Instrumental Invasion, 12/7/22 December 8, 2022
Posted by Mike C. in Airchecks, Animation, Audio, Christmas, Comedy, Internet, Jazz, Media, Music, Personal, Radio, Travel, TV, Video.add a comment
The December 7 Instrumental Invasion on WCWP was recorded out of sequence on November 5 and 6. I did segments 1, 3, 5, and 4 on the 5th, and 6 and 1 on the 6th. Pickups were recorded on the 6th and 7th.
The playlist was created on October 28 alongside the one for last week. Annotations began on October 29 and didn’t resume until November 3. I went back to a script this week, which I drafted on the 4th and 5th. I’d have done it all on the 4th, but I had errands to run, including shipping the last of my eBay items referenced in my new camera post.
Like last week, I chose to record out of sequence so I could get the presumably short segments out of the way and bank time for the ones I expected to run long. Also like last week, I was still short after principal production, having to make up 15 seconds by reinstating my “fun fact” about Lynne Scott being friends with Laraine Newman.
The Futurama reference after “Robo Bop” by Fourplay dates back to an episode of Mike Chimeri’s Music Collection, my short-lived YouTube series. The excerpt I played was from this video (the title sequence for episode 4ACV17, “Spanish Fry”):
The November 7 pickups were for the second segment after missing an opportunity to link Amy Poehler and Laraine Newman as Saturday Night Live alumnae (that show has come up a lot lately) and memoir authors (Yes, Please and May You Live in Interesting Times). I met Laraine at New York Comic Con in 2019:
There were more callbacks to Homecoming Weekend this week. I returned the favor to Jett Lightning after he played the original “Blue Train” on his Sunday show, and I played two songs that were on my live Friday show. The songs are the respective artists’ current singles and previously heard on the regular Wednesday show (original air dates are in parentheses):
I was told not to play music from Lisa Hilton‘s new Paradise Cove album until after its release date last Friday. Since the title track shares its name with a favorite Russ Freeman composition, I bookended the show with each “Paradise Cove,” marking Lisa’s album’s debut on the show.
I referenced the Dutchess County trip yet again, doing so after “El Swing” by Hudson.
My “beat Army” line after acknowledging Dan LaMaestra‘s tenure with the U.S. Navy Band was coincidental. I forgot the annual Army-Navy [football] Game is this Saturday.
The Dan Ingram joke about Jack Jones stemmed from Dan’s backsell of “The Impossible Dream (The Quest)” on June 25, 1966 (heard in Rewound Radio’s The Life and Times of Dan Ingram: In His Own Words):
I excluded the 1984 and earlier segment to allow for an extra segment of music from 2022 releases. The Hudson song filled a gap.
Excluded for only the fourth time in 140 shows was David Benoit. He will be back next week.
Click here to download this week’s scoped aircheck or listen below:
Instrumental Invasion, 11/30/22 December 1, 2022
Posted by Mike C. in Airchecks, Audio, Comedy, Dogs, Football, Internet, Jazz, Media, Music, Personal, Pets, Radio, Travel.add a comment
The November 30 Instrumental Invasion on WCWP was recorded out of sequence between October 31 (Halloween) and November 2. Three segments were recorded on October 31 (first, fifth, third), one on November 1 (second), and two on November 2 (fourth, sixth) followed by pickups.
The playlist was created alongside next week’s show on October 28. Annotations began on the 29th and were completed before recording on the 31st. To keep up my four-week buffer, I did not write a talk break script, going by annotations instead. Ironically, that made raw recordings longer as I searched for the right words to say.
“Tickle Time” by Herb Alpert makes me think of a video posted to Briar the Lab’s Instagram page: “Chomp the [imaginary] pickle. … Tickle, tickle, tickle, tickle!”
This week and next, I include(d) songs that were played on my live Homecoming Weekend show (also unscripted). This week, it was “Pioneer Town” by David Benoit and “Eddie’s Groove” by Gerald Albright. Those songs were previously played on Wednesday nights – April 20 and July 27, respectively. I was unaware “November’s Child” by Special EFX was their latest single when I made the live show playlist on the afternoon of October 7. I found out via Watercolors during the car ride to Dutchess County that evening. I almost forgot to include it this week, but as you heard, it was the last song of November.
As you also heard, Bernie Bernard played “Time Out of Mind” by Steely Dan during her show after the Homecoming football game, hence its inclusion this week. I did not expect to find my description of the song’s antagonist so funny while backselling Grover Washington, Jr.’s cover, but the reaction speaks for itself. It’s funnier to call him a “pretentious, pseudo-religious” meshuggener (crazy person) than to end on the word “crank,” as Stewart Mason did in his review (per the “music and lyrics” section of the Gaucho Wikipedia entry). Next week, a nod to Jett Lightning’s inclusion of “Blue Train” in his show. (Read about the entire weekend here.)
Click here to download this week’s scoped aircheck or listen below:
Bonus: the post-“Pioneer Town” (get it, Post Pioneers?) excerpt of a Jeff Kroll touchdown call from the 2017 Homecoming football game:
Instrumental Invasion, 11/23/22 November 24, 2022
Posted by Mike C. in Airchecks, Animation, Audio, Blu-ray, Internet, Jazz, Media, Music, Personal, Radio, Travel, TV.add a comment
The November 23, Thanksgiving Eve Instrumental Invasion on WCWP took a while to develop, as Kenny Mayne would say. The playlist was created on September 27, annotations began on October 4 and weren’t completed until the 10th while in Staatsburg, the talk break script was drafted on the 12th followed by recording of the first hour, and the second hour and pickups were recorded a week later on October 19. I was going to record on the 13th, but my time mismanagement skills reared their ugly head, and I had a breakdown while rushing to complete errands. Thank goodness WCWP station manager Pete Bellotti talked me down. Per his advice, I suspended production on this show until after Homecoming Weekend, and production was completed on videos of two Saturday shows (Bernie Bernard; Mike Riccio and Bobby G.).
I usually have a wealth of inside information about this reference or that reference, but I’ve wasted enough time. So, click here to download the scoped aircheck or listen below:
Since writing the above text on October 19, I’ve published posts about Homecoming Weekend and what I now call the Dutchess County trip. Listening to “Far Away” by Robben Ford took me back to how far away I felt at times in the AirBNB on Connelly Drive. Watching A Charlie Brown Thanksgiving on 4K Blu-ray on Tuesday (November 22), I realized I forgot to acknowledge Chuck Bennett’s trombone was also the “voice” of the adult whom Charlie Brown spoke to on the phone.
Happy Thanksgiving. Here’s hoping you get the long end of the wishbone like Woodstock (the bird, not the town half an hour northwest of Rhinebeck/Staatsburg).
Instrumental Invasion, 11/16/22 November 17, 2022
Posted by Mike C. in Airchecks, Audio, Baseball, Internet, Jazz, Media, Music, Personal, Radio, Travel.add a comment
The November 16 Instrumental Invasion on WCWP was recorded from October 4 to 6: one segment on the 4th, two on the 5th, and the last three on the 6th. Pickups were recorded on the 6th, 7th, and 10th.
The playlist was created on September 27, and annotated from the 28th to the 30th. Work on next week’s show and the backup Homecoming Weekend prerecord kept me from drafting the talk break script. By October 4, I was desperate to start recording. An opportunity to record opened up at my secondary location – the home of that heavily noise reduced audio due to the central air conditioning indoor unit running next to my desk (that probably won’t be an issue again until May). So, I attempted to record the first segment unscripted based on the annotations, but before I could record the second talk break, the opportunity disappeared. I scripted the first segment on the way home and recorded once I was home. The rest of the script was drafted on October 5 before recording the next two segments. Of course, the live HCW show (also with “Billy’s Bop” and “Forecast“) was unscripted, and I ultimately went that route for the show two weeks from now.
I needed a song to fill the gap in the fourth segment and I chose “Silver Street” by Chris “Big Dog” Davis. I didn’t know I had already played it last February 10 until cataloging on October 7 before the weekend excursion to Dutchess County. I drafted much of this blog post on my laptop at the AirBNB.
Click here to download this week’s scoped aircheck or listen below:
Postscript: Today, November 17, is my 41st birthday. My age is the same as the uniform number worn by my idol, New York Mets pitcher Tom Seaver (1944-2020), who was also born on the 17th. The photos below were in a Tumblr post.
Instrumental Invasion, 11/9/22 November 10, 2022
Posted by Mike C. in Airchecks, Audio, Internet, Jazz, Media, Music, Personal, Radio.add a comment
The November 9 Instrumental Invasion on WCWP was recorded on September 26 (two segments) and 27 (four segments). Pickups were recorded on the 27th, 28th, and October 10.
The playlist was created on September 20, annotations were written between the 20th and 23rd, and the talk break script was drafted on the 23rd and 24th.
The 18:05 segment benchmark experiment is over. Next week’s playlist will have 18:10 segments in mind. It makes more sense to achieve a total of 1:49:00 than 1:48:30. I opted against remixing this show and the last two. I worked hard enough getting all the segment puzzle pieces to fit, and wasn’t about to work extra.
To make this week’s pieces fit, some ancillary information was edited out of talk breaks. The key omissions were disclaimers coming in and out of “La Fiesta” by Maynard Ferguson (cover). I suggested the listener lower their volume because of Maynard’s intense trumpeting – “you might want to lower the volume; it gets intense” – then told them afterward it was safe to raise the volume – “okay, you can turn the volume back up.” So, I apologize for any unanticipated discomfort.
For the second week in a row, the last song of hour 1 was by Beegie Adair and the last of the show was by Yellowjackets.
“Kiss and Make Up” by George Benson was the latest CD 101.9 staple to air on Instrumental Invasion. (I know the station was resurrected on HD Radio and the internet, but it’s not the same.)
Click here to download this week’s scoped aircheck or listen below:
Instrumental Invasion, 11/2/22 November 3, 2022
Posted by Mike C. in Airchecks, Animation, Audio, Film, History, Internet, Jazz, Media, Music, Personal, Politics, Radio, Sci-Fi, TV, Video.add a comment
The November 2 Instrumental Invasion on WCWP was recorded and mixed entirely on September 19, the first one-day record/mix since June 27 when I worked on all of the August 17 show and the first segment of August 24. I made a timing error when remixing the third segment, which I didn’t notice until September 20. An extra liner and a pickup were required to add five seconds so that “+:13” on the playlist below was true. Additional pickups were recorded on October 10 (after returning from Dutchess County) to correct a factual error about bassist Harvie S‘s “Pyramid” composition, and then to react to a shorter replacement liner.
The playlist was created on September 10 (a day after last week’s show) and annotated on the 14th (after completing last week’s annotations). The talk break script draft began on the 16th, but didn’t resume until the 18th once production was completed on the prior show.
“Incumbent Waltz” is the seventh Vince Guaraldi-composed music cue for a Peanuts special that I’ve played, and a timely one with the midterm elections next Tuesday. Here’s where you can buy those Glenn Cronkhite Custom Cases I referenced in the backsell.
Two songs that aired previously are listed below with the first air date (in parentheses) and the reason for playing again:
- “Creole” by The Crusaders (November 18, 2020) – tie-in with “Fish Grease” by Jazz Funk Soul
- “In Too Deep” by Pieces of a Dream (December 29, 2021) – current single
I originally had the 2011 version of “Altair and Vega” by Bob James and Keiko Matsui in mind last July 14, but a different timing error – miscalculating the song’s duration – required a replacement. I made up for that this week, complete with the story of Tanabata/Hoshimatsuri, a festival centered around the two titular stars. You can read the Wikipedia entry in the previous sentence, but I also recommend this short video by GTV Japan:
Coincidentally, the show last July had a Star Trek reference leading into the first song. This week’s first song, complete with my paraphrase of the opening spiel, was Maynard Ferguson’s cover of the “Theme from Star Trek.” I had no idea Larry King adopted it as his radio show theme.
Click here to download this week’s scoped aircheck or listen below:
Instrumental Invasion, 10/26/22 October 27, 2022
Posted by Mike C. in Airchecks, Audio, Baseball, Comedy, Internet, Jazz, Media, Music, News, Personal, Radio, Sports, TV, Video.add a comment
The October 26 Instrumental Invasion on WCWP was recorded in sequence on September 17 (four segments) and 18 (two segments).
The playlist was created on September 9, following a production hiatus while assembling and setting up my new computer and drafting the subsequent blog post.
As noted in the October 5 post, going forward, annotations are made in a separate Microsoft Word document, from which the talk break script is drafted in its usual document. I never share the script, but since annotations are an extension of the playlist, I will share those. This week’s annotations were made on September 13 and 14 with the script drafted on the 15th.
This is also the first week with 18:05 segments in mind, and a desired total duration of 1:48:30. Segment 1 of hour 2 was exactly 18:05, the first exact duration since segment 2 of hour 2 on October 5.
I used the phrase “leadoff hitter” to describe the first song – “There’s No One Else” by Robben Ford – in honor of the World Series, which starts tomorrow night. I wish the Mets were the National League representative, but I’m proud of all their other accomplishments this season. (I wrote that presumptuously on September 20. On October 26, I’m writing that I’m glad the Phillies eliminated the Braves in the NLDS and Padres in the NLCS. The Mets blew the NL East lead to the Braves and lost their NL Wild Card Series to the Padres.)
The inclusion of “Spring High” by Ramsey Lewis preceded his death on September 12, but that was acknowledged in the annotations and script. With “After Chicago” by Ronnie Foster coincidentally included, I called back to Ramsey’s Cabrini-Green upbringing.
In all the years I’ve heard “Schmooze” by Eric Marienthal, I’m reminded of longtime WFAN host Steve Somers, a.k.a. The Schmoozer, a.k.a. Captain Midnight (a la the radio serial). I dialed down my impression of Steve, limiting it to his name and removing his phraseology at the start of the talk-up (i.e. “Eric Marienthal on a Wednesday night on WCWP Brookville”). This was the WCWP-FAN jingle hybrid I made:
Then, there’s Fourplay‘s “Little Foxes,” evoking Festrunk Brothers lingo (the “foxes” part). It helped that most of the backing vocalists were women, hence my “adult foxes” tangent. Here is one such Festrunk Brothers Saturday Night Live sketch:
Click here to download this week’s scoped aircheck or listen below:
2022 LIU Post & WCWP Homecoming Weekend, WCWP Hall of Fame Announcement October 22, 2022
Posted by Mike C. in Airchecks, Audio, Football, Internet, Interviews, Media, Music, Personal, Photography, Pop, Radio, Rock, Travel, Video.add a comment
Other recaps: 2008, 2009, WCWP 50th Anniversary (2011), 2012, 2013, 2014, 2015, 2016, 2017, 2018, 2019, 2021
Four months after going into the WCWP Hall of Fame, I returned to the campus of LIU Post for part of WCWP‘s Homecoming Weekend programming block, the first under new station manager Pete Bellotti. (The list of 2022 HOF inductees comes later in this recap.)
Friday, October 14
This year, Homecoming Weekend started an hour earlier, at 11AM, making for 61 hours of alumni-run shows. In August, Bernie Bernard earned a Master of Arts degree from Florida Atlantic University. Her aural thesis on pirate radio led off the weekend:
The second show, at noon, was also prerecorded: a compilation of select episodes of Bill Mozer’s WCWP Alumni Career Path Podcast:
I have a dedicated blog post for my live edition of Instrumental Invasion at 2PM, but here is a snippet:
… I did not draft a talk break script; a live show calls for spontaneity, albeit with annotations to work from. I ended up referencing [my family trip to Dutchess County, subject of a blog post next week] during the show.
I feel like I wasn’t my best without a script, but all that matters is what listeners thought, and they liked it. Naturally, [the show] started with a technical glitch. Automation didn’t switch off [after Bill’s show ended], allowing me to go live from studio 2. I relayed the problem to station manager Pete Bellotti and he had me start the show even though the first minute or so (54 seconds) would go unaired. …
What a coincidence that David Benoit’s latest single of A Midnight Rendezvous is “Pioneer Town.” That allowed me to allude to the days before the One LIU merger when the Brooklyn and Post campuses had separate athletic programs.
For my official archive of the show, I included the unaired part, re-created from the liners I played (mostly as heard on my restart) and amplified/noise reduced camcorder audio. Here is the scope video:
I faded the last song out just in time for automation to kick back in for John Commins at 4PM. To keep listeners from tuning out, I did not acknowledge that he was prerecorded. Within 20 minutes, I had packed up my equipment and headed for home. My video equipment was a Panasonic HC-X1500 with VW-HU1 detachable hand unit, both bought in late March, and my tripod of nearly seven years: a Magnus VT-300. Mozer recommended a Magnus tripod in a discussion at the 2015 Homecoming, but not the one I chose. I don’t remember which one. The HC-X1500/VW-HU1 combo was in lieu of an HC-X2000 built with the hand unit. I didn’t want to pay more for 3G-SDI output. But enough about video gear.
WCWP was entirely live from studio 2 from 6PM to midnight. John Zoni had the 6PM show:
Alan’s final show was Seltzer with a Twist, starting at 8PM:
Scott Perschke and his wife Janet were also present for the last show, as heard in the scoped aircheck below. 
Alan and Bernie 
Alan and Jay Mirabile, host of a special DFK Show at 10PM 
Bernie’s perspective before the photo below on Jay’s phone 
There was about 30 seconds of dead air after Alan’s last song finished, so Jay began The DFK (Disco and Funk King) Show seconds before 10PM:
The Young Prince K.J. Mills stayed up late to host The Storm 2.0 at 2AM (I’m counting this as part of Friday’s lineup):
Saturday, October 15
I returned to LIU Post at 1:30 Saturday afternoon. This time, I brought along my GoPro Hero 7 for shooting B-roll. Unlike last year, I did use it, thanks to a flexible tripod I bought in November, inspired by the video of Joe Honerkamp’s show.
In a bold move, I opted not to walk down to the football field to catch part of the LIU Sharks‘ Homecoming game. Considering they were creamed by the Saint Francis Red Flash, 57-7 (box score, recap), I made the right decision. As the game carried on, I sat at my laptop and spoke to any alumni that walked into studio 3, where my laptop was set up for web browsing on my downtime, but otherwise to aircheck the shows following the football game. My aircheck equipment, used Friday and Saturday, was a Behringer U-Phono UFO202 pre-amp connected to a Sangean HDR-16 radio. WCWP also uses the UFO202 for airchecking off FM tuners, doing so to clip key plays in Sharks games. Home airchecks were recorded in Audacity, either on my computer or the guest room computer, then edited in Adobe Audition.
One such alum to drop by during the football game was M.J. Lonardo, known as DJ M.J. during her time at WCWP. The photo I took of her and station manager Pete Bellotti is the first in a series of two-person photos taken throughout the day:
M.J. and me 
Me and Pete 
Me and John Zoni 
Me and K.J. Mills 
Alan and me; I’ll miss you, Alan.
On to photos from Bernie Bernard’s Barbecue Bash (by golly), starting at 4:08 PM:
Grandfather Rock Chris MacIntosh, longtime host of Rock ‘N Soul Gospel, and Hugh Hammill, Bernie’s friend from her WBAB days 
Jett Lightning joined Chris in studio 2 with Bernie 
At 5:11, Bernie announced the 2022 WCWP Hall of Fame inductees, who will be inducted in ’23. In the order listed on Bernie’s sheet below, they are: Travis Demers, Dan Reagan (reegan), Cosmo Leone, Roger Luce, Kim Dillon, Jon Cole, Suzanne Langwell, and John Mullen. 
Cosmo, Jon, and John all called in during the show. You’ll see and hear them in the video and audio below this stacked gallery. 
Technical assistance was required to fix the telephone hybrid audio. The quirky sound that afflicted Cosmo Leone’s interview was mitigated while speaking to Jon Cole. I had to cut away to some of these photos during that part of the video because my view of Bernie was blocked. 
The tradition of Mike Riccio (sitting) and Bobby Guthenberg (standing) following Bernie with their countdown show continued this year. Bernie spoke with them beforehand.
Here is the aforementioned video:
Anyway, here is the audio version with longer lead-outs and the start of the first talk break in the video:
Mike Riccio and Bobby G.’s countdown began at 7:03 PM. Mike couldn’t find a legal ID to run in WaveCart, so I approached the board and picked one. Then, the show began with “Wooden Heart” by Elvis Presley. Editing video of this show has left the end of “Wooden Heart” ingrained in my head. First, the photos:
A group photo with Alan Seltzer and Jett Lightning before air 
Jett and Alan guessed which songs were next based on Mike’s clues. 
A close-up of Mike Riccio 
Bobby G. 
Alan Seltzer 
Jett Lightning (I wanted a candid shot, but he spotted me) 
I took this parting photo before packing up for home. My parents picked me up after dinner in Syosset.
The video:
And the audio version, including parts of the last two hours and with extended lead-outs:
The above photos are the last taken at an event with my Nikon D5500. As Homecoming Weekend was wrapping up, I consulted with a Facebook group for fans and users of the Canon EOS R7 mirrorless camera. I said in my PC build post that I had a Nikon Z7II in mind, but it’s too expensive and I’d have to buy a 24-200mm (not 300) Z lens (I like to use one superzoom lens) to take full advantage of the megapixel increase. My existing F mount 18-300 superzoom would be heavily cropped because it’s not made for full frame cameras like the Z7II. The EOS R7 and all the accessories I bought for it, including a Tamron 18-400 superzoom and control ring mount adapter, cost less combined than a Z7II body alone.
I hope to write about my early experience with the EOS R7 and equipment in a later post, but for now, back to Homecoming Weekend.
Sunday, October 16
I woke up a few minutes into my prerecorded Instrumental Invasion, another show with a dedicated blog post. Otherwise, the scoped aircheck:
When that was over at 8AM, Jay LaPrise (la-PREE) had the first live show of the day:
My attempt at airchecking Jamie Mazzo and Sara Dorchak’s Ladies of Prison Break Radio show at 10AM was a bust. With my weekly Zoom meeting at 11:30, I had to aircheck on my laptop. I should have recorded the audio loopback, like on my desktop, but I didn’t. The same unnatural audio boost problem that kept me up in the hours after my September 14 show afflicted the laptop aircheck.
The Rockin’ Sunday Show with Alana followed at noon, its usual time on a regular Sunday:
Alana’s photos are the only ones taken Sunday (that I’m aware of). 
Just after 2PM, it was Joe Honerkamp’s turn:
The last show I airchecked on Sunday was Jett Lightning at 4PM:
Saturday, Jett persuaded me to add John Coltrane‘s Blue Train album to my collection. I’m certain he played the title track on his Sunday show for me.
Homecoming Weekend pulled up its stakes at 12:02 AM Monday morning, and on that note, we’ve reached the end of the 2022 recap. Thank you for reading, watching, and listening. Until next year.
Instrumental Invasion, 10/19/22 October 20, 2022
Posted by Mike C. in Airchecks, Audio, Comedy, Internet, Interviews, Jazz, Media, Music, Personal, Radio, Weather.add a comment
The October 19 Instrumental Invasion on WCWP was recorded (and mixed) non-sequentially on August 31 (segments 1, 5, 6) and September 1 (segments 2 through 4). Pickups were recorded on September 2.
The playlist was created right after finishing last week‘s playlist on August 25, annotated on the 27th, and the talk break script was drafted on the 30th. I was able to break even this week with a total duration of exactly one hour and 48 minutes. Starting next week, I will go to 18:10 segments, a total of 30 more seconds. This should limit the amount of dead air before automation’s fill song kicks in.
I did not expect the story of “St. Thomas” to be so involved. The Sonny Rollins interview (from April 5, 2007) where he shared the origin story is accessible via this link, but the media player disappears from sight after you start it. So, I downloaded it to share here:
He definitely wrote “Airegin,” though.
Regarding my talk-up after “Hello Tomorrow” by Larry Carlton, Lloyd Lindsay Young‘s “hello…!” bit had been circling in my head ever since a recent George Carlin documentary showed his introduction at the start of George’s 1988 special, What Am I Doing In New Jersey? I’ve said it before, but only on Instrumental Invasion can you get references like that. That goes for the MythBusters reference I made at the end of my “St. Thomas” origin story. On that series, if a myth in a given episode couldn’t be replicated, it was given a “busted” rating.
Speaking of Larry Carlton, I acknowledged that he was Fourplay‘s second guitarist, Lee Ritenour was their first, and Chuck Loeb was the third. Kirk Whalum played tenor sax on “Hello Tomorrow,” and I neglected to mention that he was the fourth member of Fourplay whenever there wasn’t a guitarist.
Click here to download this week’s scoped aircheck or listen below:
Instrumental Invasion, 10/16/22, 6AM (Homecoming Weekend) October 16, 2022
Posted by Mike C. in Airchecks, Audio, Internet, Jazz, Media, Music, Personal, Radio.add a comment
The second Instrumental Invasion of this year’s Homecoming Weekend block on WCWP was recorded one hour per day on October 2 (at home) and 3 (at my second location). I considered it a backup that might air, but found out last Saturday that it would air at 6AM Sunday. (Click here for a recap of Friday’s live 2PM show.)
Rather than make another theme show, I recycled the 60-year musical journey playlist from last Wednesday’s show, but with new talk breaks, rearranged liners, additional liners, and two extra songs to accommodate the weekend’s non-segmented format. The extra songs were:
- “Kid Gloves” by Larry Carlton (1992)
- “Mr. Martino” by Chuck Loeb (2007)
Since I deleted the original Word document for Wednesday’s show, the playlist was created from scratch on September 29. Annotations were transcribed and newly made on September 30 with a revised talk break script drafted on October 1.
Time constraints in the second hour meant a few talk break lines had to be cut, including “I’ll drink to that…with a soft drink” for Jeff Golub‘s cover of “Cold Duck Time.” The first hour had the opposite problem, which meant padding it out with an extra liner and not starting some songs as music beds.
Like last year, I screencapped the complete Adobe Audition session:
Click here to download the scoped aircheck or listen below:
The unscoped aircheck is available for download on Google Drive.
MikeChimeri.com 