Acoustic Alchemy concert recap 3 June 22, 2012
Posted by Mike C. in Jazz, Music, News, Personal, Travel, Weather.3 comments
Other Acoustic Alchemy recaps: June 2008, October 2010, November 2016
Yesterday was a day I had been looking forward to since mid-March when I bought my ticket: Acoustic Alchemy‘s 8PM set at The Iridium. It was their third night of three at the club.
But there is a prelude to the photo recap of their show.
This was the middle day of a three-day heat wave in the Northeastern U.S. The evening before, the power went out at my house for three hours, from 6:20 to 9:20 (both approximately), except for two minutes around 8:45 when there was power before losing it again. 45 minutes later, the power was out again, but back within a few minutes. The next time I lost power wasn’t until 2:25 yesterday afternoon. LIPA (the Long Island Power Authority) estimated that power would be restored by 5:00. According to the alarm clock in my room when I got home, it returned at 5:13.
But I couldn’t wait two hours in a gradually heating up house until my planned train ride at 4:59. So, within 15 minutes of the outage, I got ready to go (with only sunlight to work with) and got a ride to the Wantagh LIRR (Long Island Rail Road) station at around 3:15. The train left at 3:27 and I was at Penn Station by about 4:15. While in Woodside, my train passed over I-278, the B.Q.E. (Brooklyn-Queens Expressway):

This was my second attempt at a picture over there. My first try came on the way to Shilts’ show at Houndstooth last month.
I took the subway from 34th Street to 42nd and walked toward 6th Avenue. From there, I passed News Corporation, McGraw-Hill, SNY (SportsNet New York) and Radio City Music Hall, before turning back toward Broadway at 51st Street.
It was only 5:15. I still had an hour and a half before show attendees could go into Iridium. So, I killed another hour at the Applebee’s a block away. Then, I waited for a half hour outside the next-door Winter Garden Theatre. Finally, at 6:50, the first wave of attendees were let in. After seltzer, water, and pizza, it was time for the show.
Greg Carmichael, the Boss of the Band, played acoustic guitar:

Miles Gilderdale played electric guitar…

And his brother Gregory Grainger on drums:

The set:
1. Homecoming
Originally heard on: “Reference Point,” 1990; “Arcanum,” 1996
2. Overnight Sleeper
Originally heard on: “Natural Elements,” 1988
3. Angel of the South
Originally heard on: “The Beautiful Game,” 2000
4. Jamaica Heartbeat
Originally heard on: “Back On The Case,” 1991
5. Marrakesh
Originally heard on: “Roseland,” 2011
6. One for Shorty
Originally heard on: “Roseland,” 2011
7. Passion Play
Originally heard on: “AArt,” 2001
8. Ariane
Originally heard on: “Blue Chip,” 1989
9. The Stone Circle
Originally heard on: “Red Dust & Spanish Lace,” 1987
10. The Beautiful Game
Originally heard on: “The Beautiful Game,” 2000
11. Tuff Puzzle
Originally heard on: “AArt,” 2001
Encore 1. Casino
Originally heard on: “Natural Elements,” 1988; “Early Alchemy,” 1992 (recorded circa ’82); “Arcanum,” 1996
Miles’ “Overnight Sleeper” solo:

Gary’s bass/scat solo on “One for Shorty,” a tribute to his late niece, Gregory’s daughter, Dianne:

Click here to learn about The MusicianShip, the non-profit organization co-founded by Greg, Dianne, and Jeffery Tribble Jr.
The Graingers’ bass/drum jam during “Tuff Puzzle”:

Miles’ wild “Tuff Puzzle” solo!:

It was quite a show. The band was fantastic! And I heard from Fred that the 10:00 show was just as great!
David Benoit, “Conversation” May 29, 2012
Posted by Mike C. in Jazz, Music, Personal.add a comment

Album cover from Benoit.com
The winning streak continues! Jazz pianist and conductor David Benoit’s Conversation album was released today.
Here are the tracks:
1. Napa Crossroads Overture (3:46) – David and guitarist/vocalist David Pack (previously with the band Ambrosia) wrote this tune two years ago and it finally found a home on Conversation. Pack is featured on guitars with a little help from Pat Kelley.
2. Feelin’ It (3:57)
3. Diary of a Wimpy Kid (3:07) – This is the theme from the movie of the same name, composed and originally performed by Theodore Shapiro. It featuers a wild guitar solo by Jeff Golub and violin from David’s daughter June.
4. Kei’s Song Redux (4:49) – The title is self-explanatory: it’s a new version of “Kei’s Song,” originally recorded for Freedom at Midnight 25 years ago, but it isn’t exactly a carbon copy.
5. Sunrise On Mansion Row (4:10)
6. You’re Amazing (3:21) – A tribute to David’s friend and site webmaster Jean Wang. In addition to playing flute and piccolo, Tim Weisberg also gave David Lee Roth-esque “shoutouts” like “well, all right!” and “come on!”
7. Q’s Motif (3:11) – “Q” is for Quincy Jones; based on a boogie-woogie motif he wrote. This is my favorite song on the album so far, not just because of the synthesizer solo, but the piano, as well.
8. Let’s Get Ready (4:47)
9. Conversation (From Music For Two Trios) (4:55) – Another self-explanatory title. It’s a musical conversation between pianist Robert Theis, violinist Yun Tang, and cellist Cathy Biagini; and David, bassist David Hughes, and drummer Jamey Tate. The former performed in the classical style while the latter performed in jazz. Will the two trios converge? Listen and find out.
In addition to the musicians mentioned above, you’ll also hear Brad Dutz on percussion, David Sills on tenor and soprano saxophone, and the following classical musicians:
- Violinists: Yun Tang, Michelle Wood, Eleanor Dunbar
- Violaists: Xiang Wang, Ilona Geller
I highly recommend Conversation. You won’t regret your purchase. And if you’re a diehard jazz fan like me, you’ll be listening again and again and again!
Shilts at Houndstooth Pub recap 2 May 14, 2012
Posted by Mike C. in Hockey, Jazz, Media, Music, Personal, Photography, Sports, Travel, TV, Weather.add a comment
Previous Shilts recap: June 2011
Two nights ago, for the second Saturday in a row, I saw saxophonist Paul “Shilts” Weimar perform. Last week, Shilts was part of keyboardist Jay Rowe’s tenth annual Smooth Jazz for Scholars benefit concert. This time, he played solo at the Houndstooth Pub, a few blocks north of Penn Station. It was a busy night in that area. In addition to Shilts, there was the Bolder & Fresher Tour (Bill O’Reilly and Dennis Miller) show at the Town Hall six blocks north (and two east) of Houndstooth, and Game 7 of the NHL Stanley Cup Eastern Conference Semifinals was taking place at Madison Square Garden. The New York Rangers and Washington Capitals alternated wins and losses in the first six games and the winner would face the New Jersey Devils in the conference final beginning two nights later. Both floors of Houndstooth had TVs tuned to the NBC Sports Network where Rangers and Caps fans alike that could get into MSG watched.
Before we get to Shilts’ performance, I have a few pictures to share from my train ride in to Penn on the LIRR.
BQE (Brooklyn-Queens Expressway):

A view of Manhattan from Long Island City:

I thought one of those buildings was One World Trade Center, but that’s to the south, and I was in a north-facing seat.
Not only was this a concert, but it was also a release party for Shilts’ upcoming album, All Grown Up. Copies were available, but sold out fast, just as tickets for the show did.
I got a premium seating ticket back in March and ended up right next to the stage!
Shilts was joined by Abdul Zuhri on guitar:

Ken Stacks Richardson on keyboards:

SET LIST
SET 1
1. See What Happens
2. Lambeth Strut
3. Good Evans
4. Seeing Things Clearly
5. Sugar
6. Look What’s Happened
SET 2
(NOTE: I left between sets, but saw the set list printout from my seat. If I made any mistakes, let me know in the comment thread.)
7. All Grown Up
8. 2 Pesos For Bud
9. Soul Eyes
10. Eyes Down
11. Blues
12. Back On The Hudson
Neal Newman, audio engineer, assisted by his son Dale (not pictured):

Eric Brown’s “Sugar” drum solo:

I left between sets, but not before getting my copy of All Grown Up signed by Shilts and grabbing a picture with him:

Cheers to Shilts, Abdul, Ken, Thomas, and Eric for another great show.
I’ll conclude this recap on the topic of the Rangers.
Just as I approached 34th Street, I heard wild cheers coming from the top floor of Lucy’s Cantina Royale. The Rangers had held on to beat the Capitals 2-1 and advance to the Eastern Conference Finals against the Devils.
Here are the happy Rangers fans leaving Madison Square Garden to head home:

Game 1 of the EC Finals is tonight.
5/25, 11:17 PM UPDATE: Unfortunately for Rangers fans, like myself, the Rangers lost to the Devils in six games. They took a 2-1 series lead and then lost three straight. The Devils will face the Los Angeles Kings in the Stanley Cup Finals.
SJFS 2012 recap May 7, 2012
Posted by Mike C. in Film, Internet, Jazz, Music, Personal, Photography, Video.add a comment
Jay Rowe‘s tenth annual Smooth Jazz for Scholars began with:
1. Hit the Bricks
Featured musicians: Foran High School Jazz Band
Jay came out at the end of the song. Hidden from view was Dave Anderson on bass, seen here one song later:

Rounding out Jay’s band was his Special EFX bandmate Lionel Cordew on drums:

And Steve Scales (left) on percussion:

It was an overcast evening outside the Parsons Complex Auditorium in Milford, Connecticut. But inside, the sun was shining. This year’s show featured guitarists Rohn (“Ron”) Lawrence, Nick Colionne, and Chieli Minucci; and saxophonists Paul “Shilts” Weimar, Paul Taylor, and Nelson Rangell.
After we “Hit the Bricks,” Kevin McCabe and keyboardist Jay Rowe introduced the rest of the show:

Then back to the music:
2. Rosemary’s Tune (Jay Rowe)
Originally heard on: “Live at Daniel Street,” 2011
Featured musician: Rohn Lawrence (guitar)
Video:
3. Lambeth Strut (Shilts)
Originally heard on: “Going Underground,” 2010
Featured musicians: Shilts (tenor saxophone), Nick Colionne (guitar)
4. Seeing Things Clearly (Shilts)
Originally heard on: “Going Underground,” 2010
Featured musician: Shilts
At the 2010 SJFS, someone in the audience requested “Rainy Night in Georgia” for Nick Colionne. Unfortunately, that wasn’t on the set list that night, but on this night, the audience got their wish:
5. Rainy Night in Georgia (Nick Colionne; Brook Benton cover)
Originally heard on: “It’s My Turn,” 1994; “Keepin’ It Cool,” 2006
Featured musician: Nick Colionne (vocals/guitar)
6. Pleasure Seeker (Paul Taylor)
Originally heard on: “Pleasure Seeker,” 1997
Featured musicians: Paul Taylor (soprano sax), Chieli Minucci (guitar)
7. Uptown East (Special EFX)
Originally heard on: “Slice of Life,” 1986
Featured musicians: Chieli Minucci, Paul Taylor
8. Exotica (Paul Taylor)
Originally heard on: “On the Horn,” 1995
Featured musicians: Paul Taylor, Chieli Minucci
9. Mystical (Chieli Minucci & Special EFX)
Originally heard on: “Sweet Surrender,” 2007
Featured musicians: Chieli Minucci, Shilts, Nelson Rangell (alto sax)
10. Good Evans (Shilts)
Originally heard on: “HeadBoppin,” 2006
Featured musician: Shilts
“Good Evans” began with solo piano from Jay:

With a little help from Steve Scales:

Then, Shilts and the rest of the band joined in:

11. Free as the Wind (Nelson Rangell; The Crusaders cover)
Originally heard on: “Soul to Souls,” 2006
Featured musician: Nelson Rangell
Nelson originally performed this song on tenor sax, but he went with soprano here:

Nelson also had a very involved solo:

Video:
12. The Warmth of the Sun (Jay Rowe; The Beach Boys cover)
Originally heard on: “Jay Walking,” 1997
Featured musicians: Foran High School Select Ensemble Chorus (Director: Theresa Voss), Nelson Rangell, Rohn Lawrence
In a move many didn’t see coming, at least not me…

Marion Meadows made a surprise appearance!

13. Suede (Marion Meadows)
Originally heard on: “Player’s Club,” 2004
Featured musicians: Marion Meadows, Rohn Lawrence
14. Funky Broadway (Wilson Pickett cover)
Featured musicians: Rohn Lawrence (vocals/guitar), Paul Taylor (alto sax), Shilts, Nelson Rangell
Paul switched to alto sax for the rest of the show:

15. The Night is Ours (Chieli Minucci & Special EFX)
Originally heard on: “Without You,” 2010
Featured musician: Chieli Minucci
Nelson Rangell introduced the next song this way:
This next tune that we’re gonna do for you is something that I wrote. And the title is not for the new movie that’s out, but it’ll do. This is called “A New Avenger.”
16. A New Avenger (Nelson Rangell)
Originally heard on: “Soul to Souls,” 2006
Featured musician: Nelson Rangell
“A New Avenger” featured solos by Lionel Cordew, Steve Scales, and Dave Anderson.
(NOTE: Pictures from the next two songs, and some from the finale, are screencaps, which I cropped, sharpened, and magnified in Adobe Photoshop 7.0.)
17. Sonora (Nelson Rangell; Hampton Hawes cover)
Originally heard on: “Destiny,” 1995 (alto sax); “My American Songbook, Vol. 1,” 2005 (whistling and piccolo)
Featured musicians: Nelson Rangell, Chieli Minucci
It wouldn’t be a Nelson Rangell show without whistling:

Dave Anderson switched acoustic bass for this song:

Nelson switched to piccolo (below) after Chieli’s solo (above):

After a quick applause, Nelson whistled solo for about a minute before the band rejoined him.
He took a bow as he got another round of applause:

Video:
18. Prime Time (Paul Taylor)
Originally heard on: “Prime Time,” 2011
Featured musicians: Paul Taylor, Shilts, Nelson Rangell
19. Some Funky (Nick Colionne)
Originally heard on: “Feel the Heat,” 2011
Featured musicians: Nick Colionne, Rohn Lawrence
20 (Finale). Godfather J (Nick Colionne)
Originally heard on: “No Limits,” 2008
Featured musicians: Everyone (Nick – vocals)
“Godfather J” is a tribute to James Brown. Nick channeled the Godfather of Soul throughout the song.
Back on stage, Chieli played lying down for a while:

Kevin McCabe came out to drape Nick’s jacket on him:

Jay briefly left his keyboards to “play” Chieli’s guitar:

That’s it!
This was the wildest Smooth Jazz for Scholars I’ve ever attended! Who knows what next year’s show (or shows?) will bring? Here’s to ten more years, and many more after that!
Briar Park April 3, 2012
Posted by Mike C. in Internet, Jazz, Music, Personal, Travel.add a comment
Early in my recap of saxophonist Jessy J’s show at the Iridium in February, I said this:
The site I bought [my ticket] through, TicketWeb, listed my hometown, with the 11793 zip code, as Briar Park rather than Wantagh. I had never heard of that alternate name and a Google search was inconclusive. I reached out to my Facebook friends from Wantagh or North Wantagh through a status update, but none of them commented.
In the recap comment thread, Zach Pollack had an answer:
The area between the [Seaford-Oyster Bay Expressway; NY 135] and Jerusalem [Avenue] up to the Southern State [Parkway] used to be called Briar Park. So, basically the “T” section and a little bit more. [I] hope this helps.
I told him it helped a lot. Via a screencap of Google Maps, this is North Wantagh’s “T” section:

Will Donato & Elan Trotman at Houndstooth recap March 12, 2012
Posted by Mike C. in Basketball, Hockey, Jazz, Media, Music, Personal, Photography, Sports, Travel, TV, Video.add a comment
Saturday night, to coin a borrow a previously used term, was saxtacular! Saxophonists Will Donato and Elan Trotman performed at Houndstooth Pub, a few blocks north of Penn Station. It was the first time I’d seen Will in concert, but the second for Elan, who I saw last April with Brian Simpson.
But before taking the LIRR to Penn Station and walking those few blocks to Houndstooth, something noteworthy occurred in my neighborhood and another thing in my family. It was my mother Lisa’s birthday. My presents to her were two scratch-off lottery tickets, she won $2 with each, and a Chicago CD. As for the noteworthy neighborhood event, a curbside tree by my neighbor’s house was taken down by a crew from what I assume was the Town of Hempstead. They also removed a tree a block north and west away on Thursday.
Here are two before vidcaps. This one is from February 5, 1995:

The next three are after pictures that I took before going to Wantagh’s LIRR station:

I suppose the next step is to redo the sidewalk.
With that business out of the way, on to the show at Houndstooth.
Backing Will and Elan up were Jay Rowe on keyboards:

And Chris Marshak, brother of guitarist Matt Marshak, on drums:

I was on hand for the first set. Elan went first. Here’s what he played:
Elan Trotman:
1. Lil’ Too Late
2. 100 Degrees
3. Heaven in Your Eyes
4. Last Dance
Jay’s second solo on “Heaven in Your Eyes”:

Elan made way for Will Donato:
Will Donato:
5. New Life
6. I’ll Be Around
7. Jaywalking
8. Always You
9. Funkability
Guitarist JJ Sansaverino joined the band for Will’s portion of the set, seen here during his “New Life” solo:

Will went into the audience multiple times:

“Jaywalking” began with a bass solo by Kenny Harris:

And he had a simple “it’s you” vocal on “Always You”:

That song also had a wild guitar solo by JJ:

Back into the audience during “Funkability”:

After “Funkability,” the set was complete.
And what a wild set it was! Elan was exciting and Will was lively! I can only imagine how much wilder the second set must have been. Before I left, I got to meet Elan and Will in person for the first time. Elan told me he liked my Brian Simpson show recap and I thanked him for the compliment.
On the way back to Penn Station, I remembered that the championship game for the Big East Tournament was taking place that night at Madison Square Garden. Before walking into Penn, I took a picture of the tournament’s banner:

In the championship game, the Louisville Cardinals defeated the Cincinnati Bearcats 50-44. About twelve hours later on the same basketball court, the Knicks and Philadelphia 76ers squared off. Unfortunately, the Sixers won. After the game, the court was taken apart and the hockey rink was set up as the Rangers faced the Islanders a few hours later. The Rangers won 4-3 on a Marion Gaborik goal with six seconds left in overtime.
Back on Saturday night, the 10:45 Babylon-bound train was a few minutes late, but I made it back to Wantagh on time.
Thanks to Will, Elan, Jay, Kenny, Chris, JJ, Steve Butler, and Ed Tankus for another great night at Houndstooth.
11:47 PM UPDATE: After posting this recap and linking to it on Facebook, Elan had this to say:
Nice job – yet again. Really nice work.
Thank you again, Elan. I’m very glad you liked it.
I also got this from Will:
Mike I really enjoyed your amazing blog. The photos really captured the night and I am honored to be reviewed with such passion and care!
Thank you, too, Will.
Jessy J at Iridium recap February 11, 2012
Posted by Mike C. in Broadway, Hockey, Jazz, Media, Music, Personal, Photography, Travel, TV.2 comments
(2/25 UPDATE: Jessy has posted video of six songs from the 8:00 set to her YouTube channel, including two in one video. They are embedded in the set list below the corresponding titles.)
I was at The Iridium jazz club Thursday night to see saxophonist/vocalist Jessy J perform. There were two shows: 8:00 and 10:00. I went to the earlier one. It was the first time I’d seen her solo since I first saw her with Guitars and Saxes in 2008.
I had originally planned on seeing Jessy at the Daniel Street club in Milford, Connecticut back in late July, but I was unable to make it. I was unaware she’d be at The Iridium until the previous Monday, January 30, when the date was listed in her latest newsletter. Not about to let this opportunity pass me by, I immediately bought a ticket. (6/22/12 UPDATE: Daniel Street closed one month before The Iridium show.)
Before we get the show recap started, I’d like to share a funny thing that happened after I bought that ticket. The site I bought it through, TicketWeb, listed my hometown, with the 11793 zip code, as Briar Park rather than Wantagh. I had never heard of that alternate name and a Google search was inconclusive. I reached out to my Facebook friends from Wantagh or North Wantagh through a status update, but none of them commented. A comment in this old message board thread helped slightly, but not much:
… While my neighborhood is served by the Levittown School district, I am 110% positive that my development is considered (for intents and purposes) North Wantagh. Just north of me is the “R” section of Levittown, and the Briar Park section of Wantagh; and south of the parkway is the “T” section …
I walked through that “T” section of North Wantagh earlier today, so called because most of the street names begin with the letter “T” (i.e. Twin, Tally, Toll Gate, Tumble, etc.). So, apparently, Briar Park is a section of Wantagh, but I still don’t know where. If anyone happens to read this and knows the answer, please leave a comment.
On to the recap:
I was dropped off at the Wantagh LIRR station at 5:30, 29 minutes before my Penn Station-bound train arrived. I killed some of the time in the adjacent McDonald’s, buying a small meal, before returning to the platform. The train I was on was an older model, an M1, the predecessor to the M7, which features an automated voice recording – which I do a good impression of – and synthesized bell. When I arrived at Penn Station, I immediately walked to the 34th Street subway station to take the uptown 1 train to 50th and Broadway. I barely missed one, but another arrived four minutes later. Finally, I arrived at The Iridium, 45 minutes before showtime. Since I was early, I got a great seat: a table on the left side of the stage. After a spaghetti and meatballs dinner, it was finally time for Jessy J and the band.
Her pants look pink, but they’re red.
She was backed up by Jay Rowe on keyboards:

Mike Nunno (“NEW-no”) on bass:

And Rohn (“Ron”) Lawrence on guitar:

8:00 SET LIST
1. Fiesta Velada
2. Sin Ti
3. Mas Que Nada (Sergio Mendes & Brasil ’66 cover) – Jessy, vocals; Rohn, background vocals
4. Tequila Moon
5. Tropical Rain
6. Remember the Night
7. Hot Sauce
8. Conga (Gloria Estefan & Miami Sound Machine cover) – Jessy, vocals; Rohn, vocal solo
9. Oye Como Va (Tito Puente cover, arrangement similar to Santana version) – Jessy, vocals; Rohn, vocal solo
10. Baila! – Jessy, vocals
1-4 are from Tequila Moon (2008).
5 and 10 are from True Love (2009).
6 and 7 are from Hot Sauce (2011).
A few songs featured a call and response, wild at times, with Jessy and Rohn Lawrence. Here’s a sample:

The view from the HD monitor behind me:

Jessy wore two musical hats for “Mas Que Nada,” “Conga,” “Oye Como Va,” and “Baila!”: saxophone and vocals. Here she is during “Mas Que Nada”:

Mike Nunno’s “Mas Que Nada” bass solo:

Rohn’s “Remember the Night” guitar solo:

Clapping in the middle of “Hot Sauce”:

Jessy switched to alto sax for “Conga” and “Oye Como Va”:

Jay Rowe’s “Oye Como Va” keyboard solo, first seen from a monitor:

Jessy switched back to tenor sax for the last song of the set – “Baila!”:

And finally, a drum solo by Jon Roundtree:

The end!
Afterward, Jessy and I briefly caught up with each other and shot this picture:

She asked if I still had my blog and I told her I do. I also met Rohn in person for the first time and caught up with Jay and Mike, who I’d previously seen on bass for drummer John Favicchia’s Dharma All Stars. Outside of the band, I saw my friends Katherine Gilraine, who came for the 10:00 show, and Kat Sarracco who was at the 8:00 show, but I didn’t even notice during it because I was focused on the stage the entire time.
Going back to Penn Station, I was unable to find the entrance to the 50th-Broadway subway station’s downtown platform. So, I gave up and planned on walking all the way down to Penn. I didn’t realize it, but I would be walking through Times Square. The tourists were out in full force and I was one of them, shooting these pictures:

My last picture of the night was the exterior of the Times Square station:

I was finally able to board the downtown 1 train, but had to walk a bit above ground before finding the LIRR entrance. I ran to catch the 10:05 Babylon-bound train. The New York Rangers hockey team had a game against the Tampa Bay Lightning at Madison Square Garden that ended moments earlier. (The Rangers won 4-3 in overtime.) So, the train I barely made was packed. I stood by the car door until Jamaica when one of the fold-out seats next to me was vacated. I got back to Wantagh just after 11:00, ending a great night of music and travel.
Thanks to Jessy, Jay, Mike, Jon, and Rohn for a wonderful, exhilarating show. It was a blast!
Double feature: “It’s Love” and “Galaxy” February 2, 2012
Posted by Mike C. in Jazz, Music, Personal.4 comments
Tuesday was doubly good to Eric Marienthal and Jeff Lorber. Eric’s solo album, It’s Love, was released, and so was Galaxy, the album for Eric’s other band, The Jeff Lorber Fusion. Both have a presence on each other’s albums, which I received via UPS yesterday evening.
After getting my Grover Washington, Jr. albums out of the way, I spent today listening to Eric and Jeff’s works. We’ll start with It’s Love, produced by Chuck Loeb. Chuck was on all but one of the ten tracks, wrote one, and co-wrote two with Eric. Jeff Lorber appeared on four and co-wrote one with Eric. Russell Ferrante of Yellowjackets appeared on five and also co-wrote one with Eric. Jimmy Haslip, formerly of Yellowjackets and currently of Jeff Lorber Fusion, played bass on four tracks. Brian Culbertson co-wrote and appeared on the last track. The tracks are as follows:
1. Get Here (Brenda Russell cover) (4:29)
2. In A Sentimental Mood (Duke Ellington cover) (5:20)
3. Can’t Buy Me Love (The Beatles cover) (5:49) – This is a radically different arrangement than the original. I call it a Beatles bossa nova.
4. It’s Love (5:51)
5. Two In One (6:21) – This has what I consider the vintage Chuck Loeb sound, which makes sense since he wrote it. I love the call and response in the latter part. That will be a blast if it’s played live.
6. Costa Del Soul (5:20)
7. Babycakes (4:41)
8. Café Royale (6:00)
9. St. Moritz (5:25)
10. When I Found You (4:20)
And then there’s The Jeff Lorber Fusion’s Galaxy; not to be confused with Galaxian, the Fusion’s 1981 release. In addition to new compositions, three original Fusion tunes and one Jeff solo tune are redone. Eric Marienthal appears on nine tracks, Jimmy Haslip appears on seven. The tracks:
1. Live Wire (7:03) – They start the album off with a bang here.
2. Big Brother (4:50)
3. Montserrat (4:58)
4. Singaraja (4:37) – Featuring Randy Brecker on trumpet
5. Galaxy (5:17)
6. City (4:29) – First heard on Wizard Island (1980).
7. Horace (5:34) – Dedicated to Horace Silver (2/13 UPDATE: The end is reminiscent of “Hudson” on Jeff’s 2007 album, He Had a Hat; a reprise, even.)
8. The Samba (4:49) – First heard on Soft Space (1978). The original led with Terry Layne on saxophone, but this time, sax is traded for Larry Koonse on guitar. The percussion isn’t as wild as in ’78.
9. Rapids (4:26)
10. Wizard Island (4:50) – First heard on Wizard Island (1980).
11. The Underground (4:39) – First heard on Jeff’s long-awaited solo album (seven years after his last one), Worth Waiting For (1993).; featuring Randy Brecker on trumpet. An album that started with a bang ended with one.
I love both albums. They are superb from start to finish. For approximately two listening hours, I was in heaven. I wish more people from my generation appreciated this genre as much as I do.
My Grover Washington, Jr. collection February 1, 2012
Posted by Mike C. in Internet, Interviews, Jazz, Media, Music, News, Personal.add a comment

From Grover’s AllMusic bio page
I was first exposed to the late Grover Washington, Jr. in 1996, the year I began listening to what was then CD 101.9 (now FM News 101.9) here in New York. “Mister Magic” was the first song I heard. Then, there were “Take Five (Take Another Five)” and “Soulful Strut.” In the early 200s, Before I wised up and bought physical CDs or digital MP3s (through iTunes or Amazon), I downloaded two of those songs through a free file-sharing program.
When my aunt moved to South Florida in 2003, she gave me a Grover compilation album. I only listened to two songs on it: “Let It Flow (For Dr. J),” a tribute to Grover’s love of Julius Erving and the Philadelphia 76ers, and “East River Drive,” a tribute to the Manhattan parkway otherwise known as the FDR Drive.
A few years ago, with the help of my friend Matt Marron’s TWC Classics site, a tribute to The Weather Channel, I learned of many more Grover songs that were used in the Local Forecasts in the 1980s. They included “Winelight” and “Jet Stream.”
Finally, in December 2010, I took the big step and began my Grover Washington, Jr. collection of CDs. I bought:
- Winelight (1980)
- Come Morning (1981)
- The Best Is Yet To Come (1982)
- Inside Moves (1984)
- Time Out Of Mind (1989)
- Next Exit (1992)
- Soulful Strut (1996)
That was it until a few nights ago after reading an online interview with Bob James (h/t Fourplay website cross-post). Since I didn’t have Grover’s early albums in my collection yet, I didn’t think of this:
You were with CTI for a few years before your own project debuted. When did Creed Taylor interject and aid in the progression of things?
Well, I was working a lot with Creed at the time for CTI. But I was working primarily as an arranger and would play piano on other jazz artists’ records. After doing this for about two or three years, on a fairly stable basis, and being on the support staff for other artists like Grover Washington, finally Creed asked me if I wanted to do my own album. So of course I said yes. One ended up being my first [album] for CTI.
Bob appeared on Grover’s first five albums. Saturday night, I bought the last two of those five and a few after that:
- Mister Magic (1974)
- Feels So Good (1975) (Amazon MP3s)
- A Secret Place (1976) (Amazon MP3s)
- Reed Seed (1978)
- Paradise (1979)
- Strawberry Moon (1987)
Some of the early stuff is a little too fusion-y for me, but still great.
Grover Washington, Jr. died in December 1999 at the age of 56. His legacy lives on through his recordings, a generation of saxophonists inspired by him, and jazz fans like me.
Ken Navarro, “The Test of Time” January 12, 2012
Posted by Mike C. in Animation, Football, Jazz, Media, Music, Personal, Sports, Travel, TV.add a comment
Ken Navarro rang in 2012 by releasing his new solo acoustic guitar album, “The Test of Time,” on his website. The street date is March 20, but if you can’t wait, and I sure couldn’t, you can buy through his website. Since it arrived in the mail two days ago, I’ve listened intently to the album’s twelve tracks, classic songs that truly stand “The Test of Time.”
The tracks (original artist in italics):
1. Imagine (John Lennon) (5:11)
2. Little Martha (The Allman Brothers Band) (3:56)
3. Just Like A Woman/Sad Eyed Lady of the Lowlands (Bob Dylan) (6:09)
4. Message In A Bottle (The Police) (4:37)
5. Eight Days A Week/Ticket to Ride/Day Tripper (The Beatles) (4:37) – As I listened to this, I found myself impersonating the Beatles on select lyrics, namely on “Day Tripper”
6. The Days of Wine and Roses (Henry Mancini) (5:03)
7. Wichita Lineman (Glen Campbell) (4:26)
8. Letter From Home (Pat Metheny Group) (2:41)
9. Caroline No (Brian Wilson) (2:42)
10. Europa (Santana) (6:57)
I got my first taste of “Letter From Home” and “Europa” at last year’s Smooth Jazz for Scholars concert in Milford, Connecticut.
Bonus Tracks:
11. Bach BWV 998 (J.S. Bach) (3:28)
12. When You Wish Upon A Star (Cliff Edwards as Jiminy Cricket) (3:15) – This was originally heard in the Disney classic Pinocchio, but since 1987 (following Super Bowl XXI), it’s used in the post-Super Bowl (and other major sports championships) ad for Walt Disney World and Disneyland Resorts. You’ve just finished listening to “The Test of Time.” What are you going to do next? I’m going to Disney World!
The description on the album’s webpage is apt: it’s a “Ken Navarro masterpiece” from start to finish.
2/1 UPDATE: “Message In A Bottle” music video:
5/1 UPDATE: “Imagine” music video:













































































































































































































































































































































