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February 13 wet snowstorm February 15, 2024

Posted by Mike C. in Jazz, Personal, Photography, Video, Weather.
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The next snow event came nearly a month after the last one, on Tuesday, February 13. I didn’t even know about it until the day before when my mom said a storm was expected. I had not checked the weather forecast in days and was blindsided by what I saw on the National Weather Service website. 3 to 7 inches were expected! That meant I’d have to shovel. Yes, my dad got a snow blower in 2018, but I still need to shovel what he can’t get.

Despite reassurances from Facebook friends that the forecast was media hype and little to no snow would fall, it fell nonstop from about 6AM to about 1PM. I didn’t measure afterward, but going by the NWS snow report for neighboring Levittown, I figure my neighborhood in Wantagh got 6 inches.

Needing to get to his office, my dad used the snow blower at around 11AM. Thankfully, any snow that fell afterward did not accumulate, an upside to above freezing temperatures. Just before 2:30 PM, I went outside to shovel what was left. I shoveled the left side of the house up to the oil burner pipe, the corners of the driveway, the center of the driveway where snow had been cleared off my parents’ cars, the curb, and the sidewalk up to the property line. Aided by the first six tracks of McCoy Tyner’s Double Trios album on my iPhone and Beats Fit Pro earbuds, it took me 43:03 (timed on my watch) to do the job.

Skies cleared within an hour of returning inside.

The next chance of snow comes via a mix with rain tonight and then all snow early Saturday morning.

For now, a photographic timeline of Tuesday’s wet snow follows below. (There’s even a video.)

6:30 AM:

7:30 AM:

8:32 AM:

9:30 AM:

10:57 AM:

11:08 AM, as my Dad clears snow:

11:36 AM, starting with a brief video:

1:02 PM:

1:39 PM, before shoveling, as Mom drives out:

3:11 PM, after shoveling:

January 19 snow showers January 20, 2024

Posted by Mike C. in Personal, Photography, Weather.
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In my previous post, I wrote that 2 to 4 inches of snow were expected with the next storm. After publishing, the forecast changed to 1 to 3 inches, then 1 to 2 on Friday, and finally next to nothing (half an inch). The snow showers that fell from the late morning to mid-afternoon merely left a small coating at the edge of the driveway and on my parents’ SUVs. I’m relieved that was it.

I still have half a dozen photos to share from five different points on Friday. So, below is the photographic timeline.

11:39 AM:

12:58 PM:

2:50 PM:

5:12 PM:

6:20 PM:

Milder conditions arrive next week with rain in the forecast, but nothing wintry. It’s only mid-January, though; plenty of time for snow to shovel and blow. I’ll report back after the next snow event, if there is one.

January 15-16 winter storm, aftermath January 18, 2024

Posted by Mike C. in Personal, Photography, Video, Weather.
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It’s been about two years since Wantagh – and Long Island in general – got measurable snowfall, but that streak ended on the night of Monday, January 15. About 2.5 inches of snow fell in a 16-hour period before changing to sleet and then rain.

My dad Bill cleared his car and left for work during the changeover, and I went outside to shovel two hours after that. By then, the one inch of snow on the driveway pavement had turned to slush. However, with temperatures due to fall back below freezing at night, and stay there for a few days, it was necessary to clear the slush from the driveway and sidewalk. I also cleared the snow off my mom Lisa’s car. It took 43 minutes to do those tasks, which impressed my parents and friends when I posted about it on Facebook.

What follows is a photographic timeline from the snowfall before bed on Monday night through the cleared driveway and car after walking to and from my credit union to deposit coins (and bringing garbage pails to the curb for Wednesday morning pickup).

Monday, January 15

10:59 PM

Tuesday, January 16

6:34 AM

7:40 AM

8:10 AM

I even shot a brief video:

11:35 AM, before shoveling and clearing

1:19 PM, after shoveling and errands

It won’t be long before the next post-storm blog post. 2 to 4 inches of snow are expected tomorrow (Friday, January 19). Expecting that much from the storm earlier this week, I moved items around in the garage – including some heavy items – so that the snow blower could be by the door ready for use. We didn’t need it then, but might next time. Until that storm’s recap, thank you for reading.

1/23 UPDATE: Long Island was spared any snow from that storm. My parents’ cars and the edge of the driveway got a coating, but that was it. I still made a post that you can read here.

Smooth Jazz for Scholars 2024 dates/lineup January 16, 2024

Posted by Mike C. in Personal, smooth jazz, Travel.
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I’ve been so busy with Twitch – as a streamer and a viewer (read about my setup here) – that I missed keyboardist Jay Rowe‘s January 4 announcement about this year’s Smooth Jazz for Scholars. It’s the 20th year and 21st anniversary. The two-night event in Jay’s hometown of Milford, Connecticut, benefits Milford Public Schools‘ music department.

With the exception of one night in 2015, I have documented every night of Smooth Jazz for Scholars since 2007, when it was only one night.

Below is Jay Rowe’s official announcement:

Appearing for the first time are Althea René (Friday) and Blake Aaron (Saturday). The rest are making return appearances, including Marion Meadows – who headlined the inaugural 2003 lineup – and vocalist Timmy Maia. This is Vincent Ingala‘s first planned appearance since 2015. He was a surprise guest in 2022.

Repeating the information in Jay’s announcement:

Friday, April 19
Vincent Ingala
Althea René
Steve Oliver
Marcus Anderson

Saturday, April 20
Marion Meadows
Steve Cole
Blake Aaron
Alex Bugnon
Timmy Maia

Location:
Veterans Memorial Auditorium in the Parsons Government Center
70 W. River St.
Milford, CT 06460

Tickets: $50 for one night, $85 for both nights

General admission tickets can be bought through Eventbrite, but reserved seating must be ordered by writing a check to:
Jay Rowe
P.O. Box 3723
Milford, CT 06460

I’ll end this promotional post with recaps of last year’s first night and second night.

5/2 UPDATE: Here are recaps of this year’s first night and second night.

My Twitch “Back After This” game show music cue mixes December 18, 2023

Posted by Mike C. in Audio, Game Shows, Livestream, Media, Music, TV.
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The overlay was changed on 5/29/25 to make use of ever-growing bird and plane photo slideshow loops (As of 7/20, I run a plane photo slideshow loop)

Rather than update my Twitch setup post, I’ve made this original post chronicling every cue in my game show music cue mix (mostly from The Price is Right). Per a TXT file compiled from my Adobe Audition multitrack sessions, the mixes currently in rotation are listed below. (NOTES: I tweaked the speed for some of the cues, so they vary from the original links. Not all cues have corresponding links.)

“BACK AFTER THIS” MUSIC CUE MIXES

As a bonus, my starting soon/next time Match Game-Hollywood Squares Hour cue mix combines these files:

2/8/24 UPDATE: Today, I worked on two more cue mixes – one for Match Game and MGHS, and the other for Wheel of Fortune.

  1. MatchGameCueMix (10:28)
    Think Cue 2
    Think Cue 3
    Think Cue 4
    Think Cue 5
    Think Cue (MGHS)
    Super Match Think Cue (MGHS)
    Ticket Plug/Consolation Prize Cue
  2. WOFCueMix (12:35)
    Ticket Plug Cue, 1975
    Prize Cue, 1975
    Prize Cue, 1983 (Struttin’ on Sunset)
    Shopping Cue, 1983 (Nightwalk)
    Car Cue, 1987 (Buzzword) (Merv Griffin’s Crosswords Theme)
    WoF – 1989-92 Opening Theme (100% CLEAN)

2/16/24 UPDATE: Another two music cue mixes have been added, but these are random and not tied to one show. The cues and themes are for Price, Concentration, Wheel, Family Feud, Hollywood Squares, Password Plus, Super Password, and Press Your Luck.

  1. RandomGameShowCueMix1 (12:07)
    Family Feud – Intro/Faceoff Cue (1976)
    Hollywood Squares Theme – Opening (1986)
    TPIR – Temptation Cue #1
    Family Feud – Ticket Plug/Faceoff Cue (1976)
    Concentration 1973-78 Prize Cue 11
    TPIR – Showcase Cue 1 (No Leads) (Cue 53)
    TPIR – Showcase Cue 2 (No Leads) (Cue 32)
    TPIR – Oriental Rug Cue (Concentration) (Cue 70)

    TPIR – Ceiling Fan/Pool Table/Bar Set Cue (1983)
  2. RandomGameShowCueMix2 (12:04)
    Password Plus Theme
    The Feud (Family Feud Main Theme) (1976-85)
    Press Your Luck (1983-1986) – Extended Closing Theme
    Super Password Theme
    Wheel of Fortune – Prize Cue, 1983 (Country Samba)

3/6/24 UPDATE: This morning, I added the 20th cue mix; the 14th of all Price is Right cues.

  1. TPIRCueMix14 (11:37)
    Refrigerator/Freezer IUFB Cue
    Jewelry/Gold IUFB Cue (Cue 77)
    Luggage/Train Set IUFB Cue (Cue 74)
    IUFB Cue ’72 (2) (Cue 34) (Moog-40)
    Chair/Recliner IUFB Cue 2
    IUFB Cue ’72 (1) (Cue 67)
    Cue 35
    Grocery/Small Prize Cue ’72 (1)
    Artwork IUFB Cue
    IUFB Cue ’72 (3)
    Bhen (Electronics IUFB Cue)

12/28/24 UPDATE: I added a WCBS Newsradio 88 jingle demo shortly after the format switch in August.

21. wcbsradiopackage-morethanjusttheheadlines-adjoined2 (10:43) (Edited from package posted to Don Swaim’s tribute site)

And tonight, I made a mix of game show themes:

22. RandomGameShowThemeMix (11:41)
Card Sharks 1978-81 Theme
To Tell the Truth Theme (1980)
Body Language Theme
The All-New Let’s Make a Deal Theme (1984-86)
Hollywood Squares Theme (1986)
Card Sharks 1986-89 Theme (slowed down to original speed)

4/17/25 UPDATE: After Wink Martindale died, I found a set of music cues from Tic-Tac-Dough. I made an edit that ends before the trip description cues. (Replaced with edited version on 11/10/25.)

23. Tic-Tac-Dough Music Set (without gaps) (no trip cues) (edit) (10:37)
Descriptions are taken from the YouTube video’s description:
Opening theme
Closing theme (loops removed)
Short Trumpet Cue
Contestant Introduction Cue
Regular Game Win Cue
Longer Game Win Cue used when a contestant wins a car with every 5 games (edited out)
Shorter Version of Regular game Win Cue in a higher key signature
Think Music Cue for extra time on center box category as they were always two part questions to earn that center box which Wink Martindale always called them a two-parter
Bonus Game (Beat The Dragon) Win Cue which is also the same as the Win Cue used when a contestant wins a car with every 5 games except that it plays once instead of twice
Bonus Game (Beat The Dragon) Cue when a contestant comes on over to play their Bonus Game (Beat The Dragon)
Consolation Prize Cue
Car Description Cue
Contestant Ticket Plug Cue
Bonus Game (Beat The Dragon) Prize Cue 1
Bonus Game (Beat The Dragon) Prize Cue 2
Bonus Game (Beat The Dragon) Prize Cue 3
Bonus Game (Beat The Dragon) Prize Cue 4
Bonus Game (Beat The Dragon) Prize Cue 5

4/29/25 UPDATE: I added a 24th mix yesterday with a Jeopardy! theme. (Replaced with edited version after 11/13/25 stream.)

24. JeopardyMusicMix-Edit (8:34)
1978-79 Opening Theme – Jeopardy! (“January February March”)
Wheel of Fortune – Prize Cue, 1983 (“Frisco Disco”) (1978-79 Jeopardy commercial/closing cue)
Jeopardy – 1992-1997 (via Internet Archive)
1997-2001 Theme Song – Jeopardy!
Rock & Roll Jeopardy theme song (via Internet Archive)

8/25/25 UPDATE: I neglected to note the addition of four recycled cue mixes. I made them since I rarely take breaks long enough to hear the cues below.

25. RecycledCueMix1 (8:13)
Second Thoughts (Most Expensive Cue)
Phone Home Game Grocery Cue
08 Dig We Must
Showcase Cue ’03 (2) (mono)

26. RecycledCueMix2 (8:56)
Concentration 1973-78 Prize Cue 8
Classic Concentration Closing Theme Music (loops removed)
Amen, Brother Herbert
Truck-Van-Jeep Cue (edit)

27. RecycledCueMix3 (8:18)
The Cats (PlutoTV Bumper Music)
Race Game, Buy or Sell, Take Two Cue (edit)
Fortune Hunter-Clearance Sale Cue
Temptation Cue #2 (Cue 222)

28. RecycledCueMix4 (10:48)
Ticket Plug/Consolation Prize Cue (Match Game)
WoF – 1989-92 Opening Theme (100% CLEAN)
TPIR – Ceiling Fan/Pool Table/Bar Set Cue (1983)
Bhen (Electronics IUFB Cue)
Wheel of Fortune – Prize Cue, 1983 (Country Samba)

11/9/25 UPDATE: I’m up to 29 cue mixes, 5 of which are recycled cue mixes. (First two cues swapped on 11/15/25.)

29. RecycledCueMix5 (9:03)
Trip Cue ’83 (careful speech volume leveler)
Car Cue, 1987 (Buzzword) (Merv Griffin’s Crosswords Theme)
Make Your Move (Cue 210A) (edit)
Super Password Theme

11/14/25 UPDATE:
30. RecycledCueMix6 (8:06)
Elegant Luxury Car Cue (Temptation Cue #5)
Spring Waltz SP (Plinko Cue #1)
Living-Dining-Bed Room Cue (1) (Cue 87)
Family Feud Showcase Car Cue

My Twitch setup December 7, 2023

Posted by Mike C. in Audio, Computer, Internet, Livestream, Personal, Technology, Video.
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RELATED: “Back after this” music cue mixes

Updated 10/15 and 12/31/24, 1/10, 5/8, 7/16, 7/20, 7/23, and 11/30/25 with setup changes

My setup as of 5/7/25

In case you’re wondering, this is the gear that goes into my Twitch streams (UPDATED 10/15 and 12/31/24, 1/10, 5/8, 7/16, 7/20, and 8/20/25):

The webcam, mixer, and Stream Deck are connected to an Anker 4-port USB 3.0 hub.

I gave up on my PC build in December 2024 and switched to a Dell Alienware Aurora R16. Here are the relevant specs for that:

  • CPU: Intel Core i9 14900F (2 4-Core, 68MB Total Cache, 2.0GHz to 5.8 GHz with Turbo Boost Max 3.0)
  • Motherboard: Alienware 0RF96M
  • Memory: 64GB (2x32GB), DDR5, 5200MT/s
  • GPU: NVIDIA GeForce RTX 4080 SUPER 16GB GDDR6X
  • Operating System: Microsoft Windows 11 Pro

Overlay backgrounds were made in Adobe Photoshop. Below are six examples (updated 7/16/25; I dropped “…on Twitch” branding in March 2025):

The webcam video is accordingly cropped in OBS for just chatting (background 2) and gameplay/media production (backgrounds 3 and 4; plus a Firefox background I didn’t include here). Game capture (and prerecorded gameplay videos), Adobe Audition, Word, display capture, and other programs are scaled down to fit their box and Firefox is cropped. StreamElements and Twitch overlays, widgets, and alerts are placed in different spots depending on the background. Additional text is added in OBS where necessary (i.e. prerecorded gameplay disclaimer, notable commands [in place of followers goal widget], milestone stream banners). Chat emote animation is full screen and lasts for ten seconds. Sound commands also require an overlay to be heard. Alerts were initially handled entirely by SE, but moved to Twitch in March 2024. The SE donation alert was reinstated during my 300th stream on 2/26/25.

I used Elgato 4K Capture Utility (available for download here) to play in real time on the right monitor until relying solely on OBS. I create a windowed projector and enlarge it on my right monitor where it’s placed in front of Google Chrome where I use the Twitch Stream Manager webpage. (I only have the window fill the screen if game text is unreadable.) To avoid sync issues, a separate element was made for 4K X audio (more on that two paragraphs below). Desktop audio is advanced by around 400ms (-400ms), also to avoid sync issues, although that is not utilized as often thanks to OBS’s “capture audio” option for window capture elements.

The Elgato 4K X only allows access to one app at a time. So, I initially used the NDI 6 Runtime plugin for OBS and click “Enable Stream Pair” in 4K Capture Utility. It was seen and heard as an “NDI Source” – that I named “Elgato 4K X” – in all gameplay-related scenes. I’m forced to use external devices on my Alienware Aurora R16 because the RTX 4080 SUPER graphics card blocks the remaining PCIE slots. As noted in the previous paragraph, I eventually abandoned this practice and relied solely on OBS, only using 4K Capture Utility to play games off stream if I don’t intend on recording. (11/21/25 NOTE: I now use the plugin for Dancing with the Stars watchalong streams, such as the one for season 34‘s fifth week on October 14 and the finale on November 25.)

While using the AVerMedia Live Gamer Ultra 2.1 from 12/31/24 to 1/6/25, I noticed a gradual audio desync problem with certain consoles – something not present in VODs or off-stream recordings. That required me to make a separate audio channel for the capture card, a solution I learned via this message board post. I bought the Live Gamer 2.1 for capturing to my laptop. With a working desktop, laptop captures and streaming will likely occur in the basement or away from home. (7/23/25 NOTE: One such “away from home” stream was from my hotel room in Connecticut on May 3 between Smooth Jazz for Scholars shows.)

I hope that answers all your questions. Thank you for watching my streams. I’ll leave you with a screenshot of an OBS test the night before my third stream.

7/23 and 11/30/25 UPDATES: As a bonus, I’m including my latest setup photos.

Instrumental Invasion, 11/17/23: Finale November 18, 2023

Posted by Mike C. in Airchecks, Audio, Computer, Internet, Jazz, Jazz Fusion, Livestream, Media, Music, New Age, Personal, Radio, smooth jazz, Video.
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The final prime time Instrumental Invasion on WCWP began life the same way the prior night did: as a Wednesday night show to air following what I assumed to be a short renovation programming hiatus. I hadn’t recorded this one yet, though. The playlist, annotations, and script were completed, but I wanted to work on more playlists before recording 181 or 182. I made 183 the Christmas show and 184 the third Three-of-a-Kind Showcase special. I’d work on 185 and 186 when I was ready.

The playlist was created on October 20 and 22. Annotations began on October 25, but were put on hold due to uncertainty over the hiatus and lineup change that was to follow. I finished those annotations and drafted the script on November 1. I figured I would record 181, then move on to 182.

After making tweaks to show 181 on the evening of November 6, I tweaked all components of 182: playlist, annotations, and script. Obviously, I’d have to redo the intro and outro, including a proper goodbye on the latter. These are the changes made:

Two segments per day were recorded from November 9 to 11. Each time, I streamed the recording sessions on Twitch.

Click here to download the finale’s aircheck scope or listen below:

I’m sad the show is over, but relieved that the hard work is behind me. So much time and effort went into each show, so burnout was inevitable. While this isn’t quite how I wanted to end, I’m grateful to WCWP station manager Pete Bellotti for allowing me a proper ending. Here was Pete’s complimentary statement on the WCWP Alumni Association Facebook group hours before air:

A salute to Mike Chimeri … yes, his birthday (Happy Birthday!!!!!) ….but to his final Instrumental Invasion tonight at 9p on 88.1 FM WCWP. There are no words to describe how important Mike will always be to WCWP as a talent, alum and human being. I am truly grateful for Mike’s friendship and I speak for many by saying THANK YOU! Time for some R & R and the next project that you will execute with class, professionalism & superior skill.

Cheers my friend!!!

Pete Bellotti, 11/17/23, 1:05 PM

Thank you very much, Pete.

Thank you, the listener and reader, for reading these recaps and listening to the airchecks. See you all on Twitch.

The Heidi Game story from an NBC log clerk November 17, 2023

Posted by Mike C. in Film, Football, History, Hockey, Media, News, Sports, Technology, TV, Video.
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Today is not just my 42nd birthday, but the 55th anniversary of the infamous Heidi Game, an AFL game between the New York Jets and Oakland Raiders. My fellow WCWP Hall of Famer John LiBretto, inducted in 2017, was a log clerk for NBC at the time, and permitted me to share what he remembered from that night via our e-mail conversation on Tuesday.

This is John’s story:

A little background: I was a Log Clerk, which was my entry job at NBC (I had started in June of 1968). Basically logged all programming and commercials etc. for the local station (WNBC) and for the network.

I worked in a room with two TV monitors just next to BOC (Broadcast Operations Control), the area that was responsible for all programming output to the network and WNBC. Next door was Master Control, and just in front was the Control Room that switched between all the control studios, rolled the station breaks etc. etc. Busy place.

On any given weekend that had live sports, the Operations Dept issued Conditions that outlined what was to happen during various points in the broadcast day (i.e. handoffs between games and regionalization of games during the football season, and the end of sports into the prime-time schedule at 7PM on a Sunday night). Remember, while the NFL and AFL had announced their merger to take effect in 1970, they were still separate leagues in 1968. The AFL did not have the high ratings of the NFL, nor the clout over the network (in fact, it was said that NBC saved the AFL, and helped facilitate the merger).

There were times that the network would allow a game to run slightly past 7PM, and either slide the network accordingly (rare), or do a Join-in-Progress (also rare). The show on this particular Sunday, Heidi, was a very expensive adaptation of the story (music by John Williams, by the way), and the conditions specifically stated that, no matter what, the show would air to east and central time zones at 7PM. The big 4PM game was, of course, Jets at Oakland Raiders. The commercial control was in Burbank (NBC’s west coast headquarters), so the game was coming back to the east via the video/audio lines from NBC Burbank to Paducah, KY, where it was switched, by AT&T, into the main network via something called the Round Robin (the network signal left NY and traveled in a big circle, city to city, and eventually came back to NY…a big circle that allowed news feeds and regional commercials to be switched into the network as needed (not to mention regional football games).

A lot of set-up information for what transpired next.

As we got closer to 7PM, it was pretty clear the game was not going to end on time. Curt Gowdy had already promoted that Heidi would be coming up in the east and central time zones at 7PM; the game would continue out west. The powers that be (Julian Goodman, President of NBC) realized that this was probably not a great idea after all, and tried to call BOC to order a change (i.e. let the game finish, and slide the east and central feed of Heidi). By this time, the calls were coming into NBC New York from viewers and overwhelming the switchboard, so Goodman couldn’t get through in time.

Here’s the sequence as it aired on the East Coast:

6:58:40 Network Identification (NI) a :06 seconded, either a promo, or just “This is the NBC Television Network.”

6:58:46  Network goes to black for local station break

Somewhere in here, BOC got word from Goodman to delay Heidi and go back to the game…mind you, only 1:14 to accomplish this. That NI I mentioned was also a set cue for the AT&T facility in Paducah to reverse the eastbound feed from Burbank to the normal feed of the network outbound to the west coast. So, that already meant the game was never coming back to the East Coast.

7:00:00 NBC Color Peacock (The Following is a Special Color Presentation on NBC)

7:00:12 A little bit of the Heidi opening, followed by hash (yes, they switched to the incoming feed from California, which unfortunately had nothing on it). Hash is what happens when there is no usable signal on the incoming line (looks like grey fuzz on the screen).

Looked worse than it seems in the writing of it!

Finally, realizing there was nowhere left to go, BOC switched back to the studio airing Heidi and just let it play. The screaming in BOC was quite something, but they actually did everything correctly; had they NOT aired Heidi according to the conditions without Goodman’s authorization, they probably would have all been fired. As it turned out, two of us became quite busy Sports directors!

It’s a miracle Goodman got through at all; the switchboard completely melted down from the volume of calls. The surprise was so did the switchboards in Chicago, Cleveland and Washington. That’s how NBC discovered that the AFL had become a pretty hot property.

I remember all this because I had to log every single second of what went on the air that evening. Eventually, a flash caster was aired over Heidi giving the final score (Oakland scored twice in a matter of a few seconds and won the game [43-32], which further pissed off the New York market).

John LiBretto, via 11/14/23 e-mail

As a postscript to John’s story, here is David Brinkley‘s report and Curt Gowdy’s re-creation of the end of the game on the following night’s Huntley-Brinkley Report:

Modified from original video source

The Jets would get their revenge on Oakland six weeks later in the AFL Championship Game, beating the Raiders 27-23 at Shea Stadium. Of course, two weeks after that, the Jets upset the NFL Champion Baltimore Colts in Super Bowl III.

Instrumental Invasion, 11/16/23: 60-year musical journey, 1963-2023 November 17, 2023

Posted by Mike C. in Airchecks, Audio, Computer, Football, Game Shows, Internet, Jazz, Jazz Fusion, Livestream, Media, Music, Personal, Radio, smooth jazz, Sports, Technology, TV, Video.
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This edition of Instrumental Invasion started out as a regular Wednesday night show that I assumed would air after a short programming hiatus (one or two weeks) for WCWP. I guessed wrong. Thus, this was reworked as a Thursday night show. References to “this week” were removed and the intro and outro were redone to acknowledge the impending demise.

Rather than have my last six shows run on The Wave, station manager Pete Bellotti arranged for this show and the next one to air on consecutive nights, hours before the renovation programming hiatus was to begin. This meant I was on three nights in a row: November 15 to 17, all in the regular 9PM slot.

The playlist was created on October 4 and annotated from October 13 to 15. The script was drafted on the 15th, 17th, and 18th.

Recording began on November 4, during my second-ever Twitch livestream. It was an opportunity let viewers in on the process, though few cared to watch live. I worked on the first hour over the course of a two-hour stream. Then, I raided out to music streamer Cerian (kerry-anne). (Twitch doesn’t have a radio category, so I chose music and felt I should raid a fellow music streamer.) I was giddy (as in Biddy) to raid her because I’d been meaning to give her streams a try. I promised I would play the instrumental version of her song “Wrong Side” in my last show, which I assumed would be 186. More on that in the finale recap.

Livestream clips:

The first segment of hour 2 was recorded on November 5 and the rest on the morning of the 6th. I was over a minute beyond my desired 1:49:00 threshold, but with legal IDs and spot breaks, I’d still end before 11PM.

As noted earlier, pickups were recorded on the evening of the 6th, but only after reinstating backups of segment session files. Thinking I was moving to The Wave, I recorded a tag to play in place of all FM references in liners, then I saved and exported those files accordingly.

This proved unnecessary.

David Benoit‘s cover of “Song for My Father” was first played on July 1, 2020, but not with the lengthy origin story. I ended up hooked on a video YouTube recommended of the Horace Silver Quintet playing “Song for My Father” on Danish TV in April 1968:

That, in turn, sent me down a Billy Cobham rabbit hole, culminating in this August 2016 Drumeo presentation:

Click here to download the penultimate scoped aircheck or listen below:

Instrumental Invasion, 11/15/23: Song pairs from 2023 albums November 16, 2023

Posted by Mike C. in Airchecks, Audio, Jazz, Jazz Fusion, Livestream, Media, Music, Personal, Radio, smooth jazz, Technology.
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The November 15 Instrumental Invasion on WCWP was the last show to air on Wednesday night, and the third song pair show. The theme was pairs from 2023 albums. It was an excuse to accelerate my new release backlog airplay ritual of playing six songs from a new release. Since David Benoit‘s latest release came out in February 2022, he was absent from the show. That’s eight times in 180 shows without my favorite musician. And visiting the future, I can say it ended up eight times in 182 shows.

The playlist was created on September 9, the last in a group of four I worked on. Annotations were made alongside the other three, between September 13 and 18. The talk break script was drafted on the 21st.

I recorded this show’s first hour at the office on September 27. The first segment of hour two was recorded on the 28th (while watching VoiceUnmuted [Katie Seto] on Twitch) and the last two (plus pickups) on the 29th. The pickups were to accommodate the resulting deficit upon replacing Pat Metheny‘s “Trust Your Angels” with “Morning of the Carnival.” My September 30 quality control session (prior to Katie’s charity stream) came up clean, so no further pickups were needed.

The office recordings were the first time I changed my editing technique. You may have noticed distorted audio in talk breaks in last week’s show from the third segment on. Adobe Audition‘s declicker filter worked fine at home when used broadly (for the entire file), but not at the office where I had updated to the latest edition of Audition. So, after applying denoise, I listened intently for mouth clicks and other noises to filter out as I edited. I have since updated all my Adobe programs at home and have the same problem, meaning I have to use the same technique there.

Click here to download the scoped aircheck or listen below: