David Benoit at My Father’s Place: A Tribute to A Charlie Brown Christmas December 7, 2024

Posted by Mike C. in Animation, Broadway, Christmas, Comedy, DVD, Education, Football, History, Jazz, Media, Music, Personal, Photography, Radio, smooth jazz, Theatre, Travel, TV, VHS, Weather.
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3/25/25 NOTE: Scroll down for an update to this post via an email from Steve Stoliar.

Wednesday evening, thanks to the generosity of my fellow WCWP/LIU Post alumnus Bobby Guthenberg, I was at My Father’s Place at the Roslyn Hotel to see David Benoit‘s annual tribute to A Charlie Brown Christmas.

It was the first time I’d seen a live show outside of Smooth Jazz for Scholars since before COVID. That last pre-COVID show was Mike Stern and Jeff Lorber Fusion at The Iridium in December 2019. Wednesday also marked the first time I’d seen David and his trio since June 2019, also at My Father’s Place, three months after I saw The Rippingtons there.

Bobby G., longtime friend of My Father’s Place promoter Michael “Eppy” Epstein, first invited me to David’s show one morning in late August. I didn’t hesitate in accepting the invitation. We would meet at WCWP’s Abrams Communications Center by 5:45 PM and drive to Roslyn from there.

Since it was Christmastime, I anticipated David’s set would be similar to the one from his 2008 concert at IMAC (Inter-Media Art Center) in Huntington. (Little did I know that would be the last show I’d ever see there as the venue closed in June 2009, eventually replaced by The Paramount.)

My parents drove me up to LIU Post at 5:00 and we arrived in the parking lot adjacent to WCWP (and Hillwood Commons) within 20 minutes. In contrast to the flurry of activity during Homecoming Weekend, the Abrams Communications Center was as dark as the night sky, with most of the light coming from studio 1 and 3 where live shows were in progress. Thomas, the Wednesday host of The Rock Show, invited me in before retreating to Hillwood for dinner. I paced quietly in the lobby until Bobby G. arrived shortly after 5:45.

Bobby and I conversed on the entire drive to My Father’s Place, listening to David Benoit’s Fuzzy Logic (2002) CD along the way.

It was about 6PM when parked in the Roslyn Hotel lot. We walked up the stairs to the hotel lobby and down the stairs to the My Father’s Place section. (MFP was originally its own venue before relocating to the hotel.) Eppy Epstein was seated outside the entrance and Bobby introduced us. Then, we confirmed our ticketed reservation with the attendant in the entryway and were ushered to a front row center table.

My conversation with Bobby continued as 8PM approached. (He and Billy Joel were classmates at Hicksville High School!) We both ordered separate dinners, each choosing a seltzer with lime as our soft drink, drinking water in the meantime. None of the entrees interested me, so I ordered fried calamari and a “side” of mac and cheese. Our waitress told me the side dish, with shell pasta, was as big as an entree, meaning I only needed to order one bowl. It was all quite good.

I checked the stage for a set list so I’d know what I was in for. I found one on the stage floor by the drum kit. I didn’t think to write the list to my stenographer pad until the show had begun and the waitress took our dessert orders. I chose chocolate lava cake, which was a bit rich for me, even with the vanilla ice cream mixed in, but still good.

Okay, the preamble is over. Let’s talk about the show itself!

As you see, there was a fourth member of the band: vocalist Courtney Fortune.

David Benoit was on a Yamaha piano:

New York City native Roberto Vally played bass:

Merrick native Dan Schnelle was on drums:

And the aforementioned Courtney Fortune on vocals:

The front stage featured replicas of Schroeder‘s toy piano and the sapling Charlie Brown chose over fully-grown trees in A Charlie Brown Christmas.

Before more photos, let’s look at…

THE SET LIST

1. It’s the Most Wonderful Time of the Year
2. Believe
3. Medley: My Favorite Things/The Christmas Waltz
4. Santa Claus is Coming to Town
5. Originals medley: Drive Time/Café Rio/Kei’s Song
6. Schroeder/The Doctor is In
7. Vince Guaraldi medley: Great Pumpkin Waltz/Thanksgiving Theme/You’re in Love, Charlie Brown/Christmas is Coming/Skating/What Child is This?/O Tannenbaum
8. Christmas Time is Here
9. Just Like Me
10. Linus and Lucy
11. (encore) Cabin Fever

Set List Background Info
Vince Guaraldi’s A Charlie Brown Christmas compositions (except where noted) in the set were “Christmas is Coming,” “Skating,” “What Child is This?” (only on the soundtrack album; arrangement of traditional song), “O Tannenbaum” (arrangement of traditional song), “Linus and Lucy,” and “Christmas Time is Here.” That last song was heard instrumentally throughout A Charlie Brown Christmas, but a separate version added lyrics by Lee Mendelson, the special’s producer and co-writer (with Peanuts creator Charles M. “Sparky” Schulz). David first covered “Linus and Lucy” on This Side Up (1985), which led to an updated arrangement for “The Great Inventors” episode of This is America, Charlie Brown. David scored that entire episode, and many Peanuts TV specials (plus some Garfield specials) through 2006. The specials that stand out in my mind are:

• It’s Christmastime Again, Charlie Brown – Features hilarious scenes where Peppermint Patty and Sally Brown botch their lines in the Christmas play – Similar scenes were played out in the series finale of The Charlie Brown and Snoopy Show, where a young Stacy Ferguson (Fergie) voiced Sally
• You’re in the Super Bowl, Charlie Brown – Relegated to VHS, as of this writing – Features improvised play-by-play by Steve Stoliar, a comedy writer, film historian, assistant to Groucho Marx, and impressionist (naturally, his Groucho impression is immaculate [no, he didn’t do it in the special]) *See 3/25/25 UPDATE below this list*
• I Want a Dog for Christmas, Charlie Brown – Focuses heavily on Rerun, Linus and Lucy‘s younger brother, and his desire for a dog, be it Snoopy or Snoopy’s brother Spike (partially recycled from episode 15 of The Charlie Brown and Snoopy Show) – This special marked the debut of David’s original composition, “Rerun’s Theme,” later recorded for David’s Jazz for Peanuts (2008)

3/25/25 UPDATE: Steve Stoliar emailed me this evening to clear things up about his involvement in You’re in the Super Bowl, Charlie Brown.

It was much more of a challenge than mere improvisation. Here – whether you want it or not – is the complete story:  I had a friend who worked at Bill Melendez Prods. in a variety of capacities. She called me up one day and said, “Can you help us? We produced this Super Bowl show that Sparky wrote and there are football games with no dialogue that just go on and on and they’re repetitious and confusing.”

She gave me a VHS of the rough-cut and I sat on my living room floor starting, pausing, rewinding my VHS player and trying to time (without a stopwatch) how long each football sequence ran. Then I scribbled down some suggested narration, making use of a lot of alliterations and metaphors, such as you get from color commentators on sporting events.  After that, I read it and tried to edit the copy so it fit snugly in the blank spaces. Then I went to Melendez Prods. in Hollywood and we recorded it – with Bill M. directing me – and me doing a sort of Vin Scully-inspired classic sportscaster voice.

It’s fairly miraculous that it worked out. “Variety” actually reviewed it and pointed out the sports narration as a high spot. Unfortunately, my pleasure in having met the challenge was greatly impacted by my late wife and me having been literally thrown out of our apartment by the Northridge Earthquake, which hit between the time I recorded the narration and when the show aired.

I was later rewarded with a lovely production cel (and original background) from one of the birdie football games, inscribed, “For Steve – In friendship – Bill Melendez” in black Sharpie. Sadly, even though it wasn’t in direct sunlight, the inscription faded.  But – like Big Julie in “Guys ‘n’ Dolls” talking about the blank dice – “I remembers where da spots previously were.”

It remains the only Charlie Brown special that has any sort of shared writing credit.

End of story – except to thank you for the compliment on my Groucho impression!

Thank you, Steve, for correcting the record, and allowing me to post what you wrote. I don’t know where I got in my head that he improvised the dialogue. I must have misinterpreted the Facebook comment he left a few years ago when I said that I’d watched my digitizing of the VHS tape. On that note, Steve wrote in a follow-up reply…

Oh – also – that particular show was produced as a tie-in with Shell Oil and the VHS tape was either a giveaway or for sale at a low, low price at Shell Stations when you filled up your tank. So even though it aired on TV, I suspect it’s missing from DVD release because of the initial deal with Shell. Not sure. I also did voices for Melendez (what a great guy) on “Snoopy’s Reunion” and “It’s The Girl In The Red Truck, Charlie Brown.”

I’m inclined to agree with Steve about the Shell tie-in keeping You’re in the Super Bowl, Charlie Brown off DVD and other modern home media releases. It’s the Girl in the Red Truck, Charlie Brown is another special that has yet to go beyond VHS, but Snoopy’s Reunion has a dedicated DVD.

Thanks again to Steve Stoliar. Now, back to what I wrote in December.

Speaking of David’s originals, “Kei’s Song” is from Freedom at Midnight (1987), “Cabin Fever” (the encore) was on Waiting for Spring (1989), “Drive Time” originated on The Best of David Benoit: 1987-1995 (one of two new tracks), and “Café Rio” is from Full Circle (2006). “Drive Time” and “Café Rio” get the big band treatment on David’s latest album, Timeless, recorded in the UK with Spice Fusion Big Band.

David composed “Just Like Me” for 40 Years: A Charlie Brown Christmas (2005), with Lee Mendelson lyrics that honor the feel of “Christmas Time is Here.” Vanessa Williams sang on the original, and David recorded a solo piano version at Steinway Hall in 2017, one of 17 tracks from his The Steinway Sessions…session that were saved for It’s a David Benoit Christmas! (2020).

“Great Pumpkin Waltz,” “You’re in Love, Charlie Brown,” and “Thanksgiving Theme” were Vince Guaraldi compositions for It’s the Great Pumpkin Charlie Brown, You’re in Love, Charlie Brown (yes, more redundancy), and A Charlie Brown Thanksgiving.

“Believe” was a Josh Groban song for the film The Polar Express, which served as the title track to David’s 2015 trio album that featured Jane Monheit and The All-American Boys Chorus.

“Schroeder” (set to Beethoven’s “Moonlight Sonata”) and “The Doctor is In” were from the Broadway musical You’re a Good Man, Charlie Brown.

That brings us back to the photos. For that You’re a Good Man medley, David portrayed Schroeder and Courtney channeled Lucy.

I’m not ashamed to admit “Just Like Me” drove me to happy tears. It’s such a pretty song.

When Courtney wasn’t on stage, the trio of David, Roberto, and Dan played instrumentally.

The finale: “Linus and Lucy”:

For the encore, a man at a front row table held up his LP copy of Waiting for Spring (I have it on CD) and requested a track from there. David chose “Cabin Fever,” one of my favorites.

I only got to meet and greet half the band. Roberto and Dan were deep in separate conversations and I didn’t want to rudely interrupt.

However, I did get to catch up with David, who signed my copy of Timeless:

I then introduced David to Bobby Guthenberg (who took the above photo). Bobby bought a copy of Timeless, and David signed that.

Bobby G. and I weren’t the only WCWP alumni at My Father’s Place that night. Voice actor David Kaplan was there, too. It was great to see him. He was talking to vocalist Courtney Fortune, who I then spoke to. I complimented Courtney’s performance and told her how moving her rendition of “Just Like Me” was. Then, Bobby took a photo of us:

My one regret is not getting a photo with My Father’s Place promoter Eppy Epstein before Bobby and I exited The Roslyn. Upon exiting, I noticed it was snowing!

Before meeting and greeting, Bobby offered to drive me back to Wantagh so my parents wouldn’t have to drive back up to WCWP for me. I accepted and called my mom to let her know. Bobby cautiously drove home in the rain/snow mix, once again conversing the entire way while finishing up his Fuzzy Logic CD. He switched to Timeless while waiting at a red light on Jerusalem Avenue.

Bobby dropped me off at the curb at about 10:30. I wished him good night and thanked him yet again for treating me to a memorable night at My Father’s Place. (He messaged me on Facebook upon his safe return home to Bayside.) I may return to MFP some time in 2025 if Eppy can book drummer Billy Cobham. Until then, Merry Christmas and Happy Holidays!

Thank you again to David Benoit, Roberto Vally, Dan Schnelle, and Courtney Fortune. You were all wonderful.