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SJFS 2011 recap May 4, 2011

Posted by Mike C. in Jazz, Music, Personal, Photography.
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Jay Rowe‘s ninth annual Smooth Jazz for Scholars concert was spread out over two nights. Last Friday, there was the jam session at Daniel Street in Milford featuring Steve Cole and Jeff Kashiwa(6/22/12 UPDATE: Daniel Street closed in January.)

Saturday had the main concert at the Parsons Complex Auditorium.  It was my fifth SJFS and the second where I didn’t stay the night.

Kevin McCabe of Jumpstart Jazz Productions was the first to greet the audience:

Then, Jay Rowe, the man behind the concert, following Kevin’s introduction:

Jay was backed up by Best Kept Secret, made up of Steve Scales on percussion:

Trever Somerville on drums:

And Dave Anderson on bass:

Of course, Jay was on the keyboards:

Without further ado, the photo recap is underway.

SONG #1: Martinis and Bikinis (Jay Rowe)
Originally heard on:
“Live at Daniel Street,” 2011
Featured musician:
Ken Navarro

After a few minutes, Jay welcomed Ken Navarro to the stage for the rest of the song:

SONG #2: Eric’s Dream (Ken Navarro)
Originally heard on: “Brighter Days,” 1995; “Ablaze in Orlando,” 1998
Featured musician:
Ken Navarro

Ken wrote this song for his son Eric, who was nine years old at the time.  He’s now 25.

SONG #3: Lakes (Ken Navarro; Pat Metheny cover)
Originally heard on: “The Meeting Place,” 2007
Featured musicians:
Ken Navarro, Jeff Kashiwa

Jeff was on the tenor saxophone:

The next four pictures are of Dancing Eric Triffin:

SONG #4: The Lucky One (Jeff Kashiwa)
Originally heard on: “Play,” 2007
Featured musicians:
Jeff Kashiwa, Ken Navarro

Jeff wrote “The Lucky One” for his wife and child.  He truly is the lucky one.  It was the first time he’d ever played the song live.

SONG #5: You Make Me Blue (Chieli Minucci & Special EFX)
Originally heard on: “Without You,” 2010
Featured musicians:
Chieli Minucci, Jeff Kashiwa, Marion Meadows

Time to introduce Marion Meadows!:

Marion was on the soprano sax:

SONG #6: Treasures (Marion Meadows)
Originally heard on: “In Deep,” 2002
Featured musicians:
Marion Meadows, Chieli Minucci

Marion and Dancing Eric juxtaposed:

Wild applause:

SONG #7: Thursday (Steve Cole)
Originally heard on: “Spin,” 2005
Featured musicians:
Steve Cole, Chieli Minucci, Ken Navarro

Steve played tenor sax:

SONG #8: Angel (Steve Cole; Sarah McLachlan cover)
Originally heard on: “Moonlight,” 2011
Featured musician:
Steve Cole

Dave Anderson played acoustic bass on “Angel”:

SONG #9: Movin’ Up (Jeff Kashiwa)
Originally heard on: “Play,” 2007
Featured musicians:
Jeff Kashiwa, Ken Navarro

It was that time in the show to introduce the feature teacher himself, Bob Nunno!

SONG #10: Donna (Bob Nunno)
Originally heard on: Yet to be released
Featured musicians:
Bob Nunno, Chieli Minucci

Rounding out the lead saxes for the night, Bob played tenor:

“Donna” is Bob’s tribute to his wife.

After “Donna,” Jay shared the story of how he met Ms. Theresa Voss, the Foran High School choral director:

I was playing piano for the [Milford] tree lighting ceremony and I was told that I would be accompanied by the Lauralton Hall Chorus.  And it was great.  They were such a great chorus.  …  It was a pleasure musically to play with them.  And I admire Theresa, how great she was as the choral director.  So, when I heard she got the job at Foran High, I thought, oh my God, this is going to be great.  They’re gonna have a great chorus.  Sure enough, she built up the choral program and made it what it is now.

After recounting the Select Ensemble Chorus’ first four appearances at SJFS, he welcomed Ms. Voss to the stage:

The chorus soon followed:

Then, Jay told the audience that it was Ms. Voss’s birthday and invited her back to the stage from the orchestra pit…

…where the chorus and audience sang “Happy Birthday” to Jay’s keyboard accompaniment:

After Steve Scales noted it was his birthday, too, and Ms. Voss returned to the pit to direct the chorus, it was time for:
SONG #11:
Katy’s Groove (Jay Rowe)
Featured musicians:
Foran High School Select Ensemble Chorus

“Katy’s Groove” was dedicated to pop singer Katy Perry.

A round of applause:

The performance went so well, Jay wanted a way to officially record it.

He then dismissed the chorus until later:

SONG #12: Suede (Marion Meadows)
Originally heard on: “Player’s Club,” 2004
Featured musician:
Marion Meadows

Surprise!  Marion began in the audience:

We jumped right from “Suede” to:
SONG #13:
South Beach (Marion Meadows)
Originally heard on: “Body Rhythm,” 1995
Featured musician:
Marion Meadows

Jay’s solo:

A sample of “Mas Que Nada” found its way in the solo:

Steve Scales, Trever Somerville, and Dave Anderson were next on the solo train:

Dave took the solo lead:

A standing ovation!:

Marion: “It’s an absolute honor and a pleasure to have known Jay Rowe for so many years.  I’m proud to say that Jay Rowe has been a member of my touring band for 19 years.  So, that says a lot about friendship and the love I have for this gentleman.  A round of applause for Jay Rowe.”

He also thanked Dave, Steve, and Trever.

SONGS #14/15: Ken Navarro solo feature: Letter From Home (Pat Metheny Group cover)/Europa (Santana cover)
Musician:
Ken Navarro only

“Letter From Home” was dedicated to Tom and Melissa who are serving our military in Iraq.  Tom is the son, and Melissa the daughter-in-law, of Libby and Lauren, a couple from Atlanta in the audience.  (1/6/12 UPDATE: You can hear these songs and more on Ken’s new album, “The Test of Time.”)

SONG #16: Festival (Special EFX)
Originally heard on: “Peace of the World,” 1991
Featured musicians:
Chieli Minucci, the ladies of the Foran High School Select Ensemble Chorus

There was one song left.  All the musicians returned to the stage.
SONG #17 (Finale):
Hyde Park (The “Ah, Oooh” Song) (Jeff Kashiwa)
Originally heard on: “Another Door Opens,” 2000
Featured musicians:
Everyone, Foran High School Horns

The audience played a role, too, as Jeff informed them.  You’ll see what role below.

“Ahhhhh, oooooh”:

The final note of the night:

Afterward came the meet and greet with pictures.

First, Marion Meadows:

Ken Navarro:

Jeff Kashiwa:

Steve Cole:

Chieli Minucci:

And Jay Rowe:

This year’s Smooth Jazz for Scholars was another success from start to finish.  Next year is #10!  See you then.

SJFS 2011 recap still to come May 1, 2011

Posted by Mike C. in Jazz, Music, Personal, Photography.
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As I type, I’m early in the process of editing pictures from last night’s Smooth Jazz for Scholars concert.  Once I finish, the next step will be to select the best ones and upload them to the blog.  Then, the writing part.  The recap should be up by next weekend; hopefully sooner.

Thanks for your patience.

5/4 UPDATE: The recap is up.

Brian Simpson concert recap April 17, 2011

Posted by Mike C. in Jazz, Music, Personal, Weather.
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Later Brian Simpson recaps: April 2012, February 2015

Yesterday, my parents and I braved the strong easterly winds and heavy rain to see Brian Simpson‘s 8PM set at Houndstooth Pub, located in the Fashion District section of Manhattan.  It was Brian’s first performance ever in New York City.

Brian played the keyboard…

and the keytar:

Matt Marshak was on guitar:

The last show I saw at Houndstooth was Matt’s in December.

Carl Carter on bass:

And Lionel Cordew on the drums:

SET LIST
1. It Could Happen (keytar/keyboard)
2. Here With You
3. The Blues – Elan Trotman, sax
4. Let’s Get Close (keytar)
BREAK
5. South Beach (keytar/keyboard) – Elan Trotman, sax
6. Can’t Tell You Why
7. Funkology (Matt Marshak tune)
8. Killer Joe (Quincy Jones cover) – Elan Trotman, sax
9. Brazilia
10. Saturday Cool/Mr. Magic (the latter is a Grover Washington, Jr. cover) (keytar/keyboard) – Elan Trotman, sax

Between “The Blues” and “Let’s Get Close,” Brian recounted his pop past, which included co-writing and performing on “The First Time” by Surface.  That song is available on Surface’s 3 Deep and Best Of albums and on iTunes.

Mirror image of Lionel:

Elan Trotman played the saxophone on “The Blues,” “South Beach,” “Killer Joe,” and “Saturday Cool/Mr. Magic”:

One of Matt’s guitar solos…



Carl’s bass solo…

At the end of the set, Brian thanked the band…

…Neal Newman, the audio engineer…

…and Steve Butler, who was right behind me, which is why Brian is pointing in my direction:

I briefly spoke to Brian during the break and we posed for this picture:

The 8:00 set was great!  And I’m sure the same could be said for the one at 10:30.

Mindi Abair on American Idol! April 16, 2011

Posted by Mike C. in Jazz, Media, Music, TV.
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NOTE: Abair is pronounced “AY-bare.”

I am subscribed to saxophonist Mindi Abair‘s newsletter.  Last weekend, the newsletter noted that Mindi would be on American Idol on Wednesday night performing with an undisclosed contestant on a song produced by Don Was:

Visitors to her website were also informed of her upcoming appearance:

Mindi recorded a track with producer Don Was for one of the American Idol finalists this weekend, and she will be performing it live on American Idol Wednesday, April 13th.  Tune in to your local Fox listings and cheer her on.  It might be the first sax solo ever in American Idol history.

Not a regular viewer of the show, I DVR’d it while watching a different show in the 8:00 hour.  Later, I skimmed through the recording to see where Mindi showed up.  I wasn’t skimming for long.  Five minutes in, there she was with Paul McDonald on “Old Time Rock and Roll.”  Again from her website:

Mindi rocked out with Paul McDonald on American Idol last night to open the show.  Steven Tyler remarked “Who’s that sax player?” and Ryan Seacrest said if you’d like to vote for “Sax with Paul”, call in.

What a performance it was!  Watch:

You can buy the single, produced by Don Was at iTunes!

Katherine Gilraine liked it, too, writing about the exposure Mindi’s appearance gave smooth/contemporary jazz:

If you caught American Idol recently, then you may have seen something different. And if you’re not part of the jazz scene, then you may be asking yourself, “Who is that sax player? She is good!

From what I saw on FB and Youtube, Mindi Abair all but upstaged the contestant, and people are absolutely amazed, asking why they hadn’t seen her before. Why they hadn’t known that someone can play the saxophone like that. And I say to them, “Are you of the people who dismisses smooth jazz as ‘not real music’? Then that’s why. You dismissed the very music that you’re finding yourself noticing as great and enjoyable.”

Oh, the power of perception and exposure that shatters it.

You can read the rest here.

4/28 UPDATE: From Mindi’s website:

Mindi back on American Idol
Tuesday, 26 April 2011 21:49
Mindi will be back with her saxophone on American Idol this Wednesday night 4/27/11, this time playing with the horn section.  Tune in and cheer her on.

I wish I had known of this sooner.  I’m sorry I missed it.

Tampa Bay trip recap; panic attack April 9, 2011

Posted by Mike C. in Personal, Travel, Weather.
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NOTE: At the end of this post, I recount my panic attack suffered early in my flight back to Islip.

Two weekends ago, I was in the Tampa-St. Petersburg-Clearwater region for a brief vacation and family visit.  It was my first trip to Florida in two-and-a-half years when I saw family in South Florida, specifically Palm Beach and Broward Counties.  This post contains pictures of scenery and roadways from this trip, all but two of them from Sunday, March 27.  The last two are from the following day.

The view from my room at Safety Harbor Resort and Spa:

Poolside:

Beyond the pool:

Tampa Bay:

Driving through Safety Harbor:

McMullen Booth Rd (CR 611) and Main St. (Sunset Point Rd. after the intersection):

U.S. 19 overpass:

Entering U.S. 19:

Nebraska Ave. in Palm Harbor:

Alderman Rd.:

The main entrance to Innisbrook (after the traffic light-less Belcher Rd. intersection):

Turning left at Klosterman Rd.:

Belcher Rd. and Glen Eagles Pkwy. (pic taken at the aforementioned light-less intersection):

Two random pictures inside Innisbrook:

Two more pictures from Safety Harbor:

The last two pictures were taken Monday, March 28, from my grandparents patio at Innisbrook, overlooking the Copperhead course’s 2nd hole fairway:

After nice weather the previous two days, we were inundated by rain and thunderstorms.  Our flight home in the evening was delayed a half hour, but avoided major turbulence.  Before coming to that conclusion in-flight, I developed a panic attack on fear of major turbulence for the first half-hour.  Here’s the story as I typed it from my laptop (partially revised):

As I boarded at around 8PM, I began to feel anxious.  The heat on the plane didn’t help.  Drinking water didn’t help, either.  As our plane taxied and waited to take off, I began to feel tightness in my chest.  Again, the water didn’t help nor did deep breathing.  When we took off, the tightness turned to numbness and quickly spread to my face, hands, and somewhat to my feet.  I was paralyzed in those areas for about five minutes as I continued to breathe as deeply as I could.  At one point, I uttered through my frozen face: “I feel so helpless.”  A man sitting across the aisle from me was reassuring, though I don’t remember exactly what he said.  Gradually, I regained feeling.  Once that happened, I thanked the man for helping me through my harrowing experience.  I thanked him again when we landed and he patted me on the back.

Thankfully, the turbulence worries were initially for nothing.  There were some bumps here and there later on, but I didn’t have another attack.

It was nonetheless a good trip.

3/29/12 UPDATE: This turned out to be the last time my grandfather, Carmen Chimeri, in person.  He passed away on December 9.  The last time I spoke to him was on the phone on my 30th birthday.  I took this last March 27 at Carrabba’s in Palm Harbor, for his 80th birthday (albeit three days late):

I’ll conclude this update with a picture of Carmen on Christmas morning in 1994:

Eric Marienthal/Jazzaphonic concert recap March 23, 2011

Posted by Mike C. in Jazz, Music, Personal.
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Eric Marienthal came to the Boulton Center in Bay Shore last night for a masterclass (“bring your instrument”) and concert.  This is a photo recap of the concert.

Eric was backed up by the band Jazzaphonic.  Jazzaphonic was made up of Bill Heller on the keyboard:

Steve Salerno on guitar:

Jim Cammack on the electric bass…

…and acoustic bass:

And Frank Bellucci on drums:

SET LIST
1. Hangin’ On The Boardwalk
Originally heard on: “Turn Up The Heat,” 2001

2. Blue Water
Originally heard on: “Just Around The Corner,” 2007

3. Oasis
Originally heard on: “Oasis,” 1991

4. Down and Loaded (Jazzaphonic, written by Bill Heller)

5. New York State Of Mind
Originally heard on: “Got You Covered!,” 2005

6. Safrica (Jazzaphonic, written by Steve Salerno)

7. Moody’s Mood For Love
Originally heard on: “Got You Covered!,” 2005

8. Latinesque (Jazzaphonic, written by Bill Heller)

9. Compared To What
Originally heard on: “Got You Covered!,” 2005

Encore 1. Bill’s Bop (Jazzaphonic, written by Bill Heller)

Eric switched to the soprano sax for “Oasis”:

Wayne Schuster played soprano sax to Eric’s alto on “Safrica”:

Frank’s drum solo:

Call and response:

Steve’s guitar solo on “Latinesque”:

Followed by Jim’s bass solo:

“Compared To What”:

That was followed by an encore: “Bill’s Bop.”

The end:

Before I left, I briefly caught up with Eric and our mutual friend Kat Sarracco, whom I sat with during the concert, took our picture:

This concert was a blast!  Thanks to Eric, Bill, Steve, Jim, Frank, and Wayne.

3/26 UPDATE: Eric’s concert was on a day off from touring with the Jeff Lorber Fusion.  Wednesday and Thursday nights, Fusion played at Iridium.  Katherine Gilraine saw them Thursday night.  In her recap, she lauded Eric:

His own material shows it best; he knows his horns. He knows his soprano sax and does not have to do much to get to the sound as he wants. High notes – effortless. Low growls on the alto or tenor – no problem. There is no effort whatsoever needed for Marienthal to rock out with a solo, or accent with a lick or two, and he can stand out just as easily as he blends into the overall sound.

Read the full recap here.

Winter 2011 in pictures March 21, 2011

Posted by Mike C. in Personal, Photography, Weather.
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Yesterday at 7:21 PM Eastern, spring began.  That marked an end of a winter that started off with a bang in late December, all of January, and early February, and petered out.

That stage of winter that will stand out the most.  I documented the season’s first storm here.  Here’s the rest:

Friday, January 7
Thick wet snowflakes:

Minor accumulation:

Wednesday, January 12
10.43 inches of snow:

Icicles outside my bedroom window:

They got rather big by the next day.  I used a putter I had in my closet to knock them down.

Friday, January 21
3.5 inches of snow

I didn’t take any pictures, but left this witty status update on Facebook after shoveling:

Another snowstorm, another 2 1/2 hours shoveling. T.G.I.F.; thank goodness I’m finished.

Thursday, January 27
A wintry mix the day before turned to sleet and freezing rain (with a few rumbles of thunder) before turning to wet snow.  The results were an inch or two of ice and about 12 inches of snow.

It was a pain to shovel, but I refused to quit…

…at least with the driveway and sidewalk.

It took five weeks for this gigantic bank to melt away:

This one melted a little quicker:

Saturday, January 29
The sun made it slightly easier to chop and scoop the ice and built-in tire tracks:

I finally got around to the sides and back yard:

Ice buildup and fallen icicles by the front gutter:

February began with an ice storm, but saw little snowfall the rest of the month.  The only snow this month, March, came this morning when it briefly mixed with rain.  There was no accumulation.

Let spring begin!

3/24 UPDATE: Winter has made a small comeback.  Yesterday, snow mixed with rain at times during the day and fell by itself at night (after a thunderstorm mix):

About an inch accumulated.  The snow stuck to everything, but it only partially melted on hard surfaces as of this morning.  So, I shoveled the rest:

By this afternoon, most of the snow had melted.

That should be the last of the snow until the end of the year.

Smooth no more March 8, 2011

Posted by Mike C. in Internet, Jazz, Media, Music, Personal, Radio.
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A few days before scheduled to occur, the Oasis Contemporary Jazz Awards were canceled.  My friend Katherine Gilraine, who was supposed to co-present, is rightfully perturbed:


To say that I’m angry is an understatement, and not just because they have canceled the event so close to the wire. Generally, you don’t cancel shows this close in advance. Bad ticket sales are one thing, but if it’s obvious that the ticket sales are dismal – which, believe me, is not something that a promoter misses over an extended period of time – you let people know in advance. Because that way, they can plan on alternatives.

What really raised my hackles is the way that the advertising was – or in this case, wasn’t – done for this event, and the producers are pulling out the “smooth jazz radio is dead” card as the reason why ticket sales were bottomed. Similarly, it pisses me off that the article above [This article. –MC] suggests that the artists drop the “smooth” moniker and “start making real music.”

What part of this music isn’t real, I ask? Seriously. What part of this music isn’t real if the cruises are booked a year in advance to the gills, the festivals are a hit, new artists are voluntarily entering the genre, and the listeners have gotten involved in more than one grassroots petition to bring the stations back?

You can read the rest at the link on the words “rightfully perturbed.”  She goes on to say that smooth or contemporary jazz is real music.  And I agree.  But her post hit close to home because I relied heavily on contemporary jazz in my time at Evening Jazz on WCWP, a format that is supposed to be perhaps a little c-jazz, but mostly other sub-genres of jazz and jazz-inspired music from other genres.  I got by for seven months without incorporating all of that, but chose to step down when I was told I had to.

Outside of c-jazz fan friends and musician friends, few people I know believe the genre Kat and I love is real music.  They think it’s elevator music, it sucks, it gives them a headache, they hate it and the artists, they whine about a lack of vocals (“where are the words?”), it’s lovemaking music, and other complaints.  Some of it could be considered lovemaking music, but I don’t think of that when I listen or talk about it on the air.  If I hadn’t been introduced to c-jazz, new age, and traditional jazz in the Local Forecast on The Weather Channel when I was young, I’d probably think the same way as those that bash it.  I’m glad I discovered it.

While on the subject, I have good news.  I’ll be heading back to the Boulton Center in Bay Shore on Tuesday, March 22, to see Eric Marienthal, and to Houndstooth Pub in Manhattan on Saturday, April 16, for Brian Simpson.  Expect recaps of both.

3/9 UPDATE: It appears Kat’s dark cloud has a silver lining:

Not 24 hours past since I put up my last post regarding the abrupt cancellation of the Oasis Contemporary Jazz Awards, and already the wheels have been set into motion. Before Tuesday elapsed, Ken Levinson, Bruce Nazarian, the artists, the people at Anthology, the people at Spaghettini’s, and everyone else who was left in the lurch by this turn of events had pulled together and engineered what has become known now as the Lemonade Weekend.

This astounds me, in the very best of ways. This is exactly why I call jazz “Our Music” when I’m with fellow fans. We took a failed, poorly-marketed event, and turned it into a makeshift festival. I’m not sure who will be part of this makeshift festival, but there is much to be said for the tenacity, gumption, and love that we have for the artists.

We, the fans, made this happen.

No laughing matter February 26, 2011

Posted by Mike C. in Internet, News, Personal, Politics.
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Earlier this week, far-left blogger Ian Murphy made news by prank calling Wisconsin Governor Scott Walker (R).  In the call, Murphy posed as billionaire David Koch (“Coke”) and engaged in a 20-minute conversation with Gov. Walker, trying to bait him into saying something incriminating.  Depending on your ideology, Murphy either got nothing out of the prank and Walker didn’t say anything new, or Murphy is a hero for trapping the sinister Walker.

The Daily Caller made note of Murphy’s past.  Besides a fervent anti-war position, he went to a creationist museum while pretending to have Asperger Syndrome.  The title of his post on the experience was very offensive: “Let There Be Retards.”  (It hurts to write that.)

As someone that actually has Asperger Syndrome, Murphy’s representation of AS was an intolerant caricature.  I doubt even my fellow Aspie friend Jason Ross would act like that.  Worse yet, that caricature appeared to be for the sole purpose of screwing with a creationist museum.  I don’t think I’m a creationist.  I rely on what I learned in science classes from elementary school in Freeport to middle and high school in Wantagh to college at C.W. Post.  But my grievance is over his mockery of a stereotypical Aspie.

One symptom of Asperger Syndrome is hypersensitivity in many areas, including emotion.  Murphy’s mockery and slurs an emotional response out of me.  They hurt.  I took them personally.  Can you blame me?  AS is no laughing matter.  It isn’t something to pretend to have and then mock later on online.

If I get attacked personally for this somewhere on the internet, so be it.  I’ve unfortunately been attacked before.  I’m sure that can be said for many people.  For all the positive things on the internet, there are some harsh negatives.

New computer, Blu-ray Disc player February 25, 2011

Posted by Mike C. in Media, Personal, Technology.
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Earlier this month, I upgraded to a new desktop computer and Blu-ray Disc player.

The computer is a Dell Inspiron 560.  It includes an Intel Pentium Dual-Core E5500 processor running at 2.80 GHz, 4 GB of DDR3 SDRAM, the Intel G45 Express Chipset, Intel HD audio, and Windows 7 Ultimate 64-bit.  I bought a 20″ Dell widescreen monitor to go with it.  It took a couple of days to personalize it by getting the programs I had installed on the old computer on this one.  It’s working great thus far.

The same can be said for the Blu-ray Disc player: a Panasonic DMP-BD45.  In fact, it’s working much better than my old Toshiba upconverting DVD player.  In fact, the reason I bought the new player is because that old player suddenly broke down.  I haven’t played any Blu-ray Discs yet, but I ordered one a couple of days ago.  It’ll be interesting to see and hear the difference between upconverted widescreen DVDs and BDs.

While on the subject of new electronics, you’ll remember a few years ago I mentioned I got a “new old laptop.”  Well, last March, I got a new new laptop.  It’s a 15.6″ eMachines E725.  This laptop includes an Intel Pentium Dual-Core T4400 processor running at 2.2 GHz, 3 GB of RAM, Mobile Intel 4 Series Express Chipset, Realtek HD audio, and Windows 7 Home Premium 64-bit.  I bought a wireless mouse to go with it.  I haven’t used it too much as I haven’t been away from home too often, but I have no complaints.

9:55 PM UPDATE: I foolishly installed Service Pack 1 on the desktop computer.  In the middle of the update, I get “Error C000009A …”  The computer is inaccessible as I type (from my pre-SP1 laptop).  I’m trying desperately to repair the problem, but having no luck.

2/26, 10:15 AM UPDATE: After eight hours of sleep, I tried again.  I opened in safe mode and was successful: Windows 7 Ultimate reverted back to the way it was before the update.  Unfortunately, I didn’t have the right product key.  So, I had to pay $216 for a new one, but I’m hoping it’ll be worth it.

2/27 UPDATE: So far, it’s worth it, but not completely.  Windows Media Player won’t open because the DLL version is newer than it should be.  Windows Installer won’t work, either.  I’m talking to tech support as I type.  If I were you, I wouldn’t install SP1.
I’m not writing anymore posts about computers I own.  It’s clear I jinxed myself.