SJFS 2013 Night 2 recap April 29, 2013
Posted by Mike C. in Internet, Jazz, Media, Music, Personal, Photography, Travel.1 comment so far
Updated on 8/20/13 with two videos.
If at first you succeed, try to duplicate the success the following night. That was the task for the second night of Jay Rowe‘s eleventh annual Smooth Jazz for Scholars concert.
Kevin McCabe was the first to speak to the audience just before 8PM:
As you can see behind Kevin, before Jay and the house band came out, the show began with a performance by the Foran High School Jazz Band, under the direction of Jessica Shearer. Their song featured a solo by Jay. Pictures of what was visible can be seen later in this post.
The house band was made up of Jay on keyboards:
Jerry Brooks on bass:
Trever Somerville on drums:
Steve Scales on percussion:
The show took place on Steve’s birthday.
…and for eight of the songs, Rohn Lawrence on guitar:
SET LIST
1. Martinis and Bikinis (Jay Rowe)
Originally heard on: “Live at Daniel Street,” 2011
Featured musicians: Jay Rowe (keyboards), Rohn Lawrence (electric guitar)
2. Side Tracked (Jeff Golub)
Originally heard on: “The Three Kings,” 2011
Featured musicians: Jeff Golub (electric guitar), Rohn Lawrence (electric guitar)
Unfortunately, Jeff went blind a few years ago. But he hasn’t let that stop him from performing. He still sounds great. His courage and perseverance are admirable.
3. Freddie’s Midnight Dream (Jeff Golub)
Originally heard on: “The Three Kings,” 2011
Featured musicians: Jeff Golub (electric guitar), Rohn Lawrence (electric guitar)
4. Can’t Stop Now (Vincent Ingala)
Originally heard on: “Can’t Stop Now,” 2012
Featured musicians: Vincent Ingala (tenor sax), Rohn Lawrence (electric guitar)
5. Wild Thing (Marion Meadows)
Originally heard on: “Whisper,” 2013
Featured musicians: Marion Meadows (soprano sax), Vincent Ingala (tenor sax), Chieli Minucci (electric guitar), Rohn Lawrence (electric guitar)
6. Black Pearl (Marion Meadows)
Originally heard on: “Whisper,” 2013
Featured musicians: Marion Meadows (soprano sax), Chieli Minucci (acoustic guitar)
7. Dreams (Chieli Minucci)
Originally heard on: “It’s Gonna Be Good,” 1998
Featured musicians: Chieli Minucci (electric guitar), Vincent Ingala (soprano sax)
8. Crazy Eights (Chieli Minucci & Special EFX)
Originally heard on: “Genesis,” 2013 (to be released on May 21)
Featured musicians: Chieli Minucci (electric guitar), Vincent Ingala (tenor sax)
9. If I Could Fly (Vincent Ingala)
Originally heard on: “Can’t Stop Now,” 2012
Featured musicians: Vincent Ingala (tenor sax), Rohn Lawrence (electric guitar)
10. It Is What It Is (Vincent Ingala)
Originally heard on: “North End Soul,” 2010
Featured musicians: Vincent Ingala (tenor sax), Rohn Lawrence (electric guitar)
11. In Memory of Elizabeth Reed (The Allman Brothers Band cover)
Featured musicians: Chieli Minucci (electric guitar), Jeff Golub (electric guitar)
12. Suede (Marion Meadows)
Originally heard on: “Player’s Club,” 2004
Featured musician: Marion Meadows (soprano sax)
13. Katy’s Groove (Jay Rowe)
Featured musicians: Foran High School Advanced Vocal Ensemble, under the direction of Theresa Voss
14 (Finale). Cold Duck Time (Jeff Golub; Eddie Harris cover)
Originally heard on: “Do It Again,” 2002
Featured musicians: Everyone
Various shots of Jay Rowe:
Jerry Brooks:
Trever Somerville:
Steve Scales:
Rohn Lawrence:
Vincent Ingala:
Jeff Golub:
Chieli Minucci:
Marion Meadows:
Just like in 2011, Marion began “Suede” by playing his way through the audience:
Vincent and Rohn:
Chieli and Vincent:
Marion, Vincent, and Chieli:
Chieli and Jeff:
Foran High School Jazz Band:
Foran High School Advanced Vocal Ensemble:
The Finale – “Cold Duck Time”:
The second night of Smooth Jazz for Scholars was now complete.
Jay: “We’ll see you all next year!”
I hope you enjoyed this pictorial journey through both nights of Smooth Jazz for Scholars. Until next year, so long.
SJFS 2013 Night 1 recap April 29, 2013
Posted by Mike C. in Internet, Jazz, Media, Music, Personal, Photography, Travel.add a comment
Updated on 8/20/13 with two videos.
This weekend, I made my annual pilgrimage to Milford, Connecticut, for Jay Rowe‘s eleventh annual Smooth Jazz for Scholars concert. For the first time in SJFS history, there were two nights of music to enjoy. This is a recap of night 1.
Kevin McCabe had some opening remarks:
…and so did Jay Rowe:
Jay played his keyboards:
His house band was rounded by Jerry Brooks on bass:
Trever Somerville on drums:
…and Steve Scales on percussion:
The structure of this recap is different from previous SJFS recaps. Instead of combining the set list with pictures from the corresponding songs, I’ll list the set list first. Here it is:
SET LIST
1. Martinis and Bikinis (Jay Rowe)
Originally heard on: “Live at Daniel Street,” 2011
Featured musicians: Jay Rowe (keyboards), Marc Antoine (acoustic guitar)
2. Sunland (Marc Antoine)
Originally heard on: “Madrid,” 1998
Featured musician: Marc Antoine (acoustic guitar)
3. Mas Que Nada (Marc Antoine; Sergio Mendes & Brasil 66 cover)
Originally heard on: “Cruisin’,” 2001
Featured musicians: Marc Antoine (acoustic guitar), Nelson Rangell (alto sax)
4. Spain (Return to Forever [Chick Corea] cover)
Featured musicians: Nelson Rangell (flute), Marc Antoine (acoustic guitar)
5. Turning Night Into Day (Nelson Rangell)
Originally heard on: “Turning Night Into Day,” 1997
Featured musician: Nelson Rangell (alto sax)
6. Did You Know? (Nick Colionne)
Originally heard on: “Just Come On In,” 2003
Featured musicians: Nick Colionne (electric guitar), Vincent Ingala (electric guitar)
You read right. Vincent isn’t limited to one instrument. And if you’ve read the liner notes for some of Nick’s albums, neither is he.
7. Rainy Night in Georgia (Nick Colionne; Brook Benton cover)
Originally heard on: “It’s My Turn,” 1994; “Keepin’ It Cool,” 2006
Featured musicians: Nick Colionne (vocals/electric guitar), Nelson Rangell (alto sax)
8. Pusherman (Alex Bugnon; Curtis Mayfield cover)
Originally heard on: Upcoming album
Featured musicians: Alex Bugnon (keyboard), Jay Rowe (keyboards), Nick Colionne (electric guitar), Vincent Ingala (electric guitar)
9. A House is Not a Home (Alex Bugnon; notably covered by Luther Vandross)
Originally heard on: Upcoming album
Featured musicians: Alex Bugnon (keyboard), Vincent Ingala (electric guitar)
10. Poinciana (notably covered by Ahmad Jamal)/107 Degrees in the Shade (Alex Bugnon)
“107 Degrees…” originally heard on: “107 Degrees in the Shade,” 1991
Musicians: Alex Bugnon (keyboard), Jay Rowe (keyboards)
11. The Connection (Nick Colionne)
Originally heard on: “Feel the Heat,” 2011
Featured musicians: Nick Colionne (electric guitar), Vincent Ingala (electric guitar)
12. How Insensitive (Insensatez) (Antonio Carlos Jobim cover)
Featured musicians: Nelson Rangell (whistling/piccolo), Marc Antoine (acoustic guitar)
13. Harlem On My Mind (Alex Bugnon)
Originally heard on: “Tales from the Bright Side,” 1995
Featured musicians: Alex Bugnon (keyboard), Nelson Rangell (flute), Vincent Ingala
14. On the Strip (Marc Antoine)
Originally heard on: “Cruisin’,” 2001
Featured musician: Marc Antoine (acoustic guitar)
15 (Finale). Cantaloupe Island (Herbie Hancock cover)/(James Brown-style jam)
Featured musicians: Everyone
In the finale, some musicians switched to different instruments. Vincent went from electric guitar to tenor sax; Marc Antoine tried out Vincent’s guitar, Steve’s drums, and one of Jay’s synthesizers.
With the set list out of the way, let’s get to the pictures.
We begin with various shots of Jay Rowe:
Trever Somerville:
Steve Scales:
Nelson Rangell helped out during Marc Antoine’s “How Insensitive” solo. Seconds before I took this, he struck the chimes:
Marc Antoine:
Nelson Rangell:
Alto sax:
Flute:
Piccolo:
Whistling:
Whistling like that deserved a bow:
Vincent Ingala on electric guitar:
Nick Colionne:
Hearing from the audience:
“Rainy Night in Georgia”:
Alex Bugnon:
Nelson and Marc’s “Mas Que Nada” call and response:
Jay and Alex’s dual medley:
Nick and Vincent’s “The Connection” duet:
The finale:
“Can I count it off?! (slow staccato): Can I count it off?!”
Nick in the audience:
Back on stage:
With that, the first night of the eleventh annual Smooth Jazz for Scholars was complete.
The fun resumed the following night. Click here to see.
Busy Saturdays (and one Friday) ahead April 13, 2013
Posted by Mike C. in Jazz, Media, Music, Personal, Photography, Radio, Technology, Travel, Video.add a comment
I have a busy pair of Saturdays (and one Friday) beginning next week.
Next Saturday, I’ll be at the second annual WCWP Hall of Fame Induction Ceremony. As I noted in mid-October, this year’s inductees are Steve Radoff, Harry Lowenthal, Bill Mozer, and Maura “Bernie” Bernard. Like last year, the ceremony will take place at the Tilles Center Atrium. But unlike last year, it will take place in the afternoon rather than the evening.
The following Friday and Saturday, I’ll be up in Milford, Connecticut, for both nights of keyboardist Jay Rowe’s annual Smooth Jazz for Scholars benefit concert. In the Friday show, for the first time since 2008, Jay won’t be the only keyboardist performing. Alex Bugnon is one of the guests scheduled to perform, along with saxophonist Nelson Rangell, and guitarists Marc Antoine and Nick Colionne. Saturday’s lineup consists of guitarists Jeff Golub and Chieli Minucci, and saxophonists Marion Meadows and Vincent Ingala. This will be the first time I’ve seen Jeff since he unfortunately lost his sight.
At both events, I’ll have the same video and audio equipment as last year, but I’ll be using a new digital camera. After getting the Nikon D3100 last May, I lucked into swapping it for a new D5100 earlier this week.
You know the drill: After each event, I’ll post a photo recap here at MikeChimeri.com. Crafting posts will be easier now that WordPress lets you post all the pictures at once.
Until then, so long.
Riding the Staten Island and West Shore Expressways January 20, 2013
Posted by Mike C. in Personal, Photography, Travel.add a comment
Picking up where Riding the Belt Parkway left off, the focus of the pictures in this post is the Staten Island Expressway and West Shore Expressway.
The pics were taken on the way to my friends’ housewarming party in Howell, New Jersey.
On the Staten Island Expressway, Exits 15S and 14:
Exit 10:
Exit 9:
Exit 7:
Exit 6:
Exit 5, NY 440 South (West Shore Expressway):
On the West Shore, Exit 8:
Exit 7:
As you saw above, two of the expressways’ exits overlap.
Exit 5:
Exit 3:
Exit 1, Arthur Kill Road (again):
The Outerbridge Crossing:
After crossing the Crossing, my parents and me were in New Jersey. In another hour, we arrived in Howell.
Riding the Belt Parkway December 18, 2012
Posted by Mike C. in Personal, Photography, Travel.add a comment
This post is a sequel to my July 29 post of pictures I took on the Long Island Expressway (Interstate 495) eight days earlier. This time, the focus of my pictures is the Belt Parkway.
These pics were taken late in the morning on October 6 en route to a housewarming party in Howell, New Jersey.
We begin with Exit 24B:
Exit 24A:
Exit 23A:
Exit 22:
Exit 21B:
After Exit 20 and before Exit 19:
Approaching Exit 18B:
Exit 18B:
Exit 17N:
Exit 17W:
Exit 17S:
Exit 15:
Exit 14:
Exit 13:
Mill Basin Drawbridge:
You can see the Verrazano-Narrows Bridge from the drawbridge because the Belt is heading south before re-curving west at Marine Park:
Exit 11N:
Exit 11S:
By now, the Belt is heading west again.
Exit 9:
Back when my great-grandparents (my mother’s maternal grandparents) lived in Midwood, we would get off at Exit 9 and ride the service road to Ocean Avenue. From there, we made a right on Ocean, drove north to Avenue N, and made a left. They lived between Ocean and East 19th Street.
Exit 8:
Exit 7B:
Exit 7A:
The MTA’s Stillwell Yard:
Exit 6N:
Exit 6S:
Exit 5:
Exit 4:
Exit 3:
From here, we got on the bridge and continued on our way to Howell.
My Sandy experience November 10, 2012
Posted by Mike C. in Audiobooks, DVD, Health, Internet, Jazz, Media, Music, News, Personal, Photography, Radio, Sports, Travel, TV, Weather.5 comments
The nightmare known as Hurricane (or Superstorm) Sandy was thrust upon my attention on the afternoon of Wednesday, October 24, hours before seeing pianist David Benoit perform at the Iridium Jazz Club. The first report I read about the storm had a few scenarios, which included turning east out to sea and taking a sharp westerly turn toward the Mid-Atlantic and Northeast U.S, combining with an approaching cold front. By the second report, the latter scenario became more likely. With each passing report, until it made landfall in South New Jersey on the evening of October 29, more and more models showed that worst case scenario. And with each passing report, I grew more and more paranoid and fearful of what would happen.
Sandy was so large that its effects were first felt through cloud cover on Saturday, October 27. The following day, October 28, showers and minor wind gusts began. I couldn’t stand hearing the wind plowing into the windows and wall from my Wantagh home’s east-facing bedroom. So, I slept in the basement that night.
When I woke up early on October 29, the worst still hadn’t arrived, but the wind was still strong, around 30 miles per hour with gusts in the 50s. Somehow, the power did not go out during the morning. By 1:30 PM, the power began to flicker off and on, and at 1:45, the power went out to stay and wouldn’t return until nine days later. Back in the basement, as the wind continued to howl upstairs, now approaching sustained winds of 45 mph with gusts to 60, I used my Sennheiser studio headphones to listen to audiobooks on my CD-playing Walkman. But spoken words were unable to completely drown out the sound of wind. So, rather than waste battery power on my iPod, I used the Walkman, which runs on AA batteries, to listen to music. I took two pairs of CDs that I used for my two recent WCWP Homecoming Weekend shows and a dozen albums. When I wasn’t listening to news radio for the latest on Sandy, or sports radio to forget about Sandy, I was listening to my CDs.
My parents, sister, and I were prepared with plenty of bottled water, bags of food, canned goods, AA batteries, C batteries, D batteries, and a generator. We didn’t use the generator until after the height of Sandy, which came around 8PM, shortly after it transitioned to a post-tropical cyclone. While the worst winds pummeled the house, gusting as high as 85 mph, we congregated in the living room where an extension cord ran from the generator in the backyard to the middle of the room. There, I plugged in a power strip and we plugged in a table lamp for light, and all our rechargeable electronics. For a time, we watched DVDs on my sister’s laptop. After a couple of hours, my dad turned off the generator and we all went to sleep. I returned to the basement for that.
Outside of a tree falling in my next-block neighbor’s back yard, two shingles falling off our roof, a toppled-over garbage pail on the side of the house, and branches and leaves on the grass, I was clueless about the extent of damage in my area. But a tree fell a block east of our house, which is why our power went out, and a few trees fell one block north and west.
At around 11AM on October 30, I walked around the exterior of my house to take aftermath pictures.
I began at my front patio, worked my way around the house, and then to the curb:
The pails on the west side of the house:
I fixed the pail that blew over about half an hour before taking pictures.
The container that covered the gas cans for generator fuel blew off:
When the power strip wasn’t connected to the extension cord, either the microwave or coffee maker were plugged in.
I turned this table upside down on Sunday and removed the tiles, stacking them on the ground near the wall:
The tile-less table was moved slightly by the high winds.
There had been a tree in the center of this empty space:
Part of it fell into our back yard:
Or it may have been from this tree which fell at around 6:00 the night before:
I was in the basement listening to a CD on my Walkman and could hear my dad in the kitchen saying “Tree down!”
You can barely see a tree down up the road to the east:
To the west, a utility poll was slanted (not visible in pic):
A week later, my sister took the following pictures on our street from east to west:
As bad as things looked on our block, the absolute worst hit areas were waterfront communities. Main floors and basements were destroyed. House and building fires that started after flooding began couldn’t be contained and had to burn out. Knowing all this gave me survivor guilt. I felt guilty that my house was hardly damaged and all I lost was power, while my friends in places like South Freeport, Baldwin Harbor, Island Park, Long Beach, Lido Beach, and Massapequa lost everything that wasn’t on the second floor or higher. The Rockaways and Staten Island were hit just as hard.
An example of how hard Freeport was hit can be seen in this video of damage to the Nautical Mile (Woodcleft Avenue), via The Weekly Freeporter YouTube channel:
Guilt aside, I developed cabin fever after two days at my powerless house (outside of generated power). So, on the night of Halloween, after riding out Tuesday night in my increasingly cold bedroom, I made the trip to a family friend’s house in Rockville Centre (power had just returned after only two days). I would spend the next week there while power was out at home. Of all the times for power to come back, on the afternoon of November 7, it was as a wet snow-producing nor’easter began to affect the Northeast. Unlike Sandy, however, the center of this nor’easter was far offshore and the winds were not too strong on Western Long Island. The wet snow bent but somehow did not break tree limbs, and it gradually melted or fell off the following day.
While power returned on November 7, cable did not come back until two days later.
After experiencing the March 2010 Nor’easter, Irene, and now Sandy, I can only hope that it’s a very long time before another major storm of Sandy’s magnitude hits the East Coast.
We’ll conclude this post with a few pictures in Rockville Centre on November 7 as snow began to accumulate…
…and a picture on November 8, hours after shoveling the driveway at home:
Also:
Laura Donovan: The Domino Effect Of Hurricane Sandy: Why One Natural Disaster Changed Everything For Me (dead link as of 10/29/18)
Peter Hoare: How Hurricane Sandy Ravaged My Town (Long Beach)
11/13 UPDATE: Yesterday, I walked my street from east to west to get a close look at the cut-up downed trees, and the damage caused by them:
As I took this last shot, Town of Hempstead sanitation trucks were making their way up the street to remove debris:
David Benoit at Iridium recap October 25, 2012
Posted by Mike C. in Jazz, Music, Personal, Photography, Travel.add a comment
I was at The Iridium last night to see pianist and conductor David Benoit in concert. I hadn’t seen him since his show at Tarrytown Music Hall in May 2010.
It was a cloudy and damp night outside, but the sun shined on The Iridium’s stage.
On the way to Penn Station, I shot this picture as the LIRR train I was on passed over the Van Wyck Expressway (Interstate 678):
David was at The Iridium for two nights with two sets per night. I was at the first night’s first set.
David was joined by another David, David Hughes, on bass:
…and Jamey Tate on drums:
SET LIST
1. Beat Street
Originally heard on: “Full Circle,” 2006
2. Botswana Bossa Nova
Originally heard on: “Earthglow,” 2010
3. Will’s Chill
Originally heard on: “Earthglow,” 2010
4. Napa Crossroads Overture
Originally heard on: “Conversation,” 2012
5. Feelin’ It
Originally heard on: “Conversation,” 2012
6. Diary of a Wimpy Kid
Originally heard on: “Conversation,” 2012
7. Sunrise On Mansion Row
Originally heard on: “Conversation,” 2012
8. Kei’s Song Redux
Originally heard on: “Conversation,” 2012
9. Every Step of the Way
Originally heard on: “Every Step of the Way,” 1988
10. Waltz for Debby (Bill Evans cover)
Originally heard on: “This Side Up,” 1985; “Heroes,” 2008
The latter arrangement was played.
11. Dad’s Room
Originally heard on: “Professional Dreamer,” 1999
12. Freedom at Midnight
Originally heard on: “Freedom at Midnight,” 1987
I kept waiting for “Moonlight Sonata,” but this wasn’t “The Schroeder Variations” version on “Earthglow.”
13. Q’s Motif
Originally heard on: “Conversation,” 2012
The tempo was slightly faster than the album version.
14 (Encore 1). Carmel (audience request)
Originally heard on: “Shaken Not Stirred,” 1994
15 (Encore 2). Linus and Lucy
Originally heard on: “This Side Up,” 1985; “Happy Anniversary, Charlie Brown!,” 1989; “Here’s To You, Charlie Brown: 50 Great Years!,” 2000
“Electric guitar” keyboard solo on “Diary of a Wimpy Kid”:
David H. and Jamey’s “Q’s Motif” call and response:
Acknowledging the crowd at the end of the set:
Me and David after the set:
Listening to David Benoit, whether on an album or in concert, is a heavenly experience for me. I’m into every note and every measure. I usually know what the song is without David telling the audience what it is. Last night wasn’t any different. Thanks to David B., David H., and Jamey for a thrilling set.
My experience at Day 2 of 2012 New York Comic Con October 15, 2012
Posted by Mike C. in Animation, Books, Comedy, Film, Internet, Jazz, Media, Music, News, Personal, Photography, Technology, Travel, TV, Video, Video Games, Weather.add a comment
Other New York Comic Con recaps: 2014 Day 1, 2017 Day 1, 2018 Day 1, 2019 Day 1, 2021 Day 1
Friday marked my first time at the annual New York Comic Con, held at the Jacob K. Javits Convention Center on 11th Avenue on Manhattan’s West Side. The Javits Center stretches from West 34th to 40th Streets, but the main entrance is at West 37th.
My day at the event was scheduled around the Teenage Mutant Ninja Turtles panel, which was to be held at 6:45 PM. Bored at home, I left the house just after 1:00, 90 minutes earlier than I planned. I walked to the Wantagh LIRR (Long Island Rail Road) station (a 20-minute walk), bought a round trip off peak ticket in a ground-level vending machine, and waited on the platform for the train to arrive. I saw one person in costume, which meant I wouldn’t be the only one bound for NYCC on the train. With the air temperature in the low 50s and a stiff breeze, I was dressed for winter: a winter coat and a long sleeve shirt, but no costume. As the joke goes, I went as myself.
After an hour-long train ride to Penn Station, I walked up to the street and had two slices of pizza at Famous Famiglia on 8th Avenue, one of many locations in New York alone. It was an appropriate lunch on the day of the TMNT panel.
After passing the Houndstooth Pub at the corner of 8th and West 37th Street, the site of many contemporary jazz shows I’ve attended, I crossed west and then north to walk on the north side of West 37th. There were groups of people ahead of me also heading to Javits. Part of the walk featured an overpass above Dyer Avenue, which leads into the Lincoln Tunnel. Once at the Javits Center, I walked in the green entrance.
Friday was the second day of four of the Con. A sold-out crowd packed the Javits Center, making the indoor temperature feel like close to 80. If only I had chosen a spring jacket and short sleeve shirt.
According to my camera, I took the first picture in this post at 3:18 PM, within 40 minutes of arriving at Penn Station. Let’s see those pics, shall we?
I expected to see press conducting interviews, like Bill Schulz and Jesse Watters did last year, but I only saw crews passing by with their equipment off (seen here after I left the Show Floor):
Taking the escalator to the Show Floor:
Leaving the Show Floor:
The next few pics are LEGO displays built by LUGs (LEGO Users Groups) in New York and Connecticut:
Quidditch:
I put the camera down for the next hour and a half to take in the sights and sounds, and grab an early dinner at the food court.
By the time I got to the conference room where the TMNT panel was, there was a line. I took this pic of the schedule board while waiting on that line, which went on to extend well past me:
As the wait continued, Peter Hastings, one of TMNT’s executive producers, walked by taking pictures of the line. I recognized him from a Talkin’ Toons with Rob Paulsen podcast back in May. As he passed near me, I asked him, “Are you Peter Hastings?” He said yes, then wondered as he shook my hand how I knew who he was. I told him it was from his body of work, and I cited Pinky and the Brain and TMNT; all I could think of offhand. I couldn’t tell if he was scared, shocked, or flattered that I knew of him. It reminded me of when I was at the will call booth at the old IMAC in Huntington before a Rippingtons concert in 2006. (You can see my pics with Jeff Kashiwa and Steve Reid here.) Musician Tom Huber was in line ahead of me and I recognized his name when he told it to the ticket taker. I told him I knew of him through his background vocals on two tracks from Steve Briody‘s (“BRY-dee”) “Keep On Talkin'” album. Tom’s response was, “Are you kidding?” In Peter’s case, he assured me the next day on Facebook that he was flattered. I thanked him for that.
NYCC staff opened the doors to the conference room just after 6:20. I managed to get an aisle a few rows in (behind a few reserved rows).
(After the above pic, I switched from my Nikon D3100 to a Panasonic Lumix DMC-FZ8 because I don’t yet have a long lens for the Nikon. I switched back after the panel.)
The panel began at 6:47 with the TMNT title sequence projected on screens and through theater-style speakers. The crowd erupted in cheers as Leonardo, Raphael, Michelangelo, and Donatello approached the dais.
Donnie, Raph, Mikey, Leo:
The panel was moderated by Ray Rahman, a writer for Entertainment Weekly and “somehow, the senior Ninja Turtles correspondent, which is a title I take as seriously as you guys do”:
Here is Ray’s pre-panel write up.
The panel consisted of executive producers Ciro Nieli…
and the aforementioned Peter Hastings:
The rest of the panel was four cast members: the voices of three of the four turtles and their sensei.
Sean Astin as Raphael:
The aforementioned Rob Paulsen as Donatello:
Rob was also Raphael in the original TMNT series that premiered 25 years ago. (Talkin’ Toons podcast live: original cast reunion)
Greg Cipes as Michelangelo:
…and Hoon Lee as Splinter:
Rob acknowledged that TMNT voice director Andrea (“ahn-DRAY-uh”) Romano was in the audience. She stood up and waved to everyone:
(That was the best image I could get. Sorry about the poor quality.)
Greg, Rob, and Sean reenacted a fight scene from the show while watching the scene on screen:
What they were reenacting:
Greg and Sean looked at the screen to their left (above) while Rob looked straight ahead at the reverse side of a second screen.
It ended with Donnie screaming in shock!:
What the scream looked like animated:
Ciro, Greg, and Rob watching the sneak previews:
As quickly as the panel began, it was over.
An hour flies when you’re having fun.
As the crowd left, a music video set to “Gangnam Style” by Psy played on the screens.
Meanwhile, Greg stuck around to greet fans and sign autographs:
Some of my pictures from the panel were vidcaps (or screencaps), pictures captured from my computer screen while playing video, which I then edited in Photoshop (cropping, adjusting color). My camerawork was iffy because I used a mini tripod and tended to shake. Neil Vitale did a much better job than me. Here’s his video:
Teenage Mutant Ninja Turtles airs Saturday mornings at 11:00 Eastern on Nickelodeon.
About ten minutes after the leaving the conference room…
…I was out of the Javits Center.
Fifteen minutes later, I made it back to Penn Station’s LIRR terminal. On the train ride back, I sat next to two people that also attended NYCC. One of them came with a group of anime fans and she was dressed as a character. But I don’t remember which one.
I arrived home at 9:45. It was quite an 8 1/2 hour adventure, one that I won’t soon forget.
We leave you with a picture of the ticket holder I wore and badge that it held:
10/16 UPDATE: Meredith Blake of the Los Angeles Times wrote on Friday about how New York Comic Con is catching up with the bigger Comic-Con (note the hyphen) International in San Diego.
10/19 UPDATE: Andy Levy of Red Eye with Greg Gutfeld was on the Show Floor last Friday when I wasn’t. Click here to see his report.
Castle Magic, Special EFX at Long Beach Jazz Festival 2012 September 23, 2012
Posted by Mike C. in Education, Internet, Jazz, Media, Music, Personal, Photography, Travel.add a comment
This year, the Long Beach Jazz Festival celebrated its tenth year in existence. Of the ten festivals, I’ve been to half of them, all but once at the Long Beach Public Library. The first three times were to see the Dharma All Stars, drummer John Favicchia‘s band. You can see post-set pictures from those first two shows here and a recap of the third here (featuring a set by Alan Bates before them).
My fourth trip came last year, after a three-year absence, to see Chieli Minucci & Special EFX at the Library. (Chieli had also played guitar for Dharma All Stars.) I was unable to get a good seat because I arrived a short time before their set. I refused to make the same mistake this year.
Before I get to pictures from the two sets I saw on Friday, here’s how I got to Long Beach:
In 2008, I took the LIRR (Long Island Rail Road) to Rockville Centre and hoped to meet a friend there for a ride down to Long Beach. Traffic delays held her back and I ended up walking through RVC, Oceanside, Island Park, and across the Long Beach Bridge before meeting her at the bridge-side McDonald’s. It was a five-mile trek, but one that gave me a nice tan and plenty of exercise.
The plan on Friday was to take two trains to Long Beach. The first leg took me from west on the Babylon Branch from Wantagh to Lynbrook. At Lynbrook, I walked down the stairs from one platform to another and waited for the Long Beach-bound train. This was my first ride on the Long Beach Branch. One day in February, I researched the railcar models the MTA uses for LIRR trains, specifically the M7. After finding out about that, I looked for YouTube videos of the M7 in action. One of those videos was this one on the Long Beach Branch (but only as far as Island Park):
Until Island Park, I sat on the opposite side of the YouTube user that posted the above video. I brought along my Nikon D3100 again for the Festival, but took some test pictures on the train ride:
The Long Beach Bridge:
I was in Long Beach with time to spare and got to the Long Beach Public Library shortly before the doors were opened to the performance room.
Before Special EFX, the audience was treated to Castle Magic, an upright bass trio, something I hadn’t seen before.
The trio was led by Santi Debriano:
with Harvie S.:
Call and response between Santi and Harvie:
Guitarist Steve Adelson, the founder and organizer of the Long Beach Jazz Festival, joined in on the last song:
Steve played the Chapman Stick:
Now, I know what an upright bass trio sounds like. Santi, Harvie, and Essiet were fantastic; as was Steve at the end.
Next up was Chieli Minucci & Special EFX, introduced by Steve Adelson, before he left for a set with his Stick-tet across the street at Lola’s Kitchen:
Chieli played electric guitar:
Jay Rowe on the keyboards:
Jerry Brooks on electric bass:
and Lionel Cordew on drums:
SET LIST
1. Courageous Cats
Originally heard on: “Jewels,” 1995 (Chieli solo album)
2. Bodybeat
Originally heard on: “Body Language,” 1995
3. Greenway North
Originally heard on: “Modern Manners,” 1985
4. Cause We’ve Ended As Lovers
Originally heard on: “Renaissance,” 1996 (Chieli solo album)
5. Mirage
From an album that will be released in 2013
6. Rush Hour (Chieli/Jerry duet)
Originally heard on: “Sweet Surrender,” 2007
7. The Night is Ours
Originally heard on: “Without You,” 2010
Here are sets of pictures from the set, starting with Chieli:
Jay’s solo pics from “Courageous Cats” and “Bodybeat”:
Jerry’s solo pics from “Bodybeat” and “Cause We’ve Ended As Lovers”:
Lionel’s “Bodybeat” drum solo:
Chieli asked for some water music from Jay to lead off “Greenway North”:
The “Rush Hour” duet:
The last note of the set:
It was an exhilarating set, as always; the perfect capper to an adventurous Friday that began in the late afternoon and concluded in the middle in the evening.
Here’s to ten more years of the Long Beach Jazz Festival!
MikeChimeri.com 
2012 in review December 30, 2012
Posted by Mike C. in Commentary, Internet, Jazz, Media, Music, News, Personal, Photography, Travel, Weather.add a comment
The following is an excerpt of an end-of-year post WordPress created for MikeChimeri.com. Scroll down for my editorial.
The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog.
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Click here to see the complete report.
This site began in 2012 as The Mike Chimeri Blog, but in May, I did something I should have done four years earlier: combine my blog and my original website that I created through Yahoo Sitebuilder. After two weeks of uploading files and recreating pages, the new MikeChimeri.com was born.
2012 was the year I switched to a DSLR (digital single-lens reflex) camera, a Nikon D3100, improving the quality of the pictures you see in my posts. The first two posts featuring pics shot with the D3100 were Scenery Pictures in late June and the Brian Simpson recap in early September. The Matt Marshak recap from mid-November was the first post where all pics were shot with it. Despite the switch, I plan to hold on to my Panasonic Lumix DMC-FZ8 as a backup. In fact, my last regular post of the year, pics taken westbound on the Belt Parkway, was all shot on the Lumix.
Unfortunately, 2012 was the third year in a row where a major storm hit Long Island, knocked out my power for more than a day, and left me to relocate until power was restored. This time, Sandy was the culprit.
Whatever comes my way in 2013, there’s a good chance I’ll post about it here. Have a happy and healthy 2013, everyone.