2023 Long Island Retro Gaming Expo recap: conclusion and pickups September 1, 2023
Posted by Mike C. in Aviation, Baseball, Books, Education, Football, Game Shows, Golf, History, Hockey, Internet, Japanese, Language, Media, Personal, Photography, Sports, Technology, Travel, Video, Video Games.add a comment
If you haven’t seen them yet, read the first post here and second post here.
Sunday, August 13
After my last Long Island Retro Gaming Expo panel of the weekend, I made my way to the vendor marketplace and searched for games I didn’t have that were $20 or less. I bargained with each vendor, only spending close to $200. That’s the least I’ve spent since my first year (2017). The bulk of my purchases were for the Nintendo Entertainment System, my first video game console.
Satisfied, I exited the Cradle of Aviation Museum and waited for my mom to pick me up.
Exiting 
The opposite view from the establishing shot in post 1 
Cumulus clouds against the clear blue, sunny sky 
The American flag (I captioned the other two, so why not this?) 
My bag of combined pickups, led by the infamous Deadly Towers; I finally got it
Monday, August 14 and beyond
My attempt to make up for Saturday night’s severe storm-shortened sleep was unsuccessful. I woke up early Monday morning after five or six hours of sleep. Then, I went outside to look at the stars.
Back inside, as the sun rose, I unpacked the pickups from my paper bag and photographed them.
We’ll start with merchandise (and my badges):
- Pat Contri: CU Podcast pin, Pixelated Pat pin
- John Riggs: Ghostbusters Special Edition ROM hack
- Leonard Herman: ABC to the VCS: A Director of Software for the Atari 2600, Bill Kunkel‘s Confessions of the Game Doctor
- Mark W. Baer (gifted from him): copies of his father Ralph H. Baer‘s patent and of the Magnavox Odyssey licensing agreement between Magnavox, Atari and Sanders Associates
The front of the badges:
12 games for Nintendo Entertainment System:
- Athletic World (for Family Fun Fitness Pad/Power Pad)
- Cybernoid: The Fighting Machine
- Dance Aerobics (for Family Fun Fitness Pad/Power Pad)
- Deadly Towers
- Demon Sword
- Ms. Pac-Man (licensed release by Namco)
- Roger Clemens’ MVP Baseball
- Short Order/Eggsplode! (for Family Fun Fitness Pad/Power Pad)
- Star Voyager
- Strider
- Xenophobe
- Yoshi
Now, I have an NES Yoshi to go with the Game Boy version I’ve had since childhood. The Power Pad games and Star Voyager were the subjects of early Pat the NES Punk episodes (including one with Alison).
“Power Pad Fun!”, Part 1:
Part 2:
Deadly Towers got the Angry Video Game Nerd treatment (via fans’ script submissions):
Two for Super Nintendo:
The TV ads at launch tempted me into getting SimCity, but I never did. I haven’t even seen Judge Dredd the film.
Two Nintendo 64 games:
Another game show game for my collection – Jeopardy! for Nintendo DS:
One self-explanatory 3DS title – Super Smash Bros. for Nintendo 3DS:
Wrongly assuming the 3DS and Wii U Super Smash Bros. games were the same, I only bought for Wii U when I started collecting for the two consoles in 2017 (there’s that year again). Prior to LI Retro, I saw a Masahiro Sakurai on Creating Video Games video that set me straight (Japanese with English subtitles):
Good thing I found a copy from a vendor, eliminating the need to buy from Amazon.
And lastly, my first Sega CD game – Joe Montana’s NFL Football:
To quote the infamous TV ad (parodied here), I “still don’t have a Sega CD,” but after buying my first game Sunday afternoon, I bought 12 more games on eBay between Monday morning and Wednesday night. This included eight from four-game lots, and two Sonic CD variants. The complete list (in order of appearance):
- Lot 1: Ground Zero: Texas, Links: The Challenge of Golf, NFL’s Greatest: San Francisco vs. Dallas 1978-1993, Prize Fighter
- NHL ’94
- Sonic CD (not for resale pack-in)
- Lot 2: Ecco: The Tides of Time, Jeopardy!, NBA Jam, Tomcat Alley
- Mad Dog McCree
- Stellar-Fire
- Sonic CD (retail)
All the games on the shelf
Thank you for taking this photographic journey through the 2023 Long Island Retro Gaming Expo. Until next year.
2023 Long Island Retro Gaming expo recap: touring the expo September 1, 2023
Posted by Mike C. in Aviation, Computer, Education, History, Personal, Photography, Technology, Travel, TV, Video, Video Games, Weather.add a comment
If you haven’t viewed the first recap post yet, click here. Skip ahead to the third recap here.
Now that you’ve seen the panels, why not tour the rest of this year’s Long Island Retro Gaming Expo at the Cradle of Aviation Museum?
Before we do that, while editing on the Monday after (August 14), I noticed a familiar face in the bottom right of this Saturday (August 12) photo in the vendor marketplace:
What?! Clint Basinger (LGR) was there?! According to his Twitter activity, yes.
I was kicking myself for not knowing he’d be there, but John Riggs and LI Retro staff member Ryan Shapiro told me on Facebook that Clint was there as a paid attendee, not a guest. In their words:
He visited the show but did not host a panel. I was very excited to see him there.
Ryan Shapiro
I didn’t know he was gonna be there, either. There were quite a few YouTube people that weren’t on the list but showed up to hang out. Tells you how awesome the show is.
John Riggs
Hear hear, John. While I missed Clint in the moment, I did notice Justin Silverman walking along a separate row of vendors. I’d have said hello if we crossed paths.
Here is the latest LGR video:
The walking photo tour begins in earnest with a “good retro morning” greeting:
Most photos were taken on Saturday, but a small amount are from Sunday (August 13). (You’ll know by the filename.)
Vendor Marketplace:
The rest of the first floor:
Second floor:
The third floor was Tetris-themed:
I’ve been a fan of Tetris ever since playing the Game Boy version as a kid. I have that and 21 other variations of Tetris in my collection. This includes Tetris & Dr. Mario and Puyo Puyo Tetris. I also have the three ports of Tetris 2. The sequel gets a bad rap, but I enjoy it.
Anyway, that’s the end of the photo tour. Click here for my third recap post with a conclusion and pickups photos.
2023 Long Island Retro Gaming Expo recap: introduction, guests, panels September 1, 2023
Posted by Mike C. in Audio, Aviation, Books, Computer, Education, Game Shows, History, Internet, Media, Personal, Photography, Podcast, Radio, Technology, Travel, TV, Video, Video Games.add a comment
Feel free to skip ahead to the second post (touring the expo) or third post (conclusion and pickups).
Introduction
The weekend of August 12 and 13 marked my fifth year at Long Island Retro Gaming Expo, held in the Cradle of Aviation Museum, situated along Museum Row in East Garden City. This is LI Retro’s second year as a three-day event, running from 4PM Friday through 5PM Sunday. Again, I opted to skip Friday and just go Saturday and Sunday. I had to last year since I used my ticket for the postponed 2020 expo, but I saved money this year by purchasing a three-day ticket. I would have gone Friday if I lived within walking distance or had a car of my own.
When LI Retro’s schedule was published a few weeks before the event, I planned my days around panels, three per day. I also hoped to catch musical performances, but time would not allow that. I did not allow myself to buy games from vendors until after the last panel on Sunday.
I brought my Canon EOS R7 (and compatible speedlite, which didn’t cooperate) along with a TASCAM DR-05 audio recorder. While panels would be posted online, I wanted personal recordings to hold me over in the meantime. As of this writing, I have yet to listen, let alone edit out the beginnings and ends.
I hoped not to go overboard with photography, which means I did. A whopping 831 photos (466 Saturday, 366 Sunday) were taken with the R7 at LI Retro, plus four on my iPhone 13 Pro. I spent a week and a half editing them all, spreading out 563 of them in three blog posts. (I couldn’t possibly cram them all in one.)
This first post contains the introduction you’re reading now, photos with guests, photos from the six panels I saw, and relevant links and media embeds.
We start with an establishing exterior shot taken Sunday morning:
Guest table photos
It was fun catching up with guests and staff that I’ve seen before, and meeting new guests for the first time.
Leonard Herman (right) and Mark W. Baer (left), middle child of videogame pioneer Ralph H. Baer:
Mark gifted me with copies of his father Ralph’s patent and of the Magnavox Odyssey licensing agreement between Magnavox, Atari and Sanders Associates. From Leonard, I bought his book ABC to the VCS: A Director of Software for the Atari 2600 and Bill Kunkel‘s Confessions of the Game Doctor. Each book was published by Leonard’s Rolenta Press company.
Leonard and Mark with Patrick Wong:
Me and Jeff:
LI Retro staff member Ryan Shapiro posed with Mark Baer prior to Sunday’s panel:
Me and John Riggs:
I bought another Genesis ROM hack cartridge from John’s table this year, but not one he made.
Pat Contri (a.k.a. Pat the NES Punk) and Ian Ferguson:
I congratulated Pat for 15 years on YouTube, and he and Ian on a decade of the CU Podcast. We talked about cameras, the upcoming N64 entry in Pat’s Ultimate Nintendo book series, and my merch purchases. (I also apologized for how my podcast panel question trailed off at the end. [SPOILER])
Sunday morning, Pat was interviewed by Margaret Sykes of WRHU, radio station for nearby Hofstra University:
She then spoke to Leonard and Mark:
Adam’s table had prototype consoles and a signed copy of Shenmue II:
Frank Cifaldi spoke to Lenny and Mark before his panel, my first of the weekend:
John Riggs talking to attendees:
John’s LI Retro vlog:
Travis McGeehan (TIKevin83) and the TASBot:
On to panel photos and relevant links, including video and/or audio.
Saturday Panel 1, 11AM-12PM:
Frank Cifaldi
Adventures in Saving Video Game History
After the panel, I ended up part of a conversation with Frank and fellow archivist Jason Scott. (I had no idea I was in the presence of greatness until a Google search Sunday morning.)
A selfie with Jason (sans top hat) and Frank:
Saturday Panel 2, 2PM-3PM
Pat Contri and Ian Ferguson
CU Podcast Special 2
Podcast audio out of the way, including my question:
The not-rare Black Tiger cabinet (in reference to this):
And the podcast videos:
While waiting to ask a question, I noticed my friend Daniel Greenberg of Winterion Game Studios in the audience with his wife Alex. I whispered hello and we spoke more after the panel. It turns out Daniel and Alex had visited LIU Post earlier in the day. As you’ll see in the photo Alex took, I was wearing a Post polo on Saturday:
Saturday Panel 3, 3:30-4:30 PM:
G Gracin
Growing Up Genesis with G to the Next Level (streamed live on Twitch)
Watch the Twitch stream VOD here.
G and me:
I tried to go to sleep early Saturday night, but I was wired from the long and exciting day I had. I figure I got four hours of sleep before being jolted awake by a severe thunderstorm just before 3AM. The peak came at 3:13 with two close (and loud) lightning strikes. Thankfully, conditions mellowed after that, though sleep was impossible. I got some editing done and prepped for a return to Cradle of Aviation at 10AM. Somehow, Lenny, Mark, Patrick, Pat, and my parents all slept through the storm.
Sunday morning was when Margaret Sykes conducted her interviews, and where I spoke to her about WRHU general manager John Mullen’s recent induction to the WCWP Hall of Fame.
Sunday Panel 1, 11AM-12PM:
Adam Koralik, Evil Rob Thanos, Sunshine (from Adam’s Discord)
Talking Console Prototypes: Sega Pluto (and hard drives), Atari Jaguar “Hot Rod” Dental Unit, Sony PlayStation Debugging Station, Nintendo GameCube NR Reader
Relevant videos:
Finally, panel photos:
While working on this post, I joined Adam’s aforementioned Discord. I was welcomed with open arms and given the nickname Mike Camera. I like it!
It’s where I found Squishchin’s LI Retro vlog:
10/11 UPDATE: Watch Adam’s travelogue on his second channel, Flying & Eating with Adam Koralik:
Sunday Panel 2, 12:30 PM-1:30 PM:
Frank Cifaldi and Rachel Simone Weil
Unraveling Nintendo’s Most Elusive Lost Hardware: The Nintendo Knitting Machine
Sunday Panel 3, 2PM-3PM:
Leonard Herman and Mark W. Baer
The Life, Time and Influence of Ralph H. Baer, The Father of Videogames
As noted in last year’s recap, Lenny grew to be like a surrogate son to Ralph. You can see the brotherly love between Lenny and Mark in many of the photos below.
This concludes post one. Click here for post two or here for post three.
2022 WCWP Hall of Fame Ceremony June 12, 2023
Posted by Mike C. in Audio, Baseball, Basketball, Education, Football, Health, History, Hockey, Internet, Media, Music, News, Personal, Photography, Radio, Rock, Sports, Technology, Travel, TV, Video.add a comment
Other Hall of Fame ceremony recaps: 2012, 2013, 2014, 2015, 2017, 2018, 2019, 2020-21, 2023
On Saturday, June 3, 2023, the WCWP Hall of Fame 2022 class was inducted in a ceremony at LIU Post‘s Alumni Hall.
As noted during the announcement in October, there were eight inductees (listed by name and graduation year):
- Jon Cole, 1980
- Kim Dillon, 1980
- Cosmo Leone, 1980
- Dan Reagan (“reegan”), 1981
- Suzanne Langwell, 1983
- Roger Luce (Lussier), 1984
- John Mullen, 1988
- Travis Demers, 2003
(In full disclosure, I was on the 2022 Hall of Fame Committee.)
WCWP station manager (and 2019 inductee) Pete Bellotti tapped me as the ceremony’s official photographer, in addition to the supplemental video I shot with my camcorder and GoPro to later combine with what his students recorded.
(NOTE: In prior recaps, I used the title “director of broadcasting” in place of “station manager.”)
Despite my best efforts, the performance anxiety issue I had with Smooth Jazz for Scholars affected me again ahead of the WCWP Hall of Fame Ceremony. My essential tremor got progressively worse, reaching its peak when my dad dropped me off outside Alumni Hall at around 12:30. I’m feeling stressed again merely writing about it.
I put my equipment down on a table in the back and began snapping away while also talking to inductees and attendees.
2022 inductee John Mullen speaking to ’19 inductee/WCWP station manager Pete Bellotti and Maureen Tuthill, interim dean of Long Island University’s College of Arts and Design (Brooklyn and Post campuses) 
Cosmo Leone, Dan Reagan, and family 
2022 inductee Travis Demers with ’17 inductee Neil Marks 
2015 inductee Jeff Kroll speaks with ’22 inductee Kim Dillon and her first presenter, Ellyn Solis. 
2022 inductee Roger Luce with ’13 inductee Bill Mozer, Suzanne Langwell’s presenter
The ceremony was hosted by Dan Cox, WCWP’s station manager from 2002 to ’22:
Current station manager Pete Bellotti had opening remarks:
John Mullen was the first inductee, presented by Dan Cox:
John’s acceptance speech:
Rich Kahn presented the second 2022 inductee, Jon Cole:
Jon’s acceptance speech:
Inductee 3 was Cosmo Leone, presented by Larry Lamendola:
Cosmo’s acceptance speech:
Kim Dillon had three presenters, led by Ellyn Solis:
Next, 2019 inductee Lew Scharfberg:
Third, Cande Roth:
Kim and her three presenters:
Kim’s acceptance speech:
At the halfway point, the Art Beltrone Founders Award was presented to graduating senior DeAnna Aguinaldo. After Pete Bellotti’s introduction…
…there were presentations by DeAnna’s WCWP colleagues: senior director Michael Moffa…:
…and Vincent Randazzo, student program director and vice president of The Wave (formerly WebRadio WCWP and MyWCWP):
DeAnna’s acceptance speech:
DeAnna with Pete, Michael and Vincent:
Before introducing Dan Reagan’s presenter, Dan Cox had kind words for his former student:
Like last year, the ceremony was streamed live on Zoom:
2019 inductee Fred Gaudelli presented Dan Reagan (“reegan”), the fifth ’22 inductee:
Dan began his acceptance speech by acknowledging Fred’s upcoming honor in the Pro Football Hall of Fame: the 2023 Pete Rozelle Radio-Television Award.
With eight inductees, WCWP’s 2022 Hall of Fame class matched the amount of players, coaches, and executives enshrined annually in Canton, Ohio.
This shot my camcorder viewinder became the new cover photo for my YouTube channel and LinkedIn page:
Dan thanked me at one point, which explains why he emailed me before the ceremony asking how to pronounce my last name.
He also talked about Post professor Chris Dodrill, who I remember fondly from my time as a student. I asked Dan for Professor Dodrill’s email address the following Monday. Chris replied to me the next day, noting that he watched the ceremony on Zoom, and congratulating me on my induction last year (2021 class). He gave his regards to my aunt Robin Rose, who was an academic counselor at then-C.W. Post, and the reason I went there in the first place. Dodrill is now a music researcher for the Library of Congress, to whom he generously donated his vast John Philip Sousa collection, answering questions from fellow Sousa enthusiasts.
It was 20 years ago in April when Fred Gaudelli and Dan Reagan spoke to a class taught by Prof. Dodrill, after which I posted for a photo with them:
2013 inductee Bill Mozer presented Suzanne Langwell, and tied up loose ends from his brief acceptance speech when the ceremony format was different.
Suzanne receiving her plaque from Bill:
Once I took the photo, Bill introduced me to the ceremony attendees as the station historian, a moniker he first bestowed upon me at the 2014 ceremony. Perfectionist that I am, I don’t know if the title fits since I don’t know everything about WCWP’s history, though I’m flattered to be called that.
Suzanne’s acceptance speech:
John “J.P.” Parise presented his radio co-host, inductee Roger Luce (Lussier):
Roger and J.P.:
Roger’s acceptance speech:
Roger spoke to broadcasting students at Humanities Hall in March 2002, and again, a photo was taken with me afterward:
The inductee presentations were bookended by Dan Cox, presenting the last of the afternoon, Travis Demers:
Travis’s acceptance speech:
The ceremony concluded with Dan’s closing remarks:
After the ceremony, we see seven of the eight inductees and the Art Beltrone Founders Award recipient:
DeAnna Aguinaldo and her parents:
Dan Reagan and Cosmo Leone:
Fred Gaudelli, Dan Reagan, Brian Miles, Mike Maimone:
A group photo with inductees, presenters, friends:
I was taking shots without asking them to look at me, but Bill Mozer directed them to me. 
Travis Demers with 2021 inductee Mike Chimeri (me):
Travis and his wife Hannah:
A selfie with Joan Yonke, LIU Post Director of Development, formerly Director of Employer and Alumni Engagement:
To paraphrase Bob Barker, Joan is a loyal friend and true of WCWP.
Mozer and me:
Bill was praised by several inductees and their presenters, and rightly so.
Me with Roger Luce (21 years after the first time) and Dan Cox:
Roger and his sister Christine:
Roger, Christine, and her husband Neil Sass, editor for ABC News’s Nightline:
Finally, candid shots:
Joan Yonke grew up in Atlanta and was pleased to meet Dan Reagan, longtime director of Braves telecasts. (Hannah Demers [right] is also a Georgia native.) 
Preliminary stress aside, it was a pleasure to capture the day, catch up with those I knew, and meet those I hadn’t.
Congratulations to Art Beltrone Founders Award recipient DeAnna Aguinaldo, and to the eight Hall of Fame inductees: John Mullen, Jon Cole, Cosmo Leone, Kim Dillon, Dan Reagan, Suzanne Langwell, Roger Lussier (the one time I didn’t use his on-air name), and Travis Demers.
As of publication, I am working on the ceremony video and will update with the video once it’s ready. Thank you for reading this recap.
7/9/23 UPDATE: The video has been ready for a few weeks, but an unofficial announcement made at the end has yet to go official. So, I uploaded a version without the announcement yesterday, and after hours of processing, it’s ready for publication.
SJFS 2023 Night 2 recap May 18, 2023
Posted by Mike C. in Animation, Anime, City Pop, Comedy, Health, Internet, Jazz, Music, Personal, Photography, Technology, Travel, TV, Video, Video Games, Weather.add a comment
Saturday, April 29, concluded with the second night of Jay Rowe‘s 20th anniversary edition of Smooth Jazz for Scholars, benefiting the Milford Public Schools music department. As usual, I have a long preamble listing how my day went before the show itself.
Upon waking up in my second floor Hampton Inn hotel room that faced the parking lot, I went through the rest of the photos from Friday night and removed the blurry ones. Following a workout (and shower), I headed down to the common area with my laptop for breakfast and mingling as I began editing. I didn’t edit as much as I talked with fellow jazz fans that went to the first night. They were fascinated with what I do and what my interests are, including my newfound Japanophilia and fascination with music and pop culture. (Read about my first week as a city pop fan.) In addition to meeting up with Mark and Phyllis Abrams, Estella and her friend Norma were eating breakfast at a table behind me. I always set up on the elevated center table because it has outlets for plugging in devices. Then, I met Owen Lomax who showed me his photos and videos from other shows he’s attended. After that, Mark and Phyllis’s friends Rob and Mel came down. Rob was most fascinated with me and we spoke a long time. He was even nice enough to get ice from the second floor machine so I could chill hot water. I’d poured it from a container before noticing there weren’t any hot cocoa packets to mix in. As noon approached and the common area quieted down, I decided to head back to my second floor room.
I bought three 50/50 raffle tickets for $10 on way into the Veterans Memorial Auditorium at Parsons Complex Friday night, inadvertently knocking my keys out of my coat’s right pocket when reaching for the wallet. I didn’t know what happened until Saturday afternoon before a trip to ShopRite. I thought I might have left the keys at CVS when checking out my stenographer pad and sleep mask purchase. However, when I stopped there on the way to ShopRite, an employee working Friday night said she didn’t see keys left in the checkout area. After ShopRite, my parents dropped me back at the hotel, and went to Home Depot to duplicate the house and office keys. That left the auditorium as the only place I could have lost them. I’d find out come evening.
In my room, I sat at my laptop and ate homemade trail mix that I did remember to bring (lightly salted peanuts and almonds, and raisins) as I watched the rest of an Adventures of the Gummi Bears episode on Disney+. I was halfway through an English dubbed episode of Kuma Kuma Kuma Bear on CrunchyRoll when I’d finished the trail mix. Then, back to editing while listening to Casiopea and part two of the Hollywood and Levine podcast interview with author/screenwriter Nicholas Meyer.
My editing process for Canon EOS R7 photos in Adobe Photoshop Elements (again, I also have regular Photoshop) is cropping out excess and tweaking brightness, contrast, color, and/or levels. Somewhere along the way, I apply a dust and scratches filter to tamp down the grain. If I have to sharpen a photo, I use despeckle before dust and scratches. (Read about my initial experience with the R7.)
I cut myself off from editing at 3:45, having only reached photo 120 out of 294 taken during the show.
My parents and I opted to drive up Boston Post Road (U.S. 1) for dinner at Olive Garden in Orange. It was rainy and windy most of the weekend, and that’s what we encountered Saturday afternoon and evening. I planned on wearing my LIU Post polo during SJFS night two (to complement the WCWP polo on Friday), but an accidental stain while eating meant I’d have to change into a spare long-sleeve polo I brought when I got back to the hotel.
On the way back, we stopped at Cumberland Farms so I could get a pint of ice cream (not just bars this time) and Dad could refuel the Ford Explorer. I watched more Kuma Kuma Kuma Bear and finished eating the ice cream right before my friend Kelly arrived from Wallingford. Then, off to Parsons Complex. It was still raining heavily, so Kelly dropped me off by the auditorium side entrance to limit the rainfall on my gear.
Inside, I asked around about my lost keys, and was eventually referred to the light and sound engineer. He handed them to me before I finished asking! Thank goodness! At least I have spare keys now.
I set up my equipment in the same left-center portion of the orchestra pit, took $10 out of wallet, and went back to the lobby to buy another three 50/50 raffle tickets. Before and after retrieving the wallet from my right coat pocket, I made certain that the keys were still in there. Now that it’s warmer, I do that with my right pants pocket.
While I’d spoken to my photography mates Katherine Gilraine and Ron Hancox on Friday, I didn’t get to meet the fourth photographer, Andrew James, until Saturday before the show. I’ve made so many friends since my first time at Smooth Jazz for Scholars in 2007 (with my first recap in ’08), including Paul, one of the ushers. I saw Lisa Arpin again, along with fellow Jay Rowe Tito Tuesdays livestream alumni Judy Raphael and Robin Morin Stewart.
8:00 arrived, as it always does, and Kevin McCabe walked to a stage mic for his introduction.
For the first time since 2019, a night of SJFS opened with a performance by Milford Public Schools music students: the Foran High School Jazz Ensemble, under the direction of Jessica Turner:
Ms. Turner did not cite song titles, but the first song featured alto and tenor sax solos.
The second was led by a baritone sax solo:
The spirit of Ronnie Cuber was alive and well. 
I didn’t take photos during the third song, which had tenor sax and trumpet solos.
Jay Rowe came out afterward to compliment the ensemble and their director, Ms. Turner:
Then, they left the stage…
…and the house band made their way out. Kevin returned to introduce them and Jay Rowe welcomed the audience:
It was Jay leading the way on keyboards…
…with Andy Abel on guitar:
Dave Anderson on bass:
Trever Somerville on drums:
…and the great Steve Scales with percussion:
Headlining on Saturday night were the lively JJ Sansaverino:
The energetic Paul Taylor:
The sweet and saxy Kim Waters:
…and saxophonista Jessy J:
Lots of Js on the stage this night.
Coincidentally, Friday night, I heard a song by similarly-spelled pop singer Jessie J while shopping in Cumberland Farms.
(Updated with videos on 5/31)
SET LIST
1. East Coast West Coast (Jay Rowe)
Originally heard on: Red, Hot & Smooth (2006)
Featured musicians: Jay Rowe (keyboards), Andy Abel (guitar)
2. Midnight Dance (Jay Rowe) (yes, both nights)
Single
Featured musician: Jay Rowe (keyboards)
3. Ride With Me (JJ Sansaverino)
Originally heard on: Soul Energy (2022)
Featured musician: JJ Sansaverino (guitar)
4. Set It Off (JJ Sansaverino)
Originally heard on: Cocktails & Jazz (2021)
Featured musician: JJ Sansaverino (guitar)
5. And Now This (Paul Taylor)
Originally heard on: And Now This (2021)
Featured musician: Paul Taylor (alto sax)
6. Pleasure Seeker (Paul Taylor)
Originally heard on: Pleasure Seeker (1997)
Featured musicians: Paul Taylor (soprano sax)
7. In the House (Kim Waters)
Originally heard on: From the Heart (2001)
Featured musician: Kim Waters (alto sax)
8. Love Don’t Live Here Anymore (Kim Waters; Rose Royce cover)
Originally heard on: Love Stories (2010)
Featured musician: Kim Waters (alto sax)
9. Tequila Moon (Jessy J)
Originally heard on: Tequila Moon (2008)
Featured musicians: Jessy J (tenor sax), Jay Rowe (keyboards)
10. Tropical Rain/Hot Sauce (Jessy J)
Originally heard on: True Love (2009)/Hot Sauce (2011)
Featured musicians: Jessy J (tenor sax), Andy Abel (guitar)
11. Waterfall (Kim Waters)
Originally heard on: Someone to Love You (2002)
Featured musicians: Kim Waters (alto sax), Jay Rowe (keyboards)
12. Europa (JJ Sansaverino; Santana cover)
Featured musician: JJ Sansaverino (guitar)
13. Blue (Jessy J)
Originally heard on: Blue (2022)
Featured musicians: Jessy J (tenor sax), Andy Abel (guitar)
14. Exotica
Originally heard on: On the Horn (1995)
Featured musician: Paul Taylor (soprano sax)
15 (Finale). Ladies’ Choice (Paul Taylor)
Originally heard on: Ladies’ Choice (2007)
Featured musicians: Everyone, plus women from the audience!
JJ Sansaverino leads off the headliner photo galleries:
Next, Paul Taylor on alto sax:
Paul on soprano sax:
Kim Waters was solely on alto sax:
…and Jessy J played tenor sax:
Photo galleries of the house band start with Jay Rowe during his intense “Waterfall” solo:
Andy Abel’s “East Coast West Coast” solo:
Regrettably, I only took two more photos of Dave Anderson:
Here are nine of Trever Somerville:
…and the 11 best of Steve Scales:
Medium shots, starting with Kim, Dave and Jay:
JJ and Jay:
End of “Set It Off”
Jessy J and Jay:
Dancing along (no pun intended) to Jay’s “Tequila Moon” solo 
Jessy and Andy during his “Blue” solo:
Wide shots:
Between “Europa” and “Blue,” the raffle winners were announced from a bag held by Kevin McCabe. Jessy gave Jay the winning 50/50 raffle ticket (I lost again):
That brings us to the finale: “Ladies’ Choice.” Paul Taylor’s custom for live performances of this song is to invite ten ladies to dance on stage. As you’ll see, Kelly was one of the ten! Feeling ambitious, I started walking to the stage, but turned back before reaching the rope on the left end of the orchestra pit. Now, the photos:
I packed my equipment and headed for the lobby, putting it all on a table in the corner. Then, I began meeting and greeting, catching up with Kim Waters first:
If I knew he was pointing at me, I’d have pointed back, like I’ve done in other photos.
Kim paid tribute to Chuck Loeb after playing “In the House,” a song they wrote and played on. They produced and recorded many albums together in the 1990s and 2000s. I told Kim I hadn’t seen him play live since he and Chuck did the first night of SJFS in 2014.
I said I still have the business card Chuck gave me for his online guitar school, which I scanned for posterity at home Sunday evening:
To Kim’s right at the meet-and-greet table was Paul Taylor:
Then, Jessy J:
Jessy thanked me for my positive review of Blue when it was released last April, and we also reflected on the loss of Dancing with the Stars judge Len Goodman the week before. Jessy is in Ray Chew Live, the DWTS house band, and she was highly complimentary of Len. I had thought he retired as judge because of his cancer diagnosis, but Jessy said that came after. Len and his tens will live on in our hearts.
Coincidentally, the shirt I wore instead of the LIU Post polo is the same one I wore the first time I saw Jessy live at The Iridium in Feburary 2012:
Last but not least, JJ Sansaverino:
JJ was very happy to see me, admitting he’s enjoyed my Facebook posts and was grateful that I’ve played his music on Instrumental Invasion. I hadn’t seen JJ since he played guitar at saxophonist Steve Cole‘s Houndstooth Pub show in November 2011.
Turning the tables, Jessy took a photo of me and my good friend Steve Lewis, another yearly SJFS volunteer:
I took a photo of Kim with Jay Rowe’s mother, Mia DiStasi:
…and a selfie with Mia:
Kelly and I gathered my equipment and we said goodbye to our friends in the lobby. A lighter rain awaited us outside Parsons on our walk to the parking lot. When we got back to the hotel, I gave Kelly a good night kiss and took the elevator back to my room, bantering with the desk clerk until the doors opened.
In my room, like the night before, I moved photos and videos to my laptop (while watching a Twitch stream), imported the RAW photos into Lightroom, exported them as JPGs, deleted the RAWs, edited the meet-and-greet shots for posting to Facebook, and edited another 15 from Friday’s set. Then, sleep…for another few hours. Back to the laptop to curate my roll. I was left with 70 more photos than Friday. I edited a little, then met Diane and Richard in the common area. They, too, were at both nights of Smooth Jazz for Scholars and we agreed to meet for breakfast Sunday morning. I had my laptop with me, but never opened it. I just talked to them, and Paul Taylor (it was his birthday!) once he came down for breakfast. After a little more editing in my room, I packed up and checked out with my parents.
The ride home took two hours. It was an average time, though longer than I’m used to on Sundays. I spent the entire ride watching YouTube videos, including an episode of the Match Game-Hollywood Squares Hour in which a four-day champion won $30,000 in one day!
I put off further editing until Monday (May 1). The rest of Sunday (April 30) was for unwinding after a long weekend. I vowed to take my time editing the photos and working on this recap.
Editing was completed May 7, immediately followed by watermarking all photos. On May 9 and 10, I picked the best of the best from each night, which was still a lot, then saved lower resolution versions in Photoshop Elements. May 10 is also when I started drafting the written portions of these blog posts, which I incorporated into posts on the 12th and 13th, and fleshed out on the 15th and 16th.
Thank you for reading one or both of my 20th anniversary Smooth Jazz for Scholars blog posts. I will be back next year! See you around.
SJFS 2023 Night 1 recap May 18, 2023
Posted by Mike C. in Animation, Audio, Comedy, Health, Internet, Jazz, Music, Personal, Photography, Radio, Technology, Travel, TV, Video.add a comment
Friday, April 28, was the first of two nights for the 20th anniversary edition of Smooth Jazz for Scholars, hosted by keyboardist Jay Rowe in his hometown of Milford, Connecticut. The event, held on two nights since 2013, benefits the Milford Public Schools music department. It was the 19th SJFS overall (canceled by COVID in 2020 and ’21), my 15th overall, and 14th that I’ve seen it its entirety. (I only saw the first night in 2015 with that year’s WCWP Hall of Fame Ceremony held the following afternoon back on Long Island.)
In the days and hours leading up to the Milford trip, I grew overwhelmed by the impending workload (photos and videos). I struggled to pack everything the afternoon of the 28th, having spent two hours editing most photos from the WCWP station dinner (for student and alumni staff) on the 26th. I didn’t want to go, but felt obligated to go because I didn’t want to back out of the commitment I’d made to Jay. I convinced myself this would be the last year. (SPOILER: It won’t be.)
I finally left house with my parents just before 2:00. We encountered traffic delays on I-95 in Fairfield County, Connecticut. Waze directed us through winding side streets in Westport. We were eventually directed back to I-95 in Bridgeport with little volume the rest of the way to Exit 36 in Milford (in New Haven County, if you’re wondering). Not knowing which would be the official hotel, we booked rooms at Hampton Inn a month or two earlier. Our rooms were on the second floor, facing opposite ends of the building. I chose the room facing the parking lot so I-95 traffic wouldn’t keep me awake.
After settling into our rooms, we went for dinner at Pasquale Pizza a short drive from the hotel. Since we were close to the hotel, I walked back after finishing my pasta. On the way, I passed a Gas & Go station:
That made me think of the Gasigo sequence in the “Heroboy” episode of Freakazoid! In the sequence, singing attendants delayed Freakazoid’s (Paul Rugg) attempt to reach the villain Gutierrez (Ricardo Montalban). They had to finish the jingle in Freak’s car. Watch:
The episode ended with the Gasigo attendants driving Gutierrez mad as they reprised their jingle:
South of Gas & Go was another gas station/convenience store: Cumberland Farms. I stopped in there to buy ice cream bars for dessert back in my room.
My friend Kelly drove down from Wallingford for the show and met me at my room door around 6:30. We hung out for a little while, then drove to the Parsons Complex. I had her stop at CVS on the way so I could buy a small notebook or pad for writing out the set list and side notes. I forgot to pack a notebook and my sleep mask. I got a cheap gray mask and stenographer pad (close enough), then went on to Parsons. We arrived close to 7:30, after the soundcheck, so the doors were open.
Before entering the Veterans Memorial Auditorium, I decided to take a chance on the 50/50 raffle. I took out my wallet from my coat’s right pocket and bought three tickets for $10. Little did I know I inadvertently knocked out my keys, and wouldn’t realize what happened until the next day. More on that in the Saturday post.
I got plenty of reassurance from Katherine Gilraine and Ron Hancox, my fellow photographers in the orchestra pit, along with friends like Jay Dobbins, Phyllis Abrams, and Robin Morin Stewart. I love what I do and I love the music. I shouldn’t put so much pressure on myself. I need to be present, enjoy myself, trust the process, and take my time. I don’t work for a media outlet. There is no deadline.
With newfound confidence, I set up my equipment on the center-left portion of the orchestra pit below the stage. Production manager Kevin McCabe came on stage around 8:10 to welcome the audience and thank the sponsors:
Then, he introduced Jay Rowe, who read his statement in the program that marked Smooth Jazz for Scholars’ 20th anniversary:
Here is that message:
20 years of Smooth Jazz for Scholars!! I certainly did not think I would reach this milestone when I had the idea to start this event 20 years ago. Doing these shows helped me to become a better musician and play with some of my favorite musicians and people!! In some cases, I was playing alongside my musical heroes like Jeff Lorber, Alex Bugnon, David Benoit, Marc Antoine and Peter White, while watching newer artists like Vincent Ingala and Eric Darius become superstars and amazing entertainers. There have been losses along the way such as the passing of Jeff Golub, Chuck Loeb, Nick Colionne [fan page] and Rohn [“Ron”] Lawrence. These guys are missed terribly in our musical community and will never be forgotten. I have learned much about how important music is in people’s lives and have examined my own relationship with music. I still love playing and I am grateful that musical dreams can still come true in advancing middle age!! I truly hope that the youth of Milford, Connecticut – the town I grew up in and still love to live in – can experience the joy I have when playing music in whatever they pursue when they grow up. I also hope they can have the wonderful friendships that I have had through playing music. Thanks so much to Ken Navarro, Marion Meadows, Chieli Minucci [“key-ellie min-oo-chee”] and Nelson Rangell for being there for me at the very first Smooth Jazz for Scholars show that we played back in 2003 at Foran High School. It is very fitting to me that these artists perform for the first night of our 20th anniversary weekend. It has been a pleasure working with all of the artists who have played at Smooth Jazz for Scholars over the years at various festivals, clubs and events all over the world. Thanks to all of the fans of smooth jazz who have supported this show for all these years. You have been the reason to keep this going to support music education in our public schools inspiring the next generation of artists and music teachers!! Thanks to our sponsors: Barrett Outdoor Communications; Milford Bank; Dr. Anna Cutaia, Superintendent for Milford Public Schools; Amy Perras, Instructional Supervisor for Music, Art and Library Media; Kathy Bonetti, Communications Coordinator for Milford Public Schools; my mom Mia DiStasi; my wife Deborah Rowe; Kevin McCabe; WRTC; Mike Stacy at WRCH; Gregg Roche, former host of The Sunday Smooth Jazz Brunch on WRCH; Steve Butler, my favorite booking agent; everyone in this ad book (program), all of the wonderful fans of smooth jazz and the great artists performing at this year’s shows. Enjoy this year’s shows and stay tuned for next year when Smooth Jazz for Scholars becomes an adult at 21!!
Jay Rowe, 2023 Smooth Jazz for Scholars program
As Jay said, all four headliners from the first show in 2003 were present on the first night 20 years later!
…and Nelson Rangell:
Jay’s house band had percussion by Steve Scales:
Trever Somerville on drums:
Dave Anderson on bass:
Andy Abel on guitar:
And directing it all, Jay Rowe on keyboards:
(Updated with videos on 5/31. The soundcheck was part of the original post.)
SET LIST
1. Every Woman Every Man (Jay Rowe)
Originally heard on: Smooth Ride (2016) (earlier version of this post incorrectly credited song to Groove Reflections)
Featured musician: Jay Rowe (keyboards)
2. Midnight Dance (Jay Rowe)
Single
Featured musician: Jay Rowe (keyboards)
3. Ballerina (Special EFX)
Originally heard on: Just Like Magic (1990)
Featured musician: Chieli Minucci (electric guitar)
4. George Can’t Dance (Special EFX)
Originally heard on: Catwalk (1994)
Featured musicians: Chieli Minucci (electric guitar), Nelson Rangell (alto sax)
5. Gratitude (Nelson Rangell)
New and unrecorded (10/5/23 UPDATE: It has since been recorded and will debut as a single tomorrow.)
Featured musicians: Nelson Rangell (alto sax), Chieli Minucci (acoustic guitar)
6. Smokin’ Joe (Nelson Rangell)
New and unrecorded; tribute to Joe Sample
Featured musicians: Nelson Rangell (alto sax), Jay Rowe (keyboards)
7. Smooth Sensation (Ken Navarro)
Originally heard on: Smooth Sensation (1997)
Featured musician: Ken Navarro (acoustic guitar)
8. When We Dance (Ken Navarro)
Originally heard on: Into the Light (2020)
Featured musician: Ken Navarro (acoustic guitar)
9. The Lift (Marion Meadows) (started in audience)
Originally heard on: Body Rhythm (1995)
Featured musician: Marion Meadows (soprano sax)
10. My Cherie Amour (Marion Meadows; Stevie Wonder cover)
Originally heard on: Body Rhythm (1995)
Featured musicians: Marion Meadows (soprano sax), Jay Rowe (keyboards)
11. Daybreak (Special EFX)
Originally heard on: Global Village (1992)
Featured musicians: Chieli Minucci (acoustic/electric guitars), Jay Rowe (keyboards), Dave Anderson (bass)
12. Sonora (Nelson Rangell; Hampton Hawes cover)
Originally heard on: Destiny (1995); My American Songbook, Vol. 1 (2005)
Featured musicians: Nelson Rangell (whistling/piccolo), Ken Navarro (acoustic guitar)
13. In the Sky Today (Ken Navarro)
Originally heard on: All the Way (2003)
Featured musicians: Ken Navarro (acoustic guitar), Nelson Rangell (alto sax), Steve Scales (percussion), Trever Somerville (drums)
14. In Memory of Elizabeth Reed (Special EFX; The Allman Brothers Band cover)
Originally heard on: Twenty Twenty 2 (2022)
Featured musicians: Chieli Minucci (electric guitar), Ken Navarro (electric guitar), Jay Rowe (keyboards)
Ken posted video of the soundcheck:
15. Marcosinho (Marion Meadows; Dave Valentin cover)
Originally heard on: Whisper (2013)
Featured musician: Marion Meadows (soprano sax)
16. Romantica (Marion Meadows) (ended in audience)
Originally heard on: Player’s Club (2004)
Featured musician: Marion Meadows (soprano sax)
17 (Finale). What You Won’t Do for Love (Bobby Caldwell cover, tribute to the recently departed singer)
Featured musicians: Everyone, Carla Z (vocals)
Marion was part of Bobby’s live band.
This part of the post is dedicated to photo galleries of the headliners. We start with Chieli Minucci on electric guitar:
Chieli on acoustic guitar:
Ken Navarro on acoustic guitar:
Ken on electric guitar for “In Memory of Elizabeth Reed”:
Ken interacting with the band on “In the Sky Today”:
Marion Meadows starting in the audience for “The Lift”:
On stage:
Ending “Romantica” in the audience:
Nelson Rangell on alto sax:
Whistling on “Sonora”:
Whistling gave way to piccolo…
…and whistling while holding the piccolo:
Now, the house band, beginning with percussionist Steve Scales:
Drummer Trever Somerville:
Bassist Dave Anderson:
Andy Abel on acoustic guitar:
…and otherwise on electric:
Finally, Jay Rowe on keyboards (all but the first are from his “My Cherie Amour”):
On to medium and wide shots, beginning with Chieli and Nelson:
Chieli and Ken on “In Memory of Elizabeth Reed”:
Ken and Nelson:
Nelson and Jay:
Marion and Jay:
Last in this section, Steve and Trever:
Why not give audience and photographer shots their own section?
Andrew James, Ron and Nydia Hancox 
Estella Taylor-Greene, Dolly Moye, Nydia Hancox, Jay Dobbins, Norma Rohadfox 
Another photo of the fab five in my camera’s sports mode. Jay Dobbins spotted me again.
When it came time for the raffles (between “…Elizabeth Reed” and “Marcosinho”), I forgot to only check my tickets for the 50/50 portion. I was needlessly exasperated when my numbers didn’t match what Jay Rowe called.
I was rightfully dismayed when I actually lost the 50/50, but at least my $10 went to a great cause. The winner was Steve, who graciously donated back $200 of his winnings.
The finale, “What You Won’t Do for Love,” featured vocals by Carla Z:
As I was packing up my camcorder – Panasonic HC-X1500 with VW-HU1 and Rode VideoMic GO II – and tripod – Magnus VT-300, Lisa Arpin approached me to say hello. We had met during Jay Rowe’s Tito Tuesdays livestreams on Facebook during the early months of COVID. Afterward, I put the speedlight on my camera – a Canon EOS R7 – for flash meet-and-greet photos. (I was close enough to the stage that the RF-S 18-150mm lens was all I needed.) Unfortunately, the flash and low ISO (100) darkened the background and washed out the foreground. So, I turned off the speedlight and had photos taken at the settings I used during the show: 1/100 second shutter speed and ISO 2500. Later in Adobe Photoshop Elements, I’d bump up the brightness and contrast. (I have regular Photoshop, but mostly use it for upscaling, PDF automation, and graphic design.)
The first photo is of Jay Dobbins and Andy Abel:
Andy and “Jay Squared” (Dobbins came up with that):
I wanted to get in one photo, which Andy’s sister Janet gladly took (the next day was her birthday):
Once more from the auditorium, me with Jay Dobbins and Steve Scales:
Out in the lobby, I missed a chance to catch up with Chieli Minucci, but was part of a conversation with Marion Meadows and Katherine Gilraine about a documentary he was working on.
It took three attempts to get a photo with Jay Rowe, his wife Deborah, and Nelson Rangell (sorry to all three of you):
The last photo of the night, taken by Kelly, was me with Kristin and Ken Navarro:
Ken acknowledged Kristin during the show before “When We Dance.” It was very nice to catch up with them. Ken spotted me in the orchestra pit while playing “Smooth Sensation,” saying hi to me during a rest. After the show, he climbed off stage to chat with me. I talked about how I’d be debuting tracks from Love is Everywhere on May 17 (last night) at the end of the second Three-of-a-Kind Showcase edition of Instrumental Invasion. Ken liked the concept.
Kelly dropped me off at Hampton Inn around midnight. I wrote the following back in my room (in the vein of what I wrote earlier in this recap):
I had a lot of apprehension and performance anxiety ahead of tonight, the first night of the 20th anniversary Smooth Jazz of Scholars. The thought of taking hundreds of photos and having to edit them all scared me. And yet, I was at the Parsons Complex in Milford and had a great time. No way will I give up what I do. It’s too much fun in the moment. That’s what should matter. I have to remind myself to be present. I can’t look ahead in fear. I have to enjoy myself and snap away. I’m beloved by all that know me, and that was true tonight.
Mike Chimeri, Facebook post, 4/29/23, 1:22 AM
Watching part of a Twitch livestream got me through the late night/early morning hours as I transferred photos and videos from their SD cards. Then, since I shoot RAW now, I imported all the photos into Adobe Lightroom, then exported them as JPGs and deleted the RAW files.
Before retiring for the night/morning, I edited the meet-and-greet photos to include in my all-is-well Facebook post. I was able to get a few hours of sleep before my body decided I’d had enough.
Instrumental Invasion, 5/3/23 May 4, 2023
Posted by Mike C. in Airchecks, Audio, Film, Internet, Jazz, Media, Music, New Age, News, Personal, Radio, Travel.add a comment
The May 3 Instrumental Invasion on WCWP was recorded entirely on March 8, the first one-day recording since February 1 for the third anniversary show (airing March 29). Pickups were recorded on the 8th (after principal recording) and 9th, with an additional pickup on April 17 after learning Ahmad Jamal had died.
The playlist was created on March 1, except for the last segment on the 4th. Annotations followed on the 6th and the talk break script was drafted on the 7th.
My “May the Third be with you” at the top of the show was a nod to Star Wars Day the next day (today). Playing off the franchise catchphrase “may the force be with you,” the greeting on May 4 is “May the Fourth be with you.” One May 5, I joked “Cinco de Mayo be with you” on social media.
I played two Casiopea songs, one from their second album and one from their latest. To that end, language and travel came up a lot.
The language part allowed me to recite words and names in their native dialect. Whole sentences were another matter, which is why I leaned on Google Translate for my Spanish description of “Del Corazón.” (I wrote this paragraph on March 9, a month before I started learning Japanese, as noted in last week’s post.)
The travel part was highlighted by “I Love New York” (from Casiopea’s Super Flight [transliterated Sūpāfuraito, per my talk break]), “Tappan Zee” (from Bob James‘s BJ4), and “Chattahoochee Field Day” (from Patrick O’Hearn‘s Eldorado).
Speaking of John Patitucci and his Brooklyn project evoked memories of visiting my great-grandparents in Midwood. Here is a photo from one such trip:
Click here to download this week’s scoped aircheck or listen below:
8:35 AM UPDATE: Oh, I forgot I made a Don Sebesky reference. He died on Saturday.
Instrumental Invasion, 4/26/23 April 27, 2023
Posted by Mike C. in Airchecks, Animation, Anime, Audio, City Pop, Education, History, Idol, Internet, Japanese, Jazz, Language, Media, Music, Personal, Radio, Technology, Travel, TV, Video, VTuber.add a comment
The April 26 Instrumental Invasion on WCWP went on the air at the end of the station dinner for students and alumni. The dinner was held at The View Grill, located off Long Island Sound in Glen Cove. I listened to much of the first hour during a ride home from my parents. Mom took a photo of Dad’s infotainment system while tuned to 88.1 FM:
3:47 PM UPDATE: Here’s a photo I took with my camera:
I caught the rest at home.
I have a lot to say, so I’ll get the scoped aircheck out of the way here:
The show’s playlist was created on February 24, annotated on the 27th and 28th, scripted on the 28th and March 1.
For the first time since December 7, I recorded out of sequence. Segments 6, 1, and 3 were recorded on March 2, followed by segments 2, 4, and 5 on March 3. I wanted to get the last segment out of the way because of the mammoth talk break that expounded on my city pop discovery, including excerpts of “4:00 A.M.” by Taeko Onuki and of the Caitlin Myers English version. My hunch was right, but I only managed to go 69 seconds over, plus another three seconds in the first segment where I first discussed city pop vis-à-vis Casiopea. I had little trouble compensating, completely making up for the overage over the last four segments without remixing.
After recording a quick pickup for the second segment on March 4, I redid the entire last talk break on the 5th. Taeko noted in a 2017 interview that Stuff drummer Chris Parker played on Sunshower, her precursor to Mignonne. Eric Gale was in Stuff. Maybe it was him. I bought a 2008 CD reissue of Mignonne on Amazon, planning on scanning the presumably Japanese liner notes once it arrived on March 6 and translating the text in the scan. Hedging my bets, the full talk break record said the soloist was Eric. Then, I did an alternate tack-on where I said it wasn’t. I played part of the solo in each.
Served me right for not noticing Discogs’ entry for Mignonne‘s 1989 CD reissue with its English credits. Nope, not Eric. It was Tsunehide Matsuki. I canceled the Amazon CD order, cited the Discogs ’89 CD credit, tacked that onto the earlier redos, and called it a night. I did one more pickup for this redo on March 7 because I was unsure of whether or not Caitlin Myers had more city pop adaptations in the pipeline. I did a separate pickup for the first segment on the 7th, with the precise Japanese transliteration of Casiopea, and a pickup for the top of hour 2.
For posterity, here was the original last talk break with all my nervous energy:
The redo where it was Eric Gale (and the Caitlin YouTube channel plug):
The redo tack-on where it wasn’t Eric:
Read about my early city pop journey in this blog post.
I’ll still include the relevant city pop videos, starting with the original “4:00 A.M.” by Taeko Onuki (or Ohnuki):
As Lou Monte would say (in “Lazy Mary”), the “British” version by Caitlin Myers (from the U.S.):
And T2norway‘s video about Casiopea:
[Removed on 5/3]
April 15 portion joined in progress:
Caitlin’s anime dubbing background inspired me to sign up with CrunchyRoll and watch select anime series. I started with the second season of Love Live! Nijigasaki High School Idol Club, featuring Caitlin as the introverted Shioriko Mifune, who slowly comes out of her shell as the season progresses. At first, I wondered “why the hell am I watching this?,” but by the third episode, I was hooked. So, now I can add idol/virtual idol to my diverse musical interests. (What I play on Instrumental Invasion remains my primary interest.) Incidentally, the English dub does not account for songs, meaning episodic numbers and the opening and closing themes are sung by the original seiyuu (Japanese voice actors).
On March 28, YouTube recommended a Ruri Ohama video, which led to a recommendation of a compilation video by JapanesePod101.com. After watching several of those compilations, I took the plunge by subscribing to the site itself and taking various courses. JapanesePod101.com is a division of the Franklin Square-based Innovative Language Learning. I always feel a sense of pride when I come across a Long Island-based company, past or present. Concurrently, I subscribed to Mochi real Japanese (Mochi Sensei) to learn Japanese from her videos. The teaching styles differ, but that’s okay.
[Removed on 5/3]
Back to what I wrote on March 3:
Ever since I watched Cronkite Remembers on DVD in the 2000s, I’ve had the introductory narration to Walter Cronkite‘s You Are There in my head. “We Were There” by Jazz Funk Soul always jogs my memory, but I never thought to play it on Instrumental Invasion until this show. The way I did the talk-up is how I’ve said the title to myself.
“Knee Deep in Rio” by Maynard Ferguson and Big Bop Nouveau was the song I moved from last week after realizing I wrongly placed it in the 1985-97 segment.
Robben Ford‘s “Magic Sam” was originally played on October 19 before I knew of the eponymous blues musician. Back then, I assumed it was about a magician, and I said that he “disappeared” as Jay Mirabile’s liner played on the fade out.
Tomorrow, I travel to Milford, Connecticut, to attend and photograph Smooth Jazz for Scholars. Wish me luck.
6:11 PM UPDATE: [Removed on 5/3]
My city pop discovery (and reacquaintance with Garfield and Friends) March 5, 2023
Posted by Mike C. in Animation, City Pop, Comedy, Comics, Film, Game Shows, Health, Internet, Jazz, Media, Music, Personal, Phone, Pop, Radio, Technology, Travel, TV, Video, Video Games, Weather.2 comments
NOTE 1: This is also a Garfield and Friends story with several montages among the city pop material. Those montages led me to city pop.
NOTE 2: I consulted my computer audio recordings of the Garfield and Friends DVDs to ensure the video embed caption quotes are verbatim.
NOTE 3: I even spend a paragraph on The Weather Channel tribute site TWC Classics, a simulator that re-creates the old local forecasts, and recently departed announcer Dan Chandler who lent his narration to the sim.
Nearly 50 years ago, Japan’s economy was booming and a new leisure class developed. That leisure class begat a new Japanese pop music genre, borrowing elements of various Western music genres. They called it city pop. What began in the 1970s, peaked in popularity in the ’80s, then fell out of the Japanese mainstream.
City pop found a new Western audience in the 2010s thanks to blog posts like mine (but earlier), Japanese reissues of the genre’s albums, and YouTube uploads of the albums’ tracks. From a 2023 perspective, I give YouTube most of the credit. Today, it is the best city pop recruitment tool.
The rest of this post is about how I discovered city pop and recounts my first nine days as a fan. If you want to read more about the genre and its resurgence, I recommend Cat Zhang’s 2021 Pitchfork article and Wikipedia’s city pop entry.
On February 19, YouTube recommended a video with random clips from my favorite cartoon series, Garfield and Friends:
Jim Davis created the Garfield comic strip and CBS TV specials, but Mark Evanier (with Sharman DiVono for three seasons) spun comedy gold on CBS Saturday mornings from 1988 to 1994 (the last rerun aired in ’95). I can quote parts of episodes or even whole episodes. So, when watching the above clips, I knew what happened next.
The next Garfield and Friends clip in my recommendations came on February 20:
The evening of February 21 was my city pop entry point, but we’re not there yet. The prelude to the entry was this:
Full disclosure: I met Jim Davis at a signing in March 1995, but I was too shy and just had him sign a sketch. And I interviewed Jon Arbuckle voice actor Thom Huge (HUE-ghee) three times for The Mike Chimeri Show. (In retrospect, I would have held off on the first interview until his voice was back to normal.)
The Jon Arbuckle montage led YouTube to recommend this:
Whoa! What is that song that sounds vaguely like “Burnin’ Up the Carnival” by Joe Sample (from Voices in the Rain)? I scrolled down and saw the song was “4:00 A.M.” by Taeko Onuki (or Ohnuki). I searched Google on my iPhone and the Taeko’s Wikipedia entry (linked in the previous sentence) and found the song. That prompted the YouTube app where I heard the whole thing:
Whoa again, it appeared on an album with the last name of a few of my friends, but with an extra N. Lyrics are here.
1:30 PM UPDATE: A member of the My Life in Gaming Discord server told me the album title was part of Taeko’s fascination with French media, which I confirmed after a Google Search yielded this 2017 interview. Still, Mignonne is one letter off from my friends of Italian descent.
3:10 PM UPDATE: I just finished reading the interview linked in the prior update. It was an interesting read, but I was disappointed to learn Taeko did not like Mignonne because of what transpired during production. The resulting disenchantment, and poor sales, made her take a two-year hiatus from the music industry. Anyway, back to the good stuff.
Taeko’s Wikipedia entry led me to the one on city pop. That’s what I heard and I wanted more.
I could not stop listening to “4:00 A.M.” Ironically, it kept me up past midnight, but not as late as 4AM. I was up at 4AM on March 4 when I drafted this blog post thanks to a period of strong easterly winds that buffeted my bedroom window. The song’s refrain may sound vaguely like the later “Burnin’ Up the Carnival,” but the song otherwise had more in common with the works of Bob James and Grover Washington Jr. The line “ima o” was phrased like “that’s the time” in “Feel Like Makin’ Love” by Roberta Flack, which Bob played on and then covered. The guitar solo on the ending breakdown sounded like it came from Eric Gale‘s hands. (It was from Tsunehide Matsuki‘s hands.) I have repeatedly imagined Grover Washington himself covering “4:00 A.M.” on alto saxophone, soloing (improvising) from the last refrain, through the breakdown, all the way to the end.
I should probably acknowledge that I am on the high-functioning end of the autism spectrum, formerly known as Asperger Syndrome. That probably explains my intense focus on one thing or another, and attention to detail.
I was busy with radio show production on February 22, but “4:00 A.M.” was in the back of my mind and I was intent on extracting the audio and assigning the WAV file to a vintage Weather Channel local forecast flavor in my WeatherStar 4000 simulator. Now, I could hear all but the last 36 seconds with the current conditions and forecast, peppered with Dan Chandler’s re-created narrations. (I was in touch with Dan for a few weeks midway through my tenure at WGBB, and he even called in while I was playing a song. I didn’t put him on, but relayed what we talked about, including “reading the sports pages” as he listened to the live stream. After writing that sentence, I’m sorry to learn that he passed away on February 7 [obituary].) The simulator was already populated by music cues from The Price is Right and adjacent Goodson–Todman game shows. See the February 15 Instrumental Invasion recap for more on that obsession.
While my “4:00 A.M.” obsession continued, YouTube had more city pop recommendations, including a modern music video for Mariya Takeuchi‘s “Plastic Love“:
Oh, and another Jon Arbuckle montage:
As the “Plastic Love” video wound down, I pretended to be Dan Ingram back-selling the song, quipping that it was better than polyurethane love.
My vocal city pop discoveries halted for the next few days when I found a city pop creation befitting my love of instrumental music: jazz fusion supergroup Casiopea!
First, I found “Midnight Rendezvous“:
Then, “Eyes of the Mind” before the “the” was added:
Groups like Casiopea and T-Square (formerly The Square) have influenced generations of video game music composers.
I woke up on February 23 after a full night’s sleep and was greeted with two more Jon Arbuckle videos:
As I listened to my radio show aircheck from the night before, I began extracting audio from whatever Casiopea albums were on YouTube (mostly via their “topics” channel), provided the cover art available online was clear and at least 1500×1500 pixels. If AI upscaling in Adobe Photoshop yielded poor results, I’d buy the CD myself and scan the artwork. That’s what I did for Flowers (1996), but I bought Euphony (1988) because it wasn’t on YouTube. I will eventually buy the actual CDs, but given the inflated import prices, collection take a while. Here’s what I do have:
- Casiopea (5/25/79) (Alfa)
- Super Flight (11/25/79) (Alfa)
- Thunder Live (4/21/80) (Alfa)
- Make Up City (11/21/80) (Alfa)
- Eyes of the Mind (4/21/81) (Alfa) – featuring the aforementioned Bob James
- Cross Point (10/21/81) (Alfa)
- Mint Jams (5/21/82) (Alfa)
- 4×4 Four by Four (12/16/82) (Alfa)
- Photographs (4/23/83) (Alfa)
- Jive Jive (11/30/83) (Alfa)
- The Soundgraphy (4/25/84) (compilation album) (Alfa) – I have the title track, the lone original recording
- Down Upbeat (10/25/84) (Alfa)
- Halle (9/10/85) (Alfa)
- Casiopea Live (9/25/85) (Alfa)
- Sun Sun (9/10/86) (Alfa)
- Euphony (4/25/88) (Polydor/Aura) – the CD reissue I have includes “Halle” from Casiopea Perfect Live II (7/10/87) as a bonus track
- Full Colors (5/25/91) (Pioneer)
- Dramatic (5/21/93) (Alfa)
- Answers (5/25/94) (Alfa)
- Asian Dreamer (12/16/94) (Pony Canyon)
- Freshness (5/19/95) (Pony Canyon)
- Flowers (9/20/96) (Pony Canyon)
- Light and Shadows (9/3/97) (Pony Canyon)
- Material (5/19/99) (Pony Canyon)
- Ta•Ma•Te Box (11/20/13) (Hats Unlimited) (CD tracks only)
- A•So•Bo (4/22/15) (Hats Unlimited) (CD tracks only)
- New Topics (10/12/22) (Hats Unlimited)
I’m still working my way through the albums chronologically in my spare time. Flowers is gradually on its way from a Japan Discogs markeplace seller, so I jumped from Freshness to Light and Shadows. That’s where I am as of publication on March 5. (I got in eight hours of sleep the night before.)
The last item in this post’s Casiopea segment is T2norway‘s video profile of them, preceded by his city pop story:
The night of February 23, YouTube recommended two more Garfield and Friends videos. One was yet another montage:
And the other was a series review by Nostalgia Critic, played by Doug Walker (who was born the same day as me!):
I was let down by his critiques of certain characters and the animation style, not to mention his disdain for U.S. Acres. Nonetheless, I respect his dissent.
My city pop discoveries resumed on the night of February 25, related to “Plastic Love.” Leading off, a Super Famicom/Nintendo rendition:
That was followed by the infamous long version of the Mariya Takeuchi original (lyrics):
(As of March 13, the video was taken down. In the long version, one verse repeated and the ending chorus was extended, exemplified below.)
Since I was watching in a web browser, I saw recommendations on the right side of the tab. The one that caught me eye was an English version of “Plastic Love”:
The singer-songwriter was Caitlin Myers, also a voice actress with a focus in anime and video games. She has two YouTube channels: one in her name and one called Interlunium. I was unaware of the scope of her work as I watched this first video. (3/31 UPDATE 1: Interlunium is a virtual idol group where Caitlin portrays Junko.) (3/31 UPDATE 2: Caitlin’s version of “Plastic Love” was reworked with original instrumentation and new vocals for her 2021 compilation, City Poppin’.)
More city pop discoveries came way on February 26. Figuratively waiting at the door to this new day was “Mayonaka no Door* (Stay with Me)” by the late Miki Matsubara, recorded when she was just 19 (lyrics):
*”Door” is lyrically transliterated “doa.” The full term means “midnight’s door (literally, door of midnight).” In another ironic twist, there were nights after discovering this song when I’d be awake around midnight as the refrain bounced around in my head. Sometimes, I imagined a fast tempo, “Spain“-esque Chick Corea version with a Minimoog solo. Others, I thought of McCoy Tyner.
Sure enough, Caitlin Myers wrote an English version of this, too:
Incidentally, I added both versions of “Plastic Love” and “Mayonaka no Door (Stay with Me)” to the WS4000 simulator, again using the five-minute local forecast flavor.
Knocking on afternoon’s door was the biggest discovery yet: Caitlin covered “4:00 A.M.”!
My city pop journey had seemingly come full circle. Now, I had English versions of the first three vocal city pop songs I discovered to complement the originals.
The Garfield and Friends video journey definitely came to end on the morning of February 28 with this video showing one second of each episode from show (or rather from each cartoon in each episode):
However, there was more city pop to be had that afternoon. Other Caitlin Myers English adaptations were in my YouTube feed, and I felt I had to hear the originals before listening to hers.
“Do You Remember Love?” was adapted from its directly-translated Japanese title, “Ai Oboete Imasu ka.” Sung by Mari Iijima, it underscored the intense climax to the 1984 film, Macross: Do You Remember Love? I foolishly watched that sequence on YouTube instead of a straight recording of the song, unable to unsee or unhear any of it. (And I thought Disney villain deaths were rough.)
Lucky for you, the reader, I found a straight recording (lyrics):
And the Caitlin Myers version:
3/13/23 UPDATE: “Do You Remember Love?” was J-pop rather than city pop, illustrating how songs from the subgenre led me to ones from the main genre.
“Dance in the Memories” was next, written and performed by Meiko Nakahara (lyrics):
Caitlin’s turn:
Closing out my first week in city pop, “Telephone Number” by Junko Ohashi (lyrics):
I had to make a 3-minute, 30-second local forecast flavor to accommodate the song’s 3:58 run time (3:59 for Caitlin).
As a suburban New Yorker, I like Magical‘s cover art of Lower Manhattan featuring the original World Trade Center. I passed by One World Trade Center in 2014 while running the Tunnel to Towers 5K.
The hook – “ah-uu, 5-6-7-oh-9” – brought two things to mind:
- “Ah-uu”: “Werewolves of London” by Warren Zevon – of course, that’s “a-hoo,” not “ah-uu.”
- “5-6-7-oh-9” (56709): Foreshadowing SMS!
Musically, Caitlin did a masterful job replicating the sound of each song she adapted into English. On behalf of city pop fans everywhere, thank you, Caitlin, for your efforts.
Thank you to the many city pop artists whose works inspired by our (the West’s) music have boomeranged back to us.
And thank you, the reader, for making it to the end of this post. Wish me luck on the rest of my city pop journey. Be sure to catch Instrumental Invasion April 26 at 9PM Eastern (April 27 at 11AM in Japan) on WCWP. It’ll be the first show with music by Casiopea, and about ten minutes into the last segment, I allude to some of what I laid out in this post because I play Scott Wilkie‘s cover of “Burnin’ Up the Carnival.” (5/2 UPDATE: Here is that show’s recap, along with my journey since writing this post.)
I’ll leave you with Caitlin Myers’ Japanese versions (lyrics by Datenkou) of “Never Gonna Give You Up“…
…and “September“:
Instrumental Invasion, 1/11/23 January 12, 2023
Posted by Mike C. in Airchecks, Audio, Books, DVD, Internet, Jazz, Laserdisc, Media, Music, New Age, Personal, Photography, Radio, Travel, TV, Video, Video Games, Weather.add a comment
The January 11 edition of Instrumental Invasion on WCWP was recorded one hour per day between November 24* and 25. This show brought me back to a comfortable seven-week buffer.
*Thanksgiving, my parents’ 45th wedding anniversary, the 30th anniversary of Sonic 2sDay (release day for Sonic the Hedgehog 2)
The playlist was created on November 21, annotated on the 22nd, and the talk break script was drafted on the 23rd when not working on last week’s show.
Speaking of Sonic 2, I referred to video games and video game consoles again this week: the Oculus Rift, PlayStation VR, and Virtual Boy. Jeremy Parish’s Virtual Boy Works video series can be viewed here and you can buy his book here. (Yes, my story about trying out the Shapp cousins’ Virtual Boy was true.)
I played another cut from the compilation True North, starting the show with “One More River Passing” by James Reynolds. Hear it in a Weather Channel local forecast at this link. Click here for a local forecast featuring “Down Hill Racer” by Patrick O’Hearn.
With only two new albums left that hadn’t met my requisite six tracks to play, I added a second 1996-2006 segment and moved the remaining 2017-present segment to the middle of hour 2. That allowed me to make up for not ending hour 1 with the live 2002 version of “Kukuc” (“koo-kooch”) by John Favicchia, the second week in a row with a version of “Kukuc,” both from Tangible. The second segment of hour 1 and first of hour 2 only had two talk breaks thanks to “Spain” by Return to Forever and “Kukuc.”
This week’s version of “Kukuc” was performed at Backstreet Blues in Rockville Centre, the venue where I was introduced to Fav and his Dharma All-Stars on July 13, 2005. Here are the photos I took that night:
Brad Mason (trumpet), Mark Gatz (tenor sax) (RIP), Mike Nunno (bass), Chieli Minucci (guitar) 
Frederic Las Fargeas (keyboards), Brad Mason (trumpet), Mark Gatz (tenor sax) 
The mostly-clear view from table: Frederic Las Fargeas, Brad Mason, Mark Gatz, John Favicchia, Mike Nunno, Chieli Minucci 
A close-up of Chieli 
This time, with the flash during “Kukuc” (the closer) 
A wide shot with the flash: Frederic Las Fargeas, Brad Mason, Mark Gatz, John Favicchia (out of view), Mike Nunno, Chieli Minucci 
Chieli and I after the set; it was his idea for me to attend; I’m forever grateful to him for that
Backstreet Blues is now known as The New Vibe Lounge.
Click here to download this week’s scoped aircheck or listen below:
MikeChimeri.com 
