Spyro Gyra Smooth Cruise recap 2 August 15, 2013
Posted by Mike C. in Jazz, Music, Personal, Photography, Travel, Weather.add a comment
My first Smooth Cruise aboard the Spirit of New York five years ago featured Spyro Gyra. Wednesday evening, I saw that legendary band for the second time. As usual, I opted for the sunset cruise over the moonlight one.
Smooth Cruises are run out of Pier 61 at Chelsea Piers in the Chelsea neighborhood of Manhattan. The cruise rides along the Hudson River to New York Harbor and back.
Thanks to an area of Canadian high pressure behind a cold front the night before, the Northeastern United States was treated to low humidity and early fall-like weather. But that was the weather outside. We’ll get to outside pictures later.
Inside, the heat was on with Spyro Gyra in action.
The leader of the band, Jay Beckenstein, was on the alto saxophone…
…but not simultaneously.
Jay wore a t-shirt with the Morning Dance album cover on it.
Tom Schuman on keyboards:
Julio Fernandez on guitar:
Scott Ambush on bass:
…and Lee Pearson played the drums:
Lee brought his two sons along.
SET LIST
1. Freetime
2. Catching the Sun
3. De La Luz – Julio, lead vocals; Lee, background vocals
4. Dancing on Table Mountain – Scott, extended bass solo
5. I Believe in You
6. Expect a Miracle – Lee, extended drum solo
7. Falling Walls
8 (Encore). Morning Dance – Jay called this “an encore without leaving the stage.”
Julio’s lead vocal on “De La Luz”:
Backed up by Lee:
Scott’s extended bass solo on “Dancing on Table Mountain”:
The view from my table:
The last note of the night:
Immediately after the set, the band made their way to the deck below for a meet and greet. I caught up with Jay Beckenstein:
Tom Schuman:
…and Scott Ambush:
As promised, we’ll conclude this recap with shots taken outside before and during the cruise:
The Pier 62 skate park:
Close-ups of Hoboken and Weehawken:
Lincoln Tunnel ventilation building in background, Beast Speedboat in center:
Jersey City:
Manhattan’s West Side:
The nearly-completed One World Trade Center:
The Statue of Liberty:
As you can tell by the reflection, I took that at my table.
Brooklyn:
Brooklyn Bridge:
One last shot of One World Trade Center:
Riding the Seaford-Oyster Bay Expressway, Southern State Parkway, and Wantagh Parkway August 12, 2013
Posted by Mike C. in Personal, Photography, Travel.add a comment
This is the fourth in my “Riding” series of pictures taken on parkways and expressways while in transit from one area to another.
This time, the pictures were taken on the Seaford-Oyster Bay Expressway, Southern State Parkway, and Wantagh Parkway. I took them with a Nikon D5100, a Panasonic Lumix DMC-FZ8, and an iPhone 5. You can figure out what pictures were taken with what camera (or phone) by their quality. License numbers were blurred out in Photoshop.
On the Seaford-Oyster Bay Expressway south, Exit 13W:
Exit 11 (southbound only):
Exit 10:
Exit 9:
Exit 7E:
Exit 6:
Exit 5:
Exit 4W:
Exit 4E:
Exit 2E:
Seaford-Oyster Bay north, Exit 4W:
Exit 5:
Exit 7E:
Exit 7W:
Exit 8:
Exit 9:
Exit 10:
Exit 12E:
Exit 12W:
Southern State Parkway west, Exit 28S:
Exit 27N:
Some of these next signs were, or may have been, replaced, like the ones above were.
Exit 27S:
Exit 25N:
Exit 19N:
Exit 18:
Exit 13:
Southern State Parkway east, Exit 28S:
On the Wantagh Parkway north, Exit W6:
Exit W3E:
Exit W3W:
Wantagh Parkway south, Exit W4W:
Exit W4E:
Exit W5W:
Exit W5E:
Exit W6W:
Exit W6E:
That concludes this “Riding” post.
Boarding the iPhone bandwagon July 6, 2013
Posted by Mike C. in Internet, Media, News, Personal, Phone, Photography, Radio, Sports, Technology, Travel, TV, Weather.add a comment
On an unseasonably hot day in mid-April, I switched from an LG enV3 (VX9200) to an iPhone 5. Soon after, I bought an Otterbox Defender case for it (which includes a belt clip holster) and a Logitech wireless headset for extended phone calls.
I’ve downloaded 30 apps so far. Among them are two for radio, nine for sports, three for news, three for weather, and three social media. I bought two apps: a tip calculator (which was standard on my old phone) and the Merriam-Webster dictionary.
On the first day I had the iPhone, it took a few hours to load all my contacts to iCloud. But they’re in and some are categorized by ringtone, something I hadn’t done with my previous phones.
The Nike Running app has been instrumental in getting me to run three miles (or more) every day. Most of the runs have been outdoors, but I ran on my treadmill on a rainy day last month. And with temperatures now hovering near 90 degrees each day, I may have to do more indoor runs on my treadmill or step machine.
The iPhone’s camera has come in handy when I don’t have my Nikon D5100 on me. Most of the pictures taken with the phone are of recently replaced Town of Hempstead street signs and new traffic lights. Some examples:
The one downside is the internal drive is only 13.5 GB (gigabytes) (billed as 16 GB). It makes me wish there was a microSD slot for an additional 16 GB, or even 32.
Regardless of that, I’m glad I finally boarded the iPhone bandwagon. I don’t know why I didn’t do it sooner.
The end of Manor East June 16, 2013
Posted by Mike C. in Internet, Media, News, Personal, Travel, TV, Video.add a comment
A piece of my early teens – and my sister’s, as well – is no more. Thursday, without warning, Manor East in Massapequa closed down (WABC-TV, WNYW-TV, CBSNewYork.com, Bellmore Patch). The catering hall at the corner of Jerusalem Avenue and North Broadway was home to my Bar Mitzvah reception in November 1994 and my sister’s Bat Mitzvah reception in September 1996 (two months after her birthday). (Our services were at the now-defunct Union Reform Temple in northwest Freeport.)
I pass by it whenever I take the n55 NICE Bus to Sunrise Mall or on the way to Lumara Salon for my monthly haircut. I can’t imagine what will take its place.
I feel terrible for those that paid for parties and receptions at Manor East and are left scrambling to find alternate locations.
Here is home video that I shot outside Manor East in February 1995 before going in for my friend Rob’s Bar Mitzvah, three months after mine:
(Sorry about the poor camerawork.)
Walking through Grand Central Terminal June 8, 2013
Posted by Mike C. in Jazz, Music, Personal, Photography, Travel.add a comment
In the late morning and early afternoon of Friday, April 26, I made the long journey from my home in Wantagh to Milford, Connecticut for the this year’s Smooth Jazz for Scholars concert (night 1, night 2). After walking from Penn Station to Grand Central Terminal, I took the following pictures while waiting for my Metro-North train to Milford:
The next step was buying a round-trip ticket. Then, I bought a couple of snacks at Rite Aid and made my way to my train’s track.
From here, it was on to Milford.
When I headed home on Sunday, I opted not to walk from GCT to Penn. Instead, I took the 7 train to Woodside-61st Street and waited for a Babylon-bound LIRR train. I had been on enough trains on that branch that I assumed Woodside was a regular stop. But it wasn’t this time. I had to board a Ronkonkoma train and change at Jamaica. The Babylon train at Jamaica arrived on the same track as the Ronkonkoma train. There was a short delay in Baldwin, but I eventually made it back to Wantagh and wound down at home.
Expanding my collection May 16, 2013
Posted by Mike C. in Internet, Jazz, Music, Personal, Travel.add a comment
The mental seed for expanding my music collection was planted at the first night of this year’s Smooth Jazz for Scholars benefit concert. One of the guest musicians that night was wind instrumentalist Nelson Rangell. He played one song from one of his albums and two covers not on any of his albums. The first of the two covers was a Return to Forever song called “Spain.” Nelson’s cover featured guitarist Marc Antoine, who was the first guest introduced that night. “Spain” was Marc’s fourth song in a row and followed Nelson’s contribution to his cover of “Mas Que Nada” by Sergio Mendes and Brasil ’66.
Return to Forever (or RTF) is one of a few bands Chick Corea has led in his long career. I don’t have any of his solo albums, but I did have all but one by the Elektric Band (plus one Elektric Band II album).
That Friday night at the Parsons Complex, I was unaware “Spain” was an RTF cover. But the refrain sounded familiar and typical of Chick. The following morning in my hotel room, I did a Google search for spain jazz song. The top result was this Wikipedia entry. So, I listened to a little bit of the song in Spotify. The mental seed that was planted the night before was starting to grow.
At home a few days later, I looked into the rest of Return to Forever’s works. Bypassing their eponymous debut album, I liked what I heard on half of Light as a Feather (where “Spain” originated), but I haven’t listened to Flora Purim’s vocal contributions to the other half. I liked all of Hymn of the Seventh Galaxy, Where Have I Known You Before, No Mystery, and Romantic Warrior. But I didn’t like Musicmagic because it was all vocals. So, after a week of deliberation, and purchasing saxophonist Andy Snitzer’s The Rhythm, I bought Light as a Feather as an MP3 download and the four albums that followed it (Hymn, Where Have I, etc.) on CD. Some songs on those albums were good, but the rest were great, especially if they featured various synthesizers.
I will eventually buy Return to Forever’s recent live album, The Mothership Returns. The latest incarnation of RTF, after several hiatuses, features 75% of the band during most of its 1970s run (Chick, bass player Stanley Clarke, and drummer Lenny White) plus violinist Jean-Luc Ponty and guitarist Frank Gambale.
While I was waiting for the four RTF CDs to arrive, I remembered that I had a Chick Corea Akoustic Band album – the CD, at least – for six years and never ripped it to my computer. The CD arrived by accident in a jewel case that had artwork for the Elektric Band’s Beneath the Mask album. I eventually got that album’s CD, but never listened to the eponymous Chick Corea Akoustic Band CD. That changed last Thursday. I liked the jazz standard covers in the first three-fifths of the CD, but loved Chick’s originals that rounded it out. The Akoustic Band was the Elektric Band without saxophonist Eric Marienthal and the aforementioned Frank Gambale. That left Chick on piano, John Patitucci on bass, and Dave Weckl on drums. The four Chick originals were “Morning Sprite,” “T.B.C. (Terminal Baggage Claim),” “Circles” (a nod to Chick’s Circle band?), and a new arrangement of “Spain.” The one I got hooked on was “T.B.C.” because it reminded me of walking through airport terminals, particularly at Tampa International Airport. And since the album came out in 1989, I harkened back to plane rides I took to Tampa that year, and the joy of seeing my grandparents, who lived 45 minutes away in Crystal Beach, greet me in the terminal and walk with me and my immediate family to baggage claim. “Many bags look alike,” the baggage claim announcement included. (The rest of it was something about claim checks.)
As the RTF CDs came in, I also found the GRP All-Star Big Band album that I had been sitting on for just as long as the Akoustic Band album. That, too, featured a cover of “Spain.” And when my girlfriend shipped me Brian Simpson’s new album, Just What You Need, and Tom Borton’s 1992 album, The Lost World, I finally listened to the other album of Tom’s that I’ve had for eight years, Dancing with Tigers. I bought that one after learning excerpts from a few songs were used as Local Forecast music on The Weather Channel in the early ’90s.
As if all of this music wasn’t enough, I decided to give the later albums of Miles Davis a try. I’ve had downloads of “Tutu” (from the album Tutu) and his cover of “Human Nature” (from You’re Under Arrest) for years, but finally decided to buy Tutu and Amandla. The latter was Miles’ last album completed in his lifetime. (He died during the production of Doo-Bop.) Eventually, I’ll get Aura, You’re Under Arrest, Decoy, Star People, and maybe The Man with the Horn.
In three short weeks, that seed for expanding my music collection has blossomed into an enormous music tree. One song at one concert led to the purchase of five albums, then discovering two albums I never put on my computer, then buying two more albums, then receiving two more albums from my girlfriend which led me to give an album I hadn’t listened to eons another shot. Thank you, Nelson Rangell, for planting the seed in my head by covering “Spain.”
SJFS 2013 Night 2 recap April 29, 2013
Posted by Mike C. in Internet, Jazz, Media, Music, Personal, Photography, Travel.1 comment so far
Updated on 8/20/13 with two videos.
If at first you succeed, try to duplicate the success the following night. That was the task for the second night of Jay Rowe‘s eleventh annual Smooth Jazz for Scholars concert.
Kevin McCabe was the first to speak to the audience just before 8PM:
As you can see behind Kevin, before Jay and the house band came out, the show began with a performance by the Foran High School Jazz Band, under the direction of Jessica Shearer. Their song featured a solo by Jay. Pictures of what was visible can be seen later in this post.
The house band was made up of Jay on keyboards:
Jerry Brooks on bass:
Trever Somerville on drums:
Steve Scales on percussion:
The show took place on Steve’s birthday.
…and for eight of the songs, Rohn Lawrence on guitar:
SET LIST
1. Martinis and Bikinis (Jay Rowe)
Originally heard on: “Live at Daniel Street,” 2011
Featured musicians: Jay Rowe (keyboards), Rohn Lawrence (electric guitar)
2. Side Tracked (Jeff Golub)
Originally heard on: “The Three Kings,” 2011
Featured musicians: Jeff Golub (electric guitar), Rohn Lawrence (electric guitar)
Unfortunately, Jeff went blind a few years ago. But he hasn’t let that stop him from performing. He still sounds great. His courage and perseverance are admirable.
3. Freddie’s Midnight Dream (Jeff Golub)
Originally heard on: “The Three Kings,” 2011
Featured musicians: Jeff Golub (electric guitar), Rohn Lawrence (electric guitar)
4. Can’t Stop Now (Vincent Ingala)
Originally heard on: “Can’t Stop Now,” 2012
Featured musicians: Vincent Ingala (tenor sax), Rohn Lawrence (electric guitar)
5. Wild Thing (Marion Meadows)
Originally heard on: “Whisper,” 2013
Featured musicians: Marion Meadows (soprano sax), Vincent Ingala (tenor sax), Chieli Minucci (electric guitar), Rohn Lawrence (electric guitar)
6. Black Pearl (Marion Meadows)
Originally heard on: “Whisper,” 2013
Featured musicians: Marion Meadows (soprano sax), Chieli Minucci (acoustic guitar)
7. Dreams (Chieli Minucci)
Originally heard on: “It’s Gonna Be Good,” 1998
Featured musicians: Chieli Minucci (electric guitar), Vincent Ingala (soprano sax)
8. Crazy Eights (Chieli Minucci & Special EFX)
Originally heard on: “Genesis,” 2013 (to be released on May 21)
Featured musicians: Chieli Minucci (electric guitar), Vincent Ingala (tenor sax)
9. If I Could Fly (Vincent Ingala)
Originally heard on: “Can’t Stop Now,” 2012
Featured musicians: Vincent Ingala (tenor sax), Rohn Lawrence (electric guitar)
10. It Is What It Is (Vincent Ingala)
Originally heard on: “North End Soul,” 2010
Featured musicians: Vincent Ingala (tenor sax), Rohn Lawrence (electric guitar)
11. In Memory of Elizabeth Reed (The Allman Brothers Band cover)
Featured musicians: Chieli Minucci (electric guitar), Jeff Golub (electric guitar)
12. Suede (Marion Meadows)
Originally heard on: “Player’s Club,” 2004
Featured musician: Marion Meadows (soprano sax)
13. Katy’s Groove (Jay Rowe)
Featured musicians: Foran High School Advanced Vocal Ensemble, under the direction of Theresa Voss
14 (Finale). Cold Duck Time (Jeff Golub; Eddie Harris cover)
Originally heard on: “Do It Again,” 2002
Featured musicians: Everyone
Various shots of Jay Rowe:
Jerry Brooks:
Trever Somerville:
Steve Scales:
Rohn Lawrence:
Vincent Ingala:
Jeff Golub:
Chieli Minucci:
Marion Meadows:
Just like in 2011, Marion began “Suede” by playing his way through the audience:
Vincent and Rohn:
Chieli and Vincent:
Marion, Vincent, and Chieli:
Chieli and Jeff:
Foran High School Jazz Band:
Foran High School Advanced Vocal Ensemble:
The Finale – “Cold Duck Time”:
The second night of Smooth Jazz for Scholars was now complete.
Jay: “We’ll see you all next year!”
I hope you enjoyed this pictorial journey through both nights of Smooth Jazz for Scholars. Until next year, so long.
SJFS 2013 Night 1 recap April 29, 2013
Posted by Mike C. in Internet, Jazz, Media, Music, Personal, Photography, Travel.add a comment
Updated on 8/20/13 with two videos.
This weekend, I made my annual pilgrimage to Milford, Connecticut, for Jay Rowe‘s eleventh annual Smooth Jazz for Scholars concert. For the first time in SJFS history, there were two nights of music to enjoy. This is a recap of night 1.
Kevin McCabe had some opening remarks:
…and so did Jay Rowe:
Jay played his keyboards:
His house band was rounded by Jerry Brooks on bass:
Trever Somerville on drums:
…and Steve Scales on percussion:
The structure of this recap is different from previous SJFS recaps. Instead of combining the set list with pictures from the corresponding songs, I’ll list the set list first. Here it is:
SET LIST
1. Martinis and Bikinis (Jay Rowe)
Originally heard on: “Live at Daniel Street,” 2011
Featured musicians: Jay Rowe (keyboards), Marc Antoine (acoustic guitar)
2. Sunland (Marc Antoine)
Originally heard on: “Madrid,” 1998
Featured musician: Marc Antoine (acoustic guitar)
3. Mas Que Nada (Marc Antoine; Sergio Mendes & Brasil 66 cover)
Originally heard on: “Cruisin’,” 2001
Featured musicians: Marc Antoine (acoustic guitar), Nelson Rangell (alto sax)
4. Spain (Return to Forever [Chick Corea] cover)
Featured musicians: Nelson Rangell (flute), Marc Antoine (acoustic guitar)
5. Turning Night Into Day (Nelson Rangell)
Originally heard on: “Turning Night Into Day,” 1997
Featured musician: Nelson Rangell (alto sax)
6. Did You Know? (Nick Colionne)
Originally heard on: “Just Come On In,” 2003
Featured musicians: Nick Colionne (electric guitar), Vincent Ingala (electric guitar)
You read right. Vincent isn’t limited to one instrument. And if you’ve read the liner notes for some of Nick’s albums, neither is he.
7. Rainy Night in Georgia (Nick Colionne; Brook Benton cover)
Originally heard on: “It’s My Turn,” 1994; “Keepin’ It Cool,” 2006
Featured musicians: Nick Colionne (vocals/electric guitar), Nelson Rangell (alto sax)
8. Pusherman (Alex Bugnon; Curtis Mayfield cover)
Originally heard on: Upcoming album
Featured musicians: Alex Bugnon (keyboard), Jay Rowe (keyboards), Nick Colionne (electric guitar), Vincent Ingala (electric guitar)
9. A House is Not a Home (Alex Bugnon; notably covered by Luther Vandross)
Originally heard on: Upcoming album
Featured musicians: Alex Bugnon (keyboard), Vincent Ingala (electric guitar)
10. Poinciana (notably covered by Ahmad Jamal)/107 Degrees in the Shade (Alex Bugnon)
“107 Degrees…” originally heard on: “107 Degrees in the Shade,” 1991
Musicians: Alex Bugnon (keyboard), Jay Rowe (keyboards)
11. The Connection (Nick Colionne)
Originally heard on: “Feel the Heat,” 2011
Featured musicians: Nick Colionne (electric guitar), Vincent Ingala (electric guitar)
12. How Insensitive (Insensatez) (Antonio Carlos Jobim cover)
Featured musicians: Nelson Rangell (whistling/piccolo), Marc Antoine (acoustic guitar)
13. Harlem On My Mind (Alex Bugnon)
Originally heard on: “Tales from the Bright Side,” 1995
Featured musicians: Alex Bugnon (keyboard), Nelson Rangell (flute), Vincent Ingala
14. On the Strip (Marc Antoine)
Originally heard on: “Cruisin’,” 2001
Featured musician: Marc Antoine (acoustic guitar)
15 (Finale). Cantaloupe Island (Herbie Hancock cover)/(James Brown-style jam)
Featured musicians: Everyone
In the finale, some musicians switched to different instruments. Vincent went from electric guitar to tenor sax; Marc Antoine tried out Vincent’s guitar, Steve’s drums, and one of Jay’s synthesizers.
With the set list out of the way, let’s get to the pictures.
We begin with various shots of Jay Rowe:
Trever Somerville:
Steve Scales:
Nelson Rangell helped out during Marc Antoine’s “How Insensitive” solo. Seconds before I took this, he struck the chimes:
Marc Antoine:
Nelson Rangell:
Alto sax:
Flute:
Piccolo:
Whistling:
Whistling like that deserved a bow:
Vincent Ingala on electric guitar:
Nick Colionne:
Hearing from the audience:
“Rainy Night in Georgia”:
Alex Bugnon:
Nelson and Marc’s “Mas Que Nada” call and response:
Jay and Alex’s dual medley:
Nick and Vincent’s “The Connection” duet:
The finale:
“Can I count it off?! (slow staccato): Can I count it off?!”
Nick in the audience:
Back on stage:
With that, the first night of the eleventh annual Smooth Jazz for Scholars was complete.
The fun resumed the following night. Click here to see.
Busy Saturdays (and one Friday) ahead April 13, 2013
Posted by Mike C. in Jazz, Media, Music, Personal, Photography, Radio, Technology, Travel, Video.add a comment
I have a busy pair of Saturdays (and one Friday) beginning next week.
Next Saturday, I’ll be at the second annual WCWP Hall of Fame Induction Ceremony. As I noted in mid-October, this year’s inductees are Steve Radoff, Harry Lowenthal, Bill Mozer, and Maura “Bernie” Bernard. Like last year, the ceremony will take place at the Tilles Center Atrium. But unlike last year, it will take place in the afternoon rather than the evening.
The following Friday and Saturday, I’ll be up in Milford, Connecticut, for both nights of keyboardist Jay Rowe’s annual Smooth Jazz for Scholars benefit concert. In the Friday show, for the first time since 2008, Jay won’t be the only keyboardist performing. Alex Bugnon is one of the guests scheduled to perform, along with saxophonist Nelson Rangell, and guitarists Marc Antoine and Nick Colionne. Saturday’s lineup consists of guitarists Jeff Golub and Chieli Minucci, and saxophonists Marion Meadows and Vincent Ingala. This will be the first time I’ve seen Jeff since he unfortunately lost his sight.
At both events, I’ll have the same video and audio equipment as last year, but I’ll be using a new digital camera. After getting the Nikon D3100 last May, I lucked into swapping it for a new D5100 earlier this week.
You know the drill: After each event, I’ll post a photo recap here at MikeChimeri.com. Crafting posts will be easier now that WordPress lets you post all the pictures at once.
Until then, so long.
Riding the Staten Island and West Shore Expressways January 20, 2013
Posted by Mike C. in Personal, Photography, Travel.add a comment
Picking up where Riding the Belt Parkway left off, the focus of the pictures in this post is the Staten Island Expressway and West Shore Expressway.
The pics were taken on the way to my friends’ housewarming party in Howell, New Jersey.
On the Staten Island Expressway, Exits 15S and 14:
Exit 10:
Exit 9:
Exit 7:
Exit 6:
Exit 5, NY 440 South (West Shore Expressway):
On the West Shore, Exit 8:
Exit 7:
As you saw above, two of the expressways’ exits overlap.
Exit 5:
Exit 3:
Exit 1, Arthur Kill Road (again):
The Outerbridge Crossing:
After crossing the Crossing, my parents and me were in New Jersey. In another hour, we arrived in Howell.
MikeChimeri.com 
