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My Twitch “Back After This” game show music cue mixes (plus radio jingles, sports TV themes) December 18, 2023

Posted by Mike C. in Audio, Game Shows, Livestream, Media, Music, TV.
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The overlay was changed on 5/29/25 to make use of ever-growing bird and plane photo slideshow loops (As of 7/20, I run a plane photo slideshow loop)

Rather than update my Twitch setup post, I’ve made this original post chronicling every cue in my game show music cue mix (mostly from The Price is Right). Per a TXT file compiled from my Adobe Audition multitrack sessions, the mixes currently in rotation are listed below. (NOTES: I tweaked the speed for some of the cues, so they vary from the original links. Not all cues have corresponding links.)

“BACK AFTER THIS” MUSIC CUE MIXES

As a bonus, my starting soon/next time Match Game-Hollywood Squares Hour cue mix combines these files:

2/8/24 UPDATE: Today, I worked on two more cue mixes – one for Match Game and MGHS, and the other for Wheel of Fortune.

  1. MatchGameCueMix (10:28)
    Think Cue 2
    Think Cue 3
    Think Cue 4
    Think Cue 5
    Think Cue (MGHS)
    Super Match Think Cue (MGHS)
    Ticket Plug/Consolation Prize Cue
  2. WOFCueMix (12:35)
    Ticket Plug Cue, 1975
    Prize Cue, 1975
    Prize Cue, 1983 (Struttin’ on Sunset)
    Shopping Cue, 1983 (Nightwalk)
    Car Cue, 1987 (Buzzword) (Merv Griffin’s Crosswords Theme)
    WoF – 1989-92 Opening Theme (100% CLEAN)

2/16/24 UPDATE: Another two music cue mixes have been added, but these are random and not tied to one show. The cues and themes are for Price, Concentration, Wheel, Family Feud, Hollywood Squares, Password Plus, Super Password, and Press Your Luck.

  1. RandomGameShowCueMix1 (12:07)
    Family Feud – Intro/Faceoff Cue (1976)
    Hollywood Squares Theme – Opening (1986)
    TPIR – Temptation Cue #1
    Family Feud – Ticket Plug/Faceoff Cue (1976)
    Concentration 1973-78 Prize Cue 11
    TPIR – Showcase Cue 1 (No Leads) (Cue 53)
    TPIR – Showcase Cue 2 (No Leads) (Cue 32)
    TPIR – Oriental Rug Cue (Concentration) (Cue 70)

    TPIR – Ceiling Fan/Pool Table/Bar Set Cue (1983)
  2. RandomGameShowCueMix2 (12:04)
    Password Plus Theme
    The Feud (Family Feud Main Theme) (1976-85)
    Press Your Luck (1983-1986) – Extended Closing Theme
    Super Password Theme
    Wheel of Fortune – Prize Cue, 1983 (Country Samba)

3/6/24 UPDATE: This morning, I added the 20th cue mix; the 14th of all Price is Right cues.

  1. TPIRCueMix14 (11:37)
    Refrigerator/Freezer IUFB Cue
    Jewelry/Gold IUFB Cue (Cue 77)
    Luggage/Train Set IUFB Cue (Cue 74)
    IUFB Cue ’72 (2) (Cue 34) (Moog-40)
    Chair/Recliner IUFB Cue 2
    IUFB Cue ’72 (1) (Cue 67)
    Cue 35
    Grocery/Small Prize Cue ’72 (1)
    Artwork IUFB Cue
    IUFB Cue ’72 (3)
    Bhen (Electronics IUFB Cue)

12/28/24 UPDATE: I added a WCBS Newsradio 88 jingle demo shortly after the format switch in August.

21. wcbsradiopackage-morethanjusttheheadlines-adjoined2 (10:43) (Edited from package posted to Don Swaim’s tribute site)

And tonight, I made a mix of game show themes:

22. RandomGameShowThemeMix (11:41)
Card Sharks 1978-81 Theme
To Tell the Truth Theme (1980)
Body Language Theme
The All-New Let’s Make a Deal Theme (1984-86)
Hollywood Squares Theme (1986)
Card Sharks 1986-89 Theme (slowed down to original speed)

4/17/25 UPDATE: After Wink Martindale died, I found a set of music cues from Tic-Tac-Dough. I made an edit that ends before the trip description cues. (Replaced with edited version on 11/10/25.)

23. Tic-Tac-Dough Music Set (without gaps) (no trip cues) (edit) (10:37)
Descriptions are taken from the YouTube video’s description:
Opening theme
Closing theme (loops removed)
Short Trumpet Cue
Contestant Introduction Cue
Regular Game Win Cue
Longer Game Win Cue used when a contestant wins a car with every 5 games (edited out)
Shorter Version of Regular game Win Cue in a higher key signature
Think Music Cue for extra time on center box category as they were always two part questions to earn that center box which Wink Martindale always called them a two-parter
Bonus Game (Beat The Dragon) Win Cue which is also the same as the Win Cue used when a contestant wins a car with every 5 games except that it plays once instead of twice
Bonus Game (Beat The Dragon) Cue when a contestant comes on over to play their Bonus Game (Beat The Dragon)
Consolation Prize Cue
Car Description Cue
Contestant Ticket Plug Cue
Bonus Game (Beat The Dragon) Prize Cue 1
Bonus Game (Beat The Dragon) Prize Cue 2
Bonus Game (Beat The Dragon) Prize Cue 3
Bonus Game (Beat The Dragon) Prize Cue 4
Bonus Game (Beat The Dragon) Prize Cue 5

4/29/25 UPDATE: I added a 24th mix yesterday with a Jeopardy! theme. (Replaced with edited version after 11/13/25 stream.)

24. JeopardyMusicMix-Edit (8:34)
1978-79 Opening Theme – Jeopardy! (“January February March”)
Wheel of Fortune – Prize Cue, 1983 (“Frisco Disco”) (1978-79 Jeopardy commercial/closing cue)
Jeopardy – 1992-1997 (via Internet Archive)
1997-2001 Theme Song – Jeopardy!
Rock & Roll Jeopardy theme song (via Internet Archive)

8/25/25 UPDATE: I neglected to note the addition of four recycled cue mixes. I made them since I rarely take breaks long enough to hear the cues below.

25. RecycledCueMix1 (8:13)
Second Thoughts (Most Expensive Cue)
Phone Home Game Grocery Cue
08 Dig We Must
Showcase Cue ’03 (2) (mono)

26. RecycledCueMix2 (8:56)
Concentration 1973-78 Prize Cue 8
Classic Concentration Closing Theme Music (loops removed)
Amen, Brother Herbert
Truck-Van-Jeep Cue (edit)

27. RecycledCueMix3 (8:18)
The Cats (PlutoTV Bumper Music)
Race Game, Buy or Sell, Take Two Cue (edit)
Fortune Hunter-Clearance Sale Cue
Temptation Cue #2 (Cue 222)

28. RecycledCueMix4 (10:48)
Ticket Plug/Consolation Prize Cue (Match Game)
WoF – 1989-92 Opening Theme (100% CLEAN)
TPIR – Ceiling Fan/Pool Table/Bar Set Cue (1983)
Bhen (Electronics IUFB Cue)
Wheel of Fortune – Prize Cue, 1983 (Country Samba)

11/9/25 UPDATE: I’m up to 29 cue mixes, 5 of which are recycled cue mixes. (First two cues swapped on 11/15/25.)

29. RecycledCueMix5 (9:03)
Trip Cue ’83 (careful speech volume leveler)
Car Cue, 1987 (Buzzword) (Merv Griffin’s Crosswords Theme)
Make Your Move (Cue 210A) (edit)
Super Password Theme

11/14/25 UPDATE:
30. RecycledCueMix6 (8:06)
Elegant Luxury Car Cue (Temptation Cue #5)
Spring Waltz SP (Plinko Cue #1)
Living-Dining-Bed Room Cue (1) (Cue 87)
Family Feud Showcase Car Cue

1/27/26 UPDATE:
31. NFLThemeSongMix (10:39)
NFL on NBC – 1973 (via Obsolete Video restoration of 1974 KNBC video tape)
Superbowl XVII and NFL Basic – Long (NFL 83)
ABC Monday Night Football Alternate Theme (1989-2005)
NFL on CBS – 1986-1988
NFL Live – NBC – 1994
NFL on CBS- 1998 – Full

3/7/26 UPDATE
32. NFLThemeSongMix2 (6:49)
NFL on NBC Theme (1980 & 1981 Seasons) (Edit of “Don’t Turn Away” vocal disco version)
NBC Sports ‘SUPERBOWL 17’ NFL on NBC Theme (1986-1989) – 2 MIN 30 SEC Extended Cut
NBC Sports ‘GRIDIRON 2’ NFL on NBC Theme (1994) – AN1 2020 Mix
‘NFL on FOX’ Theme Song

The Heidi Game story from an NBC log clerk November 17, 2023

Posted by Mike C. in Film, Football, History, Hockey, Media, News, Sports, Technology, TV, Video.
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Today is not just my 42nd birthday, but the 55th anniversary of the infamous Heidi Game, an AFL game between the New York Jets and Oakland Raiders. My fellow WCWP Hall of Famer John LiBretto, inducted in 2017, was a log clerk for NBC at the time, and permitted me to share what he remembered from that night via our e-mail conversation on Tuesday.

This is John’s story:

A little background: I was a Log Clerk, which was my entry job at NBC (I had started in June of 1968). Basically logged all programming and commercials etc. for the local station (WNBC) and for the network.

I worked in a room with two TV monitors just next to BOC (Broadcast Operations Control), the area that was responsible for all programming output to the network and WNBC. Next door was Master Control, and just in front was the Control Room that switched between all the control studios, rolled the station breaks etc. etc. Busy place.

On any given weekend that had live sports, the Operations Dept issued Conditions that outlined what was to happen during various points in the broadcast day (i.e. handoffs between games and regionalization of games during the football season, and the end of sports into the prime-time schedule at 7PM on a Sunday night). Remember, while the NFL and AFL had announced their merger to take effect in 1970, they were still separate leagues in 1968. The AFL did not have the high ratings of the NFL, nor the clout over the network (in fact, it was said that NBC saved the AFL, and helped facilitate the merger).

There were times that the network would allow a game to run slightly past 7PM, and either slide the network accordingly (rare), or do a Join-in-Progress (also rare). The show on this particular Sunday, Heidi, was a very expensive adaptation of the story (music by John Williams, by the way), and the conditions specifically stated that, no matter what, the show would air to east and central time zones at 7PM. The big 4PM game was, of course, Jets at Oakland Raiders. The commercial control was in Burbank (NBC’s west coast headquarters), so the game was coming back to the east via the video/audio lines from NBC Burbank to Paducah, KY, where it was switched, by AT&T, into the main network via something called the Round Robin (the network signal left NY and traveled in a big circle, city to city, and eventually came back to NY…a big circle that allowed news feeds and regional commercials to be switched into the network as needed (not to mention regional football games).

A lot of set-up information for what transpired next.

As we got closer to 7PM, it was pretty clear the game was not going to end on time. Curt Gowdy had already promoted that Heidi would be coming up in the east and central time zones at 7PM; the game would continue out west. The powers that be (Julian Goodman, President of NBC) realized that this was probably not a great idea after all, and tried to call BOC to order a change (i.e. let the game finish, and slide the east and central feed of Heidi). By this time, the calls were coming into NBC New York from viewers and overwhelming the switchboard, so Goodman couldn’t get through in time.

Here’s the sequence as it aired on the East Coast:

6:58:40 Network Identification (NI) a :06 seconded, either a promo, or just “This is the NBC Television Network.”

6:58:46  Network goes to black for local station break

Somewhere in here, BOC got word from Goodman to delay Heidi and go back to the game…mind you, only 1:14 to accomplish this. That NI I mentioned was also a set cue for the AT&T facility in Paducah to reverse the eastbound feed from Burbank to the normal feed of the network outbound to the west coast. So, that already meant the game was never coming back to the East Coast.

7:00:00 NBC Color Peacock (The Following is a Special Color Presentation on NBC)

7:00:12 A little bit of the Heidi opening, followed by hash (yes, they switched to the incoming feed from California, which unfortunately had nothing on it). Hash is what happens when there is no usable signal on the incoming line (looks like grey fuzz on the screen).

Looked worse than it seems in the writing of it!

Finally, realizing there was nowhere left to go, BOC switched back to the studio airing Heidi and just let it play. The screaming in BOC was quite something, but they actually did everything correctly; had they NOT aired Heidi according to the conditions without Goodman’s authorization, they probably would have all been fired. As it turned out, two of us became quite busy Sports directors!

It’s a miracle Goodman got through at all; the switchboard completely melted down from the volume of calls. The surprise was so did the switchboards in Chicago, Cleveland and Washington. That’s how NBC discovered that the AFL had become a pretty hot property.

I remember all this because I had to log every single second of what went on the air that evening. Eventually, a flash caster was aired over Heidi giving the final score (Oakland scored twice in a matter of a few seconds and won the game [43-32], which further pissed off the New York market).

John LiBretto, via 11/14/23 e-mail

As a postscript to John’s story, here is David Brinkley‘s report and Curt Gowdy’s re-creation of the end of the game on the following night’s Huntley-Brinkley Report:

Modified from original video source

The Jets would get their revenge on Oakland six weeks later in the AFL Championship Game, beating the Raiders 27-23 at Shea Stadium. Of course, two weeks after that, the Jets upset the NFL Champion Baltimore Colts in Super Bowl III.

Instrumental Invasion, 11/16/23: 60-year musical journey, 1963-2023 November 17, 2023

Posted by Mike C. in Airchecks, Audio, Computer, Football, Game Shows, Internet, Jazz, Jazz Fusion, Livestream, Media, Music, Personal, Radio, smooth jazz, Sports, Technology, TV, Video.
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This edition of Instrumental Invasion started out as a regular Wednesday night show that I assumed would air after a short programming hiatus (one or two weeks) for WCWP. I guessed wrong. Thus, this was reworked as a Thursday night show. References to “this week” were removed and the intro and outro were redone to acknowledge the impending demise.

Rather than have my last six shows run on The Wave, station manager Pete Bellotti arranged for this show and the next one to air on consecutive nights, hours before the renovation programming hiatus was to begin. This meant I was on three nights in a row: November 15 to 17, all in the regular 9PM slot.

The playlist was created on October 4 and annotated from October 13 to 15. The script was drafted on the 15th, 17th, and 18th.

Recording began on November 4, during my second-ever Twitch livestream. It was an opportunity let viewers in on the process, though few cared to watch live. I worked on the first hour over the course of a two-hour stream. Then, I raided out to music streamer Cerian (kerry-anne). (Twitch doesn’t have a radio category, so I chose music and felt I should raid a fellow music streamer.) I was giddy (as in Biddy) to raid her because I’d been meaning to give her streams a try. I promised I would play the instrumental version of her song “Wrong Side” in my last show, which I assumed would be 186. More on that in the finale recap.

Livestream clips:

The first segment of hour 2 was recorded on November 5 and the rest on the morning of the 6th. I was over a minute beyond my desired 1:49:00 threshold, but with legal IDs and spot breaks, I’d still end before 11PM.

As noted earlier, pickups were recorded on the evening of the 6th, but only after reinstating backups of segment session files. Thinking I was moving to The Wave, I recorded a tag to play in place of all FM references in liners, then I saved and exported those files accordingly.

This proved unnecessary.

David Benoit‘s cover of “Song for My Father” was first played on July 1, 2020, but not with the lengthy origin story. I ended up hooked on a video YouTube recommended of the Horace Silver Quintet playing “Song for My Father” on Danish TV in April 1968:

That, in turn, sent me down a Billy Cobham rabbit hole, culminating in this August 2016 Drumeo presentation:

Click here to download the penultimate scoped aircheck or listen below:

Instrumental Invasion, 11/1/23 November 2, 2023

Posted by Mike C. in Airchecks, Audio, Comedy, Internet, Jazz, Jazz Fusion, Media, Music, Personal, Radio, Rock, smooth jazz, TV, Video.
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There is a major announcement at the end of this post.

The November 1 Instrumental Invasion on WCWP was recorded on September 23 (first two segments) and 24 (last four). Pickups were recorded on the 30th.

The playlist was created September 6, and annotated with three other shows between the 13th and 18th. The talk break script was drafted on the 20th.

David Benoit‘s cover of “Then the Morning Comes” by Smash Mouth was originally played April 14, 2021. I played it in tribute to their late lead vocalist Steve Harwell.

My talk-up for “Junior” by Euge Groove – “you can call it Junior!” – was a nod to the late Bill Saluga‘s Raymond J. Johnson Jr. character. An example performance:

Click here to download this week’s scoped aircheck or listen below:

Automation still cut off the beginnings and ends, so I resorted to using segment files in the above aircheck. Next week and beyond, segments will be bookended by WCWP jingle bumpers.

Before air, I made the following announcement on Facebook:

Before tonight’s show airs, I would like to announce that I am ending my run of Instrumental Invasion after show 186. If the FM stream is working by 9:00, show 178 will be airing. That means I will have eight shows left to air. Two are ready to be recorded and the last four have yet to be worked on. I have taken this show as far as it can go and am burned out.

Instrumental Invasion has been my longest-running production and my best work creatively. I’m grateful for the opportunity to share it with the world and will carry on with the name each October during Homecoming Weekend.

2023 Long Island Retro Gaming expo recap: touring the expo September 1, 2023

Posted by Mike C. in Aviation, Computer, Education, History, Personal, Photography, Technology, Travel, TV, Video, Video Games, Weather.
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If you haven’t viewed the first recap post yet, click here. Skip ahead to the third recap here.

Now that you’ve seen the panels, why not tour the rest of this year’s Long Island Retro Gaming Expo at the Cradle of Aviation Museum?

Before we do that, while editing on the Monday after (August 14), I noticed a familiar face in the bottom right of this Saturday (August 12) photo in the vendor marketplace:

What?! Clint Basinger (LGR) was there?! According to his Twitter activity, yes.

I was kicking myself for not knowing he’d be there, but John Riggs and LI Retro staff member Ryan Shapiro told me on Facebook that Clint was there as a paid attendee, not a guest. In their words:

He visited the show but did not host a panel. I was very excited to see him there.

Ryan Shapiro

I didn’t know he was gonna be there, either. There were quite a few YouTube people that weren’t on the list but showed up to hang out. Tells you how awesome the show is.

John Riggs

Hear hear, John. While I missed Clint in the moment, I did notice Justin Silverman walking along a separate row of vendors. I’d have said hello if we crossed paths.

Here is the latest LGR video:

The walking photo tour begins in earnest with a “good retro morning” greeting:

Most photos were taken on Saturday, but a small amount are from Sunday (August 13). (You’ll know by the filename.)

Vendor Marketplace:

EON Gaming:

The rest of the first floor:

Second floor:

The third floor was Tetris-themed:

I’ve been a fan of Tetris ever since playing the Game Boy version as a kid. I have that and 21 other variations of Tetris in my collection. This includes Tetris & Dr. Mario and Puyo Puyo Tetris. I also have the three ports of Tetris 2. The sequel gets a bad rap, but I enjoy it.

Anyway, that’s the end of the photo tour. Click here for my third recap post with a conclusion and pickups photos.

2023 Long Island Retro Gaming Expo recap: introduction, guests, panels September 1, 2023

Posted by Mike C. in Audio, Aviation, Books, Computer, Education, Game Shows, History, Internet, Media, Personal, Photography, Podcast, Radio, Technology, Travel, TV, Video, Video Games.
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Feel free to skip ahead to the second post (touring the expo) or third post (conclusion and pickups).

Introduction

The weekend of August 12 and 13 marked my fifth year at Long Island Retro Gaming Expo, held in the Cradle of Aviation Museum, situated along Museum Row in East Garden City. This is LI Retro’s second year as a three-day event, running from 4PM Friday through 5PM Sunday. Again, I opted to skip Friday and just go Saturday and Sunday. I had to last year since I used my ticket for the postponed 2020 expo, but I saved money this year by purchasing a three-day ticket. I would have gone Friday if I lived within walking distance or had a car of my own.

When LI Retro’s schedule was published a few weeks before the event, I planned my days around panels, three per day. I also hoped to catch musical performances, but time would not allow that. I did not allow myself to buy games from vendors until after the last panel on Sunday.

I brought my Canon EOS R7 (and compatible speedlite, which didn’t cooperate) along with a TASCAM DR-05 audio recorder. While panels would be posted online, I wanted personal recordings to hold me over in the meantime. As of this writing, I have yet to listen, let alone edit out the beginnings and ends.

I hoped not to go overboard with photography, which means I did. A whopping 831 photos (466 Saturday, 366 Sunday) were taken with the R7 at LI Retro, plus four on my iPhone 13 Pro. I spent a week and a half editing them all, spreading out 563 of them in three blog posts. (I couldn’t possibly cram them all in one.)

This first post contains the introduction you’re reading now, photos with guests, photos from the six panels I saw, and relevant links and media embeds.

We start with an establishing exterior shot taken Sunday morning:

Guest table photos

It was fun catching up with guests and staff that I’ve seen before, and meeting new guests for the first time.

Leonard Herman (right) and Mark W. Baer (left), middle child of videogame pioneer Ralph H. Baer:

Mark gifted me with copies of his father Ralph’s patent and of the Magnavox Odyssey licensing agreement between Magnavox, Atari and Sanders Associates. From Leonard, I bought his book ABC to the VCS: A Director of Software for the Atari 2600 and Bill Kunkel‘s Confessions of the Game Doctor. Each book was published by Leonard’s Rolenta Press company.

Leonard and Mark with Patrick Wong:

Me and Jeff:

I didn’t compete with him on the Brown Box prototype this year.

LI Retro staff member Ryan Shapiro posed with Mark Baer prior to Sunday’s panel:

Me and John Riggs:

I bought another Genesis ROM hack cartridge from John’s table this year, but not one he made.

Adam Koralik:

Pat Contri (a.k.a. Pat the NES Punk) and Ian Ferguson:

I congratulated Pat for 15 years on YouTube, and he and Ian on a decade of the CU Podcast. We talked about cameras, the upcoming N64 entry in Pat’s Ultimate Nintendo book series, and my merch purchases. (I also apologized for how my podcast panel question trailed off at the end. [SPOILER])

Sunday morning, Pat was interviewed by Margaret Sykes of WRHU, radio station for nearby Hofstra University:

She then spoke to Leonard and Mark:

Adam’s table had prototype consoles and a signed copy of Shenmue II:

Frank Cifaldi spoke to Lenny and Mark before his panel, my first of the weekend:

John Riggs talking to attendees:

John’s LI Retro vlog:

Travis McGeehan (TIKevin83) and the TASBot:

On to panel photos and relevant links, including video and/or audio.

Saturday Panel 1, 11AM-12PM:
Frank Cifaldi
Adventures in Saving Video Game History

After the panel, I ended up part of a conversation with Frank and fellow archivist Jason Scott. (I had no idea I was in the presence of greatness until a Google search Sunday morning.)

A selfie with Jason (sans top hat) and Frank:

I resorted to AI enhancing to compensate for lens blur.

Saturday Panel 2, 2PM-3PM
Pat Contri and Ian Ferguson
CU Podcast Special 2

Podcast audio out of the way, including my question:

The not-rare Black Tiger cabinet (in reference to this):

And the podcast videos:

While waiting to ask a question, I noticed my friend Daniel Greenberg of Winterion Game Studios in the audience with his wife Alex. I whispered hello and we spoke more after the panel. It turns out Daniel and Alex had visited LIU Post earlier in the day. As you’ll see in the photo Alex took, I was wearing a Post polo on Saturday:

Saturday Panel 3, 3:30-4:30 PM:
G Gracin
Growing Up Genesis with G to the Next Level (streamed live on Twitch)

Watch the Twitch stream VOD here.

G and me:

I tried to go to sleep early Saturday night, but I was wired from the long and exciting day I had. I figure I got four hours of sleep before being jolted awake by a severe thunderstorm just before 3AM. The peak came at 3:13 with two close (and loud) lightning strikes. Thankfully, conditions mellowed after that, though sleep was impossible. I got some editing done and prepped for a return to Cradle of Aviation at 10AM. Somehow, Lenny, Mark, Patrick, Pat, and my parents all slept through the storm.

Sunday morning was when Margaret Sykes conducted her interviews, and where I spoke to her about WRHU general manager John Mullen’s recent induction to the WCWP Hall of Fame.

Sunday Panel 1, 11AM-12PM:
Adam Koralik, Evil Rob Thanos, Sunshine (from Adam’s Discord)
Talking Console Prototypes: Sega Pluto (and hard drives), Atari Jaguar “Hot Rod” Dental Unit, Sony PlayStation Debugging Station, Nintendo GameCube NR Reader

Relevant videos:

Finally, panel photos:

While working on this post, I joined Adam’s aforementioned Discord. I was welcomed with open arms and given the nickname Mike Camera. I like it!

It’s where I found Squishchin’s LI Retro vlog:

10/11 UPDATE: Watch Adam’s travelogue on his second channel, Flying & Eating with Adam Koralik:

Look for me at the 22:43 mark.

Sunday Panel 2, 12:30 PM-1:30 PM:
Frank Cifaldi and Rachel Simone Weil
Unraveling Nintendo’s Most Elusive Lost Hardware: The Nintendo Knitting Machine

Sunday Panel 3, 2PM-3PM:
Leonard Herman and Mark W. Baer
The Life, Time and Influence of Ralph H. Baer, The Father of Videogames

As noted in last year’s recap, Lenny grew to be like a surrogate son to Ralph. You can see the brotherly love between Lenny and Mark in many of the photos below.

This concludes post one. Click here for post two or here for post three.

Instrumental Invasion, 6/21/23 June 22, 2023

Posted by Mike C. in Airchecks, Animation, Audio, City Pop, Computer, Education, Health, Internet, Jazz, Media, Music, Personal, Radio, Technology, TV.
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The June 21 Instrumental Invasion on WCWP was still another one-day recording, done entirely on April 24. I’m not bothering with streak stats anymore. It’s a regular thing now. Pickups were recorded April 26 and 27, with extensive rerecording on May 3.

Let’s get the scoped aircheck out of the way first:

The playlist was created alongside next week’s on April 15 and 16, with a tweak on the 22nd to add a Louis Hayes song. Annotations were written between April 21 and 23, followed by the talk break script draft. I hoped to get next week’s show recorded before Smooth Jazz for Scholars, but that didn’t pan out. The playlist and annotations were reworked to coincide with May 3’s rerecording.

I played two songs by The Square/T-Square and Casiopea in order to get through their catalog faster. For a time, I was obsessed with the piano solo at the end of “Night Dreamer.” The credits for “Midnight Dreamer” on Miss You in New York list one of the trumpeters as Allen Rubens, but spotty Discogs credits for that name led me to believe it was Alan Rubin. (Alan’s “Mr. Fabulous” moniker came from The Blues Brothers band and film.)

There were four retreads (down from five before swapping in Louis Hayes):

I’ve gotten more playful and goofy in my talk breaks in recent shows, either by going off script or working that shtick into the script. For example, “…East and West play bass the best…but it’s subjective.” Also, I didn’t think there’d be so much spelling.

There was a whole talk break centered around something related to anime because of the original David Benoit song I had in mind, “Yusuke the Ghost.” The May 3 rerecords removed all references (including later callbacks) and changed David’s song to “Monster in the Attic.” The morals of the story are don’t do fandubs if you want to work professionally in voice-over, and don’t blab on your radio show and blog about every little thing a creator you support does or has done.

As if all that weren’t enough, this show aired on the day I tested positive for COVID-19. It finally got me after three years and three months in the U.S. This adds to my production delays that began with the WCWP Hall of Fame Ceremony and continued with my mom’s retirement party last Friday and replacing my computer desk and hutch on Saturday. (Thanks to my uncle Scott for assembling the new one.) The advance buffer is down to four shows. After next week, what I’ve recorded so far (through July 19) has been reworked as evergreens without dated references. This will allow them to air as reruns if I need a hiatus. Beyond that, I’ve made playlists for four shows (including show 175), annotated and scripted one (as an evergreen), and partially annotated two others. Depending on how I feel, those will be the last shows until September or October.

Thank you for your continued support. I’ll close with before and after* photos:

*The true after photo won’t come until my dual monitor setup is complete. As of today, I am waiting for a replacement monitor (dead pixels) and its mate that I bought separately to replace the old one (seen alone in before, on the left in after). That monitor got scuffed when the tripod/webcam fell on it. At the time, I was vacuuming off sawdust from a hole my uncle drilled for the speaker’s power cord.

9:15 AM UPDATE: This is another one of those shows where I went the entire time between recording and airing without noticing a mistake: omitting Masato Honda on alto sax for “Midnight Dreamer” by T-Square and Friends. I also made a research mistake for “Over Nine Waves” by Alison Brown. Compass Records is her and Garry West’s own record label and Compass Sound Studio is their studio.

6/27 UPDATE: My dual monitor setup is complete. The replacement and mate arrived today and neither had dead pixels on their screens.

2022 WCWP Hall of Fame Ceremony June 12, 2023

Posted by Mike C. in Audio, Baseball, Basketball, Education, Football, Health, History, Hockey, Internet, Media, Music, News, Personal, Photography, Radio, Rock, Sports, Technology, Travel, TV, Video.
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Other Hall of Fame ceremony recaps: 20122013201420152017, 2018, 2019, 2020-21, 2023

On Saturday, June 3, 2023, the WCWP Hall of Fame 2022 class was inducted in a ceremony at LIU Post‘s Alumni Hall.

As noted during the announcement in October, there were eight inductees (listed by name and graduation year):

  • Jon Cole, 1980
  • Kim Dillon, 1980
  • Cosmo Leone, 1980
  • Dan Reagan (“reegan”), 1981
  • Suzanne Langwell, 1983
  • Roger Luce (Lussier), 1984
  • John Mullen, 1988
  • Travis Demers, 2003

(In full disclosure, I was on the 2022 Hall of Fame Committee.)

WCWP station manager (and 2019 inductee) Pete Bellotti tapped me as the ceremony’s official photographer, in addition to the supplemental video I shot with my camcorder and GoPro to later combine with what his students recorded.

(NOTE: In prior recaps, I used the title “director of broadcasting” in place of “station manager.”)

Despite my best efforts, the performance anxiety issue I had with Smooth Jazz for Scholars affected me again ahead of the WCWP Hall of Fame Ceremony. My essential tremor got progressively worse, reaching its peak when my dad dropped me off outside Alumni Hall at around 12:30. I’m feeling stressed again merely writing about it.

I put my equipment down on a table in the back and began snapping away while also talking to inductees and attendees.

The ceremony was hosted by Dan Cox, WCWP’s station manager from 2002 to ’22:

Current station manager Pete Bellotti had opening remarks:

John Mullen was the first inductee, presented by Dan Cox:

Pardon the AI filtering. My tremor was really bad early in the ceremony and I couldn’t get a clear photo here. I applied shake reduction and JPEG restoration in Photoshop, then edited out some shake reduction ghosting.

John’s acceptance speech:

Rich Kahn presented the second 2022 inductee, Jon Cole:

Jon’s acceptance speech:

Inductee 3 was Cosmo Leone, presented by Larry Lamendola:

Cosmo’s acceptance speech:

Kim Dillon had three presenters, led by Ellyn Solis:

Next, 2019 inductee Lew Scharfberg:

Third, Cande Roth:

Kim was moved by Cande’s presentation.

Kim and her three presenters:

Kim’s acceptance speech:

At the halfway point, the Art Beltrone Founders Award was presented to graduating senior DeAnna Aguinaldo. After Pete Bellotti’s introduction…

…there were presentations by DeAnna’s WCWP colleagues: senior director Michael Moffa…:

…and Vincent Randazzo, student program director and vice president of The Wave (formerly WebRadio WCWP and MyWCWP):

DeAnna’s acceptance speech:

DeAnna with Pete, Michael and Vincent:

Before introducing Dan Reagan’s presenter, Dan Cox had kind words for his former student:

Like last year, the ceremony was streamed live on Zoom:

2019 inductee Fred Gaudelli presented Dan Reagan (“reegan”), the fifth ’22 inductee:

Dan began his acceptance speech by acknowledging Fred’s upcoming honor in the Pro Football Hall of Fame: the 2023 Pete Rozelle Radio-Television Award.

With eight inductees, WCWP’s 2022 Hall of Fame class matched the amount of players, coaches, and executives enshrined annually in Canton, Ohio.

This shot my camcorder viewinder became the new cover photo for my YouTube channel and LinkedIn page:

Dan thanked me at one point, which explains why he emailed me before the ceremony asking how to pronounce my last name.

He also talked about Post professor Chris Dodrill, who I remember fondly from my time as a student. I asked Dan for Professor Dodrill’s email address the following Monday. Chris replied to me the next day, noting that he watched the ceremony on Zoom, and congratulating me on my induction last year (2021 class). He gave his regards to my aunt Robin Rose, who was an academic counselor at then-C.W. Post, and the reason I went there in the first place. Dodrill is now a music researcher for the Library of Congress, to whom he generously donated his vast John Philip Sousa collection, answering questions from fellow Sousa enthusiasts.

It was 20 years ago in April when Fred Gaudelli and Dan Reagan spoke to a class taught by Prof. Dodrill, after which I posted for a photo with them:

2013 inductee Bill Mozer presented Suzanne Langwell, and tied up loose ends from his brief acceptance speech when the ceremony format was different.

Suzanne receiving her plaque from Bill:

Once I took the photo, Bill introduced me to the ceremony attendees as the station historian, a moniker he first bestowed upon me at the 2014 ceremony. Perfectionist that I am, I don’t know if the title fits since I don’t know everything about WCWP’s history, though I’m flattered to be called that.

Suzanne’s acceptance speech:

John “J.P.” Parise presented his radio co-host, inductee Roger Luce (Lussier):

Roger and J.P.:

Roger’s acceptance speech:

Roger spoke to broadcasting students at Humanities Hall in March 2002, and again, a photo was taken with me afterward:

The inductee presentations were bookended by Dan Cox, presenting the last of the afternoon, Travis Demers:

Travis’s acceptance speech:

The ceremony concluded with Dan’s closing remarks:

After the ceremony, we see seven of the eight inductees and the Art Beltrone Founders Award recipient:

(John Mullen had to leave early.)

DeAnna Aguinaldo and her parents:

Dan Reagan and Cosmo Leone:

Fred Gaudelli, Dan Reagan, Brian Miles, Mike Maimone:

A group photo with inductees, presenters, friends:

Travis Demers with 2021 inductee Mike Chimeri (me):

Travis and his wife Hannah:

A selfie with Joan Yonke, LIU Post Director of Development, formerly Director of Employer and Alumni Engagement:

To paraphrase Bob Barker, Joan is a loyal friend and true of WCWP.

Mozer and me:

Bill was praised by several inductees and their presenters, and rightly so.

Me with Roger Luce (21 years after the first time) and Dan Cox:

Roger and his sister Christine:

Roger, Christine, and her husband Neil Sass, editor for ABC News’s Nightline:

Finally, candid shots:

Preliminary stress aside, it was a pleasure to capture the day, catch up with those I knew, and meet those I hadn’t.

Congratulations to Art Beltrone Founders Award recipient DeAnna Aguinaldo, and to the eight Hall of Fame inductees: John Mullen, Jon Cole, Cosmo Leone, Kim Dillon, Dan Reagan, Suzanne Langwell, Roger Lussier (the one time I didn’t use his on-air name), and Travis Demers.

As of publication, I am working on the ceremony video and will update with the video once it’s ready. Thank you for reading this recap.

7/9/23 UPDATE: The video has been ready for a few weeks, but an unofficial announcement made at the end has yet to go official. So, I uploaded a version without the announcement yesterday, and after hours of processing, it’s ready for publication.

Instrumental Invasion, 5/31/23 June 1, 2023

Posted by Mike C. in Airchecks, Animation, Audio, Baseball, City Pop, Comedy, Dogs, Film, Health, Horse Racing, Internet, Jazz, Media, Music, Personal, Radio, Religion, Sports, Thoroughbred, TV, Video, Western, World Music.
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The May 31 Instrumental Invasion on WCWP was the fifth in a row with talk breaks recorded in one day, and third in a row/fourth out of five recorded in one day. That day was April 10, 19 days after last week’s show was recorded. I got a cold a few days after that recording (March 25) and used the time to work on playlists for this show and the next two. Pickups were recorded on April 13, April 16, and May 5.

The playlist was created March 19, 22, and 26, then tweaked on April 1 to add a track from Keiko Matsui‘s Euphoria album released the day before. Annotations were written from April 3 to 5, and the talk break script was drafted April 8.

I played the lead single from Keiko’s album, “Steps on the Globe,” which prompted me to play a clip from “Moosylvania Saved,” the final Rocky and Bullwinkle story arc where the punchline was “spots on the globe.” This exchange between Fearless Leader (Bill Scott) and Boris Badenov (Paul Frees) occurred in episode one of four:

“That’s what my uncle came down with: spots on the globe.”

That talk break also had references to a pair of Mel Brooks films, Blazing Saddles and Young Frankenstein. The second segment’s second talk break referred to Ghostbusters and Steve Somers. The Schmoozer homage came when I said “The Square were schmoozing S-P-O-R-T-S,” Steve’s catchphrase at the start of some shows or hours of those shows.

There were three retreads this week:

Click here to download this week’s scoped aircheck or listen below:

See you at the WCWP Hall of Fame Ceremony this Saturday.

Instrumental Invasion, 5/24/23 May 25, 2023

Posted by Mike C. in Airchecks, Animation, Astronomy, Audio, City Pop, Comedy, Internet, Jazz, Music, Personal, Photography, Radio, Technology, TV, Video, World Music.
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The May 24 Instrumental Invasion on WCWP was the fourth show in a row with the talk breaks recorded in one day, and second in a row/third out of four to be recorded and mixed in one day. The recording/mixing date was March 22. Pickups were recorded on the night of the 22nd and mid-afternoon on the 24th.

The playlist was created March 18 with annotations on the 20th and the talk break script draft on the 21st.

The scoped aircheck before further details:

After immersing myself in Casiopea music for the first few weeks as a city pop aficionado and Japanophile (my post about the first eight days), I introduced The Square/T-Square into my musical diet. The jumping-off place was “Texas Kid” from their third album, Make Me a Star, thanks to a March 10 post in the Japanese city pop and fusion collectors Facebook group I belong to. The member commented on his post with a link to “Texas Kid” on T-Square’s YouTube topic channel:

The Make Me a Star cover model reminds me of someone I knew in high school.

I listened several times from March 10 to 17 before delving into the T-Square topic channel’s full catalog. As I type this paragraph on the morning March 23, I am up to New-S (1991). (I also have to contend with construction work and chatter in my neighbors’ backyard.) And as I type this before publication on May 25, I skipped from B.C. A.D. to FLY! FLY! FLY! and WISH.

My first impression of “Texas Kid” was that it sounded like an homage to The Crusaders. So, I made the first segment with them and The Square in mind. The song I ultimately chose, “Honky Tonk Struttin’,” tied in with the feel of “Texas Kid.” I extended the Texas theme into the second segment by including “An Evening in Dallas” by Joe McBride and “Houston” by David Benoit (told you he’d be back). All that was preceded by a nod to “The Eyes of Texas.”

“Houston” was recycled from last August 17, nine months and one week ago. It gave me an opportunity (during the talk break afterward) to work in a funny text-to-speech dub from the following Technology Connections video (at the 19:48 mark):

Here is the dub on its own:

The joke about not telling a wizard to “make me a star” lest he zap you to the Milky Way was a nod to a scene in episode 68b of Garfield and Friends:

ORSON (narrating for Booker and Sheldon): The wizard Bo ran a little restaurant at the edge of the forest where he made magic and sandwiches. Occasionally, he got his two skills confused.

(Bo, in wizard garb, stands behind the counter, wiping a glass. Roy walks in and takes a seat.)

ROY: Hiya, Bo. Make me a sandwich.

BO: Okay. You’re a sandwich, man. (Bo transforms Roy into a sandwich.) Oh, like, sorry, dude. I’ll, uh, change you back.

(Roy returns to normal, but with his face covered in mayonnaise. Wade, as The Ugly Duckling, walks in with a bag over his face.)

WADE: Wizard, you must help me. I… (He notices Roy.) Uh, why do you have mayonnaise all over you?

ROY (exasperated): Don’t ask.

U.S. Acres in “The Ugly Duckling” (originally aired October 19, 1991) – written/voice directed by Mark Evanier
Gregg Berger as Orson Pig, Thom Huge (“HUE-ghee”) as Roy Rooster, Frank Welker as Bo Sheep, Howard Morris as Wade Duck

This show also marked the first week with tracks from Les Sabler‘s Flying High CD – thank you, Dave Love (speaking of Joe McBride) – and the debut of world music duo Strunz & Farah via their Syncretic Strings album.

I went 75 seconds over, thanks to a lengthy talk break in the first segment and another 21 in the fourth segment, but with short talk breaks here and omitted tidbits there, I broke even by the last segment. (My “even” is 1:49:00.)

Recording and mixing a full show in one day is as exhausting as running a marathon. Flubs were plentiful and mouth clicks were everywhere. Adobe Audition‘s declicker only goes so far. On the plus side, I finally realized the need to orient the microphone at my second location vertically to match the sound at home.

Second location mic:

It’s unplugged because I was through recording.

Home mic with Kaotica Eyeball attached:

Back next week with more music.