2012 WCWP Hall of Fame Ceremony April 29, 2012
Posted by Mike C. in Media, Music, Photography, Radio.add a comment
Later Hall of Fame ceremony recaps: 2013, 2014, 2015, 2017, 2018, 2019, 2020-21, 2022, 2023
Thursday night, I was at the Tilles Center Atrium at LIU Post for the first ever WCWP Hall of Fame induction ceremony. The inaugural inductees were Art Beltrone, Hank Neimark, Dr. Herb Coston, and Prof. Virgil Jackson Lee. The latter two were inducted posthumously.
You can see the rest of my pictures from this fantastic night in my public Facebook photo album. Enjoy!
10/17 UPDATE: On Saturday, at Homecoming, the WCWP’s 2013 Hall of Fame class will be announced. That has inspired me to post pictures from the 2012 induction ceremony to this post rather than refer you to Facebook.
Desserts, coffee, milk, and tea were served:
Pete Bellotti, Mike Phillips, Jeff Kroll, Phil Lebowitz:
The view from where I placed my camcorder:
(Too bad I had an incompatible memory card.)
Pete Bellotti and Tracy Burgess:
The plaques:
Roger Luce was the host:
Dr. Paul Forestell, LIU Post Provost:
Noel Zahler, Dean of Post’s School of Visual and Performing Arts:
Dan Cox, the WCWP Station Manager, read a statement from a relative of the late Prof. Virgil Jackson Lee:
Twice during the ceremony, Tracy Burgess interviewed a WCWP alum. First up was Bernie Bernard:
Bernie got a round of applause:
Hank Neimark was introduced by two friends. First, Jay Elzweig…
And then Jon Korkes:
Bill Mozer introduced Art Beltrone:
Then, Roger concluded the ceremony:
I didn’t want to create photo confusion between the professional photographer and myself. So, after this one, the remaining pictures are candid shots:
It was quite a night at Tilles. Congratulations to the inaugural inductees to the WCWP Hall of Fame.
Briar Park April 3, 2012
Posted by Mike C. in Internet, Jazz, Music, Personal, Travel.add a comment
Early in my recap of saxophonist Jessy J’s show at the Iridium in February, I said this:
The site I bought [my ticket] through, TicketWeb, listed my hometown, with the 11793 zip code, as Briar Park rather than Wantagh. I had never heard of that alternate name and a Google search was inconclusive. I reached out to my Facebook friends from Wantagh or North Wantagh through a status update, but none of them commented.
In the recap comment thread, Zach Pollack had an answer:
The area between the [Seaford-Oyster Bay Expressway; NY 135] and Jerusalem [Avenue] up to the Southern State [Parkway] used to be called Briar Park. So, basically the “T” section and a little bit more. [I] hope this helps.
I told him it helped a lot. Via a screencap of Google Maps, this is North Wantagh’s “T” section:
Will Donato & Elan Trotman at Houndstooth recap March 12, 2012
Posted by Mike C. in Basketball, Hockey, Jazz, Media, Music, Personal, Photography, Sports, Travel, TV, Video.add a comment
Saturday night, to coin a borrow a previously used term, was saxtacular! Saxophonists Will Donato and Elan Trotman performed at Houndstooth Pub, a few blocks north of Penn Station. It was the first time I’d seen Will in concert, but the second for Elan, who I saw last April with Brian Simpson.
But before taking the LIRR to Penn Station and walking those few blocks to Houndstooth, something noteworthy occurred in my neighborhood and another thing in my family. It was my mother Lisa’s birthday. My presents to her were two scratch-off lottery tickets, she won $2 with each, and a Chicago CD. As for the noteworthy neighborhood event, a curbside tree by my neighbor’s house was taken down by a crew from what I assume was the Town of Hempstead. They also removed a tree a block north and west away on Thursday.
Here are two before vidcaps. This one is from February 5, 1995:
And from November 11, 2011:
The next three are after pictures that I took before going to Wantagh’s LIRR station:
I suppose the next step is to redo the sidewalk.
With that business out of the way, on to the show at Houndstooth.
Backing Will and Elan up were Jay Rowe on keyboards:
Kenny Harris on bass:
And Chris Marshak, brother of guitarist Matt Marshak, on drums:
I was on hand for the first set. Elan went first. Here’s what he played:
Elan Trotman:
1. Lil’ Too Late
2. 100 Degrees
3. Heaven in Your Eyes
4. Last Dance
Jay’s second solo on “Heaven in Your Eyes”:
Elan made way for Will Donato:
Will Donato:
5. New Life
6. I’ll Be Around
7. Jaywalking
8. Always You
9. Funkability
Guitarist JJ Sansaverino joined the band for Will’s portion of the set, seen here during his “New Life” solo:
Will went into the audience multiple times:
“Jaywalking” began with a bass solo by Kenny Harris:
And he had a simple “it’s you” vocal on “Always You”:
That song also had a wild guitar solo by JJ:
Back into the audience during “Funkability”:
He even went behind the bar!:
After “Funkability,” the set was complete.
And what a wild set it was! Elan was exciting and Will was lively! I can only imagine how much wilder the second set must have been. Before I left, I got to meet Elan and Will in person for the first time. Elan told me he liked my Brian Simpson show recap and I thanked him for the compliment.
On the way back to Penn Station, I remembered that the championship game for the Big East Tournament was taking place that night at Madison Square Garden. Before walking into Penn, I took a picture of the tournament’s banner:
In the championship game, the Louisville Cardinals defeated the Cincinnati Bearcats 50-44. About twelve hours later on the same basketball court, the Knicks and Philadelphia 76ers squared off. Unfortunately, the Sixers won. After the game, the court was taken apart and the hockey rink was set up as the Rangers faced the Islanders a few hours later. The Rangers won 4-3 on a Marion Gaborik goal with six seconds left in overtime.
Back on Saturday night, the 10:45 Babylon-bound train was a few minutes late, but I made it back to Wantagh on time.
Thanks to Will, Elan, Jay, Kenny, Chris, JJ, Steve Butler, and Ed Tankus for another great night at Houndstooth.
11:47 PM UPDATE: After posting this recap and linking to it on Facebook, Elan had this to say:
Nice job – yet again. Really nice work.
Thank you again, Elan. I’m very glad you liked it.
I also got this from Will:
Mike I really enjoyed your amazing blog. The photos really captured the night and I am honored to be reviewed with such passion and care!
Thank you, too, Will.
Jessy J at Iridium recap February 11, 2012
Posted by Mike C. in Broadway, Hockey, Jazz, Media, Music, Personal, Photography, Travel, TV.2 comments
(2/25 UPDATE: Jessy has posted video of six songs from the 8:00 set to her YouTube channel, including two in one video. They are embedded in the set list below the corresponding titles.)
I was at The Iridium jazz club Thursday night to see saxophonist/vocalist Jessy J perform. There were two shows: 8:00 and 10:00. I went to the earlier one. It was the first time I’d seen her solo since I first saw her with Guitars and Saxes in 2008.
I had originally planned on seeing Jessy at the Daniel Street club in Milford, Connecticut back in late July, but I was unable to make it. I was unaware she’d be at The Iridium until the previous Monday, January 30, when the date was listed in her latest newsletter. Not about to let this opportunity pass me by, I immediately bought a ticket. (6/22/12 UPDATE: Daniel Street closed one month before The Iridium show.)
Before we get the show recap started, I’d like to share a funny thing that happened after I bought that ticket. The site I bought it through, TicketWeb, listed my hometown, with the 11793 zip code, as Briar Park rather than Wantagh. I had never heard of that alternate name and a Google search was inconclusive. I reached out to my Facebook friends from Wantagh or North Wantagh through a status update, but none of them commented. A comment in this old message board thread helped slightly, but not much:
… While my neighborhood is served by the Levittown School district, I am 110% positive that my development is considered (for intents and purposes) North Wantagh. Just north of me is the “R” section of Levittown, and the Briar Park section of Wantagh; and south of the parkway is the “T” section …
I walked through that “T” section of North Wantagh earlier today, so called because most of the street names begin with the letter “T” (i.e. Twin, Tally, Toll Gate, Tumble, etc.). So, apparently, Briar Park is a section of Wantagh, but I still don’t know where. If anyone happens to read this and knows the answer, please leave a comment.
On to the recap:
I was dropped off at the Wantagh LIRR station at 5:30, 29 minutes before my Penn Station-bound train arrived. I killed some of the time in the adjacent McDonald’s, buying a small meal, before returning to the platform. The train I was on was an older model, an M1, the predecessor to the M7, which features an automated voice recording – which I do a good impression of – and synthesized bell. When I arrived at Penn Station, I immediately walked to the 34th Street subway station to take the uptown 1 train to 50th and Broadway. I barely missed one, but another arrived four minutes later. Finally, I arrived at The Iridium, 45 minutes before showtime. Since I was early, I got a great seat: a table on the left side of the stage. After a spaghetti and meatballs dinner, it was finally time for Jessy J and the band.
Jessy was on the tenor sax:
Her pants look pink, but they’re red.
She was backed up by Jay Rowe on keyboards:
Mike Nunno (“NEW-no”) on bass:
Jon Roundtree on drums:
And Rohn (“Ron”) Lawrence on guitar:
8:00 SET LIST
1. Fiesta Velada
2. Sin Ti
3. Mas Que Nada (Sergio Mendes & Brasil ’66 cover) – Jessy, vocals; Rohn, background vocals
4. Tequila Moon
5. Tropical Rain
6. Remember the Night
7. Hot Sauce
8. Conga (Gloria Estefan & Miami Sound Machine cover) – Jessy, vocals; Rohn, vocal solo
9. Oye Como Va (Tito Puente cover, arrangement similar to Santana version) – Jessy, vocals; Rohn, vocal solo
10. Baila! – Jessy, vocals
1-4 are from Tequila Moon (2008).
5 and 10 are from True Love (2009).
6 and 7 are from Hot Sauce (2011).
A few songs featured a call and response, wild at times, with Jessy and Rohn Lawrence. Here’s a sample:
The view from the HD monitor behind me:
Jessy wore two musical hats for “Mas Que Nada,” “Conga,” “Oye Como Va,” and “Baila!”: saxophone and vocals. Here she is during “Mas Que Nada”:
Rohn backed her up:
Mike Nunno’s “Mas Que Nada” bass solo:
Rohn’s “Remember the Night” guitar solo:
Clapping in the middle of “Hot Sauce”:
Jessy switched to alto sax for “Conga” and “Oye Como Va”:
“Conga” vocals:
Rohn’s “Conga” solo:
Miami-style clapping:
Vocal solo…
…with audience participation:
Jay Rowe’s “Oye Como Va” keyboard solo, first seen from a monitor:
The end-of-solo glide:
Jessy switched back to tenor sax for the last song of the set – “Baila!”:
Jay’s “Baila!” solo:
Then, it was Rohn’s turn:
And finally, a drum solo by Jon Roundtree:
The last note:
The end!
Afterward, Jessy and I briefly caught up with each other and shot this picture:
She asked if I still had my blog and I told her I do. I also met Rohn in person for the first time and caught up with Jay and Mike, who I’d previously seen on bass for drummer John Favicchia’s Dharma All Stars. Outside of the band, I saw my friends Katherine Gilraine, who came for the 10:00 show, and Kat Sarracco who was at the 8:00 show, but I didn’t even notice during it because I was focused on the stage the entire time.
Going back to Penn Station, I was unable to find the entrance to the 50th-Broadway subway station’s downtown platform. So, I gave up and planned on walking all the way down to Penn. I didn’t realize it, but I would be walking through Times Square. The tourists were out in full force and I was one of them, shooting these pictures:
My last picture of the night was the exterior of the Times Square station:
I was finally able to board the downtown 1 train, but had to walk a bit above ground before finding the LIRR entrance. I ran to catch the 10:05 Babylon-bound train. The New York Rangers hockey team had a game against the Tampa Bay Lightning at Madison Square Garden that ended moments earlier. (The Rangers won 4-3 in overtime.) So, the train I barely made was packed. I stood by the car door until Jamaica when one of the fold-out seats next to me was vacated. I got back to Wantagh just after 11:00, ending a great night of music and travel.
Thanks to Jessy, Jay, Mike, Jon, and Rohn for a wonderful, exhilarating show. It was a blast!
Double feature: “It’s Love” and “Galaxy” February 2, 2012
Posted by Mike C. in Jazz, Music, Personal.4 comments
Tuesday was doubly good to Eric Marienthal and Jeff Lorber. Eric’s solo album, It’s Love, was released, and so was Galaxy, the album for Eric’s other band, The Jeff Lorber Fusion. Both have a presence on each other’s albums, which I received via UPS yesterday evening.
After getting my Grover Washington, Jr. albums out of the way, I spent today listening to Eric and Jeff’s works. We’ll start with It’s Love, produced by Chuck Loeb. Chuck was on all but one of the ten tracks, wrote one, and co-wrote two with Eric. Jeff Lorber appeared on four and co-wrote one with Eric. Russell Ferrante of Yellowjackets appeared on five and also co-wrote one with Eric. Jimmy Haslip, formerly of Yellowjackets and currently of Jeff Lorber Fusion, played bass on four tracks. Brian Culbertson co-wrote and appeared on the last track. The tracks are as follows:
1. Get Here (Brenda Russell cover) (4:29)
2. In A Sentimental Mood (Duke Ellington cover) (5:20)
3. Can’t Buy Me Love (The Beatles cover) (5:49) – This is a radically different arrangement than the original. I call it a Beatles bossa nova.
4. It’s Love (5:51)
5. Two In One (6:21) – This has what I consider the vintage Chuck Loeb sound, which makes sense since he wrote it. I love the call and response in the latter part. That will be a blast if it’s played live.
6. Costa Del Soul (5:20)
7. Babycakes (4:41)
8. Café Royale (6:00)
9. St. Moritz (5:25)
10. When I Found You (4:20)
And then there’s The Jeff Lorber Fusion’s Galaxy; not to be confused with Galaxian, the Fusion’s 1981 release. In addition to new compositions, three original Fusion tunes and one Jeff solo tune are redone. Eric Marienthal appears on nine tracks, Jimmy Haslip appears on seven. The tracks:
1. Live Wire (7:03) – They start the album off with a bang here.
2. Big Brother (4:50)
3. Montserrat (4:58)
4. Singaraja (4:37) – Featuring Randy Brecker on trumpet
5. Galaxy (5:17)
6. City (4:29) – First heard on Wizard Island (1980).
7. Horace (5:34) – Dedicated to Horace Silver (2/13 UPDATE: The end is reminiscent of “Hudson” on Jeff’s 2007 album, He Had a Hat; a reprise, even.)
8. The Samba (4:49) – First heard on Soft Space (1978). The original led with Terry Layne on saxophone, but this time, sax is traded for Larry Koonse on guitar. The percussion isn’t as wild as in ’78.
9. Rapids (4:26)
10. Wizard Island (4:50) – First heard on Wizard Island (1980).
11. The Underground (4:39) – First heard on Jeff’s long-awaited solo album (seven years after his last one), Worth Waiting For (1993).; featuring Randy Brecker on trumpet. An album that started with a bang ended with one.
I love both albums. They are superb from start to finish. For approximately two listening hours, I was in heaven. I wish more people from my generation appreciated this genre as much as I do.
My Grover Washington, Jr. collection February 1, 2012
Posted by Mike C. in Internet, Interviews, Jazz, Media, Music, News, Personal.add a comment
From Grover’s AllMusic bio page
I was first exposed to the late Grover Washington, Jr. in 1996, the year I began listening to what was then CD 101.9 (now FM News 101.9) here in New York. “Mister Magic” was the first song I heard. Then, there were “Take Five (Take Another Five)” and “Soulful Strut.” In the early 200s, Before I wised up and bought physical CDs or digital MP3s (through iTunes or Amazon), I downloaded two of those songs through a free file-sharing program.
When my aunt moved to South Florida in 2003, she gave me a Grover compilation album. I only listened to two songs on it: “Let It Flow (For Dr. J),” a tribute to Grover’s love of Julius Erving and the Philadelphia 76ers, and “East River Drive,” a tribute to the Manhattan parkway otherwise known as the FDR Drive.
A few years ago, with the help of my friend Matt Marron’s TWC Classics site, a tribute to The Weather Channel, I learned of many more Grover songs that were used in the Local Forecasts in the 1980s. They included “Winelight” and “Jet Stream.”
Finally, in December 2010, I took the big step and began my Grover Washington, Jr. collection of CDs. I bought:
- Winelight (1980)
- Come Morning (1981)
- The Best Is Yet To Come (1982)
- Inside Moves (1984)
- Time Out Of Mind (1989)
- Next Exit (1992)
- Soulful Strut (1996)
That was it until a few nights ago after reading an online interview with Bob James (h/t Fourplay website cross-post). Since I didn’t have Grover’s early albums in my collection yet, I didn’t think of this:
You were with CTI for a few years before your own project debuted. When did Creed Taylor interject and aid in the progression of things?
Well, I was working a lot with Creed at the time for CTI. But I was working primarily as an arranger and would play piano on other jazz artists’ records. After doing this for about two or three years, on a fairly stable basis, and being on the support staff for other artists like Grover Washington, finally Creed asked me if I wanted to do my own album. So of course I said yes. One ended up being my first [album] for CTI.
Bob appeared on Grover’s first five albums. Saturday night, I bought the last two of those five and a few after that:
- Mister Magic (1974)
- Feels So Good (1975) (Amazon MP3s)
- A Secret Place (1976) (Amazon MP3s)
- Reed Seed (1978)
- Paradise (1979)
- Strawberry Moon (1987)
Some of the early stuff is a little too fusion-y for me, but still great.
Grover Washington, Jr. died in December 1999 at the age of 56. His legacy lives on through his recordings, a generation of saxophonists inspired by him, and jazz fans like me.
Ken Navarro, “The Test of Time” January 12, 2012
Posted by Mike C. in Animation, Football, Jazz, Media, Music, Personal, Sports, Travel, TV.add a comment
Ken Navarro rang in 2012 by releasing his new solo acoustic guitar album, “The Test of Time,” on his website. The street date is March 20, but if you can’t wait, and I sure couldn’t, you can buy through his website. Since it arrived in the mail two days ago, I’ve listened intently to the album’s twelve tracks, classic songs that truly stand “The Test of Time.”
The tracks (original artist in italics):
1. Imagine (John Lennon) (5:11)
2. Little Martha (The Allman Brothers Band) (3:56)
3. Just Like A Woman/Sad Eyed Lady of the Lowlands (Bob Dylan) (6:09)
4. Message In A Bottle (The Police) (4:37)
5. Eight Days A Week/Ticket to Ride/Day Tripper (The Beatles) (4:37) – As I listened to this, I found myself impersonating the Beatles on select lyrics, namely on “Day Tripper”
6. The Days of Wine and Roses (Henry Mancini) (5:03)
7. Wichita Lineman (Glen Campbell) (4:26)
8. Letter From Home (Pat Metheny Group) (2:41)
9. Caroline No (Brian Wilson) (2:42)
10. Europa (Santana) (6:57)
I got my first taste of “Letter From Home” and “Europa” at last year’s Smooth Jazz for Scholars concert in Milford, Connecticut.
Bonus Tracks:
11. Bach BWV 998 (J.S. Bach) (3:28)
12. When You Wish Upon A Star (Cliff Edwards as Jiminy Cricket) (3:15) – This was originally heard in the Disney classic Pinocchio, but since 1987 (following Super Bowl XXI), it’s used in the post-Super Bowl (and other major sports championships) ad for Walt Disney World and Disneyland Resorts. You’ve just finished listening to “The Test of Time.” What are you going to do next? I’m going to Disney World!
The description on the album’s webpage is apt: it’s a “Ken Navarro masterpiece” from start to finish.
2/1 UPDATE: “Message In A Bottle” music video:
5/1 UPDATE: “Imagine” music video:
Smooth Jazz for Scholars 2012 date/lineup December 25, 2011
Posted by Mike C. in Jazz, Music, Personal.add a comment
Two days ago, I visited keyboardist Jay Rowe’s website to see if there was info on the 2012 Smooth Jazz for Scholars, the tenth overall. There was:
I am pleased to announce that next year’s Smooth Jazz For Scholars show featuring Paul Taylor, Nick Colionne, Chieli Minucci, Nelson Rangell and Shilts will be held May 5, 2012 at the Parsons Complex [auditorium] located at 70 West River Street Milford, CT. 06460. Tickets are now on sale for $40 each and the first 200 tickets sold will be reserved seating. Tickets can be purchased by sending a check or money order payable to Smooth Jazz For Scholars Inc. to P.O. Box 3723 Milford, CT. 06460.
This will be my sixth year in attendance.
Here is how the 2011 show went.
5/7 UPDATE: This year’s recap is up.
Steve Cole at Houndstooth recap; Fall Foliage November 13, 2011
Posted by Mike C. in Jazz, Music, Personal, Photography, Travel, Weather.add a comment
Later recap: October 2013
Updated at the end with feedback from Steve.
Last night, saxophonist Steve Cole performed at Houndstooth Pub, a few blocks north of Penn Station. For me, Houndstooth has become the new IMAC. December 4 will mark one year since my first show there.
I didn’t have a ride to the Wantagh LIRR station. So, I walked there in the late afternoon around sunset. (The days are short this time of year.) Along the way, I took pictures of noteworthy foliage.
This is a tree on Briard Street:
The corner of Briard and Island Road:
Stephen Lane:
Ella Road:
Beech Street:
Across from Wantagh Elementary School:
South of Bunker Avenue:
Then, I put the camera away and didn’t take it out of my travel bag until 8PM at Houndstooth.
Ed Tankus of Blue Plate Radio welcomed the sold-out crowd, introduced Steve Cole, and then Steve introduced himself:
Steve played tenor sax:
He was joined by Carl Carter on bass:
JJ Sansaverino on guitar:
Steve Williams on drums:
And Bill Heller on the keyboard:
When I walked down the stairs, I saw a Kurzweil PC3x keyboard and knew Bill would be in the band. It was a pleasant surprise.
SET LIST
SET 1
1. Off Broadway (NY LA, 2003)
2. So Into You (Between Us, 2000)
3. Just A Natural Thang (True, 2006)
4. Undun (The Guess Who cover) (Moonlight, 2011)
5. Angel (Sarah McLachlan cover) (Moonlight, 2011)
6. Got It Goin’ On (Between Us, 2000)
SET 2
7. Thursday (Spin, 2005)
8. Curtis (True, 2006)
9. When I Think of You (Stay Awhile, 1998)
10. Sugar (Stanley Turrentine cover)
11. Our Love (Stay Awhile, 1998)
“Got It Goin’ On” featured solos from Bill…
…and Carl:
JJ had a guitar solo on “Thursday”:
“Curtis” had a long and interesting backstory, which Steve told before playing it:
Steve invited up his friend Dave Hiltebrand to stand in on bass for “Sugar”:
Steve Williams’ drum solo:
The last song of the night was “Our Love”:
The last note:
This night is history.
Steve Cole is very entertaining, funny, wild, sensitive, and soulful. We saw all sides last night. Thanks to Steve, Steve Williams, Carl, JJ, Bill, Dave, and Steve Butler of Mighty Music Corp. It was a fun few hours.
11/14 UPDATE: This album began with foliage pics on my walk to the train station. I took a few more this afternoon in my front and back yards:
11/15 UPDATE: I linked to this recap on my Facebook wall and tagged Steve in the link description. Today, he left a comment:
Thanks for the kind words Mike! I’m so glad you came, and had a great night….
MikeChimeri.com 
2011 in review December 31, 2011
Posted by Mike C. in Commentary, Internet, Jazz, Media, Music, News, Personal, TV.add a comment
The following is a WordPress post for my blog, edited by me with editorials (like this one) in italics.
The WordPress.com stats helper monkeys prepared a 2011 annual report for this blog.
Here’s an excerpt:
Click here to see the complete report (link removed).
Why did I remove the link? It drastically slowed down my browser (Firefox) and repeatedly crashed it. I’m finishing this post in Internet Explorer. Here’s the text I copied and pasted, saving in multiple drafts between crashes:
WordPress.com presents
The Mike Chimeri Blog
2011 in blogging
Happy New Year from WordPress.com!
To kick off the new year, we’d like to share with you data on your blog’s activity in 2011. You may start scrolling!
Crunchy numbers
The concert hall at the Sydney Opera House holds 2,700 people. This blog was viewed about 8,300 times in 2011. If it were a concert at Sydney Opera House, it would take about 3 sold-out performances for that many people to see it.
In 2011, there were 43 new posts, growing the total archive of this blog to 225 posts. There were 861 pictures uploaded, taking up a total of 1gb. That’s about 2 pictures per day.
The busiest day of the year was August 21st with 236 views. The most popular post that day was Bolder & Fresher Tour at Westbury recap.
How did they find you?
The top referring sites in 2011 were:
Some visitors came searching, mostly for joyce cooling, empty stage, wwe headquarters, ken navarro, and steve scales.
What is people’s fascination with a picture of an empty Parsons Complex auditorium stage that I put in my 2008 Smooth Jazz for Scholars recap?
Where did they come from?
Most visitors came from The United States. Canada & Italy were not far behind.
Here are the stats I screencapped before Firefox crashed one time too many:
People also visited from other continents, but I can’t risk crashing my browser again to see their stats.
Who were they?
Your most commented on post in 2011 was Bolder & Fresher Tour at Westbury recap
These were your 5 most active commenters:
Perhaps you could follow their blog or send them a thank you note?
Thank you, even if you disagreed with me. And thank you, Johnny Dollar, for linking to the recap. It was the only one online. Not even Newsday wrote about the show.
Attractions in 2011
These are the posts that got the most views in 2011.
Some of your most popular posts were written before 2011. Your writing has staying power! Consider writing about those topics again.
I don’t know why that FBN post continues to get attention. Cablevision added it in November 2009.
As always, thank you very much for visiting. Happy 2012!