashback Gaming, The SemiCollector, and Joega’s Comic Chaos. When greeting one of the vendors, I inadvertently said “hello” like Sheldon Cooper, Jim Parsons‘ character from The Big Bang Theory (and Iain Armitage‘s from Young Sheldon). Noticing, I repeated and got a laugh. As I edited Saturday’s photos, I noticed I missed a couple of vendors over the course of my shopping spree. Oh, well.
As I shopped, I checked my video game collection Word document to make sure I didn’t buy a game I already had. I didn’t.
While waiting for a ride home, I photographed my haul:

Once I got home, I photographed my pickups by console.
Going chronologically, I picked up 15 NES games:

Five for Sega Master System:

Three on Game Boy:

Two for Super Nintendo:

One for Super Famicom!:

Two for Sega Genesis:

One for Sony PlayStation:

One for Nintendo 64 (N64):

Two for PlayStation 3:


And one for Nintendo Switch:

In writing, the games were:
Nintendo Entertainment System:
- Balloon Fight
- Cobra Triangle
- Fester’s Quest
- Freedom Force
- Gauntlet II
- Golgo 13: Top Secret Episode
- Hogan’s Alley
- Kabuki: Quantum Fighter
- The Legend of Zelda
- Mickey Mousecapade
- Rambo
- RoboCop
- Section Z
- StarTropics
- Wrath of the Black Manta
Sega Master System:
Game Boy:
Super Nintendo Entertainment System/Super Famicom*:
Sega Genesis:
PlayStation:
Nintendo 64:
PlayStation 3:
Xbox 360:
Nintendo Switch:
Thank you to LI Retro for an enjoyable Festival of Games. I’ll see you in August.
Instrumental Invasion, 11/24/21 November 25, 2021
Posted by Mike C. in Airchecks, Animation, Audio, Comedy, Internet, Jazz, Media, Music, Personal, Politics, Radio, TV, Video Games.add a comment

The November 24 Instrumental Invasion on WCWP was recorded one hour per day on October 4 and 6. I chose not to record on the 5th due to insomnia the night before. Recording was done on my laptop at my secondary location, but with my spare Audio-Technica AT2020 mic connected to my Focusrite Scarlett 2i2 that I used at home before receiving a new mixer for Christmas. The mic stood on a boom for three years under the false hope of conducting an interview with a house guest. Accepting reality, I brought the mic and interface to the other location to use with my laptop. I’d finally achieved a universal sound with the same mic model in both locations. The only problem is I noticed a hum on my talk breaks, which I determined was from the fluorescent lights on the ceiling. Apparently, I had gotten used to the hum and forgot it existed. I know now to turn off the lights before recording.
Pickups were recorded from home on October 8 and 21. Segments were also remixed on the 21st down to 18:30 or close to it.
The playlist was created on October 1 and annotated on the 2nd. The script was drafted before recording on the 4th.
To accommodate all the new music I received, I replaced the 1984 and earlier segment with a third 2017 to present segment.
This was the first show with a new Dan Siegel liner in mind. Segments from the previous four shows featuring his music were retrofitted to include the liner.
In addition to new music by Dan, the show also marked the debut of the Delvon Lamarr Organ Trio after his music was sent my way for airplay consideration. I said the title of the song I played “Girly Face,” a la Arnold Schwarzenegger, in reference to his phrase “girlie men.” The phrase was co-opted from the Hans and Franz sketch on Saturday Night Live, in the same manner that “cheese-eatin[g] surrender monkeys” was co-opted from an episode of The Simpsons.
I averted an error when crafting the second segment of hour 1, but missed the one in hour 2’s second segment. Thinking I had 3:50 available rather than 2:50, I selected “Watch Your Step” by Chris Geith. I realized the error during the October 6 recording session, replacing it with “Nocturnal” by Lisa Hilton. You’ll hear Chris’s song next week.
I’ve been meaning to end a show with Gerald Albright‘s cover of “Crazy” for a while, but it never fit. There was finally time for it this week.
Little did I realize that the penultimate song of the night, “Looking Ahead” by Bill Heller, would get the music video treatment the day after I finished recording. Here it is, with all musicians except for the percussionist (Paula Atherton is featured in the thumbnail on flute):
I didn’t mention on the air, but it was my parents’ 44th wedding anniversary.
Click here to download the aircheck MP3 or listen below:
8:45 AM UPDATE: I made another mistake that I didn’t notice until listening to the aircheck. When drafting the script, I mistook the first “i” in Dan Feiszli for an “r,” leading me to call him “Dan Ferszli” while back-selling “Full Sail” by Lawson Rollins.
Instrumental Invasion, 11/17/21: 40th Birthday Special! November 18, 2021
Posted by Mike C. in Airchecks, Audio, Basketball, Football, Internet, Jazz, Media, Music, News, Personal, Radio, Sports, Technology, TV.add a comment

The November 17 Instrumental Invasion on WCWP was recorded one hour per day on September 29 and 30. I would have started recording on the 28th, but deferred to the next day due to insomnia the night before. Pickups were recorded on October 21 while remixing segments to 18:30 in length. (The first segment is still 18:40.)
The playlist was created and annotated, and the script was drafted all on September 27.
The format for this week would have been used in my Homecoming Weekend prerecord if I was also granted a live show. Instead, it fit right in on my 40th birthday. I had a great birthday, by the way, and will have a separate recap post at a later date.
I didn’t realize how many males named Kim were in the show until recording began. It was a fun running gag. I was also surprised to learn that Dave Grusin wasn’t the one playing George Gershwin‘s “That Certain Feeling” at the start of his The Gershwin Collection album. It was a player piano playing a roll punched by George himself! Also, the Bryant Reeves “Big Country” reference tied in nicely with a Wayman Tisdale song to follow. As noted, they played basketball at rival colleges.
I made sure to play “Remember When” by Dan Siegel since Ed Alton played bass on it. That way, I could refer to Head of the Class, a show Ed composed for, which I rediscovered on HBO Max two weeks before recording. The reboot premiered earlier this month. (5/13/22 UPDATE: It was canceled in December.)
My use of the phrase “knock on wood if you’re with me” was an homage to (at the time of recording) Las Vegas Raiders head coach Jon Gruden. About a week after recording, unflattering e-mails from Gruden’s past were leaked to the public, which led him to resign.
In case you missed it, this was the first show without a David Benoit song. Don’t worry. He’ll be back next week.
Click here to download the aircheck MP3 or listen below:
Instrumental Invasion, 11/10/21 November 11, 2021
Posted by Mike C. in Airchecks, Art, Audio, Internet, Jazz, Media, Music, Personal, Radio, TV, Video, Video Games.add a comment

The November 10 Instrumental Invasion on WCWP was recorded over four days for the second week in a row: one segment per day on September 20 and the 21st, and two per day on the 22nd and 23rd. The latter pair of days were also when pickups were recorded. Additional pickups were recorded on October 21 while shortening segments to 18:30 or close to it.
This was the first show recorded with a new shock mount, which seemed to muffle my mic’s audio. In some talk breaks, I sound like I’m in a hollow tube. It’s because the mic was facing the wrong way, which I didn’t notice until afterward. I had to apply a “denoise” effect on the last talk break as construction machinery was running next door.
The playlist was created on September 19 with annotations and the script draft on the 20th.
I ended the show with Scott Wilkie‘s cover of “Eu Vim da Bahia” (I Came from Bahia) to make up for not crediting percussionist Gibi dos Santos in the February 3 show.
I’d been meaning to play “Buckle Up” by Nick Colionne ever since I heard it on SiriusXM’s Watercolors on July 3 while on the way home from my first cousin once removed’s first birthday party.
My reading of “Smartypants,” while back-selling the David Benoit and Russ Freeman collaboration, was a nod to an infamous TV ad for the original Sonic the Hedgehog game:
The glasses and voice led me, and several others, to believe Andy Dick was the actor playing the H.A.G. president. I learned while drafting this post that it was really Larry Cedar. I mostly know Larry through his voice over work, but have followed him, and his artist daughter Jaqueline, on social media.
As for my show, click here to download the aircheck MP3 or listen below:
Not included in the scope is a community calendar spot that ran during the first break:
Audiobooking 7 March 26, 2022
Posted by Mike C. in Animation, Audio, Audiobooks, Baseball, Books, Comedy, Commentary, Drama, Film, Football, Health, History, Internet, Media, Music, News, Personal, Politics, Radio, Rock, Sports, TV, Video, War, Wrestling.2 comments
Another year of audiobook listening is in the books. I’m still an Audible member and use each month’s credit on a new book, but throughout my membership, there will come a time where I pay $35.88 to buy three extra credits. I listened while exercising, running (or walking) errands, doing household tasks, and at bedtime.
I even listened to one book on YouTube rather than Audible. Find out which one as I list the audiobooks I listened to since last year’s Audiobooking post:
As I crafted this post, adding one book at a time, I had no idea how many books I had listened to: 34, plus three that I returned! That far exceeds the amount of books in earlier posts.
Until next year’s “Audiobooking” post, happy listening.