Jessy J at Daniel Street, Fourplay at the Blue Note August 2, 2011
Posted by Mike C. in Internet, Jazz, Media, Music, Travel.1 comment so far
Last week, my friend–blogger, graphic artist, and author Katherine Gilraine–attended four jazz shows. For my post, we’ll focus on two of the shows.
First up is Jessy J at the Daniel Street club in Milford, Connecticut, last Friday. (6/22/12 UPDATE: Daniel Street closed six months later.) Jessy’s band featured Jay Rowe, another friend of mine, on keyboards. K.G. writes in part (with links added by me):
… Out came Jessy on the alto, and out came Dizzy [Gillespie]’s Tin Tin Deo, and immediately, I saw that she has made leaps and bounds in her stage presence. She danced, she played to her audience, she back-and-forthed masterfully with Rohn Lawrence and Carl Carter, and she made it clear from the first thirty seconds that she was very much into the music that she was playing. The show quickly became a showcase as she went to the mic and got to singing – Mas Que Nada, mind you, is a favorite of mine – and commandeered a party through a Gloria Estefan cover. Granted, I’m no Gloria Estefan fan by any stretch of the imagination, but Jessy knew how to incorporate it into her style. There was no one with her on stage who wasn’t equally involved in the overall dynamic, and the audience was just as into her music as she was. …
Jessy has a new album coming out the day after Labor Day, Hot Sauce.
K.G. had this to say about the Fourplay show:
If Bob James or Chuck Loeb come to the Blue Note, I’m very sure that you will find me in the audience. If Bob James and Chuck Loeb are at the Blue Note, so is every Fourplay fan in New York City.
No, really.
… [Let’s Touch the Sky] was the focal point of the Blue Note show, and I saw how New York Attitude on guitar worked its way into the (admittedly) smooth dynamic of Fourplay. If you want to hear a great example of it, check out 3rd Degree. Written by Chuck in a tribute of himself being the third guitarist in the Fourplay lineup, it’s classic Loeb indeed: sharp, gritty, and almost toeing the line of rocker guitar, but not quite there. At the Note, this was a crowd-pleaser, right along Nathan East‘s voice on I’ll Still Be Loving You. …
Mindi Abair on Happily Divorced!; auto-tuning on Hot in Cleveland July 9, 2011
Posted by Mike C. in Comedy, Jazz, Media, Music, TV.add a comment
Last week, I began watching the new TV Land sitcom Happily Divorced. Wednesday night, the show’s fifth episode aired, “A Date with Destiny.” Mindi Abair appears in one scene as the saxophonist in Judi’s (Tichina Arnold) band and another scene as an extra. Check TV Land listings for a rerun of this episode. It happens about 19 minutes in.
HONORABLE MENTION
Happily Divorced was preceded by Hot in Cleveland. Wednesday’s episode, “Battle of the Bands,” featured the four main cast members–Valerie Bertinelli, Jane Leeves, Wendie Malick, Betty White–singing into an auto-tune wireless microphone. I find most voice alteration (pitch/speed modulation) funny, especially auto-tune. So, I got a kick of the auto-tuning in that episode.
11/27 UPDATE: Cablevision recently added the TV Land HD channel. So, I got to see “Battle of the Bands”–and many other episodes airing this weekend as part of a marathon–in HD for the first time.
FLASHBACK: Interviewed for Dave’s Gone By on New Year’s Eve 2006 June 6, 2011
Posted by Mike C. in Airchecks, Comedy, Internet, Interviews, Jazz, Media, Music, Personal, Politics, Radio, Theatre.add a comment
I was Googling my name just now and came across this page. It’s the website Dave’s Gone By, a weekly radio show hosted by Dave Lefkowitz. There I found an interview I did–in which I was the interviewee–for the Dave’s Gone By New Year’s Craptacular special on New Year’s Eve 2006. You can hear that interview here. It starts at the 8:11 mark.
I was returning the favor after interviewing Dave a handful of times for The Mike Chimeri Show, which was days from its last show. Here are all those interviews (with air dates in parentheses):
Dave Lefkowitz Interview, Part 1 (August 17, 2005)
Dave Lefkowitz Interview, Part 2 (August 17, 2005)
Dave Lefkowitz Interview II (November 23, 2005) (In this one, I accidentally refer to Dave by his show title at one point. I had to rush down to Rockville Centre after I recorded the interview and my mind was all over the place.)
Dave Lefkowitz Interview III (March 29, 2006) (This was the first of three interviews I recorded in one day. After Dave came Nick Colionne and Mindi Abair. For all my Mike Chimeri Show interviews, which I self-consciously haven’t listened to since I edited them, click here.)
Dave Lefkowitz Interview IV, Part 1 (December 22, 2006)
Dave Lefkowitz Interview IV, Part 2 (December 22, 2006) (This was the last interview I recorded for The Mike Chimeri Show.)
About four years later, I was the interviewee again during the Fan Phone Call segment of Alison Rosen’s UStream show, Alison Rosen is Your New Best Friend. You can hear that here.
Rating Improv-A-Ganza games; the ratings May 25, 2011
Posted by Mike C. in Comedy, Commentary, Game Shows, Media, Personal, Radio, Theatre, TV.add a comment
I have been a fan of improv comedy since I discovered reruns of the British version of Whose Line is it Anyway? on Comedy Central 14 years ago. The American version with Drew Carey and much of the American performers from the British version brought the Whose Line franchise and improv to the stratosphere. My love for Whose Line carried over to Drew Carey’s Green Screen Show, which unfortunately didn’t last long. But I had the good fortune to conduct phone interviews with Colin Mochrie and Brad Sherwood while I was at WCWP. Here’s how those interviews went:
Brad Sherwood Interview (May 25, 2005)
Colin Mochrie Interview (September 14, 2005)
Brad Sherwood Interview II (November 10, 2006)
(More interviews can be heard here and here.)
Four years into Drew Carey’s run as host of The Price is Right, along came Drew Carey’s Improv-A-Ganza on GSN. With a month and a half of the show under viewers’ belts, I’ve decided to choose my favorite, least favorite, and so-so games from the show:
(NOTE: Ratings are subject to change and vary by the episode in which the games are performed.)
FAVORITE
- Fairy Tale
- First Date
- Forward/Reverse
- Freeze Tag
- Kick It!
- Options
- Playbook
- Question This!
- Sentences
- Two-Headed [Expert]
LEAST FAVORITE
- Sound Effects – I’m a perfectionist. With the exception of Rich Fields and Steve Kamer, audiences members’ attempts at sound effects are tough to watch.
- Moving People/Bodies – This is also tough to watch.
- Mousetraps – All I can say is ouch! I feel for whatever two performers have to participate.
SO-SO
- Bob’s Call – When Bob Derkach hears a line that songs like a song, he’ll improvise a song and the two performers in the scene have to do the same.
- Compilation Album
- New Choice
- Song for a Lady
I’m hoping there will be more Improv-A-Ganza in the weeks, months, and perhaps years ahead. But unfortunately, it may not be around much longer, either, as it is suffering from low ratings. I got so caught up in watching each episode and savoring every moment, I didn’t consider looking up the ratings. Since the show’s competition includes cable news opinion shows, I’m not surprised. The ratings would probably be higher if DVRs were factored in. I’m one of those DVRers, if that is a word. I watch my Improv-A-Ganza recording later while watching Fox News Channel’s The O’Reilly Factor as it airs.
I convert each episode to my MiniDV camcorder then capture those episodes to my computer as AVI video files. The final step is normalizing audio and inserting fades or crossfades then rendering as MPG files and deleting the AVIs to save hard drive space. Unfortunately, the recordings are in SD (standard definition) because Cablevision hasn’t added GSN’s HD feed. Improv-A-Ganza airs in HD.
If Improv-A-Ganza is in its last days, then there is an upside: there will be more episodes of this show than the Green Screen Show.
5/25 UPDATE: Last night’s episode featured those so-so rated games Bob’s Call and Compilation Album. I liked them both. Moving Bodies was all right.
5/26 UPDATE: I have a theory about some of the Improv-A-Ganza ratings analysis. The show is not a traditional game show, yet it’s on GSN. Therefore, if its ratings can be negatively spun, perhaps that will hasten its cancellation. It’s similar to the Fox Business Network (FBN): highlight the channel’s low ratings and root for its demise.
I’m probably wrong. It is, after all, just a theory from a fan of Drew Carey’s improv franchise, from the American Whose Line to Improv-A-Ganza.
5/27 UPDATE: Look at this post on the MGM Grand Las Vegas Facebook page (h/t Improv-A-Ganza Facebook fan page):
Stand-up comic, producer, writer and host of “The Price is Right,” Drew Carey, will return to the Hollywood Theatre at MGM Grand with his Drew Carey’s Improv-A-Ganza. Audience members may appear in an original, primetime GSN (Game Show Network) television series being shot during these special live performances!
Improv-A-Ganza is alive!
6/3 UPDATE: Or is it? Tonight’s show was the season finale. Let’s hope it wasn’t the series finale.
Not watching The Price is Right; but instead… May 19, 2011
Posted by Mike C. in Comedy, Game Shows, Media, Personal, Theatre, TV.add a comment
This season, The Price is Right went in a direction that I did not like: they decided to go with guest announcers that had little or no announcing experience. The guest announcer they felt was best was made permanent. The result is a stilted delivery with caricatured announcer emphasis. I don’t want to name the announcer because if I decide to watch regularly again, he may grow on me. In that case, I will update this post with the good news. Until then, I watch three shows with professional announcers:
- Jeopardy! with Johnny Gilbert
- Wheel of Fortune with a series of guest announcers trying to fill the late Charlie O’Donnell’s shoes; as I type, Jim Thornton is guest announcing for the third week in a row
- Drew Carey’s Improv-A-Ganza with former TPiR announcer, the last pro, Rich Fields
In the case of Improv-A-Ganza, it appears Drew has finally found a successful successor to Whose Line is it Anyway? I love nearly every second of the show. The best game so far was Forward/Reverse on last Monday’s episode. Jonathan Mangum, part of the Improv-A-Ganza performer rotation, is a good announcer/sidekick to Wayne Brady on Let’s Make a Deal, a show I watched (despite not airing in HD) until I could no longer take poor decisions by contestants. Wayne has appeared as a special guest in select Improv-A-Ganza episodes.
With Wheel, it helps if there are as little dud letters called and as little Bankrupts and Lose-A-Turns spun as possible. A successful bonus round solve doesn’t hurt either.
Jeopardy! is at its best when the two rounds are completed without the annoying bip-bip-bip-bip indicating time has run out and clues will remain hidden.
Mindi Abair on American Idol! April 16, 2011
Posted by Mike C. in Jazz, Media, Music, TV.add a comment
NOTE: Abair is pronounced “AY-bare.”
I am subscribed to saxophonist Mindi Abair‘s newsletter. Last weekend, the newsletter noted that Mindi would be on American Idol on Wednesday night performing with an undisclosed contestant on a song produced by Don Was:
Visitors to her website were also informed of her upcoming appearance:
Mindi recorded a track with producer Don Was for one of the American Idol finalists this weekend, and she will be performing it live on American Idol Wednesday, April 13th. Tune in to your local Fox listings and cheer her on. It might be the first sax solo ever in American Idol history.
Not a regular viewer of the show, I DVR’d it while watching a different show in the 8:00 hour. Later, I skimmed through the recording to see where Mindi showed up. I wasn’t skimming for long. Five minutes in, there she was with Paul McDonald on “Old Time Rock and Roll.” Again from her website:
Mindi rocked out with Paul McDonald on American Idol last night to open the show. Steven Tyler remarked “Who’s that sax player?” and Ryan Seacrest said if you’d like to vote for “Sax with Paul”, call in.
What a performance it was! Watch:
You can buy the single, produced by Don Was at iTunes!
Katherine Gilraine liked it, too, writing about the exposure Mindi’s appearance gave smooth/contemporary jazz:
If you caught American Idol recently, then you may have seen something different. And if you’re not part of the jazz scene, then you may be asking yourself, “Who is that sax player? She is good!”
From what I saw on FB and Youtube, Mindi Abair all but upstaged the contestant, and people are absolutely amazed, asking why they hadn’t seen her before. Why they hadn’t known that someone can play the saxophone like that. And I say to them, “Are you of the people who dismisses smooth jazz as ‘not real music’? Then that’s why. You dismissed the very music that you’re finding yourself noticing as great and enjoyable.”
Oh, the power of perception and exposure that shatters it.
You can read the rest here.
4/28 UPDATE: From Mindi’s website:
Mindi back on American Idol
Tuesday, 26 April 2011 21:49
Mindi will be back with her saxophone on American Idol this Wednesday night 4/27/11, this time playing with the horn section. Tune in and cheer her on.
I wish I had known of this sooner. I’m sorry I missed it.
Smooth no more March 8, 2011
Posted by Mike C. in Internet, Jazz, Media, Music, Personal, Radio.add a comment
A few days before scheduled to occur, the Oasis Contemporary Jazz Awards were canceled. My friend Katherine Gilraine, who was supposed to co-present, is rightfully perturbed:
…
To say that I’m angry is an understatement, and not just because they have canceled the event so close to the wire. Generally, you don’t cancel shows this close in advance. Bad ticket sales are one thing, but if it’s obvious that the ticket sales are dismal – which, believe me, is not something that a promoter misses over an extended period of time – you let people know in advance. Because that way, they can plan on alternatives.What really raised my hackles is the way that the advertising was – or in this case, wasn’t – done for this event, and the producers are pulling out the “smooth jazz radio is dead” card as the reason why ticket sales were bottomed. Similarly, it pisses me off that the article above [This article. –MC] suggests that the artists drop the “smooth” moniker and “start making real music.”
What part of this music isn’t real, I ask? Seriously. What part of this music isn’t real if the cruises are booked a year in advance to the gills, the festivals are a hit, new artists are voluntarily entering the genre, and the listeners have gotten involved in more than one grassroots petition to bring the stations back?
…
You can read the rest at the link on the words “rightfully perturbed.” She goes on to say that smooth or contemporary jazz is real music. And I agree. But her post hit close to home because I relied heavily on contemporary jazz in my time at Evening Jazz on WCWP, a format that is supposed to be perhaps a little c-jazz, but mostly other sub-genres of jazz and jazz-inspired music from other genres. I got by for seven months without incorporating all of that, but chose to step down when I was told I had to.
Outside of c-jazz fan friends and musician friends, few people I know believe the genre Kat and I love is real music. They think it’s elevator music, it sucks, it gives them a headache, they hate it and the artists, they whine about a lack of vocals (“where are the words?”), it’s lovemaking music, and other complaints. Some of it could be considered lovemaking music, but I don’t think of that when I listen or talk about it on the air. If I hadn’t been introduced to c-jazz, new age, and traditional jazz in the Local Forecast on The Weather Channel when I was young, I’d probably think the same way as those that bash it. I’m glad I discovered it.
While on the subject, I have good news. I’ll be heading back to the Boulton Center in Bay Shore on Tuesday, March 22, to see Eric Marienthal, and to Houndstooth Pub in Manhattan on Saturday, April 16, for Brian Simpson. Expect recaps of both.
3/9 UPDATE: It appears Kat’s dark cloud has a silver lining:
Not 24 hours past since I put up my last post regarding the abrupt cancellation of the Oasis Contemporary Jazz Awards, and already the wheels have been set into motion. Before Tuesday elapsed, Ken Levinson, Bruce Nazarian, the artists, the people at Anthology, the people at Spaghettini’s, and everyone else who was left in the lurch by this turn of events had pulled together and engineered what has become known now as the Lemonade Weekend.
This astounds me, in the very best of ways. This is exactly why I call jazz “Our Music” when I’m with fellow fans. We took a failed, poorly-marketed event, and turned it into a makeshift festival. I’m not sure who will be part of this makeshift festival, but there is much to be said for the tenacity, gumption, and love that we have for the artists.
We, the fans, made this happen.
…
New computer, Blu-ray Disc player February 25, 2011
Posted by Mike C. in Media, Personal, Technology.add a comment
Earlier this month, I upgraded to a new desktop computer and Blu-ray Disc player.
The computer is a Dell Inspiron 560. It includes an Intel Pentium Dual-Core E5500 processor running at 2.80 GHz, 4 GB of DDR3 SDRAM, the Intel G45 Express Chipset, Intel HD audio, and Windows 7 Ultimate 64-bit. I bought a 20″ Dell widescreen monitor to go with it. It took a couple of days to personalize it by getting the programs I had installed on the old computer on this one. It’s working great thus far.
The same can be said for the Blu-ray Disc player: a Panasonic DMP-BD45. In fact, it’s working much better than my old Toshiba upconverting DVD player. In fact, the reason I bought the new player is because that old player suddenly broke down. I haven’t played any Blu-ray Discs yet, but I ordered one a couple of days ago. It’ll be interesting to see and hear the difference between upconverted widescreen DVDs and BDs.
While on the subject of new electronics, you’ll remember a few years ago I mentioned I got a “new old laptop.” Well, last March, I got a new new laptop. It’s a 15.6″ eMachines E725. This laptop includes an Intel Pentium Dual-Core T4400 processor running at 2.2 GHz, 3 GB of RAM, Mobile Intel 4 Series Express Chipset, Realtek HD audio, and Windows 7 Home Premium 64-bit. I bought a wireless mouse to go with it. I haven’t used it too much as I haven’t been away from home too often, but I have no complaints.
9:55 PM UPDATE: I foolishly installed Service Pack 1 on the desktop computer. In the middle of the update, I get “Error C000009A …” The computer is inaccessible as I type (from my pre-SP1 laptop). I’m trying desperately to repair the problem, but having no luck.
2/26, 10:15 AM UPDATE: After eight hours of sleep, I tried again. I opened in safe mode and was successful: Windows 7 Ultimate reverted back to the way it was before the update. Unfortunately, I didn’t have the right product key. So, I had to pay $216 for a new one, but I’m hoping it’ll be worth it.
2/27 UPDATE: So far, it’s worth it, but not completely. Windows Media Player won’t open because the DLL version is newer than it should be. Windows Installer won’t work, either. I’m talking to tech support as I type. If I were you, I wouldn’t install SP1.
I’m not writing anymore posts about computers I own. It’s clear I jinxed myself.
Dave Koz and winter storms February 6, 2011
Posted by Mike C. in Jazz, Media, Music, Personal, Radio, Weather.2 comments
Four years ago next Monday, Valentine’s Day, I was supposed to see Dave Koz perform at the Best Buy Theater (then the Nokia Theater) in Times Square. Unfortunately, there was a winter storm that day. So, rather than risk taking the LIRR to Penn Station and walk through the snow and ice on the way to the theater, my parents and I stayed home. We figured the show would be canceled. I’m sure it wasn’t.
This Friday, Dave returns to that theater. Though only a few snow showers are in the forecast, the friend with whom I was going to Dave’s concert had plans come up that night. So, once again, I miss out on him. Maybe next time.
I highly recommend Dave’s current album, “Hello Tomorrow.” You can buy it here. I played a few cuts from the album on CJazzPlus, my recent Live365 station.
Here’s hoping less snow and ice are in the forecast for the rest of the winter.
2/14 UPDATE: I may not have gone to Dave’s concert, but Katherine Gilraine did.
MikeChimeri.com 
Tim McCarver auto-tuned July 19, 2011
Posted by Mike C. in Baseball, Commentary, Media, Music, News, Personal, Politics, Sports, Technology, TV.add a comment
During the last commercial break for the 8PM Eastern airing of last Friday’s The O’Reilly Factor, there was a promo for the MLB on Fox. In the promo, Joe Buck and Tim McCarver are to be auto-tuned during their broadcasts to appeal to a younger demographic. Tim follows through, but Joe refuses:
This promo has been running since the start of the season, but Friday was the first time I saw it. I initially posted it to my Facebook wall, but decided to post it here, too. As I said in my previous post, I find auto-tune hilarious and always get a kick out of it, especially if spoken word gets the auto-tune treatment.