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Instrumental Invasion, 2/10/21 February 11, 2021

Posted by Mike C. in Airchecks, Audio, Comedy, Country, Film, Jazz, Media, Military, Music, Personal, Radio, Travel.
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The February 10, 2021, Instrumental Invasion on WCWP was recorded on January 14 (first hour, first talk break of hour 2) and 15 (the rest of the show).

The playlist was created on January 12 with annotations starting that day and completing on the 13th, after which the script was drafted.

In the early months of Instrumental Invasion, I avoided dated references, but now, I’m mindful of when shows air. Valentine’s Day is on Sunday, so I worked that in and played relevant songs. Drummer Eric Valentine’s presence in “Sunday Strut” by Blake Aaron was coincidental.

As long as I’ve had Boney James and Rick Braun‘s Shake It Up, I’ve thought of the main theme for The Magnificent Seven while listening to “Love’s Like That,” their collaboration with Fourplay. So, I had to mention that after I played it. Unfortunately, the explanation and side-by-side comparison led me to pick a shorter Lee Ritenour song from his Dreamcatcher album. “Starlight” was out, “Storyteller” was in. That also meant I needed to share more information about “Song for Barry” after the Airmen of Note‘s cover of the Brecker Brothers song on Return of the Brecker Brothers.

The recurring theme in this show was travel: by airplane, car, and train.

I finally got to use the Game Dave liner coming out of a David Benoit song, and from the same album, so I could say “that was Gamer David Benoit.”

Now, the bad news: I was unable to aircheck the show. It’s the third time that’s happened. On August 5, it was because my cable went out two hours before air (and stayed out until the 8th). On November 4, the FM stream was down for maintenance. I was asleep at the time, but I can only assume this third blunder was due to an automatic Windows update that made the computer restart. Microsoft Edge was still open on restart and Easy MP3 Recorder apparently still conducted its timed recording even though the stream wasn’t active. Ergo, two hours of silence.

So, click here to download the “aircheck” MP3, culled from the original segment files (plus the underwriting and Legal ID from last week’s aircheck), or listen below:

February 7 snowstorm February 8, 2021

Posted by Mike C. in Football, Media, News, Personal, Photography, Sports, TV, Weather.
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Hours before Super Bowl LV, a fast-moving snowstorm gave us 5 inches of wet snow.

The forecast called for snow to start before dawn, but it hadn’t started when I first looked out the window at 7:07 AM:

By the time I returned to my room at 10:13 after running on the treadmill, snow had begun:

12:02 PM:

The heaviest snow was in progress at 1:18:

2:49:

4:07:

My dad Bill took these backyard photos from the back door at 4:54 while the snow was winding down:

And this one on the front porch a few minutes later:

I took these:

By 5:07, snow blowing had commenced:

Along the way, the clouds broke:

Then, the two of us shoveled. I was finished by 5:40 and took these photos:

Meanwhile, Dad walked through the backyard for this batch of photos:

Dinner and Super Bowl LV awaited. Tom Brady and the Tampa Bay Buccaneers defeated the defending champion Kansas City Chiefs by the score of 31-9. (Links: NFL, ESPN, Tampa Bay Times)

I took one more photo outside my bedroom window at 10:38, as CBS‘s post-game show was wrapping up:

The next round of snow is a quick inch or two on Tuesday, followed by a storm that could last as long as last week’s, albeit with less accumulation. We’ll see.

Instrumental Invasion, 2/3/21 February 4, 2021

Posted by Mike C. in Airchecks, Animation, Audio, History, Internet, Jazz, Media, Music, Personal, Radio, Rock, Sports, Technology, TV.
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The February 3, 2021, Instrumental Invasion on WCWP was recorded over four days. The first hour was recorded on January 7, but I could only muster one second hour segment per day from January 8 to 10.

The playlist was created on January 5. Annotations began on the 5th and completed on the 6th, followed by script drafting.

This was the first show recorded through my new Zoom LiveTrak L-8 mixer. Through the recording process, I realized I need to eschew the click/pop eliminator in Adobe Audition. While it was effective with audio from the Focusrite Scarlett 2i2, it will distort audio from the L-8. I didn’t realize that until the second segment of hour 2.

If you didn’t notice, the last talk break of the first segment was speed compressed.

Every show seems to have a recurring theme. This show’s theme was namesakes. There were two Paul Jacksons, two songs titled “Barcelona,” an album with the same name as a later TV series, and musicians sharing their names with a founding father, a football player, and simultaneously a football coach and race car driver.

I know my fellow fans of The Simpsons in The Gaming Historian Discord chat server will appreciate the reference to the first scene of “Bart Sells His Soul” while talking up Joe McBride‘s cover of “In-A-Gadda-Da-Vida.”

Click here to download the aircheck MP3 or listen below:

10:15 AM UPDATE: I didn’t realize that there was a percussionist on Scott Wilkie‘s cover of “Eu Vim da Bahia.” The Brasil album credits are vague, but it was likely Gibi dos Santos.

I also accidentally left the top of the hour underwriting intact in the scoped aircheck. It’s worth hearing them in full just this once.

Instrumental Invasion, 1/27/21 January 28, 2021

Posted by Mike C. in Airchecks, Animation, Audio, Christmas, Drama, Internet, Jazz, Laserdisc, Media, Music, Personal, Radio, Technology, TV, Video.
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The January 27, 2021, Instrumental Invasion on WCWP was recorded one hour per day on December 22 (between sounds of fence construction next door) and December 23, 2020. Pickups for the first segments of each hour were recorded on the 23rd (hour 1) and Christmas morning (hour 2).

The playlist was created and annotated, and the script was written on December 21.

This was the last show I recorded in 2020 before allowing myself time off for Christmas (outside of pickups) and New Year’s Day, and the last show recorded through the Focusrite Scarlett 2i2. I received a Zoom LiveTrak L-8 for Christmas.

As noted on air, Anders Enger Jensen‘s “DiscoVision” ode to the early days of LaserDisc, contains samples from side 1 of the 1979 instructional disc, Operating Instructions for the MCA DiscoVision PR-7820 System. Here is that video, hosted by actor J.D. Cannon:

The Don Sebesky album I referenced while back-selling “The Traveler” by Earl Klugh is called Giant Box. I gave it the “big” prefix (“big Giant Box album”) because it was originally a double album on LP in 1973. The 2011 remaster fits neatly on one CD.

I inadvertently referenced the Butch Hartman cartoon series T.U.F.F. Puppy (this episode, in fact) when I said “no, don’t duck; that’s his name” after noting Marty Duck was part of the horn section on “At Your Service” by Oli Silk.

Click here to download the show’s aircheck MP3 or listen below:

Instrumental Invasion, 1/20/21 January 21, 2021

Posted by Mike C. in Airchecks, Animation, Audio, Comedy, Film, Jazz, Media, Music, Personal, Radio, Weather.
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The January 20, 2021, Instrumental Invasion on WCWP was recorded one hour per day on December 19 and 20, 2020, with a pickup line recorded on the 21st.

The playlist was created on December 18 with annotations that day and the next day. The script was drafted immediately after that, followed by work on the blog recap of the winter storm that occurred on the 16th and 17th.

The 1984 and earlier segment returned to lead off the show.

I had to pad the last segments of each hour with extra liners because my talk breaks ran short.

I had fun with the “Oi Gata” etymology and British exclamation when back-selling Joe McBride‘s song.

Back on December 3, Audrey Varnas, WCWP’s FM music director, informed me of a music submission by the U.S. Air Force Band Airmen of Note. She asked if I wanted their 2020 Jazz Heritage Series album shipped to me, and I accepted. After listening, I told her the Airmen of Note are great, as they sound like all the other big bands I’ve heard. “Up and Running” won’t be the last you hear of them on Instrumental Invasion. Last Monday, I was informed that Audrey tested positive for COVID-19. Thankfully, her symptoms were mild, and she was resting and recovering at home. Thanks again for the recommendation, Audrey. I hope you’re feeling better.

As noted while back-selling Lee Ritenour‘s cover “Red Baron” by Vince Guaraldi, I spent six days watching various Peanuts specials – and The Charlie Brown and Snoopy Show – on Blu-ray and DVD. I’ve been watching more specials since Sunday and should finish by Saturday. The inclusion of “Red Baron” allowed me to correct an error I made talking up the David Benoit version on June 3. I said it was “about a certain World War I Flying Ace” when it was really about that ace’s nemesis.

I also made reference to Galaxy Quest while talking up “Never Giving Up” by the David Wells and Chris Geith Project. I watched the film back in August, and it features the catchphrase, “never give up, never surrender!”

Click here to download the aircheck MP3 or listen below:

Instrumental Invasion, 1/13/21 January 14, 2021

Posted by Mike C. in Airchecks, Audio, Comedy, Film, Jazz, Media, Music, Personal, Radio, Technology.
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The January 13, 2021, Instrumental Invasion on WCWP was recorded one hour per day on December 11 and 12, 2020.

The playlist was created and annotated on December 10 and was the first playlist with 18:40 segments in mind. Hours earlier, after only a few hours of sleep, I edited all but three segments for the previous four shows from 18:45 to 18:40. I hoped that would prevent automation from cutting off the end of the last segment, which happened the night before. And so far, it has. December 9 was the last show to date with that problem.

This was also the first show where I scripted out my talk breaks in Microsoft Word prior to recording, and therefore the first time I saved a script. I tweaked each portion as recording progressed.

For the second week in a row, I swapped out the 1984 and earlier segment for a third 2017 to present segment.

Recording the Lisa Hilton liner (after I annotated the playlist) required a Rube Goldberg machine. There was no way for her to record on her own in a home studio or on an iPhone app, so we had to do it over the phone. I connected a Lightning-to-3.5mm adapter to my iPhone 11, attached a male-to-male 3.5mm cable to the adapter, connected the cable to my TASCAM DR-03, plugged in headphones so I could hear Lisa, and hit record. Only Lisa’s side was audible, but that was all I needed. We spoke for nearly ten minutes with a minute or two dedicated to the liner. Afterward, I extracted the raw WAV file from the DR-03 and edited it in Adobe Audition. Once I compiled the best of each take, I hard limited, denoised, and normalized the audio.

With that long explanation out of the way, here’s the final cut:

Recording from my phone is presumably much easier on the Zoom LiveTrak L-8 mixer that I got for Christmas. I presume because I haven’t tried yet.

I like all the show’s running gags: musicians from Illinois, synth instruments on the same song as actual instruments, and the parent-child element. I’m sure Game Dave would appreciate the Ghostbusters reference in the last talk break.

Click here to download the aircheck MP3 or listen below:

Instrumental Invasion, 1/6/21 January 7, 2021

Posted by Mike C. in Airchecks, Audio, Internet, Jazz, Media, Music, Personal, Podcast, Radio, Technology, Video, Video Games.
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The January 6, 2021, Instrumental Invasion on WCWP was recorded on December 9, 2020. It was the first show recorded in one day since the October 14 show, which was made on September 7 (Labor Day). I recorded away from home on my laptop with a USB version of the Audio-Technica AT2020 microphone. This is most likely a one-off.

The playlist was created and annotated on December 7, exactly three months after the aforementioned previous one-day show recording.

Starting with this show, I added an extra five seconds in the playlist for talk breaks coming out of two songs and for the first talk break of hour 2. I had trouble filling time in the second segment, but then struggled to hit the post in the last segment, which was the only one I couldn’t edit down to 18:40.

As with the show that aired on December 9, to accommodate new music acquisitions, I swapped out the 1984 and earlier segment for a third 2017 to present segment.

I included “Groovers and Shakers” by Blake Aaron to make up for the last 90 seconds getting cut off on November 25.

“One Day” by Yellowjackets and the WDR Big Band is another song that was also posted to YouTube:

Once I saw Russell Ferrante was playing an actual Rhodes piano, I redid that credit in the last talk break at home with an Apogee MiC 96k. I should have used that mic the day before.

Regarding “Flurries” by Brian Culbertson, I was unaware that drummer Khari Parker died back in June. I learned that on Tuesday while annotating the playlist for the February 3 show.

Click here to download the aircheck MP3 or listen below:

I also have two bonuses. First, I contributed a question to Game Dave‘s latest Digitally Distracted episode:

Here’s the question and his answer:

The second bonus is Jeff and Pat Kroll signing off last night’s The Rock Show, my lead-in:

Instrumental Invasion, 12/30/20 December 31, 2020

Posted by Mike C. in Airchecks, Audio, Football, Health, Internet, Jazz, Media, Music, Personal, Radio, Travel, TV.
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The December 30, 2020, Instrumental Invasion on WCWP was recorded over three days. The first segment was recorded on November 25, the next two on the 26th (Thanksgiving), and the second hour on the 27th (Black Friday). A pickup for the first segment of hour 2 was recorded on the 29th and the segment was re-edited. All segments were truncated from 18:45 to 18:40 on December 10.

The playlist was created and annotated on November 23.

The show was a scaled-down version of the 40-year musical journey special I had in mind for Homecoming Weekend, had there been one. Obviously, due to the COVID-19 pandemic, Homecoming itself was canceled, along with the LIU Sharks football season, if not merely postponed to spring. There were plans to have an abbreviated virtual Homecoming programming block, but those were scrapped in September. (Click here to wistfully read about the 2019 Homecoming Weekend.)

Had the weekend gone on and my proposed special aired, the playlist would have looked like this. As you can see, most of what I had in mind ended up in the December 30 show. “Snake Eyes” by Grover Washington, Jr. was put in the November 11 show, and I played “Born to Be Bad” by Joe Sample on December 2. Like “Snake Eyes,” “Message to Michael” by Earl Klugh and “Strikes Twice” by Larry Carlton were included to make up for an unaired segment in the April 8 show. The inclusion of “Silverbird” by Jeff Jarvis and “Cruisin’ Down Ocean Drive” by The Rippingtons made up for the July 8 show‘s unaired segment.

My talk-up for “Going All the Way” by Nelson Rangell was inspired by Chris Berman‘s catchphrase “(and) he could…go…all…the…way!,” which he used when narrating NFL highlights on ESPN.

“That ending sneaks up on you,” my line coming out of “Aniversário” by Fourplay, was recycled from my live 2016 Homecoming show.

Click here to download the aircheck MP3 or listen below:

I’m happy and thankful for the opportunity I was given in 2020 with Instrumental Invasion. Here’s hoping 2021 is happier and healthier for all of us.

Instrumental Invasion, 12/23/20: Christmas December 24, 2020

Posted by Mike C. in Airchecks, Audio, Christmas, Country, Internet, Jazz, Media, Music, New Age, Personal, Radio, Technology, Video.
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The December 23, 2020, Instrumental Invasion on WCWP was recorded one hour per day on November 20 and 21. Pickups were recorded on the 22nd after remembering Steve Rodby was also an alumnus of Pat Metheny Group. Originally, I only acknowledged Danny Gottlieb and Mark Egan. Another pickup was recorded on the 30th after learning that Jay Rowe recorded a newer, faster version of his arrangement of “Jingle Bells” for Jessy J, which I played in the third segment:

The first and third segments were kept at their original 18:45 length. The rest were cut down to 18:40.

The playlist was created on November 17 (my 39th birthday), then refined and annotated on the 18th.

As I’ve said in the past, I absolutely love instrumental Christmas music, dating back to its use in local forecasts on The Weather Channel in the first 25 days of December. I have a vast playlist in iTunes that I play at parties (in a normal year) and at home ahead of, and on, the special day. The 27 songs on this show were just a taste of the day’s worth of songs in that playlist.

The first song of the show, “Carol of the Toy Keyboards” by David Murray, a.k.a. The 8-Bit Guy (YouTube, website), premiered on David’s sister channel, 8-Bit Keys, on December 1, 2015:

And Lindsey Stirling has a video for “Dance of the Sugar Plum Fairy” (with over 20 million views!!!):

The name of the vocalist and percussionist on “We Three Kings” by Marion Meadows was Arto Tunçboyacıyan. I consulted this page for the pronunciation. Since recording the talk break, it now rolls off the tongue, like Krzyzewski. The name of the stringed instrument Brian Keane used was a bağlama.

Click here to download the aircheck MP3 or listen below:

And as a bonus, here’s a liner that will be heard on WCWP today and tomorrow:

Merry Christmas!

Instrumental Invasion, 12/16/20 December 17, 2020

Posted by Mike C. in Airchecks, Audio, Education, Jazz, Media, Music, Personal, Radio, Video.
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The December 16, 2020, Instrumental Invasion on WCWP was recorded over three days. I did the first two segments on my 39th birthday, November 17, the third segment on the 18th, and the last three on the 19th.

The playlist was created and annotated on November 15. It was the first with 18:45 segments in mind, but also the first that I edited down to 18:40 after another instance last week where the end of a show got cut off.

During the original recording session, I cut an anecdote about my 2006 interview with Bob James from the second talk break of the show, but clipped it as an outtake:

The last talk break was the hardest to record due to Gordon Goodwin’s shout at the beginning of “T.O.P. Adjacent” by his Big Phat Band.

The inclusion of “Friday” by Dan Siegel was another make-up for the unaired segments on April 8.

I chuckled while back-selling “Castles” from David Benoit‘s Shadows album because I originally quipped “castles have shadows.” That was a victim of the 18:40 edit.

The way I said Dave Yaden‘s name was an homage to Jerry Lewis.

In case you’re wondering, here’s how my backwards talk sounded backwards:

The compact cassette iteration of the 2-XL toy robot had tapes with a right side and a wrong side. The wrong side is where I would routinely listen to backwards speech. Even the buttons worked backwards. If you had to press 1 forward, you could press 4 backward and hear the same thing. Once I had a Talkboy recorder, I experimented in the same way I did on this show. Of course, it’s much easier to experiment these days with audio editing software’s reverse option.

The WDR Big Band posted a video for “Downtown” from their Jackets XL recording session with Yellowjackets:

There’s also a CD release video:

And a five-minute sit-down interview with the Jackets:

Click here to download this show’s aircheck MP3 or listen below: