David Benoit at My Father’s Place: A Tribute to A Charlie Brown Christmas December 7, 2024
Posted by Mike C. in Animation, Broadway, Christmas, Comedy, DVD, Education, Football, History, Jazz, Media, Music, Personal, Photography, Radio, smooth jazz, Theatre, Travel, TV, VHS, Weather.2 comments
3/25/25 NOTE: Scroll down for an update to this post via an email from Steve Stoliar.
Wednesday evening, thanks to the generosity of my fellow WCWP/LIU Post alumnus Bobby Guthenberg, I was at My Father’s Place at the Roslyn Hotel to see David Benoit‘s annual tribute to A Charlie Brown Christmas.
It was the first time I’d seen a live show outside of Smooth Jazz for Scholars since before COVID. That last pre-COVID show was Mike Stern and Jeff Lorber Fusion at The Iridium in December 2019. Wednesday also marked the first time I’d seen David and his trio since June 2019, also at My Father’s Place, three months after I saw The Rippingtons there.
Bobby G., longtime friend of My Father’s Place promoter Michael “Eppy” Epstein, first invited me to David’s show one morning in late August. I didn’t hesitate in accepting the invitation. We would meet at WCWP’s Abrams Communications Center by 5:45 PM and drive to Roslyn from there.
Since it was Christmastime, I anticipated David’s set would be similar to the one from his 2008 concert at IMAC (Inter-Media Art Center) in Huntington. (Little did I know that would be the last show I’d ever see there as the venue closed in June 2009, eventually replaced by The Paramount.)
My parents drove me up to LIU Post at 5:00 and we arrived in the parking lot adjacent to WCWP (and Hillwood Commons) within 20 minutes. In contrast to the flurry of activity during Homecoming Weekend, the Abrams Communications Center was as dark as the night sky, with most of the light coming from studio 1 and 3 where live shows were in progress. Thomas, the Wednesday host of The Rock Show, invited me in before retreating to Hillwood for dinner. I paced quietly in the lobby until Bobby G. arrived shortly after 5:45.
Bobby and I conversed on the entire drive to My Father’s Place, listening to David Benoit’s Fuzzy Logic (2002) CD along the way.
It was about 6PM when parked in the Roslyn Hotel lot. We walked up the stairs to the hotel lobby and down the stairs to the My Father’s Place section. (MFP was originally its own venue before relocating to the hotel.) Eppy Epstein was seated outside the entrance and Bobby introduced us. Then, we confirmed our ticketed reservation with the attendant in the entryway and were ushered to a front row center table.
My conversation with Bobby continued as 8PM approached. (He and Billy Joel were classmates at Hicksville High School!) We both ordered separate dinners, each choosing a seltzer with lime as our soft drink, drinking water in the meantime. None of the entrees interested me, so I ordered fried calamari and a “side” of mac and cheese. Our waitress told me the side dish, with shell pasta, was as big as an entree, meaning I only needed to order one bowl. It was all quite good.
I checked the stage for a set list so I’d know what I was in for. I found one on the stage floor by the drum kit. I didn’t think to write the list to my stenographer pad until the show had begun and the waitress took our dessert orders. I chose chocolate lava cake, which was a bit rich for me, even with the vanilla ice cream mixed in, but still good.
Okay, the preamble is over. Let’s talk about the show itself!
As you see, there was a fourth member of the band: vocalist Courtney Fortune.
David Benoit was on a Yamaha piano:
New York City native Roberto Vally played bass:
Merrick native Dan Schnelle was on drums:
And the aforementioned Courtney Fortune on vocals:
The front stage featured replicas of Schroeder‘s toy piano and the sapling Charlie Brown chose over fully-grown trees in A Charlie Brown Christmas.
Before more photos, let’s look at…
THE SET LIST
- It’s the Most Wonderful Time of the Year
- Believe
- Medley: My Favorite Things/The Christmas Waltz
- Santa Claus is Coming to Town
- Originals medley: Drive Time/Café Rio/Kei’s Song
- Schroeder/The Doctor is In
- Vince Guaraldi medley: Great Pumpkin Waltz/Thanksgiving Theme/You’re in Love, Charlie Brown/Christmas is Coming/Skating/What Child is This?/O Tannenbaum
- Christmas Time is Here
- Just Like Me
- Linus and Lucy
- (encore) Cabin Fever
Set List Background Info
Vince Guaraldi’s A Charlie Brown Christmas compositions (except where noted) in the set were “Christmas is Coming,” “Skating,” “What Child is This?” (only on the soundtrack album; arrangement of traditional song), “O Tannenbaum” (arrangement of traditional song), “Linus and Lucy,” and “Christmas Time is Here.” That last song was heard instrumentally throughout A Charlie Brown Christmas, but a separate version added lyrics by Lee Mendelson, the special’s producer and co-writer (with Peanuts creator Charles M. “Sparky” Schulz). David first covered “Linus and Lucy” on This Side Up (1985), which led to an updated arrangement for “The Great Inventors” episode of This is America, Charlie Brown. David scored that entire episode, and many Peanuts TV specials (plus some Garfield specials) through 2006. The specials that stand out in my mind are:
- It’s Christmastime Again, Charlie Brown – Features hilarious scenes where Peppermint Patty and Sally Brown botch their lines in the Christmas play – Similar scenes were played out in the series finale of The Charlie Brown and Snoopy Show, where a young Stacy Ferguson (Fergie) voiced Sally
- You’re in the Super Bowl, Charlie Brown – Relegated to VHS, as of this writing – Features
improvisedplay-by-play by Steve Stoliar, a comedy writer, film historian, assistant to Groucho Marx, and impressionist (naturally, his Groucho impression is immaculate [no, he didn’t do it in the special]) *See 3/25/25 UPDATE below this list* - I Want a Dog for Christmas, Charlie Brown – Focuses heavily on Rerun, Linus and Lucy‘s younger brother, and his desire for a dog, be it Snoopy or Snoopy’s brother Spike (partially recycled from episode 15 of The Charlie Brown and Snoopy Show) – This special marked the debut of David’s original composition, “Rerun’s Theme,” later recorded for David’s Jazz for Peanuts (2008)
3/25/25 UPDATE: Steve Stoliar emailed me this evening to clear things up about his involvement in You’re in the Super Bowl, Charlie Brown.
It was much more of a challenge than mere improvisation. Here – whether you want it or not – is the complete story: I had a friend who worked at Bill Melendez Prods. in a variety of capacities. She called me up one day and said, “Can you help us? We produced this Super Bowl show that Sparky wrote and there are football games with no dialogue that just go on and on and they’re repetitious and confusing.”
She gave me a VHS of the rough-cut and I sat on my living room floor starting, pausing, rewinding my VHS player and trying to time (without a stopwatch) how long each football sequence ran. Then I scribbled down some suggested narration, making use of a lot of alliterations and metaphors, such as you get from color commentators on sporting events. After that, I read it and tried to edit the copy so it fit snugly in the blank spaces. Then I went to Melendez Prods. in Hollywood and we recorded it – with Bill M. directing me – and me doing a sort of Vin Scully-inspired classic sportscaster voice.
It’s fairly miraculous that it worked out. “Variety” actually reviewed it and pointed out the sports narration as a high spot. Unfortunately, my pleasure in having met the challenge was greatly impacted by my late wife and me having been literally thrown out of our apartment by the Northridge Earthquake, which hit between the time I recorded the narration and when the show aired.
I was later rewarded with a lovely production cel (and original background) from one of the birdie football games, inscribed, “For Steve – In friendship – Bill Melendez” in black Sharpie. Sadly, even though it wasn’t in direct sunlight, the inscription faded. But – like Big Julie in “Guys ‘n’ Dolls” talking about the blank dice – “I remembers where da spots previously were.”
It remains the only Charlie Brown special that has any sort of shared writing credit.
End of story – except to thank you for the compliment on my Groucho impression!
Thank you, Steve, for correcting the record, and allowing me to post what you wrote. I don’t know where I got in my head that he improvised the dialogue. I must have misinterpreted the Facebook comment he left a few years ago when I said that I’d watched my digitizing of the VHS tape. On that note, Steve wrote in a follow-up reply…
Oh – also – that particular show was produced as a tie-in with Shell Oil and the VHS tape was either a giveaway or for sale at a low, low price at Shell Stations when you filled up your tank. So even though it aired on TV, I suspect it’s missing from DVD release because of the initial deal with Shell. Not sure. I also did voices for Melendez (what a great guy) on “Snoopy’s Reunion” and “It’s The Girl In The Red Truck, Charlie Brown.”
I’m inclined to agree with Steve about the Shell tie-in keeping You’re in the Super Bowl, Charlie Brown off DVD and other modern home media releases. It’s the Girl in the Red Truck, Charlie Brown is another special that has yet to go beyond VHS, but Snoopy’s Reunion has a dedicated DVD.
Thanks again to Steve Stoliar. Now, back to what I wrote in December.
Speaking of David’s originals, “Kei’s Song” is from Freedom at Midnight (1987), “Cabin Fever” (the encore) was on Waiting for Spring (1989), “Drive Time” originated on The Best of David Benoit: 1987-1995 (one of two new tracks), and “Café Rio” is from Full Circle (2006). “Drive Time” and “Café Rio” get the big band treatment on David’s latest album, Timeless, recorded in the UK with Spice Fusion Big Band.
David composed “Just Like Me” for 40 Years: A Charlie Brown Christmas (2005), with Lee Mendelson lyrics that honor the feel of “Christmas Time is Here.” Vanessa Williams sang on the original, and David recorded a solo piano version at Steinway Hall in 2017, one of 17 tracks from his The Steinway Sessions…session that were saved for It’s a David Benoit Christmas! (2020).
“Great Pumpkin Waltz,” “You’re in Love, Charlie Brown,” and “Thanksgiving Theme” were Vince Guaraldi compositions for It’s the Great Pumpkin Charlie Brown, You’re in Love, Charlie Brown (yes, more redundancy), and A Charlie Brown Thanksgiving.
“Believe” was a Josh Groban song for the film The Polar Express, which served as the title track to David’s 2015 trio album that featured Jane Monheit and The All-American Boys Chorus.
“Schroeder” (set to Beethoven’s “Moonlight Sonata”) and “The Doctor is In” were from the Broadway musical You’re a Good Man, Charlie Brown.
That brings us back to the photos. For that You’re a Good Man medley, David portrayed Schroeder and Courtney channeled Lucy.
I’m not ashamed to admit “Just Like Me” drove me to happy tears. It’s such a pretty song.
When Courtney wasn’t on stage, the trio of David, Roberto, and Dan played instrumentally.
The finale: “Linus and Lucy”:
For the encore, a man at a front row table held up his LP copy of Waiting for Spring (I have it on CD) and requested a track from there. David chose “Cabin Fever,” one of my favorites.
I only got to meet and greet half the band. Roberto and Dan were deep in separate conversations and I didn’t want to rudely interrupt.
However, I did get to catch up with David, who signed my copy of Timeless:
I then introduced David to Bobby Guthenberg (who took the above photo). Bobby bought a copy of Timeless, and David signed that.
Bobby G. and I weren’t the only WCWP alumni at My Father’s Place that night. Voice actor David Kaplan was there, too. It was great to see him. He was talking to vocalist Courtney Fortune, who I then spoke to. I complimented Courtney’s performance and told her how moving her rendition of “Just Like Me” was. Then, Bobby took a photo of us:
My one regret is not getting a photo with My Father’s Place promoter Eppy Epstein before Bobby and I exited The Roslyn. Upon exiting, I noticed it was snowing!
Before meeting and greeting, Bobby offered to drive me back to Wantagh so my parents wouldn’t have to drive back up to WCWP for me. I accepted and called my mom to let her know. Bobby cautiously drove home in the rain/snow mix, once again conversing the entire way while finishing up his Fuzzy Logic CD. He switched to Timeless while waiting at a red light on Jerusalem Avenue.
Bobby dropped me off at the curb at about 10:30. I wished him good night and thanked him yet again for treating me to a memorable night at My Father’s Place. (He messaged me on Facebook upon his safe return home to Bayside.) I may return to MFP some time in 2025 if Eppy can book drummer Billy Cobham. Until then, Merry Christmas and Happy Holidays!
Thank you again to David Benoit, Roberto Vally, Dan Schnelle, and Courtney Fortune. You were all wonderful.
WCWP honored at 2024 Legends of Long Island Music Awards November 26, 2024
Posted by Mike C. in Food, Media, Music, Personal, Photography, Radio, Rock, Travel, Video.add a comment
Last Tuesday night, November 19, WCWP – LIU Post‘s public radio FM station – was among many honorees at the 2024 Legends of Long Island Music Awards. The ceremony was hosted by Good Times Magazine and the Long Island Music Business Organization. It was held at The Bayview in Freeport on the southern end of Woodcleft Avenue (near Richmond Street). Woodcleft Avenue is known colloquially as the Nautical Mile because its .85 land mile length is within .02 miles of the nautical unit of distance.
This was another homecoming of sorts for me (2024 WCWP/LIU Post Homecoming Weekend recap), as the Chimeri family part-owned and operated Ehrhart’s Clam House and Bar in the center of the Nautical Mile (adjacent to Suffolk Street) from the fall of 1970 through their sale in the spring of 2004. (Jeremy’s Ale House is where the Clam House was and Hurricane Harry’s replaced Ehrhart’s Bar.) The Chimeri family went on to run Water Lilly’s Waterside Cafe a block and a half to the north (before Hamilton Street) from the summer of 2004 through some time in 2009. (Halfway Down stands where Water Lilly’s used to be.)
Whether or not you could make the sold out Legends of Long Island Music Awards, this was the program with all honorees listed (not in order of presentation):
Good Times Magazine founder and publisher Rich Branciforte served as host, and presented WCWP station manager Dan Cox with the station’s award about halfway through the ceremony.
Now that you’ve seen the video, see photos taken before and during the honor below.
Standing above table 23 are Bobby Guthenberg and George Walsh (whose promo flyer for Knockin’ on Dylan’s Door was seen in the preivous photo). Grandfather Rock Chris MacIntosh (Rock ‘N Soul Gospel) is seated at the table while Pat Kroll can be seen at table 25. 
The Wave program director Avery Cochikas takes a group selfie at table 25. Pat Kroll is visible in the upper left next to station manager Dan Cox, LIU director of development annual fund Joan Yonke, and Audrey Varnas. Woody Collins (Trawling the Decades) and his wife Jan are in the foreground at table 25. 
George Walsh talks to Rick Lucidi (Rick’s Ranch Radio) and Rich Solomon (Taking Care of Business). 
Bobby G. with Grandfather Rock Chris MacIntosh and Audrey Varnas 
Among those in this photo are Cindy Schwartz (Rockin’ History), Vince Randazzo, WCWP station manager Dan Cox, Pat Kroll, Jeff Kroll, Audrey Varnas, The Wave program director Avery Cochikas, and LIU director of development annual fund Joan Yonke 
Rich Solomon, George Walsh, Rick Lucidi, Bobby Guthenberg, Chris MacIntosh, Woody Collins, Dan Cox 
Good Times Magazine founder Rich Branciforte introduces Dan Cox to accept WCWP’s honoree award. 
Dan’s acceptance speech 
I remain grateful for the opportunity to document the history of WCWP by chronicling events like this. It was an even bigger thrill to do so at a venue on a street with sentimental and nostalgic value in a village where I lived 11 years of my life and where my family (myself included) has worked for over half a century.
Congratulations to WCWP and thank you to the Legends of Long Island Music Awards for honoring the station.
2024 LIU Post & WCWP Homecoming Weekend October 4, 2024
Posted by Mike C. in Airchecks, Audio, Baseball, Books, Football, Internet, Interviews, Jazz, Jazz Fusion, Media, Music, Personal, Photography, Pop, Radio, Rock, smooth jazz, Sports, Travel, Video.add a comment
Last year, due to ongoing renovation of the Abrams Communications Center on the campus of LIU Post, WCWP‘s Homecoming Weekend programming block was cancelled. This year, it was back, running from September 20 at noon through September 22 at midnight. Coinciding with the LIU Sharks football team‘s Homecoming game against the University of Rhode Island Rams, this was the first Homecoming Weekend block overseen by returning station manager Dan Cox since 2021 and first coordinated by alumni Jeff and Pat Kroll since 2019.
Those who attended the WCWP Hall of Fame Ceremony on June 1 were given a tour of the Abrams renovation afterward. More alumni would have a chance to see the changes this time.
As the unofficial station historian, a title bestowed upon me by Bill Mozer, I would document this weekend from start to finish, through videos, photos, and airchecks. The airchecks were mostly recorded off the FM internet stream at my Wantagh home via desktop PCs in my bedroom and the guest room. Exceptions are the first four hours of programming Friday and Bernie Bernard’s show after the football game Saturday. For those, I recorded at WCWP using Adobe Audition on my laptop, which was connected to USB phono preamp connected via a Y-adapter to a Sangean radio’s aux out port. The home recordings were done through Audacity and edited in Adobe Audition.
I always seem to develop anxiety ahead of an impending workload, and that was again the case on Thursday, September 19. I had temporarily limited my Twitch streaming schedule to one stream a week to focus on covering Homecoming Weekend and all the post-production to follow. I also, muted all the Discord chat servers I was in and turned off notifications on the many channels I followed and/or subscribed to. I needed to be calm going into the weekend and focus on the task at hand.
FRIDAY, SEPTEMBER 20
With all my batteries charged and equipment packed, my mother Lisa drove me up to LIU Post just after 11AM. Once I arrived and entered WCWP, I unpacked and began setting up in studio 3 for the first show of Homecoming Weekend. Project Independence and You! was wrapping up its regularly-scheduled show in studio 2.
Homecoming Weekend led off at noon with Art Beltrone’s interview show.
Art was the first student voice heard on WCWP after its carrier-current station sign-on at noon on October 18, 1961.
Jeff Kroll was the engineer and co-host.
Art’s first alumni guests were Bill Rozea… 
…and Bill’s wife April, members of C.W. Post first graduating class in 1959. 
Art Beltrone presented April Rozea with a bouquet of roses. (Art’s wife Lee is seated in the background.) 
Between interviews, Jeff played “Can’t Help Falling in Love” by Elvis Presley, to the delight of the Bill and April Rozea.
Bill Rozea speaking with Art’s next guest, Vinnie Salamone:
Art’s interview with Vinnie Salamone:
Bernie Bernard was next:
She also received a bouquet of flowers. 
Jeff led the interview with Bernie. 
The next four photos are courtesy of Ted David while he dropped by studio 3:
Jeff’s wife Pat Kroll produced and coordinated Art’s show.
Art Beltrone’s other guests included Stewart Ain, via Zoom (a fifth photo by Ted David)…
John LiBretto and Hank Neimark…
Hank was the first voice on WCWP-FM when it signed on at 4PM on March 16, 1965. 
…and Steve Radoff, via Zoom:
After Hank, John, and Steve were interviewed, I gathered my equipment and headed for studio 2 to set up for my live edition of Instrumental Invasion at 2PM.
Here is Art’s full show, minus most of “Can’t Help Falling in Love”:
Aside from the guests listed above, Art spoke to Jon Benson (via Zoom) and Greg Tarone.
Portions of the above aircheck were synced to video I shot on a pair of Panasonic HC-X1500 camcorders, with occasional photo cutaways.
Click here for a recap of my live Instrumental Invasion, with corresponding photos, scoped aircheck, and video. (The link to the midnight prerecorded show comes later in this post.)
Hank Neimark and John LiBretto returned to the airwaves at 4PM to host Strictly Jazz. Jon Korkes served as the third host, appearing via Zoom, and Jeff Kroll was once again engineer.
Jon Korkes’s Zoom window (the text below him is burned in to the monitor)
Here are Jeff, John, and Hank after the show:
Now for the scoped aircheck of Strictly Jazz:
As you’ll see in the composite aircheck video, Hank and John interviewed me at one point:
After becoming obsessed with “My Attorney Bernie” by Dave Frishberg during the drafting of this post, I realized I left the end of the song from the scoped aircheck in the video before jumping to my interview.
As Strictly Jazz proceeded in studio 2, I took two other photos in the lobby:
WCWP station manager Dan Cox (center) with LIU senior philanthropic advisor Charles Rasberry (left) and Neil Marks (right) 
Neil Marks, John Zoni, Andrew Scarpaci, and Travis Demers prepping for the Homecoming game broadcast
John Zoni had the next show at 7PM Friday:
Jay Mirabile followed at 9PM with a special edition of The DFK Show. Unfortunately, I didn’t take a photo of him while I was on campus and he didn’t take one during his show. So, here’s a photo from 2013:
The scoped aircheck is from this year.
There are more alumni hosts below who were not individually photographed (Chris MacIntosh is in a two-shot) by me or anyone else this weekend, and I will include a photo if I have one to go along with their scopes.
SATURDAY, SEPTEMBER 21
As the clock struck midnight, my prerecorded three-hour edition of Instrumental Invasion commenced. Click here for that show’s recap, but I’ll say here it was the first time I’d hosted a three-hour show since filling in for Martin Phillips on Thursday Night Jazz in October 2009.
At 3AM, there was Magick Mike Hendryx, seen here live in 2016 following my live Instrumental Invasion:
John Commins was the last of the prerecorded shows early Saturday, airing at 5AM. This was John in 2017:
Jeff Jensen had Saturday’s first live show at 7AM back in studio 2. He’s seen here in 2019:
We now jump ahead to later in the morning atop the Bethpage Federal Credit Union Stadium prior to the LIU Sharks-Rhode Island Rams game.
This set of photos were taken by Pat Kroll:
Jeff and Pat Kroll 
Jeff Kroll and Neil Marks 
Travis Demers handled play-by-play in the 2nd and 3rd quarters while Jeff
Kroll took the 1st and 4th quarters. Neil Marks analyzed.
The Homecoming game kicked off at noon, and I arrived on campus about half an hour later, setting down my equipment at the Abrams Communications Center.
Then, I took out my Canon EOS R7 and swapped the RF-S 18-150mm lens (a replacement after the Long Island Retro Gaming Expo mishap) with an RF 100-400mm lens. That plan worked for photos of the football field, but for everything else, I’d have to back up a long way for anything close to me.
First, a photo in the parking lot:
And one by the entrance:
When I arrived, it was halftime, and Vinnie Salamone got his second interview of Homecoming Weekend.
Listen to the interview here:
As halftime wound down, Jeff Kroll, Neil Marks, and Travis Demers recapped the first half, told stories, and remarked on the state of WCWP.
My photos atop the press box alternated between my EOS R7 and iPhone 13 Pro.
The LIU marching band’s halftime performance 
The opposite end of the stadium 
Until ten nights earlier at Freeport’s 9/11 memorial ceremony, I was unaware that Bronko Pearsall was one of the 343 FDNY firefighters lost that September morning in 2001. Pearsall was among the names read by Amanda Muldowney, sister-in-law of Richie Muldowney. 
Practice kicks… 
The LIU marching band gets back in position in the stands. 
The LIU Sharks returned to the field… 
…followed by the Rams of URI. 
Jeff Kroll always managed to spot me taking a candid shot, leading to a posed photo. 
Travis Demers, Neil Marks, and Jeff Kroll prepare for the second half, as heard in the earlier clip. 
The second half kickoff 
Travis Demers calling the action with Jeff Kroll analyzing and Pat Kroll producing 
Neil Marks watched on during the third quarter, and would rejoin Jeff and Travis in the fourth. 
Travis’s view of the field 
A final photo at the stadium before returning to WCWP
The Sharks led the Rams 21-14, but went on to lose 28-21. The key moment came late in the fourth quarter. One play after the Sharks recovered a Rams fumble at the 1-yard line, the Sharks fumbled the ball back to Rhode Island at the 5. The Rams tied, and went ahead on their next possession. At least it was an exciting game for Jeff, Neil, and Travis to call.
“Highlights” were run during the postgame show, emanating from studio 3 and atop the stadium press box.
John Zoni handled the out-of-town scoreboard…
…and Andrew Scarpaci narrated the highlights:
Programming returned to studio 2 at 3PM with Bernie Bernard. Here are photos taken while setting up:
To the left of Bernie is Jett Lightning. Bobby Guthenberg (a.k.a. Bobby G.) and Larry Brodsky are to the right of her. 
Bobby G. helped Bernie set up (Photo by Hugh Hammill) 
Photo by Hugh Hammill
The photos were taken after Bernie’s show began.
Hugh Hammill is pictured talking to WCWP station manager Dan Cox with Bernie Bernard prepping the next CD to play. Jeff Kroll is standing on the right and Bernie’s sister Melissa is seating facing away in the foreground. 
Ward Henry and Bernie Bernard (Photo by Hugh Hammill) 
Bernie’s view of Wavecart (Photo by Hugh Hammill) 
Larry Brodsky and Jeff Kroll (after Jeff spotted me taking a candid) 
Travis Demers, Frank Iemitti (capital I; with his back to the camera), John Zoni, John Mullen, Dave Fleischer
I neglected to shoot video, but WCWP station manager Dan Cox addressed the gathered alumni outside at the barbecue.
Dan was joined by Kerry Kruckel, LIU vice president for university advancement. 
This photo includes Joan Yonke (center), LIU director of development and
annual fund, and Art and Lee Beltrone to the right of Joan.
Grandfather Rock Chris MacIntosh and Dan Cox listen to Ms. Kruckel’s complimentary remarks. 
Dan was equally complimentary. 
Back inside studio 2…
Bernie Bernard at the board 
Chris MacIntosh joined Jett, Ward, Bernie, Melissa, and Hugh. 
Me with my Panasonic HC-X1500 camcorders. One had a handle unit attachment, and a great shotgun mic and tripod. The other had an okay tripod and no external mic or handle unit. 
Unfortunately, I forgot to hit record on those camcorders before Bernie interviewed me. Thankfully, Melissa Bernard took the next three photos that I used in the video you’ll see in a little while. 
“I was born in the ’80s!” 
Tony and Winnie Traguardo also dropped by. 
Before Mike Riccio and Bobby G.’s radio show, Bernie tried to stump Mike on who sang covers of two songs. 
Mike went 1 for 2. 
John Zoni told me a story about he came to be involved in coverage of the C.W. Post Pioneers/LIU Sharks Homecoming game, as well as encountering Bill Mozer immediately before and after the university fired Bill as station manager in 1990.
As John and I continued to talk, I could hear Bernie wrapping up her show. So, I rushed back into studio 2 to record camcorder videos.
Here is a scope of the entire show:
And a composite aircheck video:
Outside the studio, a photo of Dan Cox (right) with Winnie and Tony Traguardo:
A candid shot of Bobby G. and Jeff Kroll:
Bobby took a photo of me and Jeff:
I should note I bought that blue and gold LIU polo on my way out of the stadium. I chose to wear a green and gold LIU Post shirt that predated the “One LIU” athletics merger and move to NCAA Division I, but it felt wrong wearing that shirt. I changed into the new one when I got back to WCWP.
Pat Kroll took this photo of me and John Zoni:
She also found a CD in my name in one of the station mail slots, per this photo taken over a week later:
The artist said there was one instrumental track for me to play on Instrumental Invasion, unaware that my weekly run ended last November.
Anyway, it was on to Mike Riccio and Bobby G. at 6:02 PM. The theme this year was songs from 1961 to 1989 albums that have been streamed the most on Spotify. Bobby, Jett Lightning, and Bernie Bernard had to guess what the most-streamed song was before Mike began each set.
Mike Riccio 
Bobby G. 
Jett Lightning 
A posed photo of Jett Lightning 
Bernie Bernard returned to studio 2 by the 1970s portion of the show. 
Before I packed up my equipment and left for home, I got a photo of Mike Riccio and Bobby G.:
Here is a scope of most of their show. I edited out a talk break I intruded on and would like to forget.
And a composite aircheck video of all but that one talk break during their first 82 minutes:
Vince Randazzo came on at 9:03 PM with Alternative Jukebox. Yet again, I dip into the archives for a photo of him, taken at the 2022 WCWP Hall of Fame Ceremony:
SUNDAY, SEPTEMBER 22
Photos from Sunday are courtesy of Pat Kroll and Ted David.
I airchecked the last 18 hours of the weekend, beginning at 6AM with a pre-record of The Aural Fix Transmission with Mike Ferrari:
From here on out, everything was live, beginning at 8AM with Jay LaPrise:
The Ladies of Prison Break Radio, Jamie Mazzo and Sara Dorchak were next at 10:02 AM.
At 12:01 PM, it was Joe “Joseph P.” Honerkamp:
Photo by Ted David 
Jeff Kroll, Ted David, Joe Honerkamp (photo by Pat Kroll)
It was Ted David’s turn at 1:59 PM:
Thank you, Ted, for complimenting me and Travis Demers.
Ted, in turn, was followed by Lew Scharfberg at 4PM (photos by Pat Kroll):
Lew’s show was one of many on Homecoming Weekend engineered by Jeff Kroll.
Alana (seen below in 2022) hosted a special edition of The Rockin’ Sunday Show at 6:01 PM:
Grandfather Rock Chris MacIntosh was here with Rock ‘N’ Soul Gospel at 7:59 PM:
And Billy the Kid closed out Homecoming Weekend at 10:02 PM with Masters of Metal.
Post-production, no pun intended, began on the morning of September 23 and concluded on the morning of October 4 with publication of this post and the Instrumental Invasion posts.
Thank you very much for reading all the way to the end. In spite of any anxiety and stress, documenting events like this is a labor of love. I’m already looking forward to next Homecoming Weekend, but before then, WCWP celebrates its 60th anniversary as an FM station this March. I’ll surely have a recap of that.
Cheers to WCWP, the Abrams Communications Center, LIU Post, my fellow alumni, and the faculty I’ve gotten to know. I’ll see you soon.
10/5 UPDATE: I have a public Google Drive folder with airchecks and scopes of the Homecoming Weekend programs I recorded, while station manager Dan Cox has a folder with unscoped airchecks of all programming.
Instrumental Invasion, 9/21/24, 12AM (Homecoming Weekend) October 4, 2024
Posted by Mike C. in Airchecks, Audio, Internet, Jazz, Jazz Fusion, Livestream, Media, Music, Personal, Radio, smooth jazz, Video Games.add a comment
Other posts: 9/20 2PM live show recap, comprehensive Homecoming Weekend recap
The prerecorded edition of Instrumental Invasion for WCWP‘s alumni-run Homecoming Weekend programming block aired at midnight on Saturday, September 21, eight hours after the live show concluded.
Again, let’s get the scoped aircheck out of the way before the behind-the-scenes details.
Just before my unscheduled Twitch stream on Tuesday, September 3, Homecoming Weekend co-coordinator Jeff Kroll called to ask if I could do record a second show to air in the early mornings on September 21 or 22. It was to be a three-hour show, the first time hosting a three-hour since I filled in for Martin Phillips on Thursday Night Jazz on October 29, 2009.
Since I had used up my 60-year musical journey format on the live show, this prerecord would adhere to the segment formats I used when Instrumental Invasion aired weekly. As a refresher, the final version of those segment formats was:
- 1984 and earlier
- 1985-97
- 1998-2009
- 2010-20
- 2021-present
To make things easier, I recycled songs (and one whole set!) from various weekly shows when creating the playlist on September 4. Annotations and the script draft were adapted from original annotations and scripts, except for songs I’d never played before. I wrote new material for those. Annotations continued into the 5th while the script was drafted from the 4th to the morning of the 6th.
Inspired four of my early Twitch streams before the push to video gaming, I streamed recording sessions on Twitch from September 6 to 8. All the while I had no idea when the show would air, though I assumed it would air Sunday morning. I don’t regret the “Friday” references despite the show airing mere hours after I was live. One pickup was seen on stream on the 8th, a slower reading of hour 2’s first talk break. Another pickup was done on the morning of the 9th prior to submission lest anyone think the Casiopea-P4 song I played was stylized as “Dreamers’ Dream” rather than “Dreamer’s Dream.” The show featured three songs by Casiopea from their 1st, 2nd, and P4 eras; along with two by T-Square (one as The Square). (I also played one song each by Casiopea and T-Square in the live show; back-to-back, at that.)
Upon completion, the Adobe Audition multitrack session looked like this:
For good measure, I present the three recording session Twitch streams at 75x speed set to “Mid-Manhattan,” the second song of the show.
And that’s the story of this show. Now, get back to the main recap, picking up with Magick Mike Hendryx at 3AM.
Instrumental Invasion, 9/20/24, 2PM (Homecoming Weekend) (Live!) October 4, 2024
Posted by Mike C. in Airchecks, Audio, Internet, Jazz, Jazz Fusion, Livestream, Media, Music, Personal, Photography, Radio, smooth jazz, Travel, Video.add a comment
Other posts: 9/21 12AM prerecorded show recap, comprehensive Homecoming Weekend recap
The live edition of Instrumental Invasion for WCWP‘s alumni-run Homecoming Weekend programming block aired at 2PM Friday, between Art Beltrone’s interview show and Strictly Jazz, WCWP’s longest-running program, dating back to the pre-FM carrier-current days when it was hosted by John March. The hosts of Strictly Jazz that followed me were Hank Neimark (“NEE-mark”), John LiBretto, and Jon Korkes (“CORE-kiss”) (via Zoom). You’ll see Hank and engineer Jeff Kroll at the end of the video below.
Before I get into how this Instrumental Invasion show was made and share photos taken during the show, let’s get the scoped aircheck out of the way…
…along with the aforementioned video.
The playlist for the live Instrumental Invasion was created July 24, long before a rough schedule was announced by Jeff and Pat Kroll, the Homecoming Weekend coordinators. I assumed I would be hosting one live show – intended for music from new releases – and one prerecord – the 60-year musical journey. So, I figured I’d get the presumed prerecord playlist out of the way and would work on the presumed live show playlist as the weekend approached.
The initial schedule was announced on August 12. I’d be live at 2PM, but didn’t see my name in an overnight slot. In a first for Homecoming Weekend, I made the 60-year musical journey the playlist for the live show, tweaking it slightly. I tweaked further on August 23. There would still be one song each between 1964 and ’89, and two songs for 1994 to 2004, but I scrapped the old plan of three songs each from 2009, ’14, and ’19. The 2024 song to close the remained, preceded by a set of three more songs from this year. 2009, ’14, and ’19 were winnowed down to pairs.
Annotations began August 23 after printing out the playlist, continuing on the 25th, 28th, and September 16. As in 2022, I didn’t make a script. I read the annotations, adding a Dancing with the Stars reference during the set with “Tropical Rain” by Jessy J (in that show’s Ray Chew Live house band). Otherwise, I spoke off the cuff. (It’s a shame that 1982 Weather Report video was pulled from YouTube after I watched it.)
I was the first show of the weekend to air from studio 2 at the renovated Abrams Communications Center. Here are photos I took during the first set of hour 2:
As “Beat Street” by David Benoit and Spice Fusion Big Band played, I had Jeff Kroll take a photo of me at the controls, just as he would be moments later.
Hank Neimark is seen phoning Jon Korkes to set him up on Zoom.
My only regret about the show is that my remix of the WCWP Oldtimers Weekend liner was not in Wavecart. The original was in there and played “Machine Gun” by The Commodores at a slower speed. This is “Machine Gun” (excerpted portion at 1:32):
And this is my remixed liner:
(The Homecoming Weekend moniker was adopted once the programming block coincided with then-C.W. Post‘s Homecoming.)
That aside, dragging and dropping liners in was easy, and I enjoyed using the “WCWP Remembers [year]” liners.
Just when I thought this would be the only show I’d have on Homecoming Weekend, Jeff Kroll called me September 3 to say he needed a three-hour prerecord to fill time early Saturday or Sunday morning. You can read about that show here.
2024 Long Island Retro Gaming Expo: introduction, guests, mishaps, panels August 21, 2024
Posted by Mike C. in Audio, Aviation, Books, Computer, Education, Game Shows, History, Internet, Media, Personal, Photography, Podcast, Radio, Technology, Travel, Video, Video Games.add a comment
Feel free to skip ahead to the second post (touring the expo) or third post (conclusion and pickups).
INTRODUCTION
2024 was my sixth year at Long Island Retro Gaming Expo, held in the Cradle of Aviation Museum, on the right end of Museum Row in East Garden City. This was also the first year that Flagstar bank had naming rights. That’s evident in the first photo below, taken as my mom pulled off Charles Lindbergh Boulevard at 9:45 AM on Saturday, August 10.
LI Retro, the expo’s shorthand, launched Friday, August 9, at 4PM, but since the expansion to three days (or 2 1/2) in 2022, I’ve forgone the Friday leg.
Tickets went on sale all the way back at the end of December and I was quick to secure my weekend badge, even though it would be months before attendees even knew who the guests would be.
Once announced, Long Island Retro Gaming Expo’s 2024 guest list was a mix of mainstays, newcomers, and returnees. Naturally, author/publisher Leonard Herman, Mark Baer (middle child of videogame pioneer Ralph Baer), Frank Cifaldi (Video Game History Foundation) and Jeremy Parish (Retronauts, Limited Run Games) would be there. G Gracin (G to the Next Level) returned for the second year in a row, this time with Greg Sewart (Generation 16). Pat Contri and Ian Ferguson were back for their fourth consecutive LI Retro. (There was a gap between their first and second years due to COVID postponements in 2020 and ’21.) The Immortal John Hancock was back for the first time since 2018. (I met Lenny Herman through the panel he and John co-hosted that year.) And it was the second appearance of Coury Carlson and Marc “Try4ce (‘triforce‘)” Duddleson of My Life in Gaming, having first appeared in 2019.
If you remember my disappointment last year when spotting Clint Basinger (LGR) walking through the vendor marketplace after the expo while editing photos, I was pleased to see he was a guest this year!
Two other notable guests were Warren Davis, the creator of Q*Bert “and other classic video arcade games” (as his book title notes), and legendary Nintendo marketer Gail Tilden. I was not able to attend Warren’s Saturday evening panel, though I met him at his table in the morning as you’ll see in that portion of this post. Gail had a free-form panel on Saturday evening and an interview panel on Sunday, the latter of which I attended.
Ahead of Saturday morning, I packed a printout of my badge retrieval code, my Canon EOS R7 with RF-S 18-150mm lens and Speedlite 430EX II, TASCAM DR-05X, and stenographer pad with pen. (I never used those last two.) I was anxious that my compulsive nature would lead to as many photos as last year. The bad news is I was right. The good news is the total over three cameras (you’ll read the why of that quantity later in the post) was 697 photos. This time, however, 617 were chosen to spread out over three blog posts, not counting scans or photos taken after Sunday.
Since last year’s Long Island Retro Gaming Expo, I have begun streaming on Twitch at least four days a week. Gaming is the channel’s main focus with occasional “media production” streams where I work on radio shows or edit photos from events like this. I spent a whole week editing photos in April after returning from Smooth Jazz for Scholars. While the initial plan was to do the expo photo editing off stream and go on hiatus until I was finished, I opted instead for occasional streams to report on my editing progress and show all games and merchandise I picked up. Thanks to a quicker editing process, only two of those streams were required before returning to gaming. The first stream – Wednesday, August 14 – dovetailed into saving smaller versions of watermarked photos (“© Mike Chimeri” on the lower left) edited that day. And with only 96 photos left to edit going into Saturday, August 17, that became the sole photo editing stream.
ARRIVING AT THE MUSEUM
Several paragraphs ago, I said I arrived at the Flagstar Cradle of Aviation Museum at 9:45 AM Saturday. After my mom dropped me off in the parking lot to the left of the roundabout, I took an establishing shot of the museum, unaware that my folded badge code printout was visible in the bottom left. So, I took another shot Sunday morning:
The photos in this gallery are from Saturday.
On the way to the guest table area, I ran into Timothy (a.k.a. Sho), a fellow My Life in Gaming fan. We met in person in 2019 and I had to get a selfie this time:
GUEST TABLE PHOTOS
Photos in this section were taken Saturday and Sunday. You can tell which day by what we’re wearing.
Warren Davis
Warren and I didn’t talk much – so, no magic tricks – but I introduced myself and gladly bought a copy of Creating Q*bert for him to sign. I told him on Sunday that I bought a copy of Q*bert’s NES port in his honor. He thanked me for that. (More on pickups in the third post.)
Clint Basinger (LGR)
It was honor to meet Clint in person. As I told him, I’ve been a fan of LGR for years, and that we both have the distinction of reading quotes in Gaming Historian videos. (I was in The Story of Link’s Awakening, per a blog post.) We commiserated over Norman Caruso’s April announcement that he was stepping back from pursuing his YouTube channel full time (but not retiring). (Norm went out in style with his magnum opus, The Story of The Oregon Trail, a video years in the making.) I told Clint that I unknowingly photographed him last year and thought about printing a copy for him to sign, but opted not to.
8/23 UPDATE: Today, that future video became a present video.
Thinking Clint would be at the expo on Sunday, as well, I brought my PlayStation 3 copy of Duke Nukem Forever to sign. Alas, he had left after Saturday.
A recent LGR video made me think of my psychologist of 27 years, known to patients like me as Brad. In the mid ’90s, Brad had an Acer Aspire. If I remember correctly, it was the same color as Clint’s. (Brad retired in 2018 and I’ve had another therapist since 2019.)
9/6 UPDATE: Clint went into greater detail about LI Retro in the vlog below.
The Immortal John Hancock
I reacquainted myself with John on Saturday – fresh from Retrocon in São Paulo, Brazil! (John’s Retrocon vlog) – and proudly bought the Genesis port of his original game, Block ‘Em Sock ‘Em, seen in the second photo.
Check out John’s LI Retro vlog. He saw exhibits that I missed, and thus won’t be seen in my second post.
Give Adam Koralik a look, too.
Pat Contri and Ian Ferguson
I was not a fan of either Pat or Ian prior to their LI Retro debut in 2019, but I got to know Ian and his wife Vani at their Luna Video Games table, placed between the My Life in Gaming table and Pat’s table. I worked up the courage to meet Pat, buy Ultimate Nintendo: Guide to the NES Library and all DVD volumes of early episodes of Pat the NES Punk. That led to an interest in Flea Market Madness and The Video Game Years, and The CU (Completely Unnecessary Podcast). I was even hyped for Pat’s next Ultimate Nintendo: Guide to the SNES Library. I wrote reviews for both guides after reading them later in 2019 (NES, SNES).
So, of course, I was thrilled to see them again this year, and ask a question for the third year in a row at their panel/podcast recording.
9/2 UPDATE: The latest Flea Market Madness video is embedded below photos of the CU Podcast panel.
G Gracin and Greg Sewart didn’t have a table, but did have a Saturday panel. (Check the “Panels” section of this post for photos.) I posed with them in this photo on Sunday.
I also got the Sonic selfie treatment, in digital form…
…and in thermal print form. I scanned that (left) and used Photoshop’s photo restoration filter to limit the vertical banding (right).
G posted a few YouTube Shorts at LI Retro:
[The first short was removed in 2025.]
There really is so much to see at Long Island Retro Gaming Expo. John Hancock and G saw things that I missed.
I really liked Greg Sewart’s Ridge Racer series retrospective:
I’ve had Ridge Racer 7 since I bought a slim PS3 back in 2018. The video made me seek out Ridge Racer 6 for Xbox 360 when scouring the marketplace at the end of each day.
Since you saw Daniel and Alex Greenberg (Winterion Game Studios) in Pat and Ian’s photo gallery, here is a photo Alex took of Daniel and me after Pat’s CU Podcast Live panel.
Let’s skip ahead one table to the My Life in Gaming duo of Coury Carlson and Mark “Try4ce” Duddleson:
I spent a lot of down time at the MLiG and Leonard Herman tables (see below). Coury and I talked about photography, while Try and I talked about Backloggery‘s recent 17th anniversary celebration, my multiple raids to the Backloggery Twitch channel, and how I rightly kept dejitter off on my Analogue Nt Mini Noir. Try neglected to do that in the MLiG review of the console back in 2020. (Source: Comment to Analogue Reddit post.) Having dejitter off allowed me to connect my Monoprice VGA-to-composite/S-Video adapter, run a composite cable to my sister’s old Durabrand DWT1304 CRT TV (a Funai-manufactured TV sold by Walmart), and play NES Zapper games in my last two Twitch streams before LI Retro.
9/2 UPDATE: Coury and Try ended August with a new My Life in Gaming video: the second in their Multi-Games Compilations series. It’s worth watching for Try’s LI Retro t-shirt alone.
We round out this segment with the Father of Videogame History, Leonard Herman, joined by Patrick Wong and Mark Baer (middle child of videogame pioneer Ralph Baer).
I spelled video game as one word because that’s how Ralph Baer spelled it and how Lenny spells it.
Leaving the guest tables behind, it’s panel time!
PANELS
Saturday Panel 1, 11AM-12PM
Panel Room 2
Mark Baer and Leonard Herman
Ralph Baer: His Creative Life in Electronic, Videogames and More
This strayed close to the 2023 presentation, which was the last panel I attended. So, I changed my photographic approach. Before the photos, here are the videos shown during the panel:
Before the other panels, a diversion.
Mishaps
It was in between the Ralph Baer panel and the CU Podcast panel that I accidentally knocked my camera off a food court table, breaking my Canon EOS R7’s RF-S 18-150mm lens. The ring attachment stayed on, but the rest of the lens broke off.
It was irrecoverable. The only solution was to buy a replacement lens once I got home, and with a 5-year lens accident warranty. I’m covered if history repeats itself, God forbid.
The lens and UV filter arrived Wednesday morning and a test photo was successful.
I took the rest of Saturday’s photos on my iPhone 13 Pro. Then, Sunday, I shot in RAW for the first time on my Nikon D5500 with a Nikkor 18-300mm lens.
Unfortunately, Sunday had another problem. Patrick Wong from Leonard Herman’s table prepped to take a photo of me with Pat Contri and Ian Ferguson. Ian sprained his ankle and was only at LI Retro that day. After I took the photo of Pat and Ian together, I foolishly chose to take a photo with them to the right of Pat’s table. Ian’s cup of coffee was perched on the right end of that table. As I turned to get into position for the photo, Ian warned “watch the backpack!” The warning was in vein. My bulky backpack knocked the cup over and it spilled on the upper right end of the table. The photo op was aborted, paper towels were summoned, and adjacent merchandise was checked for damage. As all that happened, I felt tremendous guilt and shame. I thought I’d become persona non grata to both of them, and God forbid, would be sued. Thankfully, none of that was true. No merch was damaged, the spill was quickly disposed of, and Pat used hand sanitizer to further clean the affected area. Then, we retreated to a safe spot away from the table for our photo op. Pat and Ian were all smiles in the photo while I was too drained to fully smile. They both assured me everything was fine and not to worry. That’s when I headed to the main theatre for the Gail Force panel.
After that panel, LI Retro staff member Ryan Shapiro gifted me with an expo backpack that contained a pin, sticker, 2024 program, and Asteroids-themed t-shirt. I’ll save the contents photo for the third post, but I’ll show the backpack here, too.
Thank you very much, Ryan.
Now, back to Saturday’s panels.
Saturday, 12:30-1:30 PM
Main Theatre
Pat Contri with Frank Cifaldi (filling in for Ian Ferguson)
CU Podcast Live!
The topic was the sudden end to GameStop’s Game Informer magazine, and the bizarre public relations statement accompanying its demise. (Reactions were compiled in this Resetera thread.)
When the theatre was opened to Q&A, only one person had an Amico-related question. Mine focused on Pat’s Wednesday Twitch streams:
Aside from the podcasts, you’re also on Twitch every Wednesday, watching retro commercials. How did you- What made you decide to go that route instead of streaming games?
Pat responded that it spun off from his NES Charity Marathon (origin of the “Buh-lack Box!” catchphrase), and that he felt relaxed and nostalgic watching things from the past. The TV commercials or promos allow him to recall moments from his past. That led to a discussion about the significance of preserving these moments in the same way video game media is preserved. I chimed in with radio airchecks as an example, but I might not have been heard.
As of publication, the podcast is not up in audio or segmented video form. There is, however, Flea Market Madness Volume 49, recorded on Father’s Day (June 16). It features the other Frank, as seen in the thumbnail.
3:51 PM UPDATE: There is audio of the Game Informer discussion, but not the Q&A, starting at the 1:17:25 mark of the latest podcast.
10/28 UPDATE: Video of Pat and Frank’s discussion went up six days after this post was published (August 27).
Saturday, 2PM-3PM
Panel Room 2
G Gracin and Greg Sewart
Growing Up Sega: A Trip Down Sega’s Console Timeline
After browsing and buying from the vendor marketplace, I went home.
I returned a little closer to 10AM on Sunday morning. I still had to wait in line for a bag check; I didn’t mind that.
In lieu of a panel I had in mind at 11AM, I re-photographed areas that were blurry on Saturday, took photos of vendors I missed on Saturday, then toured the exhibits on all three floors. Look for those in the second post.
Sunday, 12:30-1:30 PM
Main Theatre
Gail Tilden, interviewed by Jeremy Parish (Retronauts, Limited Run Games) and Lucas Thomas (Nintendo Force magazine founder)
Gail Force: An Intimate Interview with a Nintendo Legend
The interview initially covered Gail’s involvement in the Nintendo Entertaintment System’s North American launch, beginning in the New York Metro Area in October 1985. Among the locations chosen to carry the NES were Green Acres Mall in Valley Stream. At some events, attendees could play Baseball against either New York Mets pitcher Ron Darling or center fielder Mookie Wilson.
Then, the topic switched to her tenure with Nintendo Power magazine. Lucas asked the audience to give a “whoo!” when their first issue was displayed on the projection screen above them.
Watch the video to see if I misremembered anything. Then, see the photos that I kept bending over to take.
Then, it was quickly off to Panel Room 2 for my last panel of the weekend.
Sunday, 2PM-3PM
Panel Room 2
Leonard Herman
The History of the History of Videogames
This was the place to be: a celebration of a man who blazed the trail for videogame history. 2024 marks the 30th anniversary of the original Phoenix: The Fall and Rise of Videogames.
Ahra wanted a photo with Lenny beforehand:
Then came a prologue from John Hancock:
Well said, John.
The stage is yours, Leonard.
Upon closing, Lenny opened the floor to Q&A:
The funniest question and answer came via Mark Baer:
LENNY: Yes, sir.
MARK: Do you have a favorite historical figure in videogame history, by any chance?
LENNY: Yeah. Nolan Bushnell.
[audience laughs]
If anyone doesn’t know, that’s Ralph Baer’s son. That’s his son, Mark. He’s a troublemaker.
MARK: You could answer honestly.
After a few more questions, the panel ended with a round of applause.
I had to get a photo of Leonard Herman, Frank Cifaldi, and John Hancock:
Ian Ferguson dropped by after the panel to say hello:
That is the end of post one. Head to post two for a tour of the marketplace and exhibits. Post three features a conclusion, pickups photos, and a postscript with post-expo pickups.
2023 WCWP Hall of Fame Ceremony, tour of renovated Abrams Communications Center June 6, 2024
Posted by Mike C. in Audio, Baseball, Basketball, Comedy, Education, History, Internet, Media, Music, News, Personal, Photography, Politics, Radio, Rock, Sports, Technology, TV, Video.add a comment
Other Hall of Fame ceremony recaps: 2012, 2013, 2014, 2015, 2017, 2018, 2019, 2020-21, 2022
7/17 UPDATE: A formatting error with this blog post unbeknownst to me until this morning has been resolved.
On Saturday, June 1, 2024, the WCWP Hall of Fame’s 2023 class was inducted in a ceremony at LIU Post‘s Alumni Hall.
This time, there were three inductees (listed in order of introduction):
- Joel Feltman, 1974
- Phil Lebowitz, 1974
- Mike Maimone, 1981
(In full disclosure, I once again served on the Hall of Fame Committee.)
I was under no stress coming into Saturday’s ceremony. I owe that to a lack of weekly radio shows to record in advance and my hiatus from Twitch streaming (I return this Sunday).
WCWP station manager Pete Bellotti contacted me three weeks beforehand to confirm if I would be shooting photos and video. For the first time since 2019, I would handle all of that, not supplementing the station’s video as for the 2020-21 and ’22 ceremonies. The only video I needed was of Phil Lebowitz’s prerecorded acceptance speech. (Joel Feltman and Mike Maimone would be present.)
I have three cameras capable of shooting 4K video at 60 FPS (frames per second): a Panasonic HC-X1500 camcorder, a GoPro HERO7 (with YOLOtek Juicebank for extra battery life), and a Canon EOS R7. The R7 replaced my Nikon D5500 as my exclusive photo camera. Needing the R7 for video meant going back to the D5500 for the first time since after Homecoming Weekend in 2022. (Click here to read about my early days with the R7.) For audio to sync with the video, I would use a TASCAM DR-05X audio recorder connected to the podium mixer via 3.5mm cable.
On the afternoon of Friday, May 31, students and alumni, myself included, were shocked by the news that Long Island University had dismissed Pete Bellotti as WCWP station manager. Fears were allayed by evening when Dan Cox, who otherwise would M.C. Saturday’s ceremony, came out of retirement to return as station manager.
Dan briefly addressed the situation in his opening remarks:
For those of you who may not know me, my name is Dan Cox, and I am the Director of Broadcasting at WCWP Radio. Unfortunately, that appointment came less than 24 hours ago. (applause) Unfortunately, the university parted ways with Pete [Bellotti]. Pete was one of my students. He is a good friend, and I wish him well. I think he did an outstanding job during a very difficult time over the last two years, with the renovation and everything that was happening. So, I won’t belabor that point. But I will say, for those of you in the room who probably stretch back as far as the 1960s through the 2000s, there’s never a dull moment at WCWP, is there? So, let’s not make this a dull moment by me talking too much. What I’d like to do right now is to bring up my good friend Jeff Kroll, who’s gonna induct our first inductee [Joel Feltman].
I’m choosing to save the journal portion (i.e. when I arrived, further technical details) for the end of this post before video of the ceremony and renovated station tour.
As Dan said, 2015 inductee Jeff Kroll presented Joel Feltman for induction:
Joel’s acceptance speech, with Jeff present to his right (out of view), dovetailed somewhat into discussion of the next inductee.
But first, Joel and Jeff posed for a photo:
The second inductee, also presented by Jeff Kroll, was Phil Lebowitz, Joel Feltman’s fellow 1974 alumnus.
Phil could not make the ceremony, but he did record an acceptance speech from his home in Surprise, Arizona.
After the video was shown, Jeff Kroll showed off his WCWP press card and shared how Phil’s “gift of gab” allowed the two of them access to a Philadelphia 76ers home game against the Milwaukee Bucks. (They were in Philly to cover a C.W. Post Pioneers football road game against Drexel University.)
Jeff then posed with Phil’s plaque:
Before the third inductee, Dan Cox acknowledged the informal ribbon cutting earlier in the week for the renovated Abrams Communications Center, attended by Marjorie Abrams Hyman and fellow descendants of Benjamin Abrams.
Then, Dan introduced Tim Ernandes to present Mike Maimone.
Tim was a laugh riot, chock full of impressions and stories of from his and Mike’s days working on WCWP comedy series Post Serial, a pun on the university’s Post Cereal roots.
Tim stayed at the podium for repartee during Mike’s acceptance speech.
A photo with the plaque:
After closing remarks from Dan Cox, the 2023 WCWP Hall of Fame Ceremony was complete. There was a bit of business to tend to before we all made the trek to the Abrams Communications Center.
First, a photo of inductees Joel Feltman and Mike Maimone with presenters Jeff Kroll and Tim Ernandes:
It was Dan who said in his 2022 induction speech (in ’23) that Mike deserved a spot in the Hall of Fame, and he rightfully earned that spot this year.
A candid shot before departing:
Joel Feltman and his wife Michelle offered to drive me down to the Abrams Communications Center. Cars were the only feasible option since Hillwood Commons was itself closed for renovations. If I were to walk from Alumni Hall, I’d have to go around Hillwood.
We parked in the lot, I took out my equipment, and put it all down in the lobby. I shot continuous video (except for a part I couldn’t record) and a dozen photos inside and out. You’ll see the video later, but here are the photos:
The highlight of the tour was an impromptu speech from (and discussion with) station manager Dan Cox in studio 3:
Before I left for home, Dan took a photo of me with Mike Maimone.
Now, the journal portion:
My dad Bill dropped me off at Alumni Hall at around 12:30, if not 12:40. (Surprisingly, I don’t remember the exact time.) Last Sunday, I bought an Amazon Basics 60″ tripod for use with the R7 in addition to the tripods I already had for the GoPro and HC-X1500. As you’ll see in the video at the end of this post, I had to tweak the R7’s color balance, along with brightness and contrast. The HC-X1500 video quality is untouched. The GoPro footage didn’t make the final video as the best shots came from the other two sources. Working from my knowledge of Twitch overlays, I made special overlays for the video:
The R7 video experiment yielded mixed results. I got a lot to work with, but I had to stop recording 55 minutes in to change batteries. After eight minutes on the new battery, the camera stopped recording due to overheating. Once it cooled down, I resumed, only for the SD card in slot 1 to reach capacity. I had to manually change to slot 2 for the last six minutes. Clearly, another camcorder is the only way to go in the future. From Saturday afternoon through Tuesday night, I considered my options: another Panasonic HC-X1500 without VW-HU1 and Rode VideoMic GO II attached or, staying in the Canon family, the Canon VIXIA HF G70. It’s cheaper than the HC-X1500, but goes no higher than 30 FPS in 4K. It was a sacrifice I was willing to make, springing for an open box eBay listing on Tuesday night. So, if secondary camera cutaways look cinematic at future events (i.e. Homecoming Weekend), you’ll know why. (6/14 UPDATE: I was dissatisfied with the G70 and am selling it. I’ll just get another HC-X1500 after it sells.)
One last thing: the podium audio was blown out, and I did my best to fix that in Adobe Audition, along with using the click/pop eliminator where necessary.
So, then, here is the finished ceremony/station tour video. Enjoy.
Congratulations to Joel Feltman, Phil Lebowitz, and Mike Maimone. We reconvene in 2025 to induct the 2024 WCWP Hall of Fame class.
Special thanks to 2014 inductee Ted David for curating the photos and for advice on further edits.
My Twitch “Back After This” game show music cue mixes December 18, 2023
Posted by Mike C. in Audio, Game Shows, Livestream, Media, Music, TV.add a comment
Rather than update my Twitch setup post, I’ve made this original post chronicling every cue in my game show music cue mix (mostly from The Price is Right). Per a TXT file compiled from my Adobe Audition multitrack sessions, the mixes currently in rotation are listed below. (NOTES: I tweaked the speed for some of the cues, so they vary from the original links. Not all cues have corresponding links.)
“BACK AFTER THIS” MUSIC CUE MIXES
- TPIRCueMix1 (10:52)
Tennis IUFB Cue (joined after opening note)
Computer IUFB Cue (Cue 71)
Chair/Recliner IUFB Cue (Cue 51)
Cue 89
Clock Cue (1972)
Country Fiddle Cue (Cue 61)
Living/Dining/Bed Room Cue (1) (Cue 87)
Tool IUFB Cue (Cue 26)
Second Thoughts (Most Expensive Cue) - TPIRCueMix2
(10:18)(9:17)
Motorcycle Cue (Cue 59) (careful speech volume leveler)
Cue 79 (edited)
Bhen (TPIR IUFB/Prize Cue) [Version #1]
Cue 19 (22A) (1974)
Bar Set/Ceiling Fan IUFB Cue (Cue 58)
08 Dig We Must - TPIRCueMix3 (11:30)
Grocery Cue (Cue 86)
Grocery Cue ’74
Grocery Cue (Concentration) (Cue 72)
Bhen (Grocery Cue)
Grocery/Small Prize Cue ’72 (2) (Cue 73)
Walking (Grocery/Temptation Cue #3)
Grocery/Keyboard IUFB Cue
Phone Home Game Grocery Cue - TPIRCueMix4 (10:51)
Showcase Cue 1 (Cue 54) (joined after opening note)
Showcase Cue 2 (Cue 56) (joined after opening note)
Calliope Showcase Cue (Family Feud 1994 Vamp)
Every Room in the House (Showcase Cue) (Yep Yep upload)
Family Feud Showcase Car Cue
Showcase Cue ’83
Showcase Cue ’03 (2) (mono) - ConcentrationCueMix1 (11:18)
Concentration 1973-78 Opening Stinger
Classic Concentration Opening Music (faded out early)
Concentration 1973-78 Prize Cue 2
Concentration 1973-78 Prize Cue 5
Classic Concentration Prize Description Music
Concentration 1973-78 Prize Cue 6
Concentration 1973-78 Prize Cue 8 - ConcentrationCueMix2 (11:17)
Concentration 1973-78 Prize Cue 7
Classic Concentration Prize Cue (Piano & Horn)
Concentration 1973-78 Game Win Cue 1
Classic Concentration Game Win Music
Concentration 1973-78 Prize Cue 10
Classic Concentration Puzzle Solve/Car Description Music
Concentration Car Cue (No Leads) (Cue 30)
Classic Concentration Bonus Win Music (see game win link)
Concentration 1973-78 Prize Cue 3
Classic Concentration Closing Theme Music (loops removed) - TPIRCueMix5 (11:34)
Concentration Car Cue (Cue 18)
The Bean Stalker (Car Cue) (joined in progress)
The Big Banana (Car Cue) (joined in progress)ElegantLuxury Car Cue (Temptation Cue #5)
Truck/Van/Jeep Cue (edit) - TPIRCueMix6 (11:49)
21 Splendido!
03 Brioche
Eric (TPIR IUFB Cue) (Version #1)
13 Phaser
Amen, Brother Herbert - TPIRCueMix7 (11:52)
Ticket Plug/Consolation Prize Cue ’72
Ticket Plug/Consolation Prize Cue ’74
Sporting Goods IUFB Cue (Cue 65)
Sewing Machine IUFB Cue (Cue 29) (mono)
Plinko Cue #4 (Cue 62)
Spring Waltz SP (Plinko Cue #1)
Rye Bred
The Cats (PlutoTV Bumper Music) - TPIRCueMix8 (11:32)
Funk Penny Ante Cue (Cue 40)
Amen, Brother Herbert [Flute]
Outdoor/Greenhouse IUFB Cue (Cue 214)
Living/Dining/Bed Room Cue (2) (Cue 78)
Trip Cue ’83
Fortune Hunter/Clearance Sale Cue - TPIRCueMix9 (11:24)
Appliance Cue (Cue 52)
Appliance Cue ’83
Safe Crackers Cue (1995) (careful speech volume leveler)
Make Your Move (Cue 210A) (edit)
Race Game, Buy or Sell, Take Two Cue (edit)
Phone Home Game-Buy or Sell Cue - TPIRCueMix10 (12:13)
Jewelry IUFB Cue (Piano)
Grocery/Temptation Cue #4 (Cue 218A)ElegantLuxury Car Cue (Saxophone)
IUFB ’94/Closed Captioning Cue - TPIRCueMix11 (10:10)
Starcrossed (Credit Card Cue)
Compactor IUFB Cue (Cue 75) (Mono)
Cue 80
Range IUFB Cue (Cue 85) ([carefu] speech volume leveler)
Stemware Cue - TPIRCueMix12 (10:50)
Small Prize Cue ’72 (2) (Cue 0M01) (or Cue 27)
Cue 41
Car Slide
Showcase Cue 3 (Cue 22)
Golden Road Prize #2 (Cue 39)
Temptation Cue #2 (Cue 222) - TPIRCueMix13 (11:57)
Cue 38
Jewelry IUFB Cue
Grocery Cue ’03
Walk of Fame/Closed Captioning Cue
Small Prize Cue ’94
As a bonus, my starting soon/next time Match Game-Hollywood Squares Hour cue mix combines these files:
2/8/24 UPDATE: Today, I worked on two more cue mixes – one for Match Game and MGHS, and the other for Wheel of Fortune.
- MatchGameCueMix (10:28)
Think Cue 2
Think Cue 3
Think Cue 4
Think Cue 5
Think Cue (MGHS)
Super Match Think Cue (MGHS)
Ticket Plug/Consolation Prize Cue - WOFCueMix (12:35)
Ticket Plug Cue, 1975
Prize Cue, 1975
Prize Cue, 1983 (Struttin’ on Sunset)
Shopping Cue, 1983 (Nightwalk)
Car Cue, 1987 (Buzzword) (Merv Griffin’s Crosswords Theme)
WoF – 1989-92 Opening Theme (100% CLEAN)
2/16/24 UPDATE: Another two music cue mixes have been added, but these are random and not tied to one show. The cues and themes are for Price, Concentration, Wheel, Family Feud, Hollywood Squares, Password Plus, Super Password, and Press Your Luck.
- RandomGameShowCueMix1 (12:07)
Family Feud – Intro/Faceoff Cue (1976)
Hollywood Squares Theme – Opening (1986)
TPIR – Temptation Cue #1
Family Feud – Ticket Plug/Faceoff Cue (1976)
Concentration 1973-78 Prize Cue 11
TPIR – Showcase Cue 1 (No Leads) (Cue 53)
TPIR – Showcase Cue 2 (No Leads) (Cue 32)
TPIR – Oriental Rug Cue (Concentration) (Cue 70)
TPIR – Ceiling Fan/Pool Table/Bar Set Cue (1983) - RandomGameShowCueMix2 (12:04)
Password Plus Theme
The Feud (Family Feud Main Theme) (1976-85)
Press Your Luck (1983-1986) – Extended Closing Theme
Super Password Theme
Wheel of Fortune – Prize Cue, 1983 (Country Samba)
3/6/24 UPDATE: This morning, I added the 20th cue mix; the 14th of all Price is Right cues.
- TPIRCueMix14 (11:37)
Refrigerator/Freezer IUFB Cue
Jewelry/Gold IUFB Cue (Cue 77)
Luggage/Train Set IUFB Cue (Cue 74)
IUFB Cue ’72 (2) (Cue 34) (Moog-40)
Chair/Recliner IUFB Cue 2
IUFB Cue ’72 (1) (Cue 67)
Cue 35
Grocery/Small Prize Cue ’72 (1)
Artwork IUFB Cue
IUFB Cue ’72 (3)
Bhen (Electronics IUFB Cue)
12/28/24 UPDATE: I added a WCBS Newsradio 88 jingle demo shortly after the format switch in August.
21. wcbsradiopackage-morethanjusttheheadlines-adjoined2 (10:43) (Edited from package posted to Don Swaim’s tribute site)
And tonight, I made a mix of game show themes:
22. RandomGameShowThemeMix (11:41)
Card Sharks 1978-81 Theme
To Tell the Truth Theme (1980)
Body Language Theme
The All-New Let’s Make a Deal Theme (1984-86)
Hollywood Squares Theme (1986)
Card Sharks 1986-89 Theme (slowed down to original speed)
4/17/25 UPDATE: After Wink Martindale died, I found a set of music cues from Tic-Tac-Dough. I made an edit that ends before the trip description cues. (Replaced with edited version on 11/10/25.)
23. Tic-Tac-Dough Music Set (without gaps) (no trip cues) (edit) (10:37)
Descriptions are taken from the YouTube video’s description:
Opening theme
Closing theme (loops removed)
Short Trumpet Cue
Contestant Introduction Cue
Regular Game Win Cue
Longer Game Win Cue used when a contestant wins a car with every 5 games (edited out)
Shorter Version of Regular game Win Cue in a higher key signature
Think Music Cue for extra time on center box category as they were always two part questions to earn that center box which Wink Martindale always called them a two-parter
Bonus Game (Beat The Dragon) Win Cue which is also the same as the Win Cue used when a contestant wins a car with every 5 games except that it plays once instead of twice
Bonus Game (Beat The Dragon) Cue when a contestant comes on over to play their Bonus Game (Beat The Dragon)
Consolation Prize Cue
Car Description Cue
Contestant Ticket Plug Cue
Bonus Game (Beat The Dragon) Prize Cue 1
Bonus Game (Beat The Dragon) Prize Cue 2
Bonus Game (Beat The Dragon) Prize Cue 3
Bonus Game (Beat The Dragon) Prize Cue 4
Bonus Game (Beat The Dragon) Prize Cue 5
4/29/25 UPDATE: I added a 24th mix yesterday with a Jeopardy! theme. (Replaced with edited version after 11/13/25 stream.)
24. JeopardyMusicMix-Edit (8:34)
1978-79 Opening Theme – Jeopardy! (“January February March”)
Wheel of Fortune – Prize Cue, 1983 (“Frisco Disco”) (1978-79 Jeopardy commercial/closing cue)Jeopardy – 1992-1997 (via Internet Archive)
1997-2001 Theme Song – Jeopardy!
Rock & Roll Jeopardy theme song (via Internet Archive)
8/25/25 UPDATE: I neglected to note the addition of four recycled cue mixes. I made them since I rarely take breaks long enough to hear the cues below.
25. RecycledCueMix1 (8:13)
Second Thoughts (Most Expensive Cue)
Phone Home Game Grocery Cue
08 Dig We Must
Showcase Cue ’03 (2) (mono)
26. RecycledCueMix2 (8:56)
Concentration 1973-78 Prize Cue 8
Classic Concentration Closing Theme Music (loops removed)
Amen, Brother Herbert
Truck-Van-Jeep Cue (edit)
27. RecycledCueMix3 (8:18)
The Cats (PlutoTV Bumper Music)
Race Game, Buy or Sell, Take Two Cue (edit)
Fortune Hunter-Clearance Sale Cue
Temptation Cue #2 (Cue 222)
28. RecycledCueMix4 (10:48)
Ticket Plug/Consolation Prize Cue (Match Game)
WoF – 1989-92 Opening Theme (100% CLEAN)
TPIR – Ceiling Fan/Pool Table/Bar Set Cue (1983)
Bhen (Electronics IUFB Cue)
Wheel of Fortune – Prize Cue, 1983 (Country Samba)
11/9/25 UPDATE: I’m up to 29 cue mixes, 5 of which are recycled cue mixes. (First two cues swapped on 11/15/25.)
29. RecycledCueMix5 (9:03)
Trip Cue ’83 (careful speech volume leveler)
Car Cue, 1987 (Buzzword) (Merv Griffin’s Crosswords Theme)
Make Your Move (Cue 210A) (edit)
Super Password Theme
11/14/25 UPDATE:
30. RecycledCueMix6 (8:06)Elegant Luxury Car Cue (Temptation Cue #5)
Spring Waltz SP (Plinko Cue #1)
Living-Dining-Bed Room Cue (1) (Cue 87)
Family Feud Showcase Car Cue
Instrumental Invasion, 11/17/23: Finale November 18, 2023
Posted by Mike C. in Airchecks, Audio, Computer, Internet, Jazz, Jazz Fusion, Livestream, Media, Music, New Age, Personal, Radio, smooth jazz, Video.add a comment
The final prime time Instrumental Invasion on WCWP began life the same way the prior night did: as a Wednesday night show to air following what I assumed to be a short renovation programming hiatus. I hadn’t recorded this one yet, though. The playlist, annotations, and script were completed, but I wanted to work on more playlists before recording 181 or 182. I made 183 the Christmas show and 184 the third Three-of-a-Kind Showcase special. I’d work on 185 and 186 when I was ready.
The playlist was created on October 20 and 22. Annotations began on October 25, but were put on hold due to uncertainty over the hiatus and lineup change that was to follow. I finished those annotations and drafted the script on November 1. I figured I would record 181, then move on to 182.
After making tweaks to show 181 on the evening of November 6, I tweaked all components of 182: playlist, annotations, and script. Obviously, I’d have to redo the intro and outro, including a proper goodbye on the latter. These are the changes made:
- Extracurricular info about “The Secret Drawer” by Bob James was thrown out to allow more time for the goodbye.
- “This Time Around” by Four80East was replaced with “The End of Our Season” by David Benoit and Russ Freeman, the same song that closed The Instrumental Invasion on WGBB back on May 5, 2005.
- “Fellowship” by Justin-Lee Schultz was replaced by “Wrong Side (instrumental, no backing vocals)” by Cerian (kerry-anne), fulfilling my promise to her in the Twitch stream I raided on November 4.
- Annotations were updated to include the replacement songs, and the script was updated accordingly. The script was revised a few more times before recording began.
Two segments per day were recorded from November 9 to 11. Each time, I streamed the recording sessions on Twitch.
Click here to download the finale’s aircheck scope or listen below:
I’m sad the show is over, but relieved that the hard work is behind me. So much time and effort went into each show, so burnout was inevitable. While this isn’t quite how I wanted to end, I’m grateful to WCWP station manager Pete Bellotti for allowing me a proper ending. Here was Pete’s complimentary statement on the WCWP Alumni Association Facebook group hours before air:
A salute to Mike Chimeri … yes, his birthday (Happy Birthday!!!!!) ….but to his final Instrumental Invasion tonight at 9p on 88.1 FM WCWP. There are no words to describe how important Mike will always be to WCWP as a talent, alum and human being. I am truly grateful for Mike’s friendship and I speak for many by saying THANK YOU! Time for some R & R and the next project that you will execute with class, professionalism & superior skill.
Cheers my friend!!!
Pete Bellotti, 11/17/23, 1:05 PM
Thank you very much, Pete.
Thank you, the listener and reader, for reading these recaps and listening to the airchecks. See you all on Twitch.
The Heidi Game story from an NBC log clerk November 17, 2023
Posted by Mike C. in Film, Football, History, Hockey, Media, News, Sports, Technology, TV, Video.1 comment so far
Today is not just my 42nd birthday, but the 55th anniversary of the infamous Heidi Game, an AFL game between the New York Jets and Oakland Raiders. My fellow WCWP Hall of Famer John LiBretto, inducted in 2017, was a log clerk for NBC at the time, and permitted me to share what he remembered from that night via our e-mail conversation on Tuesday.
This is John’s story:
A little background: I was a Log Clerk, which was my entry job at NBC (I had started in June of 1968). Basically logged all programming and commercials etc. for the local station (WNBC) and for the network.
I worked in a room with two TV monitors just next to BOC (Broadcast Operations Control), the area that was responsible for all programming output to the network and WNBC. Next door was Master Control, and just in front was the Control Room that switched between all the control studios, rolled the station breaks etc. etc. Busy place.
On any given weekend that had live sports, the Operations Dept issued Conditions that outlined what was to happen during various points in the broadcast day (i.e. handoffs between games and regionalization of games during the football season, and the end of sports into the prime-time schedule at 7PM on a Sunday night). Remember, while the NFL and AFL had announced their merger to take effect in 1970, they were still separate leagues in 1968. The AFL did not have the high ratings of the NFL, nor the clout over the network (in fact, it was said that NBC saved the AFL, and helped facilitate the merger).
There were times that the network would allow a game to run slightly past 7PM, and either slide the network accordingly (rare), or do a Join-in-Progress (also rare). The show on this particular Sunday, Heidi, was a very expensive adaptation of the story (music by John Williams, by the way), and the conditions specifically stated that, no matter what, the show would air to east and central time zones at 7PM. The big 4PM game was, of course, Jets at Oakland Raiders. The commercial control was in Burbank (NBC’s west coast headquarters), so the game was coming back to the east via the video/audio lines from NBC Burbank to Paducah, KY, where it was switched, by AT&T, into the main network via something called the Round Robin (the network signal left NY and traveled in a big circle, city to city, and eventually came back to NY…a big circle that allowed news feeds and regional commercials to be switched into the network as needed (not to mention regional football games).
A lot of set-up information for what transpired next.
As we got closer to 7PM, it was pretty clear the game was not going to end on time. Curt Gowdy had already promoted that Heidi would be coming up in the east and central time zones at 7PM; the game would continue out west. The powers that be (Julian Goodman, President of NBC) realized that this was probably not a great idea after all, and tried to call BOC to order a change (i.e. let the game finish, and slide the east and central feed of Heidi). By this time, the calls were coming into NBC New York from viewers and overwhelming the switchboard, so Goodman couldn’t get through in time.
Here’s the sequence as it aired on the East Coast:
6:58:40 Network Identification (NI) a :06 seconded, either a promo, or just “This is the NBC Television Network.”
6:58:46 Network goes to black for local station break
Somewhere in here, BOC got word from Goodman to delay Heidi and go back to the game…mind you, only 1:14 to accomplish this. That NI I mentioned was also a set cue for the AT&T facility in Paducah to reverse the eastbound feed from Burbank to the normal feed of the network outbound to the west coast. So, that already meant the game was never coming back to the East Coast.
7:00:00 NBC Color Peacock (The Following is a Special Color Presentation on NBC)
7:00:12 A little bit of the Heidi opening, followed by hash (yes, they switched to the incoming feed from California, which unfortunately had nothing on it). Hash is what happens when there is no usable signal on the incoming line (looks like grey fuzz on the screen).
Looked worse than it seems in the writing of it!
Finally, realizing there was nowhere left to go, BOC switched back to the studio airing Heidi and just let it play. The screaming in BOC was quite something, but they actually did everything correctly; had they NOT aired Heidi according to the conditions without Goodman’s authorization, they probably would have all been fired. As it turned out, two of us became quite busy Sports directors!
It’s a miracle Goodman got through at all; the switchboard completely melted down from the volume of calls. The surprise was so did the switchboards in Chicago, Cleveland and Washington. That’s how NBC discovered that the AFL had become a pretty hot property.
I remember all this because I had to log every single second of what went on the air that evening. Eventually, a flash caster was aired over Heidi giving the final score (Oakland scored twice in a matter of a few seconds and won the game [43-32], which further pissed off the New York market).
John LiBretto, via 11/14/23 e-mail
As a postscript to John’s story, here is David Brinkley‘s report and Curt Gowdy’s re-creation of the end of the game on the following night’s Huntley-Brinkley Report:
The Jets would get their revenge on Oakland six weeks later in the AFL Championship Game, beating the Raiders 27-23 at Shea Stadium. Of course, two weeks after that, the Jets upset the NFL Champion Baltimore Colts in Super Bowl III.
MikeChimeri.com 
