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2024 Long Island Retro Gaming Expo recap: conclusion and pickups August 21, 2024

Posted by Mike C. in Aviation, Books, Education, History, Internet, Personal, Photography, Technology, Travel.
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If you haven’t seen them yet, read the first post here and second post here.

CONCLUSION
I mingled for a bit after in the guest table area after Leonard Herman‘s panel, then returned to the vendor marketplace for more games to buy. I texted my mom to come pick me up, said my goodbyes, and exited the Cradle of Aviation Museum:

When I got home I took photos of my weekend badge…:

…and pickups, starting with merchandise:

I built up a $400 budget for merchandise, games, and maybe even consoles or accessories. I also brought two games I was unable to sell on eBay in the hopes of selling them to a vendor in the marketplace. I only got $10 for Knowledge is Power (PlayStation 4) and Marvel’s Spider-Man: Miles Morales Ultimate Edition (PS5), but I was just glad to get rid of them. After struggling with games like the PS4 port of Celeste and (in my debut stream) the Xbox One port of Dark Souls: Remastered, it seemed pointless to keep games in my collection that I was terrible at or had no desire to play. (The Spider-Man games fell into the latter category.) So, my budget became $410.

I spent $105 on merchandise, with all but the My Life in Gaming t-shirt purchased Saturday. (I brought the M2: Complete Works Blu-ray for Coury and Try to sign after buying from them last February.)

That left $305 for games. I went to an ATM for an extra $40 (plus a $4 surcharge). Combined with a $5 bill from my wallet, I went $45 over budget. I’ve done worse in prior years, so I consider that a victory.

I successfully haggled with each vendor, saving me at least $50.

I bought a whopping 16 games for the Nintendo Entertainment System:

I finally bought individual carts for Super Mario Bros. and Duck Hunt, on the combo cart that came with my Zapper Set in February 1990, and I bought the triple combo cart for the Power Pad Set.

The games in alphabetical order, with purchase day in italicized parentheses:

Six of the NES games have appeared in Angry Video Game Nerd episodes, and seven appeared in Pat the NES Punk episodes. The Black Box releases were all in one episode.

Like last year, I bought two Super Nintendo games, both on Saturday.

Three for Sega Genesis:

One game per day for PlayStation:

Now, the only mainline Tekken games I don’t have are 2 and 8, and I still need the original Gran Turismo and 5.

My lone Wii U game was Sonic Boom: Rise of Lyric.

This wasn’t the end of buying, though. I passed up on To the Earth and Where in Time Is Carmen Sandiego? for NES (the latter game had a cracked a shell). When I bought the triple combo NES cart and World Class Track Meet from one vendor, she offered the Power Pad. Just as I was about to buy, a young man behind me lamented that he wanted it. So, I graciously declined and let him buy it. And I couldn’t find a copy of Ridge Racer 6. I rectified all of that on eBay in the days after LI Retro.

Wednesday, August 14, I bought To the Earth and Where in Time…?, I snagged a Power Pad on Thursday, August 15, and bought Ridge Racer 6 on Saturday, August 17. As of publication, I only have the Power Pad and To the Earth, which I photographed Monday, August 19 (updated at 4:05 PM August 21 with Ridge Racer 6 and on August 24 with Where in Time…?):

Thank you for taking another photographic journey through the 2024 Long Island Retro Gaming Expo. Until next year, you can catch me on Twitch. Maybe I’ll be playing a game I picked up this year.

2024 Long Island Retro Gaming expo recap: touring the expo August 21, 2024

Posted by Mike C. in Aviation, Computer, History, Personal, Photography, Technology, Travel, TV, Video, Video Games, Weather.
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If you haven’t viewed the first recap post yet, click here. Skip ahead to the third recap here.

The vendor marketplace photos were taken both days while the exhibits were all taken Sunday.

Let the tour begin.

FIRST FLOOR
Walking in:

Vendor Marketplace:

EON Gaming:

First floor artwork:

First floor signs:

Hangar Arcade:

PC Freeplay:

Console Freeplay:

Dreamcast Indie Section:

PokéLab:

The Hall of Oddities:

Vintage ads:

WeatherSTAR 4000 simulations:

Returning to civilization after nearly getting lost on the first floor:

SECOND FLOOR
I briefly caught up with LI Retro staff member George Portugal while walking this floor.

High Score Challenge

Indie/Homebrew Showcase

Gaming Console Timeline

The Arcade Age Exhibit

Other things on the second floor:

A view from the stairs to the third floor:

THIRD FLOOR
25 Years of the Sega Dreamcast

That’s the end of the tour. All that remains is the third recap post with a conclusion and pickups photos, including what I picked up after LI Retro.

2024 Long Island Retro Gaming Expo: introduction, guests, mishaps, panels August 21, 2024

Posted by Mike C. in Audio, Aviation, Books, Computer, Education, Game Shows, History, Internet, Media, Personal, Photography, Podcast, Radio, Technology, Travel, Video, Video Games.
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Feel free to skip ahead to the second post (touring the expo) or third post (conclusion and pickups).

INTRODUCTION
2024 was my sixth year at Long Island Retro Gaming Expo, held in the Cradle of Aviation Museum, on the right end of Museum Row in East Garden City. This was also the first year that Flagstar bank had naming rights. That’s evident in the first photo below, taken as my mom pulled off Charles Lindbergh Boulevard at 9:45 AM on Saturday, August 10.

LI Retro, the expo’s shorthand, launched Friday, August 9, at 4PM, but since the expansion to three days (or 2 1/2) in 2022, I’ve forgone the Friday leg.

Tickets went on sale all the way back at the end of December and I was quick to secure my weekend badge, even though it would be months before attendees even knew who the guests would be.

Once announced, Long Island Retro Gaming Expo’s 2024 guest list was a mix of mainstays, newcomers, and returnees. Naturally, author/publisher Leonard Herman, Mark Baer (middle child of videogame pioneer Ralph Baer), Frank Cifaldi (Video Game History Foundation) and Jeremy Parish (Retronauts, Limited Run Games) would be there. G Gracin (G to the Next Level) returned for the second year in a row, this time with Greg Sewart (Generation 16). Pat Contri and Ian Ferguson were back for their fourth consecutive LI Retro. (There was a gap between their first and second years due to COVID postponements in 2020 and ’21.) The Immortal John Hancock was back for the first time since 2018. (I met Lenny Herman through the panel he and John co-hosted that year.) And it was the second appearance of Coury Carlson and Marc “Try4ce (‘triforce‘)” Duddleson of My Life in Gaming, having first appeared in 2019.

If you remember my disappointment last year when spotting Clint Basinger (LGR) walking through the vendor marketplace after the expo while editing photos, I was pleased to see he was a guest this year!

Two other notable guests were Warren Davis, the creator of Q*Bert “and other classic video arcade games” (as his book title notes), and legendary Nintendo marketer Gail Tilden. I was not able to attend Warren’s Saturday evening panel, though I met him at his table in the morning as you’ll see in that portion of this post. Gail had a free-form panel on Saturday evening and an interview panel on Sunday, the latter of which I attended.

Ahead of Saturday morning, I packed a printout of my badge retrieval code, my Canon EOS R7 with RF-S 18-150mm lens and Speedlite 430EX II, TASCAM DR-05X, and stenographer pad with pen. (I never used those last two.) I was anxious that my compulsive nature would lead to as many photos as last year. The bad news is I was right. The good news is the total over three cameras (you’ll read the why of that quantity later in the post) was 697 photos. This time, however, 617 were chosen to spread out over three blog posts, not counting scans or photos taken after Sunday.

Since last year’s Long Island Retro Gaming Expo, I have begun streaming on Twitch at least four days a week. Gaming is the channel’s main focus with occasional “media production” streams where I work on radio shows or edit photos from events like this. I spent a whole week editing photos in April after returning from Smooth Jazz for Scholars. While the initial plan was to do the expo photo editing off stream and go on hiatus until I was finished, I opted instead for occasional streams to report on my editing progress and show all games and merchandise I picked up. Thanks to a quicker editing process, only two of those streams were required before returning to gaming. The first stream – Wednesday, August 14 – dovetailed into saving smaller versions of watermarked photos (“© Mike Chimeri” on the lower left) edited that day. And with only 96 photos left to edit going into Saturday, August 17, that became the sole photo editing stream.

ARRIVING AT THE MUSEUM
Several paragraphs ago, I said I arrived at the Flagstar Cradle of Aviation Museum at 9:45 AM Saturday. After my mom dropped me off in the parking lot to the left of the roundabout, I took an establishing shot of the museum, unaware that my folded badge code printout was visible in the bottom left. So, I took another shot Sunday morning:

The photos in this gallery are from Saturday.

On the way to the guest table area, I ran into Timothy (a.k.a. Sho), a fellow My Life in Gaming fan. We met in person in 2019 and I had to get a selfie this time:

GUEST TABLE PHOTOS

Entering the guest area, with additional vendors on the opposite side, whom you’ll see in the second post; Panel Room 2 is out of view to the right

Photos in this section were taken Saturday and Sunday. You can tell which day by what we’re wearing.

Warren Davis
Warren and I didn’t talk much – so, no magic tricks – but I introduced myself and gladly bought a copy of Creating Q*bert for him to sign. I told him on Sunday that I bought a copy of Q*bert’s NES port in his honor. He thanked me for that. (More on pickups in the third post.)

Clint Basinger (LGR)
It was honor to meet Clint in person. As I told him, I’ve been a fan of LGR for years, and that we both have the distinction of reading quotes in Gaming Historian videos. (I was in The Story of Link’s Awakening, per a blog post.) We commiserated over Norman Caruso’s April announcement that he was stepping back from pursuing his YouTube channel full time (but not retiring). (Norm went out in style with his magnum opus, The Story of The Oregon Trail, a video years in the making.) I told Clint that I unknowingly photographed him last year and thought about printing a copy for him to sign, but opted not to.

8/23 UPDATE: Today, that future video became a present video.

The LI Retro portion begins around the 10:20 mark and the selfie compilation includes me, Coury Carlson, Adam Koralik (more on him in the John Hancock segment), and Frank Cifaldi.
A screenshot of our selfie

Thinking Clint would be at the expo on Sunday, as well, I brought my PlayStation 3 copy of Duke Nukem Forever to sign. Alas, he had left after Saturday.

A recent LGR video made me think of my psychologist of 27 years, known to patients like me as Brad. In the mid ’90s, Brad had an Acer Aspire. If I remember correctly, it was the same color as Clint’s. (Brad retired in 2018 and I’ve had another therapist since 2019.)

9/6 UPDATE: Clint went into greater detail about LI Retro in the vlog below.

The Immortal John Hancock
I reacquainted myself with John on Saturday – fresh from Retrocon in São Paulo, Brazil! (John’s Retrocon vlog) – and proudly bought the Genesis port of his original game, Block ‘Em Sock ‘Em, seen in the second photo.

Check out John’s LI Retro vlog. He saw exhibits that I missed, and thus won’t be seen in my second post.

Give Adam Koralik a look, too.

Pat Contri and Ian Ferguson
I was not a fan of either Pat or Ian prior to their LI Retro debut in 2019, but I got to know Ian and his wife Vani at their Luna Video Games table, placed between the My Life in Gaming table and Pat’s table. I worked up the courage to meet Pat, buy Ultimate Nintendo: Guide to the NES Library and all DVD volumes of early episodes of Pat the NES Punk. That led to an interest in Flea Market Madness and The Video Game Years, and The CU (Completely Unnecessary Podcast). I was even hyped for Pat’s next Ultimate Nintendo: Guide to the SNES Library. I wrote reviews for both guides after reading them later in 2019 (NES, SNES).

So, of course, I was thrilled to see them again this year, and ask a question for the third year in a row at their panel/podcast recording.

9/2 UPDATE: The latest Flea Market Madness video is embedded below photos of the CU Podcast panel.

G Gracin and Greg Sewart didn’t have a table, but did have a Saturday panel. (Check the “Panels” section of this post for photos.) I posed with them in this photo on Sunday.

I also got the Sonic selfie treatment, in digital form…

…and in thermal print form. I scanned that (left) and used Photoshop’s photo restoration filter to limit the vertical banding (right).

G posted a few YouTube Shorts at LI Retro:

[The first short was removed in 2025.]

There really is so much to see at Long Island Retro Gaming Expo. John Hancock and G saw things that I missed.

I really liked Greg Sewart’s Ridge Racer series retrospective:

I’ve had Ridge Racer 7 since I bought a slim PS3 back in 2018. The video made me seek out Ridge Racer 6 for Xbox 360 when scouring the marketplace at the end of each day.

Since you saw Daniel and Alex Greenberg (Winterion Game Studios) in Pat and Ian’s photo gallery, here is a photo Alex took of Daniel and me after Pat’s CU Podcast Live panel.

Let’s skip ahead one table to the My Life in Gaming duo of Coury Carlson and Mark “Try4ce” Duddleson:

I spent a lot of down time at the MLiG and Leonard Herman tables (see below). Coury and I talked about photography, while Try and I talked about Backloggery‘s recent 17th anniversary celebration, my multiple raids to the Backloggery Twitch channel, and how I rightly kept dejitter off on my Analogue Nt Mini Noir. Try neglected to do that in the MLiG review of the console back in 2020. (Source: Comment to Analogue Reddit post.) Having dejitter off allowed me to connect my Monoprice VGA-to-composite/S-Video adapter, run a composite cable to my sister’s old Durabrand DWT1304 CRT TV (a Funai-manufactured TV sold by Walmart), and play NES Zapper games in my last two Twitch streams before LI Retro.

9/2 UPDATE: Coury and Try ended August with a new My Life in Gaming video: the second in their Multi-Games Compilations series. It’s worth watching for Try’s LI Retro t-shirt alone.

Leonard Herman

We round out this segment with the Father of Videogame History, Leonard Herman, joined by Patrick Wong and Mark Baer (middle child of videogame pioneer Ralph Baer).

I spelled video game as one word because that’s how Ralph Baer spelled it and how Lenny spells it.

Leaving the guest tables behind, it’s panel time!

PANELS

Saturday Panel 1, 11AM-12PM
Panel Room 2
Mark Baer and Leonard Herman
Ralph Baer: His Creative Life in Electronic, Videogames and More

This strayed close to the 2023 presentation, which was the last panel I attended. So, I changed my photographic approach. Before the photos, here are the videos shown during the panel:

Despite the German title, the video is in English.

Before the other panels, a diversion.

Mishaps

It was in between the Ralph Baer panel and the CU Podcast panel that I accidentally knocked my camera off a food court table, breaking my Canon EOS R7’s RF-S 18-150mm lens. The ring attachment stayed on, but the rest of the lens broke off.

It was irrecoverable. The only solution was to buy a replacement lens once I got home, and with a 5-year lens accident warranty. I’m covered if history repeats itself, God forbid.

The lens and UV filter arrived Wednesday morning and a test photo was successful.

I took the rest of Saturday’s photos on my iPhone 13 Pro. Then, Sunday, I shot in RAW for the first time on my Nikon D5500 with a Nikkor 18-300mm lens.

Unfortunately, Sunday had another problem. Patrick Wong from Leonard Herman’s table prepped to take a photo of me with Pat Contri and Ian Ferguson. Ian sprained his ankle and was only at LI Retro that day. After I took the photo of Pat and Ian together, I foolishly chose to take a photo with them to the right of Pat’s table. Ian’s cup of coffee was perched on the right end of that table. As I turned to get into position for the photo, Ian warned “watch the backpack!” The warning was in vein. My bulky backpack knocked the cup over and it spilled on the upper right end of the table. The photo op was aborted, paper towels were summoned, and adjacent merchandise was checked for damage. As all that happened, I felt tremendous guilt and shame. I thought I’d become persona non grata to both of them, and God forbid, would be sued. Thankfully, none of that was true. No merch was damaged, the spill was quickly disposed of, and Pat used hand sanitizer to further clean the affected area. Then, we retreated to a safe spot away from the table for our photo op. Pat and Ian were all smiles in the photo while I was too drained to fully smile. They both assured me everything was fine and not to worry. That’s when I headed to the main theatre for the Gail Force panel.

After that panel, LI Retro staff member Ryan Shapiro gifted me with an expo backpack that contained a pin, sticker, 2024 program, and Asteroids-themed t-shirt. I’ll save the contents photo for the third post, but I’ll show the backpack here, too.

Thank you very much, Ryan.

Now, back to Saturday’s panels.

Saturday, 12:30-1:30 PM
Main Theatre
Pat Contri with Frank Cifaldi (filling in for Ian Ferguson)
CU Podcast Live!

The topic was the sudden end to GameStop’s Game Informer magazine, and the bizarre public relations statement accompanying its demise. (Reactions were compiled in this Resetera thread.)

When the theatre was opened to Q&A, only one person had an Amico-related question. Mine focused on Pat’s Wednesday Twitch streams:

Aside from the podcasts, you’re also on Twitch every Wednesday, watching retro commercials. How did you- What made you decide to go that route instead of streaming games?

Pat responded that it spun off from his NES Charity Marathon (origin of the “Buh-lack Box!” catchphrase), and that he felt relaxed and nostalgic watching things from the past. The TV commercials or promos allow him to recall moments from his past. That led to a discussion about the significance of preserving these moments in the same way video game media is preserved. I chimed in with radio airchecks as an example, but I might not have been heard.

As of publication, the podcast is not up in audio or segmented video form. There is, however, Flea Market Madness Volume 49, recorded on Father’s Day (June 16). It features the other Frank, as seen in the thumbnail.

3:51 PM UPDATE: There is audio of the Game Informer discussion, but not the Q&A, starting at the 1:17:25 mark of the latest podcast.

10/28 UPDATE: Video of Pat and Frank’s discussion went up six days after this post was published (August 27).

Saturday, 2PM-3PM
Panel Room 2
G Gracin and Greg Sewart
Growing Up Sega: A Trip Down Sega’s Console Timeline

After browsing and buying from the vendor marketplace, I went home.

I returned a little closer to 10AM on Sunday morning. I still had to wait in line for a bag check; I didn’t mind that.

In lieu of a panel I had in mind at 11AM, I re-photographed areas that were blurry on Saturday, took photos of vendors I missed on Saturday, then toured the exhibits on all three floors. Look for those in the second post.

Sunday, 12:30-1:30 PM
Main Theatre
Gail Tilden, interviewed by Jeremy Parish (Retronauts, Limited Run Games) and Lucas Thomas (Nintendo Force magazine founder)
Gail Force: An Intimate Interview with a Nintendo Legend

The interview initially covered Gail’s involvement in the Nintendo Entertaintment System’s North American launch, beginning in the New York Metro Area in October 1985. Among the locations chosen to carry the NES were Green Acres Mall in Valley Stream. At some events, attendees could play Baseball against either New York Mets pitcher Ron Darling or center fielder Mookie Wilson.

Then, the topic switched to her tenure with Nintendo Power magazine. Lucas asked the audience to give a “whoo!” when their first issue was displayed on the projection screen above them.

Watch the video to see if I misremembered anything. Then, see the photos that I kept bending over to take.

Listen for me at the 7:03 mark.

Then, it was quickly off to Panel Room 2 for my last panel of the weekend.

Sunday, 2PM-3PM
Panel Room 2
Leonard Herman
The History of the History of Videogames

This was the place to be: a celebration of a man who blazed the trail for videogame history. 2024 marks the 30th anniversary of the original Phoenix: The Fall and Rise of Videogames.

Ahra wanted a photo with Lenny beforehand:

Then came a prologue from John Hancock:

Well said, John.

The stage is yours, Leonard.

Upon closing, Lenny opened the floor to Q&A:

The funniest question and answer came via Mark Baer:

LENNY: Yes, sir.
MARK: Do you have a favorite historical figure in videogame history, by any chance?
LENNY: Yeah. Nolan Bushnell.
[audience laughs]
If anyone doesn’t know, that’s Ralph Baer’s son. That’s his son, Mark. He’s a troublemaker.
MARK: You could answer honestly.

After a few more questions, the panel ended with a round of applause.

I had to get a photo of Leonard Herman, Frank Cifaldi, and John Hancock:

Ian Ferguson dropped by after the panel to say hello:

That is the end of post one. Head to post two for a tour of the marketplace and exhibits. Post three features a conclusion, pickups photos, and a postscript with post-expo pickups.

2023 WCWP Hall of Fame Ceremony, tour of renovated Abrams Communications Center June 6, 2024

Posted by Mike C. in Audio, Baseball, Basketball, Comedy, Education, History, Internet, Media, Music, News, Personal, Photography, Politics, Radio, Rock, Sports, Technology, TV, Video.
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Other Hall of Fame ceremony recaps: 2012, 2013, 2014, 2015, 2017, 2018, 2019, 2020-21, 2022

7/17 UPDATE: A formatting error with this blog post unbeknownst to me until this morning has been resolved.

On Saturday, June 1, 2024, the WCWP Hall of Fame’s 2023 class was inducted in a ceremony at LIU Post‘s Alumni Hall.

This time, there were three inductees (listed in order of introduction):

  • Joel Feltman, 1974
  • Phil Lebowitz, 1974
  • Mike Maimone, 1981

(In full disclosure, I once again served on the Hall of Fame Committee.)

I was under no stress coming into Saturday’s ceremony. I owe that to a lack of weekly radio shows to record in advance and my hiatus from Twitch streaming (I return this Sunday).

WCWP station manager Pete Bellotti contacted me three weeks beforehand to confirm if I would be shooting photos and video. For the first time since 2019, I would handle all of that, not supplementing the station’s video as for the 2020-21 and ’22 ceremonies. The only video I needed was of Phil Lebowitz’s prerecorded acceptance speech. (Joel Feltman and Mike Maimone would be present.)

I have three cameras capable of shooting 4K video at 60 FPS (frames per second): a Panasonic HC-X1500 camcorder, a GoPro HERO7 (with YOLOtek Juicebank for extra battery life), and a Canon EOS R7. The R7 replaced my Nikon D5500 as my exclusive photo camera. Needing the R7 for video meant going back to the D5500 for the first time since after Homecoming Weekend in 2022. (Click here to read about my early days with the R7.) For audio to sync with the video, I would use a TASCAM DR-05X audio recorder connected to the podium mixer via 3.5mm cable.

On the afternoon of Friday, May 31, students and alumni, myself included, were shocked by the news that Long Island University had dismissed Pete Bellotti as WCWP station manager. Fears were allayed by evening when Dan Cox, who otherwise would M.C. Saturday’s ceremony, came out of retirement to return as station manager.

Dan briefly addressed the situation in his opening remarks:

For those of you who may not know me, my name is Dan Cox, and I am the Director of Broadcasting at WCWP Radio. Unfortunately, that appointment came less than 24 hours ago. (applause) Unfortunately, the university parted ways with Pete [Bellotti]. Pete was one of my students. He is a good friend, and I wish him well. I think he did an outstanding job during a very difficult time over the last two years, with the renovation and everything that was happening. So, I won’t belabor that point. But I will say, for those of you in the room who probably stretch back as far as the 1960s through the 2000s, there’s never a dull moment at WCWP, is there? So, let’s not make this a dull moment by me talking too much. What I’d like to do right now is to bring up my good friend Jeff Kroll, who’s gonna induct our first inductee [Joel Feltman].

I’m choosing to save the journal portion (i.e. when I arrived, further technical details) for the end of this post before video of the ceremony and renovated station tour.

As Dan said, 2015 inductee Jeff Kroll presented Joel Feltman for induction:

Joel’s acceptance speech, with Jeff present to his right (out of view), dovetailed somewhat into discussion of the next inductee.

But first, Joel and Jeff posed for a photo:

The second inductee, also presented by Jeff Kroll, was Phil Lebowitz, Joel Feltman’s fellow 1974 alumnus.

Phil could not make the ceremony, but he did record an acceptance speech from his home in Surprise, Arizona.

After the video was shown, Jeff Kroll showed off his WCWP press card and shared how Phil’s “gift of gab” allowed the two of them access to a Philadelphia 76ers home game against the Milwaukee Bucks. (They were in Philly to cover a C.W. Post Pioneers football road game against Drexel University.)

Jeff then posed with Phil’s plaque:

Before the third inductee, Dan Cox acknowledged the informal ribbon cutting earlier in the week for the renovated Abrams Communications Center, attended by Marjorie Abrams Hyman and fellow descendants of Benjamin Abrams.

Then, Dan introduced Tim Ernandes to present Mike Maimone.

Tim was a laugh riot, chock full of impressions and stories of from his and Mike’s days working on WCWP comedy series Post Serial, a pun on the university’s Post Cereal roots.

Tim stayed at the podium for repartee during Mike’s acceptance speech.

A photo with the plaque:

After closing remarks from Dan Cox, the 2023 WCWP Hall of Fame Ceremony was complete. There was a bit of business to tend to before we all made the trek to the Abrams Communications Center.

First, a photo of inductees Joel Feltman and Mike Maimone with presenters Jeff Kroll and Tim Ernandes:

Joel alone with his plaque
Mike alone with his plaque
2023 inductee Joel Feltman flanked by the Krolls, Jeff (2015 inductee) and Pat (2018 inductee)
Tim Ernandes, Dan Reagan, Mike Maimone

It was Dan who said in his 2022 induction speech (in ’23) that Mike deserved a spot in the Hall of Fame, and he rightfully earned that spot this year.

A candid shot before departing:

Joel Feltman and his wife Michelle offered to drive me down to the Abrams Communications Center. Cars were the only feasible option since Hillwood Commons was itself closed for renovations. If I were to walk from Alumni Hall, I’d have to go around Hillwood.

We parked in the lot, I took out my equipment, and put it all down in the lobby. I shot continuous video (except for a part I couldn’t record) and a dozen photos inside and out. You’ll see the video later, but here are the photos:

The highlight of the tour was an impromptu speech from (and discussion with) station manager Dan Cox in studio 3:

I took a selfie when not video recording so I could extract the GPS coordinates for use in the D5500 photos. The R7 geotags photos automatically if paired with the CameraConnect app. I got the GPS for Alumni Hall from last year’s photos, but needed coordinates for the station.

Before I left for home, Dan took a photo of me with Mike Maimone.

Two Hall of Fame Mikes

Now, the journal portion:

My dad Bill dropped me off at Alumni Hall at around 12:30, if not 12:40. (Surprisingly, I don’t remember the exact time.) Last Sunday, I bought an Amazon Basics 60″ tripod for use with the R7 in addition to the tripods I already had for the GoPro and HC-X1500. As you’ll see in the video at the end of this post, I had to tweak the R7’s color balance, along with brightness and contrast. The HC-X1500 video quality is untouched. The GoPro footage didn’t make the final video as the best shots came from the other two sources. Working from my knowledge of Twitch overlays, I made special overlays for the video:

The R7 video experiment yielded mixed results. I got a lot to work with, but I had to stop recording 55 minutes in to change batteries. After eight minutes on the new battery, the camera stopped recording due to overheating. Once it cooled down, I resumed, only for the SD card in slot 1 to reach capacity. I had to manually change to slot 2 for the last six minutes. Clearly, another camcorder is the only way to go in the future. From Saturday afternoon through Tuesday night, I considered my options: another Panasonic HC-X1500 without VW-HU1 and Rode VideoMic GO II attached or, staying in the Canon family, the Canon VIXIA HF G70. It’s cheaper than the HC-X1500, but goes no higher than 30 FPS in 4K. It was a sacrifice I was willing to make, springing for an open box eBay listing on Tuesday night. So, if secondary camera cutaways look cinematic at future events (i.e. Homecoming Weekend), you’ll know why. (6/14 UPDATE: I was dissatisfied with the G70 and am selling it. I’ll just get another HC-X1500 after it sells.)

One last thing: the podium audio was blown out, and I did my best to fix that in Adobe Audition, along with using the click/pop eliminator where necessary.

So, then, here is the finished ceremony/station tour video. Enjoy.

Congratulations to Joel Feltman, Phil Lebowitz, and Mike Maimone. We reconvene in 2025 to induct the 2024 WCWP Hall of Fame class.

Special thanks to 2014 inductee Ted David for curating the photos and for advice on further edits.


My Twitch setup December 7, 2023

Posted by Mike C. in Audio, Computer, Internet, Livestream, Personal, Technology, Video.
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RELATED: “Back after this” music cue mixes

Updated 10/15 and 12/31/24, 1/10, 5/8, 7/16, 7/20, 7/23, and 11/30/25, 1/9, 1/18, 2/4, 3/30, 7/22, 8/15, and 8/19/26 with setup changes

My setup as of 2/4/26

In case you’re wondering, this is the gear that goes into my Twitch streams (UPDATED 10/15 and 12/31/24, 1/10, 5/8, 7/16, 7/20, and 8/20/25, 1/9, 1/18, 2/4, 3/30, 7/22, 8/15, and 8/19/26):

The webcams, mixer, and Stream Deck are connected to an Anker 4-port USB 3.0 hub. (The lavalier mic is connected directly to the PC mic jack because the mixer can’t draw enough power.) For games that require standing, like Wii Sports Resort, I use the hutch-mounted Brio in a dedicated OBS scene:

A closer look at the Kaotica 7b, Shure SM7dB, Boseen extension tube, and Rode PSA1+:

I gave up on my PC build in December 2024 and switched to a Dell Alienware Aurora R16. Here are the relevant specs for that:

  • CPU: Intel Core i9 14900F (2 4-Core, 68MB Total Cache, 2.0GHz to 5.8 GHz with Turbo Boost Max 3.0)
  • Motherboard: Alienware 0RF96M
  • Memory: 64GB (2x32GB), DDR5, 5200MT/s
  • GPU: NVIDIA GeForce RTX 4080 SUPER 16GB GDDR6X
  • Operating System: Microsoft Windows 11 Pro

Overlay backgrounds were made in Adobe Photoshop. Below are six examples (updated 7/16/25; I dropped “…on Twitch” branding in March 2025):

The webcam video is accordingly cropped in OBS for just chatting (background 2) and gameplay/media production (backgrounds 3 and 4; plus a Firefox background I didn’t include here). Game capture (and prerecorded gameplay videos), Adobe Audition, Word, display capture, and other programs are scaled down to fit their box and Firefox is cropped. StreamElements and Twitch overlays, widgets, and alerts are placed in different spots depending on the background. Additional text is added in OBS where necessary (i.e. prerecorded gameplay disclaimer, notable commands [in place of followers goal widget], milestone stream banners). Chat emote animation is full screen and lasts for ten seconds. Sound commands also require an overlay to be heard. Alerts were initially handled entirely by SE, but moved to Twitch in March 2024. The SE donation alert was reinstated during my 300th stream on 2/26/25, until it was replaced with ko-fi on 5/15/26.

I used Elgato 4K Capture Utility (available for download here) to play in real time on the right monitor until relying solely on OBS. I create a windowed projector and enlarge it on my right monitor where it’s placed in front of Google Chrome where I use the Twitch Stream Manager webpage. (I only have the window fill the screen if game text is unreadable.) To avoid sync issues, a separate element was made for 4K X audio (more on that two paragraphs below). Desktop audio is advanced by around 400ms (-400ms), also to avoid sync issues, although that is not utilized as often thanks to OBS’s “capture audio” option for window capture elements.

The Elgato 4K X only allows access to one app at a time. So, I initially used the NDI 6 Runtime plugin for OBS and click “Enable Stream Pair” in 4K Capture Utility. It was seen and heard as an “NDI Source” – that I named “Elgato 4K X” – in all gameplay-related scenes. I’m forced to use external devices on my Alienware Aurora R16 because the RTX 4080 SUPER graphics card blocks the remaining PCIE slots. As noted in the previous paragraph, I eventually abandoned this practice and relied solely on OBS, only using 4K Capture Utility to play games off stream if I don’t intend on recording. (11/21/25 NOTE: I now use the plugin for Dancing with the Stars watchalong streams, such as the one for season 34‘s fifth week on October 14 and the finale on November 25.)

While using the AVerMedia Live Gamer Ultra 2.1 from 12/31/24 to 1/6/25, I noticed a gradual audio desync problem with certain consoles – something not present in VODs or off-stream recordings. That required me to make a separate audio channel for the capture card, a solution I learned via this message board post. I bought the Live Gamer 2.1 for capturing to my laptop. With a working desktop, laptop captures and streaming will likely occur in the basement or away from home. (7/23/25 NOTE: One such “away from home” stream was from my hotel room in Connecticut on May 3 between Smooth Jazz for Scholars shows.)

Shure 7MdB audio is filtered in OBS with three filters from the Accusonus ERA 6 Bundle: Mouth De-Clicker at 55% processing in normal mode, De-Esser Pro at 50% processing, and Noise Remover Pro at around 40% processing. (That last filter doesn’t show a percentage.)

I hope that answers all your questions. Thank you for watching my streams. I’ll leave you with a screenshot of an OBS test the night before my third stream.

7/23 and 11/30/25, 3/30, 7/22, 8/15, and 8/19/26 UPDATES: As a bonus, I’m including my latest setup photos. (Please pardon the dust.)

The Heidi Game story from an NBC log clerk November 17, 2023

Posted by Mike C. in Film, Football, History, Hockey, Media, News, Sports, Technology, TV, Video.
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Today is not just my 42nd birthday, but the 55th anniversary of the infamous Heidi Game, an AFL game between the New York Jets and Oakland Raiders. My fellow WCWP Hall of Famer John LiBretto, inducted in 2017, was a log clerk for NBC at the time, and permitted me to share what he remembered from that night via our e-mail conversation on Tuesday.

This is John’s story:

A little background: I was a Log Clerk, which was my entry job at NBC (I had started in June of 1968). Basically logged all programming and commercials etc. for the local station (WNBC) and for the network.

I worked in a room with two TV monitors just next to BOC (Broadcast Operations Control), the area that was responsible for all programming output to the network and WNBC. Next door was Master Control, and just in front was the Control Room that switched between all the control studios, rolled the station breaks etc. etc. Busy place.

On any given weekend that had live sports, the Operations Dept issued Conditions that outlined what was to happen during various points in the broadcast day (i.e. handoffs between games and regionalization of games during the football season, and the end of sports into the prime-time schedule at 7PM on a Sunday night). Remember, while the NFL and AFL had announced their merger to take effect in 1970, they were still separate leagues in 1968. The AFL did not have the high ratings of the NFL, nor the clout over the network (in fact, it was said that NBC saved the AFL, and helped facilitate the merger).

There were times that the network would allow a game to run slightly past 7PM, and either slide the network accordingly (rare), or do a Join-in-Progress (also rare). The show on this particular Sunday, Heidi, was a very expensive adaptation of the story (music by John Williams, by the way), and the conditions specifically stated that, no matter what, the show would air to east and central time zones at 7PM. The big 4PM game was, of course, Jets at Oakland Raiders. The commercial control was in Burbank (NBC’s west coast headquarters), so the game was coming back to the east via the video/audio lines from NBC Burbank to Paducah, KY, where it was switched, by AT&T, into the main network via something called the Round Robin (the network signal left NY and traveled in a big circle, city to city, and eventually came back to NY…a big circle that allowed news feeds and regional commercials to be switched into the network as needed (not to mention regional football games).

A lot of set-up information for what transpired next.

As we got closer to 7PM, it was pretty clear the game was not going to end on time. Curt Gowdy had already promoted that Heidi would be coming up in the east and central time zones at 7PM; the game would continue out west. The powers that be (Julian Goodman, President of NBC) realized that this was probably not a great idea after all, and tried to call BOC to order a change (i.e. let the game finish, and slide the east and central feed of Heidi). By this time, the calls were coming into NBC New York from viewers and overwhelming the switchboard, so Goodman couldn’t get through in time.

Here’s the sequence as it aired on the East Coast:

6:58:40 Network Identification (NI) a :06 seconded, either a promo, or just “This is the NBC Television Network.”

6:58:46  Network goes to black for local station break

Somewhere in here, BOC got word from Goodman to delay Heidi and go back to the game…mind you, only 1:14 to accomplish this. That NI I mentioned was also a set cue for the AT&T facility in Paducah to reverse the eastbound feed from Burbank to the normal feed of the network outbound to the west coast. So, that already meant the game was never coming back to the East Coast.

7:00:00 NBC Color Peacock (The Following is a Special Color Presentation on NBC)

7:00:12 A little bit of the Heidi opening, followed by hash (yes, they switched to the incoming feed from California, which unfortunately had nothing on it). Hash is what happens when there is no usable signal on the incoming line (looks like grey fuzz on the screen).

Looked worse than it seems in the writing of it!

Finally, realizing there was nowhere left to go, BOC switched back to the studio airing Heidi and just let it play. The screaming in BOC was quite something, but they actually did everything correctly; had they NOT aired Heidi according to the conditions without Goodman’s authorization, they probably would have all been fired. As it turned out, two of us became quite busy Sports directors!

It’s a miracle Goodman got through at all; the switchboard completely melted down from the volume of calls. The surprise was so did the switchboards in Chicago, Cleveland and Washington. That’s how NBC discovered that the AFL had become a pretty hot property.

I remember all this because I had to log every single second of what went on the air that evening. Eventually, a flash caster was aired over Heidi giving the final score (Oakland scored twice in a matter of a few seconds and won the game [43-32], which further pissed off the New York market).

John LiBretto, via 11/14/23 e-mail

As a postscript to John’s story, here is David Brinkley‘s report and Curt Gowdy’s re-creation of the end of the game on the following night’s Huntley-Brinkley Report:

Modified from original video source

The Jets would get their revenge on Oakland six weeks later in the AFL Championship Game, beating the Raiders 27-23 at Shea Stadium. Of course, two weeks after that, the Jets upset the NFL Champion Baltimore Colts in Super Bowl III.

Instrumental Invasion, 11/16/23: 60-year musical journey, 1963-2023 November 17, 2023

Posted by Mike C. in Airchecks, Audio, Computer, Football, Game Shows, Internet, Jazz, Jazz Fusion, Livestream, Media, Music, Personal, Radio, smooth jazz, Sports, Technology, TV, Video.
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This edition of Instrumental Invasion started out as a regular Wednesday night show that I assumed would air after a short programming hiatus (one or two weeks) for WCWP. I guessed wrong. Thus, this was reworked as a Thursday night show. References to “this week” were removed and the intro and outro were redone to acknowledge the impending demise.

Rather than have my last six shows run on The Wave, station manager Pete Bellotti arranged for this show and the next one to air on consecutive nights, hours before the renovation programming hiatus was to begin. This meant I was on three nights in a row: November 15 to 17, all in the regular 9PM slot.

The playlist was created on October 4 and annotated from October 13 to 15. The script was drafted on the 15th, 17th, and 18th.

Recording began on November 4, during my second-ever Twitch livestream. It was an opportunity let viewers in on the process, though few cared to watch live. I worked on the first hour over the course of a two-hour stream. Then, I raided out to music streamer Cerian (kerry-anne). (Twitch doesn’t have a radio category, so I chose music and felt I should raid a fellow music streamer.) I was giddy (as in Biddy) to raid her because I’d been meaning to give her streams a try. I promised I would play the instrumental version of her song “Wrong Side” in my last show, which I assumed would be 186. More on that in the finale recap.

Livestream clips:

The first segment of hour 2 was recorded on November 5 and the rest on the morning of the 6th. I was over a minute beyond my desired 1:49:00 threshold, but with legal IDs and spot breaks, I’d still end before 11PM.

As noted earlier, pickups were recorded on the evening of the 6th, but only after reinstating backups of segment session files. Thinking I was moving to The Wave, I recorded a tag to play in place of all FM references in liners, then I saved and exported those files accordingly.

This proved unnecessary.

David Benoit‘s cover of “Song for My Father” was first played on July 1, 2020, but not with the lengthy origin story. I ended up hooked on a video YouTube recommended of the Horace Silver Quintet playing “Song for My Father” on Danish TV in April 1968:

That, in turn, sent me down a Billy Cobham rabbit hole, culminating in this August 2016 Drumeo presentation:

Click here to download the penultimate scoped aircheck or listen below:

Instrumental Invasion, 11/15/23: Song pairs from 2023 albums November 16, 2023

Posted by Mike C. in Airchecks, Audio, Jazz, Jazz Fusion, Livestream, Media, Music, Personal, Radio, smooth jazz, Technology.
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The November 15 Instrumental Invasion on WCWP was the last show to air on Wednesday night, and the third song pair show. The theme was pairs from 2023 albums. It was an excuse to accelerate my new release backlog airplay ritual of playing six songs from a new release. Since David Benoit‘s latest release came out in February 2022, he was absent from the show. That’s eight times in 180 shows without my favorite musician. And visiting the future, I can say it ended up eight times in 182 shows.

The playlist was created on September 9, the last in a group of four I worked on. Annotations were made alongside the other three, between September 13 and 18. The talk break script was drafted on the 21st.

I recorded this show’s first hour at the office on September 27. The first segment of hour two was recorded on the 28th (while watching VoiceUnmuted [Katie Seto] on Twitch) and the last two (plus pickups) on the 29th. The pickups were to accommodate the resulting deficit upon replacing Pat Metheny‘s “Trust Your Angels” with “Morning of the Carnival.” My September 30 quality control session (prior to Katie’s charity stream) came up clean, so no further pickups were needed.

The office recordings were the first time I changed my editing technique. You may have noticed distorted audio in talk breaks in last week’s show from the third segment on. Adobe Audition‘s declicker filter worked fine at home when used broadly (for the entire file), but not at the office where I had updated to the latest edition of Audition. So, after applying denoise, I listened intently for mouth clicks and other noises to filter out as I edited. I have since updated all my Adobe programs at home and have the same problem, meaning I have to use the same technique there.

Click here to download the scoped aircheck or listen below:

2023 Long Island Retro Gaming Expo recap: conclusion and pickups September 1, 2023

Posted by Mike C. in Aviation, Baseball, Books, Education, Football, Game Shows, Golf, History, Hockey, Internet, Japanese, Language, Media, Personal, Photography, Sports, Technology, Travel, Video, Video Games.
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If you haven’t seen them yet, read the first post here and second post here.

Sunday, August 13

After my last Long Island Retro Gaming Expo panel of the weekend, I made my way to the vendor marketplace and searched for games I didn’t have that were $20 or less. I bargained with each vendor, only spending close to $200. That’s the least I’ve spent since my first year (2017). The bulk of my purchases were for the Nintendo Entertainment System, my first video game console.

Satisfied, I exited the Cradle of Aviation Museum and waited for my mom to pick me up.

Monday, August 14 and beyond

My attempt to make up for Saturday night’s severe storm-shortened sleep was unsuccessful. I woke up early Monday morning after five or six hours of sleep. Then, I went outside to look at the stars.

Back inside, as the sun rose, I unpacked the pickups from my paper bag and photographed them.

We’ll start with merchandise (and my badges):

The front of the badges:

12 games for Nintendo Entertainment System:

Now, I have an NES Yoshi to go with the Game Boy version I’ve had since childhood. The Power Pad games and Star Voyager were the subjects of early Pat the NES Punk episodes (including one with Alison).

“Power Pad Fun!”, Part 1:

Part 2:

Deadly Towers got the Angry Video Game Nerd treatment (via fans’ script submissions):

Two for Super Nintendo:

The TV ads at launch tempted me into getting SimCity, but I never did. I haven’t even seen Judge Dredd the film.

Two Nintendo 64 games:

Another game show game for my collection – Jeopardy! for Nintendo DS:

One self-explanatory 3DS title – Super Smash Bros. for Nintendo 3DS:

Wrongly assuming the 3DS and Wii U Super Smash Bros. games were the same, I only bought for Wii U when I started collecting for the two consoles in 2017 (there’s that year again). Prior to LI Retro, I saw a Masahiro Sakurai on Creating Video Games video that set me straight (Japanese with English subtitles):

Good thing I found a copy from a vendor, eliminating the need to buy from Amazon.

And lastly, my first Sega CD game – Joe Montana’s NFL Football:

To quote the infamous TV ad (parodied here), I “still don’t have a Sega CD,” but after buying my first game Sunday afternoon, I bought 12 more games on eBay between Monday morning and Wednesday night. This included eight from four-game lots, and two Sonic CD variants. The complete list (in order of appearance):

Thank you for taking this photographic journey through the 2023 Long Island Retro Gaming Expo. Until next year.

2023 Long Island Retro Gaming expo recap: touring the expo September 1, 2023

Posted by Mike C. in Aviation, Computer, Education, History, Personal, Photography, Technology, Travel, TV, Video, Video Games, Weather.
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If you haven’t viewed the first recap post yet, click here. Skip ahead to the third recap here.

Now that you’ve seen the panels, why not tour the rest of this year’s Long Island Retro Gaming Expo at the Cradle of Aviation Museum?

Before we do that, while editing on the Monday after (August 14), I noticed a familiar face in the bottom right of this Saturday (August 12) photo in the vendor marketplace:

What?! Clint Basinger (LGR) was there?! According to his Twitter activity, yes.

I was kicking myself for not knowing he’d be there, but John Riggs and LI Retro staff member Ryan Shapiro told me on Facebook that Clint was there as a paid attendee, not a guest. In their words:

He visited the show but did not host a panel. I was very excited to see him there.

Ryan Shapiro

I didn’t know he was gonna be there, either. There were quite a few YouTube people that weren’t on the list but showed up to hang out. Tells you how awesome the show is.

John Riggs

Hear hear, John. While I missed Clint in the moment, I did notice Justin Silverman walking along a separate row of vendors. I’d have said hello if we crossed paths.

Here is the latest LGR video:

The walking photo tour begins in earnest with a “good retro morning” greeting:

Most photos were taken on Saturday, but a small amount are from Sunday (August 13). (You’ll know by the filename.)

Vendor Marketplace:

EON Gaming:

The rest of the first floor:

Second floor:

The third floor was Tetris-themed:

I’ve been a fan of Tetris ever since playing the Game Boy version as a kid. I have that and 21 other variations of Tetris in my collection. This includes Tetris & Dr. Mario and Puyo Puyo Tetris. I also have the three ports of Tetris 2. The sequel gets a bad rap, but I enjoy it.

Anyway, that’s the end of the photo tour. Click here for my third recap post with a conclusion and pickups photos.