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My photos from day 1 of the 2025 Ryder Cup at Bethpage Black September 29, 2025

Posted by Mike C. in Aviation, Food, Golf, Internet, Media, News, Personal, Photography, Politics, Sports, Travel, TV, Weather.
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Six years ago, I said this at the end of my 2019 PGA Championship recap:

Bethpage Black’s next big event will be the 2024 Ryder Cup. [All Ryder Cups and Presidents Cups were pushed back a year due to COVID-19.] The last thing I’d like to hear that Sunday, whether in person or on TV, is the “Olé” song, indicating Europe won again.

Not only did I hear that song endlessly in person on Friday, September 26, but it was sung as Europe defeated the U.S. 15 points to 13. The U.S. teams lost too many foursome and four-ball matches Friday and Saturday to make a complete comeback Sunday. (10/2 UPDATE: Europe clinched when Shane Lowry, who you’ll see front and center in a few photos, halved his singles match with Russell Henley with a birdie at the 18th hole. That gave a Europe a 14-11 lead over the U.S., rendering all other matches inconsequential.)

Even though my dad Bill and I were deferential to visiting European fans and respectful of Team Europe golfers, vice captains, and captain Luke Donald, the loss still hurts. So, this won’t be an in-depth recap, at least not verbally, and I won’t link to any media articles. The extensive gallery below will speak a thousand words per photo. That includes photos of players, caddies, vice captains, and captains of both teams. (St. John’s University alumnus Keegan Bradley was Team U.S.A. captain.)

First, the backstory.

The 2025 Ryder Cup was held at Bethpage Black Course within Bethpage State Park. Despite the name, the park is in Old Bethpage, not regular Bethpage, and uses a Farmingdale ZIP Code. Portions of the park cross out of Nassau County and into Suffolk.

Having played the Black many years ago, my dad can attest it is the most difficult of the four color-coded courses – Red, Green, and Blue are the others. That makes it perfect for major golf championships. Bethpage Black previously hosted the 2002 and 2009 U.S. Open and the aforementioned 2019 PGA Championship. It also hosted The Barclays, a now-defunct first leg of the FedExCup playoffs, in 2012 and 2016.

The four men’s golf majors are won by individuals. This Ryder Cup was the first time Bethpage Black hosted a team championship with bragging rights on the line for one country – the United States – or one continent – Europe.

Perhaps it was foreshadowing when my dad purchased Friday tickets shortly after Rory McIlroy won The Masters on the evening of April 13. Either way, we were going. Good thing, too, because I’d purchased a hat and short-sleeve polo from the Ryder Cup online shop in March. I proudly wore those at Bethpage Black, per these selfies with and without my dad:

We were prepared for enhanced security checkpoints due to President Trump’s presence. However, we were nowhere near him and only passed one checkpoint at the entrance without needing to empty our pockets. I brought along a portable phone battery charger that I’d bought on Amazon in advance of our trip, and it really came in handy. Three charging sessions – two on-site, one on the shuttle bus ride back to Jones Beach State Park – ensured I wouldn’t miss much photographically.

To that end, let’s get two other key photos out of the way before I let the rest of them speak a thousand words each.

Fans cheered and chanted “U.S.A.!” as Air Force One flew by on its approach to nearby Republic Airport. President Trump sat in a designated area in the grandstands by the 1st tee for the start of afternoon four-ball matches. The U.S. only got 1 1/2 points from the four matches, winning one match 6&5 and tying another. The score through Friday: Europe 5 1/2, U.S. 2 1/2.

(This parenthetical was written Sunday at 11:53 AM. The fighter jets just made one last Bethpage Black flyby, whizzing over my house seconds later.)

Food and non-alcoholic drinks were free! Dad and I ate lunch before going to the 2nd fairway and then I had dessert before we waited between the 15th green and 16th tee. I washed down each meal (cheeseburger, two two-packs of Grandma’s chewy chocolate chip cookies) with a can of Bubly cherry seltzer sparkling water, otherwise having two bottles of Aquafina pure water.

I bought one thing from The Ryder Cup Shop on the way back to the Jones Beach general parking shuttle bus: a screenprint pin flag. I’ve gotten one for each major event at Bethpage Black and hung it on my wall. Even in defeat, I’m keeping it up.

I said my dad and I were deferential to any European fans we encountered and were respectful of Team Europe. (My dad’s friend Mike even worked as an attendant in Team Europe’s locker room.) If only every fan was the same. The arrogant harangues by some U.S. fans, not all of them drunk, made me wince. Team member Sepp Straka moved from Vienna, Austria, to Valdosta, Georgia, when he was 14, played for the University of Georgia, and talks like a native southerner. Didn’t matter to those fans. I feel the harangues played a karmic role in Team Europe’s win. I’ll keep what/whom I feel also played a karmic role to myself. Inside the ropes, however, Team Europe was just better. Full stop. (“Period” is a U.S. thing.)

Side note: Other Europeans who are U.S. college golf alumni include Sweden’s Ludvig Åberg (“O-berg”) (Texas Tech University) and Jon Rahm of Spain (Arizona State University). I won’t fault any fans who gave Jon flack for defecting from the PGA Tour to LIV Golf. My mind blocked out any criticism toward fellow LIV defector Bryson DeChambeau of the U.S. (University of Texas), but he probably got it, too. Honestly, I’m detached enough to be a LIV Golf agnostic, even with the matter of who funds it. To date, I’ve only seen parts of two tournaments, including highlights of one in Miami.

Okay, enough digressions. Now, the rest of the photos.

Bethpage Black’s next major is a women’s major: The 2028 KPMG Women’s PGA Championship.

The men’s PGA Championship returns in 2033.

The next Ryder Cup will the centennial, in 2027, at Adare Manor in Limerick, Ireland. (I’m sure you saw the promotional tent.)

And the next major here on Long Island will be the 2026 U.S. Open at Shinnecock Hills Golf Club. My dad and I already have third round tickets. I should have better stamina than in ’18 and not want to leave after 2 1/2 hours.

It’s been a long 18 days, what with Homecoming Weekend at LIU Post (and WCWP), the Ryder Cup, and all the post-production (no pun intended). Now, I can decompress until the next big event on my social calendar.

Thank you for reading all the way to the end, and thank you to my dad for another great experience together at a New York area golf tournament.

SJFS 2025 Night 2 recap May 15, 2025

Posted by Mike C. in Education, Food, Health, Internet, Jazz, Jazz Fusion, Livestream, Media, Music, Personal, Photography, smooth jazz, Technology, Travel, Wrestling.
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Continued from Night 1 recap

Jay Rowe‘s 22nd annual Smooth Jazz for Scholars continued on Saturday, May 3, with five headliners, including Jay himself.

It bears repeating that Scholars benefits the Milford, Connecticut, Public Schools music department.

I edited 112 of Friday’s 304 photos on my laptop Saturday morning and afternoon. Some of that editing was during an impromptu livestream on my Twitch channel. A bandwidth test in OBS proved streaming was possible without dropped frames and major interference. At last, hotel premium Wi-Fi is strong enough to stream from your room, my room being at the Milford Hampton Inn on Plains Road. I streamed for an hour before raiding out, and would continue editing on and off stream in my first six days back home. Then, I picked 179 photos to use in the Friday recap, and 198 for this Saturday recap.

My parents and I ate dinner at Chili’s on Boston Post Road (U.S. 1), which is where we ate the first time I attended SJFS in 2007.

Again, we returned to the hotel for an hour before leaving at 7PM for Veterans Memorial Auditorium at the Parsons Complex with all my equipment.

Reiterating what I said in Friday’s post, my photographer fellowship down in the orchestra pit were Katherine Gilraine, Kenny Combs, Andrew James, and Ron Hancox.

My equipment was as follows:

With hellos out of the way and 8:00 upon us, we shouted “good evening!” to Kevin McCabe:

Leading off on Saturday was the Joseph A. Foran High School Jazz Ensemble, directed by Jessica Turner. (I couldn’t catch the names of the songs, but the second was by Earth, Wind & Fire.)

Jay Rowe‘s opening remarks were in two parts. First, he complimented the Foran Jazz Ensemble for their EWF cover. Then, he came back out after the chairs were removed and Kevin McCabe introduced the house band and headliners.

To paraphrase the late HairClub founder Sy Sperling, Jay Rowe isn’t just a smooth jazz sideman; he’s also a fan. And he was even a headliner on Saturday!

The first of Jay’s fellow headliners was Lindsey Webster:

Lindsey’s collaborator Keith Slattery was on keyboards for her songs:

The remaining headliners were Jeff Kashiwa on tenor sax:

…and flute:

Marion Meadows on soprano sax:

…and two for one, Four80East. Rob DeBoer was on keyboards:

…with percussion by Tony Grace:

Jay’s house band was made up of Trever Somerville on drums:

Andy Abel on guitar:

…and Dave Anderson on bass:

SET LIST (updated with videos on 6/20/25)
1. That’s What I Know (Jay Rowe) (tribute to Rohn [“ron”] Lawrence; expression Rohn inherited from his father and used on his son)
2024 single
Featured musician: Jay Rowe (keyboards)

If you don’t take out the garbage and mow the lawn, you’re not gonna borrow the car this weekend. That’s what I know.
-Jay Rowe, channeling Rohn Lawrence’s father

2. Every Woman, Every Man (Jay Rowe)
Originally heard on: Smooth Ride (2016)
Featured musician: Jay Rowe (keyboards)

3. Starlight Kisses (Jay Rowe)
Originally heard on: Groove Reflections (2021)
Featured musicians: Jay Rowe (keyboards), Jeff Kashiwa (tenor sax)

4. Let It Ride (Jeff Kashiwa)
Originally heard on: Let It Ride (2012)
Featured musicians: Jeff Kashiwa (tenor sax); Four80East: Rob DeBoer (keyboards), Tony Grace (percussion)

5. Upa Neguinho (Keep Up Little One) (Jeff Kashiwa; cover of Edu e Bethânia song)
Originally heard on: Luminoso (2024)
Featured musicians: Jeff Kashiwa (tenor sax); Four80East: Rob DeBoer (keyboards), Tony Grace (percussion)

6. Noodle Soup (Four80East)
Originally heard on: En Route (2007); Barn Sessions, Volume 1 (2025)
Featured musicians: Four80East: Rob DeBoer (keyboards), Tony Grace (percussion); Jeff Kashiwa (flute)

7. Cinco Cinco Seis (Four80East)
Originally heard on: Four on the Floor (2018)
Featured musician: Four80East: Rob DeBoer (keyboards, with voice sample [“uno, dos, tres, quatro, cinco, cinco, seis”]), Tony Grace (percussion); Jeff Kashiwa (flute)

8. I’m OK (Lindsey Webster)
Originally heard on: Reasons (2022)
Featured musicians: Lindsey Webster (vocals), Keith Slattery (keyboards)

Keith played keyboards in place of Jay Rowe on Lindsey’s songs.

9. I Got You (I Feel Good) (Lindsey Webster) (James Brown cover)
Featured musicians: Lindsey Webster (vocals), Keith Slattery (keyboards)

50/50 RAFFLE ($1,350 pot) (won by Denise)

10. The Lift (Marion Meadows)
Originally heard on: Body Rhythm (1995)
Featured musician: Marion Meadows (soprano sax) (started in audience)

11. South Beach (Marion Meadows)
Originally heard on: Body Rhythm (1995)
Featured musician: Marion Meadows (soprano sax)

12. Romantica (Marion Meadows)
Originally heard on: Player’s Club (2004)
Featured musicians: Marion Meadows (soprano sax) (walked off stage at the end), Tony Grace (percussion)

13. 3-Day Weekend (Jeff Kashiwa)
Originally heard on: Simple Truth (2002)
Featured musicians: Jeff Kashiwa (tenor sax), Tony Grace (percussion)

14. The Walker (Four80East)
Originally heard on: Off Duty (2012)
Featured musicians: Four80East: Rob DeBoer (keyboards, with voice samples [“funking nasty,” “to the east side, to the west side”]), Tony Grace (percussion); Jeff Kashiwa (flute)
Included audience participation (right side shouted “to the east side,” left side shouted “to the west side”), “flute battle” between Rob’s synth flute and Jeff’s real flute

15. Over the Rainbow (Lindsey Webster) (sung by Judy Garland as Dorothy Gale in The Wizard of Oz)
Originally heard on: A Woman Like Me (2020)
Featured musicians: Lindsey Webster (vocals, with comedic pause before last note), Keith Slattery (keyboards)

Jay Rowe did not play on “The Walker” or “Over the Rainbow.”

Before the finale, Lindsey sang a snippet of the title track to her upcoming album.

16 (Finale). Ain’t Nobody (Lindsey Webster) (Rufus and Chaka Khan cover)
Featured musicians: Everyone; Lindsey Webster (vocals)

Photo galleries of each musician begin with Jay Rowe‘s “South Beach” solo:

“Jay Rowe, y’all!”

I appreciated the “Mas que nada” phrasing at the end, calling back to Lani Hall‘s Sergio Mendes & Brasil ’66 medley I saw during Herb Alpert & the Tijuana Brass & Other Delights on April 1.

Lindsey Webster:
I’m OK“:

Over the Rainbow“:

Keith Slattery:

Jeff Kashiwa on tenor sax:

Jeff on flute:

Marion Meadows started “The Lift” in the audience:

Marion on stage:

Marion’s exit at the end of “Romantica”:

Upscaled/cropped freeze frame from my “A” camcorder

Four80East:
Rob DeBoer:

Tony Grace:

Trever Somerville:

Andy Abel:

…and Dave Anderson:

Lindsey and Dave are in this first of my medium shots:

Marion, Trever and Dave:

Marion, Tony and Andy:

Tony and Trever’s “3-Day Weekend” duet (with Andy and Jeff in the middle):

Jeff and Rob’s “The Walker” flute battle:

Wide shots start with two from “Let It Ride“:

The end of “I Got You (I Feel Good)“:

South Beach“:

Romantica“:

The Walker“:

The end of “Over the Rainbow“:

The audience has their turn now, seen first dancing to “Noodle Soup” (Dolly Moye and Jay Dobbins are to the right of Norma):

“The Walker”:

The 50/50 raffle (won by Denise):

The finale: “Ain’t Nobody” (Rufus and Chaka Khan song):

The end:

“Thank you all! See you again real soon.”
-Jay Rowe

I’ll admit things got overwhelming in the lobby afterward. (It comes with being on the autism spectrum.) There was a large crowd meeting and greeting and I was too bashful to go ahead of anyone. When the wait seemed interminable, I sat down at an elevated round table and started to cry. A woman noticed me and asked if I was okay (of all things to ask after a show featuring “I’m OK”), and then Jay Rowe noticed me and brought Lindsey Webster over to sign my copy of Reasons. Marion Meadows soon followed. (A man named Sal told me afterward it was his idea to invite Marion to where I was seated.) Marion signed my copying of Just Doing Me. Then, as my tears subsided, Jay took our photo.

Simply writing that paragraph made me cry a little.

Jay then took a photo of me and Rob DeBoer with my signed copy of Barn Sessions, Volume 1:

And Michelle from the merchandise table took a photo of me and Jeff Kashiwa with my newly purchased and signed copy of Luminoso:

I said my goodbyes to everyone – including Mia DiStasi (Jay’s mom), Kevin McCabe, and Steve Lewis – and walked out to the parking lot for the ride back to Hampton Inn. Yet again, I unloaded the contents off all the SD cards to my laptop.

Unfortunately, the last 11 minutes of Saturday’s show are missing from my “A” camcorder. When reaching for the handle unit light switch after panning to the audience’s post-“Over the Rainbow” standing ovation, the middle of my thumb grazed the record button. Gotta remember to lock that next time. That’s why the freeze frame at the end of the finale is from the “B” camcorder. The on-board audio from that camcorder was disappointingly distant. So, I’m taking my Takstar SGC-598 out of retirement for use with the “B” going forward.

That was the only wrinkle to what was otherwise a great weekend, both at the Parsons Complex and Hampton Inn. I caught up with musicians and fellow fans that I hadn’t seen since last year or longer, and met others for the first time, including Joe Green, Rick Pascal, Bill McLaughlin, and Chip Paris.

I spent hours in the hotel lobby with my laptop, mingling while editing and eating breakfast.

Here I am on Saturday with Hap Carpenter:

And I got a selfie with Estella Taylor-Greene and Norma Rohadfox before we all checked out:

My parents and I left Hampton Inn at 10:35 AM on Sunday, May 4. The ride back to Wantagh was 20 minutes shorter than the ride from there on Friday! We were home by 12:08 PM.

Along the way, I took a photo of the current WWE headquarters off southbound I-95 in Stamford:

Thank you to everyone for a memorable weekend in Milford. See you all again next year!

I’ll conclude this post with a 100x speed montage of the nine photo editing livestreams on my Twitch channel, from May 3 in my hotel room to May 11 (Mother’s Day) at home. (WARNING: There will be flashing effects at times from going back and forth between apps.)

P.S. Wednesday was my 350th Twitch stream, and marked a return to video games, my channel’s main focus.

SJFS 2025 Night 1 recap May 15, 2025

Posted by Mike C. in Education, Food, Internet, Jazz, Media, Music, Personal, Photography, smooth jazz, Technology, TV, Video Games.
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Read about Night 2 here.

Friday, May 2, was the first of two nights of the 22nd annual Smooth Jazz for Scholars, hosted by keyboardist Jay Rowe in his hometown of Milford, Connecticut, benefiting the Milford Public Schools music department. (6/17 NOTE: This was the 22nd anniversary, but the 21st overall. In spite of that, I am following the branding and referring to this as the 22nd annual Smooth Jazz for Scholars.)

In recent posts, I’ve tried my best to cut back on the diary aspect of my recaps and focus on the events. So, I’ll continue that trend in this recap and the one for Saturday, May 3.

Like last year (recaps here and here), I had minimal anxiety leading up to showtime at 8PM. I began packing (and charging camcorder batteries) on Thursday, May 1, and was all set by early Friday afternoon. My parents and I left Wantagh for Milford at 12:23 PM and we reached the Hampton Inn parking lot in less than two hours (2:16).

In addition to my laptop, mirrorless camera, pair of camcorders, tripods, and all other accessories, I brought a Nintendo Switch and a third party dock (with HDMI cable). I played games on that in handheld mode to pass the time in the car, and then in docked mode in my hotel room TV after check-in. This is when I wasn’t on my laptop, of course.

Pasquale Pizza was again the place for dinner on Friday for me and my parents where we shared a meatball pizza pie.

We stopped back at Hampton Inn for an hour, and then it was off to Veterans Memorial Auditorium at the Parsons Complex. I was in the door around 7:15 PM and, after buying three 50/50 raffle tickets (SPOILER: I lost, and would lose with another set of 3 on Saturday), I got my event tickets (one per night) from Michelle at the will call/merchandise table.

Then, I made a beeline for the orchestra pit and began unpacking my equipment.

For photos, I use a Canon EOS R7 with RF-S 18-150mm lens. This year, I added a Speedlite 430 EX II flash attachment for pictures of the audience. 1/100 shutter speed and ISO 2000 works for a well-lit stage, but extra illumination was necessary off stage. Only one of the two 128GB SanDisk Extreme PRO UHS-I SDXC cards inserted is required for the amount of photos I take.

Ever since WCWP Homecoming Weekend last September, I have used a pair of Panasonic HC-X1500 camcorders. The main (“A”) camcorder has a VW-HU1 and Rode VideoMic GO II attached, and is connected to a Magnus VT-300 tripod, perfect for all the panning and zooming required. The secondary (“B”) camcorder, intended for a static wide shot, had no attachments and an Amazon Basics tripod. Each camcorder has one 256GB SanDisk SD card (same model as for the camera).

I’m still using the 6×9 stenographer notebook I got at the Milford CVS two years ago to write down the set list, house band members, headliners, and any other necessary notes.

Joining me down in the orchestra pit were fellow photographers Katherine Gilraine, Kenny Combs, Andrew James, and Ron Hancox. It’s Kat’s birthday as I write this sentence on Tuesday, May 13, and it was Kat who sent me down the interchangeable lens camera path in 2012.

I also said hello to Jay Dobbins, Judy Raphael, Mark and Phyllis Abrams, Diane Roth and her partner Rich, and Hap Carpenter. Friday, May 2, was his birthday.

(Okay, that was still a long preamble, but not as long as last year.)

8:00 arrived and Kevin McCabe bid us “good evening”:

Warming us up were the Jonathan Law High School Jazz Ensemble, directed by David Pelaggi.

Once the stage crew removed the chairs and Kevin McCabe introduced the headliners and band, Jay Rowe came on stage with opening remarks.

(This was taken later on, but pretend it was during the open.)

Jay led the way on keyboards:

Friday’s headliners were Jackiem Joyner on alto sax:

Nelson Rangell on alto sax (plus flute, piccolo, and whistling, which you’ll see later):

Peter White on guitar:

…and Timmy Maia on vocals:

The house band had Trever Somerville on drums (and even vocals for one song):

Andy Abel on guitar:

…and Dave Anderson on bass:

SET LIST (updated with videos on 6/19/25)
1. There She Goes (Jay Rowe)
Originally heard on: Groove Reflections (2021)
Featured musician: Jay Rowe (keyboards)

2. Take Me There (Jackiem Joyner)
Originally heard on: Lil’ Man Soul (2009)
Featured musician: Jackiem Joyner (alto sax)

3. I’m Waiting for You (Jackiem Joyner)
Originally heard on: Lil’ Man Soul (2009)
Featured musician: Jackiem Joyner (alto sax)

4. Tidal Wave (Nelson Rangell)
Originally heard on: By Light (2019)
Featured musician: Nelson Rangell (alto sax)

5. Gratitude (Nelson Rangell)
2023 single
Featured musician: Nelson Rangell (alto sax)

6. Can We Talk (Jackiem Joyner) (Tevin Campbell cover)
Featured musician: Jackiem Joyner (alto sax)

7. Promenade (Peter White)
Originally heard on: Promenade (1993)
Featured musicians: Peter White (guitar), Jackiem Joyner (alto sax)

8. Catalonia (Peter White)
Originally heard on: Light of Day (2025)
Featured musicians: Peter White (guitar), Nelson Rangell (flute)

9. Mornin’ (Timmy Maia) (Al Jarreau cover)
Featured musicians: Timmy Maia (vocals), Nelson Rangell (alto sax)

10. I Can’t Go for That (No Can Do) (Timmy Maia) (Hall & Oates cover)
Featured musicians: Timmy Maia (vocals), Nelson Rangell (alto sax)

11. Beautiful Seduction (Jackiem Joyner)
Originally heard on: Touch (2019)
Featured musicians: Jackiem Joyner (alto sax), Peter White (guitar)

12. Bueno Funk (Peter White)
Originally heard on: Glow (2001)
Featured musicians: Peter White (guitar), Jackiem Joyner (alto sax)
Included the James Bond sunglasses bit, audience participation for vocal scat and Bob Marley’s (The Wailers) “Get Up, Stand Up” chorus

13. Bright (Peter White) (tribute to Wayman Tisdale)
Originally heard on: Good Day (2009)
Featured musician: Peter White (guitar)

50/50 RAFFLE ($1,000 pot) (won by Carolyn)

14. Sonora (Nelson Rangell) (Hampton Hawes cover)
Originally heard on: Destiny (1995), My American Songbook, Vol. 1 (2005)
Featured musicians: Nelson Rangell (vocal percussion intro, whistling, piccolo), Peter White (guitar)

15. What is Hip? (Timmy Maia) (Tower of Power cover)
Featured musician: Timmy Maia (vocals)

16. Tennessee Whiskey (Trever Somerville) (cover of Chris Stapleton interpretation of David Allan Coe song)
Featured musicians: Trever Somerville (vocals, drums), Nelson Rangell (alto sax)

17 (Finale). Right Place, Wrong Time (Jay Rowe) (Dr. John cover)
Featured musicians: Everyone; Jay Rowe (vocals, keyboards)

This is the part with photo galleries of each musician, starting with Jay Rowe:

Jackiem Joyner:

Nelson Rangell on alto sax:

I didn’t get any close-ups of Nelson on flute during “Catalonia,” so we’ll jump to “Sonora.”

Whistling:

Piccolo:

Whistling while holding piccolo:

Peter White:

The “Bueno Funk” James Bond bit:

That bit originated at an early 2000s live gig when saxophonist Richard Elliot dubbed Peter “the James Bond of smooth jazz.”

Timmy Maia:

Trever Somerville:

Andy Abel:

…and Dave Anderson:

I’d take many more photos of Dave on Saturday, but less of Trever. Such is the nature of documenting live events.

On to medium shots, starting with Jackiem and Andy:

Jackiem and Peter:

Nelson and Peter:
Flute on “Catalonia“:

Whistling and piccolo on “Sonora”:

Timmy and Nelson:

Peter and Trever:

Now, wide shots, like this one from “Tidal Wave”:

“Bueno Funk”:

True to my word, I used the speedlight for audience photos. Here they are dancing to Timmy’s cover of “I Can’t Go for That (No Can Do)“:

Peter’s “Get Up, Stand Up” tangent during “Bueno Funk”:

The standing ovation after “Sonora”:

The 50/50 raffle (won by Carolyn):

Tennessee Whiskey” (David Allan Coe song popularized by Chris Stapleton a la Etta James):

The finale was “Right Place, Wrong Time,” a Dr. John song, with vocals by John “Jay” Rowe!

The end:

Thanks to Andrew James for taking the meet-and-greet photos below. Here I am with Jackiem Joyner:

Nelson Rangell:

…and Peter White:

Peter signed my copy of Light of Day with seagull sketches to match the cover photo’s beach setting. Nice touch.

On the way out to the parking lot, I said hello to Jay Rowe’s mother Mia DiStasi. The title of Jay’s 2006 song (from Red, Hot and Smooth) is apt: “Everyone Loves Mia.”

When I got back to my hotel room at Hampton Inn, I unloaded all the photos and videos to my laptop. I would winnow down the photos in the morning and use Advanced Renamer to quickly change the remaining filenames.

Click here for a recap of Saturday and beyond.

Herb Alpert & the Tijuana Brass & Other Delights at Lincoln Center: April 1 show April 5, 2025

Posted by Mike C. in Baseball, Film, Food, Game Shows, Internet, Japanese, Jazz, Media, Music, Personal, Photography, Pop, Radio, Trains, Travel, TV, Video.
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NOTE: This recap will lead with photos at the venue; before, during, and after the concert. That will be followed by photos on the way to and from there: at Rockville Centre‘s LIRR (Long Island Rail Road) station, aboard the train to Grand Central Terminal, inside GCT itself, the long walk through Manhattan to Columbus Circle (including stops at Rockefeller Center and Serafina restaurant, entering 59th Street-Columbus Circle Station to take the 1 train to 34th Street-Penn Station, and watching the Babylon-bound train arrive on track 20 of Penn Station’s LIRR terminal.

Tuesday night, thanks to my friend Lori Downing, I finally got the opportunity to see Herb Alpert live in concert. Herb Alpert & the Tijuana Brass & Other Delights played two sold out shows in Jazz at Lincoln Center’s Frederick P. Rose Hall. The show I attended – along with Lori, Lori’s son Zach, and my mother Lisa (a mutual friend of Lori) – was the second of the two, one day after Herb’s 90th birthday.

I have been a fan of Herb Alpert since CD 101.9 played “Rise” and “Rotation” on a regular basis in the 1990s. I inherited my fandom from my mom and her dad (my grandpa) Artie. In the summer of 1999, I bought a compilation CD called Classics Volume 20 with some of my high school graduation money. It only covered 1979 to ’87, meaning no Tijuana Brass. I wouldn’t discover that portion of Herb’s catalog until getting another compilation called Definitive Hits. (Yes, I’d heard TJB songs in episodes of The Simpsons and on The Dating Game. I just didn’t have them in my collection.) In 2010, I began buying CD remasters of whole albums, from The Lonely Bull (1962) to North on South St (1991). Outside of Second Wind (1996) and Colors (1999), there’s a 22-year gap in my collection that ends with Steppin’ Out (2013). From there, I’m only missing The Christmas Wish (2017).

When Lori Downing and I attended Dave Koz’s 20th Anniversary Christmas Tour at Tilles Center in December 2017, I quipped that we were in the Bob Uecker seats since we were so high up (but not in the last row). It’s a nod to the infamous 1984 Lite Beer from Miller ad where Bob is at a baseball game and settles into a field level seat. An usher intervenes, telling him he’s in the wrong seat, and Bob says, “Oh, I must be in the front row.” After the ad’s tag, we transition to Ueck in the upper deck (of Dodger Stadium). He shouts to his friend, “Good seats, eh, buddy?,” and to an umpire, “He missed the tag! He missed the tag!”

Life somewhat imitated art on Tuesday. When we presented our tickets to an usher, she escorted us to seats at stage level, a handful of rows from the stage. Seconds after I settled into what I thought was my seat, the usher realized her mistake and referred us to another usher. When I got up, I acknowledged the similarity to the ad and repeated the “front row” line. The second usher had us go up two floors in an elevator to our true location. We were in the last row of the center balcony. Unlike with Dave Koz, we really were in the Bob Uecker seats. However, there wasn’t a bad seat in the house. The rows are arranged in a way that your view won’t be blocked by the person in front of you.

The view from my last row balcony seat, with my iPhone camera zoom at 3x

Before we see photos from the show itself, along with the complete set list and background info, let’s backtrack.

Lori, Zach, my mom Lisa, and I reached Jazz at Lincoln Center, one of many portions of the vast Lincoln Center for the Performing Arts, just after 7PM.

Using the clear backpack my dad bought for when we went to a Mets game in June 2022, a security guard cleared me in mere seconds. After riding an elevator to the 5th floor, we waited in the lobby until the Rose Hall doors were to open at 7:30.

Zach invited me to look at the view of Columbus Circle from a window at the lobby’s edge.

Then, I took a selfie with my mom.

There was even a WCWP connection to all this. (FM 60th anniversary/2024 Hall of Fame Ceremony recap) Jeff Kroll is an equally big Herb Alpert fan, and he and his wife Pat attended Monday’s 90th birthday performance. Jeff and Pat’s seats were at stage level.

On Tuesday, fellow alumnus Bobby Guthenberg, a.k.a. Bobby G., was among the attendees! Here he is talking to Lisa and Lori:

Zach took a photo of Bobby G. and me:

Bobby treated me to the David Benoit concert at My Father’s Place on December 4.

On the way to the Rose Hall entrance, I saw this poster for an upcoming Bobby McFerrin concert series (with Wynton Marsalis and the Jazz at Lincoln Center Orchestra):

Jazz legends photo exhibit:

That brings us back to my last row balcony seat. I can’t show every photo I took, and would rather keep videos to myself (and to some the Discord chat servers I’m part of). What I will show are the photos where my phone could make out faces with its AI enhancement.

The lights went down at 8:05 and the monitor showed Herb Alpert and the Tijuana Brass as the Mystery Guests on a circa 1965 episode of What’s My Line?

The stage lights came up, the new Tijuana Brass assembled, and Herb made his entrance.

The band was made up of:

It was nice to finally put faces to the names (Bill, Hussain) I’d seen in the credits to Herb’s solo albums since 2013. I’m connected with Ray Brinker on Facebook, and knew of him through his work with Gordon Goodwin’s Big Phat Band. So, he was the only Tijuana Brass member I knew by name until Herb’s introduction toward the end of the first encore (spoiler).

Bill, Hussain, Ryan, and Kris provided background vocals on songs that called for them.

Here is the full set list (original album and release year in parentheses):

  1. The Lonely Bull (El Solo Toro) (The Lonely Bull, 1962) – Original composition by Sol Lake
  2. The Work Song (S.R.O., 1966) – While writing this post, I finally learned “Work Song” was by Nat Adderley, not Cannonball
  3. Memories of Madrid (What Now My Love, 1966) – Another original TJB composition by Sol Lake
  4. Whipped Cream (Whipped Cream & Other Delights, 1965) – One of two music cues used on The Dating Game
  5. Spanish Flea (!!Going Places!!, 1965) – The other Dating Game cue – Original composition by TJB member Julius Wechter (also leader of the Baja Marimba Band) – Wechter’s original title was “Spanish Fly,” which wouldn’t fly in 1965
  6. Ladyfingers (audience member request) (Whipped Cream & Other Delights, 1965)
  7. Lollipops and Roses (Whipped Cream & Other Delights, 1965)
  8. Bittersweet Samba (Whipped Cream & Other Delights, 1965) – Still another Sol Lake composition for TJB – Serves as the theme to All Night Nippon, a Japanese radio show
  9. Mexican Shuffle (South of the Border, 1964) – If you’re keeping score, that’s four Sol Lake compositions in the set – I had no idea this was used in TV ads for Clark’s Teaberry gum (one such ad shown on the monitor), or that it was referred to as “The Teaberry Shuffle”
  10. Tangerine (Whipped Cream & Other Delights, 1965) – See notes below set list for more info
  11. I’m Getting Sentimental Over You (!!Going Places!!, 1965) – Preceded by Ray Brinker drum solo
  12. Love Potion No. 9 (Whipped Cream & Other Delights, 1965) – The album’s requisite striptease song
  13. Sergio Mendes & Brasil ’66 (hits medley sung by the group’s lead vocalist Lani Hall (Herb’s wife; he considers Sergio “Cupid” for bring them together): Tim Dom Dom (Chim Dome Dome), One Note Samba, The Fool on the Hill, Mas que nada – Songs 1, 2, and 4 are from Herb Alpert Presents Sergio Mendes & Brasil ’66, 1966; “The Fool on the Hill” was a 1968 title track, minus the “the”
  14. Rise (Rise, 1979) (solo album) – Rap fans may recognize one part from its sampling in “Hypnotize” by The Notorious B.I.G.
  15. A Taste of Honey (Whipped Cream & Other Delights, 1965) – Ray Brinker perfectly matched The Wrecking Crew player Hal Blaine‘s drumming from the original, right down to the bass drum taps to note the 4/4 time signature
  16. Zorba the Greek (Zorba’s Dance) (!!Going Places!!, 1965) – A clip of the titular film‘s dance scene (with Anthony Quinn as Zorba) was shown during the slow middle
  17. Encore 1-1: This Guy’s in Love with You (The Beat of the Brass, 1968) – Herb’s lone vocal song of the set – Contrary to popular belief, the song was later reworked as “This Girl’s in Love with You” for Dionne Warwick and other female singers, not the other way around for Herb
  18. Encore 1-2: Smile (Midnight Sun, 1992; Catch the Wind, 2021) (solo albums) – Requiem for departed friends, including Sergio Mendes, Karen Carpenter, Burt Bacharach (co-writer of “This Guy’s in Love with You”), and A&M Records co-founder Jerry Moss – “Smile” by Charlie Chaplin is not to be confused with “Sweet, Sweet Smile,” which was introduced/popularized by The Carpenters
  19. Encore 1-3: What Now My Love (What Now My Love, 1966)
  20. Encore 1-4: A Banda (Herb Alpert’s Ninth, 1967) – Fittingly preceded by band introduction (“a banda” literally means “the band”)
  21. Encore 2-1: Tijuana Taxi (!!Going Places!!, 1965) – original composition by TJB guitarist Ervan “Bud” Coleman
  22. Encore 2-2 (True Finale): On the Sunny Side of the Street (Come Fly with Me, 2015; Sunny Side of the Street, 2022) (solo albums)

I knew the title of most songs the instant they began. There were a few exceptions. I had to ask my mom about “Smile,” Zach confirmed “Tangerine” on the train ride back to Rockville Centre (via a set list for one of the Buffalo shows), and I confirmed “Tim Dom Dom (Chim Dome Dome)” on Wednesday morning via the Herb Alpert Presents… Wikipedia entry.

It’s understandable that I wouldn’t recognize “Tangerine.” I gravitated toward the more popular tracks on Whipped Cream & Other Delights. I didn’t really develop awareness and appreciate of the song until hearing it on She Was Too Good to Me, trumpeter/vocalist Chet Baker‘s 1974 comeback album.

Throughout the set, relevant video clips or still photos were shown on a monitor above the stage.

The best of the photos:

In conclusion, there were 22 songs, 6 of the encores (4 in the first encore, 2 in the second). It was a night I’ll never forget, and I owe it all to Lori Downing. Crying happy tears, I hugged her and thanked her as we got up from our seats and walked back to the lobby.

There were no accessible stairs. So, we had to take an escalator from the lobby to a set of elevators. We and several other attendees boarded the first elevator to open and rode it down to ground level. From there, we exited back out to Columbus Circle.

The experience wasn’t all “Lollipops and Roses,” so to speak. I neglected to disable my iPhone camera’s flash and the flash light was on as I recorded “Memories of Madrid.” An usher had to come to our row and tell me to turn it off. I did as he instructed, and I deleted the video from my phone, but was quite embarrassed and miffed. I gathered my wits within a minute or two. I made sure the flash was off in photo and video mode the rest of the night, and there was no further trouble. I recorded 12 more videos (on top of “The Lonely Bull” before the intervention). Again, I’m opting to withhold them from this post.

Now, let’s turn our attention to the other photos, taken going to and from Jazz at Lincoln Center.

This train was an M9.

By this time, my iPhone’s battery state of charge was down 10%. So, I didn’t take anymore photos, but I had taken 154 photos and 13 videos on my phone, in addition to the two photos provided to me by Zach, which I cropped and upscaled for this post.

I don’t know what more I can say. Thank you again to Lori Downing for inviting me and my mom to see Herb Alpert & the Tijuana Brass & Other Delights on Tuesday night. And thank you for reading this recap. Check back in mid-May for recaps of this year’s Smooth Jazz for Scholars. Bye until then.

WCWP honored at 2024 Legends of Long Island Music Awards November 26, 2024

Posted by Mike C. in Food, Media, Music, Personal, Photography, Radio, Rock, Travel, Video.
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Last Tuesday night, November 19, WCWPLIU Post‘s public radio FM station – was among many honorees at the 2024 Legends of Long Island Music Awards. The ceremony was hosted by Good Times Magazine and the Long Island Music Business Organization. It was held at The Bayview in Freeport on the southern end of Woodcleft Avenue (near Richmond Street). Woodcleft Avenue is known colloquially as the Nautical Mile because its .85 land mile length is within .02 miles of the nautical unit of distance.

This was another homecoming of sorts for me (2024 WCWP/LIU Post Homecoming Weekend recap), as the Chimeri family part-owned and operated Ehrhart’s Clam House and Bar in the center of the Nautical Mile (adjacent to Suffolk Street) from the fall of 1970 through their sale in the spring of 2004. (Jeremy’s Ale House is where the Clam House was and Hurricane Harry’s replaced Ehrhart’s Bar.) The Chimeri family went on to run Water Lilly’s Waterside Cafe a block and a half to the north (before Hamilton Street) from the summer of 2004 through some time in 2009. (Halfway Down stands where Water Lilly’s used to be.)

Whether or not you could make the sold out Legends of Long Island Music Awards, this was the program with all honorees listed (not in order of presentation):

Good Times Magazine founder and publisher Rich Branciforte served as host, and presented WCWP station manager Dan Cox with the station’s award about halfway through the ceremony.

Now that you’ve seen the video, see photos taken before and during the honor below.

I remain grateful for the opportunity to document the history of WCWP by chronicling events like this. It was an even bigger thrill to do so at a venue on a street with sentimental and nostalgic value in a village where I lived 11 years of my life and where my family (myself included) has worked for over half a century.

Congratulations to WCWP and thank you to the Legends of Long Island Music Awards for honoring the station.

Instrumental Invasion, 1/18/23 January 19, 2023

Posted by Mike C. in Airchecks, Audio, Biking, Film, Food, History, Internet, Jazz, Media, Music, Personal, Radio, Sports, TV, Video.
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The January 18 Instrumental Invasion on WCWP was recorded from December 1 to 3, 2022: the first segment on the 1st, the next three on the 2nd, and last two on the 3rd along with remixing and pickups.

The playlist was created on November 27 with annotations on 29th and 30th. The talk break script was drafted November 30 and December 1.

This week, the extra 2017-present segment was swapped for an extra 1985-95 segment. The last four segments only had two talk breaks each. The first two of hour 2 were made up of three songs in a row (a triple shot).

Off the Top” by Kim Scott was originally played last April 6.

Since I brought it up after playing Wes Montgomery’s cover of “Windy,” I would have liked to attend the Dancing with the Stars Live tour stop at the Tilles Center last Tuesday, but the show was sold out when I looked for tickets and they were only available marked up through resellers on Ticketmaster. Oh, well. By the way, my “everyone knows it’s Instrumental Invasion” line going into “Windy” referenced a lyric in the song.

I included “Automat” by Yellowjackets after having seen a documentary on the titular fast food restaurants popularized by Horn & Hardart.

Here is a composite of CBS Sports’ coverage of the 1988 Tour de France, complete with John Tesh‘s music:

While skimming through the video, I thought John himself covered parts of the race, but the voice I heard (and face I saw) was Tim Brant.

Click here to download this week’s scoped aircheck or listen below:

1:50 PM UPDATE: This is another of those shows where I don’t notice mistakes or oversights until after the show airs. Bob Mintzer played tenor and soprano sax on “Automat.” The phrase trumpeter Igmar Thomas borrowed on “Blues Vagabond” by Lisa Hilton was from “Killer Joe,” which Quincy Jones covered on Walking in Space. The song was originally written and performed by Benny Golson for The Jazztet‘s Meet the Jazztet record. “Chicken Joe” was by pianist Joe McBride.

I also missed a community calendar spot I recorded on Monday that ran during the last break:

The music bed is “Working Girl March #2 (Film Cue)” by Dave Grusin from the Tootsie soundtrack.

4:05 PM UPDATE: Oh, and this is the PAMS jingle I referenced going into “Wherever You Go” by Brian Simpson:

I clipped from part 2 of Jon Wolfert’s The History of the Musicradio WABC Jingles.

Turning 40! November 20, 2021

Posted by Mike C. in Bowling, Food, Personal, Photography, Sports, Travel, Video.
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As noted in this week’s Instrumental Invasion recap, I turned 40 the day the show aired. Celebration of my birthday began 11 days earlier with a late lunch with my friends Kelly and Lori and my mother Lisa at La Strada of Merrick. After pizza and pasta, I was treated to a birthday cannoli:

The following Saturday, my aunt Donna treated me to two games at AMF Wantagh Lanes, a bowling alley half a mile from my house:

Saturday afternoon bowling at Wantagh Lanes was a tradition for just over a decade of my life, most of which was in Nassau P.A.L.‘s handicap league.

Aunt Donna and I were on lane 24:

It took until late in the first game to regain my form, salvaging an 83. I bounced back with a 149 in the second game.

My ninth frame spare, via cropped vidcaps:

My first shot in the last frame:

The final scores for game 2:

Aunt Donna also shot video of three spare conversions, which I’ve compiled here along with my video:

Four spare conversions

I posed with my ball, which I’ve had for 25 years, before putting it away:

Aunt Donna then treated me to lunch at Margarita’s Cafe a few minutes to the north. We got caught in a severe thunderstorm on the way to King Kullen where I bought a pint of ice cream:

The storm contained small hail, slightly larger than sleet:

Finally came my 40th birthday on Wednesday. Here’s what greeted me in the kitchen that morning:

At one point in the day, I read Wikipedia’s entry for November 17. I was surprised how many pivotal events occurred on that day and how many notable public figures were born that day.

Dinner was at Umberto’s in Wantagh’s Cherrywood Shopping Center.

I was joined by my parents Lisa and Bill, sister Lauren, and family friends Janice and Joe, Mandy and Kevin, and Janine. This was one of my gifts:

My dinner was meat lasagna:

The staff sang “Happy Birthday” to me as they brought out my vanilla and chocolate tartufo:

I waved to the other guests and thanked them as they applauded, then let them know what milestone I was celebrating: “40!” I got more applause.

My 40th birthday concluded back at home with a Carvel ice cream cake:

Throughout the day, and all the way into this morning, I received hundreds of birthday wishes on social media. Thank you to each and every one of them. I greatly appreciate it. My 40th birthday was a rich, full day; just how a milestone birthday should be.

Working from my 30th birthday post where I said I was a tricenarian, I learned that I’m now a quadragenerian.

I’ll leave you with a simple photo I whipped up in Photoshop:

Instrumental Invasion, 8/18/21 August 19, 2021

Posted by Mike C. in Airchecks, Animation, Audio, Food, Internet, Jazz, Media, Music, Personal, Rock, Travel.
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The August 18 Instrumental Invasion on WCWP was recorded two segments per day from July 8 to 10.

The playlist was created on July 7 and annotated on the 8th. This time, I drafted the script as I recorded.

Since the show aired on my father Bill’s birthday, just as March 10 was my mother Lisa’s birthday, I chose to play “Daddy’s Got a New Girl Now” (even though I’m a boy) by Spyro Gyra and David Benoit‘s cover of “Secret Love” since he recorded it with his father Bob. As usual for my dad’s birthday (which he shares with David), we went out for dinner at Sushi Time 560 in Bethpage.

I also made sure to include Road Runner sound effects leading into “Roadrunner” by Boney James. I said “meep meep” myself when talking up the song in my overnight Homecoming Weekend show in 2017 and coming out of Lee Ritenour‘s “Road Runnerlast December 2.

“Hipster” by Alexander Zonjic was previously played on January 6. I referred to irony, at the root of hipster culture, in both talk-ups.

Click here to download the aircheck MP3 or listen below:

The left channel audio was barely audible, so the aircheck is mono from the right channel. (8/26 UPDATE: The next show had the same problem.)

SJFS 2019 Night 2 recap April 29, 2019

Posted by Mike C. in Food, Golf, Internet, Jazz, Music, Personal, Photography, Sports, Travel, Weather.
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2019 Night 1

The 17th annual Smooth Jazz for Scholars run by keyboardist Jay Rowe resumed on Saturday night with the second of two concerts. The headliners were Brian Simpson, Eric Darius, Jessy J, back for the second year in a row, and Steve Oliver, back for the second time in three years.

I could only manage about four hours of sleep early Saturday morning, but it felt like more than that. I got out of bed at 5:45 AM and began my exercises and pre-run stretches. Then, I headed down to the West Haven Best Western‘s fitness center to run 42 minutes on the treadmill. I had to enter my weight in kilograms and speed in kilometers per hour. It’s a good thing I had a converter on my phone. As has been the case semi-regularly since January, I did not take any breaks. It was 42 minutes in a row. That was all I needed to reach my monthly mileage goal of 150 miles.

After free weight exercises, I showered and changed into a second t-shirt and pair of shorts. Then, I brought my laptop and portable hard drive down to the lobby. While guests came in for breakfast, I was fine with a cup of tea. I’d have preferred hot chocolate, but it’s only served in the winter. Two hours later, I went back to my room and finished editing. My parents texted me from across the hall to ask if I’d like to eat a late breakfast at the nearby Denny’s. I agreed. We also ate at Denny’s the morning after SJFS in 2009 when we stayed at the adjacent Hampton Inn.

As with Sally’s yesterday, I took a few pictures at Denny’s:

The weather was better on Saturday: partly to mostly cloudy, but dry. I was underdressed, though. A t-shirt and shorts were the wrong things to wear. It’s a good thing I had my spring jacket.

The menu had an option to make your own Grand Slam breakfast. I chose two buttermilk pancakes, a buttermilk biscuit, hash browns, and two sausage links.

I grabbed a picture when I was down to the pancakes:

Back at the hotel, I showered again and worked on the rough drafts for this post and the one before it.

Eventually, the time came to drive to Veterans Memorial Auditorium at the Parsons Government Complex in Milford.

Jay Rowe’s mother Mia DiStasi was the last person I saw Friday night and the first I saw Saturday.

Kevin McCabe welcomed the audience one minute before 8:00:

Then, the Foran High School Jazz Ensemble, led by Jessica Turner, came on stage:

They performed two songs. First, a Gordon Goodwin composition, which I haven’t heard on any Big Phat Band album, called “Tweet Fatigue”:

…and Doc Severinsen’s arrangement of Hoagy Carmichael’s “Stardust” for The Tonight Show Band:

Five minutes later, musical director Jay Rowe and his band took the stage.

As usual, Jay played keyboards:

He was backed up by Trever Somerville on drums:

Unfortunately, that was only one of two pictures I got of Trever, but you can see him in other pics.

On his birthday, Steve Scales on percussion:

Dave Anderson on bass:

…and on 11 of the 15 songs, Rohn Lawrence on guitar:

The headliners were Steve Oliver on guitar and vocals:

Jessy J on tenor saxophone:

Brian Simpson on keyboard:

…and keytar:

…and Eric Darius on alto sax and occasional vocals:

SET LIST
1. There She Goes (Jay Rowe)
Originally heard on: Upcoming album
Featured musicians: Jay Rowe (keyboards), Steve Oliver (guitar, vocals)

2. High Noon (Steve Oliver)
Originally heard on: Positive Energy (2002)
Featured musician: Steve Oliver (guitar, vocals)

3. Illuminate (Steve Oliver)
Originally heard on: Illuminate (2018)
Featured musician: Steve Oliver (guitar, vocals)

4. Tequila Moon (Jessy J)
Originally heard on: Tequila Moon (2008), Live at Yoshi’s 10 Year Anniversary Special (2018)
Featured musicians: Jessy J (tenor sax), Steve Oliver (guitar)

5. All I Want (Jessy J)
Originally heard on: Live at Yoshi’s 10 Year Anniversary Special (2018)
Featured musician: Jessy J (tenor sax)

6. Just What You Need (Brian Simpson)
Originally heard on: Just What You Need (2013)
Featured musician: Brian Simpson (keyboard)

7. Persuasion (Brian Simpson)
Originally heard on: Persuasion (2016)
Featured musicians: Brian Simpson (keyboard), Eric Darius (alto sax)

8. Breakin’ Thru (Eric Darius)
Originally heard on: Breakin’ Thru (2018)
Featured musician: Eric Darius (alto sax)

9. L.O.V.E. (Eric Darius)
Originally heard on: Breakin’ Thru (2018)
Featured musician: Eric Darius (alto sax)
L.O.V.E. is Eric’s marital acronym for “living our vows every day.”

10. The Tango Boy (Jessy J)
Originally heard on: My One and Only One (2015), Live at Yoshi’s 10 Year Anniversary Special (2018)
Featured musicians: Jessy J (tenor sax), Brian Simpson (keytar), Jay Rowe (keyboards)

11. Chips and Salsa (Steve Oliver)
Originally heard on3D (2004)
Featured musicians: Steve Oliver (guitar, vocals), Brian Simpson (keyboard), Jay Rowe (keyboards)

12. Saturday Cool (Brian Simpson)
Originally heard on: It’s All Good (2005)
Featured musician: Brian Simpson (keyboard, keytar)

13. Love is the Answer (Todd Rundgren composition for his band Utopia)
Featured musicians: Foran High School Advanced Ensemble Chorus (directed by Theresa Voss), Eric Darius (alto sax), Jay Rowe (keyboards)

14. Night on the Town (Eric Darius)
Originally heard on: Night on the Town (2004)
Featured musician: Eric Darius (alto sax, vocals)

15 (Finale). Happy (Eric Darius) (Pharrell Williams cover)
Originally heard on: Retro Forward (2014)
Featured musicians: Everyone

Jay did not play on Brian’s three songs.

The first group of pictures by artist is for Steve Oliver:

Guitar symphony orchestra:

Vocals:

Audience sing-a-long:

Steve started “Chips and Salsa” in the audience:

Along the way, he prompted them to shout “¡Olé!”

Back on stage…:

“Where’s the party?”:

“Ohhhhh-oh! Sing!”:

They did:

There was more to echo after that:

Including complicated vocalise:

Their effort passed muster: “Aw, you’re hired. You’re comin’ on the road with us.”

Jessy J:

Brian Simpson on keyboard:

…and keytar:

Eric Darius:

Eric prompted the audience to wave their phones’ flashlights at the start of “L.O.V.E.”:

… What this light represents tonight is unity ’cause we are all united, and most importantly, this light represents love, L.O.V.E.

In the middle of the song, after sitting on the end of the stage:

…he walked down to them, high-fiving some along the way:

Back on stage:

Big finish:

“Love you, Milford!”:

During “Night on the Town,” more audience participation: “Ooh-ooh!”:

“Now, somebody scream!”:

He returned to the audience for “Night on the Town”:

As Eric made his way to the other side, I smiled for my camcorder, then panned right when I got back in position:

Back on stage:

Jay Rowe:

The end-of-solo glide:

The second Trever Somerville pic:

Steve Scales:

Dave Anderson during his “Saturday Cool” duet:

Rohn Lawrence’s “Breakin’ Thru” solo:

Jessy and Jay:

Jessy and Steve:

Rohn and Jessy (and Trever):

I just missed his wolf whistle riff.

Eric and Brian:

Rohn and Eric:

Jessy and Brian:

Brian and Jay’s Jessy J-sanctioned keyboard competition:

I call it a draw.

“Brian Simpson! Jay Rowe!”:

Brian and Dave:

“Love is the Answer,” with the Foran High School Advanced Vocal Ensemble, directed by Theresa Voss:

The finale: “Happy”:

“Oh!” “Yeah!”:

Eric named all performers…:

“I’m Eric Darius! We love you! God bless! Thank you!”:

Air Darius:

That’s it!

A selfie for Brian’s Facebook page:

Here’s how it looked:

Jay brought up the rest of the band for a group bow:

That marked the end of the 17th year of Smooth Jazz for Scholars.

What a fantastic night! And what a workout! The health app on my iPhone says I took thousands of steps both nights. I was cold in my short-sleeve shirt when I arrived both nights, but I was hot when the house lights came up and the stage was struck. That’s a workout.

During the show I once again caught up with my photography colleagues Ron Hancox, Keith McDonald, and Bill. Before and after, I spoke to Jay Dobbins and John and Barbara again. Afterward, I saw my friends Kelly and Jen.

Kelly was nice enough to take pictures during the meet-and-greet. First, Brian Simpson:

Next, Jessy J:

Jessy asked what I’d been up to since last year. I gave her the highlights, including my cousin David’s wedding down in Miami. Jessy’s 8-month-old son is also named David.

Then, Steve Oliver:

Seconds before Kelly took the above picture, she said she loved “Chips and Salsa” and Steve proceeded to vocalize. That cracked me up. Before that, he noticed the 2019 PGA Championship shirt I was wearing. I told him I’d be going to the final round at Bethpage Black golf course in a few weeks. I added that I wore the 2018 U.S. Open shirt that I got ahead of that tournament, held at Shinnecock Hills Golf Club in Southampton. I said I arrived at the course for the third round at about the time Phil Mickelson moved his ball on the 13th green while it was still rolling. Getting back to music, after Kelly took our picture, I told Steve I was glad he played “Illuminate” because it made me think of the late Chuck Loeb, who played SJFS five years ago. We both miss him, and I know anyone else that followed his music misses him, too.

5/6 UPDATE: My friend John Caramagna took a candid shot of the above moment from another angle:

Finally, I met Eric Darius:

I told him I liked his energy, bouncing around the stage so fast. I didn’t realize he was pointing at me when we posed, just as I didn’t know Matt Marshak’s expression last year. I would have pointed back. Eric said it was because “you’re the man.” I told him he was the man and thanked him for a great night of music.

Kelly and Jen were waiting outside to take me back to West Haven, but I had to say hi to Dolly Moye before I left. I saw her dancing in the right aisle both nights, but didn’t get to talk to her on Friday.

On the ride back to Best Western, Kelly and Jen shared stories from their union’s strike against Stop & Shop earlier in the month. I was glad to be with them.

I went right to sleep after returning to my room. Once again, I could only manage a few hours of sleep. I woke up around 4:45 AM and started going through photos from the night before. I weeded out the poor quality shots, pausing periodically to do push-ups and jumping jacks. I noticed the dawn sky outside my 7th floor window, which had a southeast exposure, and broke out my camera:

20 minutes later, the sun was in view:

Another 10 minutes passed and I took my last sunrise pic:

I could also see Long Island Sound and the north shore of either Miller Place, Rocky Point, Shoreham, or Wading River, based on Google Maps:

I put my camera away and went down to the fitness center to lift weights. Then, I went back to my room to start editing Saturday’s pictures, shower, and pack up.

Checkout was at 11:00, so with everything else packed, I packed up my laptop and proceeded to the lobby. My parents and I left the hotel at 11:10. As we pulled out of the parking lot, the England Dan and John Ford Coley version of “Love is the Answer” was playing on SiriusXM 70s on 7, which was running the April 28, 1979, episode of Casey Kasem’s American Top 40.

Just like last year, an hour and 40 minutes later, even with a heavy pocket of traffic in Stamford, we were home. Traffic is always lighter getting home late Sunday morning than it is going to New Haven County on Friday afternoon. I finished editing half a mile from my house.

I put the finishing touches on the two recaps today. Thank you for reading and viewing along with me, and thank you to everyone I encountered while in Milford and West Haven. Until next year, so long.

SJFS 2019 Night 1 recap April 29, 2019

Posted by Mike C. in Food, Internet, Jazz, Music, Personal, Photography, Travel, Weather.
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The 17th annual Smooth Jazz for Scholars, the brainchild of keyboardist Jay Rowe, began Friday night at the usual place: Veterans Memorial Auditorium at the Parsons Government Center in Milford, Connecticut, Jay’s hometown. Friday’s headliners were Chieli Minucci, Marion Meadows, and Nick Colionne.

While the venue remained the same, the official hotel changed: Best Western Executive Hotel in West Haven. It’s adjacent to the Hampton Inn I stayed at ten years ago. That year, SJFS was still only one night and was held at Foran High School.

Since this year’s SJFS took place during spring break, I left for West Haven with my parents just after 11AM. Unfortunately, for the third year in a row, rain followed us most of the way to the hotel. It persisted throughout the day, except for a two-hour lull in the late afternoon. It was during that lull that the three of us ate dinner at the legendary Sally’s Apizza (pronounced “a BEATS”) in New Haven. It was the furthest north and east I had been in Connecticut since returning from a few days in New Hampshire in August 1996. (We took a ferry from New London to Orient Point on Long Island’s North Fork.)

Sally’s is located on Wooster Street in New Haven’s Little Italy:

For privacy reasons, I only photographed the walls:

We shared a coal-fired, thin-crust meatball pizza pie:

It was delicious!

I learned afterward that this pizza style is exclusive to New Haven.

We were back at Best Western by 6:00. An hour later, I was driven to Veterans Memorial Auditorium. By this point, it was raining again. If Smooth Jazz for Scholars were an outdoor baseball series, Friday’s show would have been made up the next day as part of a day-night doubleheader. Luckily, the rain had tapered off as I walked into the auditorium.

Inside, I got to speak to my friend John. We spoke wistfully about saxophonist Paul “Shilts” Weimar’s heyday, and how we missed his music. He even told me about the one time Shilts played a joke on me, early in his 2012 show at Houndstooth Pub. Shilts said he would note that photography wasn’t allowed, then wait a few seconds and admit he was messing with me. I had a nice laugh as he cordially asked what camera I was using.

As showtime approached, after I’d set up my equipment in the orchestra pit, I spoke to Billy and Sandy Okumu (it was Billy’s birthday), Mark and Phyllis Abrams, Jay Dobbins, another John, John Caramagna, and his wife Barbara Grocki. I met the two of them at Hampton Inn last year. John told me Saturday night that they stayed there again this year and wondered where I was in the morning.

Kevin McCabe welcomed the still-arriving crowd a few minutes after 8:00:

Like last year, the opening act was the Jonathan Law High School Jazz Band, directed by Phil Giampietro, who addressed the audience beforehand:

They performed “Jeannine,” a Cannonball Adderley tune:

Our feature presentation started at 8:20. Musical director Jay Rowe led the house band on keyboards:

Trever Somerville on drums:

Steve Scales on percussion:

Dave Anderson on bass:

…and for eight of the 14 songs, Rohn (“Ron”) Lawrence on electric guitar:

The headliners were Chieli Minucci (“key-L-e min-OO-chee”) on acoustic guitar:

…and electric guitar:

Marion Meadows on soprano saxophone:

…and Nick Colionne on electric guitar and vocals:

SET LIST
1. Smooth Ride (Jay Rowe)
Originally heard onSmooth Ride (2016)
Featured musician: Jay Rowe (keyboards)

2. Daybreak (Chieli Minucci)
Originally heard onGlobal Village (Special EFX) (1992)
Featured musician: Chieli Minucci (acoustic/electric guitar)

3. Crazy Eights (Chieli Minucci)
Originally heard onGenesis (Chieli Minucci & Special EFX) (2013)
Featured musician: Chieli Minucci (electric guitar)

4. Celebration Road (Marion Meadows)
Originally heard onSoul Traveler (2015)
Featured musicians: Marion Meadows (soprano sax), Chieli Minucci (acoustic guitar)

5. No Rhyme, No Reason (Marion Meadows) (George Duke cover)
Originally heard onNext to You (2000)
Featured musician: Marion Meadows (soprano sax)

6. The Reunion (Jay Rowe)
Originally heard onSmooth Ride (2016)
Featured musicians: Jay Rowe (keyboards), Marion Meadows (soprano sax)

7. Be Urself (Nick Colionne)
Originally heard onJust Being Me (2018)
Featured musician: Nick Colionne (electric guitar)

8. Rainy Night in Georgia (Nick Colionne) (Brook Benton cover)
Originally heard on: It’s My Turn (1994), Keepin’ It Cool (2006)
Featured musician: Nick Colionne (vocals, electric guitar)

9. Uptown East (Chieli Minucci)
Originally heard onSlice of Life (Special EFX) (1986)
Featured musician: Chieli Minucci (electric guitar)

10. Dance on the Delta (Chieli Minucci)
Originally heard on: Deep as the Night (Special EFX) (2017)
Featured musician: Chieli Minucci (acoustic/electric guitar)

11. How Sweet It Is (To Be Loved by You) (Nick Colionne) (Marvin Gaye cover)
Originally heard on: Just Being Me (2018)
Featured musician: Nick Colionne (electric guitar, vocals)

12. Is This Love I’m Feeling? (Nick Colionne)
Originally heard on: Just Being Me (2018)
Featured musician: Nick Colionne (electric guitar, vocals)

13. Sweet Grapes (Marion Meadows)
Originally heard on: Player’s Club (2004)
Featured musician: Marion Meadows (soprano sax)

14 (Finale). Diggable (Marion Meadows
Originally heard on: Player’s Club (2004)
Featured musicians: Everyone

Now, on to groups of pictures by artist, starting with Chieli Minucci on electric guitar:

…and acoustic guitar:

Marion Meadows:

Nick Colionne on guitar:

Vocals on “Rainy Night in Georgia”:

The song ended with an “America the Beautiful” motif. Nick had the audience sing the last line, “from sea to shining sea,” but had them hold the “ing” in “shining”:

He cut the second “sea” and wrapped up the song:

More audience participation on “How Sweet It Is”:

…and “Is This Love I’m Feeling?”:

Jay Rowe:

Trever Somerville:

Steve Scales:

Dave Anderson:

Rohn Lawrence’s intense “No Rhyme, No Reason” solo:

Marion and Chieli’s “Celebration Road” call and response:

Nick and Jay:

Before “Dance on the Delta,” Jay announced the winner of the 50/50 raffle:

It was Barbara Grocki, who generously donated her winnings:

I think it’s only fair that we donate this to Milford Schools and to your cause.

“Thank you so much, Barbara. Give it up for Barbara!”:

Wide shots from the finale: “Diggable”:

The last note:

Jay named all performers:

“I’m Jay Rowe! Thanks so much for comin’! See y’all here tomorrow night!”:

They looked toward me:

The first night of the 17th annual Smooth Jazz for Scholars was complete.

I caught up with so many musicians afterward, starting with Steve Scales:

Next, Rohn Lawrence:

Chieli Minucci:

Nick Colionne:

…and Marion Meadows:

Thanks to John Caramagna, Ron Hancox, and Steve Lewis for taking all those pictures.

They were also busy photographing during the show, as were Keith McDonald, Steve Cooper, and Bill, who I met as I was putting away my equipment.

I also said hello to Ron’s wife Nydia, our friend Estella Greene, whom I met during the Houndstooth Pub shows years ago, and Jay Rowe’s mother, Mia DiStasi.

After packing up, getting my jacket on, and pulling up my hood, I went back in the rain where my parents were waiting to drive me back to West Haven. Click here to see my recap of my Saturday, Saturday night’s show, and the return home on Sunday. (5/4/22 UPDATE: Until working on this year’s recaps, I forgot to link to 2019’s second night. I have now.)